#original cast recording when

[mandyethmaximus]

[raavenb2619]

“Musical about a green magic girl who's totally alloaro, trust me, where are you going she's alloaro, I have a whole powerpoint presentation stop backing away from me I have proof she's alloaro just listen to me” - Things I tell my friends to try to get them to watch media I like

[arosebyan0thername]

If there are a million Reeve Carney as Orpheus fans in the world, I am one of them. If there are only two Reeve Carney as Orpheus fans in the world, I am one of them (Eva Noblezada is the other). If there are no Reeve Carney as Orpheus fans in the world, Eva Noblezada and I are dead 😔

[thegroundsofbrooklyn]

les mis enjoyers i have a question okay

[greeen-bean]

Times are getting hard, I need to get emotional about Next to Normal but cannot sit through listening to the original recording

[illdothehotvoice]

Words cannot express how little I actually care about Magia Record btw.

[woodfrogs]

one of the best things about a seeing a play or a musical in person is the little quirks and unique ways the actors play their characters and how even their appearance or voice can fully influence your perception of a character. unfortunately this is also one of the worst parts of seeing a play or a musical live

[davealgonquins]

“I love you beyond the limits that Love sets himself! I love, I love…”

[agentravensong]

post-hamlet thoughts

tl;dr my college did hamlet and i was in it and it was cool

first of all, in case i hadn't made this clear already, this was entirely student-produced. i mean, we got some money from the theater department, but people-wise, it was all students.

i've told the rest of the cast this time and time again, but they're so good. insanely dedicated and humbling in their talent.

our hamlet, horatio, ophelia, and laertes were all freshman, and they were all stellar. ophelia and laertes broke my heart every night in the second half with their anger and their sadness. horatio always brings top energy to scenes and had lots of funny moments (espec counting his doubling as the second gravedigger) but also made me feel things (we staged act 4 scene 6 as him alone on stage reading hamlet's letter to the audience and he killed it every time). and our hamlet was just incredible; a pleasure to act against as guildenstern and a pleasure to watch / listen to in their more emotional scenes.

and everyone else was great too! our polonius was always funny but also had genuine moments of connection with his kids; our cladius brought some great depth to the role (his take on the monologue in act 3 scene 3 was great) while still being despicable, especially in his manipulation of laertes; our gertrude brought our director's take on her to life impeccably; and, of course, i had a wonderful and hilarious partner in our rosencrantz :)

not to mention our quartet of players (who also filled out the other miscellaneous roles) who had a ton of great moments. shout-outs in particular to the guy who doubled as the first gravedigger and sang his sung lines as a sea shanty (honestly, i think he could have been a great guildenstern or rosencrantz in another universe).

the crew, of course, was also amazing. there were like 150 cues? my friend (the writer i mentioned in this post) did a fantastic job with the lights. the people behind the staging and makeup did just as well. and the costumes were so fun! everyone looked great; we had a consistent black-white-red-brown color palette that tied it all together. special shout-out to the player king wearing a white shirt with a black cape while cladius wore a zipped-up leather jacket and a white cape.

oh, and me and ros? we got fedoras :) i may share a photo later. maybe.

we did our show in the college black box theater (inside the fine arts building), which i do not currently have the brain cells to try and explain the layout of. it's a kind of weird space, but i think we made the most of it. for the majority of the show i was off stage left, meaning i was hanging out at the top of the stairs which serve as the main entrance and exit to the theater (sitting/standing where i couldn't be seen by the audience obv). you can't really see the stage at all from there but you sure can hear the actors, and by the time of the show that was (mostly) enough for me.

as far as how the actual shows went?

friday was our most engaged audience. their laughter was greatly appreciated in the early scenes ...slightly less so when everyone was dying in the final scene. i mean, i get it, people start dropping like flies and actually foaming at the mouth and spitting out (fake) blood; it's a lot. i applaud hamlet and horatio for staying in character through it. everyone did a great job that night; it was probably better than all our dress rehearsals as a whole.

saturday, at least from my pov, had kind of weird vibes at the start? i don't know how much of it was people getting to bed late the previous night, how much of it was overconfidence, and how much of it was people getting in their own heads, but it was our lowest energy show. the audience wasn't as audibly engaged either, but they did give us a big applause. i felt more good than bad about it by the end, for sure.

especially in retrospect, because, despite us having a smaller crowd at today's matinee, everyone was back on the ball. the ending in particular i think was the best we've ever done it. it was probably my best performance as well.

to be clear, i wouldn't rate any of our three shows below an 8 out of 10, for what that's worth. everyone gave so much to their performances; the funny bits were funny even when the audience didn't seem to think so, and i was always getting caught up in my feelings in the second act. you can't ask for much more than that.

now, here's a compilation of things from the production in no real order:

i already posted about this, but having the blood stains on stage where people die from the beginning of every show? *chef's kiss*

i'll also restate the thing i mentioned in the tags of that post: characters who were murderers had symbolic blood makeup after they killed someone. cladius had a bloody ear from the start of the show, the meaning of which becomes clear once you see the player king get poison poured in his ears; hamlet got blood on their face during intermission that's meant to be polonius's blood; and, arguably most significantly, gertrude had bloody handprints around her neck when she entered at the end of act 4, which, in addition to her hair and arms being dripping wet, is meant to suggest that the story she tells about ophelia's death is, in fact, a cover for something less accidental.

as mentioned above, our director's take on gertrude in general was, from my understanding, pretty different from the standard. to quote from his character spines, "you fundamentally want to prepare your son hamlet to be king; you are playing essentially a game of chess to do so." it was really compelling to see in action. the way she performed act 4 scene 7? chilling.

speaking of those character spines, the first line of horatio's is literally just, "You are in love with Hamlet." and boy howdy did that come through

prime example of that (other than just, all of his and hamlet's interactions, which were wonderful): when horatio finished reading the letter from hamlet, he sniffed it, in a very sweet and very not-platonic way

it was an unintentional running gag throughout the whole process that other cast members would forget between ros and me which character we were playing - to the point that every performance, when hamlet first greeted us, even though i would get to them first, they addressed me first, and it's written that they say my name first, they would call me rosencrantz and our ros guildenstern. ...someone should write a play about that.

i might have posted about this already, but in ros and i's first scene with hamlet, when the two of them start talking about child actors, hamlet made us sit in the thrones, and we would make moves to leave of varying boldness that they, of course, never let us follow through on. this then got basically repeated in act 3 scene 2 except that horatio got to join in on the fun of relentlessly mocking us

(the thing where hamlet handed me their copy of william shakespeare's complete works while they dud the "what is a man" mimi monologue got dropped at some point in the dress rehearsals, unfortunately. they did flip through it with the players though)

during the play within a play, polonius would keep falling asleep and ros and i would keep waking him up

(we also got to do some fun silent banter back in act 2 scene 2 while hamlet and the players were doing their thing)

then the bit after that with the recorders, aka guildenstern's defining moment, was just so fun. hamlet and horatio basically sandwiched ros and me between the two of them, and hamlet and i played off each other very well (at least imo), and though i couldn't see what horatio and ros were doing behind me i know that it got some good laughs. and i could tell every night that the scene landed despite the shakespearean language barrier, so i can't help but be satisfied.

my other best moment was when the king told me to go get polonius's body from the stairs and i got to slump and make a "do i have to?" face before my (final) exit. i managed to actually get some chuckles from that tonight, from the crowd that, again, laughed the least in general, and i can't put into words how euphoric i was to have that be my last moment playing guildenstern.

from the rest of the second half of the show, which i am not in, i will highlight a) the gravedigger eventually realizing after shoveling for minutes on end that he's been shoveling literally nothing (love me a good little fourth wall break) and b) when hamlet and laertes come to physical blows over ophelia, horatio, on his line, steps between them, draws laertes's sword, and takes a stance pointing it at laertes to hold him off, all in basically one glorious motion.

oh, and the ending, of course.

as i alluded to way earlier, we had fake blood and alka-seltzer tablets that the people who died in act 5 scene 2 used to great effect (particularly the people who died via poison)

speaking of that scene, the sword fight was very neat! well-choreographed and well-enacted. real foils btw

and the way hamlet and horatio performed the ending? more than anything, the way hamlet said "give me the cup; let go!" - that shit hurt, in the best way, every night. (and though hamlet died in the king's throne (with the king's crown on), horatio held / clung to them the whole damn time)

for a lighter final note: our polonius doubled as fortinbras and came on at the ending in this huge, heavy, vampire-ass cloak, accompanied by our director as the messenger from england who announces my and ros's death :)

thankfully, we did record our last dress rehearsal, so we do have a version of it that we'll get to watch back in the future. i won't be able to share it with any of y'all (we will apparently be in BIG trouble if we post it anywhere online) but it'll be nice to have for me.

funny thing that happened while i was typing this long-ass post out: i kept using present tense and then realizing i had to change it to past tense. and by "funny" here, i mean, uh... oof.

we never got a perfect run-through where no lines were skipped over, but, i mean, it's fucking hamlet. we did this shit in like a month and a half (with a week lost to spring break); it's more than impressive that the show turned out how it did. it was a group labor of love, and one of the best things i've ever gotten to be a part of.

and i miss it already.

...at least there's movie night on tuesday :)

[angelmotifs]

falsettos is good af has anyone else on here noticed this

[nerevar-quote-and-star]

*emerges from the crypt*

Hey guys. Long time no post 🥀 I started a class on quantitative reasoning back at the end of June and it has had my soul strung on a wire since. When I tell you I've been exhAUSTED TO THE POINT OF DESPAIR — I have. But I feel kinda better now. I still have one week to go, so wish me luck, but hopefully after that I'll be active again.

I'm sorry I've neglected y'all and the blog, but passing math has been my top most priority and sometimes we have to prioritize things we don't particularly like.

How's everyone been? Knowing my luck I've probably missed something hilariously scandalous on TESblr. 🤣

[minstr3lsong]

Dad went to put on the Les Mis soundtrack after thanksgiving dinner by using voice commands. Immediately, my siblings and I all jumped up to correct him before it could play the Incorrect One. But it’s okay. No need for panic. We managed to get the 1985 Original London Cast playing before there could be any bloodshed.

[nomaishuttle]

the two rules of sweeney todd cast recordjngs is 1. theyll never be better than 2012 london cast talk to the hand 2. theyll never be worse than 2005 broadway cast talk to the hand

[booktomoviebrawl]

Baking accident...

[rimouskis]

Tour Hermes omggggggg. I wonder if we got the same one; the guy I saw playing him had such intense Youth Pastor Energy that I couldn't take him seriously. :(

YEP THAT'S HIM. his voice was all over the place: alternately quiet and then LOUD AND BRASSY AND STYLISTIC. he would also occasionally enunciate words weirdly and idk about you but to meeeee that felt like a... bad quality in a narrator character ahahaha I was like BUDDY CHILL OUT, MY FAMILY HASN'T LISTENED TO THIS SOUNDTRACK BEFORE!! THEY NEED TO UNDERSTAND YOU TO UNDERSTAND THE PLOT!

I saw the understudy on Broadway and I didn't think of his performance as particularly standout in the way, that, say... andre de shields probably was, but I understood every word he said and he didn't distract from the story. The touring Hermes would be so catastrophically energized that it took away from the performance overall!!

Also I'm just a huge fan of intelligibility lol I have bad auditory processing skills and even as someone who has basically memorized the whole musical I had trouble understanding him sometimes. I think that's why the touring hades stood out to me so much: he had a lovely voice but almost more importantly: his singing was SO clear. you could understand every word that came out of his mouth.

[acadjonne]

a heartfelt “what the fuck” to the original broadway cast version of mr. mistoffelees for having the titular mr. mistoffelees joining in during the middle of the song, i thought this was tugger’s “simping for my magical boyfriend” song