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oshygoshy · 3 months ago

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what instruments hq characters would play in a regular concert band setting (coming from an unbiased! fair! reasonable! flute player)

word count - 1,728 words

warnings - none besides band kid energy :( also no proofread

a/n - in honor of marching season starting again. thank god i'm never doing that again, but hopefully i can nail my upcoming audition!! i am NOT open to discussion and critiques btw my word is absolute law. (lol just jokes and if you have any suggestions to add pls let me know i will happily add them in)

picc/flute - usually the best behaved kids (force of habit bc they sit next to the conductor so they have to be on their best behavior). for the most part pretty nice, but they definitely are the biggest gossipers...WILL talk abt anything and everything. from the weather to the crazy ex that your stand partner blocked but can't shut up abt. there's always someone in the section who just has everything in their bag - gum (which we can't even chew in band??), hand sanitizer, vaseline, aquaphor, lotion, etc. definitely the most blind and deaf group bc of how out of tune we always are, and how many ledger lines are in the music. usually chill for the most part, but there's always That One Player that is way to snotty and stuck up abt band like bro chill out u don't need to be so competitive. chaotic good.

SUGA and is able to talk some mad shit and is highkey deaf (same) but is a wonderful role model for the younger section members. SUNAAA this mf is always on his phone in rehearsal and gets in trouble for it, shirabu💀💀 takes chair auditions way too seriously and side eyes his stand partner too much

clarinet - section that has the most amount of stereotypical "band kids" but honestly pretty nice. most of them are hard workers and studious? competition is pretty tough in such a huge section so they are kinda tryhards. not too introverted but not like super loud or anything. a really "in the middle" section i would say, and def one of the most diverse sections bc it has so many members in it. firsts definitely are always on their a game in terms of music and academics, but the further back u go in rows, the more chatty and chaotic they get. neutral good.

tsukki and yams omfg..tsukki is def clarinet 1 and yams clarinet 2 (but grinding so he can sit next to tsukki next year), maddog (ok doesn't really fit at all but i think it's hilarious imaging him as clarinet), yahaba (which does fit), kunimi, futakuchi (and those 4 whisper so much in the back), aran BUT i feel like he plays sax for jazz and prefers sax more, would play sax in concert too but competition is STIFF so just plays clarinet, kenma and he's in the back and super unassuming, always on his phone playing a game in between reps, komori and he's first clarinet and is perfect and the conductor loves him

double reeds (bassoon, oboe, eng horn, i'm putting bari clarinet in here except i don't think it's technically a double reed) - SOOO KIND AND STUDIOUS AND PRETTY. everyone wants to be them or their friend. i've literally never had a band interaction with anyone from the double reed section. always appreciate any gossip, and since they're friends with so many ppl, they kinda know everyone's business but they keep it to themselves. also highkey cracked at their instruments for no reason like there is not that much competition in a regular band, they're just sexy like that. lawful good.

asahi (bari clari) (also always underestimates how much air it takes to play contra and hates it), YACCHI (oboe), kiyoko (bassoon, sits next to yacchi and they're constantly exchanging gossip with each other in between reps), akaashi (bassoon, literally in the center of band and everyone can look at him and get a crush)

saxes (soprano [does anyone even like playing the metal clarinet let's be fr], alto, tenor, bari) - ok if you're good at the sax you're INSANELY. GOOD. it's so competitive bc there's so few spots in a concert band setting so if you want to get a high chair placement u gotta grind ur ass off. definitely some of the biggest try hards in the band, even moreso than the clarinets, and also academically they're like always in all advanced classes and shit for no reason. lowkey kind of cocky and full of themselves but u kinda let it slide bc they're so insanely good it's kinda warranted yk? pretty introverted and keep to themselves, but never exclude anyone. lowkey has the most rizz out of all the sections, but they don't try to be charismatic they just kinda are and everyone kinda hates them for it. lawful neutral.

kuroo...he gives such alto vibes sorry for the slander. i feel like yaku too bc they're constantly competing with each other? maybe bari? lol the instrument is like as big as him. kai is the chill tenor in between them that try's to break up verbal fights before the conductor notices, DAISHOU him and kuroo has been competing for first chair since 5th grade

trumpet - convinced they're the main character (they have repeating staccato 8th notes) like PLS lower ur volume. kinda cocky but this time it isn't warranted bc they're not as good as the saxes. firsts are CONSTANTLY trying to see who can go higher during warmups and it pisses everyone else off but we all reluctantly tolerate their presence...bc when they DO have the melody they kinda slay (albeit a bit sharp). pretty extroverted and nice with such enjoyable energy like u kinda can't help but become friends with at least some of them. when the rest of the concert band first saw the jazz band play, everyone kind of got a small crush on the lead trumpet player bc he was that good (hahah not me nooo never aha). neutral chaotic.

hinata...except this time he is the main character. inuoka, miya atsumu, oikawa!! technically he should be in the next section with kags, but oikawa fits trump jazz lead too much (also never made all state...sorry not sorry), mattsun and hanamaki and they're the biggest chatters (the conductor hates them), BOKUTO he's so loud but we all love him, hoshiumi

french horn - the It Girl of the band. horn is one of if not the hardest wind instruments to learn. a sharp learning curve fs, but a good horn player is GOOD. insanely freaking good. and also critical in any concert setting and has such a beautiful sound when played correctly. when not played well though...since there's so few horns already in a band, it's really hard to let others in ur section carry you. so if you're not good...everyone can kinda tell. thing is, saxophone is different bc there's so few chairs, but it's at least an easy instrument to play (hard to get good at tho) but horn is just hard period. get grinding or face the embarrassment. tbh kinda secluded, really only talked amongst themselves and the saxes bc they had similar parts and sat next to each other. i never once interacted with a horn player. neutral good.

kageyama (except he's good duh), sakusa (also very good), hirugami (he never looks happy whenever he gets solos tho and nobody knows why..?)

trombone - oh dear...ok i lied THEYRE the most band kid-ish of all the band kids, not the clarinets. pretty nice and funny, loud and never shut up like the trumpets and they get away with it bc they sit in the last row. not bad people at all, they just kinda act like ur younger siblings sometimes, not like kids in ur age range. not as charming as the trumpets, but instead have this childlike innocence to them so u just wanna pinch their cheeks or something. pitch is a huge issue, and anything rhythmically harder than like a couple 16ths and they can't tongue it clearly, but u applaud them for trying. chaotic chaotic.

koganegawa, TANAKA AND NOYA AS STAND PARTNERS OMG they're constantly disturbing the rehearsals bc they laugh too loud, yamamoto, lev

euph/tuba - technically 2 different instruments i know, but i'm running out of ideas and combined their section total is like 5 ok cut me some slack. actually so sweet and nice, they have no enemies like the double reeds, but this time they're like isolated in the back row :( so they kinda only talk with each other and sometimes the trombones. even tho they also sit in the back the most they do is whisper quietly amongst themselves, WHEN THE CONDUCTOR ISNT TALKING TO THEM. bless their hearts. theyre always in the background of every piece, and a regular audience member doesn't really notice them, but anyone who plays an instrument knows they're the most important part of the band. always the root of the chord, almost always keep the pulse with quarter or eighths, everyone tunes to the tuba. classic, standard, we love them. i fear one day they're going to absolutely snap and go crazy tho bc at the end of the day, they're still a brass player sitting all the way in the back, which is a lawless land. lawful chaotic.

daichi, ushijima, kita, aone (it's just the unassuming defensive players lol), miya osamu!! always ready to fight his brother right before a concert

percussion - what...goes on back there? nobody's quite sure, except for them and the occasional trombone player sitting in front of them. they're constantly running around trying to get to their instruments in time, and they always make it somehow. always the tightest sections rhythmically, i swear they can sight read anything perfectly and have it performance ready by the 2nd day. friendly with everyone else, but they're lowkey like a cult bc they spend so much time together with drumline camp, band camp, etc. by far the crowd favorite during parades, pep rallies, etc. but they never let it go to their heads. always have matching section shirts and hats and whatnot on dress up days and it's so cute, but their hats are always crazy like giant squid plushies and ikea bucket hats and whatnot. neutral chaotic everyoje loves them for it.

tendou (he has the squid hat) (also nobody believes him when he says he doesn't know how to read rhythms but it's true, he highkey doesn't know how to subdivide and guesses everything but is always pretty accurate), iwa (he goes shirtless in band camp and everyone is audibly drooling), semi (on drumkit for jazz but also does concert to keep his rhythms sharp), ofc jack of all trades, master of none konoha since u have to play so many different instruments

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