#or do i mean a novel

[sassaffrassa]

It was a kiss between a man and his wife, and when it was over, the king closed his eyes and rested his forehead against the hollow of the queen’s shoulder, like a man seeking respite, like a man reaching home at the end of the day.

hi, i'm very cool and normal about these books, don't worry about me

on ao3 here

[diamond-vic]

I love Brackenpaw in the graphic novel so much oh my god. He’s so polite and he only speaks in normal (by normal, I mean not-all-caps lettering you’d see in day to day) lettering. It’s probably to contrast him with how excitable and loud Cinderpaw is, but since Every Single Other Character always talks in all caps it just makes him seem like such a polite quiet little guy.. I adore him so much

[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[blueinkjpeg]

Oh boy oh boy oh boy

[unforth]

Danmei and Baihe C Novels and Manhua Officially Licensed in English

Things are getting licensed fast enough that keeping a list like this up-to-date is basically impossible, but I saw someone asking in the tags so I figured I'd try. All titles are danmei unless otherwise noted (very little baihe is licensed so far). I've included Chinese titles, but sometimes publishers change the original titles so much that I can't track them down, apologies. I've hit the link limit on this post so I've had to remove NovelUpdate links, but they're still in the version of this post on Wordpress. Note that Taiwanese titles are not included on this list.

This is everything I know of as of October 24, 2024. There might be more. I tried. Resources used to compile this list: Danmeinews.com; this Carrd, last updated in March 2023; this other carrd last updated October 23 2024; list of danmei with official licenses on NovelUpdates; a similar list on Goodreads; danmei-specific list on Reddit that to my eye looks accurate for the larger publishers but isn't thorough for some of the smaller ones.

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Seven Seas:

The full list of danmei novels licensed by Seven Seas is here. The full list of danmei manhua licensed by Seven Seas is here.

These titles are in various stages of publication, from "entire series released" to "license literally announced less than a week ago." As far as I know, all Seven Seas titles are available world-wide, through major distributors and libraries, and in e-book and print formats. Seven Seas translation quality varies but the editing is general strong and the editions are sturdy and nice. Note that Seven Seas isn't without controversy, especially for treating their contractors poorly resulting in them unionizing. Some people have also been unhappy with the fidelity of their translations compared to the original Chinese (I've been satisfied personally but ymmv).

Mo Xiang Tong Xiu titles:

The Scum Villain's Self-Saving System (Ren Zha Fanpai Zijiu Xitong)

Grandmaster of Demonic Cultivation (Mo Dao Zu Shi)

Grandmaster of Demonic Cultivation (Mo Dao Zu Shi) manhua

Heaven Official's Blessing (Tian Guan Ci Fu)

Meatbun Doesn't Eat Meat titles:

Case File Compendium (Bing an Ben)

The Husky and His White Cat Shizun (Erha he Ta de Bai Mao Shizun)

Remnants of Filth (Yuwu)

Meng Xi Shi titles:

Thousand Autumns (Qian Qiu)

Peerless (Wushuang)

priest titles:

Guardian (Zhenhun)

Silent Reading (Modu)

Stars of Chaos (Sha Po Lang)

Fei Tian Ye Xiang titles:

Astrolabe Rebirth (Xing Pan Chongqi), written under the pen name Arise Zhang

Dinghai Fusheng Records (Dinghai Fusheng Lu)

Dinghai Fusheng Records (Dinghai Fusheng Lu) manhua

Joyful Reunion (Xiang Jian Huan)

Legend of Exorcism (Tianbao Fuyao Lu)

Mu Su Li titles:

Copper Coins (Tong Qian Kan Shi)

The Unseen Immortal of Three Hundred Years (Bujian Shang Xian San Bai Nian)

Lv Ye Qian He titles:

The White Cat’s Divine Scratching Post (Shenmu Nao Bujin)

The Wife Comes First (Qi Wei Shang)

Other titles:

After the Disabled God of War Became My Concubine (Canji Zhanshen Jia Wo Wei Qie Hou) by Liu Gou Hua

Ballad of Sword and Wine (Qiang Jin Jiu) by Tang Jiuqing

BAIHE: The Beauty’s Blade (Meiren Jian) by Feng Ren Zuo Zhu

The Disabled Tyrant’s Beloved Pet Fish (Canji Baojun de Zhangxin Yu Chong) by Xue Shan Fei Hu

I Ship My Rival x Me (Wo Kele Duijia x Wo de CP) manhua by PEPA

HET: Love Between Fairy and Devil (Cang Lan Jue) by Jiu Lu Fei Xiang

Mistakenly Saving the Villain (Lun Jiu Cuo Fanpai de Xiachang) by Feng Yu Nie

My Husband and I Sleep in a Coffin (Wo he Laogong Shui Guancai) by Wu Shui Bu Du

Run Wild (Saye) by Wu Zhe

There’s Something Wrong with the Chief (Du Zhu You Bing) by Yang Su

Thrice Married to Salted Fish (San Jia Xianyu) by Bi Ka Bi

The Villain’s White Halo (Fanpai Baihua Guanghuan) by Hao Da Yi Juan Wei Sheng Zhi

You’ve Got Mail: The Perils of Pigeon Post (Fei Ge Jiao You Xu Jin Shen) by Blackegg

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Rosmei:

Rosmei licenses are Singapore distribution rights only. There is a list of international partners organizing group orders here. I've personally placed my orders through Yiggybean, as discussed in reply to this ask. Most of these titles are only being released as print editions, tho titles that weren't originally on JJWXC (of which there are several here) WILL have e-book editions. My first book from Rosmei arrived, and I found the translation and editing to be very strong. I can't speak to how accurate it may be to the Chinese original, but it read smoothly and had very few errors. Overall, though they've made some mistakes, they've been communicative and responsive.

Ning Yuan titles:

BAIHE: At the World's Mercy by Ning Yuan

BAIHE (I think???) The Creator's Grace by Ning Yuan

priest titles:

Coins of Destiny (Liu Yao)

The Defectives (Can Ci Pin)

Drowning Sorrows in Raging Fire (Lie Huo Jiao Chou)

Other titles:

Albert, from Earth (Aerbote Laizi Diqiu) by Jie Mo Jun

The Bat (Bian Fu) by Feng Nong

Breaking Through the Clouds (Po Yun) by Huai Shang

Don't You Like Me (Ni Shi Bushi Xihuan Wo) by Lv Tian Yi

The Earth is Online (Diqiu Shangxian) by Mo Chen Huan

Everyone Loves the Cannon Fodder (Chuan Cheng Wan Ren Mi de Paohui Zhuma) by Qie Zai Shan Yang

Global Examination (Qianqiu Gao Kao) by Mu Su Li

Gold Class Enforcers (Jinpai Dashou) by Pao Pao Xue Er

How to Survive as a Villain (Chuanyue Cheng Fanpai Yao Ruhe Huming) by Yi Yi Yi Yi

Kaleidoscope of Death (Siwang Wanhuatong) by Xi Zi Xu

The Killer of Killers (Sha Qing) by Wu Yi

Nan Chan by Tang Jiuqing

Obsessed (Ki Ma) by Wu Chen Shui

Wine and Gun (Jiu yu Qiang) by Mengye Mengye

Wow, You Guys are Really Good at Gaming (Nimen Nansheng Da Youxi Hao Lihai O~) by Yi Xiu Luo

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Peach Flower House:

Peach Flower House titles are primarily for sale through their website and through some distributors, such as Amazon.com. Whether titles are e-book only, print only, or both varies by title. In my opinion, Peach Flower House has inconsistent inconsistent editing quality, but the books are very readable, and I'm excited that they're working with translators such as E. Danglars. I haven't bought any of their special editions so can't speak to their extras, but I've bought all their print translations and will continue to do so going forward.

Da Feng Gua Guo:

The Imperial Uncle (Huang Shu)

Peach Blossom Debt (Taohua Zhai)

Other Titles:

Golden Terrace (Huang Jin Tai) by Cang Wu Bin Bai

In the Dark (Zai Hei An Zhong) by Jin Shisi Chai

Little Mushroom (Xiao Mogu) by Shisi

University of the Underworld (Yinjian Daxue) by Ziloi

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Via Lactea:

The partial list of danmei novels licensed by Via Lactea is here, but there are titles I've seen them selling that aren't on this list.

Via Lactea titles are primarily for sale through their website and through some distributors, such as Amazon.com. All titles are either print-only or e-book + print. Only a handful have actually been released, the rest are licensed and presumably in progress. I've now read three titles published by Via Lactea and while the translations are decent I could wish the editing was more consistent. Everything reads as if it would have been improved by one more thorough proof read.

Jing Shui Bian titles:

Salad Days (Jing Jiu)

Silent Hearts (Mo Mai)

Other Titles:

Apocalypse (Quanqiu Jinhua Hou Wo Zhan Zai Shiwulian Dingduan) by Qi Liu

As I've Told You Before by Sheng Jiang Tai Lang

Dawning (Liming Zhihou) by ICE

Embrace You Till the End of the game by Hu Yu La Jiao

Euthanasia (Anlesi) by Feng Su Jun

The Fall of Summer (Ting Shuo Ni Hen Nan Zhui) by Jue Chu

Falling (Luo Chi) by Yu Cheng

Psycho (Feng Zi) by Xiao Yao Zi

Limerence (Wo Xichen Ni Nan Pengyou Henjiule) by Jiang Zi Bei

Lingering Game (Chanmian Youxi) by Tao Bai Bai

Lip and Sword (Chun Qiang) by Jin Shisi Chai

May I Touch Your Spirit? by Qing Mei Jiang

The Missing Piece (Maoheshenli) by Kun Yi Wei Lou

The Omega Who Wants His Baby Back by Yao Yao Yi Yan

Raising Myself in 2006 by Qing Lv

Rose and Renaissance (Wo Zhi Xihuan Ni de Renshe [Yule Quan]) by Zhi Chu

Killing Show (Sha Lu Xiu) by Fox

Soul Vibration (Linghun Saodong) by Dr.solo

To Rule in a Turbulent World (Luan Shi Wei Wang) by Gu Xuerou

A Tyrant's Cover-up Plan by A Ci Gu Niang

Was I a Scummy Bottom? by Cheng Zi Yu

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Aloha Comics:

A tiny, Hawaii-based press focusing on manhua. Titles are available through major retailers such as Amazon and Bookshop.org. I've purchased one of these titles - Nirvana in Fire - and was please with the quality despite a couple minor errors.

All these titles are manhua!

Day Off by Qing Cai

Heaven Official's Blessing Animation Manhua by Bilibili and Mo Xiang Tong Xiu (this is a manhua made based on the donghua, using donghua art)

Here U Are by DJUN

Link Click by Li Haoling and Haoliners (not technically danmei!)

Nirvana in Fire (Lang Ya Bang) by Hai Yan (not technically danmei!)

-

Monogatari Novels:

Monogatari Novels is based in Spain. These titles can also be ordered from at least some major retailers. Note that there has been some controversy about Monogatari Novels. I'm personally not ordering these works until more information is available.

BAIHE: A Clear and Muddy Loss of Love (Jing Wei Qing Shang) by Please Don't Laugh

BAIHE: Female General and Eldest Princess (NuJiangjun he Zhang Gongzhu) by Please Don't Laugh

How to Survive as a Villain (Chuan Yue Cheng Fanpai Yao Ru He Huo Ming) manhua by Yi Yi Yi Yi

The Legendary Master's Wife (Chuanshuo Zhi Zhu de Furen) by Yin Ya

The Silent Concubine (Ya Nu) by Qiang Tang

BAIHE: Soulmate manhua by Wenzhi Lizi

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BLoved Publishing:

ngl I can't figure out exactly what is up with this, and there seems to be some controversy related to them and their relationship with Monogatari Novels. Their website is depressingly low on details. However, this list is for completeness, so here we are. I'm not ordering from them based on the information currently available. There's more about the conflict between them and Monogatari here.

How to Survive as a Villain (Chuan Yue Cheng Fanpai Yao Ru He Huo Ming) manhua by Yi Yi Yi Yi

The Legendary Master's Wife (Chuanshuo Zhi Zhu de Furen) by Yin Ya

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Chaleuria:

As far as I can tell, Chaleuria has not updated their webpage since April 2023, so the current status of in-progress titles is unknown. All titles are digital and/or e-book, and I'm not sure how to purchase them as I haven't tried.

The Complete Guide to the Use and Care of a Personal Assistant (Zhuli Shiyong Zhinan) by Why Radiance

Deep in the Act (Ru Xi) by Tongzi

Fake Slackers (Wei Zhuang Xue Zha) by Mu Gua Huang (no longer available)

From Body to Love (Leng Yan E Nan: Xian Shenhou Ai) by Wan Wan Yi Xia

Interstellar Power Couple (Xingji Qiangli Lianyin) by Kun Cheng Xiongmao (no longer available)

Intoxicated Friends (Zui Qing Zhi Pengyou) by Ye Shu Ying

The Long Chase for the President's Spouse (Zongcai Zhui Fu Lu Manman) by Three Thousand Crow Language

No Money No Divorce (Mei Qian Lihun) by Shou Chu

Reborn into a Hamster for 233 Days (Chong Shengcheng Cangshu de 233 Tian) by Yi Shu

Records of the Dragon Follower (Cong Long Ji) by Yueren Ge

Urban Tales of Demons and Spirits (Dushi Yaogui Lu) by Qie Er

World Hopping: Avenge Our Love (Ni Wufa Yuliao de Fenshou, Wo Du Neng Gei Ni Song Shang) by Xiaomao Bu Ai Jiao (no longer available)

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Webnovel:

When I first made this list, I heard that Webnovel had a few titles but couldn't actually find them - but now I've found them, thanks to a list someone else put together. I'm including direct links to them, since I had so much trouble finding them at all.

Comrade: Almost a Cat-astrophic Love Story (Jintian ye Yao Nuli Dang Zhimao) by Demonic Fire (link)

My Boyfriend is a Dragon (Nanpiao Shi Tiaolong) by Chubby Strawberry Sauce (link)

The National Sweetheart Livestreamer is a Pro! (Quanmin Zhubo Shi Duiba) by Mo Shang Wang (link)

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Honorable Mentions:

There are a handful of titles I know of that are official translations of C Novels. These are not books with contextual queerness, but for folks with an interest in Chinese history and culture, they are worth checking out anyway, especially because understanding these stories can help understand the above books. Also, some have active shipping fandoms (for example, I've written for Romance of the Three Kingdoms and Daomu Biji). I've included two above under the entry for titles from Aloha Comics (Link Click and Nirvana in Fire) and here are a couple others I currently know of:

Dream of the Red Chamber (Hong Lou Meng) by Cao Xueqin, available in translation for free from Project Gutenberg

The Grave Robbers’ Chronicles (Daomu Biji) by Nanpai Sanshu (six volumes are available in English from Things Asian Press)

Journey to the West (Xiyou Ji) by Wu Cheng-en, in four volumes from University of Chicago Press

The Legend of the Condor Heroes (She Diao Yingxiong Chuan) by Jin Yong, in four volumes from St. Martin’s Press

Romance of the Three Kingdoms (Sanguo Yanyi), attributed to Luo Guanzhong, available in translations for free from Archive.org

The Seven Heroes and Five Gallants (Zonglie Xiayi Chuan), attributed to Shi Yukun, available in translation for free from Archive.org

Water Margin (Shuihu Zhuan) by Shi Nai’an, from Tuttle Publishing

RESOURCE: List of Chinese speculative fiction in English translation

RESOURCE: More Chinese speculative fiction in English translation

I will add to the "Honorable Mentions" list if I find any other more mainstream titles with official translations.

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Rumored Licenses:

Sometimes, I hear rumors about titles being licensed before the license is announced - and thus before we know which publisher has licensed them (assuming the rumor is even true). I thought I should note these somewhere. Titles I know of rumors about currently are:

A Certain Someone (Moumou) by Mu Su Li

Devil Venerable Also Wants to Know (Mozun Ye Xiang Zhidao) by Cyan Wings

The Fourteenth Year of Chenghua (Chenghua Shisi Nian) by Meng Xi Shi

Guide on How to Fail at Online Dating (Wanglian Fanche Zhinan) by Jiang Zi Bei

Immortal Koi is Going to Debut (Jinli Daxian Yao Chudao) by Mo Xi Ke

Mist (Bowu) by Wei Feng Ji Xu

-

A handful of other licenses are mentioned on the Carrd I linked at the beginning of this post; I have no idea the status of those titles and wasn't able to find information on them while putting together this post other than what was listed on that Carrd, so I've omitted them.

Now go forth, and buy some books!

[vela-pulsars]

not enough stonjourner art out there

[journey-to-the-attic]

the new nightmare is cool but i think not putting them in hanfu was an missed opportunity

(+ long hair version that i wasn't as sure about)

[strawbellyx3]

Some thoughts on JinMao in The Apothecary Diaries LN (spoilers)

I love how Maomao's love for Jinshi is written in the Light Novel. She's an unreliable narrator and can't put a name on what she feels for a long time and heck, for the most time she doesn't even want to. The beginning of volume 6 showing this perfectly when she didn't want to leave Jinshi's hair stick behind, carried it with her and when she slept, she kept it near her chest because she didn't want to have it anywhere where she could see it. The symbolism *chef kiss* (she doesn't want to face her feelings but also still carries them close to her chest)

She purposely chooses to avoid thinking about any potential feelings for Jinshi and at the end of the same volume it's also stated that she does have some kind of affection for him that she can't yet put into words.

For readers, it's easy to view Maomao's avoidant attitude as disinterest. Even more so paired with how she doesn't seem to ever be nervous around Jinshi. But really, we don't need blushy nervous Maomao to understand what she's feeling. Her feelings come to show everytime she worries about Jinshi's well being and goes out of her way to get him to eat and rest, takes time of her own day to make sure that he's well.

When at the beginning, she always considered him bringing all these tasks to her as bothersome. Maomao just wanted to experiment with poison and make medicine, she didn't want to spend time on anything else, really.

Then, in volume 9 she's even willing to give up her agency if it meant helping ease his burdens.

Maomao, miss "I don't want to have anything to do with this, this is bothersome" tells him to use all of her. Use her until she falls apart. (while kabedoning him, love Maomao being an absolute girlboss even when she tells him to use her)

She's worried by his selflessness. How he's unable to use other people to reach his goals and shoulders everything on his own, wanting to save everyone. Maomao gets upset by it and worries he'd never get anything in return and become as luckless in life as her adoptive father. Who carries the same selflessness and kindness.

I don't think we talk enough about how much it means for Maomao to get to a point where she would rather get used by Jinshi than to see him exhaust himself.

This whole scene afterwards is just..generally really heartwarming honestly.

(Volume 9 Chapter 20)

Her hands went to Jinshi’s cheek. “You’re only human, Master Jinshi. You’re not some mythical immortal who can save everyone.” She held his face in her hands, the fingers of her left hand brushing his scar. “You can be wounded, scarred, brought low. Only human.”

Who was she talking to? She knew Jinshi was standing in front of her, but for some reason she kept seeing Luomen’s face.

No wonder I’m so upset. The principle that drove Jinshi’s behavior seemed very similar to Luomen’s. She was afraid that if he went on like this, he would end up just as luckless in life as her old man. Just like Pops... He’d spent himself trying to rescue everyone and everything. Like a fool. He should have wanted more, been greedier, but instead he’d suffered his fate patiently. Suffered and suffered, and for what? To become an old man resigned to his empty hands. This was, it was fair to say, Maomao’s one criticism of her father. She’d felt it keenly in the affair with the Shaonese shrine maiden. She respected Luomen immensely. A man who never lost his kindness no matter what unhappiness he encountered was like a miracle. The price, though, was that his body and his heart were both battered. In time he became so that everything he did, he did in the expectation of defeat. Would Jinshi end up like him one day? Or— “Please, please don’t go doing anything else like burning a brand into your skin,” Maomao said. “I heard you...the first several times,” Jinshi replied. “Are you sure?” A smile flitted across Maomao’s face, and she slowly pulled her hands away.

[fisheito]

I want to be in the room when this massage happens

[aslyran]

Yoohankim grocery shopping AU for @/constellaorv on twt⭐️

Thank you for donating to the @orv-gotcha-for-gaza !!

[twirlymarimo]

one piece magazine vol. 18 ⚔️🍴

[phoenixkaptain]

Novel A New Hope Vader is my favourite Vader (so far) because he Is Anakin, he is everything Anakin is set up to be. He is intimidating, he is overwhelming, standing next to him feels like standing next to a black hole, he is-

The biggest little shit in the entire galaxy.

You canNOT convince me that he didn’t say half his lines with a shit-eating smirk. He is awful to be around, he is the worst person to ever exist, he is SO annoying.

And Novel Vader is so Anakin because the book can give us details the movie can’t. The book gives us the author’s choice of wording, the way the author intended the scenes to be, and Vader is such a little shit almost constantly but my FAVOURITE will always be when Tagge talks back to him about the Force, saying it isn’t as powerful or scary as he makes it out to be and Vader just-

“I find,” Vader ventured mildly, “this lack of faith to be disturbing.”

-the WORD CHOICE. The fucking WORDS chosen.

“Ventured”??? “Mildly”??? He is CHOKING this man!!! This man is DYING!! He is being such a little shit right now, this is it. This is the Him, this is Anakin Skywalker right here. He is using unnecessary force and being a bitch about it and there will never be anything that so perfectly encapsulates Anakin Skywalker than this fucking scene in this fucking novel.

On the topic and as a brief aside, the novel is what makes me think that Leia was planned to be Vader’s kid, or at least a narrative mirror to Vader, right from the start. She is also such an Anakin.

“Darth Vader… I should have known. Only you would be so bold— and so stupid.”

She just… also. Encapsulates Anakin. Like. Yeah. Yeah, this is what he could have been. He could have been a terrifying figure that people rallied behind. He is loyal to the death, as is Leia. She spits on Darth Vader while he’s having her dragged away. She mocks him to his face. This is the character that the Anakin Skywalker of future movies mimics. Her passion, her anger, her being a little shit and insisting throughout everything that it WAS a diplomatic vessel and they WERE on a diplomatic mission.

Leia is the first character to face down Vader in this novel and not show fear. She is the first character who refuses to submit in the face of the scariest guy in the galaxy. She continues to refuse to submit. She’s just. A great fucking liar.

Leia puts all her trust, her very life and the sake of the entire rebellion she’s fighting for, in a droid. An astromech droid. She begs for them to take the droid further, not for them to find her. She’s willing to die, and she trusts her death will not be in vain because she trusts a droid.

And that, if nothing else, is all the proof needed that Leia is what Anakin could have been.

[taradactyls]

Something I love about how Pride and Prejudice is told through an omnipresent narrator, aside from the witty remarks and insight into other characters it allows even though it's usually focused on Elizabeth, is how it plays on the audience's own prejudices and assumptions.

The narrator tells us very early on, chapter 4, that Darcy is "haughty, reserved, and fastidious, and his manners, though well-bred, were not inviting." We've already seen that when we meet him the previous chapter, and will see more of it in those following. But it's the readers, along with Elizabeth, who take that observation as not only a list of flaws (despite only the first actually being negative) but presumes even more damaging flaws must be attached to it. Darcy can be off-putting, especially so in the setting we meet him in: he dismissed Elizabeth within earshot of her, didn't engage with people attempting to converse with him, etc. It's easy to assume the worst of him in a world so driven by social niceties, and because we follow Elizabeth, who is so lively and playful amidst the rules which govern society. Elizabeth thinks he's bad tempered? It would make sense - he hasn't shown consideration for others much socially, why would he care when he's angry? He acted from resentment and jealousy and went against his father's will? That's not such a jump after the conclusion of a bad temper, his own acknowledgement of implacable resentment, and evidence of pride. The awareness of one offensive trait so naturally leads to prejudice against it, that we easily assume still worse qualities must exist. We are as mistaken as Elizabeth.

Even the idea that 'No, Darcy was never haughty or rude, he was just shy and misunderstood, the narrator is wrong' is just magnifying that prejudice. Yes, we do find out later that Darcy is not at ease among strangers, and was always intrinsically good; his morals and core values meant he was never as bad as Elizabeth believed. But that doesn't mean he was without flaws, and it's so fascinating that some analysis of his character seek to completely remove the negative traits which he eventually overcame after acknowledging them in himself. The logic seems to be that they feel if he had them in the start that he isn't actually such a good person. It's just another example of being so prejudiced against certain flaws that it's impossible for some people to reconcile that there doesn't have to be more serious failings attached, and someone can still be a good person despite being arrogant and not always nice. It's, ironically, being prejudiced in the exact same way that Elizabeth was at the start of the novel. It's amazing that Jane Austen was able to tap into that aspect of human nature so deftly, and invoke in both in her main character, and readers to this day.

Now, of course, the story is so well known it's rare for anyone to read it blind, so it's less likely anyone will be unaware of Darcy's good qualities despite first seeing his worst. Even if they do, Pride and Prejudice has become so genre defining that new readers who are the slightest bit genre savvy will be more aware than contemporary audiences were. But even if we know the story it's still so understandable why Elizabeth feels the way she does. We see what she sees and feel her conclusions make sense. Just as, even though the narrator tells us Darcy is starting to catch feelings for Elizabeth, we fully comprehend her not noticing and believing there's a mutual dislike. And though that is concrete evidence of Elizabeth not reading Darcy and his motives correctly, we are still so sympathetic of the basis of her prejudice that her continued belief in Darcy's lack of virtues makes sense from her point of view. We can see, as she later will, that she takes it too far, and should have noticed evidence to the contrary, but her prejudice against him based on his early behaviour and her pride at reading people correctly is so understandable.

Basically, in a story about the characters' pride and prejudices, I love, love, LOVE how the narrator's voice brings out those same traits in readers the exact same way we see it presenting in Elizabeth. We're all on that journey with her, and we can likewise learn the same lessons about ourselves as she does. Pride and Prejudice feels timeless, because even though society and thus the nuance changes, the book is about human nature, and that remains essentially the same.

[spindlewoed]

You have to understand. I don't "ship" Harry with the smoker on the balcony, I think whatever they have going on canonically is way funnier and touching than anything anyone could come up with.

There is so much within the dynamic itself. It’s a middle aged man and a younger man who are nothing alike and everything like each other. It’s the smoker being the person that kickstarts Harry’s sexuality journey anew, seeing Harry’s fascination with him and being amused by it because (aside from Harry being probably the first man in a while who’s managed to leave him dumbfounded in a positive way) the smoker *knows* what’s happening in Harry’s mind and as he puts it, it’s beautiful.

Don't get me wrong, the mutual attraction is there. The smoker flirts with Harry every other two lines (girl why the fuck are you flirting with a cop you're insane. I'm obsessed with you) yet makes fun of him in the same breath while Harry is absolutely clueless the whole time because he's too busy staring at his abs. Couldn't come up with anything funnier if I tried.

I love this high drama check, this is exaclty what it feels like to speak to clueless boomers who have no idea what they're talking about. Still, once Harry admits that he might be part of the "underground" as he puts it, the smoker is immediately excited and encourages him to think about it. It's very sweet.

(I know everyone has probably seen this dialogue 100 times by now but I love the phrasing here. literally twink_boutta_pounce.jpeg)

And as a side note I really like this emphaty check in response to Harry's little breakdown after the failed suggestion check the first time you meet him. The smoker like damn he just like me fr.

I don't think more smoker interactions were needed at all or that they would ever talk again post-game but it's interesting to think about what other converations they could have, even just so we could learn a bit more about him. They both have an interest in art. They're both stuck in a place they can't leave if they wanted to and yet find beauty in it, they both have regrets about past relationships. They both find talking with the other a charming experience in a way or another. If I want to be indulgent, they both could benefit from learning about what being gay means for a younger/older generation, especially since they both have such different life experiences with their identities.

It's all fanfic talk, and obviously no cops at pride and so on but their interactions did make me think about community and recognition through the other. A flirt for the sake of a flirt, a “maybe in another lifetime” but this lifetime is good too because they did meet and leave an impression on each other before parting ways. That's *beautiful* too.

[bizarrelittlemew]

ok but what if THIS

is the VERY first shot of season 2 episode 1 (and/or the first time we see Stede)

imagine it. the sound of waves crashing on the rocks. Stede looks at the bottle, music slowly fades in. he lifts his gaze, looks out over the ocean. wind blowing in his hair and his billowing shirt. he tosses the bottle as far as he can. we see it bob along on the waves. he nods to himself, has that same smile as when he rows out to find Ed at the end of season 1. perhaps he whispers something like "I'm coming back, Edward"

then he goes back to the crew and they ask him where he's been and he proceeds to get absolutely ROASTED for using bottle messaging like

"oh my god no one does that in real life"

"you threw trash in the ocean, congrats"

"that's it, we're doomed"

cue title card <3

[the-crooked-library]

one of the interesting things about writing original fiction is that eventually you develop a sense of what is meant to be on the page and what would fare better remaining inside your skull. it is a skill to take a pause and think to yourself - no. this would be misplaced.

and it's not even about purple prose or anything of that sort, it's just that some things are for the author to silently Know, and for fanfiction writers to pull from a bunch of sideline implications later