#opposite: amaya

[fizzytoo]

harvestfest!

[oh-shtars]

Polar opposite AUs, Flicker?

OMG OMG OMG-

YESS AMAYA MY QUEEN 💖✨💖

RFTS!Amaya being all excited about her latest evil discovery and TFS!Amaya is just:

“you did what-??”

Lmaooo, the TFS!Royal Couple should be really concerned with the RFTS!Couple. 😂😂

[raayllum]

Rayla as Callum's Deepest Truth - what does that mean? :: Or Truth in S6

Season six of The Dragon Prince talks a lot about truth.

It's a sentiment at least mentioned in almost every episode, and in a show featuring secrets, unreliable narrators, and characters routinely keeping information from or divulging information to one another, it's an accordingly complicated concept for both the characters and the show's broader narrative.

Thereby, we're going to start with the most straight forward associations in the season, beginning with Callum's plot line in 6x06 and the scene itself, and then work backwards through the various other aspects that contribute to both initial and more layered readings of the concept that we can extrapolate from other aspects / relationships the season explores through truth.

Let's begin.

Truth as Light and Love

The first and simplest readings of Rayla as Callum's Truth is that she is Light ("How do I find this light?" / "the one deep truth so bright it can fill the darkness") and Love. This isn't really a stretch, given that seeing and embracing Star Rayla causes a bright light to shine literally in canon, and successfully fill the hole in Callum's spirit with light and purify him of darkness. This also pulls on the most straight forward associations from Rayla and light in prior seasons.

We see this reflected in Janai and Amaya's blessing of the sun at their wedding—a request for "love and light"—and in their discussions with one another in 6x02. Amaya assures her that Janai can still fix what is broken for her people (put a pin that idea of broken + fixing for later) so long as she doesn't try to do it alone. Janai affirms this through her understanding of "The King with 1000 Eyes" story, stating that much like in the tale's pair of lovers, Amaya is also:

While this doesn't necessitate the idea of Truth as being romantic love for an individual, this line is one of the biggest reasons going into 6x06 that I thought maybe Rayla would end up being his Deepest Truth. This is also partially because they refer back to the idea of light and fixing, directly stating that "there is a way to fix it" through the star-light ritual, and we see this idea again with Rayla in 6x09 with Runaan.

Rayla was always set up to be Callum's alternative path in opposition to Aaravos as well (though again, we'll get to that specific path motif more later) through the framing of light. It's unsurprising then that in opposition to both metaphorical and literal darkness

we get Rayla and his love for her being a literal light.

These are the most straight forward, positive sides of Truth that we see, and the ones I think (mostly) that 6x06 plays most overtly, though there are others as well that we'll get to in a second. This is also the most straightforward the series has been about 'darkness = bad' and 'light = good' as well, even if there are always exceptions to every rule (which we'll get to later as well).

Light and love and Rayla can fix what is broken. She can save you. She can restore you. Her, and your love for her, leads you out of the darkness. Mends you. Makes you whole again.

That's some powerful stuff, especially as a basic surface level reading. (For a less than surface level one with this similar theme of broken and fixing, you can read this meta regarding Leola and Rayla.)

With that under our belts, I want to take this basis of "the Truth (Rayla) as love and light" to explore how it leads naturally into the final Rayla and Callum scene of the episode, featuring

Truth as Clarity

We've gone over light, and we'll go over purpose, but for now I want to talk about the idea of truth as clarity. To have clarity is to have a better sense of the reality of things, a founded understanding of a situation or person. The Celestial elves seek clarity through the "true light of the heavens." The clarity Callum receives in realizing and finding that Rayla is his one truth causes him to finally take the next step and begin their relationship fully again by kissing her, and by confessing his love to her.

Clarity is also derived from the basis of knowing, however—"Hold to what you've always known [...] the answer in your heart is clear / I am near, my love is here"—of knowing that is the truth. Of seeing clearly, of seeing someone, truly for who they are and loving them.

RAYLA: Why didn't you tell me? CALLUM: Cause I know you, Rayla. If I'd told you, you would've refused to go, because you never do anything for yourself.

He loves her because he knows her ("That's what makes her a hero. That's what makes her Rayla" / "She's not 'the elf'. She's Rayla") and he knows her because he loves her, because he understands her ("And I understand why you couldn't tell me") through love. His trial and Truth gave him the clarity to express it, and the purpose to do so in many ways. It's also a positive grasp of purpose, since Viren ("I have power, purpose, and I intend to use both of them") and Aaravos ("I chose to live, and my life took on new purpose") become dark, twisted, and self destructive. Loving each other makes Callum and Rayla mutually better, and it's something both are finally able to whole heartedly embrace. To love is simply to know this.

Between this, and Viren's whole assessment that "The path of freedom is the path of truth," what could possibly be bad potentially about Rayla being Callum's one Truth, or the truth in general? Well...

Truth as A Weapon / a Burden

I actually wrote a meta all about this theme in Arc 2 for season 4 and season 5 before S6 called "Knowledge as a Burden" that I recommend reading if you haven't already. However, it's not necessary as this section is about how the Truth or 'Knowledge' can be a burden and a weapon depending on what the truth is, and how the information is presented. And this eventually does make its way back to the more positive outcome of Rayla being Callum's truth, so we'll circle our way back around.

With all that in mind, let's start with the most obvious. In 6x06, "Moment of Truth," both Callum and Viren wrestle with the results of previous actions due to dark magic. In one timeline, Callum learns the truth about the pearl and spirals into self-despair; in the other, ultimately canon timeline, this truth is withheld from him, allowing him to maintain the courage and strength he needs to go through the star-light ritual ceremony. By withholding the truth, he's given clarity, light, and purpose, which we went over in the previous section.

Alternatively, Viren's arc in this episode leans more heavily onto the concept that giving Soren the letter would be shifting a burden to his son.

Are you providing clarity, light, and purpose, or are you shifting a burden to someone who needs all their strength?

Both these plot lines ultimately end in different ways. By sharing the truth, Callum and Rayla reconcile, and by withholding the truth, Viren spares his son more pain, and they don't ultimately reconcile. I'll definitely talk about Viren and Soren's arc together in S6 someday in a proper meta, so I don't want to touch on it too much here, but it is noteworthy because it reaffirms the concept in this season that sometimes, knowing the truth can make things worse, not better, and cause more pain, not less.

We see this in how Callum's dark magic use weighs on him heavily in 6x03, leading to an argument between him and Rayla, and that learning he did dark magic causes Rayla to respond differently to his request to kill him; whereas before she steadfastly refused, here she agrees because she can see the risk and concerns are more prominent. This doesn't of course make their bond better (although it doesn't worsen it, either), but their literal ship does catch on fire and sink when she demands that he sacrifice her, and promises to sacrifice him, so... It's not good, either, even if it's ultimately good that Callum shared it with her for his own sake.

Where we see the Truth most weaponized in the season, however, in moving away from 'the truth as light' is with Aaravos himself.

AARAVOS: Good, good. You've played your part well. Before you perish, would you like a reward, a small mercy perhaps? The mercy of truth. The answer to the mystery that has haunted you for a thousand years. What happened to your beloved mate that disappeared? SOL REGEM: Tell me, betrayer. What became of Aithne Solaire? AARAVOS: I should warn you, sometimes the line between mercy and cruelty can be thin. [...] It was you. You killed her. Go on, breathe deep. I know you can smell the truth from a lie, and this is a deep, dark truth. In your fury, you buried her alive.

This is, of course, a move Aaravos used before ("Arrogant, just like your grandmother. Would you like to know the truth of her fate before you meet yours? I swallowed her") with Khessa back in season three. This is also something he utilizes as a manipulation tactic with others, knowing the importance of withholding the truth until it is beneficial for you to reveal it ("Careful, if you tell the truth you will lose her") and Aaravos' own belief that "[he] never lies" which Claudia reaffirms in 6x01: "Aaravos wasn't lying."

Of course, just because something is true according to him and his worldview or vantage point doesn't mean that it is deeply, objectively true, but that's another matter.

What matters here for the sake of this meta is that the truth isn't always good. The truth can be withheld to protect others (2x03, 6x06), to protect yourself (although sometimes misguided), and to manipulate and control other people (Viren orchestrating the war in S2 and S3, Aaravos routinely, etc). The "mercy of truth" is sometimes not mercy at all, but cruelty, showcased in Aaravos revealing something he knew would devastate and harm an already dying dragon/enemy.

The truth can be cruel. The truth can be deep and dark, too, not just light and lifting burdens. Knowledge can be an terrible burden. The truth can be awful.

So can love.

So can your path.

Truth as a Path (Freedom)

VIREN: Despite all this, I am changed. I woke up feeling free for the first time in a very long time. I know I have led my sweet, brilliant daughter down the wrong path. I have led you by the hand and I have led you by my example. Perhaps now if I walk the path of freedom, you will find your path someday, too. CLAUDIA: What do you mean 'path of freedom'? VIREN: The path of freedom is the path of truth. I must face my truth... in Katolis.

The path motif was something touched on sparingly in the first three seasons, largely in response to actual, literal paths the characters were taking. However, beginning more overtly in season four and bolstered by season five, Arc 2 has steadily turned it into one of the most consistent motifs that runs throughout season six. What is created, then, is a set of binary paths. There is the Path of Freedom—moving away from the Cycle and a narrative of strength, away from trying to replicate or get back to the past and moving towards the future instead, away from Aaravos and dark magic—and the 'wrong, dark' Path of Fate that moves in opposition to it.

This is most directly stated in Viren's final dream with his past self:

PRESENT VIREN: The path of fate is already chosen. Every step I took, I took because I had to. YOUNG VIREN: No. That can't be true. No matter where you are on the path, no matter what you've done before, every step forward is a choice. I am free, and so are you.

reaffirmed in Viren's decision at the end of 5x09:

VIREN: No. I won't do it. I finally see the truth. I find myself here at these horrifying crossroads because I have followed a dark path. And worst of all, I have led my beloved daughter done this path. No more dark magic! Never again! I am done with it — and I am done with you!

and in Callum's conversation with Rayla in 4x07:

CALLUM: What if I'm on a path of darkness? RAYLA: Then take a different path, dummy!

All of this was just some of the set up that has routinely put Rayla and Aaravos in direct opposition of each other for Callum's fate. There are framing things like her and the mirror being two very overt paths stretching out before Callum when she comes back, and Rayla being what pulls his attention away from the mirror, but 4x07 made it in The Text by having her represent and literally remind Callum he always has choices: "No one can control you or make your choices for you" (which is partially pressed on in his assessment in "I didn't have a choice" in 6x03, but again: meta for another day). Rayla always represented freedom (his wings, agency) and light (all previous framing) and she still does so in being his Truth. Rayla is his Light, reminder of his freedom, and brings all those things into being his Truth; it is a beautiful culmination (for now) of Callum's choice to move away from dark magic and Aaravos' control by literally embracing his love for Rayla and all she represents in his life. (And yeah you've probably already noticed the snag here, but I'm gonna get to that in a sec.)

This connection between Truth and Path is affirmed in Terry's talk with Claudia in 6x04, in which they discuss:

CLAUDIA: Maybe I should be walking a different path, too. But Aaravos helped us. He followed through on everything he said he was going to do to save my Dad, and I promised to help free him. So should I quit dark magic? Please, Terry, tell me what to do. TERRY: Claudia, I can't. Only you can see your own deep truth. Only you can decide the path you're going to walk. You won't be alone. [...] But you have to choose the way. What do you need to find your truth?

So on top of being Light and Love, and Rayla being Callum's One Truth equalling the Path of Freedom, Rayla is just Callum's chosen Path. He chooses the Path of light, love, freedom — all good things through the embodiment of her and their relationship, much the way Callum has been her guiding star in pulling her away from her dark and self-destructive paths (going after Viren) and making measured choices (coming back in 4x09, realizing she can't/shouldn't separate Lain and Tiadrin, etc).

Okay great, awesome! Sounds like Callum has done what he needs to do, he's rid himself of the taint of dark magic and Aaravos' control by proxy. His love for Rayla got him through it. She's his path. She's his truth.

What could possibly be wrong with that?

The Truth is Everything

After season four aired, I wrote a meta about how Aaravos (Fate) and Rayla (Freedom) represented Callum's two paths going forward into S5 and beyond. Much of what was in that meta has already been touched on here, given that S6 evolved this dichotomy and this motif in largely the ways I thought it ultimately would.

However, in that past meta, I also posited that these two paths would ultimately not be as separate as they might appear, and would converge. Part of this was because S4 emphasized the importance of not treating dualities as binaries, but in reconciling them ("Now you're back. That's kind of good, and it's kind of bad" / "How can I have that and the life I want with you? [...] Just have two cakes" / "We have to hold pain and love in our hearts at the same time"). Specifically, that Rayla would be what leads Callum into getting closer to Aaravos and playing into his clutches, which 5x08, 6x03—and indeed the upped stakes for dark magic use ("if you ever use it again, the darkness and corruption will overwhelm you") coming off 6x06—feel like natural steps forward.

Because while the light, and Truth, and Rayla, is usually a Good Thing in Callum's life, as Soren points out, it isn't always.

After all, Callum only did dark magic—both times—because of Rayla.

CALLUM: I did one spell. One. I had to, to save my friends. (5x08)

CALLUM: I did it for you! Finnegrin was going to kill you. I didn't have a choice, because... I would do anything for you. (6x03)

His love for Rayla has already been his path to darkness and Aaravos just as much as it's been his path out of darkness to light and freedom away from Aaravos. Aaravos has both dark and light; so does Rayla as a literal Moonshadow elf, and her dual swords, and her juxtaposition of immense mercy and obsessive violence. He is "destined to play into [Aaravos'] hands," with Aaravos' scheme for Callum still clearly ongoing, given that Aaravos is out and the cube is still in play.

They also wouldn't 1) bring up the possession related promise and 2) have Rayla actually agree to it and then 3) have her affirm that Runaan taught her to never break her promises all in the same season if it wasn't going to come back into play, and the only way Aaravos can possess Callum again is if he does dark magic again. (I'll do a separate meta sometime after this regarding how S6 evolves the possession plotline in about every episode Callum and Rayla are mutually in, later, too.)

Just as Rayla was the reason Callum ever did dark magic or successfully got the cube in the first place, she will almost surely, inevitably, be the reason he does dark magic — breaking his promise, and opening up room for her to break her own.

RAYLA: Listen to me. If you ever have to choose between me or the greater good, do the right thing. Make the sacrifice.

Callum will choose Rayla every time, whether that leads to saving or destroying himself.

She is His Path, singular—the path of fate and free will, to light and to darkness, to destruction and salvation. The various dualities in their relationship will all be reconciled and brought to complete fruition.

And that's everything.

[rascalentertainments]

Wish Granted Magic System ✨✨✨

Given that we're two chapters away from the halfway point of the story, its about to time I delve into the magic system of this AU.

So magic in this AU is powered through emotion. The more a person feels a certain emotion, the more it affects the magic they use daily. Let's start off with...

Magnifico and Amaya's Magic: 🐺🐍✨

Both of them have studied magic for years, together and apart. However, they still developed their own techniques to use it.

• Magnifico's magic is fueled by negativity and hate. (its a bit obvious, lol) He's been searching for a way to have ultimate power for years. And each time he's failed, that disappointment has fueled him. The angrier he is towards somebody or someone, the stronger it is. He learned to harness and control magic since his early 20's, and while it was substantial for the time, his desire to have more kept growing and growing until it became impossible to ignore. So much so that when he destroys his own home by accident, he's completely blind to his own destruction and blames the books for not giving him enough information. So he turns to dark magic.

•Dark magic gave Mags the boost he needed, but its still not enough. The more he becomes paranoid losing his power, and the more he gained power, he became more spiteful towards non-magic users. As Magnifico got older, his powers were solely used selfishly, under the guise of it helping others to get whatcha wants. Mags' magic is incredibly destructive when its not controlled, which is why Amaya keeps him in check. He could easily kill anyone with a snap of his fingers, or crushing a person's wish. He completely ignores the face that its slowly making him sick as well.

•Mags' magic specifically works well in deception, especially when it comes to stealing people's wishes, which is the polar opposite of Star's magic. And Star's magic terrifies him in a way. Mags uses magic on these performances during the Wish ceremonies to deceive people into thinking giving their wishes to him is a great thing. Its kind of like a parlor trick to hide the truth. However, mo matter how much he magic uses, its nothing compared to a star's. In fact, when Asha's father details his perceived connection to the stars, and how he feels they give him the power and inspiration to help others in his life, that's when the king got the idea to catch the magic of a star itself. He could finally achieve ultimate power! But he had to get rid of that damn philosopher first and make it look like an accident....

•Amaya's magic works with manipulation, both mental and physical. While she doesn't use her powers to the extent of her husband, she does aid him through the use of her potions. As a shout-out to Yzma, she keeps a collection of various potions in a large cabinet, and uses them when creating concoctions to give him the power boost to take a star from the skies. The other kinds deal with changing one living thing into another. Most of them were also animal experimentations, either to change unsavoury animals into ones she desired, or even changing their natural habits an entirely animal's, making said animal like other creatures.

• The Queen has always used her words of persuasion to get what she wanted. In most cases, she used her magic to make her words influence the minds of others. Amaya uses this to put the people at ease when they asked too many questions or started to worry about their wishes. She even used this on visiting royals from other countries, so that they didn't see or hear anything connected to the people's misfortune or rumors of the two being evil. This is why she was able to get into Star's head in chapter 6. She paid close attention to the pair's behavior around each other, and seeing part of herself and Magnifico in the two wanting to protect each other, she turned it against him. Adding a little bit of magic to it, he was completely influenced by her words.

•Amaya has used magic on Sabor, but not to harm him. (Sometimes she did heal him if he was sick or injured) Only so she could use him as a sort of watchdog, keeping an eye on any suspicious activity or possible traitors. (Which Sabor fully accepted) She created the "Sight Beyond Sight" type of spell so she could see what Sabor sees when he returns. This is how she trusted him to find the Hamlet without raising suspicion.

Star/Cosmo's magic 🌟😁

This fun ball of energy is indeed powerful, just as Magnifico feared, but he can't exactly do everything he wants. He has limits, which is mostly by his own imagination and a dash of classic Disney magic.

• Star's magic is fueled by all his emotions, but mostly joy. It can change depending on his emotions. When he's happy, all his magic reflects it. Joyful magic works on Disney classic energy, so talking animals, moving furniture, shape shifting into various creatures and even his human form are all homages to the past films. He can't turn into different people, so this form he usually is in is it. Mostly because he's had a wish to be a human on Earth for so long, he just took his astral look and applied human characteristics to it. Its also rear unusual for a star nomad to get attached to one place instead moving from place to place. As for other emotions, he feels them like the fairies from Peter Pan: one at a time. When he's sad, he's miserable. When he's angry, its absolute fury. But the longer he stays on Earth, they start to get more complex dealing with humans, since we can feel several emotions at once. Which is also why its a slow process for him to realize his love for Asha is different from his love for Earth.

•Like the rest of the star nomads, he has flight and its powered by thinking happy thoughts. That's incredibly easy for him, so it's why he can fly so high and quickly. However, he starts to slow down after Magnifico stabs him and takes a little of his power in chapter 7. He's only just a little faster than a human, and it kind of bothers him not being able to move as quickly. And he starts getting used to walking, which is unusual for a star nomad to do instead of flying.

• Star's shapeshifting can be done as long as he can clearly think of the animal he wants. He's seen animals from all over the world, but the catch is that he can't perfectly replicate one. He's always yellow with a white tuft of hair so he doesn't blend in with other animals. Plus Star can add or exaggerate different features as well. He can't turn into extinct animals like dinosaurs because he's never seen them.

There will be another post explaining more about the star nomads and how their different from "royal stars". It'll also come up later to explain why Star isn't a prince like most other Disney male leads. Its really the only insecurity he has.

And more art is coming, plus the Royal redesigns! Then I'll get started on chapter 9. 😉

Thanks for reading!

@oh-shtars @signed-sapphire @chillwildwave @your-ne1ghbor

@tumblingdownthefoxden @ishadow246 @annymation @kenihewa

@natsuki208 @uva124 @cocoapowderpictures @emptyblog7

@lazytitans-world

[gl1tched-g0th]

Happy Pride. Can we celebrate by, just for the month, having fandoms not be weird about lesbians/lesbian-coded characters.

Can we acknowledge that just because a woman character exists, and doesn't stare directly into the camera like an episode of the Office to say "I Do Not Like Men", that doesn't mean they aren't lesbian?

Can we please acknowledge how fandoms, especially cartoon spaces, are not normal about lesbians and lesbian coding. Can we acknowledge that lesbian is not a "dirty" or "taboo" word, and that it is okay to admit that a character is just a flat out lesbian.

Can we not try to maneuver our way around it by saying "well they could be bi/pan!", like so many people do with lesbian characters. For example:

-Amity from TOH, confirmed lesbian. People still argue that she's bisexual, because she drew herself with a fictional nonbinary character from a book once in the entire show.

-Velma from Scooby Doo, confirmed lesbian. When she got confirmed, people still argued she was bi because she dated men in past shows/specials - despite her being visibly uncomfortable in the relationships in question. Some even argued it was "bi-erasure" to make her a lesbian, which is insane to me.

-Amaya from The Dragon Prince, confirmed lesbian. Before she was confirmed, people said she was a "bicon" instead of lesbian, despite her showing no interest in men within the show. All she did was have a male interpreter (because shes DEAF and needs one), and people immediately paired them together.

-Ellie Williams from TLOU, confirmed lesbian. She shows no interest in men, states multiple times that men are "not her type", has only dated/had crushes on women within all games, the show, and even the comic, and yet people still claim she's bi.

-Robin Buckley from Stranger Things, confirmed lesbian. There's not much I can say here. She came out as a lesbian in the show, and people still call her bisexual. The jokes write themselves.

-Sammy from Camp Cretaceous/Chaos Theory, lesbian-coded. She's often headcanoned as anything but lesbian, often excused with "she never Outright said she's a lesbian like Yaz said she was bi", or that a few crew members said she was meant to be ambiguous. Yet I see nobody questioning why she specifically - the only other main female character, and who has never shown interest in men - is being kept that way.

-Vanessa from The Hollow, lesbian-coded. Developed a friendship with a male character, but has never expressed romantic interest in men. Laughing at a joke made by the opposite gender, and wanting to impress a male character because of a need for validation are not signs of romantic interest, by the way.

I am not saying you can't headcanon characters as bi, or that bi people are "evil", or trying to ""police"" who you ship together or whatever else excuse people use to derail conversations about this. There is a frequent pattern within fandoms where a lesbian (coded) character exists + has any relationship with a man ever + doesn't explicitly state they don't like men = not a lesbian. And fuck, even when they DO say they don't like men, they are still seen as bi.

Queer-coding is just as eminent as having a character be confirmed as queer. And, surprisingly (sarcasm) that also applies to lesbian coded characters. Lesbian characters do not need to "prove" their lesbianism to the viewers by hating/isolating themselves from men to be lesbians. They do not need to say outright that they don't like men in order to be lesbian coded. They can have relationships with men without being romantically interested in them. Lesbians have been fighting for so long to not be seen as "needing" to be with men in order to just. exist.

And believe me I could go on a whole rant about how this entire issue has roots in misogyny within the community, or how some people still haven't unlearned the idea of how a man and woman can have an 100% platonic relationship, or how people treat calling a character lesbian as a "last resort", but this post is already a wall of text as it is.

Please just be normal about lesbians in media.

[nanamissuit]

imagine konig coming home to his dear wife and maybe his two kids 👀 and just cute things like that

I'm home - König

Pairing: Dad!König x Mom!Fem Reader

Warnings: None, Fluff.

Tomorrow was König’s arrival back home from his 4 month deployment. The girls missed him dearly, they’re both 14 now. Polar opposites those two. Amaya was like my twin. But May? That was König’s twin for sure. The quietness and reserved personality and the self-isolation while Amaya being a social butterfly like me was a complete shock. But besides that, the kids were so excited to see their father for the first time in months, they could barely sleep the night before he came home. But when they finally fell asleep I changed into my pajamas and sat on the living room couch reading a book.

But then I heard the door unlock and open and I saw my beautiful husband. My handsome boy. He stood at the door as I ran over to him and he wrapped his big arms around me as I embraced him. “Oh what a great surprise but how’d you get here early? The girls JUST fell asleep.” “Hm, I have my ways, Schatz. But shh you’ll wake them. "I missed you so much, Meine Liebe.” We both spoke softly trying to keep a low voice. I let go of him as he dropped his big bag and took off his boots and mask. He finally picked me up into his arms giving me a REAL hug. He spun me around like we both were young. He took us both to the bedroom and sat me on the bed as he went to change his clothes. I laid back in bed waiting for him impatiently. 

And when he came out in his comfortable clothes he laid behind me so I could lay on his chest and he could run his fingers through my hair. I love how gentle he is with me. We both eventually let sleep catch up to us and fell asleep in each other's embrace.

But our daughters ran into our room at 8 A.M. on the dot and were both surprised to see their father home already. “DAD!!” They both yelled as they jumped on us both and he wrapped his arms around them both. 

“There’s my favorite girls! Were you guys good while I was deployed or did you guys give trouble to your mother?” I rolled my eyes and got up so they could lay with their dad. “No you can ask mom we were at top NOTCH behavior!” Is what Amaya said while May just nodded in agreement. I watched how good König was to them as I went to go make everyone some eggs and bacon for breakfast. I smiled to myself. How’d I get so lucky?

I AM IN LOVE WITH THIS FIC I HOPE YOU ENJOYYY! 😊

[nerd-with-a-cause]

Thinking about how Amaya's scar is a permanent reminder of the time she was unable to save her sister's life.

[Image description: A close-up image of Amaya's face. Her scar is visible on the right side of her face under her eye.]

Whereas Karim's new scar is a permanent reminder of the time he was unable to kill his sister.

[Image description: A close-up image of Karim's face. A scar cuts through his left eyebrow.]

Talk about inverse character arcs. And their scars are even on the opposite sides of their faces! The symbolism!!!

[numptypylon]

Downtime's Up - Chapter 21 (S5E4)

“You know?” Gren asked, but Rayla could tell the words were Amaya’s. He spoke differently when he spoke for her. She looked up, to Amaya’s hands signing, her gaze firmly fixed on her. “That I left him, too?”

“Callum?” Rayla asked, as if there was anyone else it could be, besides him. It was him. Always him.

“Yes.”

“Really?” Rayla asked, disbelieving. She knew Callum loved and admired his aunt very much, she wouldn’t have thought that.

“Really,” Amaya signed, and Gren said aloud. “When Sarai died. I left my brother-in-law, a recent widower and single father. I left my duty to my family, to my sister’s sons. I left my nephews. Ezran was not old enough to know me or miss me, but Callum was. He was six. He had lost his dad not even three years past, his mother two months ago. And I left for the breach and for war, because I could not handle his grief on top of my own.”

“You had reasons,” Rayla protested. It felt wrong that Amaya should blame herself when it really had been bad back then. After Avizandum had reported back about the humans in Xadia, there had been stirrings about war that even she had picked up on, or rather, intentionally eavesdropped on. Amaya had not been wrong to worry a retaliatory invasion could have been coming, it nearly had.

“Oh, I told myself I had reasons. I told myself I left to defend the realm, that I was needed there and not needed in Katolis. That I was better suited for bashing in skulls than holding crying children in the night. That Callum had his step-dad who was shouldering a whole country’s problems in addition to his own grief, and his little brother not even walking yet. I told myself that I would be no comfort to him; too much of a mess myself to be a positive in anyone’s lives beyond my skull-bashing abilities. I told myself anything I needed to, to get through the days, and at night I lay awake in my tent, remembering my sister’s face the last time I saw her, imaging that if she had had time tell me anything before she died, it would have been for me to do the very opposite of what I was doing, to both those I loved and to myself, remembering Callum’s angry little face as I’d left, what he would have said to me if he had had the air to do anything but cry.”

Read more of the twentyfirst chapter of Downtime's Up on Ao3, wherein Rayla and Amaya have a longer chat at the bookery of Lux Aurea

[cinamun]

So basically, I want to talk about this because I feel this is poignant. Since it probably wont be explored much later, I would like to get into it... feel free to join me? Or not its ok.

After Indira and DJ graduated, we took a time skip ahead 3 months to find Indya and Darren living as empty nesters in a beautiful townhome in Tomarang. They didn't relocate to Tomarang alone; DJ moved into Foxbury student housing onsite there (similar to Hope studying from Mt. Komerebi) and Dira moved into a townhome of her own. While on opposite sides of the island, they keep in contact.

DJ, because of college and all that comes with it, is probably more connected to his parents still. There's paperwork that needs completing for his coursework, etc. Not to mention his breakup with Amaya had him visiting a few times.

Indira on the other hand found her wings and immediately enjoyed all that came with freedom and independence living in a new place, meeting new people and doing what she wanted on her terms. She and her brother left home with HEFTY starter funds so they really want for nothing. While Dira is always in the group chat and speaks to her mom and dad at least a couple of times a week, she really doesn't make her way across the bridge to visit her parents. She decided college wasn't for her so there isn't a need for any assistance with forms, etc. She didn't have a boyfriend so, unlike Hope, there was no relying on mom for life advice in that regard like we saw in Mt. Komorebi.

Indira really has been on her own. So yeah, this moment is pivotal in that Indya expressed a fear to Darren awhile back that Indira wasn't honest with her and, what if they just grow up and leave and forget about their mom? Indya has made space for her daughter to explore and live but I think there was something magical about seeing her daughter, who exhaled all of her worries on her shoulder, coming back home.

[a-very-sparkly-nerd]

TDPtober

Day 2: Love

Let the record state that Rayla had done the impossible many times before. She’d start listing, but that would take hours.

She could probably take on the Katolian soldiers armed with every kind of weapon under the sun surrounding her, especially with Runaan’s help–despite his newly-awakened pacifist side, which she couldn’t really blame him for–but that really wouldn’t look good, not when she’d been arrested before and Runaan was the elf who’d killed their king.

“When I give the signal, we’ll run,” she whispered to Runaan. She could change the plan; get him to the Silvergrove, and by the time she got back, Callum would surely be here, able to order the Crownguard to stand the hell down.

“What’s the signal?”

“Me screaming really loud.”

“Good signal.”

“Thanks.”

Rayla crouched, readying her already-unsheathed blades and stepping in front of Runaan. The soldiers closest, wielding swords, began to rush her, and she leapt into the air. More started to rush a newly-exposed Runaan, and Rayla opened her mouth to give the signal despite the wind being knocked out of her lungs, when a trumpeting horn and galloping hooves cut her off.

“Stand down,” a familiar masculine voice boomed. The troops parted for General Amaya in all her shiny-armored, muscular glory, her face set as she signed furiously while dismounting Aegis. Commander Gren stood to her side, watching and interpreting. “If anyone touches a hair on this elf's head, answering to me will be the least of your worries.”

Bows were hastily un-notched, swords sheathed, and postures at ease.

Rayla stumbled back to shield Runaan, but then held still as Amaya and Gren approached her, trying not to look suspicious regarding Runaan. Y’know, because he'd killed their king and all.

That wouldn't be a great icebreaker.

“Callum’s back in Katolis,” she started, too uncomfortable with the silence. “He went there and I came here. We, um- we agreed.” If you ever hurt my nephew Callum again, I will kill you.

“King Ezran went back, too,” Gren informed her, glancing back to Amaya's racing hands. “They'll likely have met up. We have to assume the best.”

“I thought it was ‘assume the worst’?”

She cracked a smile.

“Optimism is necessary, too, Rayla.”

“Listen,” she started. “I'm doing my best to keep him safe. I'd never-”

General Amaya crouched down to make eye contact, gripping her shoulders in a way that was probably gentle to her, but objectively the exact opposite. Rayla stiffened, bracing for her to make good on her promise. But-

“Are you alright?”

She blinked and would've stumbled back in surprise if not for the death-grip. “What?”

“Are you alright?” Her signing was careful and delicate, at least to Rayla’s untrained eyes, and Gren’s voice equally soft and soothing.

She forced herself to look into those dark brown eyes, holding so much love and patience and concern. The way Ezran and Callum looked at her.

Rayla looked away, suddenly choked up, and wiped at her face with her arm. “Yes. I- I’m okay.”

“Good.”

She looked back, just not at the general. Just at the very interesting grass between her steel-toed boots. “You're really not…” Mad? Furious? Disappointed? Upset?

But the latest queen of New Aurea didn't punch her, didn't sign-yell at her, didn't anything other than shake her head and promise, “There's been way too much fighting and anger lately. You're my niece and I love you, and I'm so glad you're okay.”

That… It wasn't what she'd been expecting. For Callum or Ezran, definitely, but for Rayla…?

But, yeah, it was on-brand. One word she'd use to describe Callum's entire family was loving, and it never seemed to stop extending to her.

She sniffed, reaching a tentative hand out. “May I…?”

The response she got was being lifted off the ground in big muscular arms, warm and hard but soft at the same time, scooped off her feet and held tight.

She sniffed into the crook of a soft padded tunic not covered by gleaming armor, burying her face in that little pocket and fruitlessly trying to glue that dam back together.

Amaya gently settled Rayla back on her feet, but didn't stop hugging her tightly, beginning to sob, too, not at all hindering her iron hold.

“I love you, too,” she whispered, and cried some more.

[mjbarrosart]

My Dragon Prince Boards season 5 part 2

(I love Soren, he is my golden boy <3)

Episode 505

The first sequence of the episode is mine, when Callum, Rayla, Zym and Ezran are talking about their next steps.

This one was hard because the space at the top of the Storm Spire is so Small the character barely fit, hahahaha.

I enjoyed 2 things the most about this sequence, first the little moments of Rayla and Callum on screen. Building and working trough their dynamic on the season was a fun challenge for all the board teams. I tried to channel "Proud older siblings" on this one (after all, look how much Ezran has grown!)

The other thing I enjoyed is the difference on their approach for Callum and Ezran. Callum choosing the "quicker" (?) option of killing Aaravos, Ezran staying firm on his ideals of no violence. A interesting dynamic.

My next sequence was with Zubeia and Soren.

I love Soren, he is hands off my favorite character of the show (Amaya and Janai are tied in a close second place!) Jesse Inocalla is a fantastic voice actor, his range is incredible!

I also love his relationship with Zubeia. This two are best friends, and no one can convince me of the opposite!

Next sequence is with Claudia and her team. Viren is awake, but catatonic, and Claudia is starting to lose hope.

Again, Terry is too good for this world <3

Next sequence is a Karim one. This little rat, I love/hate this man. This is a small sequence when he tells Pharos about his plan to get the Sun seed to heal Sol Regem. A funny thing to do in this episode was work on Karim's body language, keep him regal all the time, stiff and dramatic. A lot of controlled hand gestures, such an idiot <3

Then I had the sequence when they arrived to the Blood Moon temple.

Again, more dramatic shenanigans, and fun lighting. Karim is just a drama queen.

My last sequence of the episode was with corrupted Zubeia :(

So those where my sequences for episode 505. Next post will be for 508!

[your-ne1ghbor]

Hi ne1ghbor! (Can I call you that? Do you have a nickname?)

I love TKoRaT so far! I'm curious to see what other parallels our AUs have, it would be funyn sicne @oh-shtars and my AU are polar opposites

I have a drawing request! Could I see some Fallen Star characters in your style? Maybe interacting with TKoRaT characters? (Cielo would be super welcoming. Asha would probably be horrified that a princess she expected to also be haughty is... nice *shudder*)

TKoRaT Asha is to horrified of FS Asha and fucking died lmaooo

(She just was in shock that she sees another version of herself since this is her first time interacting with another version of herself lol)

They are talking about what they like about earth (wholesome)

uhh yeah, Fallen Star Asha sees some stars and abouta do some crippling damage out of them (not wholesome)

Also I wanna type out a convo with them since Im too tired to draw rn lol (11 pm hehe)

FS Asha: Why the hell are you soooooo niceeee? Like seriously-

TKoRaT Asha: Ummm...well I just wanna show the kindness Magnifico and Amaya showed me when they took me in you know?

FS Asha: Butttt its kind of funnnnnnn being a little bit mean to people you know?????

TKoRaT Asha: I gett....kind of scared talking to people???

FS Asha: SCARED??? WHY?! 😡

TKoRaT Asha: IDKKKKKK I JUST DO 💀

Meanwhile with the Star Hommies

TKoRaT Star: Wanna steal some weapons from Maggy?

FS Star: PFTTTT YOU CALL HIM MAGGY??

TKoRaT Star: ehhehe IT PISSES HIM OFF SO BAD ITS HONESTLY HALARIOUS!

RFTS Star: Wait, didn't you tell me that you are deathly afraid of him?

TKoRaT Star: NUH UH WHO TOLD YOU THAT?!?!??!?!?

FS Star: YOU DID HAHHAHAHHAHH

TKoRaT: 😡Anyways........RACE YOU THERE (casually transforms into a deer and blasts off)

FS Star: HEY NO FAIR, YOU GOT A HEAD START 😡(chases after him (idk if he transforms too))

Anyways hope you like them! Sorry if the designs aren't accurate from the OG 😭

And BTW, you can call me neighbor if you want too lol

(Edit: FIXED THE AU NAMES IM SO SORRY I GOT THE AUS MIxED UP HASGOABQSNHI)

[oh-shtars]

Top 10 moments before disaster strikes:

Ehhhhhhh, I think they resolved it. Eventually.

And most of the TFS!cast is paranoid towards stars you say?? Man, their interaction is going to be a lot more chaotic than I thought.

Imagine this: Sueño’s mistrust and anxiety towards humans have him causing outbursts accidentally out of defence while TFS!Asha and her family are ALSO freaking out because “OMG, STARS ARE ATTACKING US AGAIN AND THEY WANT OUR SOUL-!!!!

As Cielo and RFTS!Asha are trying to calm things down, I imagine the RFTS!Royal couple are just watching these all unfold like:

I’m so sorry I have like no art motivation rn but I wanted to say before too much time passes that honestly, it’s adorable that Sueño cares for Cielo so much, and I can tell you Cielo sees his star buddy the same!

1.) I want to say that “Sunny” just sounds like a cute nickname for Sueño :33

Cielo and Sueño are an adorable duo and I’m so glad that our AUs just have so much fun potential dynamics between them.

(Actually, now that I think about it. I think the Starboys in the RFTS! and TFS!Au are the only ones that get along so well. The Ashas, Magnificos, and Amayas have…..uhhhh, some…’certain’ opinions with each other. 😅

Imagine Cielo looking forward to seeing their RFTS! ‘friends’ again and the royal family trio all exclaimed “NO-!” at the same time. DJKSKDNDXKS-)

2.) LMAOO. I can definitely see this! 😂

Gotta love another look at their dynamic-

Also, ya’ll really just love to mess with Sueño, don’t you? When did the Wish Rewrite fandom collectively decide this? Lol.

3.) They asked and I delivered 🙃. Now take a look at these two being stupid and flirting.

(I’m so obsessed with the fact that Cielo has pointed elf ears. I LOVE drawing characters that have them. 💖💖. Especially if they move!!)

[raayllum]

EZRAN: Prince Karim, all Queen Janai wants is peace. There's no need to attack. Take your army, the people who follow you, and build your own future somewhere away from here.

KARIM: But I agree with you. There is no need for violence today if my terms are met. EZRAN: Your terms? Prince Karim, I may be a child, but I know how to count. Janai's five armies are more than your one. The Queen expects to defeat you decisively. KARIM: And I expect my sister to surrender unconditionally and acknowledge me as the High King of the Sunfire Empire. EZRAN: I don't think— KARIM: And all humans will leave our lands immediately, and return to the other side of the border. Where you belong. EZRAN: You can't force the humans to leave. People have made friendships, built families. Your own sister is marrying a human! KARIM: I know this must seem harsh to you, but... history cannot be forged without fire. Without strength.

EZRAN: I am a king. And as a king, I choose love over strength. Sometimes it's hard, but when I struggle, I think about the people I love and how they are counting on me to do the right thing. Not the harsh thing, not the strong thing. The right thing.

KARIM: But she will always be my sister. EZRAN: Then you can still choose love. It's not too late. KARIM: The great Archdragon of the Sun was faced with a choice long ago. He chose fire. I honour Sol Regem now, as my sister should have done when she had the chance. [...] EZRAN: You want Janai to attack! And when she does... you'll call down Sol Regem and—they won't stand a chance! KARIM: Ah. Humans might be more clever than I thought. I don't need five armies when I have one archdragon.

A few notes, as always:

Karim, when nudged by Miyana, acknowledged in 6x02 that what they were doing, they were doing "for us" and "for [their people]" and I think in a lot of ways, like Viren, that's what it initially started out as. However, here we see most clearly that this is about Karim's ego (shocking, I know) and pride. He wants to be king of this land, he wants to crush and restore 'natural order' to Xadia by expelling humans again. Just having this own followers and his own piece of land elsewhere isn't enough, even though it would be if his people's happiness was all he cared about.

Ezran offers a variety of options and perspectives to Karim to appeal to him — you could leave peacefully with your people, you can make active choices, don't you love your sister? — the latter of which being the only one to really get under his skin. I also like seeing Ezran advocate on behalf of his citizens (and possibly others) who have been integrated into Sunfire society and daily life. Karim wants to return Xadia to being wholly divided, but Ezran — like Janai, and Amaya, and the bulk of the main cast — want reintegration, for humans to live on both sides of the border again (and elves beyond just Rayla I'm sure).

We also see consistent motifs such as the 'paths' element that arc 2 has largely fostered, Karim's focus on history and fire, consistent themes like the emphasis on choices, as well as anyone — but especially Ezran — harkening back directly to Harrow's letter from 2x06, which is the first time in seasons we've heard the same sentiments so directly expressed. (Crying over "No, it's too late for that" in 1x02 vs "Then you can still choose love, it's not too late").

I also really enjoy the way this scene tests Ezran. As he said in 4x03, "We all want love and we all want peace" and here, he's presented directly with the opposite: Queen Janai wants peace, but Karim wants violence, he wants to be attacked so that he can have the upper hand, and that's when Ez and Corvus know they need to get out of here.

I also can't help but think about how relevant Ezran's speech here is going to be when he encounters Runaan in S7. We saw in the TDP short story "Deep Below" that he will likely want to do the "harsh thing, the strong thing," rather than the right thing. It makes me wonder if we'll see more of an Ezran&Rayla focus as a way to guide him through. After all, Runaan murdered his father, but Runaan is also Rayla's father—and doesn't Ezran love his sister?

[rascalentertainments]

I FINALLY FISHED DESIGNING THEM, YAY!! 🎉🎉

It took me way longer to actually get started than it did draw this, lol. I ended up having a weird where my hand was stuck in the writing position, so I had to take a day's break. But my work paid off!

Now while I did take inspiration from the concept art. I went a different direction for the color schemes. Like how @lazytitans-world pointed out, the concept art heavily implied that Star and Asha and Magnifico and Amaya were meant to be parallels of each other. So I wanted to present that in my designs.

Since Star has a black/gold night sky look, Magnifico has a cloudy gray/blue sky look. Think of them as being similar magic wielding beings, but they're opposites to each other. Star has fun, vibrant and free magic while Magnifico's magic is negative and constraints freedom. (He looks a little weird in my style, honestly)

As for Asha, she has her purple/lavender color scheme with her homemade clothes and bracelets, while Amaya wears a more greenish and gold attire, complete with royal jewelry. They both carry a satchel, however Amaya holds any potions or powders she needs at a moment's notice. It comes in handy when she attempts to shut down Star's shape shifting powers.

Now all that's left is to design Sabor and the trio is complete! (Plus I'll be designing Gabo soon as well)

So after a break, I'll work on my gift for @ishadow246, and finish up Chapter 9 of Wish Granted!

Also, my fic is slowly coming to Ao3, so more people can access it! 😉

I'm going to sleep now, I'm tired...😅 Hope you guys like it!

@oh-shtars @chillwildwave @tumblingdownthefoxden @uva124

@thesafireauthor @your-ne1ghbor @annymation @spectator-zee

@ishadow246 @snackara @cielos-pintados @kenihewa

@mythartist21

[spop-romanticizes-abuse]

Hey what's up? Been a time since i sended an ask how you doin'?

Anyway, i think that Catradora really destroyed the way that people often view enemies to lovers cause before that the villain always had to redeem himself to earn the hero's affection, another thing that probably ruined was those horrible Tik Tok POVs where the villain is just a nice guy and the hero was actually the evil One3 (idk if that originated on Tik Tok or somewhere else but i see that often on Tik Tok)

But some shows that actually do a good Enemies to lovers story is Maya and the 3 and Dragon Prince, cause at least the two characters don't torture or humiliate each other, they fight on equal footing and is clear they are only enemies because one doesn't understand the other, plus they have some pretty cute scenes that are actually cute and not abusive framed as cute

hey, i’ve been doing alright! how about you?

c//a actually ruined enemies to lovers for ME because it was one of the first media with the enemies to lovers trope that i had seen. and after that, i was skeptical of any other enemies to lovers that people talked about because i didn’t want to see another toxic romanticized mess. but it seems that it has the opposite effect to some people, to the point where they call some enemies to lovers ships VANILLA, because it’s not as abusive as c//a ☠️ and i don’t even use tiktok but i know exactly what POVs you’re talking about lmao idk when it became a trend to idolize the villains. yes, there are some villains who are complex and have interesting motivations, but people seem to have shifted completely to praising the villains and blaming the heroes.

that reminds me of the quote that i absolutely DESPISE “the hero will sacrifice you for the world and the villain will burn the world down for you” or something along those lines. first off, idk what media these people are consuming because there are very few heroes who would readily sacrifice their loved ones, even if they wanted to save the world, they would seek out other options. and i’ve seen very few villains who actually care about people, in fact, the most popular villains are famously either loners or abusive to everyone around them. secondly, i don’t get the hype around wanting someone who is rude to everyone except you. sure, it makes you feel special but why would you WANT to date an asshole? give them enough time and they would start treating you like trash too. i would much rather date a kind person who isn’t rude to anyone, unless they have a good reason.

idk the first one you mentioned, but the dragon prince definitely does enemies to lovers well! there is enough animosity in the beginning so that we can see some banter and tension, but they develop the ships in a healthy way. amaya and janai are my favorite, i love how they developed the relationship between them and gave us an ACTUALLY GOOD sapphic ship. highly recommend this show to anyone who hasn’t watched it!