Can’t stand the way nonblack jinx stans treat ekko
2 notes
·
View notes
today in church one of the priests referred to trans people as "those who are growing into the gender they were called to be" and i'm kind of enjoying the idea of like....divinely ordained top surgery
27K notes
·
View notes
i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot
There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.
So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)
He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.
---------------
Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.
-----------------
Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.
I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.
He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.
Danny likes climbing things. This causes Problems For Everyone Else.
----------------
Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.
This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.
He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.
------------------
Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.
Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"
It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.
This is likely what leads to the "Danyal" conversation.
92 notes
·
View notes
Ah yeah. There was that excellent Twitter chain when the show screened from a practising psychologist talking about how bad the therapy was. /
i mean... there were also veterans, real veterans, who spoke about how that was the "therapy" assigned from the uS government so it wasn't so inaccurately. it I'd wrong but yeah they said that's exactly what they get which sucks... there was this woman specifically, a Black woman, she does tiktoks and so and she did a long video on YouTube talking specifically about that scene and how much it sucks that the real actual government gives them that...
I’ve seen that video. It was a great video with a lot of insight into veteran experiences. I don’t remember what she said about therapy specifically but she spoke a lot about how hard it was to get the system to recognise her trauma or for her abusers to have any form of retribution.
From memory though, most of the vets were commenting on the first therapy scene. The psychologist I referenced was also talking about that scene. It was a great scene of bad therapy, not because it’s unrealistic, but because sadly it isn’t. That said, it doesn’t affect the headcanon that the therapy program was just to keep an eye on Bucky. Vets who had poor experiences with the VA say they feel it was aimed at getting them back into duty without actually addressing their trauma. A lot of people (myself included) liked the first therapy scene when it screened, because we saw bad therapy for a traumatised POW and thought the story was going somewhere with it, but....uh, nope. (** This post is already getting too long but good storytelling isn't about realism, it's about creating meaning)
I haven’t seen many comments from vets (apart from one commenter on the other post, thank you 😊) specifically talking about the couples therapy scene. And I was talking about the couples therapy scene specifically as being so poorly done (and in context of the poorly researched writing elsewhere in that series) it's unrealistic.
Firstly, massive faux pas in Raynor disclosing Bucky’s treatment to JOHN F(ucking) WALKER. That’s a HIPAA violation right there and while Bucky might not know anything about it, Sam could report her ass right there and then. Also Walker somehow…can dictate the treatment program? (Although I wouldn’t put it past the military) But he’s not even Bucky’s superior officer? Bucky's not even in the military? Raynor said in the first therapy session that “you’re a civilian now” so how does Walker get a say?
Raynor then discloses treatment details to Sam - although I’ll let this one go because Bucky might have consented to that. She then insists Sam join Bucky for the session, which…can happen but neither Sam nor Bucky wanted it, and why would you want to spring a group session on not ONE difficult patient but two?
When Sam sat down, he had to ask her name, which means they’ve never met before. He tries to tell her it’s a really bad time, and it’s clear from his tone and body language that he’s not wanting to engage. She not only does nothing to address that, she doesn’t even do the basic courtesy of taking a history from Sam before launching into her confrontational “treatment”. Look, maybe psychologists are built different but a clinician starting treatment without even knowing the background? If we’re going to treat psychology as real therapy and not voodoo science, then like all physical treatments, it comes with risks. How TF do you assess that risk if you haven’t even talked to the patient??
So she then subjects Sam and Bucky to “couples therapy” which unsurprisingly triggers both of them because she hasn't assessed her patient. Sure, prolonged eye-contact between real couples is meant to increase intimacy and empathy. But you know what other situation people use prolonged eye contact? When the fight response is engaged and it’s a warning for imminent aggression.
So, good work fake therapist for doing the human equivalent of making two angry bulls lock horns then patting herself on the back on creating intimacy. “Look they are touching their foreheads together how cute” no the fuck not they are about to gore each other in the eye.
Luckily for her Sam and Bucky had enough wits about them to not actually hit each other, but they did the verbal equivalent of the same, and both of them left that therapy session more angry and hurt than they were when they started.
TL;DR - the second therapy session was a load of BS because
HIPAA violation upfront and throughout
Walker for no reason dictating Bucky's treatment
Raynor dragging Sam into therapy without having ever met him before
Raynor subjecting Sam to therapy without assessing him
Eye contact used erroneously in a situation that is likely to increase aggression
These are not just bad therapy, it's bad writing from someone who doesn't know how therapy works.
163 notes
·
View notes
The whole "Claudia is now his sister"/Louis' sibling comparisons are never gonna sit right with me because that's never going to erase the fact that Claudia exists as a vampire partly because of him. Their relationship will never have this clearly defined role of siblings in the same manner Louis had with Grace or Paul, even if he was their older brother and was implicitly given the role of providing for them as the successor and manager of his family's estate. Because Louis was never responsible in part for their creation, the reason why they existed the way that they do in terms of behavior and life itself.
It also makes his betrayal of her all the more heartbreaking in ways that him and Grace drifting apart never will. He was her father, and didn't provide emotional support for her. She had to turn the tables and try to assume the role of being on an equal level because of this failure but this doesn't make him not choosing her any less painful than it did the first time. Even as they shift roles, take or give emotional responsibility one has towards the other, the fact that Claudia exists the way she does because of him and Lestat will always be there.
64 notes
·
View notes
New headcanon.
That Diluc and Crepus are alike in a lot of ways and I get the impression that Crepus also lived vicariously through Diluc in terms of “I couldn’t be a knight so you go do that” even if he may have had some reservations with the Knights himself but wouldn’t wanna alienate them because of his kids or because of business reasons.
That Crepus and Varka have a begrudging mutual respect for each other but do not agree with each other’s tactics.
Crepus, like later Diluc, finds the knights inefficient. That he was working to bring down the Fatui in his own way secretly. There is some underground vigilante anti-Fatui group that Diluc later joined because he has contacts in Mond when he gets back.
Diluc is a kid and delluded into thinking the Knights are perfect and Crepus doesn’t wanna crush his dreams.
Then reality happens.
That Diluc has noticed some corruption already and has his reservations and annoyances. That that night was his final straw. That he’s relieved to be out of the Knights but feels like he let his father down but also has a weird feeling that he did the right thing by him.
And that he later learns more about the underground efforts and just how stupid the knights are being and that diplomacy doesn’t solve everything.
But he doesn’t wanna alienate them too much because of his begrudging respect for Kaeya.
And also he’s annoyed and slightly jealous that Kaeya took his position.
He secretly wishes Kaeya would leave but if he told Kaeya everything he knows it would destroy him. Or he just wouldn’t listen.
Or that Kaeya does know and wants to change things from the inside.
Or he stays because he thinks that’s what Crepus wanted and actually sees Diluc as disrespecting their father’s wishes.
Or Kaeya stays because the knights treated HIM well, and he doesn’t have any other family left. They ARE his family. His dad abandoned him and he doesn’t know where his mom is (if shes alive). If he has other siblings they’re probably working for the Order. His adoptive dad died and his adoptive brother views him as a pushover for staying perhaps.) Let’s also not forget that Kaeya was probably pressured into doing whatever he was forced to do as a kid as being an heir to the Abyss Order basically. He probably doesn’t know HOW to say no or stand up against institutional injustice. Anything is better than where he came from. So he mostly just distances himself from the Knights by hunting treasure hoarders for fun and gathering intel because his position is literally useless.
I also think Jean’s hands are tied because she’s also barely legal and has too much pressure and is probably going off some some handbook and can’t reorganize things too much to not piss of Varka when he gets back. Plus they’re short-staffed. It’s very likely Varka groomed Jean in some way to succeed him and just put way too much pressure on this kid so now all she knows is how to work. Yeah I don’t like Varka lol.
For Kaeya it’s like “don’t bite the hand that feeds”. Kaeya leaving the knights would lose him EVERYTHING and he cannot risk that. There’s also a real chance that Varka knows about his past and if he leaves, he would become a target due to him being potentially dangerous.
It’s just a big mess all around and Ragbros+Jean are dysfunctional adults that had unrealistic pressures put on them as kids.
17 notes
·
View notes
any thoughts on the darkest corner of the heart discourse?
I really need people to stop thinking that a random book is a harbinger of society's moral collapse. The more I see that rhetoric the dumber it gets.
So it's a romance novel (a fiction) about two adults (who knew each other when one was a kid, yes--don't know how old that kid was, but they are now adults and there was zero romantic or sexual contact when she was underage) who fall in love. All of which is a pretty common fantasy among the book's target audience. I don't see the issue.
I mean, I doubt I'll ever read it, but I have no problem with it based on the information I've gleaned.
19 notes
·
View notes
The press went NUTS when they found out the Dick was working as a pole dancer. It was big news, and everyone wanted to know how Bruce Wayne felt about his Baby Boy working as a stripper. B was… well, he was ticked. Not at Dick, no, he was just proud of him for getting a well paying job in an area he enjoyed. No, B’s fury sat squarely on the press. Papers that had gleefully printed sexual photos and articles about him were now aghast about Dick.
See, B’s whole “playboy” cover wasn’t originally exactly Bruce’s idea. He remembered vividly as a teenager the perceived humiliation of these adults sexualizing every little thing he did and of the constant anxiety of trying and failing to control his image; the way they seemed to pounce on any tiny flaw in his appearance or behavior and the paranoia that developed after the first of many photos of him was published of him just… going about his day, paired with a big red headline blasting him for daring to be a teenager. He remembered being terrified of being seen wearing a swimsuit and refusing to eat in public. So eventually, him leaning into this sexualization as a cover story wasn’t so much because he liked it, but because he knew how eagerly everyone would eat it up.
Now here was Dick, making an informed, consensual choice about how he wanted to be perceived, and they wanted to vilify him for it. So yes, B may have flew off the handles a bit, and yes, it probably wasn’t the best move to punch a reporter, but he had fought Hell to protect his kids from what he had gone through, and that sure as fuck wasn’t going to change any time soon.
145 notes
·
View notes
what if i lost the will to live like. as a joke. what then.
7 notes
·
View notes
malcolm seeing his pediatric therapist and sitting cross legged in the chair is so real
8 notes
·
View notes
Thinking about the therapy tapes and specifically how fucked over Vanessa was with her parents-
Forced to lie about her mom in court which ended in her death and got stuck with her shit ass dad, and when she escaped her dad she ended up stuck with a virus mimicking a manipulative serial killer with a similar name and personality as her dad- like she just can NOT get a break,,,,
Makes me wonder if that had an effect on how she cares for Gregory after PQ ending- like she wants to be a good guardian/sibling to him and make sure nothing that happened to xem ever happens to him. He's already going through enough and xey want to help and be the support for him that she never got, but she's just never sure what to say or do.
24 notes
·
View notes
also btw michelle lasso is a victim!!
8 notes
·
View notes
Every day I sit here or lie in bed thinking about how much purity culture destroyed me.
21 notes
·
View notes
in therapy today i just talked about the dark urge and astarion and my therapist was elated about it. it was fantastic. “wow you’ve really been using this story and those characters to process things. that’s amazing!”
the era of being ashamed of my interests is over. it’s apparently Cool and Healthy to use fiction to cope. i wish i could tell fifteen year old me about this it would blow her mind
13 notes
·
View notes
loudly bitching about someone over the phone for 40 minutes straight at work while coworkers sideeye me. sorry. i have never shown this behavior before and itll be another two years before i do it again
7 notes
·
View notes
So This Was A Little More Angsty Than I Recalled...
We’re probably both going to be bruised black and blue by the time this is over, Ezra thinks, blocking a hard swing and throwing it right back. The sun was setting when they started, and it’s nearly dark now.
Sabine’s eyes glow too gold for comfort in the dusky night. Just like he has every day for the last month, he bites his tongue and holds back his questions.
Hera and Zeb won’t tell him about whatever happened to Sabine on Malachor, Kanan and Okadiah are as lost as Ezra is, and if Ahsoka knows anything, she’s not telling. When Ezra brought it up to Mom and Dad, they just told him to be there for Sabine.
He’s been trying.
Sabine has not been cooperating.
So after a month of being there with no success, Ezra gave up and decided that it was time for some non-optional friendship bonding time, but even his best efforts at finding a so-bad-it’s-good holofilm like they used to watch together, even after making some really good movie snacks, all for her, she sulked and complained the whole time, being so—so—infuriating that before he knew it, they were yelling in each others’ faces about tropes.
Ezra stopped yelling, stopped the film, took her by the arm, dragged her outside into the Atollon landscape, and said that they were going to beat the crap out of each other.
(For Mandalorians, sparring is training, recreation, and even courtship. He figured… maybe it would work as therapy, too?)
He doesn’t feel bad about throwing the first punch, because she hit back twice as hard. Ezra thinks his lip is split from a hard hit to the front of his helmet, and Sabine’s knuckles are scraped raw and bloody. They circle each other, slower now than when they started. Her hair has blown out of her braid and sticks to her face in the heat.
It’s a little bit pretty, but now definitely isn’t the right time to think about that.
Sabine rolls one shoulder—he thinks it’s where he landed a decent punch.
“Had enough, tin can?” she demands, but the tension has started to drain from her body and she sounds a little closer to playful than he thought she could ever be again.
“Not if you’ve still got that attitude, wizard girl.”
“You’re gonna regret that,” Sabine warns. She settles into a stance, rocking a little, coiled like a spring.
“Probably,” Ezra agrees.
She draws a breath, and Ezra must have blinked or something, because in the space of an instant, she’s flown at him. He can barely see her in the dark and even the night vision in his helmet doesn’t help.
But he has a split second of advantage. In pure chance, she overextends, and he slams into her, sending them both tumbling through the Atollon dust.
She’s up on her feet again right away—or at least she would be, but Ezra snags her wrist, and drags her back down, flipping over so she’s neatly pinned beneath him.
All he needs is a knife to hold to her throat and it would be a near-perfect replica of the scene in the holofilm that started their stupid fight in the first place.
Sabine doesn’t say anything. She just lies on her back in the dust, looking up at him with the eyes that always seemed to see through his mask, but now they don’t look like they’re seeing anything. He hopes she’s processing her emotions and not disassociating.
Ezra is about to move off of her when something catches his eye, and he brushes some of her hair away from her face. It clings—not with sweat, but with blood. There’s a cut on her cheek.
“Did I hurt you?” he breathes, not sure what he’s even saying, and he draws away.
Flying up, her hand seizes his wrist, gripping painfully tight, even as her sharpening gaze fixes right where his eyes would be.
Ezra swallows dryly. The look she gives him is making him feel a thousand things that he doesn’t really want to sort out, now or ever.
“Sabine?” he asks. “What…”
He trails off. Her thumb slides to the little space between his glove and his sleeve, pulling the cloth back. Never looking away from his face, she pulls his arm up and softly kisses the pulse of his wrist.
“You’re dangerous, Ezra,” she smiles, breath on his skin.
Then, like the Spectre she is, Sabine is gone.
46 notes
·
View notes