#oops the post is long again

[daily-odile]

odile with a gun perhaps

gun

[ihateyouvulpesinculta]

wip… i hope to be done eventually but HEY MAYBE NOT

let’s all ignore bad anatomy atm

redrawing my pfp as the anniversary for when i mark the start of my horrid obsession of this disgusting man is coming near in a few days

also thanks for 300(+ now!) followers i give each and everyone of you a kiss and smack on the head thank you 😊

[powdermelonkeg]

Thoughts on the thunder wizard again.

Genuinely, I find Gale's relationship with Mystra to be fascinating when you consider all its facets. Unhealthy, imbalanced, definitely poisonous, but also very, very intricate with a lot of blurred edges to it. One of those things where you're both like "wow, what the hell, that's horrible" but also "that makes perfect sense for their characters, and while I would NEVER, I know why they would, and why it happened."

You've got a wizard who doesn't know what real love is, who thinks he's finally being shown it by the person he adores most. His greatest fantasy, his most potent joy, his most heartfelt aspirations, and they were all offered to him.

And he wants to see what all she's hiding from him, because of course he does. She's the keeper of all things forbidden to him. The empire of Netheril reached magical heights that will never be touched again, and all that knowledge is beyond her curtain. She loves him, right? Surely, if he proves himself enough, she'll let him grasp that power he so desperately wants.

And not even in the power-hungry sense! All that magic Mystra's locked up was accessible during Mystryl's reign. Think of all the answers to theories about the universe that are back there. Every question of "can this be done, and what would it do" would be answered, if he could just bargain hard enough.

She loves him, right?

Surely, if he proves himself enough...

And then, on the other hand, Mystra. Once Midnight, her human personality has been subsumed by the goddess of magic and her duty to the Weave. She has a responsibility to magic, she IS magic.

Then along comes this mortal boy who knows how to handle her Weave. Who doesn't try to wrestle with and dominate, who sings to it. He handles it with such ease and grace—it's not just that he could be Chosen, but he deserves it. To put her Weave in the hands of someone so intrinsically in tune with it, who understands its potential with a wonder like no other. Few enough can handle the raw power that comes with being Chosen, but this one? This one is perfect.

And he adores you. And you adore him, like one would a beautiful butterfly that's landed on their finger. And he's willing to be devoted to you in all things, not out of transaction like most of your worshipers are, but out of love for you, your craft, your magic. You're so deeply and utterly charmed by him.

And it's not like Mystra hasn't walked this path before.

She gives him what he desires, because what he desires is her. And, in a different way, she desires him. She wants him to be her representation in the world. She indulges his adoration with her own presence, and takes indulgence herself in mortal comforts. He's never satisfied with her answers, but who could blame him? She keeps a whole world away from mortals, because she knows what such unfettered power might bring about (again).

And the wizarding prodigy's ambition is lit (again).

And the height of power is reached for (again).

And she stops him (again, again, again).

She does care for him. She doesn't want to see her little butterfly burn himself, and she doesn't want to be the one to ruin those wings.

But then he's not a butterfly. He's a mortal, wielding a weapon of murder, of her murder, and he's brought it to her doorstep because she told him "no." And he's cut himself on it, he doesn't know what it is, but it's hurt him—and it's only a fraction of the hurt it could do to her. How dare he want her help after threatening her?

(He didn't mean to.)

(He only wanted to help.)

(He only wanted. How human.)

She doesn't help him. If he wants to pursue Karsus' weaponry, it's his responsibility, his hubris, that led him to injuring himself on it. She's furious. She's hurt. She's cold.

(What fools these mortals be.)

But then, there's a greater threat to her. Something that could drown the Material in Karsus' failings. And that little boy, who nicked himself on the sword he lifted, still wants her help.

It's a fair trade, isn't it? She'll forgive him, let him into her domain again, if he accepts his punishment and goes into battle for her. He picked up a sword, it's appropriate that he learns to use it in her name, right?

If he was telling the truth, he wouldn't hesitate. If he really wanted to serve her with the Netherese Orb, he would jump at the opportunity to do so. He would have to give up a few petty things in the process, ("petty," she calls mortality, as if family and home mean nothing, as if friends and love are finite. Because to her, they do mean nothing. Because to her, they are finite.) but it isn’t atonement without sacrifice, is it?

It's the tactical move. She's not above hurting one man to save a nation. It's not even the first time she's done it.

(Dornal Silverhand sends his regards.)

If he loves her, he'd die for her, because she'd let him into her paradise. If he doesn't love her, he won't, and she was justified in removing him from her grace.

He doesn't love her. Not anymore.

Does he hate her enough to try to take his dues?

Ambition has always been man's greatest folly.

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[desultory-novice]

"There Will Be Blood Shed"

" '...Don't do it?' " " 'I want to live...?' "

"I wanted to live too."

"...Once..."

-

Soooooo, as you can imagine, I finally listened to "The Only Thing I Know For Real" from Metal Gear Rising: Revengeance and while apparently the character in question became something of a meme, for a first time listener, the song hit hard enough that before I knew it, I was sketching murder boy doing what he does best.

Like, not every line hits hard, but a significant number do.

"Memories broken" -Check

"The truth goes unspoken" -To Adeleine? Oooh yes

"I've even forgotten my naaaaaame" -Check and check

"I don't know the season or what is the reason I'm standing here holding my Blade" -I love the "don't know the season" part especially because on Shiver Star "summer" is what we would call "winter." Poor, mixed up kids

"A desolate place without any trace It's only the cold wind I feel" -That's Shiver Star in a nutshell

"It's me that I spite as I stand up and fight" -"Spite" in the sense that he's only hurting himself by doing this but also he regrets finding himself forced onto this path, yep...

"The only thing I know for real There will be blood shed" -See title

"The man in the mirror nods his head" -Reminds me of the Apologies title card I drew where Noir and Blade are reflected upon each other in the gleam of the sword.

"The only one left will ride upon the dragon's back" -....Okay, I have no witty comment here. Dragons are just a rock song thing! Oh! He did wear that dragon onesie when he was little??

"Because the mountains don't give back what they take." -Pfft! I'm sorry! I got curious and listened to "Wheelchair Sam" FIRST and thanks to that visual of him rolling down the mountain, I can't hear any of the "mountain" lines without laughing XD

"Losing my identity Wondering have I gone insane?" -Ahem! Back to serious and yeah. Though, Noir was usually too focused to stop and question what he was doing (...he couldn't dare...)

 "Looking downward from this deadly height Never realizing why I fight" -Ahh...this one hurts, thinking about all the nights he would sneak out of bed to hang out on the roofs and the number of times he peered over the edge (into the abyss...) Though Noir knows why he fights, he probably spent a lot of time wondering why he's alive

-

「やめろ？」 「まだ生きたい？」 オレも生きたかった… …かつて、な。

Sometimes I hear certain chunks of dialogue in Japanese in my head first and have to translate them into English to get down what I want them to say XD And I just really like the idea of Noir being "I might've sympathized, but I just don't have room for that anymore. I have too much to do before the end and you're standing in my way."

[applestorms]

actually. @moonlarked you wanted someone to talk about near & light as parallels? cuz uh...

ok SO, my big hot take on near is something like this: one of the most common criticisms i see about near is that he is simply too apathetic/bored/uncaring/etc, and that because he is not as emotionally invested as L, his win against light doesn't feel nearly (lol) as satisfying as it could've been. this is a view that often frustrates me, but for a very particular reason— namely, while i think it is somewhat accurate in content, i think it misses a lot of important context (and also misses a lot of the importance of light's character arc, but we'll get to that much later).

one of the most important things to remember about the wammy's kids is that, whether they like it or not, each and every one of them is defined almost entirely through their relationship to L. this is perhaps more obvious in the case of characters like BB and mello, who are very Aware of this shadow being cast upon them and react in very overt, emotional ways (e.g. becoming a literal serial killer out of seemingly pure spite & desire to be noticed, idolizing him but in a very emotionally complicated, kinda detached sorta way, etc), but it is true for Every wammy's kid, purely because of how the house itself functions. these kids are being raised to be L's successor— the greatest (and second greatest, and third greatest) detective on the planet. this is the ultimate goal hanging over every one of their heads, and it places a constant pressure on every kid there.

oftentimes, i think (perhaps both out of story and in it, as well?) people get so caught up in comparing near to L that they forget he also falls under this umbrella— only, for near, his position is slightly different because he actually somewhat succeeds at the task? like, yeah, L never gets the chance to officially call near his successor, but between the fact that he's constantly called the #1 kid at wammy's and that he. literally does actually end up becoming the new L after kira, i think it's always been pretty clear what his path was going to be.

going back to my starting point, this is one of the main ways that near makes a really good parallel to light in my mind, specifically the light that we see right at the start of the series. in both cases, near and pre-DN light, we see a kid who has succeeded at everything they've been handed, and more notably, we see a kid who is bored out of his fucking mind looking at the prospects of what he's got.

in the case of light, this is maybe a little more realistic/easy to understand— light does well in academics, he does well in sports, he does well with people. he is likely to follow in his father's footsteps with something criminal justice/police/law related, but even if he diverges from that path it likely won't be too big of a deal, as he has shown himself to be capable in enough areas that he's likely to succeed no matter what. by all measurable standards, light's doing pretty good at the start of the series. and yet— there is something so distinctly and inherently Bland about his life before he gets the DN. i've said before that light wouldn't call the DN a curse even if he wanted to, but i think in that moment when he's telling ryuk he disagrees w/ his father after visiting him in the hospital, when he says, "I've never once considered finding that notebook and gaining this power a misfortune. In fact, it's made me happier than I've ever been." (ch.22) he's still getting at something real and truthful.

again, going back to my equating of boredom with depression in this series— light's life is pretty good by all measurable standards. he has a family who loves him, presumably more than enough money to get by with a pretty cushy lifestyle, and does well, honestly better than well, in every single system he is presented with. but even so, he's still unhappy. there is something in his soul that has not yet been satisfied. he's bored of the world, bored of his place in it, how easy it all is. what the DN really offers him is a challenge, entertainment— just the same as L, and just the same as ryuk.

near similarly suffers from this kind of boredom, though it is perhaps less overtly stated than in the case of light, L, and ryuk, and less easy to catch as it is not as realistic/common. again: near basically ends up the winner of wammy's house. he is the one to take the title of L, he's declared the smartest, bestest kid at wammy's, and he gets all the power and privilege that comes with such a title. but still— he's so. fucking. bored. much to the embarrassment of mello, this shit was never really a challenge to him. it's pretty obvious that near isn't really even all that attached to the title of L— don't forget that his first real introduction to the story involves him explicitly saying that he'd be just fine working with mello as essentially co-L successors. and this is a viewpoint that he holds onto until the very end of the series, actually, claiming that he was only able to best light due to mello's sacrifice. near doesn't really give a fuck about the rat race he's been slotted into, though it's perhaps for that exact reason that he ends up winning it anyway, and getting all the responsibility that comes along.

that being said, i think there are still two main differences between light and near:

light fucks up.

near never gets past his boredom.

in the case of this first point, i do not mean to say that near never ever makes any move/judgement that could be considered a mistake— mello killing the entire SPK is the first thing that comes to mind, which i see as blood on near's hands for the same reason that L takes at least some responsibility for lind l. tailor. rather, i mean that near never makes a such a monumental fuck-up that he has to overturn his entire worldview just to account for it in the same way that light does when he accidentally kills two people w/ the DN the first time.

it's like, if you've ever known (or been) the kind of kid who always got perfect grades in school, straights A's for K-12, only to reach college and suddenly bomb their first test and have an existential crisis as their only real achievement in life is crushed into dust, then you know light yagami. only for light, it's on a whole 'nother scale, because not only does he fucking oopsie daisy kill two people, but he kills in such a context that he can mentally manipulate it back into seeming heroic. i hate to say that suffering causes character development because that's terrible advice (it's how you react to terrible circumstances that matters, imho) but to some degree, yeah, having conflicts/hard times in life is just necessary to figure shit out sometimes. near (and L, oh goddd i need to write about L properly sometime) has so many things smoothed over and handed to him, and on top of that, he's a super genius very rarely fucks anything up, at least according to base logic. he doesn't even really consider the morality of anything he's doing until light straight up asks him in a desperate bid to keep talking at the end, it's all just logic and factors to consider.

this all leads to my second point, which is that near never really gets the chance to overcome his boredom in the same way as the others. ryuk at least gets his entertainment for a couple years, and light and L (and mello) get so invested in each other and their game that it literally kills them, but near just kinda. keeps going. he keeps being L, he keeps solving cases, he does the duty he was given and enjoys his toys... and that's it. he lies around, the only one left to live, never even taking credit for the end of KIRA, never gets another haircut, and keeps the title going. what a life, for a kid who dragged a god back down to earth.

sidenote1: toys

am i reading too into things? maybe. near's toys hold a lot of significance throughout the story in more specific ways, most notably the finger puppets he uses at the very end of the story while tracking different people's/kira's actions, though you could probably read some kind of meaning into every toy he has and the ways in which he plays with them. what i want to look at here though is more the general reasoning behind playing with them in the first place— a desire for a childhood he didn't get to have? a love of games more generally? (could track with him seeing the KIRA case, or really all detective work, as just another game.) you could also read into his toys as another source for near's apathy/detachment from reality, literally breaking every notable person around him down into a doll by the end of the story, speaking a lot to how alienated he is from the world (again, very similar to both L and light, there). i don't have much more of a point to make here, just wanted to add this in somewhere since it's one of his most striking visual character traits.

sidenote2: light's arc

going back to my point at the start of this post... light's character arc.

uhh. near winning is a good thing, actually. and i don't just mean that as a moral claim— DN itself as a story isn't really concerned with trying to answer any moral questions about good or evil or the justice system, so it makes sense & is fair to me that it doesn't try all that hard to answer anything along those lines by the very end of the story. what i mean to say here is that near winning is a good thing on the level of the character arc, specifically as an end to light's arc.

i made a post a while back while mid-manga reread talking through some of the reasons why L's death can feel kind of unsatisfying/paint the second half of the story in a less interesting light (hah) for a lot of viewers, with the main point i ended up on being that L wasn't really able to win because he never really had all that clear of a win state in the first place. i still kiiind of agree with this point, though i think there's a lot more i could add to that post... anyways. point is, i bring up that post because it touches on a similar thing to what i want to talk about here: light's character arc being a tragedy.

this is more speculation on my part, but i think another part of the reason why people get turned off to DN post-L death is not just the fact that L isn't really a playable character in the game anymore, but the fact that light's character arc takes such a dramatic twist after the timeskip. i talked about this a little bit in my little ramble on light & titles (which a lot of you liked, apparently!! ty for all the lovely comments on there, i love reading what you guys have to say ^w^), but light's character arc in DN is a tragedy to me, full-stop.

tragedies to me are cyclical— revolutionary, if you will. since all stories necessitate some kind of something to take place, a tragedy to me is all about a character beginning in one point, then continually getting hit by Event, after Thing, after Event, only to end up in essentially the exact same place that they started. any character changes or development that seem to happen throughout the story are ultimately nullified by the end— the main subject does not truly grow, does not truly reflect on their actions or traumas, does not move on. two steps forward is two steps back. even ending up in a position worse than they started is sometimes better than a true tragedy, in my mind, as at least then there is some chance they may still reflect or change or grow in the future, leaving the hope that they may still overcome this new circumstance later on. a true tragedy ends in nothing meaningful ever getting the chance to truly change, at least in the case of the main subject of the story.

light's character arc in the first half of the story is an upward, underdog kind of story. yes, light has the power of a shinigami, of a supernatural force that the rest of the world doesn't even know exists— but part of the real appeal of his conflict with L is how powerful L feels in comparison, having the wealth and respect and title to command a world's worth of forces against him. fuck, even taking down naomi misora feels like an incredible hurdle overcome, a teenager managing to charm and yap and flutter his eyelashes out of a shitty situation he was only just lucky enough to stumble across in the first place, to stop someone who could've ruined his entire plan with a few words. killing L was always going to be light's greatest accomplishment when it comes to his rise to godhood, not only because of L's great power but the comparative position of light at the time that he did so— not yet an adult, not even really out of school, perhaps barely out of his parents' house.

in contrast, light's arc for the second half of the story is a downward spiral. we see all of the consequences light has been miraculously avoiding smack into him like meteors in this half, his ever-growing ego torn to shreds as he's yanked back down to earth. and in comparison to the anime, the manga really beats this point into you, dedicating the entire second half of the story to light's fall from grace as he loses his mind and loses his humanity. like, while i do kind of prefer the manga ending to the anime, i have to admit that light's death there is fucking brutal. light goes through pages, chapters, purely dedicated to near tearing him a new asshole, only end the story bloody and delirious and crawling on his knees begging a god of death to fix everything— all just to die the exact same death as everyone else he's killed. i mean, look at these fucking pages (ch.107):

(that last fucking picture of him. clawing at the sky. it always fucking gets to me.)

it hurts to read this shit!! we spend the entire first half of the story watching this dude's rise to glory, the entire time stuck inside of his head, emotionally connecting with him even if we don't really mean to or disagree with his actions or question his morality. watching his fall back down, especially after all of that, is fucking painful— an in no way does near make the process any easier. if anything, his blunt, snarky bitchery, saying all the quiet parts out loud, calling light out for being a terrible replacement L and pointing and laughing at his failures to his face, only shoves more salt in the wound, only proves just how human he has been all this time, how meaningless any of his supposed "rise to power" ever really was. light got his fifteen seconds of fame, sure— but near is armed and ready to make sure that's all he'd ever get, that the name Light Yagami would never even be associated with the position he held for so long. six years was all he got— and it was all he was ever going to get, because light yagami did not do this for humanity, he did it for himself. all near did was collect the debt that L prescribed. he fulfilled his duty as told— nothing more, and nothing less.

i just have to wonder... is this why people hate him? because he has no sympathy for the fall? maybe. i don't know.

either way, i don't think i could ever really hate him. it's a big responsibility, being the only one left behind. but near has always been the one to hold such weights on his shoulders.

[cheesecake801]

Did you know 11/11 is Pocky day ? I drew something for this special day hehe

Bonus with Flint under cut

I think Flint would lose this one. Volkner seems to love Pocky a bit too much to afford to lose lmao.

And then Flint would have to buy him more Pocky (he should've thought before agreeing to Volkner's terms lmao). And as Volkner eats them, Flint would stare with sadness in his eyes.

Maybe then Volkner would share, so all is well that ends well except for the disappointed audience (but it's on them for being nosy)

[sibillascribbles08]

Man I've written 30 fics for rise, that's insane, anyway here's a master post, sort of? I realized some people either A) may not know how many different fics I've written or B) not realized "oh he wrote that" sooo

One Shots

Don't You Care? – Donnie and Leo centric, post-movie. Donnie isn't always great with feelings, and when he fails to understand Leo's, he tries to find a way to fix it. Doing so forces him to unpack some of his own thoughts on their victory over the kraang as well.

To Bridge a Canyon of your Own Design – Splinter centric, post-movie, a bit of a retrospective on his relationship with his sons, his depression, and him trying to move away from his unhealthy coping mechanisms.

I Didn't Vote for You – Leo's the leader now, and Donnie always finds ways to argue with him about it. Leo wants to find out why Donnie has such a problem with how he's trying to lead the team, but it turns out that isn't the problem. It's simply the fact that Leo's the leader at all.

I'd Give Anything – Donnie-centric. A slightly alternate take on the movie's ending where instead of just firing a drill into the portal, Donnie jumped in, and ends up losing an arm in the process. But he has to kind of piece all of that together as he recovers in the med bay, talking to each of his family members.

Grappling With Things Beyond Your Control – Gift fic for my friend Bat! Donnie-centric, post season 2. Suddenly getting ninpo with no prior training causes Donnie's powers to start to run amok, and on top of that he has to help his family not only find a new home but move into one. It's a lot to balance, maybe too much to balance.

Four Turtles in your Corner (Store) – A silly fic about April being out of supplies for her period, and in desperation sends the boys to go get her some. I'm sure four reptilian mutants have competent knowledge on what humans need for things like this.

Now Lie In It – Big Bang fic! Takes place during season 2. Leo won't sleep, and ends up getting on Donnie's nerves. The softshell's solution to the problem is a simple sleep potion, but when he pours too much into Leo's tea his brother won't wake up. Time to force April and Draxum to go find an antidote while he hides his mistake from the rest of his family. (it sounds angsty but it's comedic, actually)

What Will You Leave Behind – Big Bang fic! Doomed timeline, Raph centric. Raph is the first of his siblings to die during the war. And while he does everything he can to be their ever present pillar as they eventually follow after, he can't help but loathe the fact that the ones still down there are suffering and he can't do anything to help.

My Words Died With You – Gift fic for Bat! Doomed timeline, Donnie centric. Donnie quit speaking when Raphael died, months later he still isn't. His family tries to help him cope with this, even Raphael does from the afterlife, but it may not be enough.

Hardcoded Conduct - Gift fic for Bat! Post movie, Donnie centric with a lot of Mikey POV. Mikey thinks about how Donnie is, at his core, a good person. And this opinion doesn't falter even when Donnie reveals a terrifying new power he has. And while Mikey might be right about Donnie, sometimes Donnie's care and concern is exactly what causes him to make bad choices.

VHHB series

(These are all post-movie)

My Roommate the Troubled Time Traveler (One Shot) – Casey and Draxum centric. Casey Jones Jr. isn't coping too great with being in the present, and trying to live in the lair isn't helping. So Mikey has the GREAT idea to convince Draxum to let Casey be his roommate. The alchemist thinks this is a terrible idea, but he might be able to help the kid far more than he realizes.

Violet Hues and Holly Blue (Completed) – Donnie centric. 8 months after the kraang invasion and Donnie's been the reigning champ in the Battle Nexus for a while, in his attempts to improve his mystic abilities. But this draws the attention of a business focused wasp named Holly Blue who offers to help sell his tech designs in the Hidden City. Donnie ends up agreeing, having to keep that secret from his family too, but eventually they're going to find out. (This is only a partial summary haha sorry, fic is heckin long)

Missing Pages – Just some VHHB extras, but hey it features Big Mama being herself, Lou Jitsu maiming some people, Donnie dealing with past blood on his hands and uuuuh Leo and Holly becoming friends (what a mood whiplash)

You Are Loved (Completed)– Two-shot fic about the Caseys (of the Senior and Junior variety). Casey Jr. wants to know why his ninpo sprung up so suddenly, and in his search to find out discovers his family is much closer than he realizes. Meanwhile Cassandra is struggling with her place among the Hamatos, it doesn't help when she finds out they're keeping a pretty big secret from her. Hopefully they can make it up to her.

The Sun and Icarus (Completed) – Mikey-centric. He's been doing pretty good at developing his mystic abilities lately, but now they're starting to explode, pretty violently. And it turns out if this keeps up the whole ordeal could just kill him. Better find a way to put a cap on it, or something to that effect. (Wow more power overloading fics from ME)

Girls' Night (One Shot) – April centric one shot, also April/Sunita. She's just trying to have a fun night out with the girls, inviting Holly Blue along for the ride, but maybe that was a mistake because in her attempts to playfully tease the wasp, she's suddenly forced to confront her own crush.

And For my Next Trick (One Shot) – Leo-centric one shot. Leo's getting frustrated with his lack of progress on his mystic powers, and with Hueso's advice decides to shift his focus to a different kind of magic, stage magic. With Hueso Jr.'s help, he plans to put on an entire show, which should be fine if some other magician doesn't show up to steal the show.

Look Up Hero in the Dictionary (Completed) – Raph centric. Raph's feeling a bit too idle in the city lately, with only minor crimes going on, but in his wish for something exciting a strange explosion happens at an apartment building. He attempts to help everyone escape, but a yokai holding the building together stays behind, and on top of that charges Raph with the task to take care of her child. Have fun taking care of a powerful psychic seven-year old, Raph.

What You're Made Of (One Shot) - Casey Jr. centric. Casey is getting frustrated with discovering weird things about his body like skin problems and peanut allergies. Draxum suggests he find out who his other parent is to get an idea of his genetic history, but when he finds out who it is, he's kind of ticked off that his family never told him. (this is a bio dad Raph fic for the record).

The Knight and the Dragon (Completed) - Jasonnie centric. Episodic chapters about Donnie and Jason learning to be friends and then becoming more than friends. Very sappy, a bit of angst, a lot of me making up lore about Jason.

Why Does Casey Call You Babygirl? (One Shot) - Raphael centric. Raph and Cassandra start dating and after Casey calls him a certain nickname by accident, Raph starts questioning his gender a whole lot. At least he's got the fam around to help.

Here's To You Holly Blue (Completed) - Grief fic, OC, Donnie and Leo focused. Takes place roughly 17 years later when Holly Blue's health takes a drastic drop and she won't be coming out of it.

Off Colors AU (Separated AU)

Off Colors: Contrasts (Completed) - Covers season 1. Leonardo's spent most of his life believing he's an only child because his little brother was kidnapped when they were only toddlers. But a rescue mission to the Hidden City with his best friend April results in him finding out he actually has three siblings. And in the span of a couple of weeks he finds out all of them are alive and, unfortunately, working for bad guys. He's going to try everything he can to stop them and convince them to come home, but it may be a fools errand.

Off Colors: Analogous (in progress) - Covers season 2. Leonardo now has his siblings living in his home, but it's more of a nightmare than a dream come true since he only gets along with one of them. Still, maybe with time they can all start working things out, and the sooner the better since there's still a threat on the horizon.

Other Chaptered Fics

An Alien Invasion Happened but That's Not Really What This is About (Completed) - Long ass title. Jason-centric. Hi I wrote a novella sized fic about what happens to this kid during and after the events of the movie. Watch him attempt badly to cope with trauma while also fixing his relationship with his very queer dad who loves him a lot.

Artificial Phoenix (Completed) – Lou Jitsu died in the arena but then Big Mama said no no no! So Draxum brings him back to life while mutating four turtles so Lou Jitsu said NO NO NO! And he took them and ran. Alternate take on the events of the show, where Splinter is undead and unmutated, and unfortunately does not keep his soul in his body the entire time, leaving his sons grieving and desperate to get him back.

Jasonnie things

Not Part of the Plan (One Shot) – Donnie centric. Despite knowing time travel exists, Donnie is still surprised to find his future self in his lab. But his excitement at the possibilities is swiftly crushed as his future self has an easy time embarrassing him. He hopes he can at least gather some useful information in the process, but he slowly begins to wonder if he even wants answers to all these questions.

You Have to Let Him Go (One Shot) – Donnie centric also sad as hell. I literally just wanted to write about how Donnie's husband hecking dies. Read this if you want to be miserable. (or if you hate Jase I guess ??? alskdjf man got char grilled (I have to make jokes to keep myself from being upset shh))

I'll Put the Knife in Your Hand (Completed) – Well, now that Donnie heard about his possible future husband, he's determined to at least get to know the guy. Unfortunately his family is far more cautious about this than he seems to be. AKA Four times Donnie's family believes Jase is planning to stab him in the back, and the one time he actually does.

ERR_FILE_NOT_FOUND (One Shot) - Donnie is messing around with his mind machine again, and in the process ends up erasing part of his memory. Specifically the memories about Jase, and Jase is barely handling this well. Good thing Donnie's brothers who totally and absolutely are on good terms with Jase are there to help. Maybe.

Dual Dragons (One Shot) - Collab fic with @there-wolf ! A fic in which our versions of Jason end up encountering each other and even switching universes temporarily, giving them a window into how their life could be different (for better or worse).

[the1trueanon]

HEHEHEHE AND HERE'S THE REST OF THE VAMPIRE AU DOODLES i meant it when i said i got obsessed XD there's 5 pages of these, going on 6 lmao

I love this idea so much hehehe they have moved into my brain and built a lil manor in there for Home to possess XD Also FLUFFY BAT WALLY AAAAA I LOVE I WANT HOLD HE LOOK SO SOFT AND WHISPYYY!! I love the idea of Frank and Wally going on flights during nights when Wally has to hunt :D Wally also uses all the sweet rose/flower nicknames he can come up with for Rosemary -w- I'm 100% open to doodle ideas for this btw!! Though maybe I should give my hand a break XD

Vampire Wally belongs to @nonomives!! <3 And there are also captions for the speech in these images too, just in case :D

ALSO I ALMOST FORGOR I HAVE THIS COMIC HEHEHE

:3

[himejoshiangels]

batgirl 2000 reread bcs I'm crazyy...IM NUTS!!!

her and that damned rose..what does it all MEAN!!! it makes a reappearance l8r...also I missed this dynamic so so bad. me when I'm in a seeing my kids as an extension of myself competition and my opponent is Bruce Wayne

I always forget how fucking potent and tension filled the first arc of this comic is man. it's like, bcs cass can't speak or even have thought bubbles everything's communicated via her actions or the words of the ppl around her. every panel she's in has to be chock-full of emotion and every time she interacted with someone the implications and the ffUCKKKKK‼️

the atmosphere in this damn comic man

I dunno man not to "back in my day!" when it wasn't even my day. but comics these days don't trust the audience even a little. there's always gotta be paragraphs of text having a character explicitly state every detail of their motivation and like not that old comics didn't also do that but at least the words they wrote were pretty like fuck man who are they hiring to write this shit anymorw

this transition is straight out of a movie. I know we say this with literally everything but if ANY comic in the world should get an animated show it has to be this one. top contender. it's formulated like one already, it's episodic w perfect overall themes and bigger plots. even the vibe is perfect, the grainy mtv cartoon thing it has going. every day I pray for a batgirl 2000 cartoon it'd go so crazy jsut adapt the shit straight

batgirl 2000 just keeps hitting you and doesn't let up bcs in the same episode SORRY issue..where cass meets lady Shiva for the first time is also the same issue where babs first begins to address her as Cassandra

^^WHICH IS CRAZY bcs we have to keep in mind that up to this point cass is nameless, she's only been referred to as batgirl. this is one of the first times she goes out as not batgirl too tho, bcs Bruce benched her. it's GAHHHHH that whole thing where vigilantes angst and drama abt titles and legacies and their individual identities is exacerbated so so bad for cass bcs batgirl is the first name she's ever given. like it's all she ever knew and ever was. Cassandra came after and THIS

THIS PANEL RUGHT HERE ohhh my god it makes me crazy. she's only batgirl. she doesn't even have the words to explain it yet. she's only a reflection of the city she's sworn to protect its all she is and at first its lowkey all Bruce let's her be. not to mention. her relationship w babs, I'll speak on them l8r can't do it now I'll explode

a 1:1 animated series man. it's all I can think about so so many iconic moments. I don't kill but I don't lose either is already as cold as cold gets. the way the comic is formatted already fully visualizes as animated in my brain and it's so so fun to watch

LIKE LOOK AT THIS!! cinematic as he'll and it's not even moving..

both cass and Bruce hit the bullseye like....

Cass's perfectionism is such an underrated character trait of hers (in like the greater batfam fandom and more modern comics not here, never here) bcs she literally sacrifices her life about it. she's so self detrimental about how not perfect she is anymore and Bruce's nonsense doesn't help either. man sees himself reflected in a teenage girl once and looses all his damn sense. I'm just, yea we know "mediocre for a life time or perfect for a year" < god that goes hard, but the true tragedy that is cass's inability to see how unnatural and upsetting it is that her mind works the way it does at all, that she can run into bullets head on but complains that she could do it with more skill when she was 6 or whatever like girl...never evr letting myself become desensitized to her trauma, David cain when I get you...

AND ANOTHER THING AND ANOTHER THING!!! KKKKKKKKK!! the sideplots and b plots and background characters in this comic..each of them are offered so much empathy by the narrative and are written purposefully to reflect or foil whatever cass's current conflic is all while feeling like fully fleshed characters even if they only appear for one issue

^^ I have feeling abt these panels but my lawyers are advising me not to speak atvthis ttime

THFUCKINH THE ROSE!!AGAIN!!! so sure this is old news but my running theory is that it definitely ties into cass's sense of self and identity outside of her living weapon status. this whole issue is prime babs v. bruce custody battle material bcs babs wants cass to be able to have a normal life, to be someone outside of batgirl bcs where she is now isn't healthy even a little bit but bruce argues that cass doesn’t need that, all she needs is her devotion to the mission < now we don't have time to unpack all that but in this moment we see her make the choice, dropping the rose. in the very first panel of the whole comic cass does the very same thing, she drops the puzzle (representing her childhood) in favor of violence bcs at the time its all she knows THE PARALLELS HELP HELP MEEE

AND AND THIS NEXT WHOLE PANEL is so evocative of the first few issues where cass couldnt yet put her emotions into words. just atmosphere and silence. BECAUSE she's confused!!! bruce says justice is what she needs that it will make her feel better, feel normal but it doesn't!! she looks over the city and still feels..feeling!!!! she picks the rose back up and extends a hand out to barbara bcs she was right, she not Bruce, she can't sit in a cave all alone all day and feel better (<which arguably doesn't even work for him either)

in the next few issues she meets steph and tim which is soo fun bcs letting cass have friends her age opens up so much for potential dynamics. especially her relationship w steph, not just in a stephcass way but in a narrative foil way, to me at least

next post I'll probably talk abt cass's guilt, self hatred, and need for atonement but we move‼️

[deku-verde]

“Is This A Date?” Part 2

(part 1)

the end~

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[lylahammar]

yknow something that's kinda interesting to me Trolls band together gave us villains that perfectly hit on a few different trendy topics of conversation completely by accident.

first of all they have such appealing designs, super cunty and classically evil in the way everyone has been saying they miss in animated villains. They also have an INCREDIBLE villain song. Perfect contrast to people's disappointment with the villain in Disney's Wish.

But on top of that. THEIR WHOLE THING IS THAT THEY'RE PLAGIARISTS who literally steal other people's talent to get famous and claim that they're working hard for it. This came out a little less than 3 weeks before hbomberguy posted his plagiarism video and turned the current topic of conversation to calling out plagiarism.

IT'S JUST LIKE COMPLETELY ACCIDENTALLY PERFECT TIMING but no one even realizes it bc ppl assume the trolls movies are bad without ever actually having seen them (they're not they're really good give them a chance)

[chimerahyperfix]

Run down your list. You are currently on your way to intercept the King, before he gets to the house. Whenever he gets there, it’s a bloodbath; metaphorically and physically. How many more times do you have to see everyone get frozen? See the King smash those who stand before him? You can’t see it again, you can’t you can’t you can’t, so you sneak out to face him instead. If he can’t get to the House, no one has to die, right? Simple as that. The endless night of his approach hangs right over Dormont, so you have to catch him, NOW.

You make a pit-stop at the Favor Tree anyway. It’s tradition at this point.

You did… something, here. Before you started looping. The hypothesis is that whatever you did at the Favor Tree caused the time loop you’re trapped in. You know you wished, a ton— at least ten times, or maybe twenty? All in as many different ways you could think of. Stretching outside the realm of how you know to wish. The desperation drove you to doing random things in hopes it would save you, and— well, it kinda has? You’ve doomed yourself for everyone else’s sakes.

That’s all well and fine enough, you rationalize. One person for many. Who knows what’ll happen if he actually takes the House; you don’t want to find that answer out.

The Favor Tree is huge. It’s a nice tree, lots of leaves, lots of shade. You could probably climb into its branches and never leave, get trapped in a web of tree bark and leaves like a cage, birds and squirrels and other such animals as your jailers. Maybe that wouldn’t be too bad. You could try that, next loop, if you failed here. You know you’ll fail, because nothing has worked so far. Your mind flashes with images of blood-stained floors, of screams both by and for many, many people. Hands reaching to you, hands reaching out.

Breathe. The memory fades away. Your hands curl into fists.

You depart, to fight the King. To stop the King.

———————

The King is very tall. A couple stories high, you’d reckon. He towers over you, the trees and everything else. The clearing you’ve stopped him in is very close to the House. Too close for comfort. Shouldn’t have stopped at the tree. Everything is swamped with the scent of burnt sugar.

He looks down at you— do you look like an ant to him? One singular ant? Wouldn’t that be interesting. A single blockade to the anthill, standing its ground. One mistake and he’ll turn you into a dark stain, or an icy statue. One mistake is all it’ll take for him to rip through the House like paper.

The Craft Bomb is heavy in your pocket. The backup potions, seven or eight of them, all in little tossable vials, toxic and burning and acidic, weigh down the other pocket of your lab coat. You remember drinking at least three of them. They all killed you. Painfully. Curse your desk for not being clean before you started looping. If you’d just taken a few minutes before you wished, so many deaths would’ve been avoided…

But that’s not important now. The fire in your throat, as imagined as it is now, still hurts. Your voice has taken an odd rasp to it now, the consequences of toxicity and blind reaching for water forever etched into your very being.

“How have you done it?” The King asks. You can’t see his eyes, past his endless, wild mane of hair and his gauntlets covering his face, but he sounds both confused and enraged.

You don’t answer, instead brandishing the bomb you worked so hard on. You made it in record pace, this loop. It too reeks of caramel.

The King simply moves a hand. You know what’s coming, and you move before he does. The curse of being so, so tall, is that you’re faster. The bomb goes flying, and you toss the potions all in one go for good measure before skittering out of the way. The King lunges for you as the bomb explodes, sending waves of fire and craft energy everywhere. Blinding, deafening. Its force knocks you to the ground.

He still moves, though. Not enough. Damn. Maybe you need two bombs… do you have the materials for a second one? You hope, as he swings his giant gauntlet down onto you to mash you like a bug, that he sees the weird shade your eyes have taken lately. A pair of blaring, dangerous warning signs.

You’re not scared anymore. This has happened many times.

You still scream.

His attack hits, and through the veil of absolute agony, there’s a tug on your stomach. Back to the drawing board.

[petals-of-a-heart-moasic]

((I WOULD LIKE TO SAY HELLO AND I AM SORRY AND HI AGAIN?!))

[spikyspinachstreet]

the dollhouse‼️(but its in the void cuz I’m not drawing the rest of the buildings)

“the dollhouse” is only a nickname tho literally no one calls it by it’s actual name. It has a better ring to it ig.

it’s in one of those old looking commercial(?) buildings near the beachside where everything is vaguely Victorian styled for some reason and very WOODEN. It is so so wobbly and probably violating some sorta regulations….but the inside isn’t so bad, it’s pretty up to date with technology and stuff like that. It does NOT match the exterior.

They like, sell vintage collector stuff!!! Like figurines, cards, records, books, etc. But they also got doll related services of course, that being doll repairs, custom clothes making, and stuff related to miniature models.

I imagine the interior has a bunch of shelves and glass cases and things hanging from the ceiling, while it is neatly arranged it’s kinda cramped. The deeper you go inside feels very suffocating, mmmaybe claustrophobic. There’s no windows and the walls are covered with posters. You wouldn’t be able to tell the time. Everyone’s convinced that it’s haunted, since it’s old as heck and they got a couple secret rooms.