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demonslayerscript · 3 months ago

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Episode 10 : Together Forever / 第十話『ずっと一緒にいる(Zutto Isshoni Iru)』

＊Green colored words are only in anime, not in original manga, and we usually call them “ani-ori(anime-original)".

矢琶羽「そろそろ死ね！」

Yahaba “Soro-soro shine!”

Yahaba “It’s about time for you to die!”

炭治郎（ねじれ!! 巻き取れ!! ねじれ渦・流流！）

Tanjiro (Nejire!! Maki-tore!! Nejire-Uzu, Ryu-Ryu!)

Tanjiro (Twist! Envelope! Twisting Whirlpool-Flowing Water!)

炭治郎（刀が重い!! だけど…弐ノ型・改、横水車!!）

Tanjiro (Katanaga omoi!! Dakedo… Nino Kata, Kai, Yoko-Mizu-Guruma!!)

Tanjiro (My sword’s so heavy! But… Second Form…Improved, Lateral Water Wheel!)

ーーーーー

炭治郎（やった…！水中でなければ威力の落ちる、ねじれ渦。向こうの攻撃のおかげで力が増して矢印を巻き取れた）

Tanjiro (Yatta…! Suichude nakereba iryokuno ochiru, Nejire-Uzu. Mukono kogekino okagede chikaraga mashite yajirushio maki-toreta.)

Tanjiro (I did it! The Whirlpool move loses force when it’s not underwater! But thanks to my opponent’s attack, it gained power, and I was able to envelope the arrows!”

矢琶羽「くっ。おのれ、おのれ、おのれ!! お前の頸さえ持ち帰れば、あの御方に認めていただけたの��！許さぬ、許さぬ、許さぬ、許さぬ！汚い土に儂の顔をつけおって！お前も道連れじゃ!!!」

Yahaba “Ku. Onore, onore, onore!! Omaeno kubi-sae mochi-kaereba, ano okatani mitomete itadaketa-noni! Yurusanu, yurusanu, yurusanu, yurusanu! Kitanai tsuchini washino kao’o tsuke-otte! Omaemo michi-zureja!!!”

Yahaba “Damn! Curse you! Curse you! Curse you! All I had to do was bring back your head, and I would’ve won his approval! I’ll never forgive you! I’ll never ever forgive you! Shoving my face into this vile dirt! You’re going down with me!”

炭治郎（しまった、相打ちだ!! 今まで喰らった矢印で、一番強い力で引かれる!! 次々に技を放って受け身を取らないと、体がグチャグチャだ!! 肆ノ型。打ち潮!!!）

Tanjiro (Shimatta, aiuchida!! Imamade kuratta yajirushide, ichiban tsuyoi chikarade hikareru!! Tsugi-tsugini wazao hanatte ukemio toranaito, karadaga gucha-guchada!! Shino Kata. Uchi-Shio!!!)

Tanjiro (Oh, no! He’s gonna get me! I’m getting pulled by a force stronger than the arrows he’s hit me with! I gotta unleash move after move and go on the defensive, or my body’s going to get smashed! Fourth Form, Striking Tide!)

炭治郎（体に圧がかかって…刀を振れない!! 出せ!! 技を出せ!! こんな所でやられるな!!）

Tanjiro (Karadani atsuga kakatte…katanao furenai!! Dase!! Wazao dase!! Konna tokorode yarareruna!!)

Tanjiro (The pressure is bearing down on my body, and I can’t swing my sword! Unleash one! Unleash a move! Not here! Don’t let yourself get beat!)

炭治郎（弐ノ型。水車!! うわあああっ！滝壺!! うわーっ、水面斬り!! 雫波紋突き!! ねじれ渦!!）

Tanjiro (Nino Kata. Mizu-Guruma!! Uwaaaa! Taki-Tsubo!! Uwā, Minamo-Giri!! Shizuku-Hamon-Zuki!! Nejire-Uzu!!)

Tanjiro (Second Form… Water Wheel! Waterfall Basin! Water Surface Slash! Drop Ripple Thrust-curve! Whirlpool!)

炭治郎（こんなに連続して技を出したことはない…!! 両腕が千切れそうだ）

Tanjiro (Konnani renzoku shite wazawo dashita kotowa nai…! Ryo-udega chigiresoda.”

Tanjiro (I’ve never made this many consecutive moves before! It feels like both my arms are about to get torn off!)

矢琶羽「まだまだ足りぬ。もっと…もっと苦しめ！」

Yahaba “Mada-mada tarinu. Motto…motto kurushime!”

Yahaba “Nowhere near enough! More… Suffer more!”

炭治郎（あと何回だ？あと何回…　考えるな!! 技を出し続けろ!! 出し続けろ!!）

Tanjiro (Ato nankaida? Ato Nankai… Kangae-runa!! Wazao dashi-tsuzukero! Dashi-tsuzukero!!)

Tanjiro (How many more times? How many? Don’t think about it! Just keep unleashing moves! Keep throwing them out!)

矢琶羽「まだだ…まだ…足りぬ…」

Yahaba “Madada…Mada…tarinu…”

Yahaba “Not yet! It’s still not enough yet!!”

炭治郎（禰豆子、珠世さん、愈史郎さん…！肋(あばら)と脚が折れた…だ…だめだ、疲労で刀を…握れない。早く行かなければ…鬼はまだいる）

Tanjiro (Nezuko, Tamayo-san, Yushiro-san…! Abarato ashiga oreta… Da, Dameda, hirode katanao nigire-nai. Hayaku ikana-kereba… Oniwa mada iru.)

Tanjiro (Nezuko… Miss Tamayo… Yushiro… I’ve got a broken rib and leg. N-No good! I’m too exhausted to grip my sward! I gotta get over there! There’s still one more demon!)

炭治郎（すぐ行く!! すぐ行くから…無事でいてくれ!! どうか無事で…!!）

Tanjiro (Sugu iku!! Sugu iku-kara… Bujide ite-kure!! Doka bujide…!!)

Tanjiro (I’ll be there soon! I’ll be there soon! So be safe, all right? Please…)

ーーーーー

朱紗丸「キャハハハハ！」

Susamaru “Kyahahahaha!”

愈史郎「バカが！直線的な攻撃なら、かわすなど造作もないわ！位置の特定もたやすい！」

Yushiro “Bakaga” “Chokusen-tekina kogeki-nara, kawasu-nado zosamo naiwa! Ichino tokuteimo tayasui!”

Yushiro “Ridiculous! It’s child’s play for me to evade a linear attack like this! Locating you is a breeze, as well!”

朱紗丸「それはこちらも同じことじゃ。いくら姿を消せようが…丸分かりじゃー！」

Susamaru “Sorewa kochiramo onaji kotoja. Ikura sugatao keseyoga…maru-wakarijā!”

Susamaru “The same goes for you! No matter how well you might conceal yourself, I can see you clear as day!”

朱紗丸「キャハハ！おもしろいのう」

Susamaru “Kyahaha! Omoshiroi-no.”

Susamaru “What fun this is!”

愈史郎「お前！死なないからって不用意に出てくるな！な、なんだ！何してんだ！来るぞ！」

Yushiro “Omae! Shinanai-karatte fuyoini dete-kuruna! Na, Nanda! Nani shitenda! Kuruzo!”

Yushiro “Hey you! Don’t be so rash just because you’re immortal! Wh-What’s wrong? What do you think you’re doing? Here it comes!”

朱紗丸「キャハハハ！」

Susamaru “Kyahahaha!”

愈史郎「あいつ…。珠世様」

Yushiro “Aitsu… Tamayo-sama.”

Yushiro　“Look at her. Lady Tamayo…”

朱紗丸「あっ。こっ、このガキ…このガキ!! 私の毬を蹴り返すようになってきたとは…生意気な！」

Susamaru “A, ko, kono gaki… Kono gaki!! Watashino mario keri-kaesu-yoni natte-kita-towa. Namaikina!)

Susamaru “You little brat! You little brat! So, now you can kick my temari back at me? How insolent!”

朱紗丸「うう…このガキ！」

Susamaru “Uu… Kono Gaki!!”

Susamaru “You damn brat!”

愈史郎「すごい…珠世様、これは…」

Yushiro “Sugoi… Tamayo-sama, korewa…”

Yushiro “Unbelievable. Lady Tamayo, is this…”

珠世「私が使った薬は、ただの回復薬です。鬼専用の…。体を強化する作用はない。禰豆子さん自身の力です。人の血肉も喰らわずに、彼女が自分の力で急速に強くなっている」

Tamayo “Watashiga tsukatta kusuriwa, tadano kaifuku-yaku desu. Oni-sen’yono… Karadao Kyoka suru sayowa nai. Nezuko-san jishinno chikara desu. Hitono chinikumo kurawazuni, kanojoga jibunno chikarade kyusokuni tsuyoku natte-iru.”

Tamayo “I used a healing serum on her. Nothing more. Made exclusively for demons. It doesn’t make one physically stronger. What we’re seeing is Nezuko’s own power. Without devouring human blood… Solely on her own… Nezuko is gaining strength at a rapid rate.”

珠世（しかし相手も強者。全力で潰しに来られたら、ひとたまりもない。私が何とかしなければ）

Tamayo (Shikashi aitemo tsuwa-mono. Zenryokude tsubushini korare-tara, hito-tamarimo nai. Watashiga nantoka shina-kereba.)

Tamayo (However, her opponent is also formidable. If she were to go all-out, Nezuko wouldn’t stand a chance. I’ve got to…do something.)

朱紗丸「ヒッ、ハハハ、面白い娘じゃ。今度はこちらも本気で相手をしてやる。いつまで持ちこたえられるかの」

Susamaru “Hi, Hahaha, omoshiroi musumeja. Kondowa kochiramo honkide aiteo shite-yaru. Itsumade mochi-kotae-rareru-kano?”

Susamaru “You’re an amusing little girl! This time, I’m going all-out against you! I wonder how long you can hold out!”

珠世「そこの十��鬼月のお嬢さん」

Tamayo “Sokono Ju-ni-Kizukino ojosan.”

Tamayo “Twelve Kizuki demon girl there.”

朱紗丸「邪魔だ。逃れ者は引っ込んでおれ」

Susamaru “Jamada. Nogare-monowa hikkonde-ore.”

Susamaru “You’re in my way! Step back, you damn fugitive!”

珠世「一つだけお聞かせください。あなたは鬼舞辻の正体をご存知なのですか？」

Tamayo “Hitotsu-dake okikase kudasai. Anatawa Kibutsujino shotaio gozonji nano-desuka?”

Tamayo “Just tell me one thing please. Are you aware of Kibutsuji’s true identity?”

朱紗丸「なっ…何を言う貴様!!」

Susamaru “Na…Nanio iu, Kisama!!”

Susamaru “What the hell did you say?”

珠世「あの男はただの臆病者です。いつも何かに怯えている」

Tamayo “Ano otokowa tadano okubyo-mono desu. Itsumo nanikani obiete-iru.”

Tamayo “That man is nothing but a coward. He lives in constant fear of something.”

朱紗丸「やめろ!! 貴様やめろ!!」

Susamaru “Yamero!! Kisama, yamero!!”

Susamaru “Stop it! Damn you! Stop it!”

珠世「鬼が群れることができない理由を知っていますか？鬼が共喰いする理由を。鬼たちが束になって、自分を襲ってくるのを防ぐためです。そのように操作されているのです、貴女方は」

Tamayo “Oniga mureru kotoga dekinai riyuo shitte-imasuka? Oniga tomo-gui suru riyuo. Oni-tachiga tabani natte, jibun’o osotte-kuruno’o fusegu tame desu. Sono-yoni sosa sarete-iruno-desu, anata-gatawa.”

Tamayo “Do you know why it is that demons can’t band together? The reason why demons cannibalize each other? It’s to prevent other demons from banding together and attacking him. He manipulates demons to act this way. Demons like you.”

朱紗丸「黙れ…黙れ、黙れ!! あのお方はそんな小物ではない!!」

Susamaru “Damare… Damare, damare!! Ano okatawa sonna komono-dewa nai!!”

Susamaru “Shut up! Shut up, shut up! No way is he that pretty!”

愈史郎（あっ…珠世様が術を使っている！）

Yushiro (A… Tamayo-samaga jutsuo tsukatte-iru!)

Yushiro (Lady Tamayo… is casting a spell.)

朱紗丸「あのお方の力はすさまじいのじゃ！誰よりも強い！鬼舞辻様は！あ…ああっ…」

Susamaru “Ano okatano chikarawa susamajii-noja! Dare-yorimo tsuyoi! Kibutsuji-samawa! A…Aa…”

Susamaru “The power he wields is mind-blowing! There’s no one stronger than him! Not Lord Kibutsuji!”

珠世「その名を口にしましたね。呪いが発動する…」

Tamayo “Sono nao kuchini shimashitane. Noroiga hatsudo suru…”

Tamayo “You’ve uttered that name out loud, haven’t you? That will trigger the curse.”

愈史郎（白日の魔香…脳の機能を低下させ、虚偽を述べたり秘密を守ることが不可能となる。すごい威力です、珠世様）

Yushiro (Hakujitsuno Mako… Nono kino’o teika-sase, kyogio nobetari himitsuo mamoru kotoga fukanoto naru. Sugoi iryoku desu, Tamayo-sama.)

Yushiro (Magical Aroma of Daylight. It weakens its target’s brain functions, rendering that person unable to lie or keep secrets. It’s immensely potent, Lady Tamayo!)

珠世「可哀想ですが…さようなら」

Tamayo “Kawaiso-desuga… Sayonara.”

Tamayo “I do feel sorry for you, but… farewell.”

朱紗丸「ああ…あーっ！お許しください！お許しください!! どうか！どうか許して！ああっ、うっ…」

Susamaru “Aa… Ā! Oyurushi kudasai! Oyurushi kudasai!! Doka! Doka yurushite! Aa, u…”

Susamaru “Please forgive me! I’m begging you! Please! Please forgive me!”

炭治郎「死んでしまったんですか？」

Tanjiro “Shinde shimattan-desuka?”

Tanjiro “Did she just die?”

珠世「間もなく死にます。これが‘呪い’です。体内に残留する鬼舞辻の細胞に肉体が破壊されること。基本的に、鬼同士の戦いは不毛です。意味がない…。致命傷を与えることができませんから、陽光と、鬼殺の剣士の刀以外は。ただ、鬼舞辻は鬼の細胞が破壊できるようです」

Tamayo “Mamo-naku shini-masu. Korega ‘noroi’ desu. Tainaini zanryu-suru Kibutsujino saiboni nikutaiga hakai sareru koto. Kihon-tekini, oni-doshino tatakaiwa fumo desu. Imiga nai… Chimei-sho’o ataeru kotoga deki-masen-kara. Yokoto, kisatsuno kenshino katana-igaiwa. Tada, Kibutsujiwa onino saiboga hakai dekiru-yodesu.”

Tamayo “She will die momentarily. That’s the curse. Her physical body will be destroyed by Kibutsuji’s cells still in her body. In general, battles between demons are futile. It’s pointless. Because they can’t inflict fatal wounds on each other. Only sunlight and the swords of the Demon Slayers can do so. Kibutsuji alone appears to be able to destroy demon cells.”

愈史郎「珠世様の術を吸い込むなよ。人体には害が出る。わかったか」

Yushiro “Tamayo-samano jutsuo suikomu-nayo. Jintai-niwa gaiga deru. Wakattaka.”

Yushiro “Don’t go inhaling Lady Tamayo’s spell! It’s harmful to the human body! You got that?”

炭治郎「う…うん」

Tanjiro “U…Un.”

珠世「炭治郎さん。この方は、十二鬼月ではありません。十二鬼月は、眼球に数字が刻まれていますが、この方には無い…。恐らくもう一方も十二鬼月ではないでしょう。弱すぎる」

Tamayo “Tanjiro-san. Kono katawa, Juni-Kizuki dewa arimasen. Juni-Kizukiwa, gankyuni sujiga kizamarete imasuga, kono kata-niwa nai… Osoraku mo ippomo Juni-Kizuki-dewa naidesho. Yowa-sugiru.”

Tamayo “Tanjiro… She is not one of the Twelve Kizuki. The Twelve Kizuki have numbers engraved on their eyeballs, but this demon doesn’t have one. Most likely, the other demon isn’t a member of the Twelve Kizuki, either. They’re too weak.”

炭治郎「えっ？弱すぎる…?! あれで?!」

Tanjiro “E? Yowa-sugiru…?! Arede?!”

Tanjiro “Too weak? At that level?”

愈史郎「珠世様がおっしゃるのだから、間違いない。しかし、頭の悪い鬼もいたもんだな。珠世様の御体を傷つけたんだ、当然の報いだが」

Yushiro “Tamayo-samaga ossharuno-dakara, machigai nai. Shikashi, atamano warui onimo ita-mondana. Tamayo-samano okaradao kizu-tsuketanda. Tozenno mukui-daga.”

Yushiro “If Lady Tamayo says so, there’s no mistake. Still, who knew there were such stupid demons? She physically injured Lady Tamayo. She got exactly what she deserved.”

珠世「この血が、治療薬を作るための手がかりになると良いのですが。私は、禰豆子さんを診ます。薬を使ったうえに術も吸わせてしまったので、ごめんなさいね」

Tamayo “Kono chiga, chiryo-yakuo tsukuru tameno tegakarini naruto yoino-desuga. Watashiwa, Nezuko-san’o mimasu. Kusurio tsukatta ueni jutsumo suwasete shimatta-node, gomen-nasaine.”

Tamayo “I hope this blood will be instrumental in developing the healing serum. I’m going to take care of Nezuko. Not only did I medicate her, she also inhaled my spell inadvertently. I’m so sorry.”

愈史郎「あっ、お前はそのままじっとしてろ！あとは知らん。俺は珠世様から離れたくない。少しも!!」

Yushiro “A, omaewa sono-mama jitto shitero! Atowa shiran. Orewa Tamayo-sama-kara hanare-taku-nai. Sukoshimo!!”

Yushiro “Don’t move a muscle! You’re on your own now! I don’t want to leave Lady Tamayo’s side! Not for a second!”

朱紗丸「ま…り…まり…まり…」

Susamaru “Ma…ri…mari…mari…”

Susamaru “Ma…ri… Mari… Mari…”

炭治郎「…毬だよ」

Tanjiro “…Mari dayo.”

Tanjiro “Here’s your mari.”

朱紗丸「遊…ぼ…　あ…そ…ぼ…」

Susamaru “Aso…bo… A…so…bo…”

Susamaru “Play with me. Play with me.”

炭治郎（小さい子��もみたいだ。たくさん人を殺しているだろうに）

Tanjiro (Chiisai kodomo mitaida. Takusan hito’o koroshite-iru-daroni.)

Tanjiro (You’re just like a little kid. Even though you must’ve murdered scores of people.)

炭治郎（十二鬼月だとおだてられ、騙され戦わされ、そして鬼舞辻の呪いで殺された。救いがない…。死んだ後は骨すら残らず消える。人の命を奪った報いなのか…）

Tanjiro (Juni-Kizuki dato odate-rare, damasare tatakawa-sare, soshite Kibutsujino noroide korosareta. Sukuiga nai… Shinda atowa hone-sura nokorazu kieru. Hitono inochio ubatta mukui nanoka…)

Tanjiro (You were deluded into thinking you were in the Twelve Kizuki. Deceived… Compelled to fight… And now, you were killed by the Kibutsuji curse. There’s no salvation. Even after you die, not even your bones will remain. Is this the price you pay for killing others?)

炭治郎（鬼舞辻、あの男は、自分を慕う者にすらこの仕打ち。本物の鬼だ）

Tanjiro (Kibutsuji, ano otokowa, jibun’o shitau mononi-sura kono shiuchi. Honmonono onida.)

Tanjiro (Kibutsuji… This is how that man treats even those who revere him! He’s a true… demon!)

炭治郎「珠世さ～ん、愈史郎さん？」

Tanjiro “Tamayo-saaan, Yushiro-san?”

Tanjiro “Miss Tamayo! Yushiro?”

愈史郎「こっちだ、こっち」

Yushiro “Kocchida, kocchi.”

Yushiro “Over here! Over here!”

炭治郎「えっ」

Tanjiro “E.”

愈史郎「別に来なくてもいいんだが、来たいなら下りてこい」

Yushiro “Betsuni konakutemo iindaga, kitai-nara orite-koi.”

Yushiro “Not that you need to come at all. But if you want to, then get down here.”

珠世「愈史郎！」

Tamayo “Yushiro!”

愈史郎「冗談です」

Yushiro “Jodan desu.”

Yushiro “Only joking!”

珠世「早くいらっしゃい。炭治郎さん」

Tamayo “Hayaku irasshai. Tanjiro-san.”

Tamayo “Hurry down, then, Tanjiro!”

炭治郎「あ…はい」

Tanjiro “A…Hai.”

Tanjiro “Oh, right!”

炭治郎「あっ、禰豆子！」

Tanjiro “A, Nezuko!”

Tanjiro “Nezuko!”

珠世「朝を迎える前に、光が届かないこの地下に移動しました」

Tamayo “Asao mukaeru maeni, hikariga todokanai kono chikani ido-shimashita.”

Tamayo “I moved her to this basement, where the sunlight won’t reach her, ahead of daybreak.”

炭治郎「あ…禰豆子…」

Tanjiro “A… Nezuko…”

Tanjiro “Nezuko?”

愈史郎「貴様～！珠世様から離れろ、失礼だぞ！」

Yushiro “Kisamaaa! Tamayo-sama kara hanarero, shitsurei dazo!”

Yushiro “Why, you! Step away from Lady Tamayo! That’s so rude!”

珠世「やめなさい、愈史郎。いいんですよ」

Tamayo “Yamenasai, Yushiro. Iindesuyo.”

Tamayo “Stop it, Yushiro. I don’t mind at all.”

愈史郎「はい！」（お優しい珠世様。美しすぎるぞ）「やめろ！」

Yushiro “Hai!” (Oyasashii Tamayo-sama. Utsukushi-sugiruzo.) “Yamero!”

Yushiro “Yes, ma’am!” (You have such a kind heart, Lady Tamayo. You’re too beautiful to believe!) “Cut…that…out!”

珠世「先程から禰豆子さんがこのような状態なのですが…大丈夫でしょうか？」

Tamayo “Sakihodo-kara Nezuko-sanga kono-yona jotai nano-desuga… Daijobu deshoka?”

Tamayo “Nezuko has been acting in this way since she awoke. Do you think she’s all right?”

炭治郎「心配いりません。大丈夫です。多分二人のことを、家族の誰かと思っているんです」

Tanjiro “Shinpai irimasen. Daijobu desu. Tabun futarino koto’o, kazokuno darekato omotte-irun-desu.”

Tanjiro “There’s nothing to worry about. She’s fine. She probably thinks you’re someone in our family.”

愈史郎「やめろ！」

Yushiro “Yamero!”

Yushiro “Cut it out!”

珠世「家族？しかし、禰豆子さんのかかっている暗示は、人間が家族に見えるものでは？私たちは鬼ですが…」

Tamayo “Kazoku? Shikashi, Nezuko-sanno kakatte-iru anjiwa, ningenga kazokuni mieru mono-dewa? Watashi-tachiwa oni desuga…”

Tamayo “Family? But I thought the spell Nezuko is under causes her to see humans as her family. And Yushiro and I are demons.”

愈史郎「やめろ」

Yushiro “Yamero.”

Yushiro “Cut it out!”

炭治郎「でも禰豆子は、お二人を人間だと判断してます。だから守ろうとした。俺…禰豆子に暗示かかってるの嫌だったけど、本人の意思がちゃんとあるみたいで良かった…　すみません!! 禰豆子！ねず…禰豆子！はな…離れるんだ！失礼だから!!」

Tanjiro “Demo Nezukowa, ofutario ningen-dato handan shite-masu. Dakara mamoroto shita. Ore… Nezukoni anji kakatteruno iya-datta-kedo, hon’nin’no ishiga chanto aru mitaide yokatta… Sumimasen!! Nezuko! Nezu…Nezuko! Hana…Hanarerunda! Shitsurei dakara!!”

Tanjiro “But Nezuko has perceived you two as humans. That’s why she tried to protect you. At first, I didn’t like the idea of Nezuko being under a spell, but since it looks like she has a will of her own, I’m glad that― I-I’m so sorry! Nezuko! Nezuko! S-Step away from her! It’s rude, all right?”

珠世「ありがとう…禰豆子さん…ありがとう…」

Tamayo “Arigato… Nezuko-san… Arigato…”

Tamayo “Thank you… Nezuko! Thank you!”

珠世「あなたは、それでも生きたいと思いますか？本当に…人でなくなっても、生きたいと。このまま病であなたは命を落とすでしょう。ですが…人でなくなることは、つらく悲しい。それでもあなたは生きたいと…」

Tamayo “Anatawa, soredemo ikitaito omoi-masuka? Hontoni… hitode naku-nattemo, ikitaito. Konomama yamaide anatawa inochio otosu desho. Desuga… hitode nakunaru kotowa, tsuraku kanashii. Soredemo anatawa ikitaito…”

Tamayo “Do you still wish to live? Do you still wish to live even if you’re no longer human? If this goes on, you will most likely succumb to your illness. However, losing your humanity will cause you pain and grief. Do you still wish to live?”

珠世「私たちはこの土地を去ります」

Tamayo “Watashi-tachiwa kono tochio sarimasu.”

Tamayo “Yushiro and I will leave this region.”

炭治郎「えっ？」

Tanjiro “E?”

珠世「鬼舞辻に近づきすぎました。早く身を隠さねば危険な状況です。それに、うまく隠しているつもりでも、医者として人と関わりを持てば、鬼だと気づかれる時がある。特に子供や年配の方は鋭いのです。炭治郎さん」

Tamayo “Kibutsujini chikazuki-sugi-mashita. Hayaku mio kakusa-neba kikenna jokyo desu. Soreni, umaku kakushite-iru tsumori-demo, ishato-shite hitoto kakawario moteba, onidato kizukareru tokiga aru. Tokuni kodomoya nenpaino katawa surudoino-desu. Tanjiro-san.”

Tamayo “We’ve gotten too close to Kibutsuji. We must conceal our whereabouts soon or the risk will be too great. Not to mention, even if I think I’ve concealed my identity, when I interact with humans as a doctor, people sometimes see through me as a demon. The young and the elderly are particularly perceptive. Tanjiro…”

炭治郎「はい」

Tanjiro “Hai.”

Tanjiro “Yes?”

珠世「禰豆子さんは私たちがお預かりしましょうか？」

Tamayo “Nezuko-sanwa watashi-tachiga oazukari shimashoka?”

Tamayo “Would you like us to take Nezuko in?”

炭治郎「え」

Tanjiro “E.”

珠世「絶対に安全とは言い切れませんが、戦いの場に連れて行くよりは危険が少ないかと」

Tamayo “Zettaini anzen-towa iikire-masenga, tatakaino bani tsurete-iku-yoriwa kikenga sukunai-kato.”

Tamayo “I can’t give you an absolute guarantee that she’ll be safe, but I believe it will be less dangerous than taking her into battle.”

炭治郎（そうかもしれない。確かに、預けた方が禰豆子のためにも…）

Tanjiro (So kamo shirenai. Tashikani, azuketa-hoga Nezukono tame-nimo…)

Tanjiro (That might be true. She’s right. It would be better for Nezuko to be in their care.)

炭治郎「珠世さん、お気遣いありがとうございます。でも…俺たちは一緒に行きます。離れ離れにはなりません。もう二度と」

Tanjiro “Tamayo-san, okizukai arigato gozaimasu. Demo… Ore-tachiwa isshoni ikimasu. Hanare-banare-niwa narimasen. Mo nidoto.”

Tanjiro “Miss Tamayo, thank you so much for your concern. But… Nezuko and I are staying together. We’re not going to live apart from each other. Never again.”

珠世「わかりました。では、武運長久を祈ります」

Tamayo “Wakari-mashita. Dewa, buun-chokyu’o inori-masu.”

Tamayo “Very well. In that case, I wish you long lasting good fortune in battle.”

愈史郎「じゃあな。俺たちは痕��を消してから行く。お前らはさっさと行け」

Yushiro “Jaana. Ore-tachiwa konsekio keshite-kara iku. Omae-rawa sassato ike.”

Yushiro “All right. We’ll leaving after we erase all traces of ourselves. You two get going now!”

炭治郎「はい。それでは、珠世さんも愈史郎さんもお元気で。行くよ、禰豆子。そんなに急ぐなって！」

Tanjiro “Hai. Soredewa, Tamayo-sanmo Yushiro-sanmo ogenkide. Ikuyo, Nezuko. Sonnani isogunatte!”

Tanjiro “Right! Okay, Miss Tamayo, Yushiro, we wish you well! Let’s go, Nezuko. Hey! Don’t go rusing off like that!”

愈史郎「炭治郎！」

Yushiro “Tanjiro!”

炭治郎「え？」

Tanjiro “E?”

愈史郎「お前の妹は…美人だよ」

Yushiro “Omaeno imotowa… bijin dayo.”

Yushiro “Your kid sister… is a beauty.”

ーーーーー

鎹鴉の天王寺松右衛門「南南東、南南東、次ノオ場所ハァ南南東!!」

Tennoji-Matsuemon (Kasugai-Garasu) “Nan-nan-to, nan-nan-to, tsugino bashowa nan-nan-to!!”

Matsuemon Tennoji(Kasugai Crow) “South-southeast! South-southeast! South-southeast! Your next location is south-southeast!”

炭治郎「わかった!! わかったから、もう少し黙っててくれ。頼む、もうわかったから、頼むよ～」

Tanjiro “Wakatta!! Wakatta-kara, mo sukoshi damattete-kure. Tanomu, mo wakatta-kara, tanomuyooo.”

Tanjiro “I heard you! I heard, so give me a break and quiet down! I’m begging you! I got the message, so please!”

我妻善逸「頼むよ!!」

Agatsuma Zen’itsu “Tanomuyo!!”

Zenitsu Agatsuma “Please!”

炭治郎「え？」

Tanjiro “E?”

善逸「頼む頼む頼む…結婚してくれ～！いつ死ぬかわからないんだ俺は!! だから結婚してほしいというわけで!! 頼む！頼むよォ～！」

Zen’itsu “Tanomu, tanomu, tanomu… Kekkon shite-kureee! Itsu shinuka wakaranainda orewa!! Dakara kekkon shite hoshiito iu wakede!! Tanomu! Tanomuyoooo!”

Zenitsu “Please! Please! Please! Please marry me! I could die any day, you know! That’s why I want you to marry me! So please! Please, I’m begging you!”

炭治郎「な…なんなんだ、一体…」

Tanjiro “Na… Nan-nanda, ittai…”

Tanjiro “Wh-What’s up with that? What on earth?”

ーーーーー

大正コソコソ噂話　ーTaisho Secretー

炭治郎「‘南南東、南南東！’って、戦ったばかりなのに俺はいつ休めるんだ！」

Tanjiro “‘Nan-nan-to, nan-nan-to!’tte, tatakatta bakari nanoni, orewa itsu yasumerunda!”

Tanjiro “‘South-southeast! South-southeast!’ Hey, I just fought, and when can I rest?”

炭治郎「何？似てる？そういうつもりじゃなかったんだけど…」

Tanjiro “Nani? Niteru? So-iu tsumorija nakattan-dakedo…”

Tanjiro “What? Was it similar? Actually I didn’t mean to pretend…”

炭治郎「その前に、ここで大正コソコソ噂話。鬼殺隊の連絡係、鎹鴉には名前があります。俺の鎹鴉は、天王寺松右衛門というらしいですよ」

Tanjiro “Sono maeni, kokode Taisho koso-koso uwasa-banashi. Kisatsu-Taino renraku-gakari, Kasugai-Garasu-niwa namaega arimasu. Oreno Kasugai-Garasuwa, Tennoji Matsuemon to-iu-rashii desuyo.”

Tanjiro “First, it’s time for a Taisho secret! The Demon Slayer Corps’ messengers, the Kasugai Crows, each have a name. I hear that mine is named Matsuemon Tennoji.”

炭治郎「じゃあ最後に。 ‘鬼狩リトシテノ最初ノ仕事デアル’って俺たち最初の任務からずっと戦ってるじゃないか！」

Tanjiro “Jaa saigoni. ‘Onigarito shiteno saishono shigotode aru’tte, ore-tachi saishono ninmu-kara zutto tatakatteruja naika!”

Tanjiro “So, finally, ‘this is your first assignment as a Demon Hunter!’ We’ve been fighting since our first mission!”

炭治郎「次回、第十一話『鼓の屋敷』。鬼殺隊って休む暇ないんだな」

Tanjiro “Jikai, dai-juwa, ‘Tsuzumino Yashiki’. Kisatsu-Taitte yasumu hima naindana.”

Tanjiro “Next, Episode 11, ‘Tsuzumi Mansion.’ Demon Slayer Corps has no time to rest…”

*Orange-colored sentences are my translation, since I couldn’t find real ones in You Tube.

(Continue to episode 11)

#demon slayer #demon slayer romaji #demon slayer script #kimetsu english #kimetsu no yaiba #kimetsu romaji #鬼滅　英語　学習

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arrafihijabterbarubanyuwangi · 2 years ago

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mellowshipsu · 3 years ago

Note

Helllo! I hope youre not too stacked but Ive been seeing your work and have been curious ~~

This is my char, Charlie! Hes very quiet and laidback, but under all that quiet persona, hes actually a skilled brawler (Hes self taught so he can defend himself against his own bullies from a young age), You can find him either basking under a tree or just helping Ruggie with chores, But tldr, hes the soft till provoked type haha

(Mellow: He's so cute! I'd date him, 100%! lol.)

An adorable giraffe beastman as you are.

You can be spotted from afar.

You're not afraid to bully Leona.

Which goes against your laidback persona.

Under attack you don't seem to quiver.

As quiet as you are, you caught the eye of---

Silver!

(image: Silver promo by Aniplex.)

Charlie walked around campus helping Ruggie search for Leona. That lazy lion needed to graduate, he's been in this college for way too long for someone as smart as him. The beastman then spotted a sleeping figure under a tree, he figured it was Leona so he walked up and laid his long body on the man.

"Go to class lazy lion or else I'm not moving."

The figure under him stirred awake and stared at Charlie, "I'm late for class?"

Wait. That didn't sound like Leona. Charlie sat up and saw that he was laying on Silver. He apologized as Silver sat up and rubbed his tired eyes. Silver said it was no problem, because he was grateful that he took the time to wake him up for class. Silver misunderstood what really happened, but Charlie wasn't going to try to argue with him. But feeling a bit guilty for almost crushing him to his potential death, Charlie walked Silver to his class and abandoned his search for Leona.

Days passed and to thank Charlie for waking him up, Silver brought him gifts of assorted fruit, acacia, and even chocolates. It was amusing at first because it made Leona jealous, but after a while it got a little too much. So Charlie kindly asked Silver to stop sending him gifts. Silver understood and said no more gifts.

So the next day he became Charlie's part-time bodyguard.

Charlie was a bit baffled how Silver could misunderstand things. It was awkward having such a short man following around, now he knew how Malleus felt. One day after school Charlie insisted to Silver that he can take care of himself. Silver took it as a challenge and swiped his legs under Charlie's feet making him fall. Charlie just stared wide eyed at Silver as he explained that he can either protect the beastman or teach him how to protect himself more properly. Charlie chose the latter.

Even more days passed and after class Silver taught Charlie how to defend himself more properly, even taught him how to use the basics of a sword. When the lessons were over, Silver felt he had finally fulfilled his debt. He bid Charlie goodbye and went on his way. Oddly enough, the beastman felt a bit lonely once the guard left.

But that night Silver visited his dorm and told him, "My father made reservations for us at a restaurant. Would you join me?"

Did he really ask the giraffe beastman on a date after all that had happened? Charlie just smiled and rolled his eyes and smiled. Sure why not, he grew to like the silver haired human anyway.

"I apologize for borrowing your notes again Charlie. I wish I was as dependable as you. You think as much as I napped on your lap I would have enough sleep... Not saying your lap isn't sufficient for a bed of course."

#twisted wonderland #twst #mellowshipsu #mellowshipsyou #mellowshipsyuu #twisted oc #oc x canon #Charlie #ori-giri #Charlie x Silver #silver x mc #silver x reader #twisted wonderland silver #twst silver

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pawsitive-pink-bear · 6 years ago

Photo

Komi san wa komyushou desu

#i just wanted to make this panel aesthetic #komi san can't communicate #i relate with this panel ok #lovecore #love #kawaii #pink #pink aesthetic #love aesthetic #ori giri nal

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wordsmith-in-purple · 5 years ago

Text

The Phantom of the Odd-pera: Ch. 1

Summary: The time: 1881. The place: The Opera Populaire, the glittering jewel in the diadem of the Paris skyline. The players: Orchid, who wants the spotlight. Xena, who wants to keep it for herself. Oprah, who wants to keep everyone safe. Ori, who wants to keep his crush safe. Oona, who wants to keep her BFF safe. Oscar, who wants to do his job. Xavier, who wants the same. Olive and Otto, who want to leave the past behind them. Olympia and Otis, who want to preserve both the present and the future. And the Phantom, who... well... perhaps it would be better if we didn’t know what he wants.

Chapter Warnings: Falling objects, religious imagery

Word Count: 3451

----------------------------------------------------------------

"How long has it been again?"

Otis dug a watch out of his pocket and gave it a glance. "Longer than we expected," he answered, met with a groan from Olympia. Otis couldn't say he blamed his best friend. She'd dragged them here, to the Opera Populaire, about an hour before they technically officially took over ownership and management of the place. About fifteen minutes had passed since their appointment was supposed to have taken place. Olympia had been spending that time pacing up and down the corridor, humming tunes from her favorite operas to herself, expelling the energy that constantly seemed to bubble from within her heart. This section of the place was almost entirely deserted, aside from the occasional stagehand - or maybe it was the same stagehand; it always seemed to be a redhead - dashing by. And yet, there was the constant feeling that someone, something, was there with Otis and Olympia, watching their every move…

Otis shook off his fears and took another look at his watch. What was taking them so long?

The office door swung open. Olympia's glasses nearly flew off her face as she turned to face the tall young man in the door. "Sorry about the wait," he said with a warm, friendly expression. "Olive and I got lost in conversation."

"It's not really a problem, Otto," Otis said as he gave Otto's hand a single firm shake. "We really can't thank you enough."

Olympia bunched herself up beside Otis. "Can't help but notice how deserted this place is," she said in the tone Otis recognized as curious without being explicit about it.

Otto seemed to pick up on Olympia's curiosity. "Oh, the dress rehearsal for Hannibal is happening as we speak," he explained. "Come on in, and let's get this paperwork signed!"

As Otis entered the near-immaculate office - the current managers must have already cleared out their personal belongings - he noted a young woman sitting at one end of the large desk, her chestnut hair done in a simple bun. She looked up as Otto led Otis and Olympia inside. "Thanks for coming in on such short notice," she said in a polite, professional tone.

"You're welcome!" said Olympia with a wide grin. "It's an honor to be here, really it is, Madame Olive. You couldn't be leaving the opera house in more capable hands!"

"I'm counting on it," said Olive, a slight smirk slipping onto her face. "We have the paperwork all ready. Just sign here, here, and here, and we'll be good to go."

Otis took the pen Otto held out to him, scribbled a signature on one of the documents, and passed it to Olympia. She took her time with an elegant signature, one containing a fair amount of loops. The second signature she made was slightly different, and the third little more than a straight set of loops. Typical Olympia, Otis thought with a tiny grin. Always finding a way to make the mundane fun.

"Congratulations," Otto said as he collected the papers. "Now let's go introduce you guys to the cast and crew."

"Aren't they in rehearsal right now?" Otis asked as he stood once more.

Olive stood up and moved to the front of the desk. "Rehearsal should be winding down. We'll find a quiet moment to interrupt," she explained.

"Sounds good to me!" said Olympia, her face exploding in a smile.

Olive and Otto led Otis and Olympia out of the office, down the corridor, and eventually into the front of the house. As they quietly slipped through the doors, the first thing Otis noticed was the chandelier. A beautiful affair of crystal beads and golden vines, it beamed from above the seats, rocking ever-so-slightly back and forth. A high-pitched note hit Otis's ears, and he turned his attention to the stage. There, a shortish woman in an elaborate outfit, complete with full skirt and headpiece, sang cadenzas over a severed head crowned with a wreath of leaves.

"Perfect timing," Olive whispered. "We'll only have to wait a couple minutes before this scene ends."

Olympia gave a little gasp upon looking at the stage. "Is that…"

"Xena Giudicelli," Otto explained in a loudish whisper. "She's been our leading lady for five seasons. I should warn you guys, she can really be a diva when she wants to be. Really expensive tastes…"

"We've handled worse," Otis shrugged as the orchestral accompaniment began with a flourish and the landscape of Carthage became visible onstage. The chorus and corps de ballet filed on, in elaborate (and surprisingly skimpy) outfits of red and green, with a heavy dose of gold trim. The chorus rang out, a tune very familiar to Otis:

"With feasting and dancing and song Tonight in celebration We greet the victorious throng Returned to bring salvation The trumpets of Carthage resound Hear, Romans, now and tremble Hark to our step on the ground Hear the drums, Hannibal comes!"

The chorus line parted to reveal a man in exquisitely detailed armor, including a ridiculously large feather in his helmet. "Xavier Piangi," Olive explained, still whispering. "Our lead tenor, and Xena's boyfriend. He's almost as bad as she is, if you want to talk about being a diva."

"Shh! He's singing!" Olympia was right; Xavier had begun his solo section of the scene. His voice, while powerful, seemed to be simply going through the motions of the music, without finding any amount of emotion in his part.

"Sad to return to find the land we love Threatened once more by Roma's far-reaching grasp-"

Someone with a mustache dashed onstage as the music ground to a halt. Olive and Otto let out a simultaneous groan.

"What's wrong?" Olympia asked, a cloud of concern darkening her normally-bright features.

Olive pressed her palm to her face. "It's nothing," she said evasively.

Otto shook his head. "There's nothing wrong with Obfusco, he's just… well…" "He's recently become interested in… certain poets. We can't get a straight sentence out of him anymore. Everything's a metaphor for something else."

Otis nodded, his attention firmly on the events onstage. "Roma is the muddied path compared to Rome's clear sunset…" Mustache Guy - Obfusco, apparently - was musing.

Xavier interrupted, "I get it. I'll sing it the boring way." His speaking voice was almost as emotionless as his singing voice.

Obfusco started offstage, adding, "Let the grasshoppers commence at the sorrowful reunion!"

"How… how do you understand him?" Olympia said, her eyes as wide as her mouth.

"It's mostly context clues," said Olive with a sigh and another shake of her head. Xavier began singing again:

"Sad to return to find the land we love Threatened once more by Rome's far-reaching grasp Tomorrow we shall break the chains of Rome Tonight rejoice, your army has come home-ah!"

"He, uh, doesn't take kindly to criticism," Otto explained with a nervous smile as the leads stepped to the side of the stage while the ballet girls began to dance. An older woman in a black dress and holding a cane observed the dance, her dark eyes scrutinizing every move they made.

"That's Madame Oprah Giry," Olive explained, gesturing towards her. "She's the ballet mistress, but she basically runs this place. Been here longer than anyone." "She was the manager before we stepped in. You don't want to mess with her," Otto added with a shudder.

Almost immediately, Oprah brought her can down with such force that the bang echoed through the theatre space, making all four in the front of the house jump. "You! Orchid! Get your head out of the clouds and get back in time!" she thundered with the volume of a trained singer. The offending dancer, a smallish girl, stuck her tongue out at Oprah before complying, earning a worried glance from the dancer next to her.

"Orchid always had a bit of a rebellious streak," said Olive.

Olympia adjusted her glasses and observed, "That girl next to Orchid, she's really good!"

"That'd be Oona, Oprah's daughter," Otto explained.

"Explains where she gets it," Otis added. The music reached a climax, and the singing began anew:

"Bid welcome to Hanibal's guests The elephants of Carthage As guides on our conquering quest Dido sends Hanibal's friends…"

The leads stepped up to the front of the stage as a giant mechanical elephant was rolled on behind them. "This is my favorite part," Olympia squeaked, clapping her hands together in rapid succession. Once the leads' little duet ended, the chorus took over again as Xavier struggled to get on top of the elephant, requiring a boost from a soldier. He barely made it on top as the scene came to a close.

"This is a good time to introduce you two," Olive suggested as the singers and dancers broke off from their formations to chatter amongst each other. A red-haired stagehand brought on a rope ladder so Xavier could get down from the elephant, and he almost instantly returned to Xena's side. The managers all stepped up to the stage from a staircase.

"Excuse me - excuse me!" Otto called while Olive cleared her throat and Olympia and Otis stood there awkwardly. Nobody seemed to be paying any attention to them. Otto turned to Oprah. He didn't even have to open his mouth before she banged her cane again and yelled, "Everybody shut up and listen up!"

"Thank you," Olive said with a genuine smile before turning her attention to the assembled performers. "As you all may or may not know, there have been rumors that Otto and I will be stepping down as managers of the Opera Populaire. I can tell you that they're true."

Otto continued, "But we managed to find a pair of great successors. Allow me to introduce Monsieur Otis Firmin and Madame Olympia Andre!"

Some polite applause came from the crowd as attention fell on the new managers. Olympia dipped into a curtsey, and Otis gave a timid bow.

"So you two think you can run this place?" Xena asked, pushing herself to the front of the crowd and giving a mocking laugh. Before Xena could make another comment, Olympia had run up to her.

"It's an honor to meet you face-to-face," Olympia said in a blur, her words running together, as she pressed her palm into Xena's. "I'm a big fan, I've experienced all your greatest roles!" As Olympia began to list and describe some of these roles, Xena still retained her scowl, but her expression softened slightly upon hearing herself praised.

"Suck-up," Xavier commented dryly. Otis ignored him, also turning to Xena. Olympia's on to something, he thought. It can't hurt to have a good relationship with our employees. Aloud, he asked absently, "Doesn't Ellisa have a nice aria in Act Three of Hannibal?"

"Among many," Xena snarked. "Your point?"

"I was thinking maybe you could sing it for us...unless our musical director objects, of course."

'Well, does he?" Xena looked suggestively at Obfusco, who was already moving to a piano in the wings.

Obfusco's answer rang out dramatically. "The planet-sized nightingale has spoken! Would she enjoy a piece of juicy fruit?"

"Uh, yeah, two bars should work," Olive answered as Otis and Olympia locked eyes in complete confusion. Obfusco began playing a short introduction on the piano, followed by Xena's glistening tones:

"Think of me, think of me fondly When we've said goodbye Remember me every so often Promise me you'll try On that day, that not-so-distant day When you are far away and free If you ever find a moment, Spare a thought for me…"

As Xena took a breath in preparation for the second verse of the aria, a flicker of motion caught Otis's eye. He glanced upward - and saw a backdrop plummeting from the rafters, right towards Xena's elaborate headpiece. "Xena, look out!" he called, just in time for Xena to register the falling fabric and dash out of the way. The backdrop crashed to the stage, sending most of the cast into a tizzy. "He's here!" Otis heard distinctly. "The Phantom - he must be in the rafters!"

Phantom?

One of the ballet girls - Oona, maybe, Otis was having trouble telling the difference between them - was running around in a total panic. She ran straight into Olympia, who grabbed her by the shoulders and said calmly, "Okay, okay, let's get ahold of ourselves, Oona. Breathe… Breathe…"

Otto had rushed to Xena's side. "Signora, are you okay?" he asked, brushing off her dress before getting his hand slapped away by the soprano.

Olive shouted into the flys, "Can you guys get Oscar down here?" "Yeah!" came the response.

"Thanks, O'Conner!"

Otis slipped up to Olive's side. "Olive, what's going on?" he asked in a hushed tone.

Olive whispered back. "It's fine. Oscar probably let go of a rope or something on accident. He's our chief of the flys."

"Yeah, but what about the Phantom everyone's going crazy over?"

Olive paused for a second, but a tall, bespectacled man dashed onstage, coils of rope draped over his shoulder. "Hey guys!" he said in a shaky tone.

"Oscar, what happened up there?" Otto asked.

Oscar shook his head rapidly. "I have no idea, I wasn't up there, no one was up there, I know, I checked, although it's really hard to tell the difference between stagehands, seriously, how many redheads did you guys hire?"

"It's the Phantom!" Oona screamed again as Oscar slipped backstage. "He's gonna kill us all one of these days!"

"Geez, calm down," Otis groaned. "There's no such thing as ghosts."

On the edge of his hearing, Otis heard the slightest hint of a chuckle.

Olympia had joined Otto in calming Xena down. "These things happen," she said with a grin.

Xena was not grinning. She snapped, "'These things happen'? 'These things happen'?! You've been here for five minutes! You know nothing! 'These things' have been happening for three years! Three! Years! And our incompetent managers couldn't even do anything about it! I should have gotten them fired sooner! You guys are gonna be as bad as they were! 'These things happen'? Well, until you can stop 'these things' from happening, this thing does not happen! I QUIT!" With a frustrated snarl, Xena threw her scarf to the ground and stormed offstage.

Xavier turned to the stunned crowd with a smirk, quipped, "Amateurs," and smugly followed his girlfriend.

A moment of awkward silence took the stage. The ensemble seemed very interested in their feet. Olympia stared after Xena, stunned. No one felt comfortable enough to make eye contact with anyone else.

"I believe that's our cue to go?" Olive prompted, starting off the stage.

"Yeah, we should go," Otto said, turning to the new managers one more time. "Good luck, you two," he said with a smile. "Feel free to call on us if you need any help. Honestly, I don't think you'll need it."

"Thanks for the vote of confidence," Otis replied, a smile tugging at the edges of his own lips. Otto followed Olive off the stage and through the house. Otis watched them as they slipped through the house door and left, the shutting door echoing through the house.

"Soooooo…. When's Xena coming back?" Olympia posed to the crowd.

"Not tonight, that's for sure," said Madame Oprah, stepping through the clusters of singers and dancers from out of a shadow. "She's gonna need at least a night to cool off after a rant like that. Anyway, the opera ghost asked me to tell you two a few things..."

"This is starting to get ridiculous," Otis muttered under his breath. Oprah, meanwhile, pulled a piece of yellowed, water-damaged paper from somewhere in her dress and read the text on it aloud:

To the new managers of the Opera Populaire: Welcome to my opera house. I am sure you have already received a warm welcome from the singers, dancers, and stagehands here at the Opera. Perhaps you have already met some of the more… colorful characters. But you have yet to meet me - although I am already well acquainted with the both of you. With luck, we will have no need to see each others' faces during your period of ownership. Follow my instructions carefully, and I assure you that you and all others here will be safe. To begin, you may already know by now that the fifth of the publicly available viewing boxes provides the best view of the stage as well as the best acoustics. I am used to nothing but the best. Therefore, my first request is that you leave Box Five empty during all performances and rehearsals for my private usage. Then there is the matter of my salary. The former managers were generous enough to offer me twenty thousand francs per month. Now that the Viscount de Changey has offered his patronage of the opera house, perhaps you can afford to pay me more than that. For now, that concludes my commands. More of my comments will make themselves noticeable as I observe how you perform as managers. Remember, you may own the opera house, but it belongs to me. I have the honor to be Your Obedient Servant, O.G.

"You sure you didn't write that yourself?" Otis asked after Madame Oprah had finished reading.

"I can't write that eloquently," replied Madame Oprah.

Olympia rushed to Otis's side and added, "Um, that's nice and all, but we have an opera tonight and no leading lady. Who's Xena's understudy?"

"The examination takes place on the rooftops," Obfusco declared from the wings. "The hippopotamus was born today!"

"Translation…" Otis said with a sigh.

Rolling her eyes, Madame Oprah said, "He said there's no understudy, since the production is so new." The newly minted managers let out a simultaneous groan.

"I'll sing it!"

Otis and Olympia turned around to see that one of the other ballet girls, the short one, the one Olive had identified as Orchid, had stepped forward. "I can sing the part," Orchid continued. "I've been taking lessons from a really good teacher."

"Oh, really?" Olympia asked hopefully. "Who?"

"Like I'm gonna tell you, Sherman," said Orchid with a smirk.

"Actually, my name's Olympia…"

"We don't have time for this," Otis interrupted. "You're Orchid, right?"

"Orchid Daae, yeah."

Daae. That last name sounded kind of familiar. "Any chance you're related to the violinist, I think his name was Gustav Daae?" asked Olympia.

"Oh, that's my grandpa," said Orchid, a slight shadow passing across her face.

Otis laughed, a dry chuckle. "Okay then, Orchid Daae, let's see for ourselves if you inherited any of that musical talent. Obfusco, can we start from the beginning of 'Think of me'?"

Thankfully, Obfusco's only response was to begin the introduction in a more accessible key. Orchid started the song quietly, but intensely. Unlike Xena, she sang with her heart as well as her vocal cords. By the time the bridge rolled around, everyone was staring at the surprisingly powerful singer with awe. A few of the girls had even been reduced to tears.

Olympia, a huge grin on her face, whispered to Otis, "Yeah, she gets the part."

Otis simply nodded. Y'know, this isn't going to be nearly as hard as I thought…

------------------------------------------------------------------------------

The dulcet tones of Orchid's song carried through the house, directly into the waiting ears of an onlooker. Having wrapped himself in a cloak of embroidered black silk, he was virtually indistinguishable from the shadows in and around his perch. He watched as the lady manager rushed up to his pupil, absolutely beaming. And why shouldn't they be impressed? Her voice was only an extension of his own, after all. She'd been able to sing when they met, of course, but not like him. Never like him.

So glad to see that Oprah is cooperating, he thought with an inward grin. I'd hate to see something happen to her… or that nutcase of a daughter she has. And that man - Otis? Whatever his name is, he's going to be trouble. I'll have to keep an eye on him.

And Orchid - my dear, sweet, innocent Orchid… my training has clearly paid off. Your time has come. You'll be prima donna in no time, just like you always wanted.

As he slipped further into the shadows, a flash of paleness caught his eye. He turned. There was a mirror, his reflection barely visible in the dim light. A human head, the only feature. One half was a handsome face, but a mask of beautiful, flawless porcelain covered the other half.

He grinned and slicked back his hair. You handsome devil, you.

No. No, not a devil. Tonight, you're an angel. Just for tonight. Just for her.

It's time I showed her who I really am.

#odd squad #phantom of the opera #musical theatre #fanfiction #crossover

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techstartro · 3 years ago

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Netflix anunță noi actori în distribuția vitoarei serii The Witcher: Blood Origin

Netflix le prezintă pe Michelle Yeoh în rolul lui Scian și pe Sophie Brown (Giri/Haji, The Capture, Marcella) în rolul lui Éile, în viitoarea serie The Witcher: Blood Origin. Descrierea personajului Scían: Scían este ultima din tribul ei nomad de elfi luptători. Nimeni nu se poate apropia de măiestria ei cu sabia și nimeni nu duce la fel de multe pierderi în propria inimă. Când apare șansă de a recupera o sabie sacră furată, luată din tribul ei căzut prin mijloace nefaste, ea pornește într-o căutare mortală care va schimba Continentul. Descrierea personajului Éile: Éile, o războinică de elită, binecuvântată cu vocea unei zeițe, și-a părăsit clanul și a ocupat poziția de gardian al Reginei pentru a-și urma visul de a fi muziciană nomadă. O mare miză de pe Continent o forțează să se întoarcă la calea lamei în căutarea ei de răzbunare și răscumpărare. Sinopsis: Într-o lume a elfilor, cu 1200 de ani înaintea lumii The Witcher, Blood Origin va spune o poveste pierdută în timp – despre originea primului Witcher, precum și despre evenimentele care conduc către „conjucția sferelor", atunci când lumile monștrilor, oamenilor și elfilor se contopesc pentru a deveni una singură. Blood Origin va avea șase părți și este o serie limitată live-action și un prequel al serialului Netflix The Witcher. Yeoh și Sophia se alătură lui Laurence O'Fuarain în distribuție, care va juca în rolul lui Fjall: născut într-un clan de războinici ce au jurat să protejeze un rege, Fjall poartă o cicatrice profund înăuntrul său: moartea unei persoane dragi care a căzut în luptă încercând să-l salveze. O cicatrice care nu-l va lăsa să-și tragă sufletul ori să facă pace cu el însuși sau cu lumea din jurul său. În căutarea răscumpărării, Fjall va lupta alături de cei mai puțin probabili aliați, în timp ce-și croiește o cale de răzbunare pe un continent tumultos. Read the full article

#BloodOrigin #Netflix #TheWitcher

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srinithyananda · 4 years ago

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6 SEPTEMBER 2020, 09:05 PM, SUNDAY - IST, NITHYANANDA SATSANG - ENGLISH GIST *PARAMASHIVA’S MESSAGE DIRECTLY FROM KAILASA: *THE SUPERCONSCIOUS MUTATION IS THE PROCESS THAT HAPPENS IN YOU WHEN THESE 6 ARE ADDED: CONSCIOUS WILL (SATYA SANKALPA) POWERFUL COGNITIONS SUPPORTING THE SATYA SANKALPA. EMOTIONAL ACCEPTANCE WITH EXCITEMENT OF THAT SATYA SANKALPA AND POWERFUL COGNITION. MENTAL PREPAREDNESS TO MANIFEST THAT SATYA SANKALPA FOR EVER, CONTINUOUSLY, ETERNALLY. PHYSICAL READINESS TO LIVE AND MANIFEST THIS SATYA SANKALPA. INITIATION AND THE ALCHEMY PROCESS BY THE GURU - JNANA RASAVADA. *EVEN BY LISTENING, YOU WILL HAVE SO MANY WONDERFUL BENEFITS, BECAUSE I AM GOING TO SHARE MANY THINGS RELATED TO THIS SUPERCONSCIOUS MUTATION WHICH IS THE CORE FORM OF MANIFESTING ISHWARA TATTVA IN ME. *I WANT TO REMIND ONCE MORE: I AM TALKING ABOUT THE PARLIAMENTARY STRUCTURE OF KAILASA THE LAST FEW DAYS. AS PART OF THAT, I AM EXPLAINING THE 36 TATTVAS. PEOPLE NEED TO KNOW THESE 36 TATTVAS AND MANIFEST THE STATE, SPACE, POWERS OF PARAMASHIVA TO BECOME PART OF THE KAILASA GOVERNMENT, THE PARLIAMENT OF KAILASA. *SO I AM EXPLAINING NOW THE 4TH TATTVA - ISHWARA TATTVA. SHAIVA TATTVA, SHAKTI TATTVA, SADASHIVA TATTVA, NOW ISHWARA TATTVA. *HOW TAPAS MAKES YOU MANIFEST ISHWARA TATTVA IS WHAT I AM EXPLAINING. *I WANTED TO EXPLAIN THE TAPAS DONE ON MY BODY BY MY GURUS. YOU NEED TO KNOW, MY GURUS LOVED ME SO MUCH. THIS BODY WAS LITERALLY THEIR OWN BODY. THEY FELT IT AS THEIR OWN. THAT IS WHY I SAY, WHATEVER TAPAS THIS BODY WENT THROUGH, THEY WENT THROUGH ALL THE PAINS. THEY LOVED ME SO MUCH, THEY FELT THIS BODY IS THEIR OWN, THEY THEMSELVES, THEIR VERY OWN. WHATEVER I WENT THROUGH THROUGH THIS TAPAS, ALL THE PAIN THEY WENT THROUGH IN THEIR BODY. THEY DID NOT LET THIS BODY GO THROUGH ANY PAIN. *BEFORE EVEN THE INDIVIDUAL DELUSION, MAYA MANIFESTING IN ME, AND GOING AFTER MY PERSONAL IDEAS ABOUT GOOD, BAD, WHAT SOCIETY TEACHES US AS PLEASURE, PAIN, GREED, SEX, LUST, COMFORT, LUXURY - WHATEVER AN INDIVIDUAL GOES THROUGH - BEFORE ANY OF THOSE PATTERNS OR TASTE DEVELOPED IN MY SYSTEM, MY GURUS MADE ME REALISE I AM THE EXPRESSION OF PARAMASHIVA, I AM MANIFESTATION OF THE PRINCIPLE! *I AM NOT AN INDIVIDUAL! I AM MANIFESTATION OF THE ‘PRINCIPLE’ - TATTVA! *BEFORE EVEN ANY IDENTITY OR DESIRE, FEAR OF ‘INDIVIDUAL’, DEVELOPING IN MY SYSTEM, MY GURUS MADE ME REALISE I AM A PRINCIPLE - TATTVA! *THIS WHOLE SUPERCONSCIOUS MUTATION PROCESS FOR CELIBACY IS THE TAPAS THEY WENT THROUGH IN THIS BODY. *MY GURUS LOVED ME SO MUCH, WHEN THEY DID THIS PROCESS ON ME, THEY WENT THROUGH ALL THE PAINS, NOT ME. THAT IS WHY I INSIST THAT THE TAPAS IS DONE ON THIS BODY BY MY GURUS. *I FELT THEIR LOVE. SUCH A BEAUTIFUL, POWERFUL, PROTECTIVE LAYER AROUND ME. THE CUSHIONING EFFECT THEY GAVE…! *THEY DID THE TAPAS THROUGH THIS BODY. *I WANT TO PUT THIS ON RECORD: IN THIS WHOLE PROCESS OF SUPERCONSCIOUS MUTATION, MY BODY WENT THROUGH ONLY THE BENEFITS OF THIS PROCESS, NEVER ANY PAIN! *LISTEN TO THIS POWERFUL COGNITION, THIS PRINCIPLE! WHEN A CHILD GROWS, HE LEARNS FROM SOCIETY OR SOCIETY FORCIBLY MANIPULATES HIM, MAKES HIM BELIEVE AND BRAINWASHES HIM ON WHAT IS LUXURY, COMFORT, WHAT IS GOOD, BAD. THEN HE STARTS DEVELOPING HIS INDIVIDUALITY BASED ON WHAT HE PICKS UP FROM SOCIETY AS HIS TASTE. *BEFORE ANY OF THIS POLLUTION, CORRUPTION, DELUSION HAPPENED IN ME, MY GURUS MADE ME REALISE I AM MANIFESTATION OF PRINCIPLE - TATTVA! *BEFORE I STARTED THINKING, FEELING ‘INDIVIDUALITY’ IN ME, MY GURUS MADE ME REALISE I AM A MANIFESTATION OF A PRINCIPLE THROUGH THIS SUPERCONSCIOUS MUTATION PROCESS. *I WILL SHOW YOU A SMALL VIDEO OF THIS AKASHA GARUDA HERB WHICH THEY USED ON MY BODY ALONG WITH SOME MORE HERBS, HOW IT BREAKS A STEEL ROD! *I STILL REMEMBER THE EXTREME SINCERITY WITH WHICH THEY COLLECTED ALL THE HERBS. THEY KEPT THE HERBS IN A MUD POT AND BURNED THE MUD POT CONTINUOUSLY FOR MORE THAN 21 HOURS. *A VERY SURPRISING THING, THE HERBS INSIDE THE POT START SPROUTING. IT DOES NOT GET BURNED OR TURN INTO ASHES IN THE HEAT - BUT IT BECOMES GREEN AND ALIVE! *I SAW THE GREEN FRESH ROOTS DEVELOPING. SO IT FLOURISHES IN INTENSE HEAT! *THEY MADE SURE THAT THE HERB IS ALIVE, LIVING, NOT DEAD. THEN THEY TIED IT ON MY MALE ORGAN WITH 9 THIN METAL CHAIN (ORI - SILVER THREAD, GOLD THREAD, COPPER THREAD...) AND TIED IT AROUND ME. *I CAN'T GO FOR 1, 2, 3 - SO THEY MADE ME FAST FOR ONE WEEK AND HELPED ME ONLY WITH FEW HERBS, NOT TO GET DEHYDRATED OR FAINT. THEY ARE HERBS WHICH DO NOT GO INTO THE BODY BUT ARE KEPT IN THE TEETH. THE HERBS MAKE ENOUGH SALIVA HAPPEN IN THE BODY SO IT DOES NOT GET DEHYDRATED. IT IS A PREPARATION. *THEY TIED IT ON A FRIDAY, AND MONDAY MORNING, THEY TOOK ME TO TEMPLE, CLEANED MY BODY AND TOOK ME TO HAVE DARSHAN OF ARUNACHALESHWARA! *I WANTED TO SHOW THE IMPACT OF THIS PROCESS ON A PERSON. THE IMPACT IS MULTI LEVEL - PHYSICAL, MENTAL, PSYCHOLOGICAL, EMOTIONAL. *ONE SADHU WHO WENT THROUGH THIS PROCESS, CAME AND PULLED THE CHARIOT IN WHICH I WAS GOING FOR SHAHI SNAN IN UJJAINI. (VIDEO) *THIS SADHU WHO PULLED MY CHARIOT AND CAR THROUGH HIS MALE ORGAN, HIS GURU, TAT WALE BABA WAS PART OF THE TEAM WHO DID THIS PROCESS ON ME. MY GURUS, HAMSANANDA PURI AND HIS ASSOCIATES - NAGA GIRI BABA AND TAT WALE BABA WERE PART OF THE TEAM. *JUST FOR SOCIETY, TAT WALE BABA ENACTED HIS OWN DEATH. I INSIST HE IS STILL ALIVE. *I WILL PROJECT A SMALL VIDEO OF TAT WALE BABA. *THE REASON WHY I REMEMBERED TAT WALE BABA SO WELL IS, HE AND HAMSANANDA PURI USED TO LOOK LIKE TWINS! I EVEN HAD A DOUBT IF THEY WERE TWINS. THE WAY THEY LOOKED AND BEHAVED WAS ALMOST THE SAME. PLEASE WATCH THIS GLIMPSE OF TAT WALE BABA: https://www.youtube.com/watch?v=vN4lxIgNAgg *I AM VERY SURE OF THIS MEMORY. WITH HIS GRACE, SOON WE MAY GET SOME EVIDENCES AND EYE WITNESSES THAT HE IS STILL ALIVE. *FIRST I WANT YOU TO UNDERSTAND: WHEN GURU LOVES YOU, HE GOES THROUGH THE WHOLE PAIN. YOU DON'T GO THROUGH THE PAIN. YOU JUST GO THROUGH THE TAPAS; HE TAKES IT AND CLEARS IT. *MY GURUS DID TAPAS THROUGH THIS BODY. THEY JUST SWALLOWED IT AND BURNED IT. IN MY CASE, I WILL NEVER LET YOU GUYS SUFFER. I WILL BURN ALL THE PAINS AND MAKE YOU GUYS ENJOY TAPAS! *I WILL JUST BURN ALL THE PAINS. IT IS MY COMMITMENT TO ALL OF YOU. *GURU LITERALLY DOES THE TAPAS THROUGH YOUR BODY. MY GURUS DID THE TAPAS THROUGH MY BODY. *MEDITATE ON THIS POWERFUL COGNITION, TAPAS WILL BECOME TOO SWEET! *TAPAS IS THE SIMPLEST, EASIEST WAY TO REALISE, THAT YOUR GURU TAKES ALL THE PAIN AND BURNS IT, NEVER LETS YOU GO THROUGH THE PAIN; HE ONLY MAKES YOU GO THROUGH THE TAPAS AND GIVES YOU THE BENEFITS OF THE TAPAS, THEN YOU START ENJOYING TAPAS! *TAPAS IS THE SWEETEST WAY TO REALISE THE GURU’S LOVE FOR YOU. WHEN YOU START DOING TAPAS, YOU WILL REALISE, YOU GET ONLY THE BENEFITS OF TAPAS. ALL THE HARDSHIPS, YOUR GURUS TAKE IT AND BURN IT. *ALL MY KIDS: EVEN IF YOU HAVE INTENTION TO DO TAPAS, THAT IS ENOUGH. I WILL TAKE ALL THE HARDSHIPS AND BURN IT. IT IS NOT THAT I WILL GO THROUGH THE PAIN, I WILL JUST BURN IT! YOU WILL GET ONLY THE BENEFITS OF TAPAS. *WHEN MY KIDS SEND ME A MESSAGE, “SWAMIJI I AM GOING TO DO NIRAHARA SAMYAMA”, HOW WILL I ALLOW YOU TO SUFFER? YOU ARE TOO CLOSE TO MY HEART! LIKE HOW MY GURUS FELT I AM THEIR OWN, MY BODY IS LITERALLY THEIRS, HOW THEY WERE PROTECTIVE, NATURALLY I WILL DO THE SAME THING FOR YOU! *WHEREVER YOU ARE, I WILL HOLD YOU IN MY HAND AND MAKE SURE THERE IS NO HARDSHIP FOR YOU AND GIVE YOU THE BENEFITS. *I CAN'T LET YOU GUYS SUFFER. I WILL MAKE SURE I PROTECT AND HOLD ALL OF YOU IN MY PALMS AND ALL OF YOU ENJOY THE BENEFITS OF TAPAS - NO HARDSHIPS! *ESSENCE OF TODAY'S SATSANG: ANY TAPAS YOU TAKE UP, YOUR GURU GIVES YOU ALL THE BENEFITS AND HE TAKES ALL THE HARDSHIPS AND CLEARS IT! *I WILL CONTINUE TO EXPAND ON THIS WITH MORE DETAILS IN FURTHER SATSANGS. I BLESS YOU ALL. Read the full post here: https://www.facebook.com/138595819561610/posts/4321761311245019/

#Nithyananda #KAILASA

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newsnigeria · 5 years ago

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Àsíá pupa dá ìjayà sílè̩ l’Ekiti

Àsíá pupa dá ìjayà sílè̩ l’Ekiti Yinka Alabi Idaji oni ojo kokanlelogun, osu kejila odun yii ni awon ara ilu Orin Ekiti dede de oko ti won ba Asia pupa to tumo si wi pe, ki awon ara agbegbe naa ma se de ori ile naa. Ijoba ipinle naa ni ki awon eniyan ilu naa maa lo ni irowo ati irose, won ni ko si ‘ewu loko,afi giri aparo’. Ijoba ipinle naa ni ki won ma se beru rara. Ki oloko ma lo si oko re bee si ni ki olodo naa maa lo odo re, nitori pe ijoba ipinle naa ko ni laju re sile ki iya maa je awon ara ilu to n se ijoba le lori. Awon ara ilu naa ni eru n ba awon nitori alakatakiti ni awon Fulani darandaran. Won ni kii gbo ki gba eda ni won. http://iroyinowuro.com.ng/2019/12/21/asia-pupa-da-ijaya-sile%cc%a9-lekiti/ Read the full article

#Ekiti

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infosbymlg · 5 years ago

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callmecolinplease · 5 years ago

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Ok. Qualcosa non va. Hayden non esprime giudizi, non da' di matto, non lo accusa di essere un irresponsabile e tanto basta a Colin per preoccuparsi davvero! "Chi sei tu? Che ne hai fatto di mio fratello?!?" Gli tocca persino la fronte per constatare che non abbia la febbre, ma subito dopo si rimette a sedere ed abbozza un sorriso, stringendosi nelle spalle senza avere la minima idea di come spiegargli le sue impressioni. "E' la prima volta che mi sento così. Non so come spiegarlo o dirlo, ma... è come se Orionis avesse aperto una nuova fase della mia vita. Una fase in cui... in cui non me ne frega un cazzo di correre dietro ad altri, o scoparmi chiunque. Sto... sto bene con lui." Sospira e corruga la fronte, indeciso se parlare o meno con Hayden della questione Photoshoot. "Ecco..." si sporge in avanti e congiunge le mani sulle ginocchia "... ricordi quel photoshoot che ho fatto a Serry? Diciamo che ne ho fatto uno simile ad Ory e... " Non può fare molti giri di parole. "La direttrice di Vogue vorrebbe entrambi, Ory e Serry, per un photoshoot dedicato a Giorgio Armani. Non sarebbero altro che parecchie foto, scattate da me, con indosso la nuova collezione. Che ne dici? "

@haydenrichardson “Spiegami cosa significa il tuo messaggio su WA. ‘Colin ho bisogno di un manuale per l’approccio homo’ Sono curioso. Curioso e impaziente.”

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demonslayerscript · 4 months ago

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Episode 5 : My Own Steel / 第5話『己の鋼(Onoreno Hagane)』

＊Green colored words are only in anime, not in original manga, and we usually call them "ani-ori(anime-original)".

手鬼「その面、目印なんだよ。それをつけているせいでみんな喰われた」

Teoni “Sono men, mejirushi nandayo. Soreo tsukete-iru-seide minna kuwareta.”

Hand Demon “That mask. I can tell by the fox masks. Everyone got eaten just because they were wearing them.”

竈門炭治郎「全集中・水の呼吸！壱ノ型…水面(みなも)斬(ぎ)り!!!」

Kamado Tanjiro “Zen-shuchu, Mizuno Kokyu! Minamo-Giri!!!”

Tanjiro Kamado “Total Concentration! Water Breathing! First Form… Water Surface Splash!”

手鬼「鱗滝…クソ…クソ…クソ～！体が崩れて消えていく…止められない」

Teoni “Urokodaki… Kuso…kuso…kusooo! Karadaga kuzurete kiete-iku… Tomerare-nai.”

Hand Demon “Urokodaki! Dammit! Dammit! Dammit! My body’s crumbling and disappearing. I can’t stop it!”

手鬼「クソッ！最後に見るのが鬼狩りの顔だなんて…どうしてこんなことに…」

Teoni “Kuso! Saigoni miru-noga, oni-garino kaoda nante… Doshite konna kotoni…”

Hand Demon “Dammit! To think that the face of a Demon Hunter will be the last thing I’ll ever see… How did it come to this?”

幼い手鬼「怖いよ…夜に独りぼっちだ。兄ちゃん…どこだい？俺の手を握ってくれよ。いつものように…どうして…どうして俺、兄ちゃんを咬み殺しちゃったんだ…」

Osanai Teoni “Kowaiyo… Yoruni hitori-bocchida. Niichan… Doko dai? Oreno teo nigitte-kureyo. Itsumono yoni… Doshite… Doshite ore, niichan’o kami-koroshi-chattanda…”

Young Hand Demon “I’m so scared. I’m all alone. Brother, where are you? I want you to hold my hand! Like you always do! Why? Why on earth did I bite you to death, Big Brother?”

幼い手鬼「あれ？兄ちゃんって…誰だっけ？」

Osanai Teoni “Are? Niichantte… dare dakke?”

Young Hand Demon “Huh? Wait, who’s this ‘Brother’ person?”

炭治郎（悲しい匂い…）

Tanjiro (Kanashii nioi…)

Tanjiro (What a sad scent.)

炭治郎（神様、どうか…この人が今度生まれてくる時は、鬼になんて、なりませんように）

Tanjiro (Kamisama, doka… kono hitoga kondo umarete kuru-tokiwa, onini nante narimasen-yoni.)

Tanjiro (God… Please… The next time this man is reborn, please make sure he doesn’t turn into a demon.)

幼い手鬼「兄ちゃん！兄ちゃん！兄ちゃん！手ェ握ってくれよ」

Osanai Teoni “Niichan! Niichan! Niichan! Tee nigitte kureyo.”

Young Hand Demon “Brother! Brother! Brother! Hold my hand, will you?”

手鬼の兄「しょうがねぇなあ、いつまでも怖がりで」

Teonino ani “Shoga neenaa, itsumademo kowagaride.”

Hand Demon’s Brother “You’re hopeless, you know? Still such a scaredy-cat.”

炭治郎（錆兎、真菰。そして、殺された他の子供たち。勝ったよ。もう安心していいよ。きっと、約束通り帰るんだろう？魂だけになろうと、狭霧山へ…大好きな鱗滝さんのところへ。死んでいたら、俺の魂も帰った）

Tanjiro (Sabito, Makomo. Soshite, korosareta hokano kodomo-tachi. Kattayo. Mo anshin shite iiyo. Kitto yakusoku-doori kaerun-daro? Tamashii-dakeni naroto, Sagiri-yamae… Dai-sukina Urokodaki-sanno tokoroe. Shinde-itara, oreno tamashiimo kaetta.)

Tanjiro (Sabito, Makomo… and everyone else who were killed… I won. You can rest easy now. I guess you’re going home as promised. Even though you’re just souls, you’re going back to Mt.Sagiri… and to Mr.Urokodaki whom you love very much. If I’d ended up dead, my soul would’ve returned there, too.)

ーーーーー

炭治郎「聞きたいことがある。鬼になった人を元に戻すには、どうしたらいいんだ？」

Tanjiro “Kikitai kotoga aru. Onini natta hito’o motoni modosu-niwa, doshitara iinda?”

Tanjiro “There’s something I wanna ask you! How do I turn someone who’s become a demon back into a human?”

炭治郎（教えてくれ。禰豆子を…人間に戻す方法は！）

Tanjiro (Oshiete kure. Nezuko’o… ningenni modosu hohowa!)

Tanjiro (Please tell me! How can I turn Nezuko…back into a human?)

炭治郎「…ハッ。藤の花…ハア…切り抜けた」

Tanjiro “…Ha. Fujino hana… Haa… Kiri-nuketa.”

Tanjiro “Wisteria? I made it.”

ーーーーー

炭治郎（たった四人？二十人くらいいたのに…。あの人もいない…。あの時、俺が気絶なんてしたから…助けられなかった）

Tanjiro (Tatta yo-nin? Niju-nin kurai ita-noni… Ano hitomo inai… Anotoki, orega kizetsu-nante shita-kara… tasuke-rare-nakatta.)

Tanjiro (Only four of us? But there were at least twenty. I don’t see that guy here, either. It’s all because I blacked out at that moment. I couldn’t save him.)

我妻善逸「死ぬわ…死ぬ死ぬ…ここで生き残っても結局死ぬわ、俺」

Agatsuma Zen’itsu “Shinuwa… Shinu, shinu… Kokode iki-nokottemo kekkyoku shinuwa, ore.”

Zenitsu Agatsuma “I’m gonna die. I’m a goner. Even if I survive now, I’m gonna die in the end anyway.”

白髪・黒髪「おかえりなさいませ」

Shiro-kami, Kuro-kami “Okaeri nasai mase.”

White hair & Black hair “Welcome back.”

白髪「おめでとうございます」

Shiro-kami “Omedeto gozaimasu.”

White hair “Congratulations.”

黒髪「ご無事で何よりです」

Kuro-kami “Gobujide nani-yori desu.”

Black hair “We’re pleased to see that you’re safe.”

不死川玄弥「で？俺はこれからどうすりゃいい？刀は？」

Shinazugawa Gen’ya “De? Orewa kore-kara do surya ii? Katanawa?”

Genya Shinazugawa “So? What am I supposed to do now? Where’s my sword?”

白髪「まずは隊服を支給させていただきます。体の寸法を測り、そのあとは階級を刻ませていただきます」

Shiro-kami “Mazuwa taifukuo shikyu sasete itadakimasu. Karadano sunpo’o hakari, sono atowa kaikyuo kizamasete itadakimasu.”

White hair “First, we shall issue you all uniforms. We will take your measurements, after which your rank will be engraved.”

黒髪「階級は、十段階ございます」

Kuro-kami “Kaikyuwa, ju-dankai gozaimasu.”

Black hair “There are ten ranks in all…”

白髪「甲(きのえ)」

Shiro-kami “Kinoe.”

White hair “Kinoe.”

黒髪「乙(きのと)」

Kuro-kami “Kinoto.”

Black hair “Kinoto.”

白髪「丙(ひのえ)」

Shiro-kami “Hinoe.”

White hair “Hinoe.”

黒髪「丁(ひのと)」

Kuro-kami “Hinoto.”

Black hair “Hinoto.”

白髪「戊(つちのえ)」

Shiro-kami “Tsuchinoe.”

White hair “Tsuchinoe.”

黒髪「己(つちのと)」

Kuro-kami “Tsuchinoto.”

Black hair “Tsuchinoto.”

白髪「庚(かのえ)」

Shiro-kami “Kanoe.”

White hair “Kanoe.”

黒髪「辛(かのと)」

Kuro-kami “Kanoto.”

Black hair “Kanoto.”

白髪「壬(みずのえ)」

Shiro-kami “Mizunoe.”

White hair “Mizunoe.”

黒髪「癸(みずのと)」

Kuro-kami “Mizunoto.”

Black hair “Mizunoto.”

白髪「今現在、皆さまは一番下の癸でございます」

Shiro-kami “Ima genzai, mina-samawa ichiban shitano Mizunoto de gozaimasu.”

White hair “Currently, you are at the lowest rank, Muzunoto.”

玄弥「刀は？」

Gen’ya “Katanawa?”

Genya “And our swords?”

白髪「本日、刀を作る鋼、玉鋼を選んで頂きますが、刀が出来上がるまで十日から十五日かかります」

Shiro-kami “Honjitsu, katanao tsukuru hagane, tama-haganeo erande itadaki-masuga, katanaga deki-agaru-made tooka-kara ju-go-nichi kakari-masu.”

White hair “Today, we will let you choose the ore for your swords. However, the swords will take ten to fifteen days to complete.”

玄弥「ハァ…んだよ」

Gen’ya “Haa…Ndayo.”

Genya “Are you kidding me?”

白髪「その前に」

Shiro-kami “Sono maeni.”

White hair “But first…”

黒髪「今から皆さまに鎹(かすがい)鴉(からす)をつけさせていただきます」

Kuro-kami “Ima-kara mina-samani Kasugai-Garasuo tsuke-sasete itadaki-masu.”

Black hair “We will now assign each of you your own Kasugai Crow.”

炭治郎「カスガイ…ガラス？」

Tanjiro “Kasugai…Garasu?”

Tanjiro “Kasugai Crow?”

白髪「鎹鴉は主に連絡用の鴉でございます」

Shiro-kami “Kasugai-Garasuwa omoni renraku-yono karasude gozai-masu.”

White hair “These Kasugai Crows can be used primarily for communication.”

善逸「鴉？これ、雀じゃね？」

Zen’itsu “Karasu? Kore, suzumejane?”

Zenitsu “Did you say ‘crow’? Isn’t this a sparrow, though?”

玄弥「ふざけんじゃねえ！」

Gen’ya “Fuzakenja nee!”

Genya “Don’t give me that crap!”

玄弥「どうでもいいんだよ！鴉なんて！」

Gen’ya “Dodemo iindayo! Karasu nante!”

Genya “Who the hell cares about some stupid crow?”

玄弥「刀だよ、刀!!今すぐ刀よこせ!!鬼殺隊の刀…色変わりの刀!!」

Gen’ya “Katana dayo, katana!! Ima sugu katana yokose!! Kisatsu-taino katana… Iro-gawarino katana!!”

Genya “I want a sword, you hear? Gimme one right now! The Demon Slayers’ sword! The Color Changing Sword!”

炭治郎「この子から手を離せ!!離さないなら、折る!!」

Tanjiro “Kono ko kara teo hanase!! Hanasa-nai-nara, oru!!”

Tanjiro “Take your hand off her! Or else I’ll break your arm!”

玄弥「ああ？なんだテメェは」

Gen’ya “Aa? Nanda temeewa.”

Genya “Who the hell are you?”

善逸「ええっ！どど…どうしよう?!」

Zen’itsu “Ee! Dodo…Doshiyo?!”

Zenitsu “Wh-Wh-Wh-What should I do?”

玄弥「やってみろよ!!」

Gen’ya “Yatte-miroyo!!”

Genya “Let’s see you try it!”

黒髪「お話は済みましたか？」

Kuro-kami “Ohanashiwa sumi-mashitaka?”

Black hair “Are you finished chatting?”

黒髪「では、こちらから玉鋼を選んでくださいませ」

Kuro-kami “Dewa, kochira-kara tama-haganeo erande kudasai-mase.”

Black hair “Now then, please select an ore.”

黒髪「鬼を滅殺し、己の身を守る刀の鋼は、御自身で選ぶのです」

Kuro-kami “Onio messatsushi, onoreno mio mamoru katanano haganewa, gojishinde erabuno-desu.”

Black hair “The steel for the sword… that will annihilate demons and protect you… will be of your own choosing.”

善逸「多分すぐ死にますよ、俺は…」

Zen’itsu “Tabun sugu shini-masuyo, orewa…”

Zenitsu “Well, not that I’m going to live very long. Probably.”

炭治郎（選べと言われても…どう選べばいいんだろう？玉鋼なんて初めて見るし、見た目には全然判断つかないや）

Tanjiro (Erabeto iwaretemo… Do erabeba iindaro? Tama-hagane nante hajimete mirushi, mitame-niwa zen-zen handan tsukanaiya.)

Tanjiro (They’re asking us to choose, but how are we supposed to pick one out? I’ve never seen an ore before, and I can’t tell the difference anyway.)

玄弥「全然分かんねえ…」

Gen’ya “Zen-zen wakannee…”

Genya “I have absolutely no clue.”

ーーーーー

産屋敷耀哉(うぶやしきかがや)「そうか…五人も生き残ったのかい。優秀だね。また私の子供たちが増えた。どんな剣士になるのかな」

Ubuyashiki Kagaya “Soka… Go-ninmo iki-nokottano-kai. Yushu dane. Mata watashino kodomo-tachiga fueta. Donna kenshini naruno-kana.”

Kagaya Ubuyashiki “I see. As many as five of them managed to survive, huh? Excellent. The number of my children has increased again. I wonder what kinds of swordsmen they’ll become.”

ーーーーー

炭治郎（甘かったな…。どの鬼も、まともに会話できる状態じゃなかった。問答無用で殺そうとしてくるし。ごめんな、禰豆子。鬼が人間に戻る方法…ちゃんと聞けなかった）

Tanjiro (Amakattana… Dono onimo, matomoni kaiwa dekiru jotaija nakatta. Mondo-muyode korosoto shite-kurushi. Gomenna, Nezuko. Oniga ningenni modoru hoho… Chanto kike-nakatta.)

Tanjiro (I was so naïve. I couldn’t even have a talk with a demon. All they did was attack me and try to kill me right away. Sorry, Nezuko. I never got to ask them… how to turn a demon back into a human.)

炭治郎（支給服すら重い。一刻も早く帰りたいのに、体中痛くて…）

Tanjiro (Shikyu-fuku-sura omoi. Ikkokumo hayaku kaeritai-noni, karada-ju itakute…)

Tanjiro (Even my uniform is heavy. I wanna get home as soon as possible, but my whole body hurts.)

炭治郎「着いた…禰豆子…鱗滝さん…」

Tanjiro “Tsuita… Nezuko… Urokodaki-san…”

Tanjiro “I made it. Nezuko… Mr.Urokodaki…”

炭治郎「あ～！禰豆子、お前…起きたのか!!禰豆子！うっ…いててて…」

Tanjiro “Aaa! Nezuko, omae…okitanoka!! Nezuko! U… Itetete…”

Tanjiro “Hey! Nezuko! You… So, you’re awake? Nezuko!”

炭治郎「ああっ、お前なんで急に寝るんだよォ！ずっと起きないでさぁ！死ぬかと思っただろうがぁ!!」

Tanjiro “Aa, omae nande kyuni nerun-dayoo! Zutto okinaidesaa! Shinukato omotta-darogaa!!”

Tanjiro “Why… Why’d you fall asleep all of a sudden? Never waking up once! I was worried you were going to die, you know?!”

鱗滝「よく…生きて戻った!!!」

Urokodaki “Yoku… ikite modotta!!!”

Urokodaki “You came back to us alive.”

ーーーーー

鱗滝「そうか…異形の鬼をやったか」

Urokodaki “Soka… Igyono onio yattaka.”

Urokodaki “I see. You killed that morphed demon.”

炭治郎「はい」

Tanjiro “Hai.”

Tanjiro “Yes.”

鱗滝「ついにな…。本当によく帰ってきた」

Urokodaki “Tsuini-na… Hontoni yoku kaette-kita.”

Urokodaki “At last. I’m truly impressed that you made it back.”

炭治郎「はい」

Tanjiro “Hai.”

Tanjiro “Yes.”

鱗滝「鬼には…いくつか種類がある。血鬼術という特殊な術を使う鬼は、異能の鬼だ。今後はそのような鬼とも戦うことになるだろう。その者たちとの戦いは、これまで以上に困難を極める。しかし、炭治郎。お前ならきっと大丈夫だ」

Urokodaki “Oni-niwa… ikutsuka shuruiga aru. Kekki-jutsuto-iu tokushuna jutsuo tsukau oniwa, inono onida. Kongowa sono-yona oni-tomo tatakau kotoni narudaro. Sono mono-tachi-tono tatakaiwa, kore-made-ijoni konnan’o kiwameru. Shikashi, Tanjiro. Omae-nara kitto daijobuda.”

Urokodaki “There are several kinds of demons. The demons who use a special spell called the ‘Blood Demon Art’ possess supernatural abilities. You may have to fight those demons, as well, from now on. And battling them will be far more difficult than anything you’ve known until now. Even so, Tanjiro, I’m sure you’ll be fine.”

炭治郎「はい。…あの、禰豆子は他の鬼と違うと思うんですけど、もしかしてその…なんとか術なんですか？」

Tanjiro “Hai. …Ano, Nezukowa hokano onito chigauto omoun-desu-kedo, moshika-shite sono…nantoka-jutsu nandesuka?”

Tanjiro “Right. Um… I think that Nezuko’s not like the other demons. Do you think it could be that Whatchamacallit Art?”

鱗滝「いや、そうではないな。あれは血鬼術の類いではないだろう。これは憶測だが、禰豆子は人の血肉を喰らう代わりに、眠ることで体力を回復しているのかもしれない」

Urokodaki “Iya, sodewa naina. Arewa kekki-jutsuno tagui-dewa naidaro. Korewa okusoku-daga, Nezukowa hitono chinikuo kurau kawarini, nemuru-kotode tairyokuo kaifuku shite iruno-kamo shirenai.

Urokodaki “No, I don’t think so. I wouldn’t call that an example of the Blood Demon Art. I’m just guessing here, but it could be that Nezuko’s recovering her strength by sleeping instead of consuming human flesh.”

炭治郎（俺が…禰豆子を守るから）

Tanjiro (Orega… Nezuko’o mamoru-kara.)

Tanjiro (I’ll protect you, Nezuko.)

ーーーーー

〈十五日後―――〉

〈Ju-go-nichi-go―――〉

〈Fifteen days later―――〉

炭治郎「ん？ええっと…」

Tanjiro “N? Eetto…”

Tanjiro “Um…”

鋼鐵塚蛍「俺は鋼鐵塚(はがねづか)という者だ。竈門炭治郎の刀を打ち、持参した」

Haganezuka Hotaru “Orewa Haganezuka to-iu monoda. Kamado Tanjirono katanao uchi, jisan shita.”

Hotaru Haganezuka “My name is Haganezuka. I have forged Tanjiro Kamado’s sword, and I am here to deliver it.”

炭治郎「あっ！あの…竈門炭治郎は俺です。中へどうぞ」

Tanjiro “A! Ano… Kamado Tanjirowa ore desu. Nakae dozo.”

Tanjiro “Um, I’m Tanjiro Kamado. Please come inside.”

鋼鐵塚「これが日輪刀だ。俺が打った刀だ」

Haganezuka “Korega Nichirin-toda. Orega utta katanada.”

Haganezuka “This is the Nichirin Sword. And I forged it.”

炭治郎「あの…お茶入れますから、中へ…」

Tanjiro “Ano… ocha iremasu-kara, naka’e…”

Tanjiro “Um… Please come in so I can serve you some te―”

鋼鐵塚「日輪刀の原料は、太陽に一番近い山で採れる猩々(しょうじょう)緋(ひ)砂鉄(さてつ)と猩々(しょうじょう)緋(ひ)鉱石(こうせき)。それで日の光を吸収する鉄ができる」

Haganezuka “Nichirin-tono genryowa, taiyoni ichiban chikai yamade toreru Shojo-Hisatetsu to Shojo-Hikoseki. Sorede hino hikario kyushu-suru tetsuga dekiru.”

Haganezuka “The materials for a Nichirin Sword can be obtained from the mountain closest to the sun. Scarlet Crimson Iron Sand and Scarlet Crimson Ore. These produce steel that can absorb sunlight.”

炭治郎「そうですか…」

Tanjiro “Sodesuka…”

Tanjiro “Wow, is that right?”

鋼鐵塚「陽光山は一日中日が射している山だからな。曇らないし…」

Haganezuka “Yoko-zanwa ichi-nichi-ju higa sashite-iru yama dakarana. Kumoranaishi…”

Haganezuka “Mt.Yoko is bathed in sunlight all day long, you see. Never a cloud in the sky, nor any rain.”

鱗滝「相変わらず、人の話を聞かん男だな」

Urokodaki “Aikawarazu, hitono hanashio kikan otokodana.”

Urokodaki “There he goes again, never listening to what others say…”

炭治郎「うわっ！ひょっとこ？」

Tanjiro “Uwa! Hyottoko?”

Tanjiro “A clown mask?”

鋼鐵塚「ん？んん～？あぁ、お前『赫灼の子』じゃねえか。こりゃあ縁起がいいなあ」

Haganezuka “N? Nnnn? Aa, omae ‘Kakushakuno ko’ja neeka. Koryaa engiga iinaa.”

Haganezuka “Hey, you’re a Child of Brightness, aren’t you? Now that’s what I call lucky.”

炭治郎「あっいや…俺は炭十郎と葵枝の息子です」

Tanjiro “A, iya… Orewa Tanjuro to Kie no musuko desu.”

Tanjiro “Oh no, I’m the son of Tanjuro and Kie.”

鋼鐵塚「そういう意味じゃねえ。頭の毛と目ん玉が、赤みがかっているだろう。火仕事をする家は、そういう子が生まれると、縁起がいいって喜ぶんだぜぇ」

Haganezuka “So-iu imija nee. Atamano keto mentamaga, akami-gakatte-irudaro. Hi-shigoto’o suru iewa, so-iu koga umareruto, engiga iitte yorokobundazee.”

Haganezuka “That’s not what I meant. See how your hair and eyes are reddish color? When a kid like you is born into a family that works with fire, it’s considered lucky and a cause for celebration.”

炭治郎「そうなんですか。知りません��した…」

Tanjiro “Sonan-desuka. Shirimasen-deshita…”

Tanjiro “Is that right? I had no idea.”

鋼鐵塚「こりゃあ刀も赤くなるかもしれんぞ。なぁ鱗滝」

Haganezuka “Koryaa katanamo akaku naru-kamo shirenzo. Naa Urokodaki.”

Haganezuka “There’s a good chance that this sword will turn red! Right, Urokodaki?”

鱗滝「ああ」

Urokodaki “Aa.”

Urokodaki “Yeah.”

鋼鐵塚「さぁさぁ、抜いてみな。日輪刀は、別名色変わりの刀といってなあ。持ち主によって色が変わるのよ」

Haganezuka “Saa-saa, nuite-mina. Nichirin-towa, betsumei iro-gawarino katanato ittenaa. Mochi-nushini yotte iroga kawaru-noyo.”

Haganezuka “Come on, hurry up and draw it! Nichirin Swords are also known as ‘Color Changing Swords.’ They change color depending on the bearer.”

炭治郎「あ…おお！」

Tanjiro “A…Oo!”

鋼鐵塚「黒!!」

Haganezuka “Kuro!!”

Haganezuka “Black!”

鱗滝「黒いな」

Urokodaki “Kuroina.”

Urokodaki “It’s black, huh?”

炭治郎「えっ！黒いとなんか良くないんですか？不吉ですか？」

Tanjiro “E! Kuroito nanka yokunain-desuka? Fukitsu desuka?”

Tanjiro “Is it bad or something if it turns black? Is it unlucky?”

鱗滝「いや、そういうわけではないが…あまり見ないな、漆黒は」

Urokodaki “Iya, so-iu wake-dewa naiga… amari minaina, shikkokuwa.”

Urokodaki “No, not necessarily. But you don’t see this pitch black too often.”

鋼鐵塚「俺は鮮やかな赤い刀身が見れると思ったのに！クソ～ッ！キエエエエ！」

Haganezuka “Orewa azayakana akai toshinga mireruto omotta-noni! Kusooo! Kieeee!”

Haganezuka “And I was so hoping I’d get to see a bright red sword! Dammit!”

炭治郎「えっ？あいたたた…危ない！落ち着いてください！何歳ですか！」

Tanjiro “E? Aitatata… Abunai! Ochi-tsuite kudasai! Nansai desuka!”

Tanjiro “Ouch! Stop! Please calm down! How old do you think you are?!”

鋼鐵塚「三十七だ！」

Haganezuka “Sanju-nanada!”

Haganezuka “I’m thirty-seven!”

鎹鴉の天王寺松右衛門「竈門炭治郎ォ、指令ヲ伝エル！」

Tennoji Matsuemon (Kasugai-Garasu) “Kamado Tanjiro, shireio tsutaeru!”

Matsuemon Tennoji(Kasugai Crow) “Tanjiro Kamado! Here are your orders!”

炭治郎「え？しゃべってる…」

Tanjiro “E? Shabetteru…”

Tanjiro “It talks!”

鎹鴉の天王寺松衛門「北西ノ町ヘェ向カエェ。ソコデハ少女ガ消エテイルゥ！毎夜毎夜少女ガ消エテイル‼!ソコニ潜ム鬼ヲ見ツケ出シ、討ツノダ！竈門炭治郎、心シテカカレ！鬼狩リトシテノ最初ノ仕事デアル」

Tennoji Matsuemon(Kasugai-Garasu) “Hokuseino machi’e mukae. Soko-dewa shojoga kiete-iru! Maiyo maiyo shojoga kiete-iru! Sokoni hisomu onio mitsuke-dashi, utsunoda! Kamado Tanjiro, kokoro-shite kakare! Onigarito shiteno saishono shigotode aru.”

Matsuemon Tennoji(Kasugai Crow) “Make your way to a town to the northwest! Young girls have been vanishing there! Night after night, young girl have been vanishing! Hunt down the demon lurking there and kill it! Tanjiro Kamado, prepare yourself well for this task! This is your first assignment as a Demon Hunter!”

炭治郎「最初の…仕事」

Tanjiro “Saishono…shigoto…”

Tanjiro “My first… assignment…”

ーーーーー

大正コソコソ噂話　その４　―Taisho Secret―

炭治郎「鎹鴉、皆さんにご挨拶だ」

Tanjiro “Kasugai-Garasu, mina-sanni goaisatsuda.”

Tanjiro “Kasugai Crow, say hello to everyone.”

鎹鴉の天王寺松右衛門「オ前ニ指図サレルイワレハナイ！コノ！コノ！コノ！」

Tennoji Matsuemon(Kasugai-Garasu) “Omaeni sashizu sareru iwarewa nai! Kono! Kono! Kono!”

Matsuemon Tennoji(Kasugai Crow) “I don’t take orders from you!”

炭治郎「いてて！いて…」

Tanjiro “Itete! Ite…”

Tanjiro [“Ouch! Ow…”]

鎹鴉の天王寺松右衛門「フン！」

Tennoji Matsuemon (Kasugai-Garasu) “Fun!”

炭治郎「もう…。ここで、大正コソコソ噂話」

Tanjiro “Mo… Kokode, taisho koso-koso uwasa-banashi.”

Tanjiro “Jeez. Now, it’s time for a Taisho secret!”

鎹鴉の天王寺松右衛門「ソレヨリ！次ノ任務ダ。早クシロ！」

Tennoji Matsuemon(Kasugai-Garasu) “Sore-yori! Tsugino ninmuda. Hayaku shiro!”

Matsuemon Tennoji(Kasugai Crow) “Forget that! It’s time for the next mission! Hurry up!”

炭治郎「分かった…分かったよ！」

Tanjiro “Wakatta… Wakattayo!”

Tanjiro “All right! I got it!”

炭治郎「次回、第六話『鬼を連れた剣士』」

Tanjiro “Jikai, dai rokuwa, ‘Onio tsureta kenshi’.”

Tanjiro “Next, Episode 6, ‘Swordsman Accompanying a Demon’!”

鎹鴉の天王寺松右衛門「オ前ラ！来週モ見ナイト、ツツキ回スゾ！」

Tennoji Matsuemon(Kasugai Garasu) “Omaera! Raishumo minaito, tsutsuki-mawasuzo!”

Matsuemon Tennoji(Kasugai Crow) “Hey, you there! If you miss it, I’ll peck you!”

炭治郎「おい！」

Tanjiro “Oi!”

Tanjiro “Hey!”

*Orange-colored sentence is my translation, since I couldn’t find real one in You Tube.

(Continue to episode 6)

#demon slayer #demon slayer romaji #demon slayer script #kimetsu english #kimetsu no yaiba #kimetsu romaji #鬼滅　英語　学習

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chanoyu-to-wa · 7 years ago

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Rikyū Chanoyu Sho, Book 6 (Part 17): Rikyū’s Hyaku-kai Ki, (1590) Tenth Month, 28th Day, Morning.

17) Tenth Month, the Morning of the 28th Day [十月廿七日之朝].

￮ Guests: Toda minbu [��田民部]¹, Maki hyōtai [牧兵太]², Shiba kenmotsu [��監物]³.

￮ 4.5-mat [room]⁴.

￮ Mon-sasu mizu-koboshi [もんさすこぼし]⁵; ◦ ichi-jū-no-hanaike [一ちやうの花生]⁶; ◦ [shi-hō-gama [四方釜]⁷;] ◦ [chaire: Shiri-bukura [茶入・しりふくら]⁸;] ◦ [Seto mizusashi [瀬戸水指]⁹;] ◦ [ori-tame [をりため]¹⁰.]

￮ Yaki-mono [焼物], kō-no-mono ・ sanshō [かうの物・さんせう], soup (nattō [納豆]), rice¹¹.

￮ Hiki (soshite) [引(而)]: sashimi (koi) [さしみ・こい]¹².

￮ Kashi: shiitake [椎茸], fu-no-yaki [ふのやき]¹³.

_________________________

◎ A gathering at which Rikyū served tea to three of his personal disciples -- who were also high-ranking government officials in the ministries of Public Affairs, Military Affairs, and the Office of the Bursar. The gathering may have been more of a private affair, rather than an official function -- perhaps Rikyū decided to invite these three disciples for chanoyu because the three men were scheduled to visit Juraku-tei, to confer with Hideyoshi (in their various capacities, and perhaps separately), on the same day.

¹Toda mimbu [戸田民部].

Toda Katsutaka [戸田勝隆; ? ~ 1594] was the Assistant Vice-minister of Public Affairs (minbu-no-sunaisuke [民部少輔]; the title is also pronounced minbu-no-shōyu), and also one of Rikyū's personal disciples. He is usually included in the list known as Rikyū shichi-tetsu [利休七哲]*. __________ *In other words, Toda Katsutaka was one of the people who were permitted to learn the gokushin no futatsu-gumi temae [極眞の二つ組手前], which means that he was one of the men whom Hideyoshi trusted implicitly.

The names on the list of Rikyū shichi-tetsu vary from source to source (suggesting that this was a product of the Edo period -- and, specifically, one of the Edo period propaganda machines, either that belonging to the bakufu, or to the subsidiary group that was controlled by the Senke -- rather than something maintained by Rikyū himself). Indeed, Rikyū is known to have taught the gokushin temae to a number of people, including some (such as Nambō Sōkei) whose names do not appear on any of the lists.

While the name Rikyū shichi-tetsu is usually translated “Seven Disciples of Rikyū” (or something to that effect), the word tetsu [哲] has a much stronger meaning: it primarily describes a sage or wise man, and only secondarily a disciple (in the sense that people like Mengzi [孟子], Mencius, or Zhuangzi [莊子], Chuang-tzu, were “disciples” of Kǒngzi [孔子], Confucius). So, because these individuals had been permitted (by Hideyoshi) to receive the teachings of gokushin-no-chanoyu, they were therefore legitimate exponents of the practice in their own rights.

²Maki hyōtai [牧兵太].

This refers to Makimura Toshisada [牧村利貞; 1546 ~ 1593], who is also sometimes known as Makimura Masayoshi [牧村政吉]. He was the Deputy-minister of the War Department (hyōbu-no-daisuke [兵部大輔]), and another of the men whom Hideyoshi permitted to learn the gokushin-no-futatsu-gumi temae from Rikyū (and so is usually on the list of the Rikyū shichi-tetsu [利休七哲]).

³Shiba kenmotsu [芝監物].

Shibayama Shun-ichi [芝山俊一; his dates of birth and death are unknown] was also known as Shibayama Sōkō [芝山宗綱]*. He was a kemmotsu [監物], an auditor in the Ministry of Civil Affairs, and another of Rikyū's personal disciples.

Shun-ichi was also one of the men who were permitted to learn the gokushin no futatsu-gumi temae, and so his name is generally included among the Rikyū shichi-tetsu. __________ *Usually rendered Shibayama Munetsuna [芝山宗綱], according to the usual Japanese pronunciation for personal names.

⁴Yojō-han [四疊半].

⁵Mon-sasu mizu-koboshi [もんさすこぼし].

⁶Ichi-jū-no-hanaike [一ちやうの花生].

An ichi-jū-giri that is said to have been made by Rikyū*. Note that he used the word hanaike [花生] rather than hanaire [花入] when referring to the flower container†.

In Rikyū’s case, the ichi-jū-giri was always used as a kake-hanaire. In this case, since the cha-tsubo was not displayed during the go-za‡, the ichi-jū-giri would have been hung on the back wall, in the middle of the toko. ___________ *Since Rikyū did not usually say anything about the hanaire (at least when it was a newly-made take-zutsu), his mentioning it suggests that there was something special about this hana-zutsu -- that it was one of the “original” containers that he made during the siege of Odawara (all of the guests at this chakai had participated in the siege of Odawara, and perhaps they also took part in the all-night flower arranging competition that Hideyoshi held while waiting for news from the front, so the use of this hanaire would bring back certain memories).

While the take-zutsu known as Onjō-ji [園城寺], Shaku-hachi [尺八], and Yo-naga [夜長] are known as the three original containers, Rikyū actually crafted a fourth container on that occasion: during the all-night flower-arranging competition (for which these containers were made), the ichi-jū-giri Onjō-ji cracked and began to leak (hence its name). During an intermission, Rikyū replaced it with a new ichi-jū-giri (sometimes referred to by the name of Odawara [小田原] -- though unlike the others, Rikyū did not write the name on it with lacquer: this name actually seems to have been coined by chajin in the Edo period), and it seems to be to this second “original” ichi-jū-giri that reference is being made in this entry. Since it technically had no name (unlike the others that were made at that time), Rikyū refers to it simply as “ichi-jū-no-hanaike.”

According to some accounts, the ichi-jū-giri shown in the photo above is the fourth take-zutsu from the siege of Odawara.

†Hanaike [花生] was the original term for a flower vase; hanaire [花入] was coined by the Sen family at the time when they tried to distance their practice from the world of ikebana. But, in fact, even now most “town teachers” usually offer lessons in both chanoyu and ikebana (as did Rikyū -- who also was one of the people charged with creating the large rikka [立華] arrangements for Hideyoshi’s reception rooms and shoin).

‡Displaying the cha-tsubo seems to have been a point of etiquette when serving tea to people with whom the host was on polite terms, since it showed them the source of the tea. When serving tea to close friends -- such as these three men -- this kind of demonstration was unnecessary, hence Rikyū left the cha-tsubo in the katte.

⁷Shi-hō-gama [四方釜].

Neither this kama, nor any of the following utensils, are mentioned under this chakai in the Rikyū Chaonyu Sho. With the exception of the chawan and the take-wa, however, they are included in all of the other surviving manuscript copies of this kaiki, and have been restored here from those sources.

⁸Chaire ・ Shiri-bukura [茶入・しりふくら].

⁹Seto mizusashi [瀬戸水指].

¹⁰Ori-tame [をりため].

As was usually the case, this would have been a smaller chashaku, made to be placed on the tray with the Shiri-bukura chaire.

Nothing is said about the chawan in any of the copies of this kaiki -- which is rather odd, since a chawan is absolutely necessary. Most likely Rikyū used the same chawan that he had been using in recent days (and also uses in his several subsequent gatherings) -- the Ko-mamori chawan [木守茶碗].

And, likewise, with respect to the futaoki, Rikyū doubtlessly would have used a take-wa [竹〇] -- it was extremely rare for him to use anything else.

¹¹Yaki-mono, kō-no-mono ・ sanshō, shiru ・ nattō, meshi [焼物、かうの物・さんせう、汁・納豆、めし].

The things served to the guests on their individual zen:

- yaki-mono: according to the other versions of this kaiki, the yaki-mono was charcoal-grilled salmon (sake [鮭]);

- kō-no-mono [香の物] are pickled vegetables, perhaps pickled in brine in the home*;

- sanshō [山椒]: sanshō is not eaten by itself, so this was offered to the guests as a sort of condiment† -- perhaps to give a spicy flavor the pickled vegetables (shin-tsuke are generally milder in taste than vegetables that were pickled for a long time);

- nattō-jiru [納豆汁] is miso-shiru with nattō‡;

- and a measure of steamed rice (meshi [飯]), in a covered bowl, as usual. ___________ *This kind of simple, homemade tsuke-mono [漬物] is usually referred to as shin-zuke [新漬] today -- they can be made from fresh vegetables overnight, and thus are more like a salad course than what is usually thought of as tsuke-mono (which are usually aged for a long time, and have lost much of their water).

Perhaps Rikyū served this kind of tsuke-mono because the weather turned cold and it was not possible to get fresh daikon and carrots to make namasu [鱠].

†At this time of the year, there would be no leaves, so “sanshō” would mean the prepared seeds (air dried), perhaps crushed into a coarse powder and served on the side of the dish on which the tsuke-mono were arranged. The guest would then dip each piece of pickled vegetable into the sanshō before eating it, allowing him to control the intensity of the flavor.

‡To make nattō-jiru, the nattō is first ground in a suri-bachi into a coarse paste -- which should be left in the suri-bachi until later. After making the dashi, daikon and carrot are boiled in it until tender. Then some of the dashi is poured into the suri-bachi, while continuing to grind the nattō (this process keeps the nattō smooth, otherwise it might clump and refuse to disperse properly). When well mixed and liquid, the host turns to dissolving the miso in the dashi; and when it is ready, the nattō and dashi mixture is poured into the miso-shiru, and the two mixed well.

In addition to the daikon and carrot, tōfu cut into small pieces, sliced aburage [油揚] (fried tōfu), and/or sliced konnyaku [蒟蒻] can be added to the nattō-jiru, as desired.

¹²Hiki soshite ・　sashimi koi [引而・さしみこい].

Koi-sashimi [鯉刺身] is sashimi made from the “wild” black carp (not the colorful varieties raised in garden pools -- and which can cost hundreds of dollars each). In Kyōto it was almost impossible to get ocean fish fresh enough for sashimi, so freshwater fish such as the carp were used*.

After the carp is boned and sliced into pieces of an appropriate size for eating, the sliced fish must be placed in a hot water bath (this is called arai [洗い] -- washing), before chilling it in cold (or ice) water. Then the flesh must be drained (some people put it on a cotton towel and roll it gently) before it is served.

Carp is said to taste best in winter, when the fish is fatty, hence Rikyū was serving it to his disciples at the ideal season. ___________ *Parasites seem to be a more recent problem. If the carp are raised in fresh flowing water that is not exposed to human sewage, the fish should be clean.

¹³Kashi ・ shiitake, fu-no-yaki [菓子・椎茸、ふのやき].

Shiitake [椎茸] were grilled before serving. Some people did this by roasting them over a charcoal fire, perhaps with a sprinkling of salt. Others (in Rikyū’s period) preferred to prepare the shiitake as dengaku [田樂]* -- that is, paint the underside of the caps (the “gills,” as they are called) with a sweet miso based sauce† as they are roasting. The shiitake are served with the miso-coated side facing upward, perhaps with a light sprinkling of sesame seeds.

Fu-no-yaki [麩の焼] are little bite-sized crêpes filled with azuki no koshi-an [小豆の漉し餡]‡. ___________ *It is said that the style of cooking known as dengaku first appeared during the sixteenth century, hence it was a novel taste at the time that would have been appreciated during the chakai.

†The sauce is made by mixing white-miso (though red miso or other varieties can be used, depending on the preferred taste) with sugar, mirin, and sake [酒] (the alcoholic beverage, not the fish).

Roughly one measure each of sake, mirin, and sugar, combined with two measures of miso, makes a suitable dengaku paste (though the amount of sugar may be decreased to taste -- in Rikyū’s period, kashi were supposed to be fairly bland and palate-cleansing rather than overtly sweet the way they often are nowadays). Modern-day “shiitake no miso-dengaku yaki” [椎茸の味噌田樂焼] recipes often include the yellow of one egg to make the paste richer (and yellower -- so that it better colors the dark brown mushroom caps), but it is doubtful whether this was included in Rikyū’s day.

‡Strained bean-paste (straining through a sieve removes the skins and makes it smooth) sweetened with sugar.

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pawsitive-pink-bear · 7 years ago

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#slime #sensory #stim #crunchy slime #pink #pastel #sense i #ori giri nal

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sepedalistrikdepok-blog · 7 years ago

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