#ough this chapter

[nexahexagon]

He gets to be happy, as a treat

When I first read the cloak description, I thought of some complex constellation or solar system (like insanely detailed and colorful) and I don’t know why? It didn’t even make sense but I wanted to add some semblance of it so I added little dots!!

@silverskye13

[calmlb]

something about Dazai being comfortable enough around Chuuya to be vulnerable and let him see his genuine reactions (especially his genuine shock) as he processes out loud is SO SO IMPORTANT TO ME

plus Chuuya not being shocked to see the genius at work tells us this isn’t the first time he’s seen Dazai actively figuring things out in real time…

the way Chuuya knows Dazai's nervous habits— noticing that Dazai is worried, and subtly checking on him. the way Dazai drops his facade in favor of putting all of his focus into the mental game at hand is such an obvious sign of trust & closeness for someone like Dazai, whose facade is his main form of defense

how they interact with each other in the downtimes when there’s nobody watching…

all i can think is, look how far they’ve come since they were 16 when Dazai couldn’t trust anyone with his plans. how even now, Dazai is always putting up his “all according to plan” front, even with the agency. how Chuuya is the one person we’ve seen him truly drop the mask around, and Chuuya doesn’t bat an eye. even their banter is ongoing, but subdued.

soukoku and their subtle displays of intimacy will be the death of me 💔

[ohno-the-sun]

Little Luca au babies

[forgettable-au]

FORGETTABLE-AU (Page 53-56)

DELIVERED.

[BEGINNING] [PREVIOUS] [CONTINUE]

[jounosparticles]

the thing that also hurts about teruko is that we know she mentally aged herself using her ability instead of growing up. sure she has gotten the fundamental development that comes with any growing child however she never got the experience. part of maturing and growing up is learning as you go and experiencing new things. yet from the time she was a few months old the main thing she has experienced is battle and hardship. she likely didn’t get the opportunity to make and meet friends her age, she never got to go to school, she never got to grow up. she had that ripped away from her as young as possible. i feel so bad for her

[pavo-dence]

finally finished ghost trick

[bunnygirllover45]

Saw this on Twitter.. Naoya and Ema would fit on this ngl..

I love these type of sheets. And yeah it's perfect for the both of them. I don't really think Naoya enters the 'self-sacrificial' category but he's willing to sacrifice everything for Ema, even if it's only because he's selfish. Ema does it in a more selfless way yet it's extremely toxic both for their own well-being and for the people around them.

Thanks for the suggestion!

[sea-beam]

addison rooms💖💙🧡💛🤍

[pjsk-story-summaries]

Where Does This Path of Thorns Lead To? Event Story Summary

TL;DR: After watching Mafuyu begin to move forward, Mizuki resolves to finally tell the others their secret. Still, they're incredibly nervous to do so, and struggle to actually send a message to Ena.

The Kamikou Cultural Festival is soon approaching. After realizing Ena will be attending this year, Mizuki decides to tell her then. MEIKO and KAITO both notice hesitation and anxiety within them, though. KAITO wants to force them to do something, but MEIKO begins to argue with him. The two end up visiting Mizuki together- KAITO to say that Mizuki needs to make a choice, and MEIKO that she'll always be watching over them no matter what happens.

Mizuki runs into Rui after they finish setting up for the festival the next day. Rui can tell something is bothering them, so the two chat. Mizuki reveals that they want to tell the others, but they're scared things will change if they do. They don't want to lose what they currently have. Rui sympathizes with them, and though he can't do much to help, wishes for Mizuki's happiness. With the courage from MEIKO, KAITO, and Rui, Mizuki tells Ena she wants to talk about their secret after the festival.

Mafuyu and Kanade join Ena and Mizuki for the daytime festival. They visit many of the stalls, including the escape room Mizuki and Toya created. During the escape room, they try solving the final puzzle by thinking about where Mizuki would have hidden the key. Though they ultimately failed, Mizuki was impressed and touched. The spot they chose was where they had initially hidden the key- Toya made the last minute change.

Mafuyu and Kanade go home after the festival, so Ena and Mizuki go up to the rooftop. On the way, though, a classmate asks for Mizuki's help with something, so Ena decides to meet them up there. Two of Mizuki's bullies end up going up to the roof, too, recognizing Ena as Mizuki's friend. They ask her if she's "actually a boy", too. Their comments lead Ena to realize Mizuki's secret is that they are transgender. They turn to find a terrified Mizuki staring in horror. Mizuki runs away.

Ena chases after Mizuki. When she catches them, though, she's at a loss for words. Mizuki apologizes for not being able to say anything. They know Ena and the others would accept them, and that they'd try and make it so nothing would change, but they can't bring themself to accept that kindness. Mizuki apologizes again for not being able to say it and runs away. Ena cries out in self-frustration for not being able to say anything back.

Fan translation (Puroeng) / Song (Ghost Flower) 2DMV

Chapter 1: After Mafuyu was finally able to tell her father her true feelings, Mizuki resolves to move forward themself and finally tell their secret. With shaking hands, they go to message Ena, but flashbacks of others calling them "weird" and "doing it for attention" make them freeze. Mizuki knows the others won't reject them, but still can't send the message.

A few days later, Nightcord all meet in the SEKAI to discuss the current demo. They end up talking about the upcoming Kamikou Cultural Festival. Ena's class is going to do a squid grill (though she's unsure if she'll actually go or not), and Mizuki's class an escape room. KAITO and MEIKO notice something change in Mizuki when they realize Ena could be coming to the festival. Mizuki's scared Ena will hear rumors about them, but decides, no matter what, they'll tell Ena during the cultural festival.

Chapter 2: MEIKO realizes Mizuki might be about to share their secret and move forward. KAITO approaches and demands information on Mizuki. He wants Mizuki to be okay because Mizuku can help Mafuyu. MEIKO tells him about Mizuki wanting to stop running away, but refuses to tell what the secret may be. The two fight about whether or not to interfere, and KAITO storms off.

KAITO goes to talk to Mizuki, but is interrupted by MEIKO. KAITO ends up telling Mizuki to stop hesitating and make a choice for survival. MEIKO promises to keep watching over Mizuki, no matter what happens.

Chapter 3: It's the day before the cultural festival, and Mizuki still hasn't been able to send the message. They had been helping Toya create the puzzle challenge, so the two finished setting it all up. Mizuki is clearly nervous about telling Ena, but tries to hide it.

Rui ends up running into Mizuki in the hall. He sees through their facade and asks to talk. Mizuki reveals their decision to tell the others the truth, but they're scared. They know the others will accept them for who they are, but their relationship will still most likely change. They don't want the others to think any differently of them, even if it's well-intentioned. Rui sympathizes with their fear of change; though he can't help alleviate it, he wishes for their happiness.

Mizuki thinks of KAITO, MEIKO, and Rui's support. They get a message from Ena saying she'd decided to attend the festival tomorrow. Mizuki finally asks if they can talk, tomorrow after the festival.

Chapter 4: Mizuki greets Kanade and Mafuyu at the school gate. Ena runs over from her class's stall, having just finished up her shift. Ena hates the T-shirt she has to wear. Kanade tries to cheer her up, which flusters her. The group decides to wander around and see the stalls. Ena notices that Mizuki seems off, but resolves to wait.

An, Akito, and Nene's class put on a photo booth, and Rui and Tsukasa's put on a play about reaching the moon. They decide to visit Mizuki's class next.

Chapter 5: Mizuki is nervous about what might happen with whatever classmate is on reception, but it ends up just being Toya. Mizuki acts as the guide for the escape room, since they helped create the puzzle. Kanade, Mafuyu, and Ena breeze through most of the puzzle.

They only have a few minutes to find the key with the last clue, so rather than actually solve the riddle, they try and think of where Mizuki would hide the key. Rather than something simple like under a desk, they check something surprising, like the pile of stuffed animals. One has a zipper on its back. They use the remaining time to open the zipper, but it ends up being a decoy. Mizuki reveals the true key was hidden in a stuffed animal hanging on the ceiling. (Still, they're shocked. That was the original place they were going to hide it- Toya was the one to make the last minute change.) They're happy, to be known so well.

Chapter 6: After the festival, Kanade and Mafuyu head home. Before they leave, Mizuki asks to tell them something later. Mizuki then asks Ena if they can go up to the rooftop to talk (even though they're so anxious it makes them nauseous). Ena chats about music video ideas to help calm down Mizuki, something they greatly appreciate.

Suddenly, a classmate runs up to Mizuki, asking for help. Apparently, another student had gotten hurt, but they need help finding the school nurse. Ena offers to meet Mizuki on the roof when they're done.

Chapter 7: Two students end up walking up to the rooftop while Ena waits. They recognize her as Mizuki's friend and ask if she's "also a guy". Ena doesn't know what they mean. The guy apologizes, knowing Ena's "a normal girl". Ena presses, and the two realize Ena doesn't know "his" secret. Ena realizes that Mizuki is transgender. She turns to find Mizuki staring at her, terrified.

Chapter 8: Flashbacks of Mizuki's memories with Nightcord flash by the screen. They can't say anything and sprint away. Ena chases after them.

When Ena finally catches up, she's at a loss for words. Through shaking breaths, Mizuki apologizes for not being able to say anything sooner. They know Ena was just surprised, not hurt, but can't find it in themself to accept it. They know they'll try and make it so nothing will change, and they'll all accept them for who they are and keep making videos. They know it's from all their kindness, and they want to accept it so badly, but they can't help but hate it.

Ena tries to reassure Mizuki, but she still can't find the words. Mizuki turns their back to her, apologizes for not being able to face her, and runs away. Ena starts crying.

The chapter ends with a monologue from Mizuki. "You reap what you sow, huh? Running, and running, always running away. I had hoped that someone would just say it for me. Guess it turned out just as I hoped. Ah... I want to disappear."

After reading the final chapter of this event, Mizuki's menu lines and live2D model are changed to a hollow, lightless version of themself, similar to Mafuyu when not masking. They also will only appear in the Empty SEKAI for area conversations, if at all.

[defiledtomb]

Chapter 2 is up on my Patreon! Thank you to all my patreons, new and old, for helping me getting back on my feet. I'm having so much fun writing Leith and Healer MC, it takes my mind off how tedious it is to work this much. I hope you enjoy the chapter and Leith being protective (>:3), and get excited for some mischief in next week's chapter!!

[blueish-bird]

Chainsaw Man is about self-destruction. It’s about self-destruction as a means of reclaiming your autonomy in an environment where you are consistently denied it. Chainsaw Man is about denial of autonomy. Chainsaw Man is about how, when you are in an environment where you are denied your own autonomy, you learn to view interpersonal relationships as interactions you have no control over unless you find a means of controlling the other members of that relationship — whether that be through methods of fight, flight, freeze, or fawn. Chainsaw Man is about how denial of autonomy is framed as love. Chainsaw Man is about how love that denies autonomy is violence.

[ohno-the-sun]

Yippee newest chapter of Under the Surface is done! I hope you all will enjoy this one

Art is scene in the fic lol

Also I made a playlist for it check it out if you like

Has vibes, character arcs and spoilers so fun

[nnayomaise]

any other manga would've had mithrun die with the demon, any other manga would have him fighting a concept for the rest of his life, for the rest of time in the infinite universe

the fact that dungeon meshi doesn't do that, is exactly what i love about it

[jounosparticles]

i need tecchou finding jouno passed out under the rubble of the airport and carrying him away to safety. i need to see him panicked upon finding him but relieved as soon as he sees jouno breathing. i need jouno to come to and try to say something but he’s too tired so he allows himself to be cared for just this once. i miss them so much

[salted15]

finally found out the reason it's been so hard to draw is because drawing on the bed is so much better than a desk . 2 me <3

(comms)

[spineless-lobster]

I wanna read but I wanna write but I wanna draw but I wanna play video games but I wanna hangout with my friends but I wanna watch that movie but I’m so so so tiredddd