[ID: two owl house drawings based on memes. The first one shows Lilith in her season 2B design sketched over the big bang theory "love is in the air? Wrong! Gad leak" meme. She's staring at the viewer with one eyebrow raised and her glasses are opaque.
The second meme is a redraw of a king of the hill scene, split into two panels. The first panel shows Belos holding up a sack of coins with magic, saying "here's 300 snails to break up with hunter". The second panel shows willow in her s2B design pointing at him and saying "save that money for our wedding". End ID]
I did two things today, and that was really beef it while making a sandwich, and draw shitty owl house memes, and baby I'm all out of sandwiches to post (@toh-described)
ur tags on that kenjaku post… oh my god you saw that too? i was truly horrified
YEAH… I saw that shit, I hate stsg so much lmfaooo. It’s so obvious that they want Getou to be the “girl,” so badly. He’s getting the treatment of every dark haired best friend in a popular shounen 🚶🏾♀️. He’s too good of a character for this!
-i know i said painter au chapter 9 was nearly finished but then i … decided to essentially rewrite it lol (i’m much happier with it now it’ll be worth the extra wait) it’s still not finished but i’m back in the groove and making good progress now
-i wrote a oneshot that people seem to really be enjoying! you know i love a little wilmon confronting trauma moment
-lake house .. so sorry to my lake house stans but editing it is tedious and i really don’t want to update until i’ve edited the past chapters, plus i think chapter 10 may need some rewrites so i’m not sure when she’ll be out but i promise it’s not abandoned! bear with me 😫
-lastly: i don’t want to get anyone’s hopes up but twitter got ahold of my maddierosh fic and really loved it so there’s been some … ideas for a follow up bouncing around in my little brain … it’s not my priority but sometimes i like to churn out a oneshot if i’m struggling with my longer pieces so who knows
thank you for your patience; and if you want faster updates i swear almost every comment i receive genuinely spurs me to open my google docs app and keep going in that very moment so do not underestimate the effectiveness of dropping a short lil comment on an old piece if you’re feeling impatient <3
The most helpful thing I ever realized about my own writing (specifically original works with literal years of worldbuilding behind them, but it also goes for highly developed fan works) was that it's only hard for me to trudge through scenes that feel dumb or expository or whatever because I'm used to this world. I've been situated in the details of this universe for a long time, working out the kinks in the rules and trying to find explanations for why things happen the way they do, and to me it feels dumb or expository or whatever because I already know this! But someone encountering my world for the first time won't know it, so they won't feel that way about this scene.
Same goes for getting caught up in minutiae and perfectionism with details. Being in it and trying to determine the process of how Point A and Point B come together in the story is such a detail-oriented view. The first read-through for many people will be much more big-picture view. It's okay to step back and try to see it from the reader's perspective. It's something you absolutely should do!
was watching a video and the guy made a really good point of “once art becomes content it enters a transactional ecosystem. on one end you have the creator and on the other you have a room of people looking to use that content to their own ends.”
I understand all these posts with the angle of "OMG new users don't know how the reblog system works -- we have to tell them so they'll reblog art!" Bc that IS true! I have seen new accounts roll up with 0 reblogs & just likes.
But, also, you cannot fucking pretend that the reblog/likes ratio has not been on a massive fucking decline for literal years before this. It is not just new users suddenly not reblogging -- it is a massive shift in how the Tumblr populace itself regards & interacts with art & artist.
gonna just throw out some of my original work/ oc content here bc otherwise they live in my head only and i like some of my recent work <3
a compilation of recent bandsona doodles! did you know you can do figure studies but then draw your own oc over the model? it gives me a lot of joy to draw my little silly bandsona in those poses sdjhfskdjfdhsk (i take most of my figure study references from 速写班长 and some from taking my own pictures)
and then i have a little wlw zombie comic page:
which could mean nothing!!! but also it's a little practice for getting used to the software's panel tools again + storyboarding + tone material;; but also putting down words are hard. which is why i draw animatics and don't draw comics :DDDD but yeah partially inspired by that one quote that goes lord i worry love is violence and partially inspired by other things
Happy one year anniversary to my Over the Garden Wall VHS tape project!
I made it in both orange and black. I like black more, but orange really feels more in the spirit of the season. I used the shell from a VHS copy of the Rugrats movie.
I made the box art using various screenshots from the show, as well as some promo art. The description was taken from the DVD release, and the description title “will you take a peek?” was the tagline during the promotion of the show.
The back also has a fun little easter egg: the barcode is for candy corn!
What’s more is the tape has a special cut of the series that I made myself. I cropped every single scene in every single episode to make sure it naturally fit in a 4:3 aspect ratio, and I edited the episodes together to flow as if it were one movie (the pacing is a little like Babe). Additionally, I added trailers for movies that give me the same nostalgic vibes (The Last Unicorn, Princess Mononoke, Steven Universe: The Movie, and The Iron Giant). I also added the Warner Brothers and Cartoon Network title cards.
I printed this cut into the tape by integrating a VCR into my PC setup. If you want to see more about this project, I have a few videos about it on my TikTok @MooseGBT, or you can check out the main one right here!
The video has an earlier version of the tape, which is why the actual tape doesn’t have a real label (it’s kind of just a piece of paper slapped on upside down with tape). The content on the tape, however, is the same.
This was a really fun project, and I’ve already started working on a VHS cut of Scott Pilgrim vs The World, Steven Universe: The Movie, the Star Wars Sequel trilogy (I have 1-6 on VHS, and I also want 7-9), and the other Star Wars movies (the Christmas Special, the Clone Wars, Solo, Kenobi, and Rogue One). I also have plans to begin editing and printing the FNAF movie, the spiderverse trilogy (once ATSV pt 2 comes out), and Don’t Hug me I’m Scared.
content. — sfw, non-sorcerer au, established relationship (marriage), mostly just fluffy domestic stuff, reader is addressed as ‘mom/mama/mommy,’ toji’s kind of a bad parent but he’s working on it, brief mention of toji smoking (cigarettes), overprotective!toji, very minor suggestive themes (from toji 🙄 he’s a walking cw/tw)
notes. — idk. this has been incessantly on my brain pretty much from the moment i woke up today, even to the point where i was writing half of this at the laundromat lmao. mother’s day yesterday had me feeling some type of way, so here have some fun headcanons from a strange eldest daughter!!!! (i might end up doing a set of these for gojo x reader too 🤔)
⋆ 「 — he’s not your biological son, but you’ve been around since you started seeing toji when megumi was still a baby. but now, a few years later, you might as well be his real mother. you certainly act like it and feel like it, so toji gladly initiates the conversation about official adoption. it just makes sense. you eventually explain the situation to megumi as best as you can simply so that he doesn't grow up thinking he was lied to or anything of the sort, but as far as he's concerned, you're his mom whether it's by blood or not.
⋆ 「 — and oh, megumi’s a mama’s boy. i imagine he’s just a little bit of a healthier kid vs. canon given the better family situation, but he’s still always a bit of a grumpy baby, appreciating his autonomy and trying to be as self-sufficient and mature as he can be. but he’ll most certainly run to you when he needs help, is truly hurt, or just needing a bit of comfort. you’ve always treated him so softly and kindly with understanding, so he honestly feels more comfortable coming to you most of the time instead of his dad.
⋆ 「 — he likes the way you organize the bookshelf in his room or fold and sort his clothes in special little ways. he gets upset any time toji tries to put a book back in the wrong place or can’t figure out where his damn socks are. gumi will scowl and say, “that’s not where it goes.” or go deadpan and be like, “mom always keeps the socks in the bottom drawer.” disappointed that his father can’t even remember. toji just grumbles and says, “your mama’s gonna ruin you.”
⋆ 「 — has called you 'mom' basically since he was old enough, but don't let him fool you. megumi will drop the big boy act and come out with 'mama' or 'mommy' when something's wrong or he's really excited. he'll come to you with quiet tears and sniffles, a little ashamed that he's crying, but present to you a scraped elbow, "mama... it hurts." you clean up the scrape and explain to him the little medical details in a somewhat understandable way to help him focus on something besides the pain, and you tell him that it'll be okay, and that it's alright to cry. or on the flip-side, you and toji take him to the zoo, little gumi on his dad's shoulders, and he gasps and points excitedly, "look, mommy! look at the big elephant!" and it feels incredible to see him be so spirited.
⋆ 「 — along the lines of the art from this post and the thought i had about it earlier, just imagine that you're at some event (maybe like a birthday party or something), and toji's been hauling megumi around. they're both so over it at this point and are like 'please get me out of this' so as soon as toji walks past the obnoxious inflatable bouncy house, he smirks and just YEETS that kid inside without a second thought. after regaining his breath, megumi just looks at his father with the most EVIL little scowl as other kids bounce around him with smiles. by the look on that child's face you could've swore that his father had just done him the ultimate betrayal.
so gumi slides out and hurriedly makes his way over to where you're sitting off to the side, quietly climbing into your lap for a little bit of solace. he wiggles in close to your chest and you tuck him under your chin with a ‘come here, sweetpea,’ rocking slowly and humming something soft because he always seems to like it when you do.
toji comes over and you look at him through narrowed eyes. "kids are supposed to like shit like that," he says.
"you know he likes when things are more quiet," you respond, and toji rolls his eyes at how you seemingly spoil your son.
"just thought it might be good for him to try and get along with the other brats." toji tries to cover up the fact that he tossed his kid for the sheer personal enjoyment of it.
you huff in disbelief. "oh, like you get along so well with everyone?"
he scoffs and moves in behind you, leaning down to place a kiss on your neck. "i get along with you," he says almost suggestively.
you just keep stroking megumi's hair and give the top of his head a gentle kiss. "yeah, well not today," you say, shooting a smug, resolute smile towards your husband, ultimately taking his son's side.
⋆ 「 — outside of his alone time, megumi would honestly much rather be with you instead of other children. toji thinks it's probably unhealthy and you're inclined to agree, but you also don't want to force megumi into situations that will just make him miserable. so, when appropriate, you don't mind at all pacing around with him in your arms or have him walk next to you (maybe holding your hand if he’s not in a ‘big boy’ mood), teaching him about the things you see in the woods, the park, or even the museum. when toji's not away working, he'll join too because it admittedly makes his heart feel soft to watch you two together. it always has, because you've been doing this with megumi since he was a baby. it never gets old. if it wasn't already so difficult trying to figure out how to do things right by his son, he'd want you to give him even more babies.
⋆ 「 — megumi likes doing things with his dad sometimes too, though. toji tries his best to do it right and watch both his mouth and his temper. you like seeing them getting along, even if it's just quietly watching tv or a movie (probably a cartoon where toji gets kind of into and will ask the occasional question like "why does that one stupid chick keep doing that?" and megumi just shrugs like, "i dunno. she is pretty dumb.") or playing ball outside because gumi's starting to show some athleticism. but you have to remind toji that he can't always be so rough or competitive with games because megumi is literally a child.
⋆ 「 — toji can also be way too overprotective of you two at times. you'll be out and about and he'll just be wearing such an intimidating expression as he walks behind you both, on the lookout for anyone who might want to cause trouble or take the wrong sort of glance at his wife. he'll even snap at people for walking too close or like cutting in line or something petty, and you have to tell him stop acting like an attack dog and looking like the grim reaper because dear god you're literally just having lunch at the park. even at his age, megumi's just eating his ice cream and looking at his dad with his little baby deadpan expression and thinking "this man really needs to take a chill pill." other times he can be more relaxed, however, obviously confident in his ability to protect you. it depends on his mood. but that still doesn’t stop him from being embarrassing and going off on people in public if something happens.
⋆ 「 — you also know all of gumi’s favorite meals and snacks. it’s yet another one of those things where, if his dad does it wrong, megumi expresses a disappointment beyond his years. toji will be making and packing his son’s school lunch just as instructed by the notes you gave him, but it’s by no means as neat and meticulous as when you do it. toji’s got a cigarette hanging out of his mouth with furrowed, concentrating brows, his free hand shakily reaching for a cup of fresh coffee, and megumi’s standing there with his little backpack, criticizing his father the entire time. “mom doesn’t do it like that,” he says.
“well mom ain’t here right now. and it doesn’t matter how the sandwich is cut, is still tastes the damn same.”
gumi doesn’t even physically react, still wearing the same neutral expression, just waiting for his dad to hurry up. “mom says you shouldn’t smoke. and she also says not to use bad words.”
toji scoffs and then smirks. “well mommy uses all sorts of bad words you don’t even know about when her and daddy have play time.”
megumi’s already almost late for school and can barely feel his feet from how tight his dad tied his shoelaces. he also asks you later about “play time,” and you want to absolutely murder your husband over it.
'Why creatives are seeking residuals' - thread by Stefanie Williams
[Tweet thread by Stefanie Williams @/StefWilliams25
TRANSCRIPT:
Why creatives are seeking residuals vs. "do you pay the mattress maker every time you sleep on a mattress?" A thread. I keep hearing over and over again that writers/actors/creatives don't deserve residuals for the work they create. "If I build a bathroom in a house, I don't get paid every time someone uses the toilet."
TRUE! However, your bathroom build has a set market value. Art does not. No one knows what makes one TV show an overnight success, and another a flop. No one knows what makes one song a hit, and the other a dud. If they did, trust me when I say record companies would be churning out Taylor Swifts over and over again. Studios would be making nothing but Stranger Things.
But that isn't the case. No one could predict Stranger Things would be a massive, billion dollar hit. No one could predict Taylor Swift was going to be a world wide phenomenon who literally could record herself reading Aesop's Fables and make millions of dollars. Which is why residuals are important. The pay structure protects both the creators and the publishers/distributors.
The easiest way to explain it is by referencing an author writing a book. Sure, an author might get a very modest up front fee, but the author is banking on royalties to really make money on the book — for every book sold, the author gets a piece of the pie. This protects both the author and the publisher—because if the book is a flop, the publisher doesn't go broke on a financial promise they made to the author that didn't pan out, and if the book is a mega-hit, the author didn't give away a massive, million-dollar book for 20k.
It's a sliding scale that is required for a product that has no set market value. What makes an actor's work on a hit show more valuable than an actor's work on a show that gets canned after five episodes? The market value for art almost always comes after the fact, so residuals account for that reality. They make sure the creator get compensated at a fair market rate. A person who builds a bathroom knows, upfront, what the market rate for a bathroom is. That bathroom won't suddenly be worth 1000 times more than you built it for in six months. It doesn't have the potential to be built for 20k and generate 20 million.
Residuals are a pay structure that simply account for an unsure market value. Trust me, we all wish we could quantify art in terms of dollars. But art is unpredictable. So studios and streamers -- which literally REQUIRE content to stay viable -- have to account for that unpredictability. And for studios (or record labels, or book publishers) it's always trial and error. The only way to get a hit, is to go through a few flops.
For every Whitney Houston, there was a singer you never heard of. For every Sopranos, there was a show that got scrapped mid season. For every Titanic, there was a movie that bombed. For every Twilight, there was a book about vampires that went nowhere. Residuals are kind of a reverse market valuation. They pay a fair wage for a product than can only have a set value once it's been created and effectively consumed.
And even then, shit changes. Anyone think Kate Bush would spend weeks on the top of the charts in 2022? Residuals account for unpredictable markets. And in order to have accurate residuals, streamers and studios need to be transparent and open about their data, which is one of the MANY things the WGA and SAG are both fighting for.