#panele layred

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🔥 Jak się już dowiedzieliście z poprzedniego wpisu - mamy aktualnie promocję na panele podłogowe winylowe LayRed, dlatego też postanowiliśmy je Wam opisać, aby łatwiej było podjąć decyzję jeżeli chodzi o ich zakup. Czym się charakteryzują? Idealna akustyka - środkowa warstwa akustyczna pochłania wszystkie odgłosy kroków, więc irytujące skrzypienie czy trzeszczenie paneli nie ma miejsca jeżeli chodzi o panele winylowe LayRed. Bardzo dobrze tłumią hałas, w dużo większym stopniu niż płytki ceramiczne, podłogi laminowane, parkiet czy inne podłogi winylowe. Łatwe w pielęgnacji - wszystko dzięki ochronnej warstwie wierzchniej, która ma za zadanie odpychać wodę i roztocza. Dlatego idealnie nadaje się do każdego pomieszczenia, nawet do łazienki. Do ich czyszczenia potrzebujemy jedynie zwykłej wody, nie potrzebujemy żadnych silnych środków czyszczących. Wieloletnia gwarancja - producent jest pewny swojego towaru, dlatego też udziela na nie dożywotniej gwarancji. Jest to znak, że produkt jest najwyższej klasy. Stabilność - podłogi gwarantują minimalną kurczliwość, są odporne na wyblaknięcia pod wpływem promieni słonecznych oraz na wahania temperatur. Realistyczne wzory - panele podłogowe są tworzone w taki sposób, aby jak najbardziej przypominały naturalne drewno. Zarówno w dotyku, jak i w wyglądzie. Dostępnych jest dużo niepowtarzalnych wzorów - 7 wzorów drewnianych, 40 odcieni, 2 rozmiary. Wzór w jodełkę - jeżeli standardowe podłogi do Was nie przemawiają, LayRed oferuje także panele w wersji Jodełki klasycznej. Posiadają bardziej przemyślany system zatrzaskowy - Unizip, który jest jednym z nowych systemów na rynku. Wcześniej wymagane było stosowanie dwóch typów klepek, z system zatrzaskowym Unizip, podłoga w jodełkę układana jest przy zastosowaniu jednego typu klepki. To jedynie część zalet jakie posiadają panele winylowe LayRed. Więcej dowiecie się w naszym salonie w Kaliszu lub poprzez wiadomość na fanpage. 🎯 Zapraszamy do naszego salonu - Kalisz, ulica Nędzerzewska 16 🔥 Strona internetowa: Podlogi.Kalisz.pl ☎️ Telefon kontaktowy: 725-401-600

[cosmicanger]

Lena Henke, Combustions 18 [Two Wheeler], 2024, Laser etched leather, pigment on wooden panel 250 x 170 x 15 cm, Courtesy the artist & Layr, Vienna, Photo: Kunst-Dokumentation.com

[fakeddreams]

How to make a GIF from a game for Tumblr.

Step 1 : Record your game with any game recorder to your liking . I'm gonna be ussing Adobe Photoshop CC‎ 2017. *Make sure it's Adobe Photoshop CC‎ 2017 becouse older versions of Photoshop will not contain some of the features i'm gonna be showing in this tutorial. open Photoshop

Step 2: Go to file > open > browse to where your recorded game file is . *Make sure i'ts in a format Photoshop can read. I'm recording my videos with ShadowPlay - Nvidia . Open your file .

Step 3: Find the part of the clip you want your gif to start. Use the trim option under timline (the small scissors symbole) delete the part before you want your gif to start by choosing the layer you want to delete under layres. Do the same step for where you want your gif to end. keep trimming your clip until you happy with the result.

Step 4 : Select the image panel from the photoshop menu . from the drop down menu select image size. il'l be changing the size to 480 pixles by 270. the reason is you can only upload to tumblr up to 3mb for each gif . *Optional - to make your gif look better: In the image size menu under the image size make sure Resample option is ticked and from the drop down menu select Bicubic Smoother(enlargment) click OK.

step 5 : Select the Layer panel from the photoshop menu . From the drop down menu select New Adjustment Layer > Brightness/Contrast Under the layers panel select your Brightness/Contrast layer and click the auto button. and again from the drop down menu select New Adjustment Layer > Color Lookup Under the layers panel select your Color Lookup Layer and from the drop down menu next to 3dlut file select a filter to your liking. *at this point you can add more Adjustment Layers but in order to make this tutorial simple i'm not gonna go in depth to all the effects you can add.

Step 6: Select the File menu from the photoshop menu. From the drop down menu select Export > Save for web (Legacy) From the drop down menu under preset make sure the file format is set to gif > selective > pattern. make sure transparency is ticked on and no transparency dither is selected. colors should be on 256 and interlaced is ticked off. Preview should be on monitor color and quality on Bicubic Smoother.

Step 7 : Uder Animation > Looping options select from the drop down menu > forever. Click the save button and save your gif . Select the File menu from the photoshop menu. open > browse to where your saved gif is and open it. at this point your GIF file should be open as frames.

step 8 : Choose the first frame than click the shift button and select your last frame . make sure all your frames are selected and than click the small arrow on the last frame. a menu will open , from the menu select other . under set frame delay set the time to 0.07 to make your gif slower. If you want your gif to be faster than choose 0.02 or no delay .

step 9 : Select the File menu from the photoshop menu. From the drop down menu select Export > Save for web (Legacy) Play your animation , as you can see the size of the gif in total is more than 3mb. anything under 3mb will be a good size. start deleting frames from your gif either from the start or the end until you reach less than 3mb. Select the File menu from the photoshop menu. From the drop down menu select Export > Save for web (Legacy) make sure your gif size is under 3mb and save your gif . Photoshop will than ask you if you want to replace the existing file , click replace.

Step 10: browse to where your gif is saved and drag it into your browser. make sure you are happy with the result and Voilà your done! remember to be creative and most importantly to have fun with your gifs ;) thank you for watching!

Link to the video on YouTube :

*Note- this is the method I’m using to make a gif, I would love to hear how other people make their gifs since I noticed allot of my gifs load very slow and glitch .

as suggested by  hustlemeanokay you can use instead Instagiffer GIF Maker found in this link : http://instagiffer.com/

[wnetrzazklasapodlogikalisz]

Jak obiecaliśmy - jest to jedna z kolejnych promocji w naszym salonie. Tym razem są to panele winylowe LayRed. Oferta jest ograniczona czasowo - obowiązuje od 30 stycznia do 17 marca 2023 roku. Dlaczego warto skorzystać z promocji? LayRed to podłoga, która została zaprojektowana, aby sprostać najbardziej ekstremalnym warunkom. Charakteryzuje się idealną akustyką, jest bardzo łatwa w pielęgnacji codziennej dzięki specjalnej warstwie ochronnej, a ich jakość jest na takim poziomie, że producent zapewnia dożywotnią gwarancję. Jest bardzo łatwa w montażu - ich grubość wynosi zaledwie 6mm oraz wypełnia luki i nierówności w istniejących posadzkach.

🎯 Zapraszamy do naszego salonu - Kalisz, ulica Nędzerzewska 16 🔥 Strona internetowa: Podlogi.Kalisz.pl ☎️ Telefon kontaktowy: 725-401-600

[wnetrzazklasapodlogikalisz]

🌿 Blackjack Oak - Synonim Klasy i Elegancji Zamknięty w Jodełce 🌿

Odkryj niezwykłe podłogi inspirowane naturą! Ich realistyczna i naturalna struktura górnej warstwy doskonale naśladuje prawdziwe drewno, które zostało zamknięte w winylu. 🍃✨

Nasze panele LayRED to kwintesencja doskonałości: ✨ Klasa użytkowa 23/33, ✨ Warstwa ścieralna: 0,55 poliuretanu (TwinGuard) na powierzchni warstwy użytkowej, ✨ Wymiar: 303,3 x 609,6 mm, ✨ Niepowtarzalny wzór, który pozwala ułożyć 25m2 podłogi bez żadnego powtórzenia nadruku na panelu, ✨ Subtelna 4-stronna (4-krawędziowa) V-fuga, ✨ Najnowszej generacji sztywne panele winylowe z zatrzaskowym złączem typu klik. 💪🏡 ✨ Zintegrowany podkład w kolorze czerwonym to standard w naszych panelach - i to w cenie! 🎁🔴

Najlepsze jednak jest to, że są nie tylko wyjątkowo eleganckie, ale także łatwe w montażu, nawet w trakcie remontu. Ich tolerancja na nierówności podłoża to aż 5mm na 2 metry długości. 🛠️📏

To jeszcze nie koniec zalet: 🎨 Matowe wykończenie, 💦 Odporność na plamy, 🏠 Kompatybilność z ogrzewaniem podłogowym "zatopionym w posadzce", 👣 Doskonałe właściwości wytłumiania odgłosu chodzenia.

Odkryj Blackjack Oak i poczuj harmonię natury w Twoim domu! 🌳🏡

Zapraszamy do naszego salonu - #Kalisz, ulica #Nędzerzewska 16 🔥 Strona internetowa: https://podlogi.kalisz.pl ☎️ Telefon kontaktowy: 725-401-600

[wnetrzazklasapodlogikalisz]

Przedstawiamy kolejne panele winylowe od firmy Moduleo, tym razem z kolekcji Classic Oak. LayRED to kolekcja zaawansowanych technologicznie podłóg firmy Moduleo. Wytwarzane są w fabryce w Belgii, w mieście Avelgem. Jest to światowy lider w dziedzinie projektowania i produkcji podłóg winylowych, wyznaczają standardy przyszłych generacji podłóg winylowych. Podłogi LayRED składają się z 12 warstw! Dzięki temu są niezwykle wytrzymałe na uszkodzenia, są niezwykle delikatne i ciche, a sama warstwa użytkowa przypomina z wyglądu prawdziwe drewno. 🎯 Zapraszamy do naszego salonu - Kalisz, ulica Nędzerzewska 16 🔥 Strona internetowa: Podlogi.Kalisz.pl ☎️ Telefon kontaktowy: 725-401-600

[micaramel]

Artist: Tillman Kaiser

Venue: Emanuel Layr, Vienna

Exhibition Title: Harmolodic Substi

Date: March 12 – April 25, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Emanuel Layr, Vienna 

Press Release:

In the exhibition Harmolodic Substi, Tillman Kaiser presents new works that are all composed of the same base material – painted cardboard. Yet they could scarcely be more different in their relationship between gravity and weightlessness, open and enclosed form, dynamism and tranquility. Collectively they combine to form a polyphonic spatial composition, while the gallery space painted in RAL 5014 – dove blue – creates an optical bracket connecting the sculptures with the rooms. Informing the work is Kaiser’s ongoing engagement with the human figure and its relationship to space and architecture, along with his intensive preoccupation with structure and composition, which in turn correlate to corresponding issues in music. The exhibition title refers to Harmolodics, the compositional and improvisational method developed by American jazz musician Ornette Coleman, which strives for immediate and open expression in music and treats harmony, melody and rhythm as equal elements.

A sculpture standing on black hairpin legs, constructed predominantly out of triangular cardboard elements and a few glass plates, unfolds into a kind of gigantic flower bud. It is generously and haphazardly coated in white oil paint. The glass panels serve as a reference to the religious and folkloristic practice of reverse glass painting. A hanging work based on an octagonal star is inspired by an architectural detail from St. Stephen’s Cathedral in Vienna: the ring of stars at the base of the organ above the bust of master builder Pilgram. Kaiser repeats this fragile form by incorporating paper cutouts made by his son, whereas the column-shaped sculpture made out of interlocking, evenly ascending cardboard triangles is something he found in a former car factory. Another modular piece made of cubes stacked inside and on top of one another have children’s drawings embedded. A complex formation rising up from two leg-like columns is the most humanoid, echoing familiar motifs from earlier works such as masks or eyes. Offering a counterpoint to these new, almost entirely white works is Vampir (2005), a hanging sculpture made out of two silver metal cans and a geometric cardboard body painted black.

The fact that the artist does not conceal anything and leaves traces of his working process visible often lend Kaiser’s sculptures the provisional quality of models or prototypes: components are joined with glue or metal clamps, usually coated in oil paint. Chance and plan, design and improvisation intersect in his works. By incorporating everyday items and found objects he connects different spheres of life and subverts hierarchies. Art and life collide unpretentiously in his practice, as his children’s drawings and other creative output flow seamlessly through his works.

Bettina Spörr

Link: Tillman Kaiser at Emanuel Layr

from Contemporary Art Daily https://bit.ly/34hi3bI

[micaramel]

Artist: Plamen Dejanoff

Venue: Galerie Emanuel Layr, Rome

Date:  November 28, 2019  – January 25, 2020

Click here to view slideshow

Full gallery of images, press release and link available after the jump.

Images:

Images courtesy of Galerie Emanuel Layr, Rome

Press Release:

Veliko Tarnovo is a small town in the centre of Bulgaria with a turbulent history. It was the scene of numerous battles between the Slavs and Ottomans and the site where the nation’s first democratic constitution was drawn up in 1879. Le Corbusier came to Veliko Tarnovo in 1911 to study the architecture of the town, lined up along the foothills of the Balkan Mountains with the houses connected to one another like a modular system.

The Slav Palace stands in the town centre. Built around 1720, it remains the tallest building in town (excepting the churches, of course). The forty closely staggered window arches on the top floor are clearly visible from afar. During the communist era the palace was owned by the state and interior walls were erected to divide the spacious rooms into smaller residential units. For many years plasterboard fixtures concealed the stucco, historic structure and in some cases, entire rooms.

Plamen Dejanoff’s family, following a restitution procedure, consolidated the Slav Palace and others of the city’s historic buildings into the “Foundation Requirement” trust, and during the renovation work, Dejanoff uncovered some of these old features. By removing historical layers, he unmasks the political past of his homeland while at the same time quoting art historical examples such as Gordon Matta-Clark and Laurence Weiner. While in their work, the emptiness on the walls or in the space brought about through reconstruction, attacks urban or institutional narratives, Dejanoff takes the stories of the uncovered structures even further.

The German plasterboard panels installed in the historic Bulgarian palace in recent years to continue the fulfillment of a socialist-communist ideal of a fair distribution of living space have been painted in various colours. Dejanoff has cut out pieces of these panels, in sizes varying from human-scale to dimensions reminiscent of traditional portrait paintings. He also removed the metal structure of the supporting profiles in order to reassemble them in Rome. It is thereby less about reconstructing the Bulgarian room than about highlighting another level of alienation and reinterpretation of the building material. What do the dismantled components of plasterboard panels and metal profiles represent today and in this (foreign) place?

A similar question is raised by the porcelain trophies presented on the metal profiles in their new function, as hybrids of sculpture and display unit. In collaboration with the venerable Viennese porcelain manufactory Augarten, whose handmade products are recognized worldwide, Dejanoff has designed a total of nine different cups and trophies. They are partly based on his preoccupation with the football player Trifon Ivanov, known as the Bulgarian wolf, who, like himself, comes from Veliko Tarnovo, and about whom myriad eccentric rumours abound. In the context of this exhibition, they once again combine with Dejanoff’s investigations into diverse representational forms, which do not remain trapped in the objects, but inscribe themselves in the many interstitial spaces of history, architecture, the sites and in the viewers themselves.

Link: Plamen Dejanoff at Emanuel Layr

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from Contemporary Art Daily http://bit.ly/2t8fHO9