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Gigaleak, preservation, emulation and content dissemination

(la version française de cet article est disponible ici)

On November 21, 1992, the sequel to the most widespread Mega Drive title was released in both Japan and South Korea, then in the rest of the world. In spite of itself, this game made many people want to find out what had happened to all those elements that had been cut during development. A few months earlier, when Sega started to show its future hit to the press, the public got a glimpse of levels such as Hidden Palace, an area absent from the final version. This wasn't the first time such an event had occurred; other sometimes equally popular titles such as Super Mario Bros. 3 have encountered the same fate, either through press coverage or via screenshots featured on the game's box. But Sonic 2 has one point that sets it apart from most other titles, in addition to its popularity: a development version was stolen a few months before the game hit the shelves. According to Yuji Naka, programmer and figurehead of the license at the time, a cartridge was stolen at a trade show in New York. His former colleague Akinori Nishiyama, meanwhile, says Sega had been hacked. In any case, this version was marketed in markets where cartridges produced without an official license were common, before being found in 1999 on a Chinese website as a ROM. Named after the person who found the ROM, the Simon Wai prototype features an unfinished version of a level that was thought to be never playable: Hidden Palace. The popularity of the license helping, amateurs started to collect documents of all types in order to identify all the differences between the versions marketed by Sega and the numerous screenshots and other development versions found over the years.

A preview published in the October 1992 issue of the British magazine Mega. 2 of the 3 levels shown here do not appear in the final version of the game.

Since Sonic 2, a lot of development versions and design documents have found their way on the net with more or less echo and communities of amateur researchers have gathered around sites such as The Cutting Room Floor, Unseen64 or Hidden Palace. On February 23, 2008, the latter put online a thousand development versions of games produced by Sega or released on Sega consoles after buying archives disks containing the games in question, sometimes with several dozen versions per title. However, the data leakage that Nintendo is experiencing in recent months seems unparalleled in terms of volume and variety of content.

In April 2020, development versions of various episodes of Pokémon, as well as source code, development tools and graphics from intermediate versions were released. Before that, in 2018 and 2019, a development version of Pokémon Gold and Silver (the "Spaceworld 1997 demo", named after the show where it was presented), assets of Pokémon Red and Green then Pokémon Diamond and Pearl had leaked on the net. In the days that followed, other types of content appeared on 4chan: official documentation relating to a number of Nintendo consoles including the Wii, the Nintendo 64, the 64DD, the iQue Player, a technical demo produced for the Nintendo 64, source code written for Super Mario 64, Powerpoints and internal correspondence from several companies for a total of about 29,000 documents. A second batch of data began to appear on July 24th and found an echo that goes far beyond technical enthusiasts and console clone producers. A large amount of content relating to some of the most popular titles and licenses in the history of video games (Mario, Zelda, Animal Crossing, StarFox) has been put online, linked on 4chan then distributed on the rest of the Internet. Development versions of Super NES, Nintendo 64, Game Boy, Game Boy Color, Game Boy Advance games, as well as source codes, graphic assets, 3D animation tests, sound effects and uncompressed music, 2D and 3D illustrations, logos, level editors, conversations between developers, visuals for a website, documents relating to the Wii, etc.

The origins of the leak Nintendo has been the subject of several attacks in recent years. Of those that have come to light, one resulted in the leakage of information about the Switch prior to its release, another involved source codes obtained from dozens of companies, but the one that most closely corresponds to the present case - generally called the Gigaleak - was carried out in 2018 by a man named Zammis Clark, a British security researcher and former Malwarebytes employee, a company specialised in detecting and removing malicious software. In 2015, he hacked VTech's servers, revealing that the company had illegally collected the data of nearly 200,000 children. He also revealed vulnerabilities in apps from manufacturers such as Dell, Lenovo and Toshiba as well as in a tool used in UK schools and developed by Impero. In 2017, he hacked some of the Microsoft servers and stole tens of thousands of files before sharing access to these servers with others. After being arrested and released on bail, he hacked Nintendo's internal network in March 2018. In its official communication, the Japanese company only mentioned the theft of a few thousand IDs and passwords as well as access to data relating to games in development at the time. However, Ganix, the man who released the Pokémon Diamond and Pearl sprites in December 2019, explained in an interview he gave to LavaCutContent a few days later that the various leaked content relating to Pokémon (including the Spaceworld 1997 demo released in May 2018, the month Nintendo realised it had been hacked by Clark) all came from a hack done in March 2018 by a man who goes by the pseudonym "Wack0". We know since the Impero affair that Wack0 is none other than Clark's pseudonym - a letter written by Impero and addressed to Clark in 2015 links the two names. Clark had shared these files with Ganix, who decided on his own initiative to leak them in December 2019, thus betraying Clark's confidence in him. The 4chan thread with which the Gigaleak started in July 2020 seems to refer to this event by its title: "ppg leak time: fuck ganix".

Because of his profile - Clark has a form of autism and suffers from prosopagnosia, the inability to recognize and identify faces - the judge felt that he would be at too great a risk if sent to prison. He was sentenced in 2019 to a 15-month suspended prison sentence and subject to a 5-year judicial review.

The presence of files relating to the iQue Player and the BroadOn company among the leaked documents suggests that the hacker accessed BroadOn’s servers, a company founded by Wei Yen who also co-founded iQue with Nintendo. Due to the legal restrictions in effect in China from 2000 to 2015, Nintendo had to make a joint venture to enter this market and develop a variant of the Nintendo 64 - the iQue Player. BroadOn is one of Nintendo's collaborators and has developed software for the Wii as well as for the iQue Brand (which includes game consoles such as the Game Boy Advance, the DS and the 3DS).

The iQue Player (picture by Evan Amos)

While Nintendo is the main target of this leak, other companies have also been affected by the ripple effect. Among them are Capcom, Konami and M2 (which is the current holder of the rights to the Aleste series). Assets and development versions of some of their games released on Super Famicom are now in the wild. Among them are Megaman X, Super Ghouls'n Ghosts, Super Castlevania IV, Axelay, Parodius Da!, Ganbare Goemon and Super Aleste. Since the release of Collection of Mana, it is public knowledge that Nintendo keep content produced by other companies in its archives. Masaru Oyamada, producer of the Mana series, said that this compilation was made possible by Nintendo, which allowed Square-Enix to recover the various source codes of these games.

In the wake of the Gigaleak, the source code for the Xbox Unreal Championship 2 game has been put online, along with numerous design documents. Epic Games' servers had been hacked in 2011 without the identity of the visitor being revealed; it cannot be excluded that the files in question originated from this attack and that the author of the hack kept them until that day on July 30, 2020. The link between this leak and the Gigaleak is not yet certain. In such a case, it is unlikely that anyone would publicly claim responsibility for the leak.

On the authenticity of the leaked content When a console prototype, a development version of a popular game or from a major license surfaces, it is customary to take it with a pinch of salt, in case someone came up with the idea of pulling a hoax or to replenish his bank account by trying to sell a fake. In the case of the contents leaked in 2020, since Nintendo hasn't officially commented on the case despite the requests made by Vice.com and LeMonde.fr, the doubt persists and the volume of data is such that it will be difficult to authenticate everything file by file. Nevertheless, Dylan Cuthbert, former developer of Argonaut who later joined Nintendo, recognised one of the tools developed for Starfox 2. In addition, in a number of cases, developers at the company have in the past provided clues suggesting that at least some of the content is authentic. This includes some rejected designs for Yoshi from Super Mario World, already unveiled in 2017.

A sprite sheet created by Shigefumi Hino during the development of Super Mario World, one year before the game’s release.

There are also quotes from developers about the presence of Luigi in Super Mario 64 and adult Mario in Yoshi's Island (both of which were set aside during development), characters in overalls in Super Mario Kart before it was decided to set the game in the Mario universe and a circuit from Mario Kart 64 located in a city but deemed too big. The same goes for the Zelda license: Yoshiaki Koizumi said he made a polygonal version of Link as part of a prototype adaptation of Zelda II for the Super Famicom, Eiji Aonuma explained that the cycle of Majora's Mask originally lasted not three days but a week and Link's Awakening was originally thought to be an adaptation of A Link to the Past - the world map of the latter made with the engine of the former has been found. Regarding Dragonfly, one of the very first Super Famicom titles shown to the public in 1988 before being renamed Pilotwings, the different screenshots published in magazines correspond to the version that leaked. While this is not an absolute proof of its authenticity - in 2012, a fan recreated an early version of Sonic 1 using screenshots as references -, the sum of clues previously cited and the large amount of documents posted online make the hoax thesis unlikely.

This leak also contains a lot of files that are difficult to identify, mainly because the names used for the files and directories are not always very explicit and some titles had never been publicly shown before or in another form. Examples include Sleep, an unfinished mouse-playable Super Famicom game (which may have been announced under the title "Black Out" in 1992), Super Donkey, another unfinished title with a number of visual similarities to Yoshi's Island, or Link's profile sprites for which we can only make guesses. Plunging into this maze of repertories requires patience as well as certain skills. Let's take the case of a game: each game has its own CVS file (named after the software used by Nintendo). A CVS file may contain several versions of a game, like a log of its evolution: an early version, a more advanced version with some elements that differ from the final version, the final version, etc. These files are not ROMs that could be launched in an emulator in 3 clicks. You have to compile the source code of the game you want to launch first, if there is source code.

Private conversations There is one point on which the leak doesn't seem to have been publicly praised: the posting of private conversations. Since April 2020, conversations between employees from various companies (Nintendo, BroadOn, then Argonaut in July) have been circulating on the net, in particular exchanges between Argonaut employees that took place in the early 90s, when some of them came to work at Nintendo in Japan. In addition to the fact that these are private correspondence - which already poses legal and moral issues - some of the excerpts shared online highlight issues that echo recent cases involving other companies, particularly on the subject of sexism and sexual harassment. In this case, the problem is twofold: there is, of course, the harassment itself (unsolicited pornographic images), but also the fact that the subject has come up without the victims having chosen to deal with it themselves.

This case illustrates the fact that video game preservation requires a minimum of methodology and should not necessarily result in the unregulated dissemination of any content relating to the development of a game or the history of a society. On the rest of the leak, opinions are very divided. Some people welcome it unreservedly; others have a mixed or even negative opinion, with the question of preservation and its modalities itself being debated.

Preservation Video game preservation is a race against time that began years ago, but the rules to be applied are still being discussed. A part of the public considers that everything that is not yet available as a ROM or ISO on the net should be dumped and shared. In 2019, a notorious collector, owner of one of the 3 knonw copies of the arcade game Akka Arrh, claimed that someone came to his home to unknowingly dump the ROM of the game in question and put it online. This is one of the most extreme cases known (if true), but it raises another issue: does preservation necessarily have to be illegal? The ROMs of commercial games you can find on the net (excluding the official websites such as the Nintendo eShop) are copies that contravene intellectual property law, whether they are final or intermediate versions, marketed or not. As early as 1993-94, consoles such as the NES, Super NES and Mega Drive had their dedicated emulator and with them ROMs that could be found via BBS. Already at that time, there were ROMs of development versions, some of which seem to have disappeared from the net because of their low distribution. These generally come either from developers who kept cartridges, CDs or files on hard disk, or from journalists who did the same with preview versions. In both cases, it is likely that they were not supposed to keep possession of them, let alone resell them years later to individuals. The amount of money exchanged for these copies has skyrocketed over the last 20 years. What might have been worth a hundred dollars in the early 2000s is now steadily rising to over a thousand. The illegal nature of the Gigaleak is nothing new in this field, but it may have been shocking in terms of its scale and the fact that the content was not obtained through a transaction (even if what made it possible is of questionable legality).

In 1979, while Namco was conducting a location test of Galaxian in a coffee shop, the game's PCB was swapped and duplicated, making it one of the first commercial titles with a beta version that ended up in the wild even before the final (and official) version was released.

Legislation in countries such as Japan, France or the United States is not so much a hindrance to the preservation as it is to the dissemination of ROMs and ISOs. We can certainly deplore the inadequacy of state initiatives as well as the meagre budgets allocated to the preservation of video games - in 2017, during a symposium on the preservation of video game preservation held at the BNF (National Library of France), its audiovisual department confessed that the budget allocated for video games was much lower than that obtained by the film sector with an average of 5,000 to 6,000 euros per year, going up to 8,000 euros in good years. It covers the acquisition of missing games (those who fell through the cracks of legal deposit), storage costs (the room where the games and machines are kept must remain at a constant temperature), etc. But the current legislation is an obstacle to preservation mainly in special cases such as video games with child pornographic content, games that companies such as Enix sometimes published in the early 1980s in Japan.

The Game Preservation Society, an entity based in Japan, does not have the task of putting online copies of the (sometimes very rare) games that it keeps in its archives, but of preserving them. Private individuals can also call on it to make backups of titles from their collection, the purpose of a private backup being to prevent damage to the programme's storage medium (cassettes, floppy disks, CDs, etc.). This policy is sometimes met with incomprehension or even disapproval from a certain fringe of the public who tirelessly demand the games' ROMs. OK, but which games? Websites that share ROMs without the agreement of their rights holders have a definite advantage over game publishers: almost all the games released on some of the most popular consoles can be found on the net. Few publishers are able to exploit their entire catalogue on a continuous basis for reasons as diverse as lack of resources, rights problems in the event of third-party licenses, or lack of commercial interest. If you want to try out the entire Mega Drive library, either you buy the 900 or so cartridges published in the past, or you download an emulator and the corresponding ROMset, thus breaking the law. It gets even more complicated with games that were playable online or available for sale in digital form only if the relevant service has closed. Abandonware-France, a website created in 2000 where you can find thousands of PC games and video game-related magazines, has adopted a clear line excluding games that are still commercially exploited as well as those released after 2000. It's less an ideal solution than a default solution - it doesn't solve the legality issue, since the games haven't yet fallen into the public domain - but it has no impact on publishers' sales, which is still one of the surest ways to get through the bullets. Other websites have been less cautious on this point by making available content that is still commercially exploited. Due to its special status, Internet Archives makes it possible to play (but not download) thousands of old games online, including titles that are still commercially exploited (Sonic 1 for example) but with the notable exception of Nintendo games or games released on Nintendo systems. In 2016, the Japanese company took down the Nintendo Power issues that were available for download at the digital library, stating that "The unapproved use of Nintendo's intellectual property can weaken our ability to protect and preserve it, or to possibly use it for new projects”. On June 1, 2020, four book publishers sued the Internet Archive after its National Emergency Library project went online, a project with which the library lent out digitized versions of books that are still commercially available. The outcome of this lawsuit could have an impact on the fate of the site and the different types of content that can be found there.

If you're interested in development versions, having a well-stocked wallet won't be of much help as legally accessible versions are rare. Sega provided us with a few exceptions by including both the final and an intermediate version of Gunstar Heroes in "Sega Ages 2500 Series Vol. 25: Gunstar Heroes Treasure Box". Probably unintentionally, the version of Revenge of Shinobi featured in "Sega Smash Pack Volume 1" on PC is a development version. As for “Silent Hill HD Collection”, the choice to base these adaptations of Silent Hill 2 and 3 on intermediate versions (retouched for the occasion) was made by default.

Finally, there is the question of making the design documents available, which again relies largely on the good will of the publishers. In addition to the interviews and documents published on specialized sites and magazines, many artbooks including illustrations, concept art and/or excerpts from design documents have been released in Japan since the end of the 1980s, followed by the US market in the early 2000s and more recently by France. Although it is not the first representative of its category, Sonic Jam has long been a reference in terms of compilation by offering galleries of documents, information and sometimes previously unseen videos in addition to the first Mega Drive episodes. In 2002, Final Fantasy X came bundled with a making of, following in the footsteps of the movie industry Square was looking towards at the time. For the past few years, some of the games produced by Sony have been the subject of making of accompanying their release and many independent developers regularly communicate on the progress of their games, both on social networks and through their blogs. However, not all games have their own journal or post-mortem. This is where initiatives such as the one launched by the Conservatoire National du Jeu Vidéo in France take over. The latter meets with developers and development companies and requests that part of their archives be made available to the public, with varying degrees of success. Other organizations such as the Musée Bolo in Switzerland (which was given archives by former Infogrames CEO Bruno Bonnell) and Internet Archive have hosted documents of this type.

The issue of preservation is not only a public issue, as companies are (or should be) concerned as well. Apart from exceptional cases such as the Great Hanshin earthquake that destroyed part of the Konami Archives in 1995, development companies rarely communicate about the loss of documents. One of the reasons for this is that in many cases they have disposed of all or part of their archives themselves. In 2016, 2 Namco employees started the Archive Project to save 350 boxes of documents from the dumpster. The two men had to convince their company to release a budget for this project even though the latter was planning to dispose of the boxes to avoid incurring new storage costs. At Square Enix, on the other hand, some files could not be saved in time and some games' source codes were lost. In addition to the Mana series previously mentioned, we know that the source code of the PlayStation version of Final Fantasy VIII has disappeared, forcing the developers of the HD version to fall back on the code of the PC version whose music is slightly different. Same with the first episode of Kingdom Hearts; the developers of the 1.5 HD Remix version had to analyze in depth a commercial copy and recreate many assets. An example that echoes the story a developer posted in 2010 in which he explained that, as part of a port of various Midway arcade games, the editor in charge of the project was unable to get his hands on the source code of Spy Hunter, so he had to download the game's ROM in order to extract the graphics via MAME and retrieve the sound files from a fan site, among other things.

---- Interlude: source code----- Having the ROM of a game does not mean you have the source code of that game. While there are thousands of ROMs of commercial games on the net, source codes are much rarer. In 2012, Jordan Mechner released the source code for the Apple II version of Prince of Persia, which he wrote alone and for which he is the owner, even though the licensing rights now belong to Ubisoft. More unexpectedly, it was discovered in 2014 that a large part of the source code for the NeoGeo version of Art of Fighting was in a file from its adaptation on PC Engine CD. In all likelihood, the developers of this version had access to the source code of the original version, which was mistakenly included in all copies of the game. In theory, having the source code of a game facilitates its adaptation on another support since, from one version to another, one can reuse a more or less important part of it, thus reducing the workload and the development costs. The loss of a game's source code therefore greatly reduces the chances of seeing a remastered version of the game. The fallback solution when it is an old game originally released on console or arcade is to use a ROM and an emulator, as it has been done on many compilations or re-releases of arcade games since the early 2000s.

The Nintendo case The source code for several Nintendo games and systems is now available on the net. Some might see this as a public backup, but the various leaks that happened since 2018 tend to prove that Nintendo knows how to preserve its data (at least for some time) and doesn't necessarily need outside help. There are several rumours about Nintendo that have not yet been confirmed. One of them is that the source code for The Legend of Zelda: Link's Awakening has been lost, a hypothesis that arose after studying the source code for the DX version of the game, released five years later for Game Boy Color. Another rumour claims that Nintendo is downloading the ROMs for its own NES games, a rumour that found an echo in 2016 after a lecture on emulation was given at the Game Developer Conference. However, if the NES game ROMs used by Nintendo for its Virtual Console look like the ones circulating on the rest of the net, maybe it's because at least one of the persons hired by the Japanese manufacturer to dump the ROMs of its games - Tomohiro Kawase - contributed to the group (iNES) that was dumping ROMs of those same games before joining the company.

The argument that Nintendo is a temple from which nothing comes out seems somewhat exaggerated. The company's games may not have been the subject of as many artbooks as Square Enix's, which, when it doesn't lose its source codes, knows how to showcase its heritage, but it has published many documents in the past relating to series such as Mario and Zelda (which was recently the subject of a series of artbooks), has released new games or versions of new games (Starfox 2 on the Super NES Mini, the European version of Drill Dozer on the Wii U Virtual Console), not to mention the "Iwata Asks" series, which we'd like to see an equivalent in all other development companies. The sense of secrecy that some people might see in Nintendo is probably due in part to the fact that the public is more interested in it than in most of its competitors. The popularity of some of its licenses has few equivalents in the world of video games and pop culture in general. The fact that we still discover old, unreleased Nintendo games nowadays is nothing unusual; tons of games are cancelled without having had a chance to be officially announced.

On the age of the content put online Two arguments are regularly put forward to minimize the significance of the Gigaleak. According to the first one, the content in question is old and therefore less sensitive or of lesser value than if it were recent documents. This is forgetting that Nintendo has more than once taken ideas or concepts that are sometimes decades old out of its boxes. During the 2007 Game Developers Conference, Shigeru Miyamoto went back over the concept of Miis and explained that it had undergone several changes over the years, starting as a demo on the Famicom Disk System, then reappearing on Super Famicom and 64DD before finally finding its way to the Wii in 2006. The Mario series has also had its share of ideas that have been put aside then used in later episodes. The idea of straddling a mount, for example, was first suggested during the development of Super Mario Bros. 3 (1988) before being adopted in Super Mario World (1990) with Yoshi. Miyamoto had originally envisioned a horse, but he kept the idea for The Legend of Zelda: Ocarina of Time (1998). A simultaneous multiplayer mode was experimented with at the time of Super Mario Bros. 3 (1988) and will only be included in the series starting with New Super Mario Bros. Wii (2009). Finally, one of the sprites from Super Donkey bears some resemblance with one of those appearing in Super Mario Maker, by its concept.

Top: Super Donkey. Bottom: Super Mario Maker.

The second argument concerns the damage suffered by Nintendo and reveals a difference in treatment with what happened in April 2020 when a development version of The Last of Us 2 leaked a few weeks before the game's release. Messages of disapproval and support for the developers seem to have been more popular than those welcoming the leak. In the case of the Gigaleak, Nintendo has often been perceived as a big company, an abstract entity, thus obscuring the fact that its games are also the sum of the work of a group of individuals. In legal terms, unless otherwise stated, the fruit of the work produced within a company is the property of the company. On a personal level, it often happens that a developer has a particular attachment to what he produces.

Dylan Cuthbert, in response to a person asking him how he felt, a few hours after the July 24th leak.

While some developers may have been in favour of releasing development versions - Yuji Naka tried to find the prototype of the first Sonic publicly shown in June 1990 to include it in Sonic Mega Collection - or even production documents - Jordan Mechner published the journals he kept during the development of Karateka and Prince of Persia - others are less enthusiastic about making such files available. By definition, a development version is not a finished product, and while it is natural for a finished product to be made public, this is not necessarily the case with everything relating to the development process. This is not exclusive to video games: many illustrators are reluctant to show their sketches, works in progress or unfinished drawings, no matter how old theirs works are, and the same is true of writers and musicians. As with private conversations, there is the question of respect for developers and their consent. This is obviously not a small obstacle for anyone who wants to preserve and share all the documents relating to the history of video games, but it seems difficult to me to do the work of an archivist or historian (who relies on the work of developers) if it means harming some of these developers even slightly. Of course, you have to hope that as much information as possible will come out and you can work on it in different ways, but you also have to set limits on the methods you can use and not just reason in legal and/or material terms.

Consequences It is difficult to measure how much will come out of this case, as other elements may be added in the coming days or weeks. Now that the leaked content is circulating, Nintendo will have a hard time getting it off the net and can expect clones of consoles using its own source codes to be produced and marketed in certain countries.

Regarding the emulation scene, it's a bit more complicated. In 1999, source code and documents relating to the Nintendo 64 leaked from Silicon Graphic Inc, a company that produced processors for the Nintendo 64. Known as the Oman Archive, this content was used in the early days of Nintendo's system emulation, which led to quick results. But this use of an illegally obtained code subject to intellectual property law was also a liability for the emulation scene of this machine, which took years to get rid of. Most of the other emulators available online are legal since they were developed with their own code. It's to avoid breaking the law that console BIOSes often have to be downloaded separately (like the source code, BIOS are copyrighted). The appearance of the Wii source code is therefore a poisoned gift for developers of amateur emulators. It may allow them to understand how Nintendo has done this or that, but they can't reuse it even partially without breaking the law.

Nintendo has probably already apologised to Capcom, Konami and M2 whose files have also ended up on the web. As for the rest, we can only speculate. Will publishers become aware of the interest of a part of their audience in the making of their games and offer more content to satisfy this curiosity (videos from their archives, books, making of, etc.) or, on the contrary, will they lock the doors of their archives by throwing the key into a well? Will security and control on the net increase, further restricting the distribution of certain types of content, be it fan games, ROMs - two categories that Nintendo has been fighting hard against in recent years - or Youtube videos showing things that publishers would prefer not to see on the net (like, say, glitches from Animal Crossing: New Horizons)? Or maybe nothing will change.

Sources : Sonic 2 https://web.archive.org/web/20051104100754/http://xbox.gamespy.com/articles/654/654750p4.html https://info.sonicretro.org/Sonic_Team_interview_by_Kikizo_(November_30,_2005) Hidden Palace http://info.sonicretro.org/February_23,_2008_Proto_Release Pokémon Gold 1997 prototype (2018) https://twitter.com/sanquii/status/1002107775651057664 Pokémon 2019 leak https://lavacutcontent.com/pokemon-beta-leaker-statement/ https://helixchamber.com/2019/02/16/what-dreams-may-come/ April-May 2020 leak https://resetera.com/threads/the-nintendo-leak-saga-continues-biggest-nintendo-leak-in-history-full-source-code-design-files-for-wii-released-online.196683/ https://www.resetera.com/threads/the-nintendo-leak-saga-continues-biggest-nintendo-leak-in-history-full-source-code-design-files-for-wii-released-online.196683/post-32917584 https://nintendoeverything.com/nintendo-suffers-huge-leak-source-code-and-design-files-for-wii-appearing-online/ https://twitter.com/Zetsuboushitta/status/1256320740527239168 https://twitter.com/LuigiBlood/status/1256543745794879488 recent leaks: 1 Ryan Hernandez https://www.thegamer.com/man-leaked-nintendo-switch-prison-charges/ https://www.justice.gov/usao-wdwa/pr/california-man-who-hacked-nintendo-servers-steal-video-games-and-other-proprietary 2 Tillie Kottmann https://www.bleepingcomputer.com/news/security/source-code-from-dozens-of-companies-leaked-online/ 3 Zammis Clark https://www.theverge.com/2019/3/28/18286027/microsoft-nintendo-vtech-security-hack-breach-researcher-guilty https://lavacutcontent.com/pokemon-beta-leaker-statement/ Mail sent by Impero to Zammis Clark - Wack0 https://archive.org/stream/pdfy-fRcZ1TWHaDkwz-Ea/Letter%20to%20Mr%20Zammis%20A%20Clark%20dated%2013%20July%202015_djvu.txt BroadOn + iQue https://wiki.mariocube.com/index.php/IQue#BroadOn July 2020 leak https://boards.4channel.org/vp/thread/44305551/ppg-leak-time-fuck-ganix https://www.resetera.com/threads/update-super-mario-64-and-oot-source-leaked-massive-nintendo-data-leak-source-code-to-yoshis-island-a-link-to-the-past-f-zero-and-more.254724/page-62 Aleste and M2 https://twitter.com/M2_STG/status/1014031712672571393 Collection of Mana https://gameinformer.com/preview/2019/06/11/decades-in-the-making Vice, Lemonde.fr and Nintendo https://www.vice.com/en_us/article/7kp7bx/a-massive-leak-of-nintendo-source-code-is-causing-chaos-in-video-games https://www.lemonde.fr/pixels/article/2020/07/31/nintendo-ce-que-l-on-sait-de-la-fuite-supposee-de-documents-lies-aux-jeux-video_6047809_4408996.html Cuthbert and Starfox 2 https://twitter.com/dylancuthbert/status/1286789583061934080 Mario World sprite sheet https://topics.nintendo.co.jp/article/cb34ab17-9135-11e7-8cda-063b7ac45a6d Luigi in Super Mario 64 https://shmuplations.com/mario64/ Adult Mario in Yoshi's island http://shmuplations.com/yoshi/ Super Mario Kart before Mario https://twitter.com/toruzz/status/1287400639165861888 http://iwataasks.nintendo.com/interviews/#/wii/mariokart/0/0 Mario Kart 64 circuit http://shmuplations.com/mariokart64/ https://twitter.com/AeroArtwork/status/1288299965954088966?s=19 Zelda II SFC in 3D http://iwataasks.nintendo.com/interviews/#/3ds/zelda-ocarina-of-time/1/1 Zelda OOT in Ganondorf's Castle https://twitter.com/AeroArtwork/status/1287524648222105607 7 day cycle in Zelda: Majora's Mask https://twitter.com/Zen64_/status/1287582698085777408 http://iwataasks.nintendo.com/interviews/#/3ds/majoras-mask-3d/0/0 https://www.polygon.com/2015/2/18/8064257/majoras-mask-three-day-timer-week DragonFly https://www.unseen64.net/2008/04/14/pilotwings-snes-proto/ Sonic 1 fan recreation https://www.youtube.com/watch?v=oHtzXzu2BDA Argonaut https://twitter.com/corentin_lamy/status/1286932458173276161 https://www.resetera.com/threads/update-super-mario-64-and-oot-source-leaked-massive-nintendo-data-leak-source-code-to-yoshis-island-a-link-to-the-past-f-zero-and-more.254724/post-40826655 Unreal Championship 2 https://twitter.com/Sinoc229/status/1288680503801860096 https://www.ign.com/articles/2011/06/11/epic-games-website-forums-hacked Akka Arrh https://arstechnica.com/gaming/2019/04/after-a-lost-atari-rom-leaks-retro-fans-ask-was-it-stolen/ Galaxian https://www.4gamer.net/games/999/G999905/20180313040/ Firsts emulators https://emulation.miraheze.org/wiki/History_of_emulation Namco's Archive Project https://game.watch.impress.co.jp/docs/news/1205387.html Spy Hunter http://web.archive.org/web/20110925185703/http://www.ppl-pilot.com.nyud.net/mame.aspx Prince of Persia https://github.com/jmechner/Prince-of-Persia-Apple-II On the CNJV, Musée Bolo and BNF : "colloque: la conservation du patrimoine vidéoludique" (2017). Nintendo Power, Internet Archive https://www.polygon.com/2016/8/8/12405278/nintendo-power-issues-disappear-from-free-online-archive http://blog.archive.org/2020/06/01/four-commercial-publishers-filed-a-complaint-about-the-internet-archives-lending-of-digitized-books/ Nintendo ROMs https://www.resetera.com/threads/tomohiro-kawase-mightve-been-hired-by-nintendo-to-put-rom-headers-into-vc-updated-dec-1-2018.64755/ https://twitter.com/LuigiBlood/status/1045348387174977536?s=19 https://www.reddit.com/r/emulation/comments/9msl9j/update_did_nintendo_actually_download_roms_for/e7iemhb/ GDC 2016 https://www.gdcvault.com/play/1023470/-It-s-Just-Emulation The Legend of Zelda: Link's Awakening source code https://www.neogaf.com/threads/it-bothers-me-that-nintendo-keeps-ignoring-links-awakening.931702/page-2 Mii https://unseen64.net/2008/04/14/mii-nes-prototype/ https://www.nintendo.fr/Iwata-demande/Iwata-Demande-Nintendo-3DS/Vol-5-Interview-de-Miyamoto-san-a-la-veille-de-la-sortie-de-la-console/2-Faire-des-personnages-Mii-un-standard-international/2-Faire-des-personnages-Mii-un-standard-international-210297.html Yoshi and a horse https://www.nintendo.co.uk/News/2017/October/Nintendo-Classic-Mini-SNES-developer-interview-Volume-5-Super-Mario-World-and-Super-Mario-World-2-Yoshi-s-Island-1290850.html Multiplayer mode in SMB3 http://iwataasks.nintendo.com/interviews/#/wii/mario25th/2/3 Super Donkey - Mario Maker https://twitter.com/dbMisadventure/status/1286751468293414912 Dylan Cuthbert https://twitter.com/dylancuthbert/status/1286822093703622656 Sonic 1 prototype https://www.gamesradar.com/super-rare-1990-sonic-the-hedgehog-prototype-is-missing/ Oman Archive https://sm64-conspiracies.fandom.com/wiki/Oman_Archive Animal Crossing: New Horizons vidéo https://www.vice.com/en_us/article/m7j7yb/nintendo-takes-down-youtube-video-of-fan-showing-animal-crossing-glitches

#Gigaleak preservation emulation and content dissemination

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poemprince · 5 years ago

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Tamino-Amir Fact Sheet

Here is where I’ll be compiling a big list of things about Tamino. I’ll be gathering all of my information from interviews, videos, photos, songs, etc. It will be continuously edited and added on to as time goes on.

EARLY LIFE

His full name is Tamino-Amir Moharam Fouad.

He was born on October 24th, 1996 in Mortsel, Antwerp.

He has two first names— Tamino, after Prince Tamino in Mozart’s opera The Magic Flute, and Amir, which means “prince” in Arabic/Hebrew.

Tamino’s grandfather is Moharam Fouad, a renowned Egyptian singer and actor.

Tamino was only six when his grandfather passed away, so he didn’t get to know him personally, although he wishes he had.

His parents split up when he was just three and he lived with his mother in Belgium for his entire childhood.

His first language is Dutch although, in school, he had to learn French (and then claimed he wasn’t really good at speaking it.)

He has a younger brother named Ramy, they’re four years apart in age.

He describes that his mother was very “free” and “open-minded” and played music of all genres very often, which exposed Tamino to a lot of it.

Around eight years old, Tamino was listening to John Lennon’s “Imagine” and, for the first time, he was very interested in a song and asked who the artist was.

He wrote his first ever song when he was fourteen and it was for a girl (context clues tells me it was some cheesy love song) and it “didn’t work out.”

When he was seventeen, he moved to Amsterdam in the Netherlands to focus on music in school.

There, he had an apartment with a couple roommates (although I don’t know how many, it was briefly touched upon.)

While living in the city, he reportedly felt “alone and very confused.”

At eighteen years old, he wrote Habibi as his first official song.

CAREER

In November 2016 around twenty or nineteen years old, Tamino was invited by Belgian band Het Zesde Metaal to play a Radio 1 session. He made a good impression and was immediately picked up by the station.

In 2017, he won a musical contest being held by Studio Brussels. This was mostly the kickstart into his career. He began to have concerts shortly after.

After a performance, Radiohead’s bassist Colin Greenwood approached him and Tamino asked if they could play together, to which Colin agreed. They typically play together even in present day.

From then on, his music began picking up worldwide. Many people became fans no matter the region.

Similarly to Ramy, Tamino has been featured in some modeling.

In 2018, he fully completed and released his first album, Amir.

In 2019, he went on a tour in North America and it was his first time there.

Continuing into 2020, he has a couple of concerts in the northern part of the U.S. and some big cities in Canada, all of which were eventually canceled in March 2020 when Coronavirus became threatening.

LIKES V. DISLIKES

He dislikes being called “The New Sound of the Nile,” feeling it disrespects his grandfather. (He proposed a hypothetical situation saying “What if, in 20 years, my children get called The New Tamino?”)

If he were a crayon, he’d be a black one because he enjoys the color. (And, yes, he does acknowledge it’s not really a color.)

He’s somewhat of a philanthropist at heart, saying he’d donate most of his money (if he won the lottery) to smaller causes that truly needed it, or friends and family.

His favorite band from the 90’s is Soundgarden.

He thinks going diving is scary because of the water’s pressure on his ears (?)

His favorite Arabic word is eajib, which means “weird.”

His favorite English word is heart! Aww!

He likes sandy/earthy colors a lot. (Boy must love his neutrals/nudes.)

Prefers leather jackets over denim and believes that “there’s at least one leather jacket out there for everyone.”

Prefers sunrise over sunset.

Prefers the moon over the sun.

Prefers tea over coffee.

Prefers cookies and milk over orange juice.

PERSONALITY

(This is suspect to change, since it’s just things I personally picked up on social clues.)

He loves kids and most likely would want his own someday.

He’s very humble, can take compliments but gets very modest at times with his own success and talent.

He is very respectful! He has decent manners and will say thank you, you’re welcome, etc. a LOT.

Not the best conversationalist, especially if the question is too complicated or awkward for him to think on. (This typically only happens in English, though, as I’ve noticed he tends to open up more in Dutch. It could be a comfort or language thing, I don’t know.) Exmaples is this are him saying “and yeah,” “um,” “...” “it’s good/great/amazing.”

He is a very deep individual and seems to understand more to life than many do.

He is a romantic poet, which is an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century (and didnt last long after that, but I’d still consider him a romantic.) Poetry like this pertains ideas of supernaturalism, nature, and grand emotions.

He is very welcoming of people no matter their opinions or where they come from and he enjoys seeing the unity and balance that everyone brings, especially to a concert.

He is somewhat of an introvert, usually not that active on social media and just generally a quiet person overall.

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rkjinwook · 6 years ago

Photo

* RE:FRESHER — A NEW ERA BEGINS! a compilation of publicly available information about kim jinwook, convex’s lead vocal & resident sunshine. updated october 2, 2019.

originally published july 24th, 2018; inspired by chungha’s post.

PRE-DEBUT ACTIVITY

MGA3 RECAP

MAY 2016 — eliminated in the semi-final, but got a decent amount of screentime due to both being mvp and switching teams. aired twice a week.

ep 1. open audition; guitar + lc9′s love sick + ( profile )

ep 2. ceo/panel audition; piano + one direction’s steal my girl

ep 3. joins team eve/sooyoung under sphere

ep 4. shown to be an emotional vocal with bts’ young forever...

ep 5. ...but a pretty lousy dancer/rapper with after school’s ah!. named mvp of his team

ep 6. mvp episode; romance-concept duet with eve. baek jiyoung named this as her favorite performance for having good ~chemistry~

ep 7. switched/stolen by team jihyun mijoo under royal

ep 8. semi-final; electric guitar + vixx lr’s beautiful liar ( band version )

TRAINEE ACTIVITIES & NETIZEN BUZZ

kept a low profile after mga3. he was not well-known as a sphere trainee, unless he happened to be recognized in the samsung commercial (or flyers + street evals + etc.).

samsung galaxy a7 ads. filmed march 2017 / aired dec 2017–may 2018

filming details / official release

also uploaded to samsung mobile’s youtube channel

became a public samsung group trainee (company unknown)

#BEINSPIRED team: decorating and playing keyboard for a rooftop party

seoul plaza festival. december 24, 2017

official post / performed show me your love and white

first public performance with sphere boys (convex lineup)

became a public sphere trainee

convex pre-debut showcase. june 30, 2018

official post / performed mansae and 20

flyer distribution and advertisement on june 29-30th

afternoon and evening shows with ~200 attendees each

identified online by rkbenjizen, and kim nahee (who knew him in person)

convex concept teaser. uploaded july 20, 2018

official release / filming details / solo (feb 12)

third set of members to be revealed

featured jinwook taking photos of royal on a walk through seoul forest

project convex. uploaded aug–sept 2018

ep 1. shown in a clip performing chaos’ 12:30

ep 2. shown in his teaser clip and recording mansae in the studio

IDOL ACTIVITY

ERA: MANSAE — ( BOYS WILL BE )

debut showcase. october 28, 2018

official post / announcement / performed 20 and mansae

hair: blonde / styling ( 20 / mansae )

music video + album. released october 29, 2018

official release / line distributions / filming details (july)

shown getting rejected in the mv by rachel (0:43); hyun (0:56); minhee (1:18); hyun (2:00)

sings on mansae and 20 (vocal unit)

photobook styling ( one / two )

promotions. continuous november 6–december 9, 2018

official schedules / calendar view

26 total mansae performances on music shows throughout the month

charity event (nov 12) — convex delivering coal briquettes to the elderly

a few minor slips in the rainy outdoor performance (nov 14)

samsung special new year’s concert. january 12, 2019 in jeju city

concert details / solo / performed mansae, 20, and mr. chu

flight from gimpo to jeju on thursday morning, and return on sunday morning — ( airport fashion )

outings with baekhyun (beach thurs afternoon), his family (restaurant thurs evening), and yien (café fri morning); otherwise, he was confined to the hotel/venue

welcome convex vlive. broadcast february 23, 2019

announcement / skills & titles masterlist / solos

title: convex’s sunshine!

personal talent: bird calling

ERA: VERY NICE — ( HEART SHAKER )

tba!

#& hc #& ooc #& vis

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cameronwjones · 6 years ago

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30 Can't-Miss VR and AR Events in 2019

Virtual Reality (VR) and Augmented Reality (AR) are no longer a figment of our imaginations - they've come to life! We’ve compiled 30 events dedicated to VR and AR to keep you up to date and involved with this innovative and revolutionary technology.

Once only seen in movies or described in storybooks, technology has advanced to allow VR and AR to not only work, but to be reproduced at a commercial and consumer level. A new age has dawned where companies can now base their business models around these advanced technologies.

To keep up with the times, both consumers and businesses need to stay appraised of the last best practices. In fact, when VR and AR technologies are incorporated in events, they serve to enhance attendee experience as well.

Disclaimer: Events which have passed at the time of writing as well as unconfirmed events in 2020 are not included in this list.

A quick guide to the abbreviations:

VR - Virtual Reality

AR - Augmented Reality

MR - Mixed Reality

XR - Extended Reality (All real-and-virtual combined environment such as VR, AR and MR)

1. F8 - Facebook Developers Conference

Source: F8

Start Date: April 30, 2019

Location: San Jose, California

Description: Facebook’s annual conference dedicated to developers and entrepreneurs who build products and services around the platform.

Why You Should Attend: Mark Zuckerberg has been vocal about making Augmented Reality the next big bet for the Facebook platform. Given the acquisition of Oculus, it is no surprise that there’s a large emphasis on both VR and AR technology at Facebook’s annual F8 conference. Judging from their event registration website, F8 Summit will be filled with delightful surprises that wow the attendees. At the time of writing, the tickets have been sold out but you can still tune in to the keynote and sessions on demand via stream to get the latest scoop on all the latest technological advancements.

2. Google I/O 2019

Source: Google I/O

Start Date: May 7, 2019

Location: Mountain View, California

Description: Google’s annual developer festival brings together developers from around the globe for an immersive experience focused on exploring the next generation of tech.

Why You Should Attend: Another tech giant that has shown interest in the evolution of VR and AR technology is Google. Aside from announcing new android releases or product updates, Google’s conference is also an avenue to explore all things new in tech for the year. Similar to other conferences, you can tune in to the keynotes through online streams if you haven’t been able to get the ticket from the Google raffle system.

3. WWDC 2019 - Worldwide Developers Conference

Source: WWDC

Start Date: June 3, 2019

Location: San Jose, California

Description: Apple’s annual conference dedicated to developers and entrepreneurs who use their platform

Why You Should Attend: Aside from looking forward to new product releases from Apple, this conference is also dedicated to advancements in technology including VR and AR technology. Since the release of their AR libraries, this conference is essential to anyone interested in AR technology ever since. Keeping in mind how the AR feature on the iPhone X was a big moment in WWDC 2017, we can’t wait to see what else is in store in 2019. If you’re unable to make the actual event, you can look for online streams to be updated on all the newest updates in technology.

4. E3 2019 - Electronic Entertainment Expo

Source: E3

Start Date: June 11, 2019

Location: Los Angeles, California

Description: Famous for its releases in all things gaming related for computers, consoles, handheld and more.

Why You Should Attend: When it comes to video games for all sorts of platforms, this is the conference to attend. With many companies introducing VR and AR technology into the gaming industry, you can definitely be sure of new interactive games and functions at this year’s E3 expo in Los Angeles. Aside from the introduction of new technology, there will also be live esports tournaments, game demos and celebrities to keep this event exciting as well.

5. AWE 2019 - Augmented World Expo US & Europe

Source: AWE 2019

Start Date: May 29 (US), TBA (Europe), 2019

Location: Santa Clara, California & TBA

Description: Known as the World’s No. 1 VR and AR dedicated conference, it typically holds 3 conferences in US, Europe and Asia

Why You Should Attend: This event aims to bring together a mix of C-suite executives, designers, developers, creative agencies and futurists to learn, inspire and partner with each other for the development of all things AR and VR related. The event is returning to California for the 9th year and Europe for the 3rd. The event has also been held in China for the last 2 years but may not be hosting an event there in 2019.

6. WAVE 2019 - World AR and VR Expo and Convention

Source: WAVE 2019

Start Date: TBA

Location: Hyderabad, India

Description: Largest AR and VR Expo in India

Why You Should Attend: Besides being an expo for companies to release their new products, there is also a focus day dedicated to B2B and B2C exhibitors to interact with their target audience. Be sure to check out the new games, interact with VR and AR experts as well as purchase the most advanced interactive technologies at this event.

7. XRDC

Source: WRDC

Start Date: October 28, 2019

Location: San Francisco, California

Description: Premier conference for AR, VR and MR innovators with a focus on use cases across a broad range of industries

Why You Should Attend: Previously known as VRDC (Virtual Reality Developers Conference), the organizers have changed it to XRDC to fully encompass all forms of interactive and immersive technology for this year’s conference. With business and technology leaders from companies like Airbnb, Amazon, Song and Tencent, XRDC will feature two days of expert-led sessions and a Partners Lounge showcasing the latest technologies, tools and services across industries including entertainment, healthcare, education, industrial design and more.

8. VRST 2019 - ACM Symposium on Virtual Reality Software and Technology

Source: VRST

Start Date: November 12, 2019

Location: Sydney, Australia

Description: International Symposium for research results on mixed reality software

Why You Should Attend: Hosted by Waseda University, this symposium is being hosted for the 24th time in Tokyo, Japan. It brings together researchers and developers concerned with mixed reality software and technology to present on new research results, systems and techniques to everyone in attendance.

9. AR & VR World

Source: AR & VR World

Start Date: June 12, 2019

Location: London, United Kingdom

Description: Augmented & Virtual reality event that showcases technology and business strategies of today

Why You Should Attend: 2019 marks the third year for this annual event taking place in Europe for the enterprise-focused AR, MR and VR communities. It aims to develop a blueprint for enterprises who are thinking of utilizing AR/VR technology and to walk current users through the next stage of their application development with the goal of spearheading commercialization. For event marketers, this conference may spark ideas on how to combine AR/VR technology with their event brand. With an expected turnout of 2000+ attendees and more than half their attendees planning to acquire goods or services from at the event, you can be sure this conference/trade show will be worth attending.

10. SIGGRAPH2019

Source: SIGGRAPH2019

Start Date: July 28, 2019

Location: Los Angeles, CA

Description: An AR/VR event which focuses on computer graphics and interactive techniques

Why You Should Attend: Boasting an attendance of 15,000 attendees annually, the 45th SIGGRAPH conference is one event that has everything you need and want when it comes to anything related to computer graphics. Learn about the latest research, demo the newest technologies and be inspired by the best ideas from the brightest minds who attend this event every year.

11. Aviation Virtual and Augmented Reality Summit

Source: Aviation Report

Start Date: May 8, 2019

Location: Geneva, Switzerland

Description: An international summit for aviation professionals

Why You Should Attend: VR is set to change every industry but aviation might be most impacted. This annual summit provides airlines, aviation partners, and hardware manufacturers the opportunity to dissect the latest trends. The summit spend a great deal of its programming on the challenges of tech adoption for their field.

12. MWC - Mobile World Congress Americas

Source: MWC

Start Date: October 22, 2019

Location: Los Angeles, California

Description: International Conference on all things related to the mobile phones

Why You Should Attend: At its inaugural launch in 2017, this mega conference had 21,000+ in attendance, of which 59+% held senior-level positions. With mobile phones getting a larger penetration in our world markets, this event will serve to cover everything related to the newest apps, software and hardware for this device, including the VR and AR component which was recently introduced to the smart phones.

13. MWC - Mobile World Congress Shanghai

Source: MWC

Start Date: June 26, 2019

Location: Shanghai, China

Description: International Conference on all things related to mobile phones

Why You Should Attend: Originating from its founding conference in Barcelona, MWC Shanghai is the largest mobile phone conference in Asia. With 600+ exhibitors, 60,000+ attendees and 59 hours of conference content, this event will serve to cover everything related to the newest apps, software and hardware similar to its American counterpart (MWC Americas) but with a heavier emphasis on the Asian market.

14. VRS 2019 - Virtual Reality Strategy Conference 2019

Source: VRS

Start Date: October 16, 2019

Location: San Francisco, California

Description: VRAR’s top executive event

Why You Should Attend: VRS 2019 has different industry-themed conferences under one roof. One focuses on the big phenomenons in entertainment and while the other conference focuses on the enterprise applications of phenomena. These events typically have an amazing list of attendees from senior level and executive positions in its annual event.

15. Stereopsia

Source: Stereopsia

Start Date: December 11, 2019

Location: Brussels, Belgium

Description: A global event at the intersection of science, and culture.

Why You Should Attend: This international summit is a 3D experience for science, tech, art, and business. Now in its 10th year, Stereopsia feature the latest and greatest VR and AR products with keynote speeches from tech innovators behind the creation of many of these amazing inventions.

16. VRTO

Source: VRTO

Start Date: June 1, 2019

Location: Toronto, Canada

Description: Canada's immersive technology summit.

Why You Should Attend: The solutions-focused symposium, VRTO explores all branches of ethics, science, and humanity through immersive technologies. Although they have yet to release their 2019 speaker line up, VRTO does share their past guest lectures on YouTube so you can get a feel for what you can expect if you attend.

17. VR Days Europe

Source: VR Days

Start Date: November 13, 2019

Location: Amsterdam, Netherlands

Description: A 3-day conference that explores the past, present, and future of VR.

Why You Should Attend: VR Days Europe has exhibits on VR, AR, and mixed reality. Their activities include expert speakers, breakout sessions, and hands-on workshops. This year they plan to host over 140 guest lecturers from large, international brands so there's definitely something for everyone at this event.

18. MojoFest

Source: MojoFest

Start Date: June 6, 2019

Location: Galway, Ireland

Description: A global get-together for smartphone content creators.

Why You Should Attend: MojoFest celebrates the smartphone as a professional tool for marketing, media, and (of course) AR. Their main agenda offers tracks on visual storytelling, social media content, and an awards ceremony for those breaking ground in the world of mobile technology.

19. Gamescom

Source: Gamescom

Start Date: August 21, 2019

Location: Cologne, Germany

Description: A trade fair for gaming.

Why You Should Attend: VR and gaming will always have a symbiotic relationship. At Gamescom 2019, attendees can expect to see over 56 exhibitors from around the world showing off their latest gear, games, and software.

20. Digital Hollywood Spring

Source: Digital Hollywood

Start Date: May 21, 2019

Location: Los Angeles, California

Description: An entertainment industry conference that explores and dissects the future of the medium which includes VR.

Why You Should Attend: Digital Hollywood puts on quite a few events each year. Having been a staple in the TV/Film industry for over 25 years now, it's no surprise that this conference would be at the forefront of tech innovation in Hollywood. Check out keynote speakers from leading TV networks as well as sessions on the future of VR film and consumer experience.

21. LiveWorx

Source: LiveWorx

Start Date: June 10, 2019

Location: Boston, Massachusetts

Description: A digital transformation conference.

Why You Should Attend: LiveWorx has disruptive tech demos, tech business strategists, and edgy problem-solvers at their transformative event. In addition to AR and VR, the conference will also cover topics like robotics, IoT, and digital engineering.

22. Digital Transformation Conference

Source: Digital Transformation Conference

Start Date: March 28, 2019

Location: Boston, Massachusetts

Description: A gathering of leaders and visionaries in global tech.

Why You Should Attend: The Digital Transformation Conference brings in digital business leaders to help give insight into the evolving world of AR, VR, and the digital experience as we know it. With the inclusion of detailed case studies, real-world advice, and actionable takeaways, this event is a must-see for anyone interested in accelerating their own digital capabilities.

23. Microsoft Build

Source: Microsoft Build

Start Date: May 6, 2019

Location: Seattle, Washington

Description: A premier development conference brought to you by an industry titan.

Why You Should Attend: Learn about new and imaginative ways to unite the latest technologies with your creative vision. This is a great conference to attend if your goal is to network as Microsoft Build offers many opportunities to bond with your community over new VR, AR, and mixed reality trends.

24. VR On the Lot

Source: VR On the Lot

Start Date: October 13, 2019

Location: Los Angeles, California

Description: An official VR Society event on all things VR, AR, and Mixed Reality.

Why You Should Attend: Filmmakers and creatives are doing amazing things with VR and this event is the perfect way to get a sneak peek on what's to come in the near future. Over 1700 entertainment and production professionals are expected to rub elbows on the Paramount Studio lot for this glamorous and high tech experience.

25. VRX Europe

Source: VRX Europe

Start Date: April 10, 2019

Location: Amsterdam, Netherlands

Description: Europe's leading senior level VR and AR industry event.

Why You Should Attend: VRX Europe is the first of Amsterdam's many VR-themed events this year but it's definitely towards the top of our wish list. This premiere European event is focused on marketing and business solutions using VR that can be implemented for immediate success in any industry.

26. VR World

Source: VR World

Start Date: November 26, 2019

Location: London, England

Description: The business of AR and VR.

Why You Should Attend: Although VR World takes place over a single day, this event is jam-packed with unique opportunities. Multiple in-depth tracks paired with more than 100 industry speakers help attendees learn all the practical ways they can create, market, and distribute their digital creations.

27. IEEE VR

Source: IEEE VR

Start Date: March 23, 2019

Location: Osaka, Japan

Description: VR's top research-based event.

Why You Should Attend: Since 1993, IEEE VR has been a leading technology conference and international venue for research in and around the world of VR. And, unlike most other conferences on this list, 3D interfaces are heavily featured at this event.

28. Tribeca Film Festival

Source: Tribeca Film Festival

Start Date: April 24, 2019

Location: New York City, New York

Description: An innovative film festival that celebrates the intersection of arts and technology.

Why You Should Attend: As you can tell from some of the other events featured on this list, film and VR go together like PB&J. Two of this year's Tribeca Film Festival events center on VR. Check out Virtual Arcade and Cinema360 for cutting edge storytelling in a fully developed VR theater.

29. Laval Virtual

Source: Laval Virtual

Start Date: March 20, 2019

Location: Laval, France

Description: An immersive VR/AR conference.

Why You Should Attend: The Laval Virtual is in celebrating its 21st year as a leading international conference for VR, AR, and Mixed Reality. The main features of this event include an exhibition, conference, and awards ceremony.

30. NAB Show

Source: NAB Show

Start Date: April 6, 2019

Location: Las Vegas, Nevada

Description: A media, technology, and entertainment event.

Why You Should Attend: The NAB Show's goal is to teach attendees how to effectively create, distribute, and monetize content, including content made using VR, AR, or Mixed Reality. They offer some great resources through their event website like a podcast and a virtual guided tour of the conference itself.

Wrapping Up: A Virtual New World

As you can see, the VRAR industry is growing and technology is advancing. These events are just the gateway for you to learn more about the VRAR world. With the VRAR industry estimated to be worth $30 billion in 2020 and tech giants investing heavily in this area, 2019 might be the time for you to register for these events to keep up-to-date with the ins and outs of this promising industry.