#page 2249

[pesterloglog]

Vriska Serket, Tavros Nitram

Act 5, page 2349-2351

AG: Taaaaaaaavros!

AG: Go outside and look at what I 8uilt for you! You are going to FLIP!

AT: oKAY,

AT: i THINK THIS, iS,

AT: pROBABLY MEANT TO ANTAGONIZE ME,

AG: What are you talking a8out. Look at my 8eatiful 8uilding. Don't you think it's a8out time someone got a little cre8tive with this game????????

AT: uMMM, mAYBE,

AG: Everyone always wants to do things the 8oring way.

AG: Didn't we make a truce, Tavros? That we would try to 8e less 8oring from now on?

AG: You don't want to 8reak your truce with me, do you Tavros?

AT: nO,

AG: Gr8. Now get clim8ing!

AT: pLEASE DON'T READ THIS AS,

AT: a BORING THING, i HOPE,

AT: bUT,

AT: iT'S PHYSICALLY IMPOSSIBLE TO DO THAT, mOSTLY,

AG: Man. I knew it. Toreasnooze is 8ACK IN ACTION.

AT: wHY DON'T YOU, iN LIKE,

AT: a NOT BORING WAY, bUILD,

AT: mORE INCLINED SURFACES, lIKE YOU DID OVER THERE,

AT: mAYBE YOU COULD COLOR THEM, wITH FUN COLORS,

AT: sO YOU WON'T THINK THEY'RE BORING AND GET ANGRY AT ME SOME MORE,

AG: I 8uilt that ramp 8ecause we were in a hurry to save your life, remem8er?

AG: A dead Tavros is even more 8oring than an alive and crippled Tavros 8y a slim margin.

AG: My stair structure is lovely and I'm not changing it.

AG: Now hop out of your wheel device and get clim8ing!!!!!!!!

AT: uHH,

AT: cLIMBING,

AG: Or crawling. Whatever! Stop 8eing so helpless. It's pathetic.

AT: iT WILL TAKE A LONG TIME,

AG: What's the rush! You're in the game, safe and sound. Look in the sky. Do you see any meteors? I sure don't!

AT: bUT, tHERE ARE IMPS AROUND,

AT: aND i'LL BE SORT OF DEFENSELESS,

AT: lYING DOWN ON STAIRS,

AG: Siiiiiiiigh.

AG: You did not just use that excuse. We 8oth know you can commune with these things.

AG: Hey! Why don't you psychically command them to carry you up????????

AG: Oh my god that is a gr8 idea. Once again, leave it to Vriska to come up with the cre8tive solutions.

AT: i WOULDN'T REALLY,

AT: WANT TO MAKE THEM DO THAT,

AT: i JUST DON'T UNDERSTAND, wHY,

AT: wE CAN'T DO THIS THE EASY WAY,

AG: What good would that do you?

AG: Whatever the purpose of this game is, it makes you work hard for it!

AG: That way you 8ecome stronger along the way and you are 8etter prepared for whatever's next.

AG: Remem8er when we used to flarp together???????? It was the exact same principle. And that's why you were always outmatched! You were too soft and not well prepared.

AG: Nothing comes easy, Tavros. That is why we go through the trials in the 8rooding caverns when we are young.

AG: To make sure we are strong when we come out!

AG: Do you remem8er the trials, Tavros?

AT: nOT VERY WELL, nO,

AG: Well, I do, and they were a 8itch.

AG: 8ut now that I think a8out it, it would make perfect sense if your trials were really easy 8y some mistake.

AG: That is why you are such a soggy phlegm sponge, and why you got picked 8y such a sad, frail little lusus!

AT: }:(

AG: 8ut that's ok, it pro8a8ly wasn't your fault. Just a 8ad 8r8k!

AG: You're lucky you have me as a server player, so I can challenge you and help you get strong.

AG: Now hop out of that seat and get clim8ing! I will deliver the device to you once you are at the top.

AG: Clim8, Pupa!

AG: Cliiiiiiiiim8!

AT: mAYBE i SHOULD ASK TINKERBULL ABOUT THIS,

AT: hE'S REALLY SMART, nOW THAT HE CAN TALK,

AG: No!!!!!!!!

AG: You don't need help from your lame 8ull fairy. He is only holding you 8ack.

AT: hE'S MY FRIEND,

AG: God. Pathetic.

AG: This is getting frustrating.

AG: Why did I have to get stuck with the cripple? Just my luck.

AG: Do you have any idea how inconvenient this is? Do you have any sympathy for what I'm dealing with here?

AT: uHH,

AG: You're so inconsider8. You just sit there looking smug. It's infuri8ing to look at you.

AG: You haven't even thanked me! Or apologized for that matter!!!!!!!!

AG: uHHHHHHHH THANKS VRISKA, fOR sAVING UHH MY LIFE,

AG: uMMMMM IT SURE WAS 8RAVE AND HEROIC AND PRETTY OF YOU,

AG: aLSO uMMM dUHHH,,,, uMMM,,, i AM SORRY FROM THE 8OTTOM OF MY NOOK,,,,,,,,,,

AG: Seriously, how hard would that have 8een?

AT: oKAY,

AT: tHANKS, i GUESS,

AT: bUT,

AT: sORRY FOR WHAT,

AG: For 8eing crippled, you ass!

AT: yOU WANT ME TO APOLOGIZE,

AT: fOR BEING PARALYZED,

AG: Yes.

AG: Say you're sorry.

AT: i DON'T MEAN TO BE RUDE, oR bORING,

AT: bUT THAT'S RIDICULOUS, gIVEN,

AT: uH, tHE CIRCUMSTANCES,

AG: 8ullshit!

AG: It's something called 8asic decency and civility you fudge8looded 8oor.

AG: Now get down on your useless wo88ly knees and apologize.

AT: nO, i DON'T WANT TO,

AG: >::::O

AG: Apologize, Pupa!

AG: Apologiiiiiiiize!!!!!!!!

AG: Say you're sorry for being a cripple! Wheeeeeeee!

AG: Aaaaaaaahahahahahahahaha!

[harkthorn]

A griffon in a warm winter hat! Last page of yet another sketchbook. It's been what, five, six years of daily sketch pages, without a day missed? That's a lot of books. So, so many

-2249

[livingprophecy]

@lieu10ant  asked:      “when  did  you  last  eat?”    for    inessa      /      atlas:  enneagram  sentence  starters.

            𝐒𝐎  𝐌𝐔𝐂𝐇  𝐅𝐎𝐑  hiding.  though,  it  wasn’t  much  good  hiding  from  simon  in  the  first  place,  but  it  was  even  more  useless  when  this  was  one  of  his  own  hideaways  —  if  anyone  was  going  to  find  her,  it  was  him.  inessa  does  her  best  to  suppress  the  flinch,  but  even  if  it  was  soap’s  sorry  excuse  for  stealth,  she  would  have  been  too  lost  in  her  own  world  to  notice.  today’s  events  still  hang  heavy  on  her  shoulders.  price  had  ordered  mara  to  handle  the  recruits  for  the  day,  and  normally  she  would  have  been  able  to  handle  it.  BUT  THEY  LIKED  TO  TALK,  especially  about  her  and  ghost      (the  two  masked  members  of  the  141,  the  ones  with  the  most  mystery  associated),      even  if  she  was  standing  right  in  front  of  them.  wound  up  and  frustrated,  she  hadn’t  paid  enough  attention  to  notice  someone  —  a  random  rookie,  who  likely  just  wanted  to  get  her  attention  —  put  a  hand  on  her  shoulder;      in  another  second,  the  taller  man  was  on  the  ground,  and  inessa  had  snapped  his  wrist,  likely  dislocating  his  shoulder  too,  or  at  least  sprained  it  badly.  instead  of  sticking  around  to  see  how  bad  it  was,  to  see  how  angry  the  captain  would  be,  she’d  disappeared.      (if  she  was  being  honest,  it  took  simon  to  snap  her  out  of  her  mind’s  fog,  after  being  nose  deep  in  a  book  she’d  read  six  or  seven  times  already).

            𝐁𝐔𝐓  𝐇𝐄𝐒  𝐍𝐎𝐓  angry  at  her,  even  as  her  superior  officer  —  the  question  has  her  shooting  a  confused  look  at  him,  before  looking  back  to  the  page.      “price  made  breakfast,  YOU  WERE  THERE.”      he  wouldn’t  be  asking  without  a  reason  though…  she  lifts  her  wrist  to  check  her  watch,  stomach  dropping  when  she  sees  the  time.  2249.  shit.      “oh.”      the  corporal  blinks,  guilt  now  evident  on  her  expression.  after  all  but  admitting  to  it,  she  didn’t  exactly  have  much  of  an  excuse  she  could  make.      “i  lost  track  of  time.”      she  admits,  voice  quieter  and  still  not  meeting  his  eyes.  her  book  is  set  aside,  not  even  bothering  to  mark  her  page,  and  knees  are  pulled  against  her  chest,  remembering  why  she’d  settled  into  that  haze  in  the  first  place;      she  should  be  receiving  an  earful  right  now,  no  doubt,  from  simon.      (but  after  makarov,  after  the  headstones,  something  had  changed  —  he  understood  her,  in  a  way  no  one  else  did).            “how  angry  is  he?”      inessa  asks  plainly  then,  skipping  the  rest  of  the  pretenses.  they  didn’t  need  them.      “i  didn’t  mean  to  hurt  anyone.”      the  added  words  are  barely  audible,  thick  with  emotion  she  wouldn’t  show  anyone  else.  

[ashishsingh278]

Satsang Ishwar TV | 28-12-2023 | Episode: 2249 | Sant Rampal Ji Maharaj ...

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[logobosskingdom]

Excel chapter 2: simulation exam (projects a and b)

S.Malathi (2018), published a paper “A Literature study of Big Data Analytics and IoT” in International Journal of Scientific Research and Review, ISSN No.

S.Malathi (2018), published a paper “Convergence of Big Data and Internet of Things – Study and Analysis” in International Journal of Management, Technology and Engineering, ISSN 2249 – 7455, Volume IX, Issue 1.

S.Malathi (2018), published a paper “Anatomizing IoT for 21 st century Education System” in International Journal of Management, Technology and Engineering, ISSN 2249 – 7455, Volume 8, Issue XII.

S.Malathi (2018), published a paper “A Comprehensive Exploration of Smartphone Network Traffic and Application Wakeup Pattern” in International Journal of Scientific Research in Computer Science Applications and Management Studies (IJSRCSAMS), ISSN 2319 – 1953, Volume 7, Issue 4.

R.Sathya (2018), published a paper on “Image Processing”, in International Independent Journal of Computer Science and Commerce, Volume 1, Issue 2, ISSN: 2018-0101.

S.Malathi (2019) published a paper “Secured Policy based Resource Access and User Authentication in Ubiquitous Computing Environment” in International Journal of Innovative Technology and Exploring Engineering, ISSN No.

K.Sathiesh Kumar (2019), published a journal entitled as “Fleet Automation Using IoT Logistics”, International Journal of Engineering and Advanced Technology (IJEAT) & ISSN:2249 – 8958, Volume -8 Issue-6, published By: Blue Eyes Intelligence Engineering & Sciences Publication, DOI:10.35940/ijeat.F8911.088619.

R.Sathya (2019),published a paper on “ MOBILE WIMAX” in the International Journal of Research and Analytical Reviews, Volume 6 ,Issue 1 E-ISSN : 2348-1269,P-ISSN :2349-5138 ,Page Number:506-508.

Reshma (2019), published a paper under the title of “An Evolutionary Concept based Multi Keyword Searchable Encryption Mechanism Over Encrypted Cloud Data” at jour of Adv Research in Dynamical and Control System, Vol.

S.Malathi (2020) published a paper “A Prototype Model of Virtual Authenticated Key Exchange Mechanism over secured Channel in Ad-Hoc Environment” in International Journal of recent Technology and Engineering, ISSN No.R.Sathya(2020), published a paper on “ Glaucoma Detection through Image Processing” in Test Engineering and Management-Scopus Indexed Journal, Volume 82,Issue 2020,ISSN :0193-4120 ,Page Number:15014 -15018.Sathya(2020), published a paper on “ Glaucoma Detection in Retinal Images using Image Processing Techniques-A Survey” in The International Journal of Analytical and Experimental Modal Analysis – UGC Care, Volume XII, Issue 02, February 2020,ISSN :0886-9367,Page Number:256-263.Sreejith Vignesh B P(2020),published a paper on “Incremental Research on Cyber security Metrics in Android Applications by implementing the ML Algorithms in Malware Classification and Detection” Journal of Cyber Security and Information Management Vol.3,No.1,PP 14- 20, 2020.Overview of Professional & Competitive Courses.

[trustmanhattan]

Thonny themes

#THONNY THEMES INSTALL#

#THONNY THEMES UPDATE#

#THONNY THEMES PASSWORD#

#THONNY THEMES WINDOWS#

Please test to find and report the remaining (and new) bugs! Please support Ukraine! 🇺🇦Ĥ.0.0b1 is a pre-release with several new features and bugfixes. 🇺🇦 Thonny 4 is dedicated to Ukraine fighting the terror of Russian army.

#THONNY THEMES UPDATE#

Update translations for German, Spanish, Japanese, Slovak, Korean, Brazilian Portuguese, Albanian.

Add Thai translation, by Tomzt Pimai and Game of.

Add Tamil translation, by Kamala Kannan K and அனிச்பிரபு தி, #2211.

Add MicrobitImage inspector for Object inspector.

Fix error with evaluating globals() on MicroPython device, #1938.

Don't assume all CircuitPython boards have RTC, #1760.

Fix various problems with managing files on CircuitPython devices.

Make Shell read-only when device is disconnected.

Disable "Run" command when MicroPython device is disconnected.

#THONNY THEMES WINDOWS#

Update completion stubs for MicroPython and CircuitPython (from and Add compatibility with Python 3.8 via Windows launcher, #2206.Let macOS installer know the bundle is able to run in arm64 mode, #2201.Warn when environment value is provided with quotes, #2184.Fix display of debugger frames (regression introduced in 4.0.0b1), #2216.Fix Find & replace dialog not appearing, #2208.Fix error with printing (regression introduced in b1), #2233.Fix parameter completions where name of local variable was proposed with trailing '='.Fix KeyError: 'ESP32.url' when connecting to WebREPL, #2082 (regression introduced in b1).Fixes certain problems with running Flask programs, #2062.Don't clear shell after automatic restart.Fix the problem with scripts having declared encoding something else than UTF-8, #1650.Add 32-bit bundle with Python 3.8 for Windows (the main Windows bundle is now 64-bit and contains Python 3.10, which doesn't support Windows 7).It is recommend to switch to "Thonny's Python" from the lower-right corner of the main window. This interpreter does not allow interrupting programs with Ctrl+C. Windows bundle proposes pythonw.exe as default interpreter.EXPERIMENTAL: Add LEGO® EV3 back-end: "Run => Select interpreter => MicroPython (EV3)".Updated Estonian, Thai and Brazilian Portuguese translations.Use %run instead of %Run when skipping interpreter restart, #1565.Allow back-end plugins to modify sys.path, #2281.

#THONNY THEMES INSTALL#

Install packages without -user in portable mode, #1606.

Fix problem uninstalling MicroPython packages.

Avoid wobbling of AutomaticScrollbar, helpful report by #2258.

Support CircuitPython with micro:bit, #2251.

Fix support for remote Python 3 over SSH (regression introduced in one of the 4.0.0 betas), #2249.

Fix error when trying to open a file from file browser with ENTER, #1785.

Don't propose pythonw.exe as initial backend, #2236.

See "Editor" and SSH-backends' config pages.

Add options for automatically making uploaded or saved shebang scripts executable (includes changing Windows line breaks to Unix ones).

Fix debugger error when importing user modules (regression introduced in 4.0.0b1), #2246.

Add command "Run => Visualize current script at Python Tutor", #2242.

Add "Assistant" help page explaining the possibility to omit selected Pylint checks, #1978.

For clear picture, start your program with import ctypes ctypes.OleDLL("shcore").SetProcessDpiAwareness(1), #2159 This means for example, that Tkinter and Pygame programs on Windows run as if they were executed with plain Python (ie they may become blurry on modern displays).

BREAKING: Don't SetProcessDpiAwareness for user programs anymore.

🇺🇦 Thonny 4 is dedicated to Ukraine fighting the invasion of Russian orcs.

Fix translations with bad placeholders (by #2253.

Add coloring for match and case soft keywords, #2358.

Work around Pylint error (make Pylint work again), #2359.

Seed find/replace with currently-selected text, #2356.

Rename "Python 3" back-end to "Local Python 3".

Use "Install MicroPython" instead of "Install firmware", #2364.

Toggle hidden files also via file-browser's context menu, #1039.

Support OSC sequences for setting terminal title, #2369.

Take OSC commands into account when looking for prompts (relevant for CircuitPython 8), #2349.

Make paddings larger for hi-res displays.

Don't show package extra deps even when the extra is combined with another condition.

Don't crash when Windows network locations can't be found, #2285.

Don't choke on relative interpreter paths, #2335.

#THONNY THEMES PASSWORD#

Add EV3 default password information to config page, #2284.

Automatically reload saved files after external modification (with help from #1589, #1455, #1968.

" items to the back-end switcher menu if a device in UF2 bootloader mode is detected, #2387

Add possibility to activate a virtual environment via Files view (by #2381.

Refactor MicroPython/CircuitPython flashing dialog, #2344.

CHANGED: Require single click for toggling a breakpoint, #2293.

🇺🇦 Thonny 4 is dedicated to Ukraine fighting the Russian invasion.

[homestuck-logbook]

“Oh shit”

[asfaltics]

in the dark

2249 . 20220130

North dummy finesse in, many We The

ex cooking-oil spattered “Life&Arts” section, FT Weekend (8-9 January 2022), involving page 16 “Dance floors forever” and (horizontal flip, showthrough) page 16 “Diversions” Paul Mendelson on bridge, concluding — “This keeps the declarer exactly where you want him: in the dark.”

—

all tagged diversions all tagged FT all tagged north  

[groovygames]

its on my about page already but if you want to add me on valorant my id is dilf cypher#2249. we can play together if you are in the midwest servers just be ready for my really good whiffs

[princessofbookaholics]

Diversathon Update #4

DAY 11: Red (Taylor's Version) distracted me for a bit but I'm back with reading updates!

Dial A For Aunties was such a fun book! I laughed out loud multiple times while listening to the audiobook. The narrator did an amazing job with the accents and I'd prefer to listen to the audiobook for the next book in the series as well 👀

I just finished The Spanish Love Deception one second ago and it was swoonworthy! AARON BLACKFORD, need I say more?

I've also started listening to the audiobook for We Hunt the Flame, haven't got much into it but loving the vibes.

Total Pages Read: 2249

Total Books Read: 7

I'm really stressed out about stuff at work so the two books I finished were a fun distraction ❣️

[vviral-art]

Viral Art - “Good” or Just Right

CB Hoyo is one of the most popular digital artists on Instagram. Instead of selecting one art piece, I have chosen to discuss his entire Instagram account, as it acts as an exhibition for his many bodies of works. The rationale behind selecting his work was the profound affect and virality behind his work. As an artist with no formal training, it is fascinating how he has leveraged Instagram as a platform to spark participatory engagement in many different facets. 

CB Hoyo has a plethora of different collections. He began his Instagram account in 2017 with his first body of work titled ‘Fakes.’ When travelling back to Cuba to visit his grandmother, he came across his childhood artwork from the age of five. This inspired him to replicate these pieces from an early age and graffiti famous modern artwork with cynical statements. He has since released repeat ‘Fakes’ collections, along with his most prolific work titled ‘Corny Quotes’ released in 2019 and 2020. 

The work mimicking his five year old self consisted of messy handwriting, bright colours, all designed to please himself through self reflective commentary. Hoyo’s work looks as if it were created by a violent toddler with an unsettling sense of reality, which has struck a chord with millennial and Gen Z. These works are in direct contest to ideas behind the gatekeepers of the traditional art community, an industry where exclusivity and intellectual materialism are highly esteemed. 

Hoyo expresses the fears and thoughts most people have and articulates them in chaotic, yet nostalgic inhibitions.  He leverages communicative capitalism as he uses the power of the Instagram platform to gain an audience Dekalov, V., Kristina, G., & Dina, U, 2017). It has become a popular part of culture to express feelings and inhibitions via quotes on the internet, particularly with the trends in stories. The artist not only expresses his views on basics behind inner thoughts for his satisfaction, but with the sharing phenomenon has managed to gather viewers to elevate his artwork to create traction and thus spark virality. 

The works expand into various participatory systems (Graham, 2010). The ability to efficiently share content is enhanced by the power of internet celebrity. Even if you don’t know Hoyo by name, most likely you’ve seen his work reposted on your feed. Some of the world’s most influential accounts, such as Emily Ratajkowski and Bella Hadid have reshared his artwork, expanding his fanbase through the influencer phenomenon. This underlines the significance placed on digital artists to have a recognisable brand when utilising such platforms. CB Hoyo has done this via the recognisable and consistent use of font throughout his works, which separates him from the many digital artists sharing similar content. Further, the simplicity of the works allow for direct response to current events to generate communicative capitalism. For example, CB Hoyo has created individual works surrounding heavily discussed and shared topics; CoronaVirus and Black Lives Matter. This has further inspired audience engagement and reposting. During the Black Lives matter campaign, the artist asked followers to direct message the translation of ‘Fuck Racism’ in their language to create a piece centred around world unity. The artist could have simply utilised Google Translate to have done so, but decided to leverage his need for knowledge to gain audience participation in the creation. 

Furthermore, the works expand beyond the digital and translate into the physical. The artwork has struck such a cord with particular individuals that it has inspired a trend of tattoos based on CB Hoyo’s quotes. The artist himself receives at least five messages per day requesting permission to use his work or for himself to tattoo them with his art. 

He built on this idea by encouraging participation through offering his tattoo services for free in select major cities. The tattoos have then been posted to individual’s accounts and reshared via the CB Hoyo page, which surprisingly has gained even more traction than the original works. In addition, the artist has released a popular Instagram filter utilising the same signature aesthetics. This directly links to the account which displays all artworks and further builds on the concept of artistic branding through diverse mediums. 

Although the transformative ideas have been widely accepted by the Instagram community, CB Hoyo has received negative responses to his work. These comments revolve around the basis that his digital productions should not be classified as art due to their lack of purpose and innovation (Hemsley, J., & Kelly, R, 2019). This begs to question what criteria is needed to reach virality in the newform of artist distribution. This notion also questions what the new era online audience esteems as purpose and classifies as “good art.” 

It is evident with over half a million followers, CB Hoyo has utilised Instagram as a resource and entry into the art world. However, it is interesting to wonder whether his simplistic childlike artwork would have flourished without digital technologies. With the ability to readily connect with audiences through the replication of intimacy social media platforms allow for, CB Hoyo has created deep connections with viewers (Hope, C., & Ryan, J, 2014). The analysis of younger generations' social media actively allows for insight into the method behind unlocking the new age gatekeepers to create both virality and participatory systems - without the tools of the digital platform, would CB Hoyo even exist.

References 

Dekalov, V., Kristina, G., & Dina, U. (2017). Cultural Experts and Communicative Capitalism: Transformation of Communicative Practices. Media Watch, 8(3). https://doi.org/10.15655/mw/2017/v8i3/49155ISSN: 0976-0911, EISSN: 2249-8818

Graham, B. (2010). Participative Systems. In S. Dietz (Ed.), Rethinking curating: art after new media (pp. 111–143). Cambridge: MIT Press.

Hemsley, J., & Kelly, R. (2019). Scratching a Niche: How Smaller Social Media Players Such as Dribbble Reflect the Viral Phenomenon. Social Media Society, 5(4). https://doi.org/10.1177/2056305119890051EISSN: 20563051

Hope, C., & Ryan, J. (2014). I want it now: finding, downloading, and distributing digital art. In Digital Arts: an introduction to New Media (pp. 147–170). Bloomsbury.

[ms1606-blog]

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[loser-brain]

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[sleepymccoy]

How does Sybok fit in?

Someone asked me if i know the timeline of Sybok with regards to Michael and Spock, and I did not so I looked a bunch up and did this. I find such joy in putting these together, I have like 6 tabs open on wiki pages for the characters to figure out what happened when.

There’s not much canon info about Sybok, so where there are no hard facts I used the accepted fanon verse timeline.

In 2224 Sybok is born [ref]

In 2226 Michael is born [ref]

In 2230 Spock is born [ref]

There’s no specific date for Michael to join the family yet, but she looks about 9 or so in the Discovery flashbacks so I’m gonna say ballpark 2235

Sybok and Spock apparently have an in depth conversation about emotion a year in to Sybok living with them (Sybok was crying on the anniversary of his mums death), so Spock was at least 5 or so, cos he could speak and think. So I’m saying after 2235 is when Sybok joins the Sarek clan. So Michael was adopted first.  

There’s no clear timeline on when Sybok leaves and commits to his revolution, but he was clearly going to the whole time, he is emotional throughout it. I suspect he didn’t spend much time under Sarek’s roof, perhaps 6 or 7 years. I reckon he left well before the rush to join Starfleet occured.

Essentially, Sarek and Amanda managed to put together the most emotional house on Vulcan in the mid-late 2230s

In 2245 Michael joins the Vulcan Science Academy, finished top of her class in ‘49 and is refused entry to the Vulcan Expeditionary Group

In 2249, Michael joined Starfleet [ref]

In 2249, Spock joined Starfleet  [ref]

By 2254 Spock was assigned to the U.S.S. Enterprise under Pike [ref]

2256 Star Trek Discovery takes place  [ref]

2269–2270 Star Trek TOS takes place [ref]

In 2287 Sybok reemerges and the events of Trek V Final Frontier play out [ref]

So, basically, Spock is with his parents from 2230 - 2249

Michael is there from roughly 2235 - 2249

Sybok is around for some period of time between 2235 - 2245, if I’m reading things right.

So the three of them lived together for some time!

[craferiaexport]

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