#or a duolingo creator

[locallygrowndaikon]

If youve been wondering where ive been

[dipplinduo]

PSA @kyokokusakabe and @dusk-the-ghost-trainer are committing hate crimes against linguistic learning & multiculturalism. Cancel them now. Or your Duolingo subscriptions get cancelled. >:(

[smimon]

Käärijä-inspired style for Pokemon GO and Duolingo

[goodjohnjr]

Head Congestion & A Mental Block & Memory Loss & A Hidden Language Learning App?

File:Hand Gesture – Holding a Phone Vector.svg I forgot most of my dreams because of physical symptoms like head congestion mixed with several other things. Part of this dream involved an unknown language learning app. Or a shortcut on our mobile phone’s desktop that seemed to be one. When trying to investigate this. There was a mental block, missing memories, head congestion, et cetera in…

[daedraphantasma]

New video on YouTube showing a few clips from 2022 - 2024 I’m excited for this one !!

[ninjagui10]

209, LesGOOO

Vocês já fizeram seu Duolingo de hoje?

Tão fazendo qual curso? 🤔

[inthelittlewood]

Do you have tips/suggested websites and apps for Japanese learning? Duolingo is a nightmare to work with for me.

Alphabet first is definitely the biggest advice

Lingodeer over Duolingo imo, it has better pacing and deeper documentation per step

Paul Noble's audiobooks was great for grammar and sentence forming (as well as getting to hear Japanese)

When you feel up to learning some Kanji, WaniKani is a site I've just bought lifetime membership for, it really works for me

I just started playing Learn Japanese RPG: Hiragana Forbidden Language on Steam too which is teaching me lots of phrases (and helps refine alphabet)

Also the YouTube channel GameGengo is a personal favourite as he uses games as his canvas for teaching which I enjoy

Corocoro comic in Japan is like Shonen Jump but for younger kids. It has furigana meaning you can easily use Google translate to slowly self translate and learn. They have tons of their comics free on their website

Then aside from random TikTok creators I follow I think that's all my learning resources currently. HEARING Japanese is just as important as reading it, so you can get used to pronunciation and the like - I listen to Japan Top 50 on Spotify, watch anime (obviously pronunciation is exaggerated there) and podcasts exist too so you can hear it, even if you don't understand what's being said

Edit: I can't believe I forgot to mention HelloTalk, I basically use it like Twitter but for JP / ENG crossover posts. I ignore a lot of its other features

And once you're feeling more confident Todaii has daily articles from Japanese media with labelling for N5 and beyond levels (lots of furigana too)

[mandarinmoon]

how i'm studying mandarin (in 2024)

as a low-maintenance language learner working a 9-6 office job, i've been muddling around how to improve my mandarin in my free time and keep it fun! And I've found what works for me (thanks to a lot of lurking on here - appreciate all you mandarin langblrs <3), so wanted to share :)

Evening lessons (or italki) - Self studying is great but I do need a kick up the ass sometimes, so these really help. Plus my teacher is great at giving tips here and there which I probably wouldn't pick up on on my own.

ChinesePod - Their podcasts are really well made and accessible, I can't recommend them enough!

HelloChinese - This is my 'I'm bored waiting for my train/bus but I still want to learn Chinese' option that isn't Duolingo. It's not perfect but it has fairly good grammar explanations and native listening segments. You do have to pay a subscription if you're over HSK1 level FYI.

I am an anki hater first and foremost, so here's the vocab learning / dictionary tools I use instead:

TofuLearn - It's straightforward, uses spaced repetition learning AND teaches you stroke order - so ticks all my boxes. Picked it up due to @marilearnsmandarin's posts about it!

Pleco - Obviously, everyone has it downloaded for a reason.

Yabla Chinese Dictionary - Not seen this one talked about so much, but would recommend! It sometimes has video examples of the hanzi in use, which I find helpful.

A big goal for me this year is to consume mandarin content more regularly! It's all well and good watching Peppa Pig, but I need something that I actively want to engage with:

Bilibili Comics - Currently reading 肉店楼上的工作室 and able to understand a fair chunk, so would recommend as a "easier" option.

Mandopop - Not sure how much I'm picking up from listening, especially at my level, but it's fun to jam out to some good tunes. Faves include TIA RAY, Song Qian, Lexie Liu, No Party for Cao Dong & Shi Shi.

Dramas/Movies - Modern chinese dramas are a lot more hit-or-miss for me, especially compared to historical/fantasy. Recent faves include Accidentally in Love & Stay with Me (on Netflix/Viki). Currently watching Reset :) Any other recs, please send my way!

YouTube - I have a separate YT account just to follow Taiwanese/Chinese creators - it takes a bit of searching but you can find some great youtubers who talk about whatever hobby you're into (whether that's cute golden retriever vlogs, travel vlogs or reading vlogs!)

[wiisagi-maiingan]

I get that it's extremely frustrating when language learning programs add fictional languages before they add certain real ones, but I also think it's important to point out that fictional and real languages are NOT comparable in terms of learning difficulty or creating courses.

Fictional languages don't have hundreds and thousands of years of history and culture behind them, they don't have numerous dialects (some of which are only spoken in very small communities), they don't have a ton of cultural and social context and nuance from developing slowly over time, etc. Most fictional languages even have complete written guides by their creators; others are only partial languages where people just want to learn them to understand some lines from their favorite shows or books.

Is it frustrating and hurtful that Duolingo has languages like High Valyrian but not my tribe's very real language? Sure, of course, but Anishinaabemowin isn't fictional; it's a hugely complex language that is difficult to learn and that needs to be treated with thoughtfulness and respect, and I don't WANT it to be added to language learning programs of it's going to be half-assed, done incorrectly, or involves exploiting the labor of Aninshinaabe speakers.

[yuukirita]

Hello! I don't know if anyone told you this, but Hello Kitty is five apples tall. So is she taller than babybee in your AU, or are the cybertronian apples different?

and for your secondbee, I believe that music Like Him by Tyler The Creator matches. The song talks about parental alienation, but I believe that every art form is open to different interpretations, that's why you have so many Aus.

Sorry for any spelling mistakes, English is not my first language so I translated it using Google. I'm from Brazil! I'm trying to learn English through Duolingo. I really like your art and history, hug hug hug!

You're either the second person to tell me this... Or, Anon, I know exactly who you are... I heard the song, said I'd maybe do something with it. hug hug

Anyway- Hello Kitty is five apples tall???? Adorable! I think proportionally, Cybertronian apples (if they existed) are about the same as earth apples. Would fit in your palm. That's not a good way to say it because Apples and Palms both have a very wide size range. Especially Cybertronian palms. But em... yeah. She's taller than Baby Bee. But only when compared to non-specific apples.

Either way, BabyBee is very small. I do have a lot of Aus. It's very fun! Also: Don't worry about spelling. English isn't my first language either. And I have terrible reading comprehension so... Yeah :D

[errorca-learns-norsk]

Free Norwegian Language Resources

I see many learners looking for Duolingo alternatives and realized I haven’t shared any new resources in a bit! So here are my personal favorite Norwegian learning resources that are completely free!

NTNU’s NoW (Norwegian on the Web) — Online independent learning course developed by a Norwegian university that progresses from beginner to intermediate level. Includes reading, audio, practice exercises, and grammar! [A1-B1 level]

Norskappen (App store link) — Fantastic vocab practice with real human spoken audio! There is also preposition practice, article gender practice, and verb practice. The app’s creator actively listens to and incorporates user feedback (link to Reddit post by creator asking for feedback). [A1-B1 level]

Norsklærer Karense on Youtube — Grammar and vocabulary videos produced by a Norwegian language teacher. Lots of in-depth explanations of grammar with examples, differences between similar words, and advice and information about taking the Norskprøven (Norway’s official language test). [A1-B2+ level]

If you are aiming to take the Norskprøven at B2 level, your best resources are often going to be the ones not designated as a “course” — reading articles on NRK or Store norske leksikon, watching Norwegian news/debate shows and podcasts (since B2 level involves being able to reason and defend an opinion) like Debatten or Dagsnytt 18, and lastly, producing your own language in written or spoken format. For that last one it helps to find a tutor who can practice with you and correct your writing, but besides that you can really come a long way for free!

Lykke til! 💫

[dedalvs]

I’ve ADHD, and right now I’m with the hyperfixation of learning High Valyrian. Your Tumblr is one of my favorites currently, I love all the info you upload here and you share with us 😭🩷 some advice to learn it? (Sorry if I wrote something wrong, English isn’t my first language 🤧)

First, the Duolingo course is something I created, so you can use that. It's not error free, but at least the errors are honest mistakes by the language's poor creator. :( I can also recommend my wiki which you can find here:

Very thorough information on High Valyrian there!

[scheepstep]

i hope q knows that even though qsmp has brought so much pain to people and even him (fuck you people who went to his actual real-life house i hope you get sued) and even though some people are leaving right now, i really hope he knows that he made something truly beautiful, you know?

the fact that phil is thinking of putting a translator on his streams shows that. the fact that he, roier, foolish, and baghs got to participate in ordem paranormal shows that. the fact that ships like fitpac, spiderbit and pissa even exist shows that. the fact that there has been a huge spike in people signing up for the duolingo portgues course shows that. the fact that he won the streamer of the year award shows that.

qsmp has achieved so much and even if it wasn't being managed behind the scenes the way it should've been, it still brought so many people happiness, it's shown me so so many talented creators that i would've NEVER even known of, it's inspired me to learn spanish just so i can watch him and roier, it made pick up the pen again after 5 years and just create.

i know people have already started to harass q bc of the eggs leaving, but i really hope he knows it's not his fault, yes he should've been more involved in the team, yes he fucked up BIG TIME by not checking up on the staff, but he tried his best to fix it. he did his best and even if his choices may have not been the best ones, he really tried and i think that's what matters the most.

if there is one thing i would say to q it would be: thank you for making qsmp. no matter what ppl say on twt, without you it would've never exist in the first place. thank you quackity and thank you admins <3

i hope he'll have a good time playing Rust (he'll be on the same team as foolish so that's a fucking win in my foolkity heart <3)

There's nothing I can even add to this :) You took the words out of my mouth

[wromwood]

I went to NYCC this weekend for two days: Thursday and Friday. It was a fun time, and I'm so glad I went, but I thought I'd share my negative experiences from the reason why I went on Thursday, and how it could've easily become a con-ruiner if there weren't a few silver linings.

Click on the Read More if you want to hear about the Alex Hirsch signings and panel, and how NYCC made the events near-total disasters.

Warning: This story is long, but that's because its poor handling can't be condensed to a bite-sized retelling.

So, I wasn't always planning on attending NYCC on Thursday. Since all the Saturday and 4-day passes sell out before the general public even has a chance to buy them, I swooped for what I assumed was the next best day: Friday. One-day tickets are about $80 each, and once you combine those costs with both my potential cosplay and exhibit hall/artist alley shopping expenses, you can see why I wasn't originally planning to go for another day.

However, near the beginning of October, NYCC made a last minute announcement that Alex Hirsch would be at NYCC on Thursday and Friday. He would have signings on Thursday and Friday, and a panel on Thursday evening. I've never seen Alex Hirsch in person before, so this (and an NYCC-based costume contest held by Hirsch and announced only a few days after the main event announcements) was enough to make me buy an additional Thursday ticket.

Now, before I explain what happened during Hirsch's NYCC events, I want to clearly establish what information fans knew about them beforehand:

Every event involved Alex Hirsch, Joe Pitt, and Ian Worrel.

The signings were specifically for The Book of Bill. You had to have a copy of The Book of Bill to get a spot in the signing, which you could either bring yourself or purchase from the Barnes & Noble booth that would be set up nearby. You could also bring one additional item for signing.

Both signings were free and first come, first serve. They did not require any sort of prior purchase or reservation.

The panel on Thursday evening also did not require any sort of extra ticket purchase or reservation. (Reservations are only available to Empire or Main Stage panels; the Alex Hirsch panel was in one of the 400-level rooms.)

If you're thinking that this seems like too little information for something that could easily get chaotic in the wrong hands, then great! That's what I thought myself when I examined every event listing for any scrap of detail with which to prepare myself. Alex Hirsch is the creator of one of the most beloved modern Disney cartoons, and his fanbase had only increased and been given new life after the publication of his new book. And yet there was no way to reserve a spot in his two signings? I only hoped that NYCC knew what they were doing.

Thursday arrived, and so did I at the Javits Center in my Bipper cosplay. I arrived at around 11:30 AM, and the Thursday signing was at 3 PM, so I spent a couple of hours walking around the show floor, buying expensive One Piece merch, and taking pictures with the Duolingo owl. I headed down to line up for the signing at 2 PM, thinking that being there an hour in advance would be enough to secure a spot.

... No, it wasn't.

I arrived at Hall 1A to an in-progress mob of Gravity Falls cosplayers. There were Bills, Dippers, Mabels, Fords, and Grunkle Stans as far as the eye can see, and nearly everyone was holding copies of The Book of Bill. I spotted an AMAZING cosplayer who was dressed as a member of the Church of Ciphertology and holding up a huge foam puppet of Bill. The puppet had ropes connecting its arms with hers so that it looked like she was being puppeted by it. She had been standing by the wall outside the hall, but was now moving into it, and I followed her raised Bill puppet like a guiding beacon.

I was soon in the middle of a sea of costumed people. There wasn't even a semblance of a line here, at least not this far back. Fortunately, we were mostly all nice and united in our love for Gravity Falls, so I didn't experience any pushing or shoving. In fact, I even struck up a lovely conversation with the people in front of me.

Unfortunately, all of us were united in another experience: we had all been caught off-guard at how disastrous this event was turning out.

Most of us had followed the same plan that I had developed: arrive an hour early to get a spot in line. Some of us had been more careful. I later learned from the Ciphertology disciple that she had arrived closer to noon, but had been warned by security that she couldn't actually line up for this event. Lining up would only occur an hour before the signing, at 2 PM. That was why she had been next to the wall when I arrived. She had more right to be at the front than I did, and yet she was only a few feet ahead of me when we entered the mob.

While I didn't interview many other attendees, we quickly formed the hypothesis that this "no lining up before 2 PM" rule was why the mob had formed. Everyone - both the people who had arrived earlier and the newcomers who thought 1 hour was "early" - had rushed to form a line that the NYCC crew members just couldn't create.

We waited there for about 15-20 minutes. Occasionally, a crew member yelled for us to take a big step back (only some of the mob complied) and sometimes we were asked to all raise our copies of The Book of Bill in the air (for a photo? to check who was eligible for the signing? I'm still unsure).

Finally, at around 2:30 PM, we heard a crew member shout, "All right! We've run out of tickets for the signing! The rest of you have to leave!"

This was the wrong phrasing for them to use, because immediately, a number of fans started shouting things along the lines of "What do you MEAN tickets?!" "No one told us we had to have tickets!!!" "How do we get tickets?!"

Because there were only so few NYCC crew members on the floor, the announcement was mostly spread through word of mouth: a number of people at the front of the mob had been given "tickets" (wristbands?) so that they could line up for the signing. They didn't even get close to my part of the mob before they ran out of spots.

I, and so many other people, had to walk away disappointed, hoping that we could at least get into the panel later.

Before I left, I said this to three different NYCC crew members: "Hey, I know that there's another signing tomorrow, and I also have a pass for tomorrow. What should I do so that I don't miss this event?"

Every response I got was a variation on the phrase "I don't know." This is important to remember. I tried my best to learn what to do ahead of time by asking NYCC employees.

Anyway, later that evening was the Alex Hirsch panel at 6:30 PM. After the disappointment from the signing, though, I didn't want to take any chances. After spending an hour for lunch, I headed to the location for the panel at 3:30 PM, 3 hours ahead of time. I saw a NYCC crew member and asked when and where I should wait for the panel to start.

His paraphrased advice: "Listen. There's the room where the panel will be. You take a seat in there now and sit through three panels. That's how you'll have a seat later."

This may sound like cheating, and an unfair thing to do when you consider the people who may actually want to attend the panels before the one you're camping out for, but it wasn't against the rules. Only the Main and Empire stages require the rooms to be turned out for new people between panels. For the other panel rooms, you can camp out in your seat for as long as you want.

So, I followed his advice. I walked to room 406.3 in the middle of a panel about censoring non-fiction comics and found an empty seat.

I was shocked to see just how small the room was. According to the NYCC website, the room can seat about 300 people. That may sound like a lot, until you remember that 1) this is NYCC, which had 200,000 attendees last year, and 2) THIS PANEL IS FOR ALEX HIRSCH. I couldn't help but think of the mob I saw earlier, and just how many of those people wouldn't be able to fit into this room.

When I sat down during the censorship panel, the room was only about half full, and I saw two other Gravity Falls cosplayers already. After that panel, I walked to the front and took a seat in the third row (later, I even managed to move up to the second row, so I had a very good view).

An hour later (about 4:30 PM), the room was almost entirely full with a crowd that was almost entirely Gravity Falls fans. An hour after that (5:30 PM), the room was absolutely full, and we had already gotten word (and pictures) from people on the outside that there was a line of hopeful latecomers stretching around the floor.

One odd memory I have from around this point was when a woman showed up at the front of the room and addressed a bunch of us in general, saying "Hi, I'm from Disney. Are there six seats that I can have?"

All of the people near her (including myself) shot her looks and muttered replies along the lines of "Hell, no." She didn't further explain what she meant or provide any credentials, so I have no idea why she expected to get so many seats at once or what she needed them for.

I'll skip past the rest of the evening, as the panel was largely a nice time after that. I sat next to some really kind, awesome people who were great to talk to and share art with between panels, Alex Hirsch (as well as Joe Pitt and Ian Worrel, of course!) shared great stories, and I got to witness the awesome Ciphertologist cosplayer win a Bill Cipher Ouija board. It was a nice way to make up for missing the signing earlier, and I'm glad I was able to attend.

... and yet, not only did I still feel a sting of guilt about the hundreds of other fans who couldn't attend, but I couldn't stop thinking about something I discussed with the other fans I sat with: even the lucky fans who attended the panel were only able to do so because we spent hours of our con-going experience sitting through panels we wouldn't have otherwise chosen to attend. The panels were interesting in their own right, but that wasn't the point.

It's not cheap to attend NYCC. At around $80 a day (if you didn't buy a 4-day pass), time is money. There could be other panels that pertain to our interests happening during the waiting time. Guests that we might've wanted to get photos or autographs with. An entire show floor to explore. Merch to buy. Many of us only realized that we'd have to wait this long in one room earlier that day. We hadn't properly prepared for the fact that - new friendships and fun between-panel conversations aside - this time was practically wasted.

Don't get me wrong: I'm so happy I managed to attend the panel, and I'm glad I had the time to talk to such lovely people. But this wasn't fair to us as con-goers, and it especially wasn't fair to the con-goers who couldn't get in the signing OR the panel, or who were only able to get a ticket for Thursday and couldn't spend more time doing what they wanted at the convention on another day.

Speaking of the next day: I was determined to get a personalized signing from Alex Hirsch on Friday. That day, the signing started at 1:30 PM. Keeping the "no lining up before an hour ahead" rule in mind, I decided I'd arrive two hours before at 11:30 PM. Not far enough in advance to absolutely antagonize security, but hopefully far enough to scope out the scene and join other fans in making a game-plan for when and how to line up.

I arrived at Hall 1A at 11:30 only to learn that the signing tickets (which were now confirmed to be wristbands) had LONG since run out.

From what I gathered from other fans and NYCC crew members, the convention decided that the first come, first serve model would begin from the moment the convention opened that day (I think 10 AM?). Gravity Falls fans could stop by and get wrist bands for the signing until they ran out, which they did QUICKLY. Apparently, they gave out even fewer spots than on Thursday.

I definitely feel that the issue here wasn't me not thinking of getting there right as the doors opened. The fans were given one set of rules on Thursday, and just as it had been spread through word of mouth, they were changed the next day with basically no notice (apparently, some fans heard more info from staff members, but this was irregular). There was no formal announcement about the new wristband distribution, which meant there was no way for fans to know about this unless they showed up as early as possible, which was established to be a bad thing for the signing just the day before. And this is on top of me asking NYCC employees what I should do to not miss my chance at a signing! Either they changed the rules last minute, or the NYCC workers I spoke to really weren't told a thing by the convention planners.

I, and many other people, were rightfully pissed off to lose our last chance at getting a personalized autograph from Alex Hirsch.

There was one silver lining, though, that kept the day from feeling ruined. The signing was scheduled to go from 1:30-3:00. At 2:30, I decided to head to the signing just to wistfully stare at Alex Hirsch from the Barnes & Noble booth. I had a good view and stared wistfully away next to a few other fans who had hoped (in vain) that extra people could be squeezed in for the signing.

Then, after everyone with wristbands got their books signed and about 5-10 minutes before the signing was totally over, Hirsch, Pitt, and Worrel were handed a couple stacks of The Book of Bill from the Barnes & Noble booth. They quickly signed the stacks, then left.

To our delight, the employees came over to the lingering fans who weren't able to get wristbands and started passing out the copies. So I did end Friday with a signed copy of The Book of Bill! I also got a couple of sticker sheets that were being given out during the signing, which is nice. The waiting around was worth it.

Even so, that doesn't fully make up for just how disastrously the events were handled. This wasn't a case of fans not being in the know about how conventions are run. This was fully caused by NYCC either not knowing or not caring just how big of a crowd Alex Hirsch would draw. They dangled the chance of first come, first serve autographs to hundreds of people without providing the best guidelines on how to obtain them. They reserved a panel room that wasn't nearly large enough and didn't consider the implications of seat-camping. It was a nightmare.

Hopefully, you appreciated my dramatic retelling of these events. The moral of this story is: don't assume that just because NYCC is one of the biggest conventions in the country that it is guaranteed to competently run all of its events. They can mess up.

[notayamichan]

🌟 Learning Japanese 🇯🇵

🔔　あたしのガイドは、人が英語を話す向けー　(⁠◔⁠‿⁠◔⁠)

The following guide is based on my personal experience. I am not an authority on the matter and I am still barely a beginner regarding Japanese.

What am I doing?

Learning languages seems non-lienar and that's partly true (at an intermediate level). But, when you're first starting out, there's generally clear goals to work toward.

Your Beginner Goals

Study and master kana

Japanese employs hiragana and katakana in conjunction with kanji. Together, hiragana and katakana make up kana.

Learn the kana (hiragana and katakana)

Learn the difference between kunyomi and onyomi (kanji)

Delve into grammar and establish some foundational vocab

Immerse yourself with input content (movies, shows, etc)

Study and practice a basic form of "pitch accent"

Continue developing your vocab and particle knowledge

Learn about polite versus casual talk and social culture

Use the language (letters, blog, diary, etc)

Seek conversations to apply the language properly

Find and study tests like JLPT to gauge your progress

What can I use?

Duolingo

If this was your first pick, you're naive but not foolish. It'll teach you enough to get help if you're lost in Japan. But it won't be enough to hold a conversation. Give it a try and see if it works for you. Duolingo is free.

I recommend using Duolingo as a supplementary learning tool rather than your primary learning tool

Textbooks and Guides

Many learners and even classes praise numerous textbooks. I for one received a recommendation for Tae Kim's Japanese Guide. So, I'll recommend it to you. Don't be afraid to see out other guides or attempt some textbooks. However, one should always remember that the textbook is NOT demonstrative of naturalistic Japanese.

For example, 「私は猫が好きです」 is what a textbook correctly teaches, though 「猫好きだよ」 is acceptable and more natural in casual Japanese

Building vocabulary

If you want to develop your vocabulary, you can use JLPT anki decks. Anki is a flashcard program for desktop and mobile. You can also use anki in conjunction with a dictionary like Jisho to create new flashcards decks (suited to the words you'd like to learn). You may also pick up vocab from Japanese media (i.e, anime, manga, books, content creators, music, etc).

If you're using Jisho and want to find a word you only know in English, search for it using quotation marks. For example, "school" or, if you want a verb "to learn" ~ it should help. You can spell out Japanese words normally by just typing... i.e, watashi.

Good input versus Bad input

Immersing yourself in Japanese media and culture is good but you need to be mindful of the content you're consuming— take note of the context behind events, interactions, or the relationship of speakers. Be especially mindful of anime and manga— both are known to use hyperbolic language or phrases that aren't commonly used in day to day conversation. Fortunately, some anime and manga do use everyday language, and you can usually find lists.

I recommend using the Tofugu blog to learn about both Japanese language and culture. But if you don't like reading, there are many YT channels like Kaname Naito and NihongoDekita with Sayaka. For general immersion though, here's a sweet vlog channel, a JP Warframe creator, and a natural born otaku.

[toscrollperchancetomeme]

Is there a life after IwtV Season 2?

So, Interview with the Vampire Season 2 is over, you have already rewatched it a dozen times and don’t know what to do with yourself?

Here’s a list of suggestions!

Read the books

I might be biased because I have been a fan since the early 2000s, but they are genuinely worth a read. A lot of people struggle especially with the first book, which I understand – but you can absolutely skip it and start right away with The Vampire Lestat! Especially The Vampire Lestat and Queen of the Damned are a great read and they are what is coming up next in the show. A lot of the plot of QotD happens at the same time as The Vampire Lestat, so I expect that material from both books will come up in the next season.

If you have a brain that enjoys audio books, they are actually available for free on youtube (though the narrator pronounces Louis’ name wrong). The version on the commercial audio book platforms read by Simon Vance is better though, if that’s an option for you. :)

The books after that are very much a mixed bag, but they all have some great and some downright crazy stuff in them, because Anne Rice’s writing was pretty unhinged at times. It’s a ride, but imho one worth taking.

Watch reaction videos on YouTube

I think I have by now watched all reactions that are available. For me it really brings a lot of joy to relive the experience of a first-time watch by proxy. Some are frustrating because people talk over important dialogue, some hold genuine galaxy brain moments by people who know nothing of the material. I will not recommend anyone, because vibes vary for everyone, but I’m sure there’s a reactor out there that YOU will vibe with.

Watch other shows/movies with the actors

Did you know that “Talk Radio”, written by and starring Eric Bogosian is available in full on youtube? I haven’t watched it yet, but I hear it’s really good.

For Sam Reid, I can’t recommend “Lambs of God” highly enough, and I hear great things about The Newsreader, which I sadly can’t get my hands on at the moment. “Belle” is also a beautiful movie, but his part is rather small as far as I remember.

Then of course there’s Hotel Portofino for Assad (but I’m not yet that desperate).

I actually haven’t watched anything with Jacob Anderson except Game of Thrones, which I will NOT rewatch, so I’m happy for suggestions there!

Watch the movies that have been namedropped by Rolin Jones

Hedwig and the Angry Inch – a phenomenal movie and stage show in its own right. It’s fun, it’s beautiful, it’s queer as fuck, the music is excellent and it’s an absolute must-watch.

Rocky Horror Picture Show – honestly, if you have never seen this movie, what are you waiting for?

The Dirt – Rolin Jones has mentioned the book, but there was actually a pretty decent movie made about Mötley Crüe a few years ago, that I really enjoyed.

Also, I have seen Amadeus mentioned several times, I’m not sure if that came up in an interview but it’s an excellent movie and the parallels to the relationship between Lestat and Armand are definitely there.

Honorary mention: Fight Club, not because anyone has mentioned it but… the parallels warrant an essay that I might one day have to write. (Themes: Queerness of male on male violence, imaginary boyfriends, idealization of toxic masculinity)

Read the books from Rolin Jones' reading list

I have now spent 10 minutes googling for that interview where he lists the books he’s reading for Season 3, but can’t find it. Someone please drop it in the comments?

Learn French

Want to feel closer to your favorite actors? Why not go through the same hell as them and get bullied by the Duolingo owl while at it? ❤

Discord servers

I’m not active there right now, but I have found several fandom servers that seem like great communities.

Read Fanfic

Honestly the reason this is down here is because it’s so obvious. :)

Get creative

Write fanfic, draw fan art, roleplay, edit videos, make unhinged memes!

And always: Support the content creators!

Everytime I scroll the tag I see new creators entering the fandom and let me tell you, after almost 20 years of drought, I am overjoyed. Same goes for fic writers, youtube reactors and reviewers! Leave them a like, a comment or whatever is available on the platform they are using.

Edit:

Watch the musical!

I completely forgot! There’s a Lestat musical by Elton John. Yes, you read that right. This lovely YouTube account has full bootlegs for you to enjoy some camp broadway fun!