#oops the post is long again

[remxedmoon]

(you worked yourself to death.)

yeah i wasn’t kidding when i said these would be coming soon. <- haha funny joke marshall. so!! remember when i said that this post would be coming out last weekend? guess whose tablet broke a few days after saying that! so sorry for the delay!! this is long overdue. here’s a link to the drive, as always! everything in this part of the update should be in the miscellaneous folder (outside of the menu icons, which are in the menu folder. wauaua).

unedited versions below the cut, plus some notes. fair warning 90% of this is just ui stuff lol

so! all of this was already done by the time i posted the enemies. the delay isn’t *entirely* because of the tablet issues, i just managed to get distracted by making: even more redraws! i’d say new update soon but after what happened last time i shouldn’t jinx myself. but! almost All of the art for the initial mod release is done!!!! exciting!!!!!!

please be nice to me (silly) this is my first time doing frame by frame animation in… give or take 5 years? i followed the original animations pretty closely, so they don’t look Awful but i am Aware of the jank. i’m not an animator!!! they’re Good Enough for my purposes.

hey did you know that the original teleport map is slightly off center. did you know that. that’s not the case for the redraw for the record but it did make things a little harder. despite that, i think you can tell i was having fun with the dormont part of the map. i would’ve put more detail into the house, but we never really get a more detailed look at it??? and i didn’t want to make assumptions. so that part’s just traced from the original 👍. anyways shoutout to the clocktower being Curved for whatever reason

outside of those, all of the added art is actually just spritework. i didn’t know this at first, but there’s a TON of copies of sprites from the icon set. Basically Everywhere. so those are added now! and should work properly! also added a few sprites that were Missing from my original batch. not going to put them all here, but a few Important ones (which i actually had to make new art for) are the rock paper scissors cheatsheet, the Larger versions of the craft signs (used in the calamité fight and. probably somewhere else idk), and the craft signs for the tutorial kid fight!

aaaand i think that’s it! for stuff from this update. yeah no there’s more coming buddy. my tablet already broke one time this week there’s no way it’s happening twice. i’m not working on portraits Just Yet (though the temptation has been There), but i’ve got the title screens, a few backgrounds, and the ending cgs done! along with a few other assorted cgs sketched out. because im out of my fucking mind. so, uh, see you soon!! enjoy!!

[woolying]

tetro pink doodle dump: varied ramen trio edition 🍜🩷 i need to get all of these off my hands lol

picture captions, if you care:

sanrio dogs i drew in my sketchbook once during class ! they are such a doodleable bunch

IIIIIII👏SUP👏POSE👏HEY🆙

this was based on one of tsunos gacha cards, i just wanted to sketch it but then i got carried away..... rip to the matching cheshire sasaki that didnt get drawn (I PROMISE IM STILL WORKING ON THE GACHA CARDS THAT WON THE POLL I DID THAT ONE TIME....IM JUST THE STRUGGLER...)

von tweeted this one and i thought it was funny

i drew this one literally today lol also inspired by a von tweet!! a little bit of miki manami hcs kinda (ive been meaning to do art studies with them bc i have clear views of how the trio look in my head but im not very good at body variation...parkourist tsuno you are so important to me ill draw you well one day) also just know all of the isono hcs are me projecting thank u

isono miki digital angel real (featuring wader)

OOOOO YOU WANNA TALK TO ME ABOUT TETRO SU FUSIONS SOOOOOO BAD ametrine is my fave out of my finished ones so she gets posted yay

i saw the project sekai movie when it came out so i made sure masa miki did too (just realized i forgot wadas eyebrows um...im not going back to fix it sorry idk what canvas this doodle is on)

more sanrios except i assigned one to the whole cast and planned on drawing them all... then gave up basically before i even started lol (if anyone sees this please draw ojima with harenochi nyua and color it all cutelike ty)

/ 11. back to my roots: drawing wada over and over again (i was going through severe genuine withdrawals when i drew these i love drawing wadas)

[1singulargrape]

something something soulmates

[daily-odile]

odile with a gun perhaps

gun

[ihateyouvulpesinculta]

wip… i hope to be done eventually but HEY MAYBE NOT

let’s all ignore bad anatomy atm

redrawing my pfp as the anniversary for when i mark the start of my horrid obsession of this disgusting man is coming near in a few days

also thanks for 300(+ now!) followers i give each and everyone of you a kiss and smack on the head thank you 😊

[violetscanfly]

Marleyan Hange au part 8

Liberio 5

Building rage

first | prev | next

Desperately searching for help, Hange happens upon Zeke. Suddenly they have hope for Essie, as they happen to know he always has a secret vial of his spinal fluid on him. Zeke is not being very cooperative, however...

🌸 Hope I didn't scare you guys with the style change, my screen time has been absolutely atrocious lately so I tried reducing it by drawing this on paper but I think compiling the sketches to pages digitally kinda defeated the purpose lmao. I enjoyed the process tho!

I'm trying to wrap the Liberio stuff up in the next few parts, it's just kept going xD but I actually have drawn a little bit ahead to get over the artblock so now I have to catch up with the stuff I skipped to get there. 🌸

[gingerdusk]

Thoughts on the thunder wizard again.

Genuinely, I find Gale's relationship with Mystra to be fascinating when you consider all its facets. Unhealthy, imbalanced, definitely poisonous, but also very, very intricate with a lot of blurred edges to it. One of those things where you're both like "wow, what the hell, that's horrible" but also "that makes perfect sense for their characters, and while I would NEVER, I know why they would, and why it happened."

You've got a wizard who doesn't know what real love is, who thinks he's finally being shown it by the person he adores most. His greatest fantasy, his most potent joy, his most heartfelt aspirations, and they were all offered to him.

And he wants to see what all she's hiding from him, because of course he does. She's the keeper of all things forbidden to him. The empire of Netheril reached magical heights that will never be touched again, and all that knowledge is beyond her curtain. She loves him, right? Surely, if he proves himself enough, she'll let him grasp that power he so desperately wants.

And not even in the power-hungry sense! All that magic Mystra's locked up was accessible during Mystryl's reign. Think of all the answers to theories about the universe that are back there. Every question of "can this be done, and what would it do" would be answered, if he could just bargain hard enough.

She loves him, right?

Surely, if he proves himself enough...

And then, on the other hand, Mystra. Once Midnight, her human personality has been subsumed by the goddess of magic and her duty to the Weave. She has a responsibility to magic, she IS magic.

Then along comes this mortal boy who knows how to handle her Weave. Who doesn't try to wrestle with and dominate, who sings to it. He handles it with such ease and grace—it's not just that he could be Chosen, but he deserves it. To put her Weave in the hands of someone so intrinsically in tune with it, who understands its potential with a wonder like no other. Few enough can handle the raw power that comes with being Chosen, but this one? This one is perfect.

And he adores you. And you adore him, like one would a beautiful butterfly that's landed on their finger. And he's willing to be devoted to you in all things, not out of transaction like most of your worshipers are, but out of love for you, your craft, your magic. You're so deeply and utterly charmed by him.

And it's not like Mystra hasn't walked this path before.

She gives him what he desires, because what he desires is her. And, in a different way, she desires him. She wants him to be her representation in the world. She indulges his adoration with her own presence, and takes indulgence herself in mortal comforts. He's never satisfied with her answers, but who could blame him? She keeps a whole world away from mortals, because she knows what such unfettered power might bring about (again).

And the wizarding prodigy's ambition is lit (again).

And the height of power is reached for (again).

And she stops him (again, again, again).

She does care for him. She doesn't want to see her little butterfly burn himself, and she doesn't want to be the one to ruin those wings.

But then he's not a butterfly. He's a mortal, wielding a weapon of murder, of her murder, and he's brought it to her doorstep because she told him "no." And he's cut himself on it, he doesn't know what it is, but it's hurt him—and it's only a fraction of the hurt it could do to her. How dare he want her help after threatening her?

(He didn't mean to.)

(He only wanted to help.)

(He only wanted. How human.)

She doesn't help him. If he wants to pursue Karsus' weaponry, it's his responsibility, his hubris, that led him to injuring himself on it. She's furious. She's hurt. She's cold.

(What fools these mortals be.)

But then, there's a greater threat to her. Something that could drown the Material in Karsus' failings. And that little boy, who nicked himself on the sword he lifted, still wants her help.

It's a fair trade, isn't it? She'll forgive him, let him into her domain again, if he accepts his punishment and goes into battle for her. He picked up a sword, it's appropriate that he learns to use it in her name, right?

If he was telling the truth, he wouldn't hesitate. If he really wanted to serve her with the Netherese Orb, he would jump at the opportunity to do so. He would have to give up a few petty things in the process, ("petty," she calls mortality, as if family and home mean nothing, as if friends and love are finite. Because to her, they do mean nothing. Because to her, they are finite.) but it isn’t atonement without sacrifice, is it?

It's the tactical move. She's not above hurting one man to save a nation. It's not even the first time she's done it.

(Dornal Silverhand sends his regards.)

If he loves her, he'd die for her, because she'd let him into her paradise. If he doesn't love her, he won't, and she was justified in removing him from her grace.

He doesn't love her. Not anymore.

Does he hate her enough to try to take his dues?

Ambition has always been man's greatest folly.

[molathesunfish]

my limbus bugs mainly based on characters that may or may not show up later... and one mystery feature for your guessing fun:]

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[cheesecake801]

Did you know 11/11 is Pocky day ? I drew something for this special day hehe

Bonus with Flint under cut

I think Flint would lose this one. Volkner seems to love Pocky a bit too much to afford to lose lmao.

And then Flint would have to buy him more Pocky (he should've thought before agreeing to Volkner's terms lmao). And as Volkner eats them, Flint would stare with sadness in his eyes.

Maybe then Volkner would share, so all is well that ends well except for the disappointed audience (but it's on them for being nosy)

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[beskars]

having to restrain myself from posting twice in one day again

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[sibillascribbles08]

Man I've written 34 fics for rise, that's insane, anyway here's a master post, sort of? I realized some people either A) may not know how many different fics I've written or B) not realized "oh he wrote that" sooo

One Shots

Don't You Care? – Donnie and Leo centric, post-movie. Donnie isn't always great with feelings, and when he fails to understand Leo's, he tries to find a way to fix it. Doing so forces him to unpack some of his own thoughts on their victory over the kraang as well.

To Bridge a Canyon of your Own Design – Splinter centric, post-movie, a bit of a retrospective on his relationship with his sons, his depression, and him trying to move away from his unhealthy coping mechanisms.

I Didn't Vote for You – Leo's the leader now, and Donnie always finds ways to argue with him about it. Leo wants to find out why Donnie has such a problem with how he's trying to lead the team, but it turns out that isn't the problem. It's simply the fact that Leo's the leader at all.

I'd Give Anything – Donnie-centric. A slightly alternate take on the movie's ending where instead of just firing a drill into the portal, Donnie jumped in, and ends up losing an arm in the process. But he has to kind of piece all of that together as he recovers in the med bay, talking to each of his family members.

Grappling With Things Beyond Your Control – Gift fic for my friend Bat! Donnie-centric, post season 2. Suddenly getting ninpo with no prior training causes Donnie's powers to start to run amok, and on top of that he has to help his family not only find a new home but move into one. It's a lot to balance, maybe too much to balance.

Four Turtles in your Corner (Store) – A silly fic about April being out of supplies for her period, and in desperation sends the boys to go get her some. I'm sure four reptilian mutants have competent knowledge on what humans need for things like this.

Now Lie In It – Big Bang fic! Takes place during season 2. Leo won't sleep, and ends up getting on Donnie's nerves. The softshell's solution to the problem is a simple sleep potion, but when he pours too much into Leo's tea his brother won't wake up. Time to force April and Draxum to go find an antidote while he hides his mistake from the rest of his family. (it sounds angsty but it's comedic, actually)

What Will You Leave Behind – Big Bang fic! Doomed timeline, Raph centric. Raph is the first of his siblings to die during the war. And while he does everything he can to be their ever present pillar as they eventually follow after, he can't help but loathe the fact that the ones still down there are suffering and he can't do anything to help.

My Words Died With You – Gift fic for Bat! Doomed timeline, Donnie centric. Donnie quit speaking when Raphael died, months later he still isn't. His family tries to help him cope with this, even Raphael does from the afterlife, but it may not be enough.

Hardcoded Conduct - Gift fic for Bat! Post movie, Donnie centric with a lot of Mikey POV. Mikey thinks about how Donnie is, at his core, a good person. And this opinion doesn't falter even when Donnie reveals a terrifying new power he has. And while Mikey might be right about Donnie, sometimes Donnie's care and concern is exactly what causes him to make bad choices.

VHHB series

(These are all post-movie)

My Roommate the Troubled Time Traveler (One Shot) – Casey and Draxum centric. Casey Jones Jr. isn't coping too great with being in the present, and trying to live in the lair isn't helping. So Mikey has the GREAT idea to convince Draxum to let Casey be his roommate. The alchemist thinks this is a terrible idea, but he might be able to help the kid far more than he realizes.

Violet Hues and Holly Blue (Completed) – Donnie centric. 8 months after the kraang invasion and Donnie's been the reigning champ in the Battle Nexus for a while, in his attempts to improve his mystic abilities. But this draws the attention of a business focused wasp named Holly Blue who offers to help sell his tech designs in the Hidden City. Donnie ends up agreeing, having to keep that secret from his family too, but eventually they're going to find out. (This is only a partial summary haha sorry, fic is heckin long)

Missing Pages – Just some VHHB extras, but hey it features Big Mama being herself, Lou Jitsu maiming some people, Donnie dealing with past blood on his hands and uuuuh Leo and Holly becoming friends (what a mood whiplash)

You Are Loved (Completed)– Two-shot fic about the Caseys (of the Senior and Junior variety). Casey Jr. wants to know why his ninpo sprung up so suddenly, and in his search to find out discovers his family is much closer than he realizes. Meanwhile Cassandra is struggling with her place among the Hamatos, it doesn't help when she finds out they're keeping a pretty big secret from her. Hopefully they can make it up to her.

The Sun and Icarus (Completed) – Mikey-centric. He's been doing pretty good at developing his mystic abilities lately, but now they're starting to explode, pretty violently. And it turns out if this keeps up the whole ordeal could just kill him. Better find a way to put a cap on it, or something to that effect. (Wow more power overloading fics from ME)

Girls' Night (One Shot) – April centric one shot, also April/Sunita. She's just trying to have a fun night out with the girls, inviting Holly Blue along for the ride, but maybe that was a mistake because in her attempts to playfully tease the wasp, she's suddenly forced to confront her own crush.

And For my Next Trick (One Shot) – Leo-centric one shot. Leo's getting frustrated with his lack of progress on his mystic powers, and with Hueso's advice decides to shift his focus to a different kind of magic, stage magic. With Hueso Jr.'s help, he plans to put on an entire show, which should be fine if some other magician doesn't show up to steal the show.

Look Up Hero in the Dictionary (Completed) – Raph centric. Raph's feeling a bit too idle in the city lately, with only minor crimes going on, but in his wish for something exciting a strange explosion happens at an apartment building. He attempts to help everyone escape, but a yokai holding the building together stays behind, and on top of that charges Raph with the task to take care of her child. Have fun taking care of a powerful psychic seven-year old, Raph.

What You're Made Of (One Shot) - Casey Jr. centric. Casey is getting frustrated with discovering weird things about his body like skin problems and peanut allergies. Draxum suggests he find out who his other parent is to get an idea of his genetic history, but when he finds out who it is, he's kind of ticked off that his family never told him. (this is a bio dad Raph fic for the record).

The Knight and the Dragon (Completed) - Jasonnie centric. Episodic chapters about Donnie and Jason learning to be friends and then becoming more than friends. Very sappy, a bit of angst, a lot of me making up lore about Jason.

Why Does Casey Call You Babygirl? (One Shot) - Raphael centric. Raph and Cassandra start dating and after Casey calls him a certain nickname by accident, Raph starts questioning his gender a whole lot. At least he's got the fam around to help.

Here's To You Holly Blue (Completed) - Grief fic, OC, Donnie and Leo focused. Takes place roughly 17 years later when Holly Blue's health takes a drastic drop and she won't be coming out of it.

Off Colors AU (Separated AU)

Off Colors: Contrasts (Completed) - Covers season 1. Leonardo's spent most of his life believing he's an only child because his little brother was kidnapped when they were only toddlers. But a rescue mission to the Hidden City with his best friend April results in him finding out he actually has three siblings. And in the span of a couple of weeks he finds out all of them are alive and, unfortunately, working for bad guys. He's going to try everything he can to stop them and convince them to come home, but it may be a fools errand.

Off Colors: Analogous (in progress) - Covers season 2. Leonardo now has his siblings living in his home, but it's more of a nightmare than a dream come true since he only gets along with one of them. Still, maybe with time they can all start working things out, and the sooner the better since there's still a threat on the horizon.

Other Chaptered Fics

An Alien Invasion Happened but That's Not Really What This is About (Completed) - Long ass title. Jason-centric. Hi I wrote a novella sized fic about what happens to this kid during and after the events of the movie. Watch him attempt badly to cope with trauma while also fixing his relationship with his very queer dad who loves him a lot.

Artificial Phoenix (Completed) – Lou Jitsu died in the arena but then Big Mama said no no no! So Draxum brings him back to life while mutating four turtles so Lou Jitsu said NO NO NO! And he took them and ran. Alternate take on the events of the show, where Splinter is undead and unmutated, and unfortunately does not keep his soul in his body the entire time, leaving his sons grieving and desperate to get him back.

The Devil That You Know (Completed) - Cassandra centric. With some Frida and Raph as well. Casey decides to take charge in keeping the city safe while the Hamatos try to recover from the kraang invasion, and in doing so she discovers a new plot by the Foot Clan. But after accidentally getting caught by them, they try to force her to carry around a powerful spirit that could lead them to a granted wish. Cassandra's best option to stop them, and stop anyone else from getting hold of this wish, is to make a deal with this being and try to find the other two. She tries to do it on her own, but Raph isn't about to let that slide.

Taken and Lifted Above (In progress) - Focused on Junior, future Leonardo and future Donatello. Leonardo planned to remain in his present and perish with his little brother while they sent Junior to the past, but suddenly Michelangelo sends them both through the portal. Now waking up in the past two days before the key was stolen, they think they might have the best chance to stop the apocalypse. But in the process of stealing the key from the museum, they run into someone Leonardo swore was gone for good. Is it really for the best? Or is a timeline harder to correct than he originally thought. (PLEASE MIND THE CONTENT WARNINGS FOR THIS FIC)

I Don't Want to Fall Any Farther (Completed) - Leo-centric, aroace leo. Leonardo ends up drinking a love potion that was never intended for him, and it has him trying to go after Sunita despite how much he doesn't want to do that. He thankfully has some help in trying to get the potion out of his system, but with the symptoms getting worse and worse he wonders if he might just lose himself to it. (Please mind the content warnings!)

Jasonnie things

Not Part of the Plan (One Shot) – Donnie centric. Despite knowing time travel exists, Donnie is still surprised to find his future self in his lab. But his excitement at the possibilities is swiftly crushed as his future self has an easy time embarrassing him. He hopes he can at least gather some useful information in the process, but he slowly begins to wonder if he even wants answers to all these questions.

You Have to Let Him Go (One Shot) – Donnie centric also sad as hell. I literally just wanted to write about how Donnie's husband hecking dies. Read this if you want to be miserable. (or if you hate Jase I guess ??? alskdjf man got char grilled (I have to make jokes to keep myself from being upset shh))

I'll Put the Knife in Your Hand (Completed) – Well, now that Donnie heard about his possible future husband, he's determined to at least get to know the guy. Unfortunately his family is far more cautious about this than he seems to be. AKA Four times Donnie's family believes Jase is planning to stab him in the back, and the one time he actually does.

ERR_FILE_NOT_FOUND (One Shot) - Donnie is messing around with his mind machine again, and in the process ends up erasing part of his memory. Specifically the memories about Jase, and Jase is barely handling this well. Good thing Donnie's brothers who totally and absolutely are on good terms with Jase are there to help. Maybe.

Dual Dragons (One Shot) - Collab fic with @there-wolf ! A fic in which our versions of Jason end up encountering each other and even switching universes temporarily, giving them a window into how their life could be different (for better or worse).

[himejoshiangels]

batgirl 2000 reread bcs I'm crazyy...IM NUTS!!!

her and that damned rose..what does it all MEAN!!! it makes a reappearance l8r...also I missed this dynamic so so bad. me when I'm in a seeing my kids as an extension of myself competition and my opponent is Bruce Wayne

I always forget how fucking potent and tension filled the first arc of this comic is man. it's like, bcs cass can't speak or even have thought bubbles everything's communicated via her actions or the words of the ppl around her. every panel she's in has to be chock-full of emotion and every time she interacted with someone the implications and the ffUCKKKKK‼️

the atmosphere in this damn comic man

I dunno man not to "back in my day!" when it wasn't even my day. but comics these days don't trust the audience even a little. there's always gotta be paragraphs of text having a character explicitly state every detail of their motivation and like not that old comics didn't also do that but at least the words they wrote were pretty like fuck man who are they hiring to write this shit anymorw

this transition is straight out of a movie. I know we say this with literally everything but if ANY comic in the world should get an animated show it has to be this one. top contender. it's formulated like one already, it's episodic w perfect overall themes and bigger plots. even the vibe is perfect, the grainy mtv cartoon thing it has going. every day I pray for a batgirl 2000 cartoon it'd go so crazy jsut adapt the shit straight

batgirl 2000 just keeps hitting you and doesn't let up bcs in the same episode SORRY issue..where cass meets lady Shiva for the first time is also the same issue where babs first begins to address her as Cassandra

^^WHICH IS CRAZY bcs we have to keep in mind that up to this point cass is nameless, she's only been referred to as batgirl. this is one of the first times she goes out as not batgirl too tho, bcs Bruce benched her. it's GAHHHHH that whole thing where vigilantes angst and drama abt titles and legacies and their individual identities is exacerbated so so bad for cass bcs batgirl is the first name she's ever given. like it's all she ever knew and ever was. Cassandra came after and THIS

THIS PANEL RUGHT HERE ohhh my god it makes me crazy. she's only batgirl. she doesn't even have the words to explain it yet. she's only a reflection of the city she's sworn to protect its all she is and at first its lowkey all Bruce let's her be. not to mention. her relationship w babs, I'll speak on them l8r can't do it now I'll explode

a 1:1 animated series man. it's all I can think about so so many iconic moments. I don't kill but I don't lose either is already as cold as cold gets. the way the comic is formatted already fully visualizes as animated in my brain and it's so so fun to watch

LIKE LOOK AT THIS!! cinematic as he'll and it's not even moving..

both cass and Bruce hit the bullseye like....

Cass's perfectionism is such an underrated character trait of hers (in like the greater batfam fandom and more modern comics not here, never here) bcs she literally sacrifices her life about it. she's so self detrimental about how not perfect she is anymore and Bruce's nonsense doesn't help either. man sees himself reflected in a teenage girl once and looses all his damn sense. I'm just, yea we know "mediocre for a life time or perfect for a year" < god that goes hard, but the true tragedy that is cass's inability to see how unnatural and upsetting it is that her mind works the way it does at all, that she can run into bullets head on but complains that she could do it with more skill when she was 6 or whatever like girl...never evr letting myself become desensitized to her trauma, David cain when I get you...

AND ANOTHER THING AND ANOTHER THING!!! KKKKKKKKK!! the sideplots and b plots and background characters in this comic..each of them are offered so much empathy by the narrative and are written purposefully to reflect or foil whatever cass's current conflic is all while feeling like fully fleshed characters even if they only appear for one issue

^^ I have feeling abt these panels but my lawyers are advising me not to speak atvthis ttime

THFUCKINH THE ROSE!!AGAIN!!! so sure this is old news but my running theory is that it definitely ties into cass's sense of self and identity outside of her living weapon status. this whole issue is prime babs v. bruce custody battle material bcs babs wants cass to be able to have a normal life, to be someone outside of batgirl bcs where she is now isn't healthy even a little bit but bruce argues that cass doesn’t need that, all she needs is her devotion to the mission < now we don't have time to unpack all that but in this moment we see her make the choice, dropping the rose. in the very first panel of the whole comic cass does the very same thing, she drops the puzzle (representing her childhood) in favor of violence bcs at the time its all she knows THE PARALLELS HELP HELP MEEE

AND AND THIS NEXT WHOLE PANEL is so evocative of the first few issues where cass couldnt yet put her emotions into words. just atmosphere and silence. BECAUSE she's confused!!! bruce says justice is what she needs that it will make her feel better, feel normal but it doesn't!! she looks over the city and still feels..feeling!!!! she picks the rose back up and extends a hand out to barbara bcs she was right, she not Bruce, she can't sit in a cave all alone all day and feel better (<which arguably doesn't even work for him either)

in the next few issues she meets steph and tim which is soo fun bcs letting cass have friends her age opens up so much for potential dynamics. especially her relationship w steph, not just in a stephcass way but in a narrative foil way, to me at least

next post I'll probably talk abt cass's guilt, self hatred, and need for atonement but we move‼️

[petals-of-a-heart-moasic]

((I WOULD LIKE TO SAY HELLO AND I AM SORRY AND HI AGAIN?!))