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cruella-ganzerfilm-stream-de · 3 years ago

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London in den 1970er Jahren: Die junge Estella (Emma Stone) ist eine talentierte Designerin und träumt von einer großen Karriere als Modeschöpferin. Doch da sie verwaist und mittellos aufgewachsen ist, scheint ihr der Weg in höhere Kreise verschlossen. Mit ihren zwei Kumpels, den Amateur-Dieben Horace (Paul Walter Hauser) und Jasper (Joel Fry), streift sie durch London und begeht hier und da kleine Verbrechen – und wann immer sich die Möglichkeit ergibt, wenigstens kurz in den von ihr ersehnten Luxus der Schönen und Reichen einzutauchen, greift sie schamlos zu. Dann aber bietet sich ihr endlich eine einzigartige Gelegenheit, um der Gosse zu entkommen: Ein aufstrebender Rockstar entdeckt ihr Talent und beauftragt Estella damit, ihm ein einzigartiges Outfit zu entwerfen. Auf der Suche nach dem perfekten Material muss sich Estella, die ein Faible für Hundefell hat, fragen, was sie für ihren Erfolg zu opfern bereit ist.

„Cruella“ - Hintergründe, Besetzung und Kinostart

Fünf Jahre sind vergangen, seit Disney mit „Vaiana“ den letzten Animationsfilm mit einem Original-Drehbuch in die Kinos gebracht hat. „Cruella“ tritt nun in die Fußstapfen und erzählt nach den Fortsetzungen im Jahr 2019 („Die Eiskönigin 2“ und „Ralph Reichts 2“) eine eigene Geschichte. Für das Drehbuch war die „Crazy Rich“-Autorin Adele Lim sowie Qui Nguyen verantwortlich.

Die beiden Hauptrollen von Raya und Wasserdrache Sisu werden von Kelly Marie Tran („Star Wars“-Reihe) und Golden-Globe-Gewinnerin Awkwafina („The Farewell“) eingesprochen. „Cruella“ ist der 62. abendfüllende Disney-Film und der erste in der neuen Dekade der 2020er. Das Regieduo Don Hall und Carlos López Estrada hat ganz unterschiedliche Erfahrungen in der Filmwelt. Don Hall führte Regie bei den Disney-Filmen „Baymax“ und „Vaiana“, Estrada ist für Indie-Filme „Summertime“ und „Blindspotting“ verantwortlich.

Der deutsche Kinostart von „Cruella“ ist mit etwas Verspätung am 11. März 2021.

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📺 TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet.

📺 FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.

📺 CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home.

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frasier-crane-style · 5 years ago

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By the way, to cover the whole spectrum of Star Wars creatives and not single anyone out for abuse, I’ll try to be fair.

Kathleen Kennedy is obviously an idiot for rushing out such an incredibly important story with no plan and seemingly no thought at all except “let’s be diverse and accuse anyone who criticizes us of being a bigot.”

J.J. Abrams is a hack, plain and simple. You’d think someone who loved Star Wars so much he turned Star Trek into it would have some thought or fondness about the saga or an idea he wished to convey, but nope, guess he’s just like a six-year-old boy who likes it when the TIE Fighters go pew-pew-pew. More pew pew pew! Oh, wait, I forgot, Nazis are bad, especially when they have aristocratic British accents. Now there’s some hot goss.

Rian Johnson isn’t any better, since he saw Star Wars as a vehicle for adolescent, 4edgy5me story ideas, which he then leavened with babyish, cringe-worthy humor. If Abrams started TFA off on a sour note, Johnson twisted the knife. Also, whenever I read about him online, he’s pathetically defensive and thin-skinned about any criticism, so y’know, fuck that guy.

John Boyega talked shit about Lord of the Rings, so between this and Pacific Rim: Regurgitation or whatever its name was, I’m glad his career is over. At least he’s honest about how these movies totally screwed over his character; maybe he’s jealous about LOTR and that’s why he talked shit. Because there are nine main characters in that trilogy and they all had more to do than Finn. Hell, Snails in Dungeons & Dragons had more to do than Finn.

Oscar Isaac is clearly virtue-signalling with all this “Finn and Poe should’ve been canon!” stuff. I don’t know, maybe go to an independent movie about gay people if you’re so passionate about this stuff? I’m sure there’s any number of gay moviemakers who’d love to have your starpower attached to their project.

Daisy Ridley seems mostly harmless. I’m sure she did the best she could with a trilogy that had to Frankenstein the end of her ‘character arc’ together with deleted scenes she did with Carrie Fisher way back in The Force Awakens because Disney wasn’t done beating a dead princess.

Kelly Marie Tran, also doesn’t seem like a bad person, it’s not her fault that she got saddled with a non-starter of a character. I kinda hope she gets to move on from this instead of being sucked into the Disney+ show that overdefensive stans want her to be in just to dunk on Trump or whatever.

Adam Driver seems to have had the very mature attitude of just keeping his head down, delivering his lines as best he could, and strolling off while the franchise explodes behind him. It seems like his professionalism and talent is getting him work in, y’know, real movies and that’s nice.

Gwendoline Christie. Remember that she’s in these movies? And Lupita N’yongo. And Laura Dern. It’s incredible that, being Star Wars, they had the pick of the litter when it came to actors, to the point of overstuffing these movies with too many characters and storylines, and yet so little of it truly registered. A faceless and almost voiceless cipher like Boba Fett ended up being far more memorable and charismatic than Academy Award nominee Benecio del Toro and his stupid stutter.

George Lucas. George is kind of like Alan Moore, in that while I acknowledge his talent and that he’s gotten a shitty deal (well, as shitty a deal as one can have while reaping massive fame and success), he’s also been such a prick that it’s hard to sympathize too much with his ill treatment. Fine, he did a lousy job on the prequels, I can forgive that. It’s not like I hold Kingdom of the Crystal Skull against Steven Spielberg, or even Ready Player One. But Lucas’s refusal to release the OT without endlessly tinkering with it is simply childish and petty. In fact, it’s outright a crime against movie history, and downright pathetic that he seems to have made not giving the real Original Trilogy a release a condition of his deal with Disney. I kinda wonder how many people think that the prequels and sequels are on par with the OT simply because they’ve never seen the OT without Lucas’s distracting and obnoxious ‘corrections’.

#star wars

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aion-rsa · 4 years ago

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Top New Fantasy Books July 2020

The Book of Dragons: An Anthology by Jonathan Strahan

Type: Anthology Publisher: Harper Voyager Release date: July 7

Den of Geek says: I’m always looking for a good book about dragons, and this incredible list of authors promises adventurous and unique stories. Anne Leckie, Zen Cho, Seanan Maguire, J.Y. Yang, Patricia A McKillip, Brooke Bolander … it’s an astounding, literary-flavored list of people qualified to write cool creatures.

Publisher’s summary: Here there be dragons . . .

From China to Europe, Africa to North America, dragons have long captured our imagination in myth and legend. Whether they are rampaging beasts awaiting a brave hero to slay or benevolent sages who have much to teach humanity, dragons are intrinsically connected to stories of creation, adventure, and struggle beloved for generations.

Bringing together nearly thirty stories and poems from some of the greatest science fiction and fantasy writers working today— Garth Nix, Scott Lynch, R.F. Kuang, Ann Leckie & Rachel Swirsky, Daniel Abraham, Peter S. Beagle, Beth Cato, Zen Cho, C. S. E Cooney, Aliette de Bodard, Amal El-Mohtar, Kate Elliott, Theodora Goss, Ellen Klages, Ken Liu, Seanan Maguire, Patricia A McKillip, K. J. Parker, Kelly Robson, Michael Swanwick, Jo Walton, Elle Katharine White, Jane Yolen, Kelly Barnhill, Brooke Bolander, Sarah Gailey, and J. Y. Yang—and illustrated by award-nominated artist Rovina Cai with black-and-white line drawings specific to each entry throughout, this extraordinary collection vividly breathes fire and life into one of our most captivating and feared magical creatures as never before and is sure to become a treasured keepsake for fans of fantasy, science fiction, and fairy tales.

Buy The Book of Dragons by Jonathan Strahan on Amazon

Or What You Will by Joe Walton

Type: Novel Publisher: Tor Books Release date: July 7

Den of Geek says: Jo Walton is a writer’s writer, highly praised but still generally skating under the radar. I found her 2014 My Real Children to not nearly live up to its very high concept, but she’s one of those authors with technical prowess who is at least worth checking out for context for women’s science fiction. The metafiction plot sounds fun.

Publisher’s summary: He has been too many things to count. He has been a dragon with a boy on his back. He has been a scholar, a warrior, a lover, and a thief. He has been dream and dreamer. He has been a god.

But “he” is in fact nothing more than a spark of idea, a character in the mind of Sylvia Harrison, 73, award-winning author of thirty novels over forty years. He has played a part in most of those novels, and in the recesses of her mind, Sylvia has conversed with him for years.

But Sylvia won’t live forever, any more than any human does. And he’s trapped inside her cave of bone, her hollow of skull. When she dies, so will he.

Now Sylvia is starting a new novel, a fantasy for adult readers, set in Thalia, the Florence-resembling imaginary city that was the setting for a successful YA trilogy she published decades before. Of course he’s got a part in it. But he also has a notion. He thinks he knows how he and Sylvia can step off the wheel of mortality altogether. All he has to do is convince her.

Buy Or What You Will by Jo Walton on Amazon

The Adventure Zone: Petals to the Metal

Type: Graphic Novel Publisher: First Second Release date: July 14

Den of Geek says: The Adventure Zone is a wildly popular humorous fantasy podcast. It’s part of the big 2010s wave of Dungeons & Dragons coming back into the geek space. Especially for someone who might not want to listen to hundreds of episodes of a podcast, the illustrated version does a good job of smoothing out the story into a graphic novel format without removing the goofy chaos of the original podcast.

Publisher’s summary: START YOUR ENGINES, friends, Clint McElroy and sons Griffin, Justin, and Travis hit the road again with Taako, Magnus and Merle, the beloved agents of chaos from the #1 New York Times bestselling graphic novels illustrated by Carey Pietsch, The Adventure Zone: Here There Be Gerblins and The Adventure Zone: Murder on the Rockport Limited.

Our boys have gone full-time at the Bureau of Balance, and their next assignment is a real thorny one: apprehending The Raven, a master thief who’s tapped into the power of a Grand Relic to ransack the city of Goldcliff. Local life-saver Lieutenant Hurley pulls them out of the woods, only to throw them headlong into the world of battle wagon racing, Goldcliff’s favorite high-stakes low-legality sport and The Raven’s chosen battlefield. Will the boys and Hurley be able to reclaim the Relic and pull The Raven back from the brink, or will they get lost in the weeds?

Based on the beloved blockbuster podcast where three brothers and their dad play a tabletop RPG in real time, The Adventure Zone: Petals to the Metal has it all: blossoming new friendships, pining for outlaw lovers, and a rollicking race you can root for!

Buy The Adventure Zone: Petals to the Metal

The post Top New Fantasy Books in August 2020 appeared first on Den of Geek.

from Den of Geek https://ift.tt/30f7KEw

#aion-rsa #Den of Geek

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powells · 6 years ago

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City & the City by China Mieville

"We mourn the incomparable Ursula Le Guin, and it hurts. A writer of intense ethical seriousness and intelligence, of wit and fury, of radical politics, of subtlety, of freedom and yearning, Le Guin was a literary colossus." - C.M.

Roadside Picnic by Arkady and Boris Strugatsky

"Those who see science fiction simply as a way of writing novels welcome the more Tolstoyan approach, in which a war is described not only from the generals' point of view but also through the eyes of housewives, prisoners, boys of sixteen, or an alien visitation is described not only by knowledgeable scientists but also by its effects on commonplace people." - Ursula K. Le Guin

Strange Bird A Borne Story by Jeff Vandermeer

"I think the biggest thing I took away from her fiction, and her nonfiction, was the sharp thoughtfulness and humanity behind it all." — J.V.

At the Mouth of the River of Bees Stories by Kij Johnson

"It’s just as good as I thought it was going to be, if not better ... the variety is tremendous, exhilarating. The book definitely won’t do that short-story-collection thing to you where all the stories run together into a sort of depressing porridge in your mind." - Ursula K. Le Guin

Oryx & Crake by Margaret Atwood

"We can't call Ursula K. Le Guin back from the land of the unchanging stars, but happily she left us her multifaceted work, her hard-earned wisdom and her fundamental optimism. Her sane, smart, crafty and lyrical voice is more necessary now than ever. For it, and for her, we should be thankful." - M.A.

Binti by Nnedi Okorafor

"Ursula’s work holds a prominent place on the most cherished part of my bookcase." - N.O.

The Strange Case of the Alchemist’s Daughter by Theodora Goss

"There is one thing I wish I could have told her, although she probably knew: that she has hundreds of daughters. All those teenage girls who also found her books in local bookstores or libraries and grew up to become writers. She taught them that women could write about other planets and political philosophy, with clarity, profundity, and grace. She gave each of us a little bit of her voice, and we are all better writers and human beings because of it." - T.G.

The Ambiguity Machines & Other Stories by Vandana Singh

"A most promising and original young writer." - Ursula K. Le Guin

Autonomous by Annalee Newitz

"Ursula LeGuin was my first science fiction inspiration as a kid and she continued to inspire me throughout my adult life. Her stories are permanently installed in my mind." - A.N.

The Collapsing Empire by John Scalzi

"This was a subtle gift that Le Guin gave to a young person wanting to be a writer—the idea that there was more to writing fiction than ticking off plot points, that a rewarding story can be told without overt conflict, and that a world wide and deep can be its own reward, for those building the world and those who then walk through it." - J.S.

The Color of Magic by Terry Pratchett

"Whereas all my beloved P G Wodehouses and Philip Pullmans are neatly arranged on the bookshelves, my Pratchetts are strewn under the beds, in the bathrooms, the glove compartments. They have shopping lists, takeaway orders and Scrabble scores scribbled on the fly leaves. They were part of life." - Ursula K. Le Guin

Stranger Things Happen by Kelly Link

Kelly Link has been hailed by Michael Chabon as "the most darkly playful voice in American fiction" and by Neil Gaiman as a "National Treasure". If you don't already know Kelly's work, start here with her debut collection.

Blindness by Jose Saramago

"Blindness scared me to death when I started it, but it rises wonderfully out of darkness into the light." - Ursula K. Le Guin

Shadowshaper by Daniel Jose Older

"… a tremendous human being and storyteller who helped make fantasy a more imaginative and humane genre." - D.J.O.

Stardust by Neil Gaiman

"She is willing to change the landscape of your head with her ideas and there's such power in that. It is the power of … that things could be different." - N.G.

All the Birds in the Sky by Charlie Jane Anders

"She’s a cornerstone of speculative fiction, and so much of our best storytelling traces its roots back to her. The more I write, and the more I think about fictional politics and societies, the more I find myself in awe of her singular powers. Nobody else can ever equal Le Guin, but many of us will spend our whole careers striving to build on her incredible legacy." - C.J.A.

Little Big by John Crowley

"… a book that all by itself calls for a redefinition of fantasy …" - Ursula K. Le Guin

Spaceman of Bohemia by Jaroslav Kalfar

"And what a surprise it was to find as I grew up that the author of some of my favorite childhood fantasy novels was also a brilliant essayist, enlightened political commentator, a champion of feminism, and an activist for a more inclusive publishing industry. A true example of an artist who, both through her books and activism, changed the world for the better." - J.K.

To the Lighthouse by Virginia Woolf

"It inspires me with pity, with terror, with awe at the mystery of human destiny, and the mystery of the art that can, for a moment, illuminate it." - Ursula K. Le Guin

The Yiddish Policemen’s Union by Michael Chabon

"Of course if you haven't read Kavalier and Clay yet, go read it at once, what on earth have you been waiting for? Then read this. It is even a little crazier, maybe. Crazy like a genius." - Ursula K. Le Guin

Shades of Milk & Honey by Mary Robinette Kowal

"I think she did a lot for science fiction and fantasy—not just for women and women's roles because of her feminism but also legitimizing us as an art form. There are a lot of people who will read an Ursula Le Guin book and go, 'Well, this isn't science fiction, it's literature.' But of course, it is science fiction. A lot of times, she can be a gateway drug for people." - M.R.K.

The Paper Menagerie and Other Stories by Ken Liu

"More than anyone else, Le Guin showed me how to write SFF with an anthropological approach while interrogating the colonialist agenda and assumptions of the field itself. More than any writer of her stature, she constructed worlds in which I thought I could find and lose myself. I will miss her dearly." - K.L.

The Fifth Season (The Broken Earth #1) by N.K. Jemisin

“I’d definitely still be a writer if not for her, but I don’t think I’d be as good a writer. Le Guin is one of the writers who taught me that beauty and fearlessness go hand in hand." - N.K.J.

#ursula k le guin #powell's books

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allenmendezsr · 5 years ago

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That's Comedy! - The Net's #1 Joke Ebook

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netflixtheranch · 7 years ago

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kelligoss: Someone's got some explaining to do.. 🍼 10 new episodes of @theranchnetflix out TONIGHT!! Only on @netflix. #TheRanch

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artist-braque · 8 years ago

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Bruce Conner: It's All True

Artist Bruce Conner (1933–2008) moved to San Francisco in 1957 and quickly enmeshed himself in the Bay Area’s distinctive cultural milieu, combining a vision and a multifaceted body of work that went beyond the limitations of any genre. From early assemblages of the 1950s and 1960s to iconic and pioneering works in film, from photography and photograms to prints, drawings, and paintings, Conner’s oeuvre continues to exert tremendous influence on artists working today. This historic retrospective catalogue will be the definitive resource on this important artist for decades to come. Offering a highly anticipated contemporary perspective on Conner, it will prove revelatory in assessing his output and place in postwar art. Illustrated in full color throughout, this comprehensive volume provides access to a range of material that has never been published, including early paintings from the 1950s and works from the last decade of Conner’s life, along with a trove of fascinating ephemeral materials. The publication features original scholarship by a range of luminaries, including essays by Frieling, Garrels, Stuart Comer, Diedrich Diederichsen, Rachel Federman, and Laura Hoptman as well as contributions from Michelle Barger, Kevin Beasley, Dara Birnbaum, Carol Bove, Stan Brakhage, Will Brown, David Byrne, Johanna Gosse, Roger Griffith, Kellie Jones, Christian Marclay, Greil Marcus, Michael McClure, Megan Randall, Henry S. Rosenthal, Dean Smith, and Kristine Stiles.

View on Amazon

#hardcover #amazon #artbook

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johnpalisano · 8 years ago

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I hear you love science fiction. Well, me, too. Have you read Apex? I know, right? The covers are absolutely stunning. Agreed. The stories are always top notch. Have you heard about the promotion? It’s super cheap to subscribe and there’s some great stuff to be had now and in the future . . . so check out their Revive the Drive campaign.

I had an opportunity to speak with Managing Editor Lesley Conner about some interesting stories from the past, what they’re up to in the present and some exciting news about the near future.

What is the most memorable submission you’ve received, good or bad?

I don’t actually remember the story, but one time an author was incredibly insulting in their cover letter. The gist of it was that if we didn’t accept their story it was because we were discriminating against them and were too stupid to understand the genius of the story. According to them they had experienced everything in the story and had written it based off those experiences so clearly it was the best story ever. Somehow I feel this logic is flawed. We did not accept the story—1. Because it in fact was NOT the best story ever, and 2. Insulting the editors before they even have the chance to read your story doesn’t exactly make them clamor to work with you.

I’ve received lots of insulting letters after rejecting stories (even had someone threaten to sue me once), but this was the first time it happened prior to rejection.

What kinds of stories are you looking for that you don’t see enough of?

I’d love to see more dark SF. We get a lot of fantasy, magical realism, and straight up horror submissions, but the slush pile can be a little light on dark science fiction.

Do you think reader taste changes? Or are there certain stories they never seem to tire of?

I think it goes in cycles. For a while one type or style of story will be really, really popular and then at some point you hit a market saturation—readers can’t absorb one more zombie story or fairy tale retelling or whatever—so those types of stories fall away and something else moves up to take its place. Eventually those stories will come back around and readers will be ready for them again.

What was the day like when you first knew APEX was going to be your full time gig?

There wasn’t one day in particular where suddenly Apex was my full time gig. It was a gradual thing. I started by volunteering 5-10 hours a week, working on marketing and social media. As I learned more about editing and publishing, and as Jason Sizemore and I built a working relationship, I began taking on more and more responsibilities. Then in October of 2014 the opportunity came up for me to step into the managing editor role. Jason Sizemore had moved back into the editor-in-chief position and we already knew that we worked really well together, so it seemed like the next natural step. Best decision I’ve ever made.

What’s upcoming with APEX that you can’t wait to share with readers? Any teasers?

The slush pile has been especially amazing lately and we’ve snatched up some gems for futures issues. Stories by E. Catherine Tobler, Lavie Tidhar, and Rich Larson to name a few.

In addition to the fiction Jason Sizemore and I are lining up, Dr. Amy H. Sturgis is guest editing the August issue, focusing on Native American and First Nation authors. I’m really excited to see what she brings to Apex Magazine.

With the Revive the Drive campaign we are running right now, we’ve lined up amazing things for the January 2018 issue—original fiction by Tade Thompson, Delilah S. Dawson, Cherie Priest, and Jacqueline Carey, more nonfiction, and poetry! Pretty exciting stuff! Hopefully we reach all of our goals and unlock everything. If we do, the January 2018 issue will be epic!

Apex Magazine is a monthly science fiction, fantasy, and horror magazine featuring original, mind-bending short fiction from many of the top pros of the field. New issues are released the first Tuesday of every month.

http://www.apex-magazine.com

Details about the Apex magazine Revive the Drive campaign

http://www.apex-magazine.com/revive-the-drive-2017/

Apex Magazine is an online prose and poetry magazine of science fiction, fantasy, horror, and mash-ups of all three. Works full of marrow and passion, stories that are twisted, strange, and beautiful. Creations where secret places and dreams are put on display.

Each month we bring you a mix of originals and reprints, interspersed with interviews and nonfiction. We have published many of the top short form writers working today: Mary Robinette Kowal, Saladin Ahmed, Genevieve Valentine, Amal El-Mohtar, Forrest Aguirre, Nick Mamatas, Theodora Goss, Nalo Hopkinson, Lucy A. Snyder, Cat Rambo, Jeff VanderMeer, Seanan McGuire, and Jennifer Pelland. And we’ve also presented the first professional work of amazing new writers such as Indrapramit Das, T.J. Weyler, Alex Livingston, Ursula Vernon, Kathryn Weaver, Kelly Barnhill, Douglas F. Warrick, and Jeremy R. Butler.

Apex Magazine received a Best Semiprozine Hugo nomination in 2012,2013, and 2014. We placed two stories in the 2010 Nebula Award category of Best Short Story, and our stories won the category in 2014 (“If You Were a Dinosaur My Love” by Rachel Swirsky) and again in 2015 (“Jackalope Wives” by Ursula Vernon).

Each new issue is posted piecemeal throughout the month and placed on sale the first Tuesday of every month. Content can be read for free via the website. Alternatively, annual subscriptions are available and all our issues can be purchased in single issue formats (ePub/mobi/PDF or from the Kindle and Nook stores–these versions contain exclusive content such as classic reprints and novel excerpts).

We are reviving the subscription drive that was cut short in November. The new revived drive will run from March 27 to April 17th with a goal to raise $10,000!

Tier levels we will have to unlock during the drive will be:

$500 – Polls will open for readers to vote for the cutest/best Apex animal mascot: Pumpkin versus Oz! (Expect loads of adorable pics on social media as our editors try to sway you to vote for their pet!) Also, Jason and Lesley will make personal donations to the Humane Society

$1,000 – Apex will donate two short story critiques (one each from Jason and Lesley) to the ConOrBust auction, as well a membership to Imaginarium this October

$1,500 – Jason and Lesley’s It Follows debate goes live! Join our editors as they watch It Follows and live tweet the entire experience. If you’ve been following their conversations about the movie on Twitter, then you do not want to miss this!

$2,000 – an original short story by Tade Thompson in the January 2018 issue

$2,500 – add a poem to the January 2018 issue

$3,000 – add a reprint to the January 2018 issue

$3,500 – Andrea Johnson will conduct a video interview with Jason Sizemore, asking him questions submitted by our readers

$4,000 – add a a nonfiction essay to the January 2018 issue

$4,500 – add a second poem to the January 2018 issue

$5,000 – an original short story by Delilah S. Dawson in the January 2018 issue

$5,500 – podcast a second original story in the January 2018 issue

$6,000 – Apex donates a membership to ConFusion to ConOrBust

$6,500 – raise cover artist rates to $75

$7,000 – original artwork for all original fiction unlocked during the drive for the January 2018 issue

$7,500 – an original short story by Cherie Priest in the January 2018 issue

$8,000 – behind the scenes video with Jason

$8,500 – original artwork for all six stories in the January 2018 issue

$9,000 – a new print issue of Apex Magazine: SFFH #1

$9,500 – raise author rates to 7 cents per word

$10,000 – an original short story by Jacqueline Carey in the January 2018 issue

STRETCH GOAL!!! $15,000 – raise author rates to 8 cents per word and artist rates to $100!

Amazing, right!?! If we unlock everything for the double issue in January 2018, it is going to be phenomenal!!!

We are also collecting donated items from awesome people that you’ll be able to purchase during the drive to help us reach our goal.

Some of these donated items include:

story critiques from Jason Sizemore and Lesley Conner

flash fiction critiques from Anna Yeatts, editor at Flash Fiction Online

a query letter critique by literary agents Laura Zats and Eric Hane of Print Run podcast

signed prints of cover art from issues 80, 83, and 86

signed books by John Scalzi

signed books by Brian Keene

signed copy of The Crow God’s Girl by Patrice Sarath

signed copy of The Buried Life by Carrie Patel

signed copy of Last Call at the Nightshade Lounge by Paul Krueger

a handwritten poem by Brandy Schwan

cool collectors pieces by Justin Stewart

hats crocheted by Janet Harriett

coffee from Nate’s Coffee

Gamut/Apex Magazine subscription bundles

Shimmer/Apex Magazine subscription bundles

Flash Fiction Online/Apex Magazine subscription bundles

Personalized postcards from Lesley Conner for everyone who donates at least $5

APEX magazine Revive the Drive! I hear you love science fiction. Well, me, too. Have you read Apex? I know, right? The covers are absolutely stunning.

#books #creativity #entertainment #literature #science fiction #word #writing

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cruella2021-stream-hd · 3 years ago

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aion-rsa · 4 years ago

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Winter 2021 TV Preview

https://ift.tt/3oETRt7

Every New Year’s celebration comes along with some excitement, pomp, and circumstance, but rarely has the countdown from 10 felt more urgent in the waning seconds of 2020. Yes, 2020 is just a number and yes, time is just an abstract concept created to explain celestial bodies moving around one another. But darn it all, it still feels great to see “2021” at the top of this article.

2021 will hopefully come along with some good news (though admittedly early signs aren’t looking great on that front). At the very least, however, it should come along with some interesting TV options. Due to COVID-19 production delays, there perhaps aren’t as many confirmed release dates for early 2021 as we’ve seen in years’ past. Still, there are plenty of exciting new and returning TV shows to keep you occupied throughout the chilly season.

Winter 2021 is when Marvel makes its triumphant return to television. The official MCU canon gets started with WandaVision in January before continuing on with The Falcon and the Winter Soldier in March. The newly-branded CWverse will make its debut this season with Javica Leslie’s Ryan Wilder taking up the mantle of Batwoman. And that’s not even to mention other genre options like Netflix’s Fate: The Winx Saga or season 2 of TNT’s surprisingly good Snowpiercer.

What follows are all the new and returning shows in winter 2021 that we’re excited about. You can also check out a list of our most anticipated returning British series here and new British series here.

Prodigal Son Season 2

Jan. 12 on Fox

Audiences were captivated by a shocking season 1 finale for Fox’s crime thriller Prodigal Son, and season 2 will continue the story of police profiler Malcolm Bright (Tom Payne), and his notorious serial killer father Martin Whitly (Michael Sheen). Malcolm’s sister Ainsley (Halston Sage) has gone from intrepid reporter to protector of family secrets by following her father’s deadly instructions.

With Malcolm’s life in disarray as a result, Prodigal Son season 2 will find him protecting his mother Jessica (Bellamy Young) from a secret that could tear the family apart even worse than before. Martin, meanwhile, is determined to strengthen the growing bond between him and his “prodigal son,” and the relationship is bound to produce more twists and revelations when the show returns on Jan. 12, 2021. – Michael Ahr

Superstore Season 6

Jan. 14 on NBC

Superstore will be taking a bow with its current sixth and final season, but there’s a big status quo change that will add plenty of drama to its final episodes. Jonah (Ben Feldman) will have to find out how to move on from Amy (America Ferrera) after her exit from the series less than three months ago.

So far we know that Jonah’s ex Kelly (Kelly Stables) has returned to the Ozark Highlands store. Also, there are rumors that though Superstore is coming to an end, characters Bo and Cheyenne could be getting their own spinoff. Perhaps we see some sort of backdoor pilot? Superstore will air 11 more episodes before concluding in the spring. – Nick Harley

Search Party Season 4

Jan. 14 on HBO Max

In addition to being a great TV show in general, Search Party belongs on a short list of the best “well…how did we end up here?” entertainment properties. This dark comedy from Sarah-Violet Bliss, Charles Rogers, and Michael Showalter began with one young millennial’s decision to go looking for a missing acquaintance. Somehow that led to no fewer than two murders and the trial of the social media century. For its fourth season, Search Party will up the ante yet again.

Search Party Season 4 Review (Spoiler-Free)

By Daniel Kurland

Cassidy Diamond is Search Party Season 3’s Vocal Fry Queen

By Alec Bojalad

As evidenced by the end of season 3, Dory Sief (Alia Shawkat) finds herself kidnapped and held by her stalker (Cole Escola). While Dory is missing, her friends Elliot Goss (John Early), Portia Davenport (Meredith Hagner), and Drew Gardner (John Reynolds) try to move on with their lives before deciding to make the name of the show make sense again. Search Party proved to be a modest cult hit when it originally aired its first two seasons on TBS. That was enough to get seasons 3 and 4 to HBO Max, where hopefully it will confuse and delight audiences for years to come. – Alec Bojalad

WandaVision

Jan. 15 on Disney+

Give it up for Marvel Cinematic Universe’s wackiest installment yet. Partially filmed in front of a live audience, this nine-episode TV series centered around Wanda Maximoff, aka Scarlet Witch (Elizabeth Olsen) and The Vision (Paul Bettany), is poised to herald in the new, Disney+ era of MCU.

While showrunner Jac Schaeffer has kept mum on the exact details of the plot, trailers tease a trip down TV sitcom memory lane that appears to be some kind of collective (forgive us) vision shared by Wanda, her late boyfriend android Vision, and others. We’ll have to wait to find out if it is a reality created by the uber powerful Wanda herself, driven by her grief over Vision’s Infinity War death, or if there is another force at play here. Whatever the answer, WandaVision looks to be a wild ride. – Kayti Burt

Disenchantment Season 3

Jan. 15 on Netflix

While Matt Groening is best known for a certain animated on Fox series that’s run for…a few seasons, to some he will always be known as the mastermind behind beloved cult animated hit Futurama. And it’s that series that fans hoped for more of with the announcement of the fantasy kingdom set Disenchantment for Netflix. Through two seasons, Disenchantment hasn’t reached Futurama’s heights yet (because really: what could?) but it has delivered on the promise of exciting, serialized storytelling in a wacky animated world.

Disenchantment season 3 is set to open up the show’s storytelling even more. The end of season 2 (or Part Two, per Netflix) finds Bean (Abbi Jacobson), Luci (Eric Andre), and Elfo (Nat Faxon) trapped in a catacomb surrounded by “Trogs” and Bean’s villainous mother Queen Dagmar. Season 3 trailers reveal that Bean and the gang won’t spend much time here, however, and will instead eventually make it to the previously hinted-at steampunk world known as Steamland. With the show transitioning from magic to science only three seasons in, perhaps it’s not much longer before we get a proper Futurama crossover. – AB

Servant Season 2

Jan. 15 on Apple TV+

The premise of Servant’s first season was a simple yet unnerving one. The M. Night Shyamalan-produced Apple TV+ series found two parents, Dorothy (Lauren Ambrose) and Sean Turner (Toby Kebbell), dealing with the death of their son by caring for a “reborn” doll named Jericho. The doll was creepy enough to begin with but made creepier by the Turners bringing a young nanny named Leanne (Nell Tiger Free) aboard who immediately accepts the doll as a real child without questions. And that was all just the setup for a show that absolutely wasn’t satisfied to let weird enough alone.

Season 2 finds Leanne on the run with Jericho and also perhaps with a cult? I don’t know, Servant really is a lot. The real question, however, is what kind of meals Sean will be preparing this year. As a professional chef, the character was always known for cooking up something truly delicious (and usually gruesome) in his expansive Philadelphia home kitchen. Hopefully he still has enough time to cook with all the missing baby and cult stuff. – AB

Batwoman Season 2

Jan. 17 on The CW

Batwoman is gone; long live Batwoman. Ruby Rose’s Kate Kane is out of the picture, but Javicia Leslie’s Ryan Wilder is here to put her own spin on the black and red suit. We’ve seen the first two episodes of season 2, and we can’t wait for more! The series makes room for Kate’s loved ones, Gotham, and the audience, to mourn her, while Ryan quickly establishes her own origin story and relationship to all our favorite returning characters, who have very different reactions to her presence.

Like Kate before her, Ryan opens up the world of superheroics to new communities. Oh and that villain Safiyah they teased all last season, who even makes Alice scared? Buckle up because she’s coming to Gotham and she’s not messing around. – Delia Harrington

All American Season 3

Jan. 18 on The CW

This CW sports drama breakout returns for a third season with a whole new set of problems for Spencer James, who returned to his former school, South Crenshaw, at the end of Season 2 in order to keep it from becoming a magnet school. From the looks of the Season 3 trailer, Spencer continues to be caught between two worlds; his former teammates at Beverly Hills High can’t get past the color of his jersey.

Meanwhile, Coach Baker’s own transition to South Crenshaw is anything but smooth, as he has to deal with a hostile school principal who has raised the required GPA for student athletes. Additionally, All American plans to explicitly integrate th Black Lives Matter protest in Season 3, promising another season that is as relevant as it is dramatically addicting. – KB

Riverdale Season 5

Jan. 20 on The CW

Riverdale’s fifth season will open with the prom, finishing up the season four stories that were cut off early due to COVID-19, with the trailer teasing eerie violence, plenty of twists, and a possible Barchie hookup. Then the show will fast-forward seven years to show the gang in their mid-twenties AKA at their actual ages. The main cast is returning, with Riverdale parents Skeet Ulrich (FP Jones) and Marisol Nichols (Hermione Lodge) leaving the show.

Riverdale has cast Veronica’s husband and he’s not played by KJ Apa or his secret twin, so we’re going to need some serious explanation about what happened to Varchie – and why, if they broke up, it wasn’t so Beronica could finally get together. Vanessa Morgan’s IRL pregnancy will be incorporated into Toni Topaz’s storyline – hopefully that means a gayby for Choni! Whatever comes next, it will definitely be bonkers-drama, stylized as hell, and at least 75% murder-y. – DH

Nancy Drew Season 2

Jan. 20 on The CW

If you skipped Nancy Drew last year because you think there are too many reboots and remakes, take this as an opportunity to correct your error! Part Veronica Mars, part ghost story, and actually as cool as Riverdale hopes to be, this refresh of the beloved books is a take on high-stakes small town crime, the haves vs the have-nots, and every conceivable legend involving a sea witch that fictional Horseshoe Bay, Maine has to offer.

How Nancy Drew Succeeds as an Adaptation Where The Hardy Boys Fails

By Lacy Baugher

How Nancy Drew Has Reinvigorated the Dark Young Adult Drama

By Lacy Baugher

This season Nancy and friends are left to deal with many cliffhangers – including visions of their own deaths! Season 2 promises more of Nancy dealing with learning who her real parents are and the mysterious and deadly Aglaeca and its connection to the Marvin family. – DH

Walker

Jan. 21 on The CW

The CW is rebooting the 90s television hit Walker, Texas Ranger for a new action series titled simply Walker, premiering January 21, 2021. Jared Padalecki takes on the titular role in his first outing after wrapping up 15 years on the network’s juggernaut series Supernatural. Texas Ranger Cordell Walker is haunted by the death of his wife Emily (guest star Genevieve Padalecki) as he returns to Austin after two years undercover.

Much of the drama centers on Emily’s suspicious killing, but Walker also must reconnect with his creative and thoughtful son August (Kale Culley) and his headstrong daughter Stella (Violet Brinson) while navigating clashes with his parents and brother. He also finds unexpected common ground with his new partner Micki Ramirez (Lindsey Morgan), one of the first women in Texas Rangers’ history. – MA

Jurassic World Camp Cretaceous Season 2

Jan. 22 on Netflix

Netflix and Dreamworks Animation’s Jurassic World Camp Cretaceous really could have been a phoned-in effort. The formula to success on such a series would appear to be: get the coveted Jurassic World license, animate some dinosaurs, throw the product out there, and profit. It’s to the show’s credit, however, that it sought to be a much more entertaining and enriching experience in its first season than mere IP mining.

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Season 2 of the show will find the lead children outside the friendly confines of Camp Cretaceous but still trapped on Isla Nublar and looking for a way out. Camp Cretaceous excelled in creating an intense, yet still family-friendly narrative in season 1 and season 2 seems poised to do the very same. – AB

The Blacklist Season 8

Jan. 22 on NBC

When The Blacklist returns for the remainder of its eighth season on NBC, expect the already rapid pace to be increased. “The next season, season eight, starts in a much more heightened and dramatic place than normal seasons do,” writer and producer John Eisendrath told Cinemablend. “We are gonna tell the story that we were unable to tell at the end of last season.”

The latest season continues the ongoing saga of enigmatic antihero “Concierge of Crime,” Raymond Reddington (James Spader), the world’s most-wanted criminal who – unbeknownst to the general public – enjoys an immunity deal with the F.B.I. in exchange for leads about his vast array of criminal contacts (the titular blacklist), frequently shadowed by special agent Elizabeth Keen (Megan Boone), who, as revealed later in the series, happens to be the daughter he conceived with a deadly Russian spy. – NH

Fate: The Winx Saga

Jan. 22 on Netflix

Netflix has taken on the daunting task of adapting Winx Club, a beloved Nickelodeon animated series, into a live action teen fantasy series called Fate: The Winx Saga, which drops its six hour-long episodes on Jan. 22, 2021. The story follows Bloom (Abigail Cowen) as she adjusts to life as a fairy at Alfea College, a magical boarding school in the Otherworld, where she must learn to control her dangerous powers.

The live action series promises to be darker and edgier than its predecessor as the fairies fight the Burned Ones, but Fate: The Winx Saga hopes to capitalize on the original’s iconic set of strong female characters to build an equally addictive genre series. The male specialists from the animated series will also be on hand, including Bloom’s love interest, Sky (Danny Griffin). – MA

Charmed Season 3

Jan. 24 on The CW

Like many a network TV show, Charmed was forced to cut its second season short due to the COVID-19 pandemic, which left a lot of plot threads hanging—the biggest, a brewing battle against the Faction. Season 3 promises to see that power struggle through, with Macy, Mel, and Maggie jonseing for a fight in the trailer.

“I’m afraid not even the Charmed Ones can survive the death of all magic,” we hear someone voiceover in the sneak peek. If you’ve given this reboot a pass because you’re loyal to the original, now’s the time to reconsider. This show is forging its own path, and it’s filled with supernatural delights. – KB

Snowpiercer Season 2

Jan. 25 on TNT

The original 2013 film Snowpiercer has gone down in history for two main reasons. First of all, it’s another superb entry into the film canon of director Bong Joon-ho, who would go on to strike Oscar gold with Parasite. Secondly, it’s the movie where Chris Evans earnestly delivers a line about eating delicious babies. Beyond even those two heavily memeable factors, however, Snowpiercer is a great, exciting, and class-conscious movie.

The real surprise about the film Snowpiercer, however, is that the TV series it inspired is also pretty good! After some behind the scenes difficulties and a slow start, Snowpiercer chugged right along in its first season to become one of the more interesting cable TV dramas on television. Season 2 is set to become only more intriguing with the addition of Sean Bean as the elusive Mr. Wilford and with the train quite literally coming off the tracks. – AB

Resident Alien

Jan. 27 on Syfy

Sometimes a title is so good and so of its moment that the powers-that-be have no choice but to make a TV show out of it. Such is the case with Syfy’s Resident Alien. “Resident alien” is, of course, a (rather outdated) term for an individual residing in a country without having yet achieved citizenship. It also brings to mind the concept of actual outer space aliens. Resident Alien, based on the comic of the same name by Peter Hogan and Steve Parkhouse, takes that latter concept and just runs with it.

Syfy’s adaptation will star Alan Tudyk as the titular resident alien, Captain Hah Re/Dr. Harry Vanderspiegle. After “Harry” crash lands in a small Colorado town, he must go undercover as a doctor, while also…solving a murder mystery? This all sounds like a fascinating mashup of genres with a satisfying arc at its center. Also Linda Hamilton is involved, so that’s pretty rad. – AB

Firefly Lane

Feb. 3 on Netflix

Veteran actresses and former TV doctors Katherine Heigl (Grey’s Anatomy) and Sarah Chalke (Scrubs) are coming together for a new take on a decades-spanning dramedy a la This is Us for Netflix. An adaption of the bestselling novel by author Kristin Hannah, Firefly Lane finds the pair set on teaching audiences that “the greatest love story of all can be between friends.”

With a story spanning 30-years, the pair of friends experience tragedy, triumphs, love triangles, and all of the tear-jerker, life-affirming moments one can hope for. Ali Skovbye (When Calls the Heart) and Roan Curtis (The Magicians) will portray younger versions of Heigel and Chalke, respectively, and the rest of the cast is rounded out by Ben Lawson (Designated Survivor), Yael Yurman (The Man in the High Castle) and Beau Garrett (Girlfriends’ Guide to Divorce). The 10-episode series hits Netflix on February 3. – NH

The Equalizer

Feb. 7 on CBS

After successful big-screen adaptations with Denzel Washington, The Equalizer is back on television this winter, this time with Queen Latifah stepping into the role as the titular protector. Latifah stars as Robyn McCall, an underground vigilante who is the crime fighter you call when you can’t dial 911.

Balancing being a mother with helping the defenseless by any means necessary, McCall must evade those that seek to harm her as well as Chris Noth’s CIA Agent William Bishop. The series also stars Lorraine Toussaint (Orange is the New Black), Tory Kittles (Colony). and Adama Goldberg (Taken, Fargo). The reimagining premieres on CBS on Feb. 7 after the Super Bowl. – NH

Black Lightning Season 4

Feb. 8 on The CW

Black Lightning’s fourth and final season will pick up where its many season three storylines left off. Jefferson Pierce and his family are still fighting to keep what’s left of Freeland safe. Following congressional approval for a boarding school for metahumans last season, expect to see Dr. Stewart working on that, and it’s hard to imagine Jefferson not being involved as well.

Nafessa Williams and China Anne McClain return as Thunder and Lightning, although we’ll be seeing a bit less of Jennifer as McClain had already decided to leave the show after this season before it was announced as the final one for the show. There’s a Painkiller spinoff in development, so expect a backdoor pilot. Crime boss Tobias Whale is still at large and Gravedigger is still out there, and Jefferson no longer has Billy Henderson to have his back, so things might get a little rough. – DH

Clarice

Feb. 11 on CBS

How do you make a show centered on Clarice Starling, author Thomas Harris’ FBI agent trainee popularized on-screen by Jodie Foster in Jonathan Demme’s Silence of the Lambs, without her most famous adversary Hannibal Lecter? Well, CBS is going to try. Rebecca Breeds stars as the titular agent in this sequel series, which finds Starling heading back to her native West Virginia to work a case while her mind is still preoccupied by her experiences hunting Buffalo Bill.

The series will also feature Starling’s FBI colleague Ardelia Mapp, played by Devyn Tyler, and kidnapping survivor Catherine Martin, played by Marnee Carpenter. Speaking with Entertainment Weekly, executive producer Jenny Lumet said, “She came face to face with the worst of what we have and the worst of what we are, and lived through it. If you imagine a puzzle box of puzzle pieces all thrown up into the air – that was the experience that she had with [serial killer] Buffalo Bill.” Unfortunately due to legal reasons, the series cannot mention Lecter, which should be an interesting hurdle, but will explore the shared trauma between Martin and Starling. – NH

Tribes of Europa

Feb. 19 on Netflix

German science fiction captured Netflix viewers’ hearts with the time travel series, Dark, and now the post-apocalyptic Tribes of Europa hopes to do the same when it drops its six-episode season on February 19, 2021. The series follows warring factions in the harsh future of 2074 who discover a crashed ship containing a powerful, cube-shaped artifact.

Three siblings Kiano (Emilio Sakraya), Liv (Henriette Confurius), and Elja (David Ali Rashed) get caught in the middle of the bloody war over the cube and are forced to forge their own paths. There’s also the question of what caused the apocalypse and what might be threatening humanity’s existence while the tribes fight amongst themselves. – MA

For All Mankind Season 2

Feb. 19 on Apple TV+

As with many an ongoing Apple TV+ show, many missed the first season of this science fiction drama from Battlestar Galactica’s Ronald D. Moore. And, as with many Apple TV+ shows (obligatory Dickinson shout out), it’s time to reconsider. For All Mankind is an alternate history exploring a world in which the Soviet Union made it to the Moon first, and the global space race never ended.

Joel Kinnaman stars as astronaut Edward Baldwin, but this drama isn’t all white dudes in space. The Soviet Union’s emphasis on diversity in its space program has forced America to do the same, training women and other minorities for space exploration in a way that didn’t happen in our reality. A fascinating blend of real-life history and an imagined path, For All Mankind is a worthwhile watch for any sci-fi nerds out there and, with a Season 3 already greenlit by Apple, holds the promise of more narrative to come. – KB

The Flash Season 7

Feb. 23 on The CW

In a post-Arrow world, it’s up to The Flash to bear the standard of the Arrowverse. Err Berlantiverse. Scratch that, CWverse, apparently. And it will do that with the speedforce destroyed, Barry Allen losing his speed, and Iris trapped in the Mirrorverse. Season 7 will pick up with Team Flash at an all-time low, with Cait MIA and Mirror Mistress Eva McCulloch victorious.

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Of course one person won’t be returning. Hartley Sawyer, who plays Ralph Dibny AKA Elongated Man, was fired for his racist and sexist tweets back in August, what feels like a solid five years ago. Joe West’s story arc will be inspired by, “the societal changes happening in today’s world,” which sounds like a euphemism for systemic racism, white supremacy, and police brutality, a weightier topic that veteran actor Jesse L. Martin would do an excellent job handling. – DH

Superman & Lois

Feb. 23 on The CW

The CWverse is at a real crossroads. With Arrow done, The Flash past its prime, and Supergirl and Black Lightning nearing their ends, DC TV’s hold over small screen storytelling is loosening. Superman & Lois, as well as a new-hero-driven second season of Batwoman, are looking to change the direction of that momentum. The former is betting on a different screen adaptation of Superman than we’ve seen in recent years: Superman as a parent.

Superman & Lois is looking to tell a small town story, one led by title characters who are firmly into adulthood and have some very relatable problems—namely, the complicated pressures of raising their two teenage sons while also working. In a time when many parents are feeling the immense weight of childrearing more than ever, Superman & Lois may just end up being one of the most cathartic shows of 2021. – KB

The Walking Dead Season 10B

Feb. 28 on AMC

Wait a minute, didn’t The Walking Dead season 10 finale already premiere a few months ago? Indeed it did. The Walking Dead concluded its 10th and now penultimate season with “A Certain Doom” on Oct. 4, 2020. Due to a major delay in airing said episode because of the coronavirus pandemic, however, AMC decided to go ahead and reward loyal viewers with some extra season 10 episodes.

The Walking Dead season “10B” will consist of six loosely-connected installments that each follow different characters and will help bridge the gap to the show’s 11th and final season. In order, the episodes will be “Home Sweet Home” (Maggie-centric), “Find Me” (Daryl and Carol), “One More” (Gabriel and Aaron), “Splinter” (Eugene, Ezekiel, Yumiko, and Princess), “Diverged” (Daryl and Carol again), and “Here’s Negan” (Guess who). While this extra half-season clearly exists in part to milk AMC’s zombie cash cow as it nears the end of its life, the storytelling possibilities under capable showrunner Angela Kang are undeniably intriguing. – AB

The Falcon and the Winter Soldier

March 19 on Disney+

One of several Marvel TV offerings coming to Disney+ this winter is The Falcon and the Winter Soldier, which got pushed from its original August 2020 release date to March 19, 2021. The miniseries picks up after the events of Avengers: Endgame as Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan) team up for a global adventure that will apparently test their abilities and their patience.

Daniel Bruhl will reprise his role as Helmut Zemo, the Sokovian citizen turned terrorist mastermind who, in Captain America: Civil War, engineered the rift between Tony Stark and Steve Rogers. Emily Van Camp also jumps from that film to The Falcon and the Winter Soldier as SHIELD Agent Sharon Carter, grandniece of SHIELD founder Peggy Carter. Wyatt Russell will play John Walker, better known to Marvel fans as USAgent. – MA

Solar Opposites Season 2

March 26 on Hulu

Through four seasons Justin Roiland and Dan Harmon’s Rick and Morty has proven itself to be one of the most exciting and narratively complex animated series around. So folks could be forgiven for assuming that Roiland’s next animated effort, alongside Rick and Morty writer Mike McMahan, would be all but an equally brainy carbon copy. But while Solar Opposites has the same animation style and intergalactic environs as Rick and Morty, season 1 proved that this was a hilarious beast all its own.

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Solar Opposites is essentially Roiland’s version of a wacky neighborhood sitcom. The neighbors at the show’s center just happen to be outer space aliens technically charged with overtaking the citizens of Earth (they swear they’ll get around to it eventually but don’t seem too motivated). Season 2, which was ordered at the same time as season 1, will continue the Earthbound adventures of Terry (Roiland), Korvo (Thomas Middleditch), and their two “replicants” Yumyulack (Sean Giambrone) and Jesse (Mary Mack). Solar Opposites was not afraid of some serialized storytelling in its first season, and who’s to say we won’t get another background story as epic as The Wall saga. – AB

Shadow and Bone

April on Netflix

Netflix has experienced quite a bit of success when it comes to bringing fantasy adaptations to its servers. Shows like The Witcher, Cursed, and Chilling Adventures of Sabrina have all found success (to differing extents) on the service. It’s no mystery then why the streamer would go out and snag the rights to Leigh Bardugo’s Grisha trilogy.

The first novel in the trilogy, Shadow and Bone, lends its name to this live-action adaptation. Shadow and Bone is set in a world that’s divided in two by a massive barrier of perpetual darkness. When orphan Alina Starkov (Jessie Mei Li) discovers she harnesses a particular power, she gets to work trying to unite her country. The Grisha trilogy is well-known for its effective Russian-influenced imagery and is sure to be a production designer’s delight when it premieres in April. – AB

Loki

May on Disney+

The month of May is a bit late to be considered part of “winter” TV season, but depending on where you live in the world, it will probably still be snowing anyway. And plus, it’s not like we can turn down an opportunity to include the third, and in many ways, most intriguing, Marvel Disney+ series.

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By the time Loki rolls out in May, viewers will already have gotten a good idea of what Marvel’s Disney+ offerings are all about thanks to WandaVision and The Falcon and the Winter Soldier. Still, it seems as though Loki (like its titular character) will have plenty of tricks up its sleeve. Based on the bonkers first trailer, Loki (Tom Hiddleston) is primed to jump from the events of Avengers: Endgame right to the offices of the Time Variance Authority where he travels through events in human history…and also somehow becomes D.B. Cooper? Yeah, this is going to be wild. – AB

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