#p: maximilian
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The Empress | 1x01 – “One's Place in the World”
#the empress#die kaiserin#theempressedit#diekaiserinedit#myedit#p: mygifs#ep: one's place in the world#dk 1x01#netflix#dailynetflix#perioddramaedit#perioddramasource#onlyperioddramas#weloveperioddrama#gifshistorical#perioddramagif#periodedit#women being bosses in this series#p: maximilian#tvfilmdaily#tvfilmsource
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Lisa-Marie Bosbach by Maximilian Motel - P Magazine
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US Vogue December 1959
Gitta Schilling in a Umpa natural dark ranch mink coat. By Maximilian. Underneath, a sheath in white Acrilan and wool. By Ben Barrack. Hat by Sally Victor. Gold and diamond jewelry by David Webb.
Gitta Schilling en manteau de vison de ranch foncé naturel Umpa. Par Maximilian. Dessous, une gaine en Acrilan blanc et laine. Par Ben Barrack. Chapeau Sally Victor. Bijoux en or et diamants David Webb.
Photo Horst P. Horst vogue archive
#us vogue#december 1959#fashion 50s#fall/winter#automne/hiver#maximilian#ben barrack#sally victor#david webb#gitta schilling#horst p. horst#vintage vogue#vintage fashion#umpa#acrilan
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when my work friend and I get together to play LoP he always calls it lies of peepee and I'm so close to printing out a picture of p from the nude mod that says "thanks for playing with my peepee <3" and putting in his work mailbox as a bit
#so why did i say that#everyone pray for maximilian#poor guy is getting unsolicited p dick pics#lyd posting#shitposting
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it's kinda funny that hollywood keeps naming (young) german characters Heinrich, Hermann, Klaus, Hans, Wolfgang or Franz. because yeah, those might have been very common names 100 years ago but there's a very low chance anyone under 50 is called that today. that's like naming your teenage english characters Fitzwilliam, Horace or Bertram.
#that doesn't mean i don't know a young heinrich or franz#BUT for one heinrich i know 100 jonas's + maximilians#p
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enchante | daniel ricciardo social media au
pairing: daniel ricciardo x fem reader
you are daniel's new enchante model (and secretly, his girlfriend)
masterlist
enchante
![Tumblr media](https://64.media.tumblr.com/5219facea4ebe300b8fb15fd6caa3187/d6a00fed562c9f7d-11/s540x810/9659f0e19b95426a3a2dfd1f5e1b5a3bcb878cb2.jpg)
liked by y/n.user, danielricciardo and 350,839 others
caption: new model and collection. say hi to @ y/n.user !
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danielricciardo: welcome y/n!
y/n.user: hii
user74: she is so pretty!!
y/n.user: thank you sm xx
user36: i though that enchante had enough models
user4: maybe she's special to daniel
y/n.user
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liked by danielricciardo, yourbff1 and 12,848 others
caption: enjoy the butterflies
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danielricciardo: 🦋
user6: THE CAPTION AND DANIEL'S COMMENT??
user67: they're dating for sure
user5: she looks like his sister lol. gross
y/n.user: guess we ain't looking at the same person
user46: SHE SILENCED THAT HATER
landonorris: hiii y/n
y/n.user: gosh you're such a fan lando
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danielricciardo
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liked by y/n.user, maxverstappen1 and 543,838 others
caption: don't forget to check the new enchante collection. creds for photos to my lovely y/n xx
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y/n.user: you're welcome bae xx
user6: OMG THEY'RE DATING FOR SURE
user5: so this is a soft launch of their relationship?
maxverstappen1: no
danielricciardo: maximilian
y/n.user: I love drama
user4: y/n is just enjoying the attention
y/n.user
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liked by danielricciardo, landonorris and 137,028 others
caption: HARD LAUNCH
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landonorris: I KNEW IT!
danielricciardo: u didn't
y/n.user: no.. u didn't. U thought that I'm his long missed sister
user67: LMAO
user99: I'm so happy for danny. He's finally happy
maxverstappen1: congrats dude
danielricciardo: thanks maxie
y/n.user: MAX EMILIAN STOP FLIRTING WITH MY MAN
danielricciardo
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liked by maxverstappen1, y/n.user and 754,980 others
caption: finally where im supposed to be
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user8: he's finally done with f1
user88: omg I'm so happy for them
landonorris: u deserve this bro
maxverstappen1: finally
user7: max is so real
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danielricciardo and y/n.user
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liked by landonorris, maxverstappen1 and 1 234,849 others
caption: we're happy to announce that we're married! and y/n is finally mrs. ricciardo
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landonorris: CONGRATULATIONS GUYS!!
y/n.user: thank u lando
danielricciardo: xx
maxverstappen1: congratulations from me and kelly and P!!
danielricciardo: thanks mate
y/n.user: thanks guys!
user56: omg!!
user89: they're endgame for sure
user6: now only baby
danielricciardo: don't scare us
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y/n.user and danielricciardo
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liked by maxverstappen1, kellypiquet and
3, 484,939 others
caption: we had to wait for this announcement because of some problems at the start of the pregnancy, but now everything's okay, and we're happy to announce that another ricciardo is on her way.
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landonorris: I'm gonna be an uncle!!
danielricciardo: you're still a kid yourself landinho
y/n.user: no way I'm letting you alone with my baby
user7: HER??? OMG ITS GONNA BE A GIRL
maxverstappen1: congratulations guys!
danielricciardo: we're gonna be good dads emilian
kellypiquet: so happy for you girlie!! we need to see each other
y/n.user: yay i can't wait to see our babies grow up
user6: no way daniel and max are gonna become dads in 2025
user88: maxiel becoming dads is so wholesome
#charles leclerc#charles leclerc smut#charles leclerc x female reader#charles leclerc x reader#f1#daniel ricciardo x reader#daniel ricciardo#max verstappen smut#max verstappen#formula 1#formula 1 x y/n#formula 1 x you#f1 x reader#f1 social media au#daniel riccardo x reader#daniel ricciardo x max verstappen#daniel ricciardo au#oscar piastri x lando norris#landoscar#lando norris#ln4 x y/n#dr3#dr3 x reader#daniel riccardo imagine
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Pentiment's Complete Bibliography, with links to some hard-to-find items:
I've seen some people post screenshots of the game's bibliography, but I hadn't found a plain text version (which would be much easier to work from), so I put together a complete typed version - citation style irregularities included lol. I checked through the full list and found that only four of the forty sources can't be found easily through a search engine. One has no English translation and I'm not even close to fluent enough in German to be able to actually translate an academic article, so I can't help there. For the other three (a museum exhibit book, a master's thesis, and portions of a primary source that has not been entirely translated into English), I tracked down links to them, which are included with their entries on the list.
If you want to read one of the journal articles but can't access it due to paywalls, try out 12ft.io or the unpaywall browser extension (works on Firefox and most chromium browsers). If there's something you have interest in reading but can't track down, let me know, and I can try to help! I'm pretty good at finding things lmao
Okay, happy reading, love you bye
Beach, Alison I. Women as Scribes: Book Production and Monastic Reform in Twelfth-Century Bavaria. Cambridge Univeristy Press, 2004.
Berger, Jutta Maria. Die Geschichterder Gastfreundschaft im hochmittel alterlichen Monchtum: die Cistercienser. Akademie Verlag GmbH, 1999. [No translation found.]
Blickle, Peter. The Revolution of 1525. Translated by Thomas A. Brady, Jr. and H.C. Erik Midelfort. The Johns Hopkins University Press, 1985.
Brady, Thomas A., Jr. “Imperial Destinies: A New Biography of the Emperor Maximilian I.” The Journal of Modern History, vol 62, no. 2., 1990. pp.298-314.
Brandl, Rainer. “Art or Craft: Art and the Artist in Medieval Nuremberg.” Gothic and Renaissance Art in Nuremberg 1300-1550. The Metropolitan Museum of Art, 1986. [LINK]
Byars, Jana L., “Prostitutes and Prostitution in Late Medieval Bercelona.” Masters Theses. Western Michigan University, 1997. [LINK]
Cashion, Debra Taylor. “The Art of Nikolaus Glockendon: Imitation and Originality in the Art of Renaissance Germany.” Journal of Historians of Netherlandish Art, vol 2, no. 1-2, 2010.
de Hamel, Christopher. A History of Illuminated Manuscripts. Phaidon Press Limited, 1986.
Eco, Umberto. The Name of the Rose. Translated by William Weaver. Mariner Books, 2014.
Eco, Umberto. Baudolino. Translated by William Weaver. Mariner Books, 2003.
Fournier, Jacques. “The Inquisition Records of Jacques Fournier.” Translated by Nancy P. Stork. Jan Jose Univeristy, 2020. [LINK]
Geary, Patrick. “Humiliation of Saints.” In Saints and their cults: studies in religious sociology, folklore, and history. Edited by Stephen Wilson. Cambridge University Press, 1985. pp. 123-140
Harrington, Joel F. The Faithrul Executioner: Life and Death, Honor and Shame in the Turbulent Sixteenth Century. Farrar, Straus and Giroux, 2013.
Hertzka, Gottfired and Wighard Strehlow. Grosse Hildegard-Apotheke. Christiana-Verlag, 2017.
Hildegard von Bingen. Physica. Edited by Reiner Hildebrandt and Thomas Gloning. De Gruyter, 2010.
Julian of Norwich. Revelations of Divine Love. Translated by Barry Windeatt. Oxford Univeristy Press, 2015.
Karras, Ruth Mazo. Sexuality in Medieval Europe: Doing Unto Others. Routledge, 2017.
Kerr, Julie. Monastic Hospitality: The Benedictines in England, c.1070-c.1250. Boudell Press, 2007.
Kieckhefer, Richard. Forbidden rites: a necromancer’s manual of the fifteenth century. Sutton, 1997.
Kuemin, Beat and B. Ann Tlusty, The World of the Tavern: Public Houses in Early Modern Europe. Routledge, 2017.
Ilner, Thomas, et al. The Economy of Duerrnberg-Bei-Hallein: An Iron Age Salt-mining Center in the Austrian Alps. The Antiquaries Journal, vol 83, 2003. pp. 123-194
Lang, Benedek. Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe. The Pennsylvania State University Press, 2008
Lindeman, Mary. Medicine and Society in Early Modern Europe. Cambridge University Press, 2019.
Lowe, Kate. “’Representing’ Africa: Ambassadors and Princes from Christian Africa to Renaissance Italy and Portugal, 1402-1608.” Transactions of the Royal Historical Society Sixth Series, vol 17, 2007. pp. 101-128
Meyers, David. “Ritual, Confession, and Religion in Sixteenth-Century Germany.” Archiv fuer Reformationsgenshichte, vol. 89, 1998. pp. 125-143.
Murat, Zuleika. “Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century).” Archaeological and Anthropological Sciences, vol 23, no. 191. Springer, October 2021. pp. 1-27.
Overty, Joanne Filippone. “The Cost of Doing Scribal Business: Prices of Manuscript Books in England, 1300-1483.” Book History 11, 2008. pp. 1-32.
Page, Sophie. Magic in the Cloister: Pious Motives, Illicit Interests, and Occullt Approaches to the Medieval Universe. The Pennsylvania State University Press, 2013.
Park, Katharine. “The Criminal and the Saintly Body: Autopsy and Dissectionin Renaissance Italy.” Renaissance Quarterly, vol 47, no. 1, Spring 1994. pp. 1-33.
Rebel, Hermann. Peasant Classes: The Bureaucratization of Property and Family Relations under Early Habsburg Absolutism, 1511-1636. Princeton University Press, 1983.
Rublack, Ulinka. “Pregnancy, Childbirth, and the Female Body in Early Modern Germany.” Past & Present,vol. 150, no. 1, February 1996.
Salvador, Matteo. “The Ethiopian Age of Exploration: Prester John’s Discovery of Europe, 1306-1458.” Journal of World History, vol. 21, no. 4, 2011. pp.593-627.
Sangster, Alan. “The Earliest Known Treatise on Double Entry Bookkeeping by Marino de Raphaeli.” The Accounting Historians Journal, vol. 42, no. 2, 2015. pp. 1-33.
Throop, Priscilla. Hildegarde von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing. Healing Arts Press, 1998.
Usher, Abbott Payson. “The Origins of Banking: The Brimitive Bank of Deposit, 1200-1600.” The Economic History Review, vol. 4, no. 4. 1934. pp.399-428.
Waldman, Louis A. “Commissioning Art in Florence for Matthias Corvinus: The Painter and Agent Alexander Formoser and his Sons, Jacopo and Raffaello del Tedesco.” Italy and Hungary: Humanism and Art in the Early Renaissance. Edited by Peter Farbaky and Louis A. Waldman, Villa I Tatti, 2011. pp.427-501.
Wendt, Ulrich. Kultur and Jagd: ein Birschgang durch die Geschichte. G. Reimer, 1907.
Whelan, Mark. “Taxes, Wagenburgs and a Nightingale: The Imperial Abbey of Ellwangen and the Hussite Wars, 1427-1435.” The Journal of Ecclesiastical History, vol. 72, no. 4, 2021, pp.751-777.
Wiesner-Hanks, Merry E. Women and Gender in Early Modern Europe. Cambridge University Press, 2008.
Yardeni, Ada. The Book of Hebrew Script: History, Palaeography, Script Styles, Calligraphy & Design. Tyndale House Publishers, 2010.
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this is so cute i cant believe i havent seen this picture before, sharing just in case you hadn't either https://www.instagram.com/p/C-AXCVmoIeq/?utm_source=ig_web_copy_link
I have seen it but i'd love to see it before 42 more times so let's look at it again since it's maximilian's birthday
#look at these two cuties#i have like old old 2013 mando gifs that i have not posted is there anyone out there interested 🤔#mando chats#max f#lando
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Writer claims open! (Dec. 24-27)
Claims for the 2024-2025 mini bang are open! As a reminder, writers will write 2000 words minimum based on their partner's art piece. Claim summaries are anonymous and art drafts can be revealed after everyone is partnered. Review the claim summaries here: https://docs.getgrist.com/eiATHExv47au/Claim-Summaries-2024-2025/p/3 Filter the summaries by using the stickied menus at the top of the spreadsheet. Submit your writer claims here (open through Dec. 27): https://docs.getgrist.com/forms/n65Xt2iVFut247eo2UEXih/4 Ship list: 1. Fawnshipping (Weevil Underwood/Maximilian Pegasus) 2. Yuga + Yudias 3. Crewshipping (Sawatari/Ootomo/Yamabe/Kakimoto) 4. Samuraishipping (Noboru Gongenzaka/Yaiba Toudou) 5. Sickleshipping (Yami Marik x Thief King Bakura) 6. Judai/Yuri 7. Numeronshipping (Don Thousand x Astral) 8. Rulershipping (Reiji/Jack) 9A. Zwijo/Yuudias/Kuaidul 9B. Manabu/Nyandestar 10. Occultshipping (Yami Bakura/Ghost Kotsuzuka (Bonz)) 11. Vexshipping (Mazaki Anzu x Yami Bakura) 12. Crystalshipping (Shou &/ Johan) 13. Isono x Rishid Ishtar 14. Omenshipping (Carly x Misty) 15. Foolshiping (Judai Yuki/Saiou Takuma) 16. Senseishipping (Kalin & Radley) 17A. Yami Marik/Yami Bakura/Jounouchi 17B. Yami Bakura/Otogi 17C. Jounouchi/Shizuka 18. kuaiyuuga (Kuaidul Velgear x Ohdo Yuga) 19. Scytheshipping (Bessho Ema/Taki Kyoko) 20. Fateshipping (Rafael x Yami Yugi/Atem) 21. Tealshipping (Ryo Marufuji/Johan Andersen) 22. Rise Falcon x Dark Rebellion Xyz Dragon 23. Rio/Ruri 24. Nohopeshipping (ZONE/Aporia) 25. Darkangelshipping (Alito x Vector x Yuma) 26. Agelessshipping (Seto Kaiba/Judai Yuki) 27. Hauntshipping (Bakura Ryou x Yuki Judai) 28. Darkcosplayshipping (Kuroda x Sota) 29. Traumashipping (Ryou Bakura x Juudai Yuuki) 30. Sadisticshipping (Aki Izayoi/Kiryu Kyosuke) 31. Blueghostshipping (Aoi Zaizen/Specter) 32. Spikeshipping (Honda Hiroto/Mutou Yuugi) 33. Yuya x Aoi (Skye) 34. Tieshipping (Miho/Honda) & Buddyshipping (Jounouchi/Honda)
Posted using PostyBirb
#yugioh#ygo#遊戯王#fanevent#fanfic#minibang#ygoDM#ygoGX#ygo5ds#ygoZexal#ygoArcV#ygoVrains#ygoSevens#ygoGoRush#ygoOCGStructures
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Your family will be delighted. We shall see
The Empress | Die Kaiserin (2022-)
#the empress#theeempressedit#die kaiserin#diekaiserinedit#myedit#p: mygifs#perioddramaedit#perioddramasource#perioddramacentral#perioddramasonly#dailynetflix#ep: one's place in the world#dk 1x01#periodedit#gifshistorical#p: maximilian#so anyways starting a new gif project as an excuse to see him again#my little pookie
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US Vogue October 15, 1951
Eva Gerney wears an oyster beige otter coat. Called "Oystershell", it is dyed according to Hollander; done with controlled fullness. The scarf matches the lining of the coat. By Maximilian. Pearl and green stone earrings, Seaman Schepps. Pink beige suede-finish lambskin gloves by Kislav. And the lipstick shade is “Vivid” by Yardley.
Eva Gerney porte un manteau de loutre beige huître. Appelé « Oystershell », il est teint selon Hollander ; fait avec une plénitude contrôlée. L'écharpe est assortie à la doublure du manteau. Par Maximilian. Boucles d'oreilles en perles et pierres vertes, Seaman Schepps. Gants en cuir d'agneau finition daim beige rosé par Kislav. Et la teinte du rouge à lèvres est « Vivid » de Yardley.
Photo Horst P. Horst vogue archive
#us vogue#october 1951#fashion 50s#1951-52#fall/winter#automne/hiver#maximilian#yardley#eva gerney#horst p. horst#kislav#seaman schepps#fur coat#manteau de fourrure#oystershell
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Some B&P collage art I did. A rundown of the symbolism:
The backgrounds are from two of the "O Antiphons", a series of short chants used in Catholic and Catholic-adjacent liturgies in the days leading up to Christmas. Barnes gets "O Sapentia," which is about divine wisdom and law ordering the universe; Paxton gets "O Oriens," which is about divine light illuminating a dark and suffering world. The O Antiphons are the source text for the well-known hymn "O come, O come, Emmanuel", and "O Oriens" is also an indirect source for much of J.R.R. Tolkien's literary worldview. The translations and musical settings are ones commonly used in Anglican churches.
The Hebrew text (which I set in Keter Aram Sova, a font based on the tenth-century Aleppo Codex, because the default Hebrew fonts for Windows all suck shit) comes from the Biblical passages that A24's marketing for the movie associates with Barnes and Paxton. Barnes gets Proverbs 31:25, which in my preferred New Revised Standard Version Catholic Edition reads "Strength and dignity are her clothing, and she laughs at the time to come." Paxton gets Psalm 46:5, which the NRSVCE has as "God is in the midst of the city; it shall not be moved; God will help it when the morning dawns"--but "the city" in the Hebrew is just a pronoun, whose antecedent is in the previous verse, so the New International Version preferred by many Evangelical Protestants has "God is within her, she will not fall; God will help her at break of day." My choices of Hebrew text read eshet chayil for Barnes ("woman of valor"; I refuse to render it "capable wife" lmao) and lifnot boker for Paxton ("daybreak"). Eshet chayil doesn't appear in Barnes's specific version, but lifnot boker does in Paxton's.
The paintings are of two saints who happen to both have been Carmelite nuns named Teresa. Barnes gets François Gérard's portrait of Teresa of Ávila, a sixteenth-century Spaniard with a chaotic personal background who found solace and grew into a great theologian in the ultra-structured environment of convent life. Paxton gets Céline Martin's portrait of her sister Thérèse of Lisieux, a nineteenth-century Frenchwoman whose similarities to Paxton are many. (The second link there speaks a little insultingly of atheists because it's from a conservative-ish Catholic source, but I think it's still worth a look.) The French on the picture frame says "my path is sure and I was not wrong to take it."
The crowns are in reference to a story often told about a third saint, Maximilian Kolbe, who is said to have been offered two crowns in a vision of the Virgin Mary, a white crown and a red one. The white crown would have made him persevere in faith throughout his life; the red one would have made him die a martyr. He took both.
Magnified and sanctified is the great name of God throughout the world, which was created according to Divine will. Let's all tell our friends and family to watch Heretic and stan Sophie Thatcher and Chloe East!
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was there a reason why max didn't adopt an archduke to groom as a successor? not that i imagine any parent would have been happy to be separated from their child a whole ocean away in a shaky monarchy, but it seems like a better idea than showing favour to the previously deposed emperor's family.
He tried to do that too! Quoting Brigitte Hamann in her edition of the diary of Prince Carl Khevenhüller (an Austrian volunteer officer in Mexico):
Besides the Iturbide project there was, by the way, another effort to regulate the matter of the succession. In November of 1865 count Charles Bombelles addressed by order of Maximilian to his younger brother, archduke Karl Ludwig, who had three sons (Franz Ferdinand, Otto and Ferdinand), asking him if he would be willing to “give your approval to adopt one of your sons. The same prince would immediately travel, still in the course of the year 1866, to Mexico, as son and heir of the emperor and the empress of Mexico; and H.I.M the empress Charlotte would go to Vienna to collect him. Her Majesty would bring the necessary court so that from here only a nanny and a doctor should be sent over. In case the emperor Max still has a son, the prince would return to Austria endowed with an income worthy of his position”. Max exposed this wish to his brother “with the justificated hope of not allowing the House of Habsburg to lose the fruits of the gigantic work of an archduke of Austria” (1994, p. 144)
I must correct Hamann here though: in November of 1865 Karl Ludwig only had two sons, the not yet two-years-old Franz Ferdinand and six months-old baby Otto. Unsurprisingly, Karl Luwdig turned down his brother's proposal.
This was around the same time Max made the Iturbide boys princes, which likely means that his plan A was to adopt one of his nephews, and the Iturbides were more of a "backup" plan in case no Habsburg agreed to give his child in adoption. I don't know if he tried again later on; personally I think he may have had more luck had he asked one of his cousins instead.
SOURCE:
Hamann, Brigitte (1994). Con Maximiliano en México. Del diario del príncipe Carl Khevenhüller, 1864-1867 (translation by Angélica Scherp)
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Thread about Joanna of Castile: Part : 10 “A Storm of Jealousy: Juana and Philip's Turbulent Reunion"
By May 1504, Juana was in Burgundy. Juana’s reunion with Philip and the children was joyful.
But soon afterwards she suspected, or discovered, an affair between Philip and a noblewoman in her entourage:
“They say,” writes Martire, “that, her heart full of rage, her face vomiting fames, her teeth clenched, she rained blows on one of her ladies, whom she suspected of being the lover, and ordered that they cut her blond hair, so pleasing to Philip …”
Philip’s response was equally furious. He had “thrown himself” on his wife and publicly insulted her.
Sensitive and obstinate, “Juana is heartbroken … and unwell …”. Isabel “suffers much, astonished by the northerner’s violence.
Maximilian’s biographer, Wiesfecker, describes Juana’s response as:
"The symptom of a pathological, passionate, if not unfounded, Haßliebe, fomenting continual strife. "
Juana would have known for years about Philip's visits to the baigneries and his more casual relationships with women. However, this affair seemed to pose a direct challenge to her standing and dignity. Juana knew her faults and had tried to limit them. In 1500, after becoming princess, she had asked Isabel to send her an honest and prudent Spanish lady who:
“Knows how to advise her, and where she sees something out of order (‘deshordenado’) in her conduct could say so as servant and adviser but not as an equal because, even if the advice were good, if expressed in a disrespectful way it would create more anger in she to whom it was said than it would allow for correction.”
Sources: Fleming, G. B. (2018). Juana I: Legitimacy and Conflict in Sixteenth-Century Castile (1st ed. 2018 edition). Palgrave Macmillan.
Fox, J. (2012). Sister Queens: The Noble, Tragic Lives of Katherine of Aragon and Juana, Queen of Castile. Ballantine Books.
Gómez, M. A., Juan-Navarro, S., & Zatlin, P. (2008). Juana of Castile: History and Myth of the Mad Queen. Associated University Presse.
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