#or how many typos there are

[canonkiller]

but you can't keep holding on like this.

[cali]

history of speech bubbles

[stonerzelda]

I run a ytp sanctuary...yea a lot of them that once flourished 15 years ago tread close to endangerment now, so we do what we can to keep them happy and active here...oh look, that ones firin his lazar!! Haha he loves to "blahhhgh". It's a sign of contentment. We used to house them with the Kings but we found it was safer to seperate their enclosures on account of the threat of getting dinner blasted. Hm? Oh yeah thats Shaggys cage, he needs to be kept seperate to thrive since he keeps realizing we're the sherrif cuz we're out here and hes in there

[blighted-elf]

Didn't see anyone else mentioning this (it's not even posted on their socials yet), but Draw Distance are releasing another game... Vampire: The Masquerade - Reckoning of New York. - It's the final game in the Coteries of New York/Shadows of New York trilogy - It's set in 2024 - You seemingly can play as a Ravnos named Kali or a Caitiff named Pádraic - It features some returning characters, such as Julia Sowinski and a very cozy looking Qadir al-Asmai - There's a demo on Steam already.

[borrelia]

oh my god i dreamt i was at the theater and my tumblr mutuals were all there too in one corner. our theater host likes to stress 'PLEASE be quiet during the movie so other ppl can enjoy it' so when we were mid-previews and my mutuals started getting rowdy yelling "HEY IT'S THURSDAY!!" he got reallly mad...

[infriga]

Another thing from the One Piece live action that I have a lot of thoughts about is a certain change they made that normally I might have disliked but actually felt they did rather well.

That being, Luffy listening to crew members backstories.

In the manga Luffy often goes out of his way to avoid listening to crew member's backstories when they're told by other people, because he doesn't like hearing about his crew from other characters and also because he's of the opinion that he doesn't give a shit about their past because doesn't change how he feels about them. All he needs to know is "this person hurt my friend/made my friend cry/has ill will towards my friend". He trusts implicitly that if his friend has a problem with someone then it's with good reason, he doesn't need to know the particulars. He'll listen to the crew member themself if they're the one talking about it, but if someone else is doing the telling he often leaves or falls asleep, with a few exceptions (like Brook's backstory, because hearing Brook's backstory is important for realizing who Brook is, which crew he came from, and his relation to Laboon. I think the fact that the one telling him is another crew member also helps here). This was a trait I liked about him, the way he places importance on hearing about this stuff directly from the person and wants to know what they want and how they feel out of their own mouth. It was a cool, subtle trait that adds some depth to him. It also gives this sense of respect to the privacy of someone who doesn't get to tell their own story, maybe not intentionally on Luffy's part, who doesn't really have a strong concept of privacy tbh, but as a vibe you know? Obviously it's a good way to provide exposition especially if the character isn't the type to tell their own story, but there's still an invasion of privacy on some level even if it's arguably justified.

Nami's backstory is one such instance like this. He refuses to listen about Nami from Nojiko (literally says "no thanks I'm not interested in her past" and leaves). He doesn't need to know about Nami's past to want to help her and he wants to hear that she needs help directly from her.

In the live action however, he listens to Nojiko this time, when she tells Nami's story. And I get why, the way the story is arranged doesn't give as much room for Luffy to wander off and witness Nami's confrontation with the villagers separately, and that aspect of his character would probably be difficult to get across without making him seem like a dick in live action to newcomers, hell it doesn't always get across in the manga/anime either, since I've seen plenty of people complain about him doing it and saying it's a dick move. But! They added a line in the live action that I think managed to get across the same feeling about his character quite well in a succinct way. It was when he says "I'm tired of hearing about Nami from other people".

It brings to mind what he says to Robin in Enies Lobby. "I want to hear it from your own mouth!" he wants to hear about his friends and how they feel directly from them, not second hand from other people. And he wants to hear the truth because he knows when his friends are lying about how they feel. He doesn't care how well those other people know the crew member in question, he cares about learning about them directly from them. And later when they do the scene™ with Nami, it doesn't ring false when she says "you don't know anything about what's going on here" and he replies with "I don't" because to him since he didn't hear it from her directly he doesn't really know what's going on. He just knows that she's in pain and needs him but he wants to hear it from her, that she needs help. It isn't as subtle and doesn't have as many layers of interpretation that the original portrayal of this character trait is able to be, but that's just the nature of an adaptation like this, they have to be smart about what subtleties they keep and what they have to be more obvious/blunt about. There are actually a few areas where the live action are more subtle, like the way they take out a lot of exposition but still manage to explain a lot of stuff about their world through show rather than tell. The dialogue about devil fruits for example, they never outright say that devil fruit users have their power drained when they're submerged in water, but they do have scenes showing the effects and people referencing that aspect of fruits in ways that feel more natural to people who live in the world and aren't giving obligatory exposition. Other people have mentioned this but the live action is surprisingly good with show don't tell, and use it in all the right ways.

I get the feeling that some of the small adjustments they made to the script and exposition and stuff like Luffy's behaviour still feel right and in-character/canon compliant (not literally canon-compliant but in spirit if you know what I mean) to me because they feel like they get across some of the more subtle aspects of his character that a lot of people miss. Like it bugs me when people say the live action made Luffy "smarter" which I'm probably gonna make a whole separate post about. For now I'll just say, Luffy isn't anywhere near as stupid as a lot of people think he is.

Or when people think him not wanting to eat when he's worried about Zoro is out of character, when we've seen in the original series that Luffy actually *does* have a harder time eating or thinking about food when he's stressed out about his friends. In the original series it does generally take a bit more stress to get him to that point, but like I said I think they adjusted it to make this point more clear in live action, that Luffy's love of his friends and crew overshadow his love for food. And it also gives them a small moment to showcase more of Sanji's caring nature when it comes to food when he responds by trying to feed Luffy and convince him to eat, which is a great moment to add especially since they were limited with Sanji's characterisation due to him joining the latest in the season, they managed to pack in so much characterisation for him into a relatively short window and I was impressed by that. And I have some examples regarding Luffy abstaining from food for the sake of others or being more reluctant to eat when stressed, but I think I'll leave that for a separate post as well.

They had less time to develop the crew relationships so they made sure to emphasize their bonds within the scenes they did have, putting more weight on Luffy's worry for Zoro, having Luffy be a bit more outwardly attentive to the interpersonal dynamics of the crew, being a little bit more obvious about Luffy's emotional intelligence, etc. None of these things feel like they actually change anything about Luffy's core character, they just showcase aspects of his character that already exist and are just more subtle in the original, because it's a long running series and can afford to take more time to establish these character traits. Luffy might not have shown as much outward anxiety over Zoro's injury in the manga, but that's because Oda had more time to build up the relationship before that point, so the live action took advantage of the injury subplot to be more overt about how Luffy feels about Zoro, as well as how his one point of anxiety that really gets to him consistently is the safety of his crew and him feeling helpless when he can't do anything because the problem isn't something he can punch away. So in altering that scenario a bit they can still keep that sense of a deep bond between the two despite having less time to show them growing close in smaller moments like the manga does. They probably realised that having Luffy leave or fall asleep during Nami's backstory wouldn't come across as well in the live action or fit the narrative structure changes, but they still took a moment to add a line that acknowledged that part of Luffy's character.

Like part of why most of the changes they did make didn't bother me is because of that feeling that no matter what they changed they were still dedicated to being as true to the characters as possible in the most fundamental ways. I'd certainly much rather have the live action place emphasis on Luffy's emotional intelligence and empathy and care for his crew instead of putting emphasis on him being stupid and comedic and sacrificing some of his empathy and emotional intelligence in the process. Do I love when Luffy is a hilarious dumbass? Absolutely, but that isn't the most important part of his character, so I'm glad they did the opposite of flanderize him, and they still did keep the funny dumbass part of him intact they just didn't put more importance on it than they needed to.

Anyway, this got away from me, but I just wanted to make a post about this because I feel like it's a good example of how the show makes most of the changes work because it still feels like they get the core of the show and the characters. Which makes sense if Oda was so anal about it and had them change scenes or lines if they didn't feel right for the characters. Oda of all people would know what is or isn't in character for them, so I can feel the way these subtle changes still feel right despite the differences.

[wabblebees]

((please rb if you vote! obv this is just silly but im curious+wanna see ppls opinions<3))

[runomye]

If kingsisle isn't gonna let me see my favorite boys again, I guess i gotta draw them myself

[ask-spiderpool]

Not important but just as a friend, the accent mark goes over the first e in “divorcée” (same thing for “fiancé/e”) (don’t mean to be rude or annoying; I’m just autistic and for some fucking reason, my realm of “expertise” extends to French)

Oooh… I love you anon, you’re so sweet and sexy and I appreciateé your expertiseé… I think it just makes it funnier when I get it wrong.

[bones-of-a-rabbit]

CHAPTER THREE OF THE READERBOT FIC IS UP!!! 8000+ words y'all, i hope u like readerbot having mental breakdowns bc this one is full of em

who am i kidding 'readerbot has a mental breakdown in the middle of a hallway whilst on the clock and isnt even getting paid for it' is just the theme of the fic at this point.

[shower-phantom-ideas]

Yall imagine Danny getting help from Batman and tells him about how hes on the run (it was a joke in passing smh) and how he has no home (it was ment to be funny man) then all of a sudden Bruce way shows up on a totally casual stroll in his neighbourhood. “Oh look a child who is in need laaa dee daa let me help you poor random child who I have no idea who you are.” As if Danny is an idiot. He isnt fooled in the slightest. He knows when something is up. Batman clearly is using Bruce Wayne to help kids off the street.

Danny is staying at Wayne manner and notices how no one really talks about the bats. Or tif they do Bruce gets this look then quickly changes the subject. Hes putting so much effort into it too. And at first Danny hardly noticed. Now it’s obvious theres a connection. At first he thought Bruce Wayne hated batman with how often he refused to comment or gave his kids a glare when they mentioned the big bad bat. But now it’s clearly something else. Danny got a chance to talk to the commissioner alone and then it clicked. Danny had asked whats Mr.Waynes beef with Batman and the commissioner seemed so confused. Quickly telling Danny about how the two have worked together. How Bruce has even helped the bat with information or a distraction from time to time. Why would Danny think that he hated him???

And BAM Danny had it. Bruce Wayne is dating THE Batman!!! Holy shit it makes so much sense. Danny would often find batgear around the house. Bruce probably got targeted a bunch and thats probably how they met.

Now hes trying so hard to be supported of his clearly closeted father figure. He also gets why it’s not public info too. Paints a huge target on Bruce. Plus his many many kids. Must be hard for them. What a crazy life they live. Jason would probably be so jealous of their literal fairytale romance.

Danny tells Bruce that he is supported by him and that his secret is safe until hes ready to tell anyone else. Bruce niw thinking Danny knows hes batman shows up no mask and Danny goes nuts. “You can’t out yourself in danger to protect him bruce!!! You are just some himbo man!!! He wouldnt want this!!!” Thinking Bruce is going to try and fight in Batmans place.

Then Danny walks up and places a hand on bruces should (he has to reach lmao shorty). “I will go. I will keep everyone safe. You can count in me” transforms snd flys off to defeat the big bad. Leaving a fully stunned and confused bruce.

[shyravenns]

yeah yeah yeah Soap is dead, but how about Soap coming back and haunting every member of 141 like the clingy bastard that he is

Farah who never really knew Soap as well as the others, but still feels the gaping hole that his presence left. Farah, who finds herself standing beside Ghost underneath the cool night sky, and surprises herself (and him) with a joke that's so oddly distasteful about the state of their recent mission and feeling a soft warmth flutter in her chest at his light huff of laughter. Laughter that she feels as if she hasn't heard in months. Remembering hours later that herself that she could have sworn that there had been a brief, additional gust of laughter along the wind that neither of them bothered to acknowledged.

Alex who feels the unsettling quiet that's grown between all of them at all times as if it were a blanket. He knew Soap as well as one might expect from the very few times they worked together, and oftentimes thinks about the blossoming friendship between them that had died along with him. Alex, who often wonders about the kind of leader Soap would have been and places him in the tiny cranny in his heart that's reserved for every man and woman that's worked alongside him and died. Alex who feels the unwelcome *push* of hands that cause him to stumble so hard he feels as if his teeth has knocked out, and just barely remembers that he's in an active warzone before he glances up and sees the tall tale imprint of a bullet in the wall right where his head had been.

Rudy who had the privledge of actually becoming Soap's friend, and remembers the exact moment he heard the news. They weren't *close*. Not in the way that Soap was close with Ghost or Gaz or even Alejandro, but he still felt as if a bullet had pierced his own heart at the confirmation of his death. Watching at the brief flicked of emotions crossing Alejandro's face at another soldier lost far too soon. Rudy who flips through the long forgotten sketchbook that Soap had left during one of his visits to Las Almas, and delicately places his fingers on the sketches. Rudy who doesn't remember falling asleep, and wakes up with the scent of a long forgotten friend floating in the air and a sketchbook that's been left on an empty page he doesn't remember seeing. He stands up to get his pencil.

Alejandro who takes every death to heart, and keeps every dog tag that he can find stored in a drawer in his desk of all the men and women he had the honor of fighting alongside with. Alejandro who grieves at the absolute unfairness of it all, and vows to kill Markarov himself if he should ever have the chance. Alejandro, who still wants to believe that there is some sort of afterlife and that maybe there's a point to all of this. Alejandro, who loses *another* soldier and feels the weight of a hand on his shoulder that squeezes, and thinks that just for a moment that he can hear the faint whisper of bad spanish with a slight scottish accent in his ear. Words barely perceptible even by his own trained ears, and yet it brings a small smile to his face.

[kiloude-city]

Norman Osborn: This is my son-in-law, Peter, and his Husband, Harry.

JJJ: Is Harry not your actual son? Why does he not get the son title?

Norman: I don't ljke him.

[front-facing-pokemon]

[tea-cat-arts]

Stick these two in a room together-

[m4ruk4ts]

-throws these and runs away-