#ophelia the wudan witch

[enigmatic-prismatic]

Artsyle kinda died in those tiny sketches

More "human" witches, part of the same AU as my human gretchen

They look kinda weird but meh, think it would kinda make sense

[fuzzybluefox]

Labrynth of memories & despair. Madoka magica AU

Thinkin' of a madomagi au right now. Its kind of a combination between royalty(?) and the original series. Its mainly about the Holy Quintet witches + Charlotte.

I once read an Au somewhere with Kriemhild's griefseed is rumoured to be able to contain an infinite amunt of despair, giving whichever puella magi to obtain it a chance at a normal life. And so, every magical girls battle against eachother for it before the powerful witch inside hatches.( If the person reading this happens to be or know the original author, please tell me so I can give proper credit)

And here's where my au comes in. That seed is highly protected. Multiple witches labrynths merge together to become a kind of fortress, a castle with different segments. And that is where the rest of the Holy Quintet ( automatically include Charlotte in here from now on ok?) resides.

This deadly maze is divided into 3 main segments:

"The dining hall"

"The Deepsea stage"

And finally, at the very center

" The cradle of hope & despair"

Those places were named by magical girls, trying to make sense of the incomprehensible.

( I'll definately change those once I found better fitting/sounding ones)

So ,you guys know madoka's dopple right? This thing:

Unbeknownst by the magical girls, for non of them made it that far, this is what the witches were protecting.

They know not of their past but that eachother were dear. To others, they're horrible, disturbing creatures. But to eachother, they still see the images of the girls that once were, perhaps disorted and warped beyond recognition.

And so, they awaited the moment their dear friend could join in this misery.And celebrate the sooncoming "paradise"

(I'll decide whether to post the rest or not depending on how well this post do, this sh*t cringe as heck now that Ive written it out. )

[puella-1n-somn10]

🥠PMMM x PKMN AU: Miscellaneous Notes🥠

Sorry, all! No magi/witch analyses are available at the moment! Not only am I still busy, I'm also writing down a separate analysis post that is kinda unrelated to the AU as a whole, and am still gathering up notes and inspiration for Penny's megapost; progress is going slowly, but swimmingly now that I've gotten a clear idea of what I am aiming for in my head. Sincerest apologies for the delay on that aspect ^^;

Though, as a sort of milestone achievement, now that I have over 5k posts on this blog, I've figured that perhaps I could share some of the notes I have on my persons in regards to the development of Hop and Hau's magi and witch form designs, and how they've changed throughout the time in between the conceptualization of their megapost to the final product. I know this isn't enough to properly thanks you all for the support y'all have given me, but, for time being, what better way to immortalize this moment than by sharing the journey we took along the way?

Quite the cheesy way to celebrate such an occasion, I know, I know- but, hey, isn't the process of immortalizing the journey we have taken to reach the point we are at right now just as important as the finish line just before us? The roads we have taken to get so far deserve to be cherished; with these struggles- with the blissful highs and the crushing lows, came the memories we have experienced along the way, all of which possessing flavors that move us all and allow us to carry on to the next day. What, pray tell, would constitute a better way to celebrate such a milestone?

Of course, I'm also open to any and all questions regarding characters that haven't received their own megaposts, since I will also be talking about the possibility of whether certain characters and their cursed forms are going to debut or not. The AU as a whole is still taking shape and form, after all; a lot of things are still not completely set in stone and, as stated earlier, I am open to accepting constructive criticisms and suggestions from y'all.

So, with all that said and done, let us all raise the curtains and take a peak at what went on behind the scenes...

-The Brief, yet Entertaining Development of Hop and Sayf al-Muharib-

Fun fact, I've actually had the barebones concept for his design for quite some time now- anyone who knows me is well aware that I am a sucker for character depth, theories, and, best of all, worldbuilding, and Galar got two out of three points down in my books (if only the worldbuilding was a biiiiiiit better, but oh well; am gonna thank the crunch hours for that fuckup- we do not blame developers for the hubris of their higher-ups in this house). I wanted to show the whole world that Hop was his own character- that any and all comparisons he had with Hau are purely born from simply design similarities and the fans' inability to read and just assume the plot's progression through their desire to just mash A and move with it, and safe to say I think I've gotten the assignment down!

So, starting from the very top; you guys might remember that, way before I began to work on his megapost, I've mentioned that, if Hop ever witched out, he would become "The Gladiator Warlock, whose nature is self-abandonment". Now, you might notice that he's kept his type and some key design elements (the golden calf imagery and how his labyrinth resembles the Roman Colosseum mixed with a football arena), but that his nature is wildly different from that of the final version's. It is also important to note that it sounds a lot like Ophelia's nature, as well- as a matter of fact, his earliest design was inspired by the Wudan Witch more than I'd like to admit. ^^;

After analyzing his character, backstory, and how he began to develop throughout SWSH, though, I slowly began to realize that this term really doesn't ring right with Hop as his own character. After inquiring with a good friend of mine, @bluethepearldiver, they came up with a much better nature for him in all honesty; admiration. It was simple, right there, nailed his motivations to a T, yet I just couldn't see it. It had that riiiiiight amount of dissonance and tragedy that is synonymous with the witches in Madoka, and describes what would bring Hop to his end on fleek! Such a complex character, such a riveting motivation- such an ironic and bittersweet end to the tale of his legend...

Unto the earliest version of his design- it was quite simple, really. For starters, he was supposed to be this...faceless sheep hybrid donning golden armor and is fused to a chariot; what was supposed to be the "horse" is in fact a piece of said chariot and is either seen as an extension of the warlock or something resembling living armor. As for the labyrinth, it was certainly not as dim and oppressive as it is now; just a coliseum arena where his familiars jeer and mock at him, with the main color scheme present being a mix of gold and bits of shining red.

As I said, the Ophelia inspiration was as clear as daytime and I was still in the midst of analyzing Hop as a character, so I had to yeet all that out of the window. I may have kept the themes and design elements associating him with fire as an element and meshed it with metal-working and how swords and shields are forged (hence, him still trying to reforge himself to be in Leon's image), but, in all honesty, I still do like the freakiness of said earlier design itself and am currently regretting scrapping some of the early design details present here and there (him being fused to the chariot especially, reflecting him seeing himself in Leon's light and wanting to be like him), so....who knoooooows...? Maybe a remaster of the OG post is on the horizon? Eh, later- I still need to work on Penny's and [REDACTED], after all.

Flash forwards to when I was finally actually writing down the megapost; it might come across as a surprise, but he actually had a different surname during development; Sayf al-Jundi, which means "The Soldier's Sword". I had the idea of him fighting for Leon's honor and to make him proud of his little brother; how he felt indebted to Lee for raising him and actually giving a shit while his own mother and grandparents couldn't, like it was some finite resource/favor.

After much brainstorming, however, I felt like it didn't "fit" Hop's journey completely, either; boosts his themes of incompetence and being lesser-than, indeed, but it did not reflect Hop's development as his own character outside of Leon's image and his desire for his validation, nor did it..."feel" like a witch's name. After thinking abt it more, I went with a surname that bears the same meaning but has more of a kick to it- al-Muharib, meaning "The Warrior"; boosting the idea of Hop's karmic potential being possibly higher than the MC's and the theme of performances Galar has going on!

As for his familiars- to be frank, they sure did take me some time to develop! At first I just wanted them to be the audience partaking in cheering at the spectacle and ridiculing him, but, as I was looking at gameplay of Pokemon Shield on the side whilst writing down the post, I knew I just HAD to bring in Hop's desire for knowledge, him learning all there is about battles from Lee and his achievements, his destiny to become a professor, and how he's seen as a sort of "know-it-all" by the beginning as he guides us through the game. It was quite tough; trying to balance Hop's traits so that both Sayf and the newly-created familiar would share it equally- but I think I did a decent job at it! While the audience, Al-Dajij, are still here, his little rambunctious archivists, the Abatil, have also stepped in to the spotlight, stole any and all trinkets/records related to Leon, and, with them, they took our hearts! Honestly, when compared to the audience and their warlock, they are just. So, so adorable- just like the Anthonies and Walpurgisnacht's heralds!

Finally- in regards to his labyrinth, it was simple, really; the halls leading up to the arena were, indeed, decrepit and claustrophobic, with traps here and there, but the vibes weren't *there*. Once again, I NEED to thank Blue here, especially with them introducing the video "My House Tour" to me and the idea that there is a nasheed that is constantly playing in the background. With its further development, came Hop's simple origins as a little farm boy who was raised by his brother after almost every other adult failed him; hence the outside of the arena being a rainy farmland with shadowy sheep in the distance and a broken windmill. Ah, once more, the true tragedy of Hop's home and the way he was raised strike once more- dear goodness, it's always the sublime horror that gets to ya...

While he's now looking a little more basic when compared to the witches who have arrived after him, I'm still really proud of how he and his witch card turned out! In fact, I'm happy that I've had so much fun writing all that and analyzing Hop's character- it was quite the writing exercise, I must say! Perhaps, one day, I'll redo the design itself and descent to despair, but the witch card and familiars? I am happy with how they turned out; hate to brag, but I've def cooked there....

...Unlike with a certain SOMEONE-

-The Development Hell that was Hau and Kealamauloa Kinimaka-

This. This has been a conceptual NIGHTMARE. I could have just looked at his base character, his present actions, and just made him a Charlotte clone based on Iki Town and malasadas-

But nope, my stubborn ass just had to dig deep, didn't she? Doesn't help that the G7 anime series is also a piece of comfort media, so I was more than willing to dive in to his depiction there, draw out the similarities and differences, map out the reasons behind these differences, AND went out of my way to constantly update said megapost to add in more details and iron out any typos/unfinished sentences. It was a fun journey, yeah, but, boy, was it a tough one.

Okay, okay, starting from the earliest incarnation and its name, which, I might say, was quite the wild ride; unlike Sayf, who at least had his first name stick around, Hau's witch form had a wildly different name that, honestly, stemmed from a horrible and ignorant idea during the earliest days of development- a decision that, honestly, should have been avoided since day 1-

Initially, I had the idea to give their warlock a name that wouldn't feel too out of place from either Tart Magica and Kazumi Magica respectively; to drive home that, in Alola, witches are seen in a similar lens as we view fae, alongside them being treated as separate forces of nature. A decent concept, that's for sure, but the way I've initially approached it wasn't respectful to the Hawaiian language at all, and I honestly should have at least learned the basics.

The grave mistake?

I tried to use Google Translate to come up with the name.

A silly thing to beat myself up over, I know, but it's also really not; the Hawaiian language is being suppressed by the US with many a native being punished for practicing their right of speaking in their mother tongue, and I tried to use GT, of all things?! That was an idiotic decision; I've made the mental note to never do that again- I promise that!

...Right, the old name; with it, I wanted to capture Hau's themes of duality, the aforementioned desire to portray witches as worldly forces beyond anyone's control, and how his relationship with Kahuna Hala influenced his worldview- so, with both the aforementioned meguca spinoffs in mind, I went with the term "Another Cloudy Day", which GT translated it to "ʻO Kekahi Lā ʻŌpua". Butchered to Hell and back, I am well aware- thank goodness I've noticed the error in that decision and decided not to go with that name just around the time I've decided to write down and finalize the witch card.

After mentally kicking myself for noticing how insensitive that idea was, I've decided to take another route and began looking for some Hawaiian names instead. Fun fact: I've found his surname, Kinimaka, and its associated history long before I've settled on his first; the list of options I had for that, aside from Kealamauloa, consisted of Halani, Kahoku, Kairin, Kalani, Makai, and Akamu.

I was also struggling with which name I should choose for his familiars, as well; all of which fitting the vibes and true threats of the labyrinth itself- Noelani (Heavenly mist), Hoku (Night of the full moon), Inoa (name chant), Māhealani (heavenly haze; full moon night), Miliama (drop of the sea), and, of course, Halia (remembrance of a loved one).

Though I am content with what I chose, maybe I might reuse some of these names for other witches hailing from Alola? Like a certain...trial captain? :3c Reem, stop spoiling your plans again; esp not so early into the development of Penny's megapost-

I should mention that I also had "Kealamauloa Leleo Kinimaka" on the list of options as well, but I've figured that it might have been a bit too disrespectful to the history of Hawai'i and its royal family, so I went with just using the surname instead. Again, I am not at all an expert, nor am I Hawaiian myself; I would really love some corrections on that front especially, and am happy to accept any and all criticisms from Hawaiian folk in regards to this little bugger especially.

As for the design- wait, actually, I wanna talk about his labyrinth first, because I think this was the aspect that went through the most changes throughout development. From the very beginnings, it merely resembled a picturesque city near the beach that appeared frozen in time- literally; the food was always there - prepared and steaming hot -, the sun was setting on the beach before it, and everyone, or whatever you may dub these numerous static "statues" around you, appeared to be having a good time. To represent the unchanging, eternal, yet isolating and fake vibes of the labyrinth, his familiars didn't look like glass hummingbirds at the time- rather, they were old phonographs scattered across the labyrinth. Indeed, it was a picture-perfect image of the world at its most peaceful...

That is, until you knock one of these statues onto the floor, and it is apparent from the frozen blocks on meat and speckles of blood that these were the warlock's victims; their joy and whimsy now immortalized as they act as the backdrops made to lull the labyrinth's newcomers into a sense of security. Serving as a chilling reminder that, even if this warlock was once Hau, he's still a manifestation of his own curses and despair- on top of it being a bittersweet reference to the photo the MC takes with him and Lillie.

As terrifying as this concept sounded, it also felt...dull- like, what was the warlock even doing in this labyrinth save for flying around? It was his familiars' duty to freeze his visitors, and all he did was watch? It didn't feel like Hau, and went against his free, easygoing nature. Yes, it did symbolize his weaknesses in the SM games - that being him only able to watch the disasters around him and was unable to stop them himself -, but I wanted to add in something, anything, so that the labyrinth wouldn't feel as hollow as it did.

Another concept for the labyrinth was that it consisted of dingy-old subway tunnels and stations, with advert screens and worn-away posters showcasing a tropical paradise for all to visit. Alas, all one is able to hear through these walls are the pitter-patters of afternoon rain. The warlock would be at the center, either locked in his own small aquarium within a dark room or is patrolling the dingy ol' city outside the labyrinth halls now that he's sealed his victims within the street lights. I might revisit this concept and turn it into Guzma's? Or even Gladion's? Who knows?

Here's where touching grass did me a lot of favors; it was the dawn of Summer here in Jordan at the time, so, after strolling outdoors for a bit and taking in the fresh warm air, I began to rework the vibes of his labyrinth from the ground up. Taking the initial concept and Anemonether's witch card she made for him into account, I've multiplied the ethereal factor by tenfold while also giving the barrier an illusion of liveliness and freedom; Hau's bright-eyed approach to the world is now a cage for his warlock's victims, just like how Hala had tried to keep him sheltered away from his own anger and how disappointing reality can be. Again, I really went all-out with this kiddo's design and labyrinth, and I'm glad with how they turned out!

NOW back to the warlock himself- I am going to be real, I was actually winging it as I went! Unlike Sayf and (Penny's witch), who had basic yet solid concepts to use as bases for what was to come, all that I had for Kealamauloa were three things: Turtle, Dragon, and Flowers. This is where I have to return to that moment where I touched grass because, and I shit you all not, I was also listening to some Pokemon OST at the time- and one of the songs that popped up? None other than the battle theme against the Tapus.

It was then that I had a sort of epiphany- I totally forgot to integrate Hau's culture and status as the Kahuna's grandson into it! A vivid image of the tapus' respective ruins hit me like a well-deserved smack to the back of my head for my idiocy; so I went with a turtle dragon with flora growing from his body, one that appears as though it is a part of these divine sanctuaries- and it was all history from there as I continued on with my research on Hawaiian symbology and beliefs. Honestly, scrolling through all these sources relating to said symbology is quite fun- and I might keep them in mind once I start analyzing yet another character who's native from Alola and bring their despair to life!

Again, this was a nightmare. Did I enjoy dissecting Hau as a character and was genuinely shocked by how deep he and his character development are? Absolutely. Would I subject myself to this torture once more? Fuck no. Nonetheless, I am very happy with how he and the warlock turned out; I could absolutely see him being a MagiReco unit with Kea as either a doppel or a boss thanks to the amount of detailed I've poured into the design!

-Where We are Going from Here-

As of right now, as I've already stated, I already am compiling various notes needed to get a headstart on Penny's megapost; Scarlet and Violet, dear God- I really want to give the story justice, moreso than I did for Alola, and we all know how much the G7 games mean to me. I have my gripes in regards to G9's graphics, indeed, but they've knocked it out of the park with just about everything Paldea else had to offer. Frankly, I am going to blame the drive for them to be more like "Breath of the Wild" and the backlash from G8 causing them to rehaul every God damn pokemon model from the ground up- all while their shit CEOs refuse to give them more time, but that's another rant for another day. Every day, I am reminded of how Game Freak is repeating Sonic Team's history; I have nothing but pity for the both of them honestly, and anyone who tries to tell me that "umm aktchually, they're just lazy-" is getting the hard block.

In regards to Penny herself, well, her witch's name and the "first form" I've created rn are highly subject to change, while her labyrinth is a huge WIP. Do not get me started on her Descent to Despair; I have no idea how this shit is gonna go down, though I do have my ideas. Afterwards, who knows? Maybe I'll work on Kiki's next, since the name and nature are finalized, or even go for the home run and work on [SPOILER]'s! It honestly depends on what I'm feeling at that moment, so expect the unexpected- ooooOOOOOOOooooOOOOO~

I might work on more Pokemon characters later on in the future? But, considering the amount of time each post takes, I am asking of you all to please, please be patient! I've just fixed up most of the errors in the Hau post and am trying to boost what I've written so far throughout other circles, so this takes time ;0; Plus, I still have uni to attend to- fun times for everyone. /s

Now, to close this post on a high note, I, once again, cannot emphasize how much you guys have helped save my ass with these-

@bluethepearldiver

@superstaridolstart

@anemonether

@gummybonebanes

@deepseazombie

@eggchjf

@sweetpie2612

And to all who took the time outta their lives to read my insane ramblings- thank you all so much from the bottom of my heart! Genuinely, without each and every one of you guys, I wouldn't have pulled through with all these! I promise I will do my best for y'all!

And to those reading, I highly recommend reading through PokeManiacal's blog posts that talk about the characters of Pokemon, how they are affected by the narrative, and vice-versa, as well as the Judgemental Critter's own video essays surrounding the witches from Madoka Magica; it is thanks to their respective works that I've managed to capture the characters' true depths and what goes on during the design process of a witch.

So, with all that being said, I just have to thank you all once more- from the very pits and the deepest trenches of my heart, thank you all so much! For the support, for the resources, for hearing me ramble on for days or even months on end- thank you, thank you!! I cannot emphasize how much I hold you all dear- oh my god ;0; Please, to those reading this post, it'd be best if you poured your support to those mentioned- frankly, they deserve most of the praise ;w;

Once again, I must praise you all for the support you have all granted me, and bow; it was a wild ride, but I'm happy that we've gone so far. Thank you all for everything, darlings- may all your journeys be blessed by the deities you all hold dear, if any, and for the fame and glory you all deserve arrive your way. Truly, I am indebted to you all.

Thank you all- have a good night, and I bid you all Alola!

[the-witchs-cafe]

Hi there- I hope it's not too much to ask, but, if that's alright, do you have any advice on designing witches in general? Or if there's a certain philosophy you follow in regards to it?

It isn't at all, dearie! Thank you so, very much for asking in the first place!! I cannot emphasize how much this has warmed my heart ^^ /v v pos

My most important advice above all else...if you ask me, I say it's best to take all the time that you need- even if it took weeks, months, or even a year or two, it's best to allow your brain to cook at its leisure. In the meanwhile, I also recommend setting up a way you could archive any and all inspirations/ideas that come your way- whether we're talking about an inspiration board or even a discord server that only exists to compile information, just find a method that best suits yourself and stick with it.

Don't be afraid of going off the walls when designing the witch themselves, either; so long as a theme has been established and everything is sticking to it, you won't have a thing to worry about.

I mean, come on! Ophelia is dubbed as the Witch of Wudan, with a European name serving as a reference to Hamlet, possesses a candle for a head, and has powers over illusions. Candeloro, meanwhile, is a headless little toy known as the "witch of dress-up", whose labyrinth possesses a river of blood contrasting with the idyllic scenery of her labyrinth, and had taken all the measures she's managed to come up with in order to keep her familiars from leaving her alone.

To bring my own creations into the spotlight of shame, and ironically so when considering who he was, Sayf al-Muharib is the Gladiator Warlock who resembles a sheep-wolf hybrid with design elements invoking both the Golden Calf and a "wolf in sheep's clothing" (full credit goes to @gummybonebanes for the wolf part esp), is constantly burning/melting so that he could further imitate his hero, has an Arabic name that means "the warrior's sword" in spite of Gladiators being a mainly Roman thing and his weapon being a HALBERD, and the center of his labyrinth even looks like a soccer arena once you take a good look at it.

All these aspects may look like they make little to no sense for them to be put together, but, once you look at them a little closely and inspect the people they once were, it all begins to fall into place. Like working with individual cogs of a machine, just try to find the piece that keeps the design operational and working in the manner that befits what you had in mind. I also recommend looking at other media that possess story elements that happen to be similar to PMMM's witches for further inspiration as well, such as the Baal bosses from the Bravely series, or the abyss enemies and the concept of the samsara from Genshin Impact.

Finally, and I know this sounds corny as hell, but...don't stress about the design and the labyrinth too much, and try not to push yourself to write even when you're nervous or are dealing with other unrelated strifes. The reason why I regret how Bianchi and Liang-Hui turned out they way they did is because I was, for lack of better terms, not at all in the chillest of moods to write, and, boy, do I regret that now. Find the right mindset and mood you want the labyrinth to embody, try to capture that very emotion and sensation, and just go from there!

For example, the reason why Kealamauloa Kinimaka's labyrinth is the way it is and why I am so proud of it is because not only does every little detail symbolize an aspect of Hau's life, but it invokes a certain emotion; comfort and disconnection from the struggles around you, and, by letting go, you could even float high up to the skies. Sayf al-Muharib's, meanwhile, invokes the emotion of being watched at all angles; denied of freedom by the people surrounding you as you struggle to strive forwards through these suffocating hallways, with the withered statues of his older brother looking down on him- casting a reflection of the beast and failure he has become.

Remember, a labyrinth is the "mental headspace of a magi prior to witchification", as stated by the creators themselves; it can be interpreted as their own worldview and how they saw themselves in the story they're in, the magnitude of their life struggles in their eyes, or are just places that exist to keep the witch's wounds wide open at all costs- a cage forged from their own curses, locking them in this eternal hellish state. Don't be afraid to exaggerate aspects of their lives when it comes to labyrinths; make us plunge into the eyes of the magical people they once were and how they saw their problems! It is all about perspective here.

Best of luck and wishes, anon- and godspeed!

[goji-pilled]

something something witches and curses

[abyranss]

That's right, I can draw horses sort of.

Ophelia's steed is really noisy to look at in the original art style and it's also kind of tricky to make sense of in 3D space but that's just witches for you. Also, the ears make it look a bit like a donkey. It's actually kind of cute.

Ophelia's very short description tells us, "She can no longer remember what the horse that always accompanies her was."

Did you know that in Japan, horse meat is called sakura meat?

[daphneblakess]

ophelia: the wudan witch

its nature is abandonment. a witch who eternally wanders with hollow footsteps through the fog. she can no longer remember what the horse that always accompanies her was.

[devilgem-archive]

heya!! do you mind if i ask a bit abt ur kyokoswap au?? if u dont wanna thats fine but any info/hcs u have abt it wld be cool bc the au seems rlly neat!! tho again if u dont wanna def no pressure ^^; have a wonderful day!! :D

VIBRATES EXCITEDLY i’ve been waiting 50 years for someone to ask about this!!!!!kyoko magica is one my oldest and most developed aus, i’m more than happy to answer this!

aside from minor adjustments to better fit each character’s arc, the story itself follows canon’s exactly! starts with kyoko having a dream about mami, ends with mami tearing apart kyokami in a new world. ofc a lot of the girls’ original traits remain in tact. kyoko is more like her pre-tds self, kind but ditzy and reckless, mami retains her ladylike grace, homura her overprotectiveness and so on…i always prefer leaving aspects that makes characters…themselves in swap aus if u get me? or maybe that’s just me

KYOKO

swaps with madoka. madokyoko or kyokami, as i like to call her!

a simple christian girl with a plain, ordinary life. kyoko had everything she could ever ask for: a loving family, supportive friends, amazing teachers- just everything! all of that changed when she meets a mysterious blonde girl in a post-apocalyptic setting in a dream…and that very same girl appears in her life the very next day!

while she has a kind heart, she is known to be fiery and unreasonable at times. this temper was usually displayed in heated confrontations with mami

the sakuras used to be rather poor. their financial status improved when the akemis stepped in to assist them, and the two families had forged a close bond ever since

eating is practically her hobby. still hates wasting food and will call out anyone who does so

is a d@ddy’s girl through and through. her father is wise and caring, so she often seeks him out for advice

her wish varies from time to time. in the first timeline she wished to save a cat she named Amy, while others had to do with wishing one or all of her friends back or to be able to defeat walpurgisnacht etc. her final wish was to erase all witches from the past,present and future with her own hands, which caused her to ascend to godhood and leave no trace of her existence in the new world.

kyokami felt lonely when she first realized she had no way to get in touch with her loved ones on earth. it felt even strange to be god herself…she’d always been a girl of faith yknow? she eventually embraced her fate as the composer of the universe, and is perfectly happy in bring salvation to magical girls all over the globe.

ophelia is the witch of abandonment. unlike gretchen, who desires to save the world, ophelia wants to destroy it. kyoko’s faith in humanity died the second ophelia was born…and the all-powerful wudan witch stops at nothing until this cold and cruel world is nothing more than barren wasteland

MAMI

switches with homura! her nickname is homumami, but she’s usually mamicifer to me

i like to call her moemami (or moemi???) in her ‘moe’ phase

was orphaned at the age of 6 when a fatal car crash killed her parents and left her paralyzed from waist down. the hospital had practically been her home since, until she was officially discharged yeaaaaars later

used to wear her hair in drilled pigtails, complete with colorful flower clips that surprisingly correspond to her future friends’ colors. in later timelines she would let her hair down and replace the childish clips with her signature bronze ones.

used to be wheelchair bound before contracting. learned to utilize her healing powers so she could walk again; she used crutches and ribbons to assist her during the early timelines. in later timelines, she fully healed her injured spine the same time she changed her personality

she had a big crush on sayaka in the past…something she’d rather forget. it still flusters her

her wish ofc was to redo her meeting with kyoko sakura

her birthday falls on may 1st. more abt it here

mami has a major sweet tooth.

candeloro is a miserable witch, literally shackled with chains of despair, forever alone in this nightmarish prison- her eternal pity party. although she comes off as aloof at first, her true nature warm and inviting, almost needy even.

she has her own set of ‘clara dolls,’ known as delightful dolls. there’s four of them, each resembling the girls of the quartet but represent the hostess’/mami’s worst aspects: vexation (kyoko), disgust (madoka), cruelty (sayaka) and love (homura)– the youngest doll is the least favorite and looks suspiciously a lot like the good-for-nothing’s dolls (see sayamura for the answer)

HOMURA

switches with sayaka. i lovingly dub her sayamura

was kyoko’s friend from childhood. they attended the same catholic elementary school together before mitakihara middle school.

sported her ‘moe’ appearance pre-contract. after making her wish, she ditched the braids and glasses in order to look ‘cooler’ (@ which kyoko wld say she always looked cool in her eyes

kyoko had been her knight in shining armor for as long as she could remember, and homura really wants to repay that by protecting her as well! she is also hella gay for her bff 

her wish was to have the strength to protect others

her shield is very similar to the one seen in the original madoka manga, though it lacks the hammerspace storage. her firearms are formed via magic

her desire for kyoko, self loathing and jealousy are big big factors to her inevitable demise.

homulilly here is a mix of her nutcracker and mortal world forms. each and every one of the clara dolls still exist along with lotte, luiselotte, liese and lillia.

love is in fact, one of homura’s dolls; because homura and mami cherish the same person deeply, their feelings intertwined and therefore ‘share’ ai. post-rebellion, ai continues to pose as one of the delightful dolls and attempts to revive homura’s memories behind mamicifer’s back

SAYAKA

switches with mami. her nickname is mamisayaka here!

ghost and lonely are big inspos,esp for oktavia

came from a rather well off family, so she never really needed to worry about provisions when she was left on her own. still, all the money in the world could never fill the gaping hole in her lonely heart

knows how to play the violin

her parents and kyousuke and hitomi all perished when a theater collapsed on itself. old wounds reopened when madoka left her to live life her own way

is the ideal big sis! cheerful, sporty and has good grades…For A Sayaka. beneath the facade she’s a depressed slob who doesnt take care of herself as much as she should. its oke as long as she hides it all with a smile :)

oktavia von seckendorff is very highkey based off lewis msa; deadbeat-esque familiars, an abandoned mansion/concert hall labyrinth and a disembodied glass heart, which sits at the very bottom of her lagoon- that kind stuff. those she falls in love with, whether romantically or platonically, are never to leave her- she wont be alone, never again. one condition must be fulfilled in order to kill her successfully: stay. if she’s truly feels content, she will accept death without fail.

MADOKA

swaps with kyoko. kyodoka has a nice ring, doesnt it?

used to be exactly like the sweet and well-meaning canon!madoka in the past, a key difference was she would resort to stealing and breaking other rules to keep herself and her parents and little brother alive.

her mother was a businesswoman who wanted to take a more innovative approach to her work. alas, this would cost junko her entire career and the kaname family became penniless

madoka wished for her mother’s dream project to become reality. just as ur familiar with canon!kyoko’s story, it backfired horribly. disowned from her family, her mother became an alcoholic, dad gets pushed around and baby tatsuya doesnt understand whats going on. days later…press f for the kanames and madoka’s broken heart.

is vile, absolutely vile. can be sweet in one moment then violent and emotionally manipulative in the next like the two-faced bitch she is

rarely uses honorifics to address people anymore, unless she’s playing sweet to get something out of someone. uses ‘-chan/kun/san’ for those she sincerely cares for; she didn’t call homura ‘-chan’ before she began sympathizing with the latter

has a minor problem with booze and tobacco, namely the latter.

she loves loves loves melons!

knowing the value of being frugal, madoka hates wasting things that could be put to better use. she can be kind of a cheapskate in some sense, though she's sane enough to avoid resorting to ridiculous extremities.

kriemhild gretchen is exact the opposite of canon!ophelia. this towering witch continues oh so obsessively reaching for what she cannot; that one faraway glimmer of hope sitting at the endless skies of her labyrinth she calls paradise. shes stubborn as all hell, and will not let herself be destroyed UNLESS one convinces her the world is already a happy place in no need of saving

NAGISA

nagisa is nagisa.

the same charlotte that ate mamisayaka’s head is now a bapy that lives with her post-rebellion

her wish remains the same: to have one last cheesecake with her mother

not much to say here

thats all i can remember from the top of my head! if you want me to elaborate further, pls ask me @mahoutrauma!! 

[hiraethidity-m]

THOU  HAST  TURNED  A  VOW  INTO  A  BLOOD  OATH.  THY  BOND  SHALL  BECOME  THE  WINGS  OF  REBELLION  AND  BREAK  THE  YOLK  OF  THY  HEART.  THOU  HAST  AWAKENED  TO  THE  ULTIMATE  SECRET  OF  THE  TOWER,  GRANTING  THEE  INFINITE  POWER ...

name: Kyoko Sakura age: 16 - 17 code name: Raven ( which has many different meanings compared to Akechi’s CROW ) persona: Wudan Witch named Opheila meele weapon: Lance ranged weaopn: Automatic Ak47′s joined: After the Phantom Thieves defeat the Medjed and before taking on the case of Okumura’s Foods. color scheme: Red,Black, with hints of White arcana: The Tower ( & death )

BACKGROUND / STORY :

As a resident of kazamino city, Kyoko grew up being the daughter of a Clergyman, whom as well lives with her little sister and mother. Most of her life was spent being home-schooled with her little sister by their mother, as this was a decision declared by their father. Since he didn’t trust the public school systems and their ways of teaching. Afraid that they would unravel everything that he had ever taught his children and the ways of the Lord himself.

As time has passed, though, her father had begun to preach more and more away from the stories that had been printed within the bible. Thus, talking about things that had nothing to do with the Lord’s word. In result to his preachings, the town disregarded his stories. Declaring him as incompetent, as well as insane. And slowly, over time, the people that came to sermons had begin to dwindle in the numbers. Until, there was absolutely no one who came to hear him talk anymore. The town’s folks opting to go to the church’s in neighboring towns, instead of their own. With no one attending the services, or money coming from the church, this causes the family to become poor – even near the point of becoming homeless.

Swallowed in regret, her father turns to alcoholism. Turning his personality completely. He becomes aggressive. He becomes abusive ( physically / emotionally / mentally ). Kyoko tending to get more of his backlash as a way to protect her family from him. This had proceeded on for weeks-months. But, how much of this could they really take, though? When would it become to late for them?

As the Phantom Thieves popularity skyrocketed, even their name had become news within the Sakura household. Their father completely against them. Finding them as sinners in the Lord’s name and nothing but mere criminals. But Kyoko saw them differently. They had become a huge topic within the household though, once the Medjed had become involved. Challenging the thieves to reveal themselves. Whereas her father supported the Medjed, it was clear that Kyoko supported the Thieves. She saw the good in their work and the justice that sought out to achieve. Their workings, is what gave Kyoko hope.

Near the end of the Medjed’s time limit, Kyoko finds herself sitting inside the public library ; the phantom’s form site displayed on the computer screen. She contemplates for a while – could she really ask for their help? Would they really come to her rescue? She reads all the mixed reviews about the group. The hatred that followed the support. She ponders over if she could really go through with this, while her fingers rest upon the keyboard. Before she realizes it, she’s pouring her story out on the screen, begging for the help of the thieves before it had become too late for her household.

When the Medjed case becomes closed, Mishima finds Kyoko’s post for the form. Once he reads it over, he finds this as something that is extremely important. How could a father do this his family? He pursues Akira to take the case. Finding this as something that would be easy for them and finding as way to keep their popularity up. But easy it wasn’t – After searching around the Memento’s for the shadow of her father, they were left with nothing; Empty handed. That’s when the group decides to take a trip the town that they resided in. Upon arrival, it is quickly learned that the father had in fact grown a palace. Showing the group to true dangers that had lied here for the Sakura household.

Due to the lack of technology in her homestead, Kyoko is never informed that her case had, in fact, become of interest to the group. Or that, they had indeed arrived to the family’s church. So when the infiltration route becomes started, and they enter the metaverse, she too, is taken to the metaverse. Simply by mistake though. It was one of those, she had been walking within the perimeter when they entered, and she herself had gotten swooped in as well.

Upon arrival, the thieves are greeted with a glamours and humongous church, spot lights adoring the front as a line of people are currently waiting outside the front doors. From there, they start their route. Kyoko though, is nowhere near them once they enter the metaverse. In fact, she finds herself somewhere located within the church already. Confused and scared about her current surroundings, she finds herself making the rounds through the church as well.

The Phantom Thieves managed to find Mr. Sakura first. They find him in the main hall, with church pews littered in people. As the thieves have their confrontations with the man himself, Kyoko happens to over hear everything from one of the top balconies. Staying silent, she simply watches as her head spins. Glee filled within her as her hope skyrocketed. She couldn’t believe her eyes – The Phantom Thieves did in fact come to her rescue. They were really here to save her family before it had become too late. A new feeling soars through her. A feeling of change to come. Something within her rattles her bones, edging her to take a stand in this fight; so she does.

As Mr. Sakura’s shadows calls them out for them being nothing but sinners, and making sure they rot in hell where they belong, Kyoko makes her appearance at last. Calling out her own father for his deeds. During this time, the birth to a new persona is made. A new contract formed.

                   I AM THOU ;  THOU ART I

ophelia is born ; a Wudan Witch persona. Her mask is raven styled and her meele weapon is a lance. It is then, that Kyoko promises to make him change his ways, thus in return, he tells her that she is no better than the thieves that stand behind her. And if she is to go against him, he would kill her too.

With the infiltration route placed, the gang returns to the real world. Giving Kyoko the chance to actually properly meet everyone and telling them the story of what had happened to her father.

In a few days time, the gang decides to send a calling card to her father, leaving Kyoko in charge of making sure he sees it. When he does, heimmediately blames Kyoko for it through his drunken state, since she is a supporter of them. Feeling threatened, he becomes even more violent towards the family. Seeing nothing wrong in his ways – blaming everyone for their current position instead of himself.

Its later that evening that Kyoko regroups with the thieves, helping them take out her father’s palace. Once successful, their treasure ended up being a bible.

Mr. Sakura becomes bed ridden for the next week, as the alcohol slowly makes its way out of his body. When he comes through, he apologizes to his family for everything he’s done to them. Especially to kyoko since she got the worse of it all. And many scars that would never heal on her body from him. But, he finally had his change in heart.

As a few weeks / a month passed from the incident, Mr. Sakura finds himself in the hospital, on death row. Kyoko doesn’t blame the thieves for this. This was not their fault. This was the alcohols fault. Even the doctors had said so themselves. At the capacity that he consumed it, they were honestly surprised he wasn’t on his deathbed much sooner.

What she was thankful though, was the apologies and heartfelt “i love yous” she had gained from him before his passing. She knows she would have never gotten them if it wasn’t for the Phantom Thieves. She thanks them entirely for everything they had done for her.

With no need to keep the church any longer, her mother sells their home and  church. Deciding to move herself &. the girls out of the town, and starts over with a new life for them. The girls finally get themselves enrolled into a real school – Kyoko begging to go to shujin academy so she could be with her friends that she had finally made. Their mother gets herself a real job that’s stable enough to support them. And her sister gains friends for the first time in her life.

Due to Kyoko’s test scores, she is able to enter as a 3rd year student, but Kyoko opts to be a second year so she could have a chance at being an actual student. And have time to be a teenager and make friends and spend time with them. She becomes placed in Ryuji’s class.

** It can be speculated that Kyoko & Futaba may be cousins

[kriemhilds]

Do you still friends with witches of your friends?

“Friends? Uuu... what do I have for silly things like that?” Gretchen asked, her usual grin giving way to a rare frown. “Humans have friends. Magical girls have friends. I am a witch. No, more! I am the Goddess of Despair! I have no need for friends, only useful servants~!”

“My natural minions, the wraiths, the magical girls of the Kriemhild Faithful, and Archbishop Sakaki and the rest of my Bishops are not friends: they are all servants. And they are all useful. All other witches are worthless, you see! 'Witches of my friends...’ I assume you refer to Oktavia von Seckendorff, Candeloro, and Ophelia: the witches of mermaids, dress-up, and wudan? What use have an incredible witch like myself for such small fry!?”

“The only thing worthwhile they can give me is their grief seeds so my girls can use them to barter!”

[enigmatic-prismatic]

Unholy quintet ahh

I did this by memory, might not be accurate

[goji-pilled]

Over the course of 12 episodes and 1 movie these two really said "You own my heart and soul and I love you with everything I am" and tbh? Good for them.

[goji-pilled]

hello kyosaya nation *throws these at you*

i bring you doodles i made

[goji-pilled]

*insert Kyoko saying "I'll go with you Sayaka" or something here again, idk I still have no other caption for this*

As you can see I decided to redo this partially because I wanted to see it in the new and improved style and I very much prefer this version lol

[goji-pilled]

"me and my girlfriend saw you from across the room, and we just wanna say we hate your vibe"

"yeah we're gonna kick your ass"

-oktavia and ophelia everytime someone enters their labyrinth

or just rkgk or something