#originally i was going to just going to post this five at a time

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching reading. Today's choice: 死亡万花筒 / Kaleidoscope of Death.

Kaleidoscope of Death is a 2018 Chinese webnovel about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This novel was gripping. I could not put it down. It started out fun and ended up ripping out my heart several times. It does a good job getting the ball rolling with a series of adventures in weird worlds, then turns into a meditation about grief and loss and what it means to have something to lose in the first place.

This is the first time I've ever done a book rec! I'm doing it in conjunction with a rec post for the Spirealm, and originally I was just going to do this as a bonus section for that post. However, I felt they both deserve whole different posts, because they both have very different things to recommend them. I also think Kaleidoscope of Death a 100% necessary read if you've seen the show, because it provides some context that the show simply cannot include -- but it's not a necessary read before you see the show.

Therefore, I'm going to give you five reasons I think you should sit down with this one, and not a single one of these reasons is going to assume you've watched the Spirealm! The book is great and deserves to be read on its own merits, and then if you then start watching the drama afterwards, so much the better.

1. All the Cross-Dressing

(Yeah, I'm going to punctuate this one with screencaps from the Spirealm, because otherwise it's just a wall of text.)

I'm not going to tell you why the male characters frequently dress and pass as women, since the book explains the practicality of it better than I could. You just need to know that they often do, and it's never not kinda hot when it happens.

When you first meet Ruan Nanzhu, it is as Ruan Baijie, a stunningly beautiful and noticeably tall woman. Lin Qiushi, our POV character who is extremely confused for a number of reasons, spends the first whole arc talking and thinking about Baijie like she's a girl. In fact, one of the cutest things about sweet, earnest Qiushi is that he clocks Baijie several times, and every time he's just like, oh, she's so flat-chested, how unusual for a girl, anyway...

And this isn't even just dressing up! Stepping into the door worlds changes you physically based on your clothing and cosmetics. Nobody inside looks the same as they do outside, and nobody looks the same inside as they did last time they were inside. The rules that govern these transformations aren't even clear to the characters themselves! So, you know, have fun with that.

I'm going to say it's not an out-and-out trans thing, in that we're not dealing with an AMAB egg who will crack someday. Ruan Nanzhu is a very male-identified, penis-having man! He's just also pretty entertainingly comfortable with performing whatever gender makes him the most fuckable person in any given room. Lin Qiushi is not so inherently genderfluid, however, which means that when his gremlin sort-of-boyfriend makes him pretend to be a girl, it's a completely different kink.

Therefore: If you like it in any way when boys dress up like girls, you owe it to yourself to pick up this one. And if you like a fandom that likes it when boys dress up like girls, baby, welcome to the world inside the doors.

2. Those boys GAY

This is a textual romance. Lin Qiushi and Ruan Nanzhu are in love. This is a danmei novel about how they fall in love. There is kissing and there are fade-to-black scenes that explicitly acknowledge that the two of them have sex with one another. We even know that Ruan Nanzhu (usually) tops. This s not just me pointing at them and saying gaaaaaaaaaay. This is actual gay.

And it is gay that takes its fucking time. They do not actually hook up until well over halfway through the book, but they are physically affectionate from almost the get-go. Ruan Nanzhu is such a trickster and a liar that Lin Quishi finds it hard to believe that anything he does is sincere, which leads to nearly lesbian levels of wondering if it means anything when a guy demands you kiss him on the mouth when he's pretending to be your girlfriend. Meanwhile, Ruan Nanzhu is over here being the Kate Beaton comic about sitting here consumed with lust all evening.

Even once they both acknowledge what they're feeling for one another, they don't get together right away. After all, they're playing a game of life and death where they lose friends left and right. Every time someone goes inside the door, there's a real chance they won't come out again. Is giving your heart to someone worth how much it will destroy your entire life when you lose them?

(Yes, says the book. Yes, it is worth it.)

The slow burn of their relationship is delicious, in part because the physical (though not sexual) aspects of it predate the romantic ones. It also has the fun hot-and-cold aspect where Ruan Nanzhu is incredibly affectionate inside the doors, then icy outside of them. Poor completely inexperienced, never-been-kissed Lin Qiushi does not know what to make of any of this. He can barely manage parenting a cat. He does not know how to handle a boyfriend who is also a girlfriend who is also (spiritually) a cat.

I also find it charming how much the gay part of it both is and isn't an issue. It's not that Lin Qiushi has a problem being in love with a man; however, the fact that Ruan Nanzhu is a man does mean the heteronormally indoctrinated and relationship-inexperienced Lin Qiushi takes much longer to realize what exactly those feelings he's having are. The book's world is one where heterosexuality is the assumed default, while queerness is unexpected but everybody's still pretty cool with it. Besides, no one's going to judge Lin Qiushi's gay yearnings, because who doesn't want to fuck Ruan Nanzhu?

3. HAKO ONNA HAKO ONNA HAKO ONNA

So as I was reading through @zintranslations' earlier chapters, I kept seeing translators' notes down at the bottom about being so excited to finally get to the Hako Onna arc. Okay, I thought, this is a lot of hype; I hope it doesn't disappoint.

Friends, it does not. This is the arc I was reading while screaming into a pillow. It's thirteen chapters long, tied for the longest arc in the book with the first door. It is a fucking nail-biter. It does the clever thing of taking all the things you've learned about what can happen inside the doors and combining them for a worst-case scenario.

The setup is pretty simple: There's a bunch of boxes. One has the exit. Most are empty. Some have things that help you. Some have things that hurt you. The more things you find that hurt you, the more things there are to hurt you. And you have to open the boxes.

All the door arcs are pretty well-written, so that you can more or less play along with their various adventures. Hako Onna, however, is exceptional. It's so complicated, but you can actually follow it. And you need to be able to follow it, because the multiple emotional gut-punches that happen in this arc all depend on understanding how the rules of the game have just been leveraged to fuck someone over.

Now I really want to play the board game -- which I was pleased to discover is a real board game! And speaking of board games...

sidebar: Betrayal at House on the Hill

I know this isn't technically related to the novel at all, but if you like board games, horror, and being incredibly dramatic, you owe it to yourself to try out Betrayal at House on the Hill.

It goes like this: You and several other horror-movie archetypes wander through a mansion, "building" it as you explore it, so the game layout is different every time. At some point (and it's based on so many random factors that you never know when it'll be) someone triggers a condition, and the haunting begins. All the players then get the rules of haunting explained to them -- except for one player, the one picked to do the titular betrayal, who gets a different set of instructions and becomes the antagonist. From that point on, the game is about either surviving or completing the haunting, depending on which side you're on.

I have played this game before with normal board game people, and they were like, eh, this is fine. I have also played this game before with theatre kids who RP and LARP, and we all had a fucking blast. So I'm going to warn you that you have to choose your crowd carefully. This is a game for people who do improv and voices.

4. The art of losing isn't hard to master

The book has a high body count -- higher than the show's, in fact, though that's related to how the book also has more characters than the show does. When you meet someone who can go into the doors, be careful how much money you'd lay on their survival.

Death after the doors comes so quickly, too. There's barely any time to say goodbye, if there's even any time at all. Often there's just a phone call telling our main characters that one of their friends or allies or enemies is gone.

Everyone who gets the chance to go through the door worlds is only able to do so because they're dying already. The more doors they pass, the more they get to kick that death further down the road -- but the more doors they enter, the more chances they take that they might die inside one. So really, none of the players can be that resentful of being forced to play a game that can kill them, since they're already playing it on borrowed time.

I will say, somewhat cryptically, that the book has a positive ending that leaves open the possibility for other positive things. The path to that positive ending, though, leads through some pretty wrenching takes on living through grief. It's not even all rah-rah and it-gets-better, either -- the text acknowledges many times over what it means to have someone that life isn't worth living without.

And that's maybe not what you expected from a BL horror adventure webnovel, but it's what you're gonna get! Ha ha!

5. What He Is

Which is the title of the first extra chapter, which is not extra at all, but is in fact a necessary explanatory piece that whacks you upside the head like a two-by-four and recontextualizes the entire story.

...Yeah, that's all you're going to get from me about that. You'll understand when you get there.

Have you put it on your reading list yet?

The way you have to read it is a little convoluted: @zintranslations has chapters 1-17 and 63-end + extras. Taida Translations has chapters 1-62. So no matter where you start reading, you're going to have to switch sites at least once.

There are also apparently Portuguese, Indonesian, Russian, and Spanish translations too? And the original Chinese webnovel, of course. And some audio dramas and subs linked to from this Carrd, which helpfully has other information, like content warnings for specific chapters, in case the horror aspect of the story gives you pause.

Anyway, once you're done reading it -- or even before you're done! -- you should absolutely go watch the Spirealm. I think it's clear from both rec posts that I definitely like the book better, but I appreciate having the drama to bring so many scenes to life, and I think the casting is great. Also, I don't think reading the book makes you like the drama less! Rather, I think reading the book gives you insight into the awkward and sometimes terrible choices the drama had to make to survive -- which in turn gives you the ability to see through those choices, on to what the show always wanted in its heart to be.

I do find it funny how "Kaleidoscope of Death" and "Death's Kaleidoscope" technically mean the same thing, but they sure read different, don't they?

[pjsk-hot-takes]

Inspired by @pjsk-headcanons! Basically just submit any hot takes you have about Project Sekai; the characters, fandom opinions, charts, songs, covers, anything!

Read the rules before submitting. Please.

Rules:

1. Be respectful in the replies! If you disagree with someone’s opinion, don’t start a fight about it. For example, “Reincarnation Apple should’ve gone to Nightcord.” DO NOT begin attacking the person that said this, anon or otherwise.

To be more specific: engage with a person’s opinion on their post. Do not send separate submissions of two people on anon going back and forth on an opinion; a specific opinion stays on the first post. The rule below still applies.

2. On that note, you CAN submit something that contradicts someone else; just don’t turn submissions into a fight.

“I think Patchwork Stacatto should’ve gone to Nightcord” -> “MMJ’s cover of Patchwork Stacatto is overhated” is ok!

3. Hot takes are opinions, not headcanons. I like hearing headcanons, but please go to another blog for that; this is just me wanting to see what people’s opinions are.

4. I personally do not care if an opinion is objectively popular; whether you believe something is a “hot take” is up to the person submitting the opinion. Do not argue with people over this please! Informing them their opinion is common is one thing, but bullying is another.

5. Try to not flood my inbox! I’ve never done a blog like this before; I’m going to make mistakes, and I’m going to be slow.

6. Be respectful with your wording when submitting an opinion as well.

People will disagree with you; don’t be unnecessarily rude to an opinion you disagree with, or to the other side of the opinion you’re stating!

7. It’s ok if a take is repeated- so long as it’s not like. Four or five times in a row. I get it if you don’t want to look through a whole blog! Feel free to use the tags to search more specifically for what you want to submit, but don’t sweat it if it’s happened before! :)

8. Don’t make it all about shipping, or complaining about shipping.

One or two things is fine, but my whole inbox is ridiculous respectfully.

Rules will be added and updated as needed (I doubt it’ll happen much, I don’t think this will get much traction lol.)

Tags:

For every character I will have a “x hot takes” tag. For every cover, they will be tagged by original unit and, if the hot take is something along the lines of “x cover should’ve gone to y unit!” then I will tag that unit tag as well. For every ship, I will tag them as “(ship) hot takes”, but I will NOT tag the actual ship tag if it is something along the lines of “x ship is overrated/problematic”. I will publish it so long as it is not overly hateful to the ship, but it will not get the fandom’s ship tag, so that those following the tag do not see it. Chart hot takes will get the “chart takes” tag; honestly, these are self-explanatory.

In the same way that @/pjsk-headcanons has anonymous submissions, I do too; if you want a sign off, I’ll make you a tag (either “x anon” or “x anon hot takes”

If you have any questions, feel free to ask!

[tinfoil-jones]

For Your Own Good: Intermission

Askbox? Open

If you don't know what this post is about, "For Your Own Good" or tagged as "Early Amnesia AU" on tumblr is a dialogue-only Gravity Falls fanfiction I've been working on that kinda-sorta follows a Mystery Trio -esque timeline, where Ford doesn't build the portal. To sum it up, the whole fanfiction boils down to:

Researcher Ford: I told you I never wanted to see you again.

Mullet Stan: Dude, I don't know who you are or WTF you're talking about right now, but I'm leaving this town and never coming back. You are never seeing me again after this. I'm probably going to forget you in like five minutes.

Researcher Ford:

Researcher Ford: *immediately kidnaps him*

You can consider chapters 1-10 to be Act 1 of the fanfic, and I’m taking a break for at least a week, most likely longer. The chapters so far were already written out in advance, and so was a huge reveal, but I still need to tie things together.

Here’s some authors notes/extra stuff about it, some of it might have already been put in the AO3 before or after notes. These are in no particular order:

This takes place 10 years after Ford and Stan were separated, currently they are both 27 about to be 28. Fiddleford is slightly older than them, being in his early 30s.

Ford is unironically the only person who finds Stan’s really dumb jokes funny.

Ford is the one who displays the most behaviours that would be seen from Mabel and Dipper decades later. Like Dipper, he views washing clothes as a waste of time, and like Mabel he ate an entire tube of toothpaste (granted, it was on accident)

While Ford is the more likely of the two to display traits that later present in Mabel and Dipper, it still happens with Stan as well. Stan has a similar nervous-chewing habit that Dipper displays in the OG series, but his only comes out when he’s particularly anxious. In this case, it was because he had nicotine cravings.

The 'That motherfucker is ugly' line that Stan used on Ford can be considered extra ironic because of how much the Stan Twins look like their dad.

Bill Cipher was originally supposed to speak in Times New Bastard (which is Times New Roman except every 7th letter is jarringly sans serif, a meme from tumblr), but AO3 and tumblr don’t let you change the font.

Stan goes out of his way to avoid using Ford and Fiddlefords given names- but this isn’t because he doesn’t know what they are. In the few times he has used their names, it was a sign that he was being sincere.

If you want to wonder whether or not Fiddleford likes Stan back, consider the fact that he could have walked away at any point, and either washed his hands of the whole thing, or just outright reported Stanford to the authorities. 

Bill is more like Discord from MLP - he’s just chaotic, often to the detriment of others, but he isn’t outright malicious (anymore), and he’s too busy SIMPING to cause any real harm. Basically, Bill is Fords patron for studying weirdness - he helps Ford in his research, but the cost that Ford pays is that Bill is able to possess him when he sleeps, and has unlimited access to his brain.

If Ford knew Rick Sanchez, why didn’t Rick see how similar Stan looked and put 2-and-2 together? Easy; Rick didn’t give a single shit about Ford, so he never committed his face or name to memory. Ford himself only remembered Rick because Rick was such a massive, egotistical asshole. If anything, Rick would think Ford is the lesser version of Stan.

Chapter 10 was the first concrete proof that the Stan we’ve been following likely is Stanley Pines and not some similar conman named Stan Malone. The last time Ford saw Stan would have either been when they were teens, so other than Stans commercials for his failed products there’s no way Ford would know what an adult Stan would even look like, and he’d have to use himself as a reference.

Stan has given some insight on his Thalassophobia (fear of the ocean / large bodies of water). In Chapter 10, he told Ford a number of things he escaped, including the trunk of a sinking car, and cement shoes. Cement shoes are either when you tie someone to a cinder block and throw them into a body of water, or when you literally incase their feet in cement, wait for it to dry, and then toss them into a body of water, so they’ll drown. Presumably, these are still things that would have happened to him even if he didn't lose his memories, so why would it give him a fear of the ocean now? Stan Pines in the OG still had a lot of positive memories associated with the ocean - he grew up on the coast, and had a lot of his hopes and dreams tied to the ocean. But without his childhood memories, he has no positive associations with it, only memories of times he almost drowned. 

Ford himself is not a touchy guy. The reason he hugs Stan even though it isn’t reciprocated is because from his perspective, this is his twin brother who is in pain and has been suffering all by himself for a long time. And Stan - at least how Ford remembers him - had a very touch-based love language. Fords doing it because he thinks it’d comfort him.

Stan seems pretty calm and chill for someone who’s been kidnapped by a ‘stranger’. This isn’t because he’s an overall chill guy because of amnesia, no he’s super pissed and the second he knows he’s free he will let them know that with his words, and incredible violence. He’s remaining calm because he’s been imprisoned and kidnapped enough times to know that pitching a fit or lashing out at his captors won’t do him any favours.

Fiddleford is still married to Emma-May and they do have Tate. But it's one of those lavender marriages (they're both gay and mutually bearding each other)

[lurkingshan]

Love in the Big City Drama: Episodes 7-8 Book Club Discussion

We have come to the end of our journey with this beautiful story, and I'm having all kinds of feelings about it. I'm looking forward to one more round of conversation about it with all of you.

As a reminder, these are the questions we originally discussed for Part 4 of the novel, and this is the meta round up, where you can see all the brilliant things you initially wrote about it. Here are your official discussion questions for episodes 7 and 8 of Love in the Big City, courtesy of @bengiyo:

How does Yeong's continued reminiscing about Gyu-ho position the relationship with Habibi in the drama?

Yeong moves to a new apartment at the end of this section. How does the conclusion of his time in the old apartment encapsulate his journey?

What did you make of the new material in this section, including the presence of Yeong’s father and the subplot about Eun Su’s marriage?

How does the presence of the T-aras in the drama alter your perceptions of the end of the story?

And a few questions about the adaptation as a whole:

What are your thoughts on the four different directors used in this process?

Do you have any final reflections on the drama as a linear storytelling experience?

Do you have any reflections on the cast?

As always, you are welcome to use any or all of these as a jumping off point for your own posts, ignore them and post your own thing, or just participate by sharing and commenting on other people's posts. Please create new posts with the questions if you want to use them rather than adding on responses to this post--it will be easier to capture everyone's content if it's all in separate posts in the tag. I will be tracking everything posted in the [#litbc book club] tag and posting the weekly round up--look for that to go up next Monday ahead of the next set of discussion questions. Feel free to also directly tag me to make sure I don't miss your posts!

@becomingabeing @belladonna-and-the-sweetpeas @blalltheway @elimstillnotgarak

@colourme-feral @doyou000me @dramacraycray @fiction-is-queer @avorbl

@hyeoni-comb @littleragondin @literally-a-five-headed-dragon @loveable-sea-lemon @my-rose-tinted-glasses

@neuroticbookworm @poetry-protest-pornography @profiterole-reads @serfergs @starryalpacasstuff

@stuffnonsenseandotherthings @thewayofsubtext @troubled-mind @twig-tea @wen-kexing-apologist

@impala124 @shinjiikar1 @h4ppyfr066y @moutheyes @waitmyturtles

[alcordraws]

A conversation with Rose; or, Steven does a lot of projecting

[synthshenanigans]

someone had to do it

[theflowerofthecommonwealth]

Hi, hello. I stumbled upon one of your Fo4 fics on Ao3 a while ago. I think it's really cool that you're so unapologetically willing to write stuff about your OC.

I've gotten really used to people hating on OC or Self Insert fics that I can get really self-conscious about posting my works.

But you have a whole tumblr blog dedicated to your OC! And your writing is really good and I just think all the work you've done is so cool. I just wanted to let you know ☺️

You’re so sweet! 💕💕💕 Thank you, I’m always glad to hear when people happen to stumble on my blog and stick around!

And yeah, I did just kinda burst in here and shoved my feral kitten problem child with her Detective RoboDad for all to see, and I’m not ashamed of it. I never understood why people would get so mad about people posting about their own OCs even if they are self inserts, I don’t see anything wrong with that.

I did originally worry that the little flower child Jasmine/Rosalinda was too much like me despite the fact that our personalities are wildly different so I toned down some of her background and even thought about giving her a complete overhaul, but now I think SCREW IT- she’s a Mexicana now! Because I can write and portray an actual Latino character accurately so I might as well with her like I had planned from the start.

All that to say that I had my own insecurities, but thankfully I bloomed pass that with support from some beautiful Tumblr friends and I hope to continue making more content in the future. 💖💖💖💖

And Bestie, go ahead and go wild with writing about your own OC if it makes you happy. And yeet any haters out of the metaphorical window while you’re at it.

[sisterdivinium]

Now is the time to place your bets on whether or not this hyper self-indulgent doctor superion Vampire the Masquerade AU fic will or won't get to 100 handwritten pages...

[fictionadventurer]

A Biltmore Christmas may be the first Hallmark movie to drive me to fanfic.

[todayisafridaynight]

plane scene is so funny cause why is mine a sleeper agent that wakes up whenever daigo is mentioned

can’t wait to see it in dragon engine :3

mine has been the winner for Funniest Character Imaginable for 15 consecutive years and i have yet to see anyone come close i fear

[alstroemerian-dragon]

the thing about. okay so when i first got into dr i was like ‘i think i prefer an outcome where they ultimately cant wake the other ten members of their class and its just the five survivors because then the deaths meant something yknow’ and while i still think that that kind of thing has. yknow. merit and value. i have actually come around to preferring them being able to do it. with one massive caveat.

it takes forever.

it takes at least a year and a half, two years maybe, before they (lets be real, hajime) even gain the knowledge of the system, work out its quirks, beef up its security and tech, connect it to enough power, and build the proper technology to manage something like this, and even then, each person is going to need a unique plan of action. its going to take ages. i think its best if they start from the first death through the last, which has the added benefit of waking the impostor first and gaining a good moral compass and grounding presence. but… i mean. its almost two years before they even manage the first dive into their brain. two years of living alone, just the five of them, of building each other up of building a dynamic, one that works, and of changing and growing because they have no other choice.

so when it comes down to them actually attempting to wake the first person… theres some anxiety. theres some worry. theres a lot of ‘this is going to radically alter how we relate to each other and everyone else’. theres a lot of ‘this is going to make things weird’. theres a lot of ‘theyre not going to understand a lot of things at first not only because its been two years since we all went under and everything has changed in that time but also because the five of us have a fundamentally different relationship now with each other than we will have with anyone else we wake up. thats going to cause conflict’.

and i dont even necessarily mean that in a romantic relationship sense (though if you know me you know im deeply unwell about kuzuhina and also an absolute sucker for polycule shit so yeah i do also kinda mean it in that way), but just that their bond is so strong. living alone on an island in the middle of nowhere for two years with just four other people will do that. they know each other in fundamental ways that the others may never manage. fuyuhiko may get peko back, but her relationship with him will never be the one he has with hajime, or akane, or kazuichi or sonia. sonia will get gundham back, but despite them definitely regaining their romantic relationship (after an adjustment period, of course), there will be an odd dissonance in how well hajime and akane know her in ways gundham doesnt. akane will get nekomaru back in her life. but he will never be the person she goes to with the things she goes to hajime with.

this isnt necessarily entirely negative, of course. relationships are always going to be different with different people because theyre. yknow. different people. but i think theres going to be a period of time, maybe even the rest of their lives, where the ten sleepers in the vault will understand, intrinsically, that the relationship the five survivors has is never going to be fully understood, and will always be special and different from what they all have as a group.

hajime, fuyuhiko, kazuichi, akane, and sonia all faced arguably the hardest parts of the healing process, the stumbling blindly with no hand to hold except the others with an equal lack of sight, together, and that. does things. to a relationship.

they will all manage the healing process, and they will all struggle through it. but never in the same way those five did.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 致命游戏 / The Spirealm.

The Spirealm is a 2024 drama about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This show/book combo has gripped my entire ass. The second I knew I wanted to watch this, almost immediately after it started airing, I muted the tag. I was so right to do this, because this is worth not spoiling yourself about. If you are a Guardian fan in particular, you owe it to yourself to watch this for reasons I think will become clear as you go about watching it.

So! If all you need to know is that I think you need this show in your life, great! You don't even need to scroll down to the end of the post for the links; go to Viki and press play. In case you need more convincing than that, though, I'm going to give you here five reasons to watch it that are as spoilerless as I can make them.

Before we start, though, I'm going to take a moment to note that I had to torrent the video files so I could make screenshots of my own, and if I hadn't, this would have been a much uglier rec post than the others I've done. Not only were there not many promotional materials or official stills released, the show itself barely stayed up two hours on iQiyi, and that's because this drama is a...

1. (Barely) Censored Adaptation Of Same-sex Original Work

Ah, you know that MyDramaList tag well, don't you? Yeah, the original novel, Kaleidoscope of Death (which has a rec post of its own!), is supernatural story about grief and loss built on the love story between the two male leads. Now of course you know already that a mainstream Chinese television adaptation of something like that is going to straighten up everything and turn the horror romance into the sci-fi platonic love of besties.

...But damn, folks, it's still real gay.

Ling Jiushi, the sweet-faced newbie, is a canonical virgin and loving cat dad who plays the mysterious video game once, then finds himself suddenly able to enter the game worlds bodily -- and of course, if you die in the game, you die in real life. He's pretty much doomed, until he meets...

Ruan Lanzhu, the cool-as-a-cucumber veteran of the door worlds, who falls pretty much immediately for the completely oblivious Ling Jiushi, then has to spend the rest of the series consumed with lust while trying to keep him and a couple other dipshits alive.

The show preserves so many overtly gay beats and declarations of affection from the novel, to the point where it's just this side of suggesting that the romance is actually, textually happening just offscreen, every time the camera cuts away. I am forever grateful that working with Zhu Yilong on Reunion seems to have perfected sweet baby Junjie's ability to look at a man with nothing but love in his eyes.

I adore so much the dynamic they have, one where a man who has never told the truth a day in his life encounters a man so sincere and naive that you cannot seduce him with anything but absolute honesty or he's never going to get it.

There are three (3) separate door worlds where they share a bed, and in every one of them, they both sleep with their shoes on. Like the absolute freaks they both are.

2. It's puzzle solvin' time!

So if you've read some of my rec posts before, you know that I am critical of stories that center around cases that are unfollowable, uninteresting, or both (e.g., Mysterious Lotus Casebook and White Cat Legend). I am therefore thrilled to tell you that the door worlds are actually (largely) thoughtful mysteries with reasonable solutions, where you care about what's happening and why.

The way each door world is set up is that you have to solve the puzzle to find a key and unlock the door that will let you leave. One of the challenges is each world's door ghost, who has the key and does not want to give it up. The other challenge is the world-specific set of taboo conditions, where violating them means the door ghost can kill you -- and you are not always told what those taboo conditions are. That means that solving a door involves 1) figuring out what will insta-kill you, 2) not doing that, 3) finding where the hell the exit door is, 4) placating and/or scamming the door ghost long enough to snatch the key from them, and 5) running like hell to the exit door with that key before the door ghost fucks you up about it.

As the show goes on, you get introduced to the concept of door-passing shepherds, which are experienced door-finishers who take through lower-level players, building them up in the process. A lot of these shepherds work for organizations, such as the one Ruan Lanzhu runs. And a lot of them are ready to reach the exit by climbing over everyone else's corpses.

That's part of the fun of the setup: You're not just thrown in alone. You show up with a random number of other players, some with very different levels of experience. At least one of you will make it out; not everyone will. So you can add a step 6) to the list above, which is: surviving all the other players who will gleefully stab you in the back in order to be the first player out the door.

The door worlds are also lovely. They all feel like sets -- and I know that's a weird thing to say about places that are literal sets, but they manage it feel it even on film. In fact, even the show's uses of clunky-ass greenscreen feel appropriate, because of how unreal everything is supposed to be. Everything looks like a dream, which is only amplified by how beautifully everything's shot.

(What's that you say? You say the guy who directed this was the editor on Infernal Affairs? No kidding.)

From a fandom perspective, what's great here is that even though there are technically just twelve doors, there are canonically way more than twelve door worlds out there. That means that whatever worlds you want to create are valid. The best pieces of fanfic I've read are the ones that dream up their own door worlds, complete with taboo conditions, key puzzles, and world-specific perks that lead to gay sex, because come on.

3. A good middle ground of horror

So at this point you are perhaps wondering: How scary is it?

And the answer is, kind of as scary as you're willing to let your mind go with it. Everything has been science-fictioned real hard, including the video game premise that "explains" what's happening with these doors. It relies on dread way more than jumpscares. The blood/gore/gross content is extremely low, again on account of Chinese content censorship. Most icky things are done with offscreen sounds and shadows. I'm pretty squeamish about pain and injury, and I can't recall a time I had to look too long away from the screen.

However, that means the show works some real conceptual horror. That picture up there is of a man forcing three young girls to hold raw eggs unbroken in their mouths. There's nothing about that image that's not technically G-rated, and it's awful in context.

The best bits are when the monsters don't need a lick of CG to become horrors. They cast a contortionist in the Waverly Hills door world, and she absolutely earned her keep.

I have a lot of critiques about how the show handles things, especially in terms of defanging the horror elements (which it does), but one thing I think it absolutely gets right is that it understands that ghost stories are first and foremost tragedies. That's a thing I've always liked about Asian horror in particular, how often you wind up siding with the ghost. Yes, sure, she tried to strangle you with her hair, but have you ever considered she's the real victim here? There's always a bit of a calculus: Can you negotiate with the door ghost, or do you just need to stab them and run? The Spirealm prefers negotiation, and frankly, so do I.

So yeah, it's about as scary as you let it be. If your horror tolerance is low, watch it in a well-lit room and focus on the unreality of it, and you'll be okay. If you're looking for something genuinely spooky, spend some time thinking about the existential dread of the entire situation, and that'll be good for a couple good spine tingles.

4. The Obsidian Family (& Friends!)

In a show where death is always an option, you have to have characters where you actually care if they live or die. Fortunately, all your allies are charming and loveable enough that you are going to be real upset every time they get put in danger!

Obsidian is one of the organizations I mentioned earlier. It's run by Ruan Lanzhu, and it includes a cool and collected doctor, a mom friend who cooks for everybody, a guy who's maybe not having the best mental health day of his life, and two identical twins who could not be more different if they tried. They all live in the same amazing big fancy house, which is where Ling Jiushi too goes to live when he joins the group. They have big family meals, they look after one another, they hang out together -- I mean, if this is the kind of setup you love, then you will love this setup.

There are also plenty of allies who aren't technically part of Obsidian, but who are our friends nonetheless, and who come over to hang out in the Obsidian house from time to time. Some of them are rivals turned friends, some of them are clients turned friends, and some of them were just friends all along! Surely nothing bad will happen to any of them, and they'll all live happily ever after, right? ...Right?

5. Toast and Chestnut!

Of course, the true heroes of the show are Toast the Corgi and Chestnut the Kitty.

Animals are so good.

Truly, I love that one of Ling Jiushi's defining characteristics is that he is a Cat Dad. He is a simple man with simple needs, and one of those needs is to pet his kitty or he'll explode.

caveat: Some thoroughly bad adaptation choices

Yeah, so I keep talking about the novel (and talk even more about the novel in its own rec post), but I assure you, you don't need to have read the novel to feel the degree to which this is an adaptation -- and one that's had its rough, nasty, spooky, gay edges all sanded off in the desperate hope of ever seeing daylight.

Now, sometimes I consider batshit nonsense janky creative decisions to be a selling point for a show (see: Mysterious Lotus Casebook, Legend of Fei, Sand Sea)! In this case, however, I'm going to have to take points off for how incoherently bad they are here. We're talking Psych-Hunter levels of Why Would You Do That-- and the answer, as always, comes down to how you write around what censorship won't allow on television.

The novel says the doors are supernatural. The show says they're a virtual-reality computer game. Now, on the surface, this move sort of makes sense -- you can't have ghosts, but you can have computer games that make digital ghosts, which, sure, okay. But then the problem quickly becomes that the plot of the novel is not remotely built to support a sci-fi premise, so a lot of things have to be grafted awkwardly on. Like, say, a bad guy who stole his corporate logo from Even Worse Twitter. Or a game-designing bestie whose face is never seen. Or [late-stage spoilers about a major character].

The eventual explanation is that this whole setup is a righteous and good game that has somehow been corrupted by evil game-designing capitalists from the West, and that's why it can abduct you in broad daylight and kill you if you fail it. There are good people who want to purify (???) the game, and evil people who want to make money off the game. And I don't mind spoiling you for that part, because it's garbage nonsense. You will be deeply unsatisfied with the show's half-assed attempt at resolving it all. (You may, however, have that disappointment tempered with the amazing concurrent display of heterosexuality that is apologizing to your best bro by coding his perfect man for him. The Spirealm is a land of contrasts.)

Look, I consider myself a mild to moderate socialist, and even I was yawning and making jerk-off motions every time someone started to wax halfheartedly poetic about how evil American capitalism is. Like, yeah, but not because some college student made a vile and wretched video game that eats people! This show is a critique of capitalism like a five-year-old crying because he doesn't get ice cream before bed is a critique of authoritarianism.

And even this, I can't be too mad at it about, you know? I just assume that this was some absolute Hail Mary attempt at getting past censorship -- you know, maybe if we make all the right "grr, USA bad!" noises, they'll let our gay ghost story slip by? And it worked! I mean, just barely, but it did.

So yeah, fair warning that the Spirealm is a show that, if you love it (and I do), you will have to love despite some glaring flaws that haunt it all the way through and hit especially hard during what should otherwise have been an amazing endgame. But hey, we're c-drama fans! We're good at loving janky things, right?

Want to enter the World of Doors?

As I said at the start of the post, Viki's got it -- and only Viki. I'm not sure what circumstances got it up on Viki after iQiyi pulled it, but I'm glad. Watch it quick, before Viki changes its mind!

Hug him! Hug that boy!

[whenthegoldrays]

I’ve been seized by another story idea

[dandelionjack]

every other poster on the tube right now is advertising a new musical called ‘the time traveller’s wife’. for a blissful moment i forgot that a ‘wife’ is something that a heterosexual woman can be, and, believing it to be a beautiful lesbian tale akin to tihylttw, decided to google the synopsis to see if it was worth checking out. big mistake. ‘man first encounters his future spouse as a young girl, returns to kiss her at 18 and marry her in the future, remaining the same age as barely any time passes for him meanwhile she spends years alone pining for her distant angel’ blinks. what does that remind me of. oh yeah apparently this came before. i’m already suffering through series 5 at the current moment, so, plenty enough of that for years to come, thank you, and— what a surprise— the novel the musical’s based on was a primary inspiration for you-know-who’s weird fixation on this particular plotline. the worst part about the time traveller’s wife is that there aren’t even any cool steampunk clockwork droids or gorgeous 18th century french dresses to make up for the vomit-inducing implications. i have never been more disappointed. mind wipe, now

[brynnmclean]

I can't believe I still have to see posts about how much better ROP would be if Celebrían was the lead vs. Galadriel. As someone who has Tolkien Brainrot, I understand the appeal, I really, really do. As someone who has had to interact with so many people who either do not care about Tolkien Lore but are interested in fantasy television shows or are Jackson film fans first/foremost/only, y'all. Galadriel is a known character and a decent intro to lesser known characters.

Hate to break it to y'all but Celebrían is OBSCURE. I'm pretty confident in saying that if you get outside of Tolkien Fandom online circles, you could tell people that Elrond was married to Galadriel's daughter and the response you would get would be, "oh, I didn't realize that" because it's touched so lightly in the films. Celebrían isn't even MENTIONED by name. Now that I think about it, I'm not even sure if anyone mentions that Galadriel and Arwen are related at all!

My point is the show is meant to appeal to more people than us over here with Tolkien Brainrot!!!!!! I love Celebrían, but Galadriel was an easier sell to the potential of a wider audience as a lead. For a show that needs to go through so much lore very quickly, having Galadriel as the lead because she's 1) female [the overwhelming amount of male characters vs. female characters in the Legendarium is another post], 2) relatively familiar, and 3) has a set characterization to lead toward for an arc vs. her barely-even-mentioned-in-LotR daughter is a no-brainer.

[that-was-anticlimactic]

all fluttering and dancing in the breeze

🍃written for @nobamaki-bigbang🍃

“Great! Okay, so I’m assuming we all know how to play baseball, right?” Maki asked.

Everyone was nodding, and Nobara was about to scoff and say duh, was about to proudly announce that she was actually a fantastic baseball player. But…

But then she glanced at Maki—sweet, gorgeous, Maki with a determined fire blazing in her eyes—and she had an idea. A terrible, devious, but quite possibly genius idea.

“Um, actually,” she spoke up, much louder than necessary, “actually, I, uh… I don’t know how to play baseball.” She fluttered her eyelids and smiled shyly, grabbing a strand of her hair and twirling it around her fingers as if she were the epitome of innocence.

[or: nobara pretends that she doesn't know how to play baseball so she can spend time/flirt with maki]

🍃11,157 words | nobamaki🍃

🍃art on tumblr here & here🍃

🍃art on twitter here & here🍃