#owsley

[aquariumdrunkard]

[orjustthinkit]

Owsley at an Acid Test

[daiskovsky]

[mjwatson-daily]

Spectacular Spider-Man (Vol. 1) Annual #7 Writer: Jim Owsley, Pencils: Alan Kupperberg

[undergroundrockpress]

Owsley Stanley & Jerry Garcia, 1969. Photo : Rosie McGee.

[dirtyriver]

Power Man and Iron Fist #116, April 1985, written by Jim Owsley, original art by Mark Bright (pencils) and Jerry Acerno (inks)

[kosmik-signals]

Grateful Dead

Jerry Garcia & Owsley Stanley

Jefferson Airplane

Merry Pranksters

[the-gershomite]

Conan the Barbarian Annual #8 -1983- Marvel comics

"Dark Night of the White Queen" (27-38 of 38)

script by Jim Owsley

art by Val Mayerik

letters by Rick Parker

colors by Steven Mellor

[comicarthistory]

Page from Power Man and Iron Fist #124. 1986. Art by Mark Bright and Jerry Acerno.

[letterboxd-loggd]

Holiday (1930) Edward H. Griffith

April 25th 2024

[spaceshiprocket]

Batman by Patrick Owsley

[orjustthinkit]

Graphic design while on acid 😵‍💫

[babylon-crashing]

Text:

Ulula/ from flowerchild wallflower/ to feral acid freakout!/ “Damn, that orange sunshine is a killer!/ I need mooooore! (snort, drool)/ Oooorange Suuuunshine!/ What would Owsley Stanley and the Hippie Mafia do?/ Heavy Petting Scandals presents:/ “I was in love with a teenage Acid Freak!”/ The Fleas! The Infamy! The Dirty Linen!

[mjwatson-daily]

Spectacular Spider-Man (Vol. 1) Annual #7 Writer: Jim Owsley, Pencils: Alan Kupperberg

[mayamistake]

Sound architect and Lysergic Acid pioneer Augustus “Bear’” Owsley Stanley died this week in his adopted home of Australia. The sixties counterculture fixture (see: Ken Kesey, the Grateful Dead, the Acid Tests, Tom Wolfe, etc.) and fictional inspiration for Steely Dan’s “Kid Charlemagne” reportedly produced upwards of 1.25 million doses of LSD between 1965 and 1967. While it was his doses that made him (in)famous, fellow heads know Owsley as the man behind the band’s live fidelity—explicitly the Wall of Sound.

[dirtyriver]

Power Man and Iron Fist #118, July 1985, written by Jim Owsley, original art by Mark Bright (pencils) and Jerry Acerno (inks)