#paper drive organizations
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tj-crochets · 1 year ago
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Hey y'all! Weird question time again! Do any of you have advice for where to buy good paper copies of road maps, specifically of the eastern united states? I'm thinking like the east half of Tennessee and parts of the surrounding states. Some context: I saw that post about using our phones for everything being a single point of failure (true) and my dad is very hard to find presents for but appreciates being prepared for emergencies (he spent most of his 20s as a firefighter in wildfire territory) so I think he'd appreciate having paper copies of maps he could like keep in the car in case his phone ever doesn't work. The problem: I do not drive, and I have absolutely zero idea what features make paper maps easier or more difficult to use, so idk how to narrow it down to which one(s) I should get him
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vraska-theunseen · 13 days ago
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So they just admit it
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madowperle · 9 months ago
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2024 really the year of changes
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loveofmylouis · 1 year ago
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moonjxsung · 11 months ago
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,�� you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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dcxdpdabbles · 6 months ago
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DC x DP fanfic Idea: Side Hustle
Barry needs more cash.
It's not that he is struggling, but unlike Bruce, he had student loans, a mortgage, and all the medical bills for Iris to consider. Even with his wife working, he knew they needed to keep a tight grip on their spending to ensure they didn't fall from the yellow into the red.
This means that sometimes he had to watch Wally's face fall when he admitted he couldn't afford to give him an allowance or even some money to go to the mall with his friends. It's not that his nephew complains—Wally is a very understanding young man—but it still tears Barry up inside to disappoint him.
Significantly when, their hero work cut so deeply into their funds just to keep their speedster metabolism under control. If he hadn't done his foolish experiment, Wally wouldn't be in danger of starvation for following his example.
Blood or not, Wally is like a son to him, and the idea that he can only provide the bare basics is painful. He has a high-paying job now, but it will take a while to get all his debt from when he was a student under control.
Before he married Iris, he was okay with that. He now had a wife and son who depended on him, and he couldn't wait around, hoping things would pick up after a few years.
He managed to pay off most of Iris' medical bills, and the house was an excellent step up from the cramped two-room apartment they shared when they were engaged. Barry knew that these two things were good, but he could do better.
That's how he applied as a research assistant to a strange family company called Fenton Works. The pay was decent, and it was only a short hour's drive from his home—he speed-ran it in five, but he needed a realistic distance to keep his ID protected. And best of all?
He mostly did office work. Half the time, he was allowed to do remote work documenting research data and organizing the owner's inventions and patents.
There were many funds coming from said patents and inventions. If the Fentons weren't so busy spending the money to fund their ghost research—the power grid they needed for the portal alone was almost as much as Barry's entire mortgage—then they could easily be among the few in Bruce's fancy galas.
Barry will admit that he was surprised to learn that Mr. Fenton had a PhD in engineering, applied physics, and robotics. Mrs. Fenton had a PhD in nuclear physics, functional analysis, and renewable energy. Both were currently working on getting a PhD in some form of biology, and Barry was flabbergasted that they spoke about it the same way people casually decided to start a new hobby.
It was hard, but they had the money to just sign up for classes. He wept into his student loan reminders whenever he thought about it.
They made the perfect team- one thought up the idea, and the other created a physical form while they ensured it worked together.
He knew his bosses were certified geniuses who appeared goofy was one thing, but to be confronted with their degrees stuffed away in a storage box was another thing. He hadn't even meant to find them since he had gone in there with Danny- his boss's kid- to find some paper research Dr. Jack Fenton needed.
It was even more shocking to find that Dr. Jack had sold some of his systematics to Wayne Enterprises and that Bruce had used some of his robotics theories in his Batman gear.
It also seemed that most of the Amity Park were unaware of how intelligent the Fentons were. When he was out and about in the city, he kept getting pitying looks for working for the local freaks. It was honestly shocking.
People talked about Jasmine Fenton's bright future, the only hope among the family, in the same breath as calling Jack Fenton an idiot or Maddie Fenton a washed-up housewife. The things they had to say about Danny Fenton were far more disheartening.
Barry knows a thing or two about troubled youths as the Flash, and no matter what the town told him, Danny Fenton was not one of them.
It seemed to Barry that Danny was suffering from blatant bullying and the pressure of his family's shadow. Adding to the confusion of being in the middle of puberty, it created the perfect recipe for Danny to be spirling. It was a rough patch, and it led to him skipping class, dropping his grades, and ignoring his responsibilities.
He overheard the Fentons talking about Danny. Dr. Fentons was starting to grow worried since Danny had never behaved this way before high school while Jazz attempted to defend her brother and excuse his disappearance.
She seemed very aware of why her brother seemed to change.
On the other hand, Dr. Fenton wasn't and mentioned more than once that she and Danny were very close when he was a kid, but lately, he seemed to be shutting her out. Her husband admitted that he figured Danny had gotten a girlfriend- someone named Sam?- but he started to notice his son kept coming home with what appeared to be injuries.
Barry wasn't sure if they were aware that Danny was getting bullied. He was carefully filing some of the old cabinets when it clicked.
"Jazz?" He called out as the Fentons finally stop talking about Dnany's behavior and moved down to the lab. The teenager poked her head into the file office with a curious smile.
"Yes, Mr. Allen?" No matter how often he told her to call him Barry, she seemed determined to keep that barrier between them. Which was fair. After all, he was only around the house three or four times a week for a few hours.
"I have a question, so please feel free to not answer." He starts carefully to keep his tone light. Her smile turns strained at once, and Barry almost tells her to ignore it, but the thought of Wally being Danny's place makes him push on. "What is your family's stance on gay rights?"
Jazz blinked slowly, tilting her head. "I don't mind, and neither do my parents, I think. Why sir?"
"Just curious," Barry said, but mentally, he wondered if Danny knew that.
Jazz didn't look convinced, but she didn't push the issue as she wandered away with a respectful by-your-leave. He waited until she was upstairs before abandoning his work to find the Fentons.
Carefully, he started by updating them on his work, then casually dropped the mention of taking Wally to Pride so he wouldn't be able to work the following week. Neither Dr. so much as blinked, telling him that it was fine.
Barry felt it safe to keep pushing just a little.
"Yeah, I still remember how nervous Wally was about telling me he liked girls and boys." He chuckles. "As if though I didn't notice the signs."
Dr. Fenton raises a brow, face twisted in confusion as the large man turns to Barry. "What signs?"
"Mostly, he is trying to think of excuses to be with his friends more. He wasn't sleeping a lot, got into a bit of trouble in school when some kids were giving him grief, and oh, the way his eyes followed young men about." Barry said as casually as one could.
Dr. Fenton looks pensive. "Interesting."
Ah, it seemed she had picked up on the possibility of Danny not being as straight as he claimed. She thankfully didn't seem bothered by it.
"Jack, honey, you don't think Danny could be....?" She asked carefully.
Dr. Fenton ran a hand through his hair. "It could be. But why didn't he tell us?"
"Oh geez, I wonder why!" Jazz suddenly yells from the stairway. Barry twists around to find her standing there with a defensive glare. She has obviously been eavesdropping, but for how long? "What did you two expect with the way you talked around the house?!"
Dr. Fenton looked mystified. "Jazzy-pants, what are you talking about?"
His daughter only raises her fist, lowering her voice to mimic her father. "What are we doing today, Maddie? I know; how about we rip the ghost boy molecule by molecule!"
Barry's eyes grow wide. He had been working for the family for about six months and had encountered Phantom more than once. He even fought him off as Flash a few times since the ghost was hell-bent on robbing and property damage but was less dangerous than his rouges.
Dr. Fenton's face went pale as she clutched to the table. "Jazz you mean....Danny and Phantom...."
Jazz looked ready to fight them all as she bit out, "If you try to do anything to Danny, I swear-"
"We would never Jazzy-pants." Jack cut in, looking off Kindle. "To think my son was dating a ghost behind my back and I...I didn't even notice."
"Oh, Jack, we have to apologize," Maddie started. "Who knows if Danny could ever forgive us?"
Barry was thinking Flash also had to apologize. Based on their last encounter, Phantom would likely not be willing to hear him out. He quickly pulls out his phone to see if Wally and his team could get close enough to have him consider speaking to Barry.
None of the adults noticed the way Jazz froze in confusion, nor did they notice the slow horror growing on her face as they came to terms with Phantom and Danny dating.
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nightpool · 5 months ago
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If you are an auditor, and you call up the chief financial officer of the company you are auditing and ask “hey when is a convenient time for me to come to your office to review the books,” and he replies “no, no office, parking lot,” and you say “okay I’ll drive to your office and you’ll come down—” and he says “oh no, not our parking lot, a different parking lot,” and you meet him in a parking lot 40 miles from his office, and he hands you printouts of the financial statements and drives away, how should you begin your audit? Which of the financial statements is most likely to contain red flags or discrepancies to be addressed? I feel like the answer is “the parking lot”? If I were auditing those financial statements, most of my questions would not be about technical accounting matters but “why are we meeting in a parking lot again?”
Here is a story about the CFO of the Detroit Riverfront Conservancy, William Smith, who was arrested last week for allegedly stealing $40 million from the nonprofit:
"Mr. Smith’s grip on the nonprofit’s finances was so tight that even the nonprofit’s accountant, charged with tracking spending, could not log into one of the group’s bank accounts. Only Mr. Smith had the password. He gave her the bank statements on paper and met her only four times a year, in the parking lot of a Honey Baked Ham store 40 miles from the office. […]
"Brian Mittendorf, a professor who studies nonprofit accounting at Ohio State University, said that the conservancy’s official documents show that it took steps to safeguard its finances — including oversight from its board of directors and annual audits.
"‘All these things sound as if it’s an organization with a pretty robust review in place. On the other hand, only one person can access the money, and provides paper copies in a Honey Baked Ham parking lot?’ Mr. Mittendorf said. ‘Those sound like the opposite of a robust governance mechanism.’"
As it happens, Smith allegedly altered the bank statements by “[removing] the payments to himself and [replacing] them with fake payments to other vendors.” I still don’t fully understand the parking lot, though? Like you can meet the accountant in your office to hand over the doctored paper financial statements; just unplug your computer first. I just feel like meeting in the parking lot sends a pretty strong message of “I AM DOING CRIME” that you might want to avoid, if you are doing crime.
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commodorez · 10 months ago
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Zoomer here, and I do indeed have questions about computers- how do filesystems work, and why should we care (I know we should, but I'm not exactly sure why)?
So why should we care?
You need to know where your own files are.
I've got a file on a flash drive that's been handed to me, or an archival data CD/DVD/Bluray, or maybe it's a big heavy USB external hard drive and I need to make a copy of it on my local machine.
Do I know how to navigate to that portable media device within a file browser?
Where will I put that data on my permanent media (e.i. my laptop's hard drive)?
How will I be able to reliably find it again?
We'll cover more of the Why and How, but this will take some time, and a few addendum posts because I'm actively hitting the character limit and I've rewritten this like 3 times.
Let's start with file structure
Files live on drives: big heavy spinning rust hard drives, solid state m.2 drives, USB flash drives, network drives, etc. Think of a drive like a filing cabinet in an office.
You open the drawer, it's full of folders. Maybe some folders have other folders inside of them. The folders have a little tab with a name on it showing what's supposed to be in them. You look inside the folders, there are files. Pieces of paper. Documents you wrote. Photographs. Copies of pages from a book. Maybe even the instruction booklet that came with your dishwasher.
We have all of that here, but virtualized! Here's a helpful tree structure that Windows provides to navigate through all of that. In the case of Windows, it's called Explorer. On OSX MacOS, the equivalent is called Finder.
Tumblr media
I don't have to know where exactly everything is, but I have a good idea where thing *should* based on how I organize them. Even things that don't always expose the file structure to you have one (like my cellphone on the right). I regularly manually copy my files off of my cellphone by going to the Camera folder so I can sift through them on a much bigger screen and find the best ones to share. There are other reasons I prefer to do it that way, but we won't go into that here. Some people prefer to drag and drop, but that doesn't always work the same between operating systems. I prefer cut and paste.
Standby for Part 2!
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darkartsanna · 1 month ago
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Hurricane Helene Relief Funds to those affected in the Southern Regions *will edit as I find more, please reblog as usual and check back for updates (Liking doesn't circulate it and isn't helpful)* *9/30 Has been edited! (Also, I think whenever I edit this it doesn't update the versions already reblogged?) ORGANIZATIONS American Red Cross FEMA Disaster Assistance Improvement Program Warmline Directory (Mental health resource) AKC Pet Reunite Food Not Bombs Operation BBQ Relief Partnership for Inclusive Disaster Strategies & Roll Mobility Operation Air Drop GEORGIA State and Local Level Referrals - (60 Organizations Listed) Emergency Shelter Locations Animal League
NORTH CAROLINA Brother Wolf Animal Rescue Asheville Survival Program Homeward Bound State and Local Level Referrals Beloved Asheville Rural Community funds CLT Mutual Aid Fundraiser for a NC resident to deliver food to affected areas Mutual Aid Disaster Relief Animal Disaster Relief Coalition Mutual Aid Disaster Groups
Special Note: There are 2 Wifi Stations now open for public use. The locations are: SPOT 1: DoubleTree Hilton Downtown 199 Haywood SSID: SORTOR STARLINK Pass: ncstrong SPOT 2: Asheville Shelter Ferguson Building 340 Victoria Rd SSID: HALL STARLINK Pass: ncstrong SOUTH CAROLINA State and Local Level Referrals (44 Organizations Listed) FLORIDA Volunteer Florida Disaster Fund FootPrint Project State and Local Level Referrals - (52 Organizations Listed)
TENNESSEE HellBender Harm Reduction
More supplies to consider donating in hurricane impacted areas:
Bottled water, potentially water filters
Personal hygiene items: wipes, tampons/pads/other menstrual products, hand sanitizer, mosquito spray, laundry detergent, toilet paper, diapers, and especially any products safe for sensitive skin
Medications like ibuprofen/tylenol, yeast infection medicine, cold & cough medicine, any diabetic meds that can be safely shared, etc
Individually wrapped low to no prep food items, baby formula, and Gatorade
Pet Food
Sunscreen
Heavy duty bags, Duffel bags, backpacks, and trash bags, 5 gallon buckets, coolers
Fans, dehumidifiers, moisture sensors, generators, gas, gas canisters, solar charging items, portable battery banks, first aid kits
Chainsaws, crowbars, hammers, air filters, respirators, 2×4 planks, bleach, roofing nails, heavy duty gloves, and waders.
Books, Board Games or other non electric activities for children
Double check before donating items, especially if your local drive is accepting donations of particular products and can distribute the more specialized ones where they're needed.
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dogbites-puppylove · 8 months ago
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Devil Sins
The Batfam and the deadly sin that colors their life, and the virtue of their darling
TW:  Yandere behavior (obsession, possessive behavior and unhealthy ideations), mention of suicide ideation and s/h as well as gore
Tags: Yandere! Batfam x reader
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Bruce Wayne: Pride    
Within Gotham, it's common knowledge that when crimes wretched hands come down to slit your neck you do not clasp your hands and pray to God, no - you whisper your tears into a puddle of blood and give your reverence to hold out for Batman. It is under no exaggeration that divinity in the cursed city leaves justice to crumbled bones and puddles of teeth and tongue, and its cruel master in the form of a man with no face. It's fitting, for a city of corruption and bile. Gotham’s god is its dark knight with steel for bones and scripture of flesh, man made Godhood with flawed creation in its wake. But man has never been meant to hold godhood, the pathway of immortals too cruel and demanding, even with those who have wielded its deadly blade of eons it rips into them. Tearing at seams and breaking into them until their pieces can be glorified in the stained windows of churches.     
Batman is divinity within mortal confines. There have been prayers and hymns in his name, retribution in his name and the painful dependency of creator and creation waged on him. Batman is an entity that is nothing but iron and brimstone, unbending and unfeeling, but Bruce Wayne, the man who created this creature whose only split from being a monster is a bloodied and beaten code, is painfully human. He feels each failure weigh on him, aging him past his own casket and decaying him even as he still breathes, it cradles his head during the night and whispers the screams of those he has watched fall.
Every time Batman stands tall, Bruce can feel something small and young turn decrepit and vile in his stomach until it erupts from him like bile from the back of his throat. He thinks it must be the humanity of a son who in truth, died with his parents in that alley. It slices his open, cutting his flesh to ribbons, and gorges itself on his organs only to fill him up with something inhuman. It's with bated breath with lungs that have been clouded with smog, that he waits for Batman to finally rule Bruce Wayne unfit and strangle him entirely.   
Darling: Humility
The Darling acts as the humility to his pride, dragging him to his knees so archaically Batman shrivels in your presence. You are his humanity given form, the antithesis to his claim of being the perfect hero. You lead him by the nose, walking him on a leash so flawlessly he thinks you might have been born just to keep him grounded. Every scrape or bruise seems to repel the mission Batman strives for and replaces it with nothing, but a man stricken that he hadn’t done better. Each burn or scrape, even a paper cut drives guilt into him and brings a physical ache to his body like you had beaten him with a bat. Each mark burns the shame of a failed hero and leaves only the pathetic begs and whines of a man that can only be human. 
If he could, he would spend his days by your side, affected by the intrinsic need to provide for you, leaving you physically and mentally unable and robbed of the ability to want. It's a desire that burns molten in his chest and drips down his limbs, it burns and aches at him as if trying to rip out of his chest and lick at your hand like a depraved dog. He would do anything for you, would render the world silent, bring you a heart on a platter, violate himself so terribly he could not know anything but his adoration of your presence and yet it still feels inadequate. A simple compliment from you leaves him bereft of ambition and scorn, leaving him on his hands clasped in prayer. 
Batman may have been his creation, but Bruce Wayne is your own tool, use him to get what you want, change him for your own needs just keep him at hand. He'll be loyally and wholly (obsessively and blindly, almost rabid) yours. God bends to nobody's will, but Bruce Wayne knows down to the electrons snapping in his synapse that his place in this world is by your side, whether you point, whenever you deem fit. You’re his god, and himself nothing but a faithful follower. 
Richard Grayson: Lust
Perhaps born from watching his parents, who should have been a constant, die in front of him a painful death filled with tourists' eyes and misplaced faith, right outside of his fingers grasps Dick has an inherent need to feel. For him, want runs in his skin like a conscious, whispering what he craves, giving voice to a voracity so impossible that it turns physical. He has known denial from the start, whether it be the blood of the man who stole his parents, a want that made his tongue ache and crawled at his ribs until his bones crackled, or the sweeter craving of a relationship, something that watered at his mouth. Want is something that has haunted him, growing obsessively until it reached lust.
Though sexual desire, of course, is something that is often attributed to it, it's not the only way lust presents itself. For Dick, it appears when he closes enough to reach out and feel flesh on his own, something tangible and it shocks him like a bad dog until he reaches out to soothe his skin. It appears in the dead of night when he can feel no other warmth than his blankets, even as he arches out and reaches pathetically into the air. It is a call of pathetic loneliness, so strong that when his younger brothers are cuddled drowning within him it is to try and get rid of the sudden echo, to try and merge them into one, until he is no longer Dick Grayson, and somehow a part of them. Somewhere in between the heat of a lover and the loyalty of a son, he realizes that being a part of a couple isn’t enough.
He wants like a man starved, all instinct and need, like a child who has been ripped out of his mother’s grasp before she has fed him fully, there is always something he’s not quite satisfied with. What he truly craves is a constant, a union, melting himself, and another so they can be poured into the same mold and make something new, indistinguishable from the other. And despite the carnal behavior of his want, he knows how to get it. He smiles full of charisma, grins with the sun and serenades with the moon to get his fixes, but each one leaves him starved, stricken for more. Like a bad addiction.
Darling: Chastity    
The darling brings a chastity in his life, though not to say he wants less, but in the way a husband will fully devote himself to their wife. It’s the deceptive nature of a couple announcing a pregnancy and accidentally alluding to nights spent in bed. The darling hits a spot for him that leaves him mind numbingly euphoric, like a high that is reached after weeks and weeks of suspension. Every kiss has him feral, no better than an animal and chasing after you, every negligence has him whining by your feet, clinging to you. He grows incredibly dependent on your presence, on your touch and everything beneath. 
With you his sharp mind bleeds into instinct, and the charisma he wields to pry himself into others good graces is left uselessly at the door. It’s a delusional dreamy trance, every hug sends him tumbling down further and further until his panting against your neck and thinking of nothing but you, you, you. He can feel himself slipping into your existence, swearing he can taste the coffee you drank in the morning, and can feel every cut or bruise you get without him present. His want for you is wet, sticky and binding, threatening to pull you over until you lose your mind along with him. 
It’s almost laughable how pliant he is with you, a touch to his arm can have him following you over a cliff, a peck to the cheek and suddenly his on your lap whining for more. For all he is hard and angry, full of vigilante fights and bruised skin you wouldn’t even have to hurt him to kill him. With you, he can indulge himself fully, so much so that he wants no other. In fact any other touch leaves him lacking, so utterly entranced by you that he can no longer feel another’s skin unless it’s yours.  To him, his darling and himself cannot be separated, they won’t go down in history but their names, but by the title for lovers. Nothing to define themselves but their own love. 
Jason Todd: Wrath
Anger, to Jason, is an old friend that lives in his bones and whispers in his ears with every movement. He has used it well his entire life, a melting anger of forged iron against his father to keep him defiant, a indigent anger filled with a son's tears for his mother, the roar of inequality and social class that steals from the batmobile and the blinding and rash rush that leaves him as robin. It’s at first a soft motivation that keeps him alive, any good street rat knows, or any street rat still breathing that to stop means you’re as good as dead. He covets his rage, it's youthful and idealistic and keeps his heart beating.
Of course, after the pit (after being beaten to death in a warehouse of gasoline and gunpowder, watching his own blood relax as he’s robbed of his own, coming back ripping from his own skin and drowned in green only to find out his father-father-had left him unavenged. Left him replaced and gone) his anger has grown into something primordial. Too old to be Jason’s but so familiar he leans into it. It grows from his bones like ivy and twigs, poking out against his flesh and sewing itself under his skin so that the slightest breach sends it out to take root.  Jason’s wrath is something that threatens to leave him choking blood, and yet it keeps him alive with the threat of keeping him running forever. It is the anger of a child on the poster who has never been found, and their stomach full of worms that burrows into his own. The tears of a case under the corrupt policeman’s file, and the ghosts scream in a house empty of their future. It’s all those who have ever been a statistic (as he has been) boiling over under his skin. Because Jason knows the wrath of the dead and unavenged intimately, it burns his memories in green and leaves his chest heaving with permanent mourning of mothers whose children were robbed and never found. It threatens to scratch away from the inside of his ribs until its nails finally rip him open in a mocking autopsy and wail into Gotham’s plugged ears.
Jason's violence, his actions and words, the bullets in his guns and glare under the hood are all reactions to this. As long as the world spins, as long as humans turn a blind eye to victims, and allow the injustice of the world to mold them, he will move. All his actions are an answer, a bullet through a man's cranium, the vengeance of a young girl with a ripped dress, a severed head, the relief of a child who watches their family bleed out for powdered death. Each and every shout of Red Hood, every puddle of blood he coats the ground on proof that he is still moving. Because Jason’s wrath is old and an answer, to the boy in the warehouse, to the boy in the ground and mounted not as a son but a soldier. It’s a solution to the fear that manipulates his chest that should he stop moving he’d be buried again. 
Darling: Patience
Jason is a man of action and violence, fear turned into anger because above all he is a man cursed with empathy. With his darling the fear that curdles his insides soothes, like a mother rubbing her child’s stomach and singing a special song to keep the pain away. The world will keep moving regardless of him taking a break, and he has the blinding panic of staying in time, and yet his darling is a perfect encapsulation of time. Something preserved beautifully, a painting stuck in motion, the words on his books that are remembered through words and tongue. The tint of red becomes a pastel pink, and suddenly he’s so, so weak.
With his darling he closes his eyes without fear of waking up decaying. A sweep of your hand against his cheek will pull a sigh of pleasure from his throat suddenly free of phlegm and blood, even a harsh hit will feel divine. His darling functions as a sort of “moment” , something trapped in time and solely for Jason. Much like opening a book, the story is forever clashing but the words stay all the same, waiting for the reader. It’s with you the anger that has kept him moving for so long, washed away, like the dirt clinging to his skin under water. It's freeing and leaves him shakily bare, with you he weeps, with you he grows and stays forever yours. You are life itself, something ancient and timeless at the same time. The nostalgia of losing a tooth and excitement of a birthday party wrapped into tender song and softer skin.  
It’s a common sight to see him cry when with you, prayer in the form of tears that are just for you. He spends his days in a lovestruck haze, almost as if he’s been drugged. For Jason there is no constant, no surety but you. He would do anything to keep you perfect, safe and just as you always are. He'll care for you much like a beloved heirloom, of course he loves you with a severance that would scare most, but you are something he seeks to preserve. Nothing can hurt you, will hurt you, you’ll remain untouched until you reach out yourself. Your presence alone is enough for him to intoxicate himself with, bask in forever. But should you give I’m a sliver of your attention, allow him to enter your perfect little world? He’ll be lost forever.
Tim Drake: Gluttony
The most intimate feeling Tim knows is hunger, perhaps not for food but for anything and everything else. Obsession is his most familiar form of companionship, stuffing picture after picture of his object of affection until he can drown in them. In his house of echoing walls and emptiness he comes to emulate it. He feels hollowness in his soul, some nights he wonders if he took a knife to his own side what he would find. Would it be organs? Perhaps a heart? Or would it be the void that has eaten all that made him and left him with a constant hunger to fill himself with? For a time, he manages to satiate himself with Batman and Robin, stalking and drinking them in over and over until one day it's stolen and left him with nausea so terrible. (And Tim still remembers the rawness of his skin as he is thrashing in his room, his throat bleeding from his wails of a boy he never met)
The more he gets the more he hungers, it’s something horrific and apathetic that leads him to chasing after his own fill. Case after case solved, fact after fact filtered and sorted through, Tim is insatiable. Like a well oiled machine, the fuel that keeps him going only works to find more fuel, it's a never-ending cycle of something that can no longer be deemed as human. Half of this can be attributed to the fact that it’s all the same to him, an angelic charity to a garish murder eh takes them and feasts on them all the sometime efficiency is more of a hook then anything, pulling others in so he can feast on them, devouring their mannerisms and habits, licking up and chewing on their thoughts until there nothing left of them. 
One could blame this on the fact that the identity of “Tim Drake'' has never really been sought out, so there’s no substance to him. Something useless will obviously stay shiny, clean and unused, it's logical in all the ways it makes Tim want to throw a tantrum. It drives his mouth to salivate until he’s drooling over another function he can consume, another person he can mirror, another morsel to disappear within himself. And yet with each new meal he can only feel the void echo back louder, as if he had never eaten at all. Like a fire consuming too much wood that it withers out in anger, as if the trees that had been cut never existed in the first place. It threatens to force Tim to disappear forever.
Darling: Temperance
The temperance his darling offers is in the form of a craving rather than actual fulfillment. After just his first taste of you, Tim has been enraptured for you, nothing comes close to your unique temperament, your reactions, everything that makes you, you. You leave his mouth watering for more, nothing else can settle against his tongue the way you can, nothing can mimic the way you fill his head with static and leave him filled to the brim. He takes whatever kindness you give him and uses it as an invitation to learn more about you, an invitation to bear himself fully. Any preference you have, a favorite color or show, even general food preference will settle into Tim as if it had been his all along. Where he used to drink black coffee, has grown a taste for your favorite creamer, your playlist will be playing in the back of his head as he switches through W.E. work, it’s all you, you, you. Like a puzzle finally coming together,
Tim’s brain finally quiets down and is forced to digest. Any sort of attention you give him is a five course meal, any scorn is just as quickly devoured. You don’t quite stop the habit of obsession, but you give it direction. Tim has never known such direct want until you, a den he has no plans to stop his indulgent habits. He is ravenous for anything you toss to him, your voice, a text, an opinion, even just a little note, whatever you do stays, It’s a blessing and a curse. Because while the hunger pangs back in your presence, now nothing else can even come close to keeping him occupied.
He’ll obsess over you, crafting himself to be your perfect companion just so he can stay by your side and continue feeding. Everything in your life has a shade of him, your job, your house, your hobbies, even your electronics, each one a special situation he created to have you just a bit closer. Nothing else can come close to you, he’ll make sure you're well taken care of, all he asks in return is you.
Damian Wayne: Envy
Damian’s life is a unique contradiction. He was born the sole inheritor of a Thorne he is meant to fight for, something only he can own and yet is so unworthy he is kept from it. It forces him into a sense of jealousy, inadequacy and egregious entitlement. He could have anything he needs, but only as long as he earns it, it gives him a longing sense of feeling everything is out of his reach. That even should he hold the sword in his hands it cannot be called his. Not in the way a dog can call its food their own, and not in the way a writer can crow over their own creation. It leaves him painfully envious of others, of their right to their own possession, it leaves him vicious and poisonous. Part of the reason he squirrels away animals with so much intent, is because they’d be “His.” He’s their sole owner, and as beings with a conscience they can prove their loyalty. 
His envy leaves him with harsh words and even deadlier scars, it forces him into a fine weapon and while it’s an ideal state for an heir it’s a broken state for a child. It leaves the boy wanting, fearful and anxious. His envy is young and childish, something not allowed, and it’s something weaponized. It’s part of the reason he defends the title of robin so freckly, not only because he believes himself right, but because it’s his in way the throne cannot be. Because it’s not a legacy he’s supposed to take, it's one he steals from himself. It’s his, in a way nothing has been since he first cried from the pit.
But even then, the title of partner that so many others have worn, cannot soothe the constant ire, the lashing out that comes with fear of being replaceable, of being nothing but a role, comes with. Because Damian has been born as his mother’s son, as his father's legacy, but not as his own person. It makes Damian feel unfit, unusable in the way he has seen his mother discard students who cannot kill. It burns him, kills him and with time he thinks he might just be a husk. Damian is nothing but competency and a perfect successor, a successor will never be their own.
Darling: Kindness
Ironically the kindness that tempers his own envy is not his own but instead, actions of his own darlings. He fully gives himself to you, gives you his very purpose to do what you want with. Should you order him to kill, order him to die, or to live he would do it without complaint. Tell him you want his heart and he will pry himself open and hand it over with a smile, tell him you want his laugh, and he will laugh himself manic until you tire of it. He is a fine blade, a weapon that has seen battle far too much already, and it’s your own kindness that stops it from going to battle. In essence Damian has made himself a role right by you, but has given up his autonomy of your manipulation. You’ve become his master, his owner and his loyal weapon.
Every action is your doing, every remark is for your benefit, and by giving himself to you, he can have you in a way nobody else can claim. Every smile, every hug, every word that you speak to him is something unique from a dynamic he has hand crafted, and therefore uniquely his own. He will store you away from others, wary of letting them stain you, and even more wary of letting them steal you. You’re his, his love, his heart, his blood, his purpose on this earth, and he cannot let another’s touch deter you from this. His darling is a salve to his aches, a bandage that wraps tight enough to manage to hold him together, and his actions are that with the purpose of binding you to him. Your purpose will be each other.
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Author's Note: Another reupload! Previously known as lovesick-laboratories.
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my-castles-crumbling · 2 months ago
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thesis - jegulus - September 18th - @stag-microfic - word count: 354
Regulus had always believed that the most attractive boys have the worst organizational skills. And James Potter, who is the closest thing Regulus has ever seen to a god, has the lest-organized computer Regulus has ever seen.
This much is obvious as he sifts through file after file on James's drive, not a folder in sight, searching for the paper the older boy told him would be there, that might help him with his thesis. But finding it is as likely as finding a needle in a haystack, as not only are the files not in folders, but they're named things like "Untitled234234" and "Dunno123."
He's just about to give up, to tell James he needs to smash the entire laptop, when he finally spots a single folder named 'darling <3.'
At this point, it's more curiosity than hope. He's given up on finding the paper and he's just being nosy. But he clicks anyways, because when was the last time he'd heard James refer to anyone as 'darling?'
When his face pops onto the screen he gasps.
But it's not just him. It's pictures of himself and James. Pictures of them smiling, laughing, grinning at each other. Looking like they're truly in love.
He's never taken the time to truly look at the way they look at each other before. But now that he's taking it in? He sees it. Sees what Sirius and Remus and everyone else mean when they say he and James have something.
It's then that James finally arrives home.
"What are you looking at?" he demands, right away noticing what's on his computer screen.
"Why do you have a folder of pictures of us?" Regulus asks quickly, raising his eyebrows.
James falters. His mouth opens and shuts, searching for the right words as his eyes scan the room, obviously looking for an exit.
But Regulus does his absolute best to pluck up some courage, because somehow it seems that James feels the same way about him that he's felt for so long."
"Darling?" he murmurs. "I like that."
And he watches as James breaks into a gigantic smile.
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usashreddingservices · 2 years ago
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steddieas-shegoes · 3 months ago
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to everyone’s shock, Eddie Munson is incredibly organized when it comes to taking trips. he has an itinerary and a packing list, and he’s got his budget figured out weeks in advance. even the smallest road trip for the weekend is planned in great detail so there’s no surprises.
even more shocking is that Steve Harrington is the exact opposite. he closes his eyes and points to a place on a map one day and buys a plane ticket the next. he packs the night before and almost always forgets something because he didn’t make a list and didn’t research the weather patterns for the area.
they drive each other absolutely batty the first few times they travel together.
but then Steve is pointing at a small island near scotland and Eddie is calling airlines and one of only two bed and breakfasts on the island. Steve is setting aside their money for the trip while Eddie packs after calling Jeff’s mom, who vacationed in scotland when all her kids grew up and left the nest.
it all comes together somehow, the two of them making the perfect combination of chaos and control.
when they arrive in scotland, ready to take the ferry to the island, Steve reaches in his backpack for his map of the island and freezes. it’s not there. it’s not in Eddie’s bag either.
it’s one of their most prized possessions for this trip and he lost it.
Eddie comes back from talking to the ferry operator holding a piece of paper and smiling despite the heavy mist descending on them.
it’s the map.
Steve hides his sigh of relief, smiling back.
“you dropped this,” Eddie says casually.
“oh, did I?”
Eddie’s only response is shoving it in his own bag.
yeah, it’s probably best he hold onto that.
it’s not the only time during that trip that Steve messes up one of their plans on accident.
he buys breakfast one morning instead of eating the free one at their bed and breakfast.
“it’s in the name, Steve!”
“I wanted a croissant, Eddie!”
he forgets their rain jackets when they go on a walking tour of the coast and it inevitably rains.
“wet denim isn’t ideal for walking tours, Stevie.”
“I’m well aware, Eds.”
but no matter what, Eddie always gives him that smile. the one that lets him know it’s okay that he’s a little chaotic with this stuff. it’s okay that he’s a little forgetful and more focused on the fun than the making sure everything’s right.
because love is about balance and in every area, that’s exactly what they do.
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tradgedyinwaves · 17 days ago
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tw: cheating, car accident
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Being John's assistant and girlfriend was hard sometimes. Okay, a lot of the time. Holidays were missed. Special occasions put on back burners. But when he was home, John made every effort to make it up to you. At least, he usually did.
You took care of their paperwork for the most part, submitting their reports once they were turned in with details of their mission. You made a point never to read them. You'd made that mistake once and gotten a first-hand account of how Johnny had shoved a grenade down someone's throat and then stood back to watch.
They were your boys, but that didn't mean they were stable. Simon liked killing people with his bare hands. Johnny liked to watch them explode. Gaz liked to wittle them down to nothing during interrogation(torture).
But your John? Well, he made sure his shots provided the most suffering. Shooting out the knees first, then the elbows, shoulders, spine and then finally the head. He had no issues getting the headshot, but liked to take his time.
With you, though? Oh with you they are protective and gentle. Harm almost never befell you with them around. The worst that had happened since the beginning of your relationship with John (and your indoctrination into their group) was that you'd stubbed your own toe on a chair you hadn't pushed in. It was your own fault really, love.
The team had returned the day before your birthday. What a birthday present, right? Wrong. As you greeted them on the tarmac with warm meals waiting in the car, each one gave you one armed hugs. John was last, pulling you to his side but not saying anything.
You could tell they were exhausted and that something hadn't gone quite right on their mission. They were always extra quiet and morose on those days, usually breaking out of it with a good meal and a decent night of rest.
That wouldn't be the case when you woke up the next morning next to...an empty bed? Usually, the day after he returned, John would sleep in, catching up on the hours of sleep he hadn't been able to get.
And went you puttered out into the rest of the apartment, you would find it empty. Boots, keys, and wallet were gone. Boonie hat missing from it's spot on the hook by the door. Maybe he was just out getting things.
He'd never missed a birthday if he was home and always made it up to you if he wasn't. So you waited. Took a shower, pampered yourself with the new body scrub you'd purchased just for this day.
When John wasn't back even a couple hours later, you headed up to the base as you felt the first prickles of anger rising on the back of your neck. You brought a lunch with you, an excuse for being there on your day off.
"Oh, just bringing Captain Price is lunch. Silly man forgot it again."
And so they let you in. No one questioned you, giving you warm smiles and well wishes. Some even wishing you a happy birthday for which you thanked them.
Stepping into John's office always made you cringe. It was an organized person's nightmare. Papers strewn everywhere, dirty coffee mugs left around sporadically, cigar ash filling the tray but also filtered around it like he was in a hurry. He wasn't like this at home, so you let him have his space at work the way he wanted it.
Except he wasn't in there. Keys and wallet, sure. So you knew he was on base. Leaving the warm meal on his desk, you meandered out to find the gym where you thought maybe they were sparring, getting rid of excess adrenaline from their mission.
No one there. At least, no one who knew where Captain Price was.
You spent the entire work day looking for him and when you never found him, you left the base. You end up stopping to grab a little cake for yourself and a bottle of wine, setting up at the coffee table.
And when you wake the next morning, you're still on the couch and the living room is a mess. And there's still no boots by the door.
So you go to work on your own (when John would normally drive you). You eat lunch on your own (when the entire team would usually join you in the mess hall). You drop off papers outside John's door (when you would normally go inside and leave them on his desk).
And you went home alone.
That was when you noticed some of his clothes were missing as was his duffel. You slept alone that night. And the night after. And the night after that.
By the time the next week rolled around and you'd slept alone for four nights, you were on edge and furiously upset. Not a word from your boyfriend of three years or his team.
And then the calls stopped going through. And the texts. So you called Laswell who was actually one of your best friends at this point, as was her wife.
"They're on another mission, hun. John didn't tell you?" "John hasn't spoken to me since they got back from the last one." "That bastard. I'm sorry. Unfortunately, they're already gone and I can't get you in contact with them until they're back." "I know. Just...tell him I love him?" "Absolutely." You went to work and did your job. When the taskforce was on mission, you were used for general paperwork needs in other departments since there wasn't much for you to do with them gone.
You went home alone and it felt wrong. Everything felt wrong.
It took another two months for them to return. But you weren't waiting for them on the tarmac. You were up to your eyeballs in new recruit uniform requests and even though you knew what time it was, you couldn't find it in yourself to care much.
Kate had been able to contact John and give him your message, but he never gave her one to return to you. And that had rubbed you the wrong way.
Forgetting your birthday was one thing. Disappearing and not telling you that they were going on another mission was another. But his silence was what hurt the most. Everything had been perfect when he'd left for the first mission.
It was hours later when you laid in bed that you heard the keys jingle against the lock. They wouldn't work, not the ones he had anyways. Knocking followed and you rolled over, throwing your pillow over your head to block out the banging and the sound of his voice filtering through the wood.
It stopped surprisingly quickly and you sighed, knowing you'd have to face him the next day at work.
You did. Sort of. You saw him when you came in, immediately turning to your office when he looked up. You stayed there all day, eating your lunch there and only leaving for bathroom breaks.
Unfortunately, you had some forms that needed to be turned in before you left but they required his signature. You didn't bother knocking as you went into his office, teeth grinding and prepared to be as short as possible. You weren't expecting the sight before you.
Your boyfriend leaned back in his office chair, eyes squeezed shut and grunting quietly with one of his own men between his thick, burly thighs. You could see the mohawk just above the desk, the sounds coming from a man you considered a brother ripping more holes into your psyche.
With a gasp, you dropped the papers and fled from the room, immediately grabbing your purse and fleeing from the building.
You could hear them calling your name, but you kept going. You'd have to find a new job or transfer, but that was a small price if it meant getting away from the only family you had.
But they weren't your family, were they? They were a family on their own. They obviously didn't need you. They leaned on each other in the field and at home. You took care of them, sure, but it wasn't enough apparently.
You got home and packed your bags, leaving behind anything that reminded you of the team or John. You left the keys in the lock with a post it stuck to the door.
"Go to hell, John."
You got back in the car and called Laswell, voice surprisingly even for what was going on.
"I need a transfer, Kate. Immediately." "Whoa, what happened? What's going on?" "He's cheating on me." Calm. Collected. Numb. "Excuse me?" "You heard me. With Soap. Probably the lot of them."
You didn't get to hear what she replied with as a semi plowed into the driver's side of your car.
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I just want you all to know; this was supposed to be happy. It was going to end with a cute surprise party and apologies from everyone and nobody died. Oops, sorry.
Alternate Ending
Part Two
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sometimesanalice · 10 months ago
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Sweetest Devotion
Summary: Loving Bradley is the easiest thing you've ever done, and coming home to him is always the best part of your day. Especially when you come home with cake. But a slight mixup at the bakery leads to the sweetest of promises.
Pairing: Bradley ‘Rooster’ Bradshaw x Female Reader
Length: 5k
Warnings: So much fluff (side effects may include giggling and kicking your feet)
(Author’s Note: this fic was written for my one year celebration of the ‘Like I Can’ series, but it can be read on its own!)
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After a long week, there was no place you’d rather be than at home with Bradley.
The two of you have been living together for a couple of months now, but seeing his Bronco parked in the driveway of the condo you shared knowing the empty spot next to it is meant for your own still made your heart flutter out of sheer giddiness.
Even if he still teased you about your practical Honda Civic’s lack of street cred. But it did have a spacious backseat with its own set of doors and an actual trunk, unlike the Bronco.
And on the rare rainy days you got in San Diego, Bradley was asking to borrow your car rather than risk the interior of his big blue baby. Those days you just got to preen as you handed over your car keys to him. Sure, you could be the one to drop him off, but it was funnier watching the way he valiantly attempted to hold back his grimace as he tried to adjust the driver’s seat to comfortably fit his bulk.
As you pull into your spot, you’re hit with that same gust of summer breeze warmth you always are as you. It was a feeling you didn’t expect to go away any time soon.
It takes a bit of finesse getting the front door open with your work tote and purse slung over one shoulder while you cradled the paper bags of bread and box of treats you’d stopped for on the way home in the other.
Bradley had texted you to let you know that he was making dinner earlier, but had forgotten the bread during his grocery run and had asked if you didn’t mind making a quick stop to grab some. He’d promised to make it worth your while, and while you would have done it for him anyways, a little extra incentive was always nice.
Especially after the way he had teased you in the shower this morning.
You picked up the baguette that he’d requested along with a couple loaves of fresh bread for sandwiches that you were planning to stick in the freezer for later. At the checkout, they’d had a few fun pink bakery boxes packed with six individually wrapped cake slices in different flavors. It seemed like more fun than the basic red velvet cupcakes you had been debating as you waited for your turn to pay, so you’d picked up one of those boxes too. Since it was Friday, you figured a little treat was very much deserved after such a long week.
The two of you had just gotten back from a little trip back home not too long ago, but you were already dying for another vacation. Ideally one that involved creamy blended beverages served in coconuts and Bradley Bradshaw wearing some 5-inch inseam swim trunks with his thick thighs on display in the golden sunlight.
It had been so nice to see your parents and to visit the sights of your childhood growing up together. You’ve always gone home for holidays, but it had been years since he’d been there with you. Some things had stayed the same like the ice cream shop where Bradley had had his first job. And some things had changed with the times like the empty parking lot where he’d first taught you how to drive was now the site of an upscale organic grocery store. Now that you and Bradley were you and Bradley, the nostalgia of your younger years felt extra sweet as you’d strolled with his hand tucked yours.
It’s a miracle you get through the door without dropping anything.
You’re waiting to hear the scamper of little paws against the laminate floor headed your way as you kick off your heels, Duck was usually the first one to greet you when you got home.
The puppy was growing all too quick for your liking. For as much as Bradley grumbled about being woken up early on the weekends by the black and white ball of fluff, you’ve caught him on more than one occasion cooing at the dog and slipping him treats. The sweet, goofy little dog was the perfect addition to your dynamic duo.
Even if Bradley still got huffy about the name and how Duck had come to be in your life.
On the occasional night when Bob’s friend Casey from the animal shelter- the man you’d been on exactly half of a date with once close to a year ago- was invited to come hang out, your boyfriend always was finding reasons to stand a little closer to you or leave his hands lingering a little longer on your hips. Those nights usually end with the two of you sweaty and out of breath, tangled in the sheets of your canopy bed.
You can hear Bradley singing along with one of his playlists in the kitchen and the sounds of drawers opening and closing as you tuck your purse and tote under the side table at the entrance. You smile to yourself as you drop your key fob into the bowl where his are already resting, the key to his Bronco was on the same keychain with the little fighter jet charm that you’d given him when you were teens when Mav had given him the Montero for his 16th birthday.
Taking the bread and box of cake slices with you, you pass through the living room you see Duck passed out belly up on his Sherpa lined dog bed. His ears flopped out to the side and his little paws twitching as he dreams about chasing balls or squirrels. It’s a good think your hands are full or you’d be collecting even more photos of your sweet boy in addition to the hundreds you already had on your phone.
“I’m home,” you greet, rounding the corner to the kitchen, the savory smell of onions and garlic growing stronger the closer you get, “And I come bearing a baguette.”
Standing in front of the stove is Bradley with a checkered kitchen towel slung over his shoulder. His curls look a little damp, still drying from the shower he must have taken earlier. The soft looking shirt he’s wearing is pulled taut across his back, and the sweatpants he has on are hugging the curve of his ass in the best way. He looks so at ease and comfortable, none of the tense strain in his body that he sometimes comes home with.
Bradley looks over his shoulder towards you with a grin on his face, “Well, aren’t you a sight for sore eyes.” His pretty brown eyes rake over you in a way that has you wondering about just how he is planning on thanking you for picking up the baguette you’d stopped for. He lets out a low whistle, “Damn, I love that skirt on you.”
“I’m glad you clarified,” you say, sending him a wink and setting your bakery haul down on the island counter, “I wasn’t sure if you were talking to me or the armload of freshly baked carbs.”
He leans his hip on the side of the counter, “A little yeast and flour have got nothing on you, kid.”
“Now you know you can’t go around saying things like that an expect me not to fall in love with you,” you tease, opening the freezer to put the sandwich bread away.
“I’m failing to see a problem with that- oh shit,” he curses, hastily turning back to the stove to adjust the range knob as something spits and sizzles on the top of the convection cooktop.
You step around the island and over to him, wrapping your arms around his waist from behind him. He’s always been the right kind of warm, the kind that makes you want to melt into him. You press your face against his back, his shirt soft against your cheek. Under the woodsy smell of his body wash there’s still a faint lingering scent of jet fuel. It’s your favorite smell.
“Hi, sweet girl,” he says, settling his big hand over yours, still stirring the sauce with the other. And you can almost see the easy, contented smile on his face just from the gentle tone of his voice.
“Hi, Bradley,” you hum, happy to be home.
“How was your day?”
“I’m glad it’s the weekend,” you say with a sigh, “The beach day tomorrow with everyone is going to be much needed.” A sympathetic sound rumbles from his chest as his thumb runs over the back of your hand. You were looking forward to sitting under the shade of the stripped umbrella and feeling the sand between your toes as you sip on an icy cold beer. “How was yours?”
“Not too bad, I took Seresin out and now he owes me $200. So overall, it’s been a pretty good day,” he says, clearly pleased with himself. “Cyclone let us out early, so I was productive. Did some errands, got the groceries. Well, most of them. I even took Duck to the dog park and let him run around for a bit. He made friends with a Great Dane, I took a few videos of them playing on my phone for you.”
The mental image of Bradley recording a video of your puppy being cute and playing in the park in the same way a proud dad would film his kid’s little league game makes you feel more than a little weak in the knees.
Pressing up on your toes, you skim a kiss against the side of his neck and prop your chin on his shoulder to peer at what he’s cooking up.
“It smells really good in here,” you tell him, taking in the pot of sauce simmering away on the stove. Off to the side there’s a cutting board with some fresh basil chopped up and a pile of papery vegetable scraps and a couple empty cans of tomato sauce.
“Yeah? It’s been awhile since I’ve channeled my inner Stanly Tucci, so I thought some homemade spaghetti and meatballs sounded good.”
Your eyebrows raise on their own, the surprise evident in your voice, “Homemade meatballs?”
“Ok, maybe those came from Trader Joe’s,” Bradley admits, “But the sauce is all me. I even put the red pepper flakes in it the way you like it.” He reaches over for a handful of basil and adds it into the pot.
You send your thanks up to Carole for making sure her son at least had known the basics of cooking. He could more than hold his own in the kitchen, and the competent way he handled a chef knife in his big hands was endlessly attractive to you.
“‘Semi-homemade with Bradley Bradshaw’ has a nice ring to it, want me to pitch it as a reboot to the Food Network?” You feel the way he chuckles under your palms, the muscles of his stomach contracting and releasing.
“I don’t think I’d make it out with my liver intact. That woman loved her cocktails strong, I’m pretty sure her sangria recipe would send me to the floor,” he jokes, “No wonder why our moms were always watching her.”
“A woman after my own heart,” you sing, “I’m so glad I inherited such good taste from them.”
Bradley shakes his head amused, “The good news for you is that there’s a bottle of red open and waiting for you, funny girl.”
The promise of wine perks you up immediately. Pasta, wine, cake, and Bradley. What more could a girl need?
“God, you’re the man of my dreams.”
“I sure hope so,” he says, squeezing your hand.
“Oh, you are so getting lucky tonight, Lieutenant.” You take advantage of the way he leans his head back and laughs to press a quick kiss to his cheek.
You slide your arms back from around his waist, only managing to take one step towards the bottle of your favorite Cabernet Sauvignon that’s breathing over near the sink with one of your wine glasses set out next to it before you’re being stopped with a gentle hand on your wrist.
“Hold up, where do you think you’re going, kid?” Bradley asks, tugging you back to him with a grin.
He doesn’t wait for your response before he is leaning in to properly kiss you for the first time since he left for work this morning.
At the press of his lips against yours, you feel every ounce of strain you’d been carrying from the day dissolve like melted sugar. A satisfied hum escapes you and you feel the way the corner of Bradley’s mouth ticks up at your reaction to him. His hands cup your face, tilting you head until it was at the perfect angle for him to deepen the kiss. You don’t even notice he’s back you up against the island until the countertop is digging into your lower back, too distracted by the way the coarse hairs of his mustache scrape along your upper lip.
If it weren’t for the sound of the timer going off the two of you might have almost would have forgotten about dinner entirely, it wouldn’t have been the first time it’s happened.
“Is there anything I can help with?” you ask, smoothing out the wrinkles of his shirt from the way you’d had it clutched in your fists just moments ago before letting go of him so that he can silence the beeping coming from the oven.
“You want to make us a salad to go with it?”
“Yes, chef,” you purr as you spin on your heel taking off in the other direction.
And really you should have expected the cheeky way his hand connects with your ass in a quick, sharp slap. You shoot him a glare over your shoulder, but he’s already facing the stove and stirring the sauce again as he adjusts the seasoning with a smirk.
You take a moment to pour yourself a glass of the wine Bradley had opened for you and take a sip. The bold, juicy flavor dancing across your tongue as you set about gathering the things to make a simple salad to go with the dinner he’s made for the two of you.
This is your favorite part of the day, when it’s just the two of you together.
The back and forth has always been easy with him. Whether it’s making dinner or running errands or doing laundry together. The things that always felt mundane on their own had become some of the things you most looked forward to during the week. It’s not that you need to be around him, but you always want to be around him.
When Bradley declares the sauce to be perfect, he comes and joins you at the island. Grabbing a cutting board of his own he starts slicing up the fresh baguette you’d picked up, offering you the end to snack on.
“Oh, what’s this?” he asks, picking up the box of assorted cake slices.
You continue chopping the cucumber in front of you, “Isn’t that fun? They had a stack of those at the checkout. I think they must have made too many cakes this week on accident, but it’s so smart of them so sell them that way. Why get one flavor when you can have six? Best of both worlds for everyone.”
“That so, huh?” he sounds amused by your enthusiasm, “Is there something else you wanted to talk to me about?”
It hadn’t been a particularly noteworthy visit, other than you’d been able to score a parking spot in front of the building, “Uh, not that I can think of?”
“You sure?” Bradley prods.
“No?... Oh! I was going to pick up that marbled rye you like while I was there getting the baguette, but they were already sold out. So I got a loaf of the multigrain brown bread and some sourdough instead.”
“Mmm, interesting.”
Stopping your salad prep, you look up at him skeptically, “Ok, why are you mmm-ing me, Bradshaw?”
Bradley’s eyes are alight with playful mischief as he slides the box of the cake slices towards you and pointedly double taps on the sticker on the upper right corner of the pink box with his finger.
You hadn’t stopped to read the shiny gold label when you’d grabbed it at the bakery, the tempting layers of cake and frosting and fillings had immediately sold you on it, but you couldn’t unsee what the curly scripted font said now.
Wedding Cake Sampler
“So, when’s the wedding? I’m assuming I’ll be invited,” he grins.
You feel your face get hot as you realize your mistake. It wasn’t just a sample box, but a very specific type of sample box. A very specific type of sample box for a very specific occasion.
Suddenly the interaction with the bakery employee as you were paying makes so much more sense now.
“Oh my god, the girl at the checkout said ‘Congratulations’ and I said ‘Happy Fri-yay’ back to her,” you groan, covering your eyes with your hands, “I thought she meant it like ‘Congrats on making it to Friday’ thing.”
He laughs, “Sweet girl, that’s about the damn cutest thing I’ve ever heard.”
“Happy Fri-yay, Bradley! She was congratulating me on our- I mean- the nonexistent impending nuptials she thought I had and I reply to her that? We need to find a new bakery, I can’t go there ever again,” you lament. It’s truly a tragedy, since they have the best sticky pecan rolls in the area.
“And you call me a drama queen,” Bradley lightly teases, “She probably thought it was funny.”
You groan again, louder this time. If he was going to call you a drama queen, you’d at least try out your best Mariah Carey impersonation.
Your face is still hidden behind your hands when you feel Bradley gather you into his arms, running a warm hand up and down your back. “C’mon, it’s not even that bad. I’m sure I did at least three things more embarrassing than that today.”
“Yeah, I bet you did too,” you grumble into his chest without heat. The way he chuckles at your surliness lets you know he doesn’t take it personally. Not only is he getting laid, but you decide you’re definitely going to give him head too for being the sweetest man alive.
He takes your wrists in his hands and pulls the away from your face, “I gotta tell you, I’m glad it was just a little mix up. It would have sucked to find out my girlfriend had a fiancé I didn’t know about.”
You can see every shade of brown in his eyes as he looks into yours, the affection and amusement rippling there the same way the light catches the surface of a cup of coffee on a Sunday morning.
At this point you really do just have to laugh at yourself. It’s such a silly thing to get worked up about, especially since you know you’re probably more ruffled about Bradley potentially thinking that you’re trying to drop a not-so-subtle hint with it. And fact of the matter is that you still probably would have picked it up anyways, you just might have peeled off the incriminating sticker off in the car before bringing it in.
“You’ve got nothing to worry about, Bradshaw. I’ve got my hands more than full enough with you.”
“Yeah, you do,” he boasts, the insinuation is not lost on you.
You snort a laugh and shove at his chest lightly. He drops a kiss to the side of your head and makes his way back to the other side of the kitchen island as you get back to your salad making duties.
“Hey, just so you know, I can’t wait to eat wedding cake with you later,” he says as he continues to slice up the baguette.
You playfully toss a cucumber at him for his teasing and he pops in mouth with a grin.
A little later, when you have your steaming bowls of pasta in front of you at the dinner table, he raises his glass of wine to you, “Happy Fri-yay, sweet girl.”
And your laugh is as crystalline as the clink of your glass meeting his in cheers.
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After the leftovers are put away and the dishes cleaned, the two of you are cozied up watching the new romcom that was just added on Netflix.
You’re stretched out across the couch with your feet in Bradley’s lap eating the cake you’d picked up. You try a bit of each flavor deciding which one you like the most to save it for the end, while Bradley takes his chances and eats one slice at a time before moving on to the next one. It’s truly unhinged behavior and you couldn’t help but tease him about it when you’d noticed his cake tasting methodology.
Bradley moans around a forkful of cake and you know he’s just found the carrot cake- his favorite.
He’s always been a bit of a pseudo health nut with questionable logic. “It’s got carrots and walnuts, it’s basically a superfood” he’s claimed on multiple occasions, while purposefully excluding the part about the pound of butter and cream cheese that goes into the frosting.
“I’d clear my schedule in heartbeat and take you to City Hall any day of the week as long as we get to have this carrot cake when we get married,” he says right before he licks the frosting off of his fork.
Your breath catches in your throat.
When, not if.
He says it so easily like there’s not a doubt in his mind that it’ll be you and him facing each other at the end of an aisle as vows about forever are exchanged.
He says it like a fact.
He says it like he knows.
“I didn’t realize I missed the part where you asked me,” you say, setting your plate on the coffee table in front of you, too full of the hope of it all to keep eating.
“And here I was waiting on you, kid,” he says playfully, taking another bite.
He’s teasing, you know he is. Bradley isn’t the type of man who would lead you on or play games with your heart.
“Bradley.” It’s an almost whine the way his name comes out of your mouth as you nudge his thigh with your foot. You turn your head to bury your face in the cushion of the couch, suddenly feeling very bashful.
The two of you have never talked about it, at least not like this before. Only in casual passing comments like getting a place with a bigger backyard for Duck or about setting up a joint banking account. A hypothetical future.
“Hey, c’mon. Look at me,” he coaxes, squeezing your foot. When you peek at him, the look on his face is all open sincerity, “You’re my forever girl. I love you and I’m planning on spending the rest of my life with you. That is, if you’re ok with that.”
A rush butterflies happily swoop and swirl around in your stomach.
He’s been in your life for almost three decades now. You’d known the boy, the teen, and you more than liked the man he’d become. You had absolutely no intention of ever letting him go. He was yours. Forever and always.
“That’d be ok with me,” you tell him freely. You watch as his smile gets wider and broader until it’s taking up his whole face, his eyes crinkling around the edges. “I think I could handle quite a few more decades with you, Bradley Bradshaw.”
“Is that so?” he drawls, his fingers skimming up and down the top of your calf.
“Oh, definitely. You’re stuck with me,” you grin.
“Good.”
He tugs your ankle, pulling you until your back is flat against the couch. You squeal in delight as he pins you down on the cushions, your arms and legs wrap around him on their own drawing him in even closer. Then he’s kissing every inch of your face that he can reach as you laugh in delight.
If it weren’t for Bradley’s sturdy bulk on top of you, you’re pretty sure you might have just floated away. You’ve never felt this incandescently light in your whole life.
He brushes one more quick kiss to the top of your nose before he pulls away, “But just so we’re on the same page, that wasn’t an official proposal. More like a declaration of intention.”
“I don’t know,” you muse, stroking his pink cheek, “Sounds like you’re desperate to wife me up, Bradley. Practically begging for me to take you to the courthouse.”
His hands go straight for curve of your waist, attacking that ticklish spot that’s always made you giggle and squirm. Only taking mercy on you once you’re out of breath. You’re almost positive that the smile on your face might be there permanently.
You don’t miss the intensity in Bradley’s eyes as they trace over your face as he settles himself more fully on you, “You don’t know the half of it, kid. But I’m letting you know now, I’m not going to make either one of us wait long for it.”
And then his mouth is on yours.
You feel the promise he’s making to you in his kiss. The caress of his hands along your body feels like a vow. You feel every ounce of just how much he loves and cherishes you. The cake was sweet, but his honeyed kiss tastes even sweeter.
“Tell me we can have carrot cake at our wedding, sweet girl,” he murmurs against your lips.
Our wedding.
The thought of it made you giddy.
You wanted to wear his ring on your finger just as much as you wanted to see him wearing one of his own one day. You liked your last name, but there was nothing more you wanted than to be Mrs. Bradshaw. It would be another thing you and Carole could share. A name and the everlasting love for her son.
“Ok, we can have carrot cake at our wedding,” you agree, wholeheartedly, “It’s basically a superfood, after all.”
“Damn right it is,” he beams.
The cake is quickly forgotten in favor of pulling your shirt over your head.
You might not have a ring. Yet.
But you did have a lifetime with Bradley and a carrot cake to look forward to. And that was more than enough for you.
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Bradley was pretty sure that there was nothing better on this Earth than having you draped across his chest as you slept soundly in his arms. Your breathing had softened and evened out ages ago, but his mind was whirling with thoughts of his bright future with you.
He’d meant it when he’d told you he wasn’t going to make you wait long. Bradley didn’t know how much longer he could go on calling you his girlfriend when all he really wanted to call you his wife. He’s imagined you in a white dress walking towards him more times than he could count.
When he’d planned the surprised trip back to your shared hometown as a gift for your six-month anniversary, he might have had some ulterior motives. While it was nice to see the place you’d both grown up in again as adults, there had been a more pressing issue on his mind the whole time.
He hadn’t been able to control the nervous bounce of his leg or his sweaty palms when he’d ask your mom’s permission for your hand in marriage. It hadn’t been any easier the second time, when he’d had to do it all over again with you dad that sunny day at the golf course.
Bradley knew it was a bit of an antiquated tradition, but he’d never proposed to anyone before and he wanted to get it right. He wanted you and your parents to know just how serious he was about his intentions to love you for the rest of his life. He’d even asked Mav for his blessing too, just to make sure he had his bases covered.
It had thrown him through a loop when at the end of the trip you mom had slipped him the ring she’d worn while she was married to your dad. She’d told him there was no expectations or pressure to use it, she just wanted him to have it just in case.
The engagement ring his mom had worn had been tucked in the back corner of his nightstand for almost four months now. Bradley had pulled it out of storage sometime around the third month of officially dating you. It would be too soon for anyone else, but he’s already had decades with you. And he’d never been more sure about anything in his life as he was about knowing you were the one for him.
The two of you had always been perfectly right on time in your own way.
He’d dwelled on it for weeks trying to figure out if he should give them both to you at once. Or if he should propose to you with one and save the other to you during another monumental moment, like when the two of you started a family. He figured could turn one into a necklace or something for you.
Bradley could feel the presence of both rings every time he walked into the bedroom. They were both equally were important to him, he wanted to get it right.
His mom had known and loved you, he knew that she’d have been so excited to see her ring on your finger. And after his mom had passed, yours had helped him during those rough days in ways he didn’t think he could ever properly thank her for. Even though your parents’ marriage hadn’t worked out, they were the reason that you were here and he couldn’t imagine his life without you.
It wasn’t until Natasha had shown him the Toi et Moi style ring that things locked into place in a way that made his heart race at the very idea of it.
The right ring for the right girl.
He lets his fingers trail up and down your back gently as you slept soundly against him.
In the kitchen earlier that night, he might have bent the truth about his day just a little bit.
The final design had been sent to his email that morning. And it was more perfect than he could have imagined.
He did win $200 from Jake and had gone to the dog park with Duck, but he’d also stopped by the jewelers across town to give them both of the family heirlooms because he didn’t want to waste a single minute.
Two diamonds, one ring. The start of you and him. A story of your beginnings to be worn on the finger that would tie him to you with a golden thread for the rest of your lives together.
He’d even paid extra to have it engraved.
My sweet girl. My forever girl.
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I genuinely thought I was one and done after I wrote my first fic in December of last year. And then came these two. 'Like I Can' was meant to be a oneshot that turned into a 3-part series that turned into half of my masterlist. I adore this couple with my whole heart. Thank you for reading along and celebrating with me!
Elle (@callsignspark) thank you for sending me the TikTok that inspired the headcanon about the wedding cake sampler, I'm showering you with shiny 'thank you' shaped confetti! And another big thank you to Jordan (@gretagerwigsmuse) for getting as giddy about these two as I do and for always enthusiastically reading the snippets I send you! You both are the best!
If you enjoyed these two, you can read their story from the start here!
You can read my other stories here!
Taglist:
@gretagerwigsmuse @sehnsuchts-trunken @notroosterbradshaw @tongue-like-a-razor @laracrofted @bradshawsbitch @starryeyedstories @top-hhun-main @startrekfangirl2233 @callsign-viper @teacupsandtopgun @shanimallina87 @angelbabyange @oneelleandaneye @mizzzpink @cornishkat @alana4610 @20th-centu-fairy-girl @pono-pura-vida @donttouchmycarrots @eg-dr3amer3 @whaledots-blog @a-beaverhausen @hangmanscoming @mandolin22 @theweekndhistorybook @lilpeekabooze @high-bi-imgonnacry @ahintofkiwistrawberry @ruewrote @spiderman-stilinski @jayniebop @my-soulmate-is-mycroft @imaginecrushes @keyrani @chicomonks @artemissunn @mayempress @eddiemunsonreader
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coollizzylou · 5 days ago
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Everyone’s correct in saying that now more than ever we need to be building our communities, but it can be difficult to know what that actually *means*, especially in our isolating society. So here’s some straightforward practical advice I’ve learned over the few years I’ve been organizing in my own life.
You do not have to reinvent the wheel.
There are people who have been fighting this fight for decades. You are not starting from scratch. You do not have to do it all by yourself. All you have to do is find your allies and engage.
On the ground resistance movements/aid organizations that have legs under them may not have much of a social media presence. You may have to do some legwork find your place.
Check the local papers if you have one for your area. Sign up for your city government newsletter. Go to the library and ask what events are being hosted. Check Churches! Schools! Small businesses! Ask your local old ladies!!!! They have time on their hands and know what’s going on in their communities.
It’s ok if you don’t know anything. Listen to the people around you, ask questions, be respectful and curious. Just show up!! As you do this, you will learn more about the place you’re in and the people that live there. Those people will guide you, and there’s a non-zero chance that you’ll find a mentor willing to take you under their wing.
The logistics make the movement.
Demonstrations are important and powerful, but they are NOT the be all end all. Not even close.
There are people who’s job it is to take notes, people who host meetings, and people who pick up snacks. Some folks are especially good at getting the word out through tabling and canvasing, others are better at making the pamphlets that get handed out. You could be in charge of carrying heavy boxes of donated food, or you might be better suited preparing a hot meal sitting at the table. Are you able to watch young children? Drive carpool?
All of these tasks and more are essential to maintaining a healthy community group. Don’t be afraid to try new things and experiment to figure out where you can do the most good.
Your stories are your power
One of the most effective tools in your arsenal are your testimonies. When shared with friends they remind us we are not alone in our struggles. When shared with adversaries, they are undeniable proof of our humanity. You can quote facts and statistics all day, but a personal experience will always punch above it’s weight.
Think over your life and explore questions of what your personal stake in the game is. What about your life makes you want to fight. Really dig in deep. This can be uncomfortable. I recommend doing this among friends and being gentle with yourself. You don’t have to have any particularly special reason. This isn’t supposed to be performative. You aren’t trying to get a good grade in leftism, your goal is to identify your self interest. For example, I first got involved with the tenet union because I wanted to go to college in the city but knew I couldn’t afford to live there. I first got involved with planned parenthood because I was scared when Roe v Wade overturned. These are selfish reasons, they have to be for this to work.
With that information, you are prepared to sit with other people and ask them the same thing. If you are open and willing to listen to people’s stories, a casual conversation can lead to strong bonds of friendship. And when you’re friends with someone, you fight for them. This is the core of relational organizing.
There is joy here
Organizing can be difficult. Many things are in life. But from personal experience I can tell you that not only is this work worth it, but it can be *fun*. You can sing and dance and play music and scream and laugh and you’ll do it all together. Hold onto your hope, find your joy where you can, and take the plunge. You’ll be better for it, I promise.
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