#oo-gh

[thevoiceofdesertbluffs]

i want to draw but also I'm lazy and i don't

[lovesodakid]

what a tease.

chris x fem!reader

summary: y/n and chris have a ‘weird’ friendship. that friendship took a sexual turn one night. which ultimately led them to being friends with benefits. now, playing card games with everyone with slight teasing between two of them.

warnings: smut!, teasing, dom!chris(ish). should be it. *not proof read*

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“oh my god, nick!” i whine, throwing my face into my hands.

the triplets, madi, and i are all having a game night at the triplets house. we all collectively decided that we needed to have a night to our selves, all of us being so busy with work causing us to almost barely see each other anymore.

nick, matt, and madi sit on the couch as chris and i are sat on the floor in front of the coffee table facing the couch. a deck of UNO cards sitting in a nice stack in the middle of the table, while right beside it, is a messy stack of cards that’s been thrown down by each of us.

nick just threw the +4 card down on me.

“sorry y/n!” he giggles, showing anything but empathy in his face.

i groan before grabbing 4 cards off of the stack, earning myself 2 reverse cards, a +2 card, and a regular blue number 9 card.

chris being after me, he lays down his choice of card before speaking.

“you’re definitely the type to throw tables when you lose a game y/n/n.”

my eyebrows furrow as i shoot him a disapproving look.

“you are so insanely wrong,” i begin. “i might hate losing but i definitely don’t throw tables.”

“i don’t know, you kinda seem like that type.” matt chimes in.

i throw my hands in the air, opening my mouth to speak until i get cut off by nick and madi agreeing while laughing to themselves.

the game continues, music humming at a low volume coming from the tv.

once the game end games with matt winning, we sit around in the same spots, just talking about life and what our plans for the future are.

“i’m working on new designs for second choice right now, i don’t have anything else going on other than that at the moment.” madi explains to all of us.

“can i see some!” nick asks excitedly.

“of course!” madi smiles, grabbing her phone, scrolling on it, seemingly showing nick her designs as he lets out a few ‘oo’s and ‘ahh’s in adoration.

matt, sitting next to them scrolling on his own phone.

chris and i, sitting next to each other, also on our own phones. occasionally showing each other funny tiktoks that’s come across our for you pages.

“here.” chris says. pointing his phone toward me so i can see his screen.

i look over to his phone, expecting some video of someone falling, like he’s showed me pretty much everytime he decides to show me something.

but oh. was i wrong.

when i look at his phone, it’s one of those slide pictures, with a red background. i swipe two times before reading the words on the red screen.

“you look good in clothes. but you’d be looking fine ash without them.”

im surprised my eyeballs didn’t come rolling out of my head by how wide my eyes opened, along with my mouth.

i shake my head, pushing his phone away from me as he lets out a small chuckle.

a few moments go by, occasional conversations between nick and madi, sounds coming from our phones, and the music in the background filling the silence.

until i feel a warmth on my exposed thigh, due to my pajama shorts. i look down, noticing chris’s hand almost completely covering it. god. how i love his hands.

i quickly come out of my trance of staring at his hands as i look up to him, furrowing my eyebrows.

he notices, and mouths a quick “what?”.

i look down to his hand, then back up to him, almost as if to say: “what are you doing?”

with that, he just gives me a cocky grin as he turns his attention back to his phone, keeping his hand on my thigh.

thankfully, it seems like everyone else is in their own little world, completely oblivious to chris’s actions as he slowly and sensually works his hand more upwards. closer and closer to my center until his middle and ring finger are slightly ghosting over the middle of my shorts.

“hey y/n/n, do you want to see my new designs?” madi asks, turning her phone around to face me as she slightly leans over the coffee table.

“sure!” i smile, leaning my own body forward a little bit.

in my peripheral vision, i notice chris’s face being taken over by a sly smirk. before i can question it, i feel a quick up and down motion right on my clothed clit. that’s why he was smirking.

“so…what do you think?” madi asks, excitedly.

i clear my throat to choke back a small moan as his finger movement speeds up. “t-they’re gorgeous!” i chirp back.

she smiles sweetly at me as she leans back into the couch, attention going back to her phone.

i turn my own attention on to not making any sounds as chris continues to speedily move his fingers against me.

i grab his hand with mine, harshly moving it to his own lap as i leave it there. which causes him to quickly snap his head toward me with the most smug grin on his face.

i roll my eyes, turning my phone back on to scroll through instagram.

“hey do you guys wanna bake some brownies?” nick questions the group excitedly.

-

“and now we wait 30 minutes.” madi tells us, setting the pan of uncooked brownies into the oven.

“i don’t know if i can wait that long!” chris groans loudly.

“you’ll be fine kid.” matt chuckles, picking up the trash that was left over from our baking.

i walk over to get the bowl of brownie batter. because everyone knows brownie batter is the best part about brownies.

i swirl the spoon around the bowl, picking up some of the left over mix. i lift it up to my mouth, licking the spoon clean as i hum at the chocolatey taste.

i go to put the spoon back in the bowl to scoop up the rest but i stop as i get the feeling of eyes burning holes into me. i look up, noticing chris staring at my mouth. like his eyes can’t be ripped away.

i smile to myself, scooping up the rest of the batter before i stick my tongue out, slowly licking up the spoon. i hold eye contact with chris as i do so.

“hey y/n…can you come help me pick out an outfit for our next photo shoot?” chris asks, a small hint of urgency lacing his voice.

i nod my head, putting the empty bowl and spoon into the sink.

“don’t take too long, we got brownies to eat!” nick exclaims as chris and i make our way to his room.

well more of chris dragging me to his room.

once we get to his bedroom door, he swiftly opens it, pulling me into the room behind him. he practically slams the door shut as he pushes me against the back of it, pinning me to it.

“what the fuck was that?” he rasped.

i furrow my eyebrows, allowing a playful smirk to spread across my face.

“what?” i question dumbly.

“you know what.” he retorts.

i shake my head side to side. “no i don’t.” i say mockingly.

he lets out a low chuckle before leaning into me, his lips grazing over my ear. i’d be a fool to say the sound of his husky laugh coming from his mouth didn’t turn be on tremendously.

“licking that spoon like that?” he rasps, lifting his left hand to caress the left side of my face as he breaths into my right. “the same way you use that tongue on my dick?”

he closes the gap, his mouth attaching itself on that spot right under my ear.

“chris!” i yelp breathlessly, the tingling in my abdomen becoming almost unbearable from the teasing earlier and now this.

“hmm?” he hums. “what is it baby?” he detaches hisself from me, staring into my eyes.

i whine at the detachment as i return his gaze.

“i need you.” i whine in a whisper.

“mhm.” he hums, a smirk present on his face as he connects our lips.

our lips dance across each other smoothly like a ballerina sways across a stage.

his left hand slides from my cheek to my neck, wrapping his hand around it firmly as he pulls me off the door.

he swiftly turns me around, walking me backwards until the back of my knees hit the smooth frame of his bed.

he intensifies the pressure on my throat. but as quickly as he does, it’s also gone as he uses that to push me onto the pillowy soft comforter of his bed.

my body bounces from the impact before stopping, sinking into the mattress.

he waists no time in using his hands to loop around the waistband of my pajama shorts, yanking them down. they end up finding home somewhere on his bedroom floor.

“god ‘ma. did i do this to you?” he groans, noticing the wet patch in my orange lace underwear. he takes his index finger, running it up and down my clothed folds. repeating his steps from earlier.

my hips buck up, not expecting the sudden motion.

“chris!” i cry out.

“shh baby,” he removes the hand from my center, covering my mouth with it. “don’t want them to hear you, hm?”

i nod my head. he smirks, removing it. “think you can handle being quiet?” he husks, removing his sweatpants.

i nod my head once again, this time at a faster pace than before.

he pushes his red boxers down, stepping out of them. his cock visibly throbbing, needing attention.

he kneels back down between my legs, his hands making their way up the plush of my thighs. once he reaches the lining of my panties, his fingers hook around them before skillfully gliding them down. which also end up making home on his bedroom floor.

“we gotta be quick ‘ma.” he breathes out. referring to the fact that there’s still a house full upstairs.

he crawls over me, using his hands to hold himself up as they come on each side of my head.

“you ready baby?” he cooes, rubbing his hand up and down my clothed stomach. the both of us only being nude from waist down.

“yes.” i whisper, entangling my hand in his hair.

he smiles as he looks down between us. i moan softly as his tip begins pushing into me.

“fuck.” he groans as he bottoms out, his head falling into the crook of my neck.

“move chris, please.” i whimper.

he pulls out, leaving his tip in before he pushes back in at a slow pace.

he continues the slow thrusts, my walls hugging his dick in all of the right ways.

“chris, faster!” i moan out.

almost as if he was waiting for me to say it, he speeds his thrusts. rutting into me at a harsh but pleasurable pace.

“taking me so well, hm?” he grunts into my ear. the rasp of his voice traveling through my ear straight to my pussy.

the tip of his dick continuously kissing the sweet spot inside me, sending me over the edge.

“mm-fuck.” i moan quietly, reminding myself of the people upstairs.

“were you thinking about this when you were licking that spoon like that?” he grunts. “maybe next time you can use that pretty little tongue on my cock?”

i moan in response. his hips snapping into mine at a quick pace.

“chris-i’m gonna cum!” i warn, feeling the coil in my stomach get closer to snapping.

“c’mon baby, cum for me.” his already quick pace speeding.

almost as if my body needed confirmation, the coil snaps immediately. ecstasy coating my body.

“fuck.” chris moans in a grunt. his hips sputtering as he paints my insides white.

we lay with our body’s connected for a moment as we both catch our breaths.

he eventually pulls out, causing both of us to hiss at the slight overstimulation. he walks to his bathroom, grabbing a towel to clean the both of us up.

once we’re both clean, he dresses himself before dressing me.

“let’s head up now, yeah?” he pulls me up, leaving a small kiss on my forehead as i nod.

we both make our way out of his bedroom, back upstairs to join everyone else.

“took you long enough! the brownies are done!” nick yells excitedly. a plate with a half eaten brownie sitting on it. matt and madi sitting with him at the table.

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a/n: i’m so sorry this took so long to get out !! im working on sts 6! and sorry this is so rushed, esp towards the end, i kept zoning out during it so it lowkey kinda sucks lol

(also thank you to @imwetforyourmom and @bernardsbendystraws for lowkey helping me out w this 🙏)

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[thevoiceofdesertbluffs]

The Mudstone Abyss 2: Kevin loves holes, so he dug another one!

After this arc concludes the next episode will be The Mudstone Abyss 2: Part 1 - Kevin Did Another One!!

[ryuatewater]

Doesnt draw globe for months

Draws globe

Reblog wave

OU🌊🌊GHC🌊🌊🌊🌊🌊OU🌊GHS🌊🌊🌊🌊🌊TOPSD🌊O🌊TO🌊🌊🌊🌊🌊OPP🌊🌊🌊🌊🌊STO🌊🌊🌊🌊OO🌊🌊PPOUR🌊🌊HFMG🌊🌊MIGI🌊🌊IUGOG🌊UIFO

[mewling-central]

Introduction to Collective Seraphic

Now that Seraphic's at a stable place, I think I'm gonna take some time to delve into the basics of how it operates. For this post I'll only be going into the language itself and not the writing system, as that's going to need a post of its own to elaborate on. I'll try to keep this as concise as possible, but I may make separate posts expanding on topics discussed in this one. So, without further ado, onto the infodump!

Background

Collective Seraphic (which I'll be referring to as "Seraphic") is an artlang that I've created for a comic that as of this post I have not began yet, but am still developing. The majority of the comic will take place on the Seraph Homeworld, an alien planet some 3,000 lightyears from Earth populated by the seraph species (pictured below):

Within the story, Seraphic acts as the lingua franca of the Seraph Homeworld and the many colonized planets under Seraph control. It's used in the government, and among speakers of differing languages. As such, this language was the first one that I knew I would need to make as it will play a vital role in both the storytelling and narrative structure.

Syntax

Seraphic is largely a fusional language, employing affixes to modify the semantic role and meaning of morphemes. Seraphic does not, in the traditional sense, have verbs, so the sentence structure is strictly subject-object (will expand upon later). Nouns decline for number and tense, and are grouped into seven noun classes. Adjectives agree with nouns in number, except if derived from nouns themselves, in which case they'll also agree in class. Seraphic is very head-initial; with demonstratives, numerals, possesives, adjectives, genitives, and relative clauses following the noun the modify; and prepositions preceeding the nouns they modify. Auxiliaries preceed procedurals (again, will expand upon later).

Phonology

Here is the phonological chart for Seraphic:

It has a syllable structure of (CC)V(CC). Plosives cannot exist word finally, clusters of consonants of the same manner are illegal, and vowel clusters are also not permitted. Syllabic consonants are grouped with vowels and behave much like them, carrying tone and stress, so they together are grouped and referred to as vocalics. Seraphic is a tonal language, employing the use of four tones: rising (á), falling (à), high (ā), and low (a). Low tones remained unmarked in both the Seraphic script and in romanization. Stress is syllable-independant. It will take either the ultimate, penultimate, or rarely the antepenultimate. Stress always falls on the syllable with a voiceless initial obstruent nearest to the end of the word. If none are available, it will fall on the syllable with an initial sonorant within the same parameters. Stress will never fall on a voiced obstruent. For clarity, I'll provide a key describing the pronunciation of the romanization.

Sounds that are similarly pronounced as they're read in American English:

m, n, p, b, t, d, k, g, f, v, s, z, y, w, l

Sounds that have special pronunciations:

ŋ, like the ng in English "sing"

p', like the ጴ in Amharic "ጴጥሮስ"

t', like the t' in Navajo "yá'át'ééh"

k', like the კ in Georgian "კაბა"

', like the the space within English "uh-oh"

c, like the sh in English "sharp"

j, like the s in English "measure"

x, like the gh in English "ugh"

ğ, like the γ in Greek "γάλα"

pf, like the pf in German "Pfirsiche"

ts, like the z in Italian "grazia"

tc, like the ch in English "chain"

kx, like the kh in Lakota "lakhóta"

r, like the rr in Spanish "perro", although occasionally like the r in Spanish "amarillo"

i, like the ee in English "meet"

į, like the ы in Russian "ты"

u, like the oo in English "boot"

e, like the é in French "beauté"

œ, like the a in English "Tina"

o, like the o in Classical Latin "sol"

a, like the a in English "bra" although this can change to be more forward or more backward.

Another letter that might trip people up is ł, which is meant to represent the high tone syllabic 'l'. Otherwise, syllabics are written the same as their pulmonic counterparts, with tone markers written when applicable.

Nouns

Nouns make up the bulk of the Seraphic lexicon. Every noun is grouped into one of seven classes:

Solar class: nouns related to seraphim or seraph-like beings, and seraph body parts. Prefix appears as zā-, zō-, zē-, s-, or ts-.

sēr = "person"

Astral class: nouns related to non-seraph animate lifeforms (their equivalent to "animals"). Prefix appears as ğr-, x, or kx-.

xuc = "cherub"

Vital class: nouns related to inanimate lifeforms (their equivalent to "plants"). Prefix appears as wā-, wō, w-, ū-, wē-, or wī-.

wējlux = "tree"

Terranean class: nouns related to landscapes, locations, and natural phenomena. Prefix appears as va-, vo-, vu-, f-, and pf-.

voxāl = "sun"

Metallic class: nouns related to inanimate objects, both natural and artificial. Prefix appears as ja-, jo-, c-, or tc-.

jağrú = "rock"

Lunar class: nouns related to abstract concepts, and terms related to time. Prefix appears as la-, lo-, le-, li-, y-, or l/ł-.

levren = "job"

Oceanic class: nouns related to general words, tangible concepts, numbers, all adjectives, and non-incorporated loanwords. Prefix appears as a/ā-, o/ō-, or aw-.

awuf = "group"

Adjectives do not agree in class, due to the fact that nouns originally are derived from adjectives, and noun classes acted as a way to differentiate between nouns and adjectives.

fa = "warm, hot"

jafa = "fire" (lit. "a hot thing")

When adjectives are used as predicatives, they decline into the oceanic class in order to take the procedurals (once more, will expand upon later).

Nouns also decline for four numbers: singular (one thing, usually unmarked), dual (two things, both things; suffixes as -ac, -oc, -œc, or -c), plural (things, many thing; suffixes as -n, -an, or -in), and collective (every thing, all things; suffixes as -āf/ōf, -áf/-óf, or -'ōf).

Seraphic doesn't use pronouns. Everything and everyone is referred to by name, including yourself. From our perspective, the Seraphic language constantly speaks in the third person. However, it can be repetitive to use the same name over and over again in a sentence, and sometimes you don't know the name of things, so they'll apply what I've called pro-forms. They consist of the demonstrative adjectives fl "this", sl "that", and xl "yon" declined into the Solar class and taking the place of the first, second, and third person respectively. For ease of reference, I'll provide the forms and their declensions below.

zāfl (I/me), zāflc (both of us), zāvlin (we/us), zāfláf (all of us)

zāsl (you), zāslc (both of you), zāzlin (you guys), zāsláf (all of you)

zōxl (they), zōxlc (both of them), zōğlin (many of them), zōxláf (all of them)

Seraphic makes no distinction in the gender of the speaker, in this regard. Although these resemble pronouns, they're not meant to be used as often as regular pronouns, and whenever possible it's much preferred that you refer to someone or something by name.

Adjectives and Prepositions

Adjectives are fairly straightforward. Adjectives follow the noun they modify (e.g. sēr tan "big person"), and agree with them in number (e.g. sēr tan "big person" vs sērn t'aŋon "big people"). Adjectives agree in the singular form with singular and collective nouns, and they agree in the plural form with dual and plural nouns.

There are three main types of adjectives: native adjectives (e.g. cna "good"), borrowed adjectives (e.g. anzn "nice"), and noun-derived adjectives (e.g. arfi/ofi "new"). Native and borrowed adjectives don't agree with noun classes, but noun-derived adjectives do. It originated from the animacy-based adjective agreement system in Proto-Seraphic, which has been lost in all other adjective instances. When you want to make a noun into an adjective you'll affix one of two prefixes to it: ar- (if agreeing with Solar, Astral, and Vital nouns) and o- (if agreeing with Terranean, Metallic, Lunar, and Oceanic nouns). There are specific rules on the forms each prefix takes based on the noun they're attached to:

"ār-" when preceeding high or falling vocalic syllables (e.g. sēr ārzājna "popular person")

"ar-" when preceeding low or rising vocalic syllables (e.g. wēn arfe "local fruit")

"ó-" when preceeding high or falling vocalic syllables (e.g. lalel ówē "grassy flavor")

"o-" when preceeding low or falling vocalic syllables (e.g. lesar olvulvren "economic problem")

"ōw-" when preceeding words that start with a vocalic (e.g. lnin ōwāsāvbas "momentary event")

Prepositions occur before the nouns they modify, and don't change form in any circumstance. There are currently 19 prepositions in the modern language, and they are usually connected to nouns via a hyphen (e.g. e-fe "at (the) place"):

cu = of; indicates possession

pr̄ = indicates the indirect object, equivalent to "to" in the phrase "The man sends the letter to me."

in/īn = as or like; indicates similarity or resemblance. Will either be low or high tone depending on the tone of the following syllable.

e/ē = at or on; indicates location.

tsa = near or for; indicates relative distance from a location or an action performed for the sake of the referent.

cni = without; indicates a lack of possession or company.

wa = in or inside of; indicates interior position.

tn = on top of, above, or before; indicates superior position or a prior instance in time.

pux = under, beneath, or after; indicates inferior position or a following instance in time.

pi = with, together with; indicates being in company of or making use of the referent.

fān = from or away from; indicates the motion of leaving the referent.

ku = out of; indicates motion from within the referent towards the exterior.

tun = into or through; indicates motion from outside the referent towards the interior.

xel = to or towards; indicates the motion of approaching the referent.

kxun = across; indicates motion from one location to another

pn̄ = around; indicates location surrounding the referrent.

cāza = between; indicates location in the middle of the referrent.

tē = after, behind; indicates posterior position.

fr = during; indicates a moment in time

Prepositions aren't combined in Collective Seraphic, but may be in certain instances in colloquial speech.

Procedurals

Okay, this is probably the most complicated part of Seraphic, so I'm going to need to get into things individually. First, I'll start with defining a procedural itself. Procedurals are the term I use for the prefixes used to describe the relationship or process of and between the agent noun and the patient noun. These are what act as the equivalent to "verbs" in earth languages. There are three in use:

Existential: used to denote a state of being or equivalence between agent and patient, or to the patient and itself. Equivalent to English "to be" (e.g. A is B, there is B). Usually prefixes as some variant of n-, m-, or ŋ-.

Actional: used to denote an action or process between the agent and patient, or with the patient and itself. Equivalent to English "to do" or "to act upon" (e.g. A acts upon B). Carries a connotation of agency and intent. Usually prefixes as some variant of re-, ra-, or r-.

Resultative: used to denote an occurence or change in state between agent and patient, or patient and itself. Equivalent to English "to become", "to happen", or "to change into" (e.g. A becomes B, B happens to A). Carries a connotation of passiveness or motion. Usually prefixes as some varient of ed- or ez-.

The procedural will change its form slightly depending on the class and declension pattern of the noun it modifies. It always affixes to the patient noun, demonstrating a relationship of an action and what is being acted upon. In this way, the patient can be clearly identified. In transitive or causative clauses, the word order is always S(P)O, with the agent acting as the subject and the patient as the object. In intransitive and passive clauses, the word order is always (P)S, with the patient acting as the subject and the agent demoted to the indirect object or omitted entirely.

Although seemingly limiting, using these three procedural, as well as prepositions, nouns, and adjectives, altogether can be used to make all sorts of verb equivalents that are called "procedural phrases". I'll demonstrate how to build a sentence now. First thing we need to know is the subject and object:

Sāx ... jafa (The child ... the fire)

Next, I'll add the actional procedural in the present tense to this.

Sāx rejafa (The child acts upon the fire)

By itself this is technically grammatically correct, but it doesn't really mean anything. It's too broad. So we add a prepositional phrase to specify exactly what action the child is taking towards the fire.

Sāx pi-sīman rejafa (The childs acts upon the fire with (their) eyes)

Now we know that the child is performing an action involving the use of their eyes. Now of course this could mean many different things in English, but in Seraphic the first thing that comes to mind would be fairly obvious: to see! Thus, "Sāx pi-sīman rejafa" would be the same as saying "The child sees the fire" in English! There are a lot of set phrases that equate to verbs, and remain consistent in their arrangement. Often differing phrases are a useful way to ascertain where someone is from or what their first language is.

Tense and Aspect

Seraphic has six main tenses: two pasts, two presents, and two futures. The two pasts consist of the recent past (happening recently) and the remote past (happening a long time ago), and they prefix and/or combine with the procedural.

Sāx pi-sīman ğrejafa (The child just saw the fire)

Sāx pi-sīman eğrejafa (The child saw the fire a while ago)

Similarly, the future tenses consist of the near future (will happen soon) and the distant future (will happen eventually).

Sāx pi-sīman drejafa (The child will soon see the fire)

Sāx pi-sīman izrejafa (The child will eventually see the fire)

The present tenses consist of a general present tense (happens) and the infinitive (to happen) which is used with auxiliaries and copulae and carries no presence in time.

Sāx pi-sīman rejafa (The child sees the fire)

Pi-sīman ezrejafa (To see a fire)

Whether someone considers an event to be nearer or farther in time from them is completely up to their discretion. There's no set timeframe for when to use the recent vs. remote past, it's all fairly subjective. However, whether you decide to use the recent or remote can really indicate whether you believe something to be in the distant past or future, or just a few moments ago or soon.

Seraphic also makes use of two copulae, the perfective -r and the imperfective -l, helping clitics that expand on the aspect of the procedural, i.e. how the procedural happens over time instead of when in time. The copulae are separate from the procedural, being placed directly before it and conjugating on their own similarly to the lexical procedural. When the copulae are in use, they are conjugated instead of the lexical procedural, while the lexical will be put into the infinitive. The exception to this is if the point in time is considered necessary to be stated for the sake of clarity or emphasis, in which case the lexical verb will also conjugate (though this isn't considered to be the default). The two copulae each conjugate to six tenses, and give 12 individual aspects in total. They are as follows, starting with the perfective:

āgxōnr - Pluperfect: indicates that the action happened at a point before some time in the past either specified or implied (e.g. āgxōnr nidsl "that has happened")

xōnr - Preterite: indicates that the action happened in the past with no reference to if it was completed recently or remotely. A general past (e.g. xōnr nidsl "that happened")

nar - Relative: indicates relative clauses, i.e. clauses that act to modify a noun similarly to an adjective. Equivalent to "that", "who", or "which" (e.g. lsl nar nidsl "the thing that happens")

ednr - Gnomic: indicates general truths, common knowledge, and aphorisms (e.g. ednr nezłsl "things happen")

t'enr - Future Simple: indicates the action will happen in the future with no regard to how near or far it is from the present (e.g. t'enr nidsl "that will happen")

āt'ēnr - Future Perfect: indicates that the action will happen before a time or event in the future (e.g. āt'ēnr nidsl "that will have happened")

And the imperfective:

ŋ̄xōzl - Discontinuous: indicates that an action was happening in the past, but is no longer happening in the present (e.g. ŋ̄xōzl nidsl "that used to happen")

xōzl - Habitual: indicates that an action is done often or out of habit (e.g. xōzl nidsl "that always happens")

īzl - Progressive: indicates that an action is happening at the very moment of conversation (e.g. īzl nidsl "that is happening")

nizl - Prospective: indicates that an action will be starting to, or is in the process of happening (e.g. nizl nidsl "that is about to happen")

t'ezl - Iterative: indicates that an action happens again, repeatedly, or more than one time based on context (e.g. t'ezl nidsl "that happens again" or "that happens again and again")

nt'ezl - Continuative: indicates that an action happens continuously and without end (e.g. nt'ezl nidsl "that still happens")

With both tense and aspects, this largely expands the capability of Seraphic in referring to time.

Moods

Seraphic makes use of seven modal particles to denote seven moods. They are always placed at the beginning of clauses, and no two modal particles can exist in the same clause. They are grouped into four categories: the declaritive (indicative and negative), the inferential (evidential and interrogative), the deontic (volitive and imperative), and the epistemic (subjunctive and conditional). They add extra clarity in the speakers mood or opinion concerning the clause they modify, and are as follows:

Indicative: base form of a clause. Indicates that the speaker is stating a fact or what exists, and is unmarked (e.g. idsl "that happens")

tu - Negative: indicates that the speaker is stating a fact that is untrue or what doesn't exist. Usually only appears in formal, official texts, as the first syllable of the procedural will chage tone to contrast as well and leaves the particle unneccesary in colloquial speech (e.g. tu īdsl "that doesn't happen")

cuc - Evidential: indicates that the speaker is stating a fact that they believe or understand to be true, regardless of having experienced it or not. (e.g. cuc idsl "apparently that happens") Direct evidentiality is denoted using a different method.

an/ān - Interrogative: indicates that the speaker is confirming whether a statement is or isn't true. Forms questions (e.g. an idsl? "does that happen?")

tcān - Volitive: indicates that the speaker desires for the statement to be true (e.g. tcān idsl "that wants to happen" or "that needs to happen" or "that should happen")

má - Imperative: indicates that the speaker is giving a command or suggestion, to themselves and/or to other referents. Functions additionally as a cohortative and a jussive (e.g. má idsl! "let that happen!")

tir - Subjunctive: indicates that the speaker believes the statement to be possible or likely (e.g. tir idsl "that could/would/might happen")

nun - Conditional: indicates that speaker believes the statement to be possible under specific circumstances or conditions (nun idsl "if/when that happens..."

Miscellaneous

That's about the basics of the Seraphic language outline. I'd like to eventually get into things like comparison, evidentiality, declension forms and the like, but those are all topics that definitely need their own individual posts. Real quick, I want to provide one more additional fact about Seraphic.

Seraphic uses base-16, meaning it groups numbers in sets of 16 instead of sets of 10 like we do. 1-16 would be written 1, 2, 3, 4, 5, 6, 7, 8, 9, A, B, C, D, E, F, 10. 10 would be read as 16, and equally 20 would be 32. They're still counting the same amount of things, they're just dividing it up differently!

Anyways that's about it, I hope to share more about Seraphic soon, and when the comic gets released I hope you'll all be able to read it and pick out the many many lines of Seraphic I've poured into it!

ŋKowīci cu-stux 'ōf tsa-levp'ā cu-zāsláf pi-lizt'n ğōdjasa! (Thank you all so much for reading!)

[spicyraeman]

I usually don't send two asks in a row because I don't want to overwhelm you. But you just posted about phonology and I was curious and then bam hyperfocus. I found a pretty cool table of gith sounds :

https://conworkshop.com/view_language.php?l=GITH

It looks like there are a few main differences to english:

No W

-Like in french from France. She probably would say "Oo-il" for Wyll. They usually replace the W by a Oo or a V, depending on the sound after it. A "wagon" -> a vagon, but "when" -> ooän. In German you would have the W as a V, because it's already pronounced like that.

There is a type of Th, like in "thin", but not "this".

- I kinda hear the difference but I can't do it. The first one is closer to an s or an f and the second one to a z , I guess? A native english speaker may understand the nuance better.

There is a Zh

- It's the same as the French "j", like in the name Jacques (which could be your frenchsona btw. It's the equivalent of James). In English you add some kind of "d" in your "j". As an example, we visualise Djordan for Jordan. You take that D off, you got the sound. (Insert respectful trans joke here)

The Tl like in Nahuatl

- I can explain this one in english because I can't find the right translation, but you can find how it's pronounced on Wikipedia.

Gh is not silent

- Kind of a guttural G, like in dutch or the scottish gh.

The glottal stop '

- It marks a pause between syllables, while still linking them. Uh'Oh in English, "bu'er" for butter in cockney. It depends of the dialects/accent/language.

Everything is my understanding of this, obv, linguists please don't hate me. I'm just an audhd girly with a multi-lingual environnement and too much time.

Sooooooo Frog'zel is not completely off the table, but I'm sad the R's not an uvular one. It would make it a more "brutal" language. I think she would have some difficulties we see in frenglish. Especially when a letter has several ways to be pronounced, like cat / face or breath/breathe because it's straightforward in gith.

Ergo, she wouldn't have a stroke trying to say "library" like I do. But she would struggle with "throughout", I guess.

I couldn't find anything on tones and accentuations stuff though. I still want her to fight for her life like I do. I shouldn't be the only one suffering here.

I guess it can still change with context and stuff. Like the s in german becomes a sh when it's in front of a t.

I hope I was clear enough. Sorry for any spelling or formatting mistakes, cat fell asleep on my arms in the middle of this. But she's cute so forgive her please.

🫀🚑

You are always allowed to overwhelm me with worldbuilding shit like conlangs (even if this isn’t really a conlang) I live and breathe this stuff and I'm constantly rotating it around in the back of my brain

I cannot express the sheer joy I felt looking at these charts and comparing them to my own and seeing that I've got pretty much the same result! The only strange thing I found was the addition of a b sound, maybe I missed it but I haven’t found a single word that uses that sound (despite Lae’zel’s “bah’s”) Their chart is also missing a p sound but I believe that's due to when the charts were made bc there's only one Gith word that uses it and it was in bg3. Honestly tho, it makes a lot more sense for Gith to have a b sound and no p sound instead of the other way around, there are wayyyy more examples of languages with no p instead of no b (although a language with neither would be fun lol)

The lack of a W was the first thing that I noticed! But there's a fuck ton of languages without it so it makes sense, It doesn’t really fit the feel of the Gith language either. Also, I know in my heart that you’re probably very much right on the Wyll pronunciation but I was joking around with my friends while I was looking through all this stuff and one of them made a German comparison and the thought of the fascist space frogs having a german accent was just too funny to me to pass up

I personally find the Gith language having θ but not ð very fun for their accent! It's kind of a subtle difference but also not? I went through and pronounced a bunch of words with a ð sound with a θ instead and they sound harsher? I guess? It really did give them a more Gith feel honestly

(a little aside but the thought of a “frenchsona” is so fucking funny to me and you’re respectful trans joke got a legit laugh outta me lmao)

Fun fact! English does have a ʒ (zh) sound it's just not associated with a specific letter, it just kinda.. happens in words. All in all, it seems that Gith is relatively comparable in terms of sounds with English. The lack of a w and p/b (debatable) seems like they’d be the biggest ones to come up in everyday speech as far as phonetics goes

Also can I let you in on a little pet peeve of mine? I usually hate when “fantasy languages” use ‘ in their words bc most of the time it's just a cheap way to make it look more fantasy-esc or alien. BUT in Gith, it honestly works? Mostly because it actually is a glottal stop and not just a random “make this word look fantasy” addition

I'm also nowhere near a linguist, just insane about worldbuilding stuff (i have notebooks full of phonetic charts and mathematics on creating solar systems) It's really insightful and interesting to see the perspective of someone with a multi-lingual background tho as someone who only speaks English

I've always seen the Gith language as less brutal and more.. Sharp? I dunno how to describe it really, kinda harsh and pointed rather than guttural or brutal if that makes sense. But yeah if common is English then all the long and short sounds and strange exceptions would be supremely rough especially if you only ever really read it and never truly spoke it

I couldn’t even blame Lae’zel for not being able to pronounce throughout correctly cuz I can’t say that shit right either unless I'm really trying

If you want tones and accentuations you’re just gonna have to have fun and make em up, cuz sadly most fantasy “languages” are just a bunch of made up words with no real rhyme or reason. If I had the brain power to spare it’d be fun to flesh out a real Gith conlang

At least with a full phonetic chart, you can see what sounds the Gith wouldn’t be used to using and find out what words would cause trouble

Also I can forgive any and all misspelling or weird formatting, cute cats aside, cuz I have no clue how anyone could read this jumbled rambling mess lol gratz if you got this far and understood any of this

[discodyke-dogthing]

hmm? *nudges your shin with my filthy converse clad foot* cat got your tongue?

gGhcb ghh gh i i i i ii

uhm

i i i

n nno oo o,,,,

i

look im gay and suddenly down bad okay >///////<

[giggly-squiggily]

Ok but like… Rei from BD with his itty bitty waist… you could put BOTH hands around it and they would touch!!! (Probably not literally but you get my point!)

I like to think that Kazuki does it to him all the time and it causes Rei to let out a loud choked laughter sound and Kazu thinks it’s simply hilarious, and so does Miri! (Side note, Kazuki would do it 100% more to cheer up Mito when she’s in a sad mood 🤣)

Mehehehehhe! I love these two so much oh my god! I've gotcha covered, friend! :D This takes place post the ending of Buddy Daddies, but there's no spoilers within the dabble!

“Behind.” Kazuki reached out, gently touching Rei’s waist as he passed between him and the counter.

Only to stop and pause, looking down at the spot.

“Can I help you with something?” Rei asked without looking up from his french toast, used to the blonde’s frequent touches.

“I just…has your waist always been this small?” Kazuki brought both hands to it now, cupping it gently. “You’re like a girl…”

“Back off, perv.” Rei elbowed him, earning a soft “oof” sound. Not before he heard the cusp of a laugh in the brunette’s voice, however. Curious, he squeezed gently.

“Gh! Watch it, I’m cooking!” Rei jerked, his elbow digging deeper into Kazuki’s gut. Anymore and he’d bruise.

Kazuki decided, at that moment, he didn’t care.

Faster than Rei could react, he had the stove turned off and the french toast pushed to the upper burner with one hand, his other still on Rei’s waist, squeezing and kneading. “How did I forget about this! All this time later, and you’re still so ticklish!”

“Gah! K-Kazuki, you son of a- pfft gehahahhaha!” The assassin squawked, swatting at his hands as he tried to wiggle away. Unfortunately the space they preoccupied proved rather limited, meaning his only options were to wiggle further into the hand on his side or into Kazuki. “Stahhahahap it! Aheahhahahhahaha!”

“All this time later and you’re still so ticklish.” Kazuki grinned, leaning into his shoulder so he could whisper in his ear, bringing both hands up so he could maximize his tickly output. “I bet the rest of your tickle spots are just as bad. When we get back tonight, I’m gonna have you begging for mercy!”

“Nohohohoohw your juuhuhuhuuhst behehehheeing wiehehehheheheird!” Rei cackled, putting enough momentum in his shove to get away. “Gehahaha…ahahaha…you- Nohoho! Stahahy awahahahay!” Rei backed up when Kazuki grinned, walking forward with wiggling fingers. “I- I have a weapon!” He grabbed the closest object- a spoon.

“Oo, so scary!” Kazuki paused for dramatic effect, eyes dancing. “Come here, Rei~”

A stalemate ensued, the two men watching each other. Then Rei dropped the spoon and bolted.

“Come back here, Rei!” Kazuki laughed, wasting no time following him.

Send me a headcanon and character(s) and I'll write a short 300-500 word dabble for it!

[astrology-prediction]

Lucky Alphabet According to Your Zodiac

Lucky alphabet according to zodiac:

Every zodiac sign governed by a few name alphabets is by the end associated with some personality Each zodiac sign by name alphabets is associated with a specific set of personality traits, strengths, and challenges. Interestingly, the first letter of each zodiac sign's name can also provide some insights into their unique characteristics. Here's a brief overview on which alphabet is lucky? 

Aries: Your Lucky Alphabet Is A

Being an Aries native, has got to be “A”. This means that names, places, or things that start with the letter "A" are likely to be particularly lucky for you. This is based on the Vedic astrology system, which connects every zodiac sign to a particular letter. Aries name letters "chu," "che," "cho," "la," and "lee," but "A" is the most auspicious of all.

Taurus: Your Lucky Alphabet Is B

If you're a Taurus native, your lucky alphabet is "B." lucky alphabet for business name according to rashi,  this means that businesses with names that start with the letter "B" may be particularly lucky for you. This is based on the Vedic astrology system, which associates each zodiac sign with a certain set of letters. Taurus name letters is associated with the letters "ee," "oo," "ae," "oo," and "va," but "B" is the most auspicious of However, if you're a Taurus native and you're starting a new business, it may be worth considering a name that starts with the letter "B" to give yourself an extra boost of luck!

Gemini: Your Lucky Alphabets Are C and G

If you're a Gemini native, your lucky alphabets are "C" and "G." This means that names, places, or things that start with these letters may be particularly lucky for you. This is based on the Vedic astrology system, which associates each zodiac sign with a certain set of letters. Gemini names letters "ka," "ca," "ki," "ke," "ku," "g," and "gh," but "C" and "G" are the most auspicious of all.

Cancer: Your Lucky Alphabet Is D

As a Cancer native, you have a lucky letter that can bring you good fortune. The Vedic astrology system associates each zodiac sign with a certain set of letters, and for Cancer, the lucky letter is "D." This means that names, places, or things that start with "D" may be particularly lucky for you. While this may seem like a small detail, incorporating your lucky letter into your life can have a big impact. 

Leo: Your Lucky Alphabet Is E

If you're a Leo, leo name letters can be your life’s game changer. According to the Vedic astrology system, each zodiac sign is associated with a certain set of letters, and for Leo, the lucky alphabet is "E." This means that names, places, or things that start with "E" may be particularly lucky for you. Incorporating your lucky alphabet into your life can be a fun and meaningful way to bring positive energy and good luck into your daily routine. 

Virgo: Your Lucky Alphabet Is F

If you're a Virgo,virgo name letters can bring you good fortune. According to the Vedic astrology system, each zodiac sign is associated with a certain set of letters, and for Virgo, the lucky alphabet is "F." This means that names, places, or things that start with "F" may be particularly lucky for you. 

Libra: Your Lucky Alphabet Is L

If you're a Libra, libra name letters can bring you great returns.. According to the Vedic astrology system, each zodiac sign is associated with a certain set of letters, and for Libra, the lucky alphabet is "L." This means that names, places, or things that start with "L" may be particularly lucky for you.

Some examples of lucky things that start with "L" include love, laughter, and the colour lavender. You might also consider exploring places that start with "L," such as London, Los Angeles, or Lisbon. Whatever you choose to do, incorporating your lucky alphabet into your life can be a powerful way to attract good luck and positive energy.

Scorpio: Your Lucky Alphabet Is M

Scorpio name letters, you have a lucky alphabet that can bring you good fortune. According to the Vedic astrology system, each zodiac sign is associated with a certain set of letters, and for Scorpio, the lucky alphabet is "M." This means that names, places, or things that start with "M" may be particularly lucky for you.

Sagittarius: Your Lucky Alphabet is D

The lucky alphabet for Sagittarius is "D."People born under this zodiac sign are believed to be closely integrated with this letter, which is further likely to bring good fortune and positive energies to you. People under sagittarius also might find pleasure and peace in the activities, places, or people starting with the letter D. However, at last, it’s important for you all to remember that luck and success is influenced by several other factors and astrology is a matter of personal belief. 

Capricorn: Your Lucky alphabet is H

Capricorn's lucky alphabet letters are H, P, and C. Embracing these letters can bring positive influences to their lives. Capricorn name letters "H" symbolises strength and stability, "P" signifies ambition and perseverance, while "C" represents practicality and determination, aligning with Capricorn's disciplined and ambitious nature.

Aquarius: Your Lucky Alphabet is E

Aquarius' lucky alphabets are E, G, K. Aquarius name letters symbolise eloquence, generosity, knowledge, and optimism. Born under this air sign, Aquarians possess innovative and intellectual traits, promoting independence and humanitarianism. Embracing their fortunate letters enhances their ability to connect with others and pursue progressive ideas, making a remarkable impact on the world.

Pisces: Your Lucky Alphabet is J 

Pisces lucky alphabets are J, T, and D. These letters signify qualities like intuition, compassion, and imagination. Born under this water sign, Pisceans from their pisces name letters often find that embracing these fortunate letters enhances their creativity and empathy, leading them towards fulfilling and meaningful experiences in life.

Lucky Alphabet According to Your Zodiac FAQs

1. What is a lucky alphabet?

A lucky alphabet is a letter of the alphabet that is associated with good fortune and positive energy. As each zodiac sign is associated with a few letters, alphabetic letters, concentrating on these letters is likely to bring in good luck and positive vibes in your life. 

2. How do I find out my lucky alphabet according to the zodiac?

If you want to find your lucky alphabet, try looking it up online or talk to a vedic astrologer.

3. How can I use my lucky alphabet to bring good luck into my life?

One can use their lucky alphabet to bring good luck and fortune in their lives, by focusing on activities, places or people that start with their lucky letter. For example, if your lucky alphabet is ‘P’, you can engage yourself in Paragliding or be at places like Paris, Pathankot.

4. Are there any limitations to using an astrology alphabet?

No single letter can guarantee success or good luck in one's life, they can however be used for fun yet in a meaningful way. Lastly, always remember, your lucky alphabet is just one aspect of your life and your success and well being depends on various more factors. 

5. Can I change my lucky alphabet?

The lucky alphabet is according to one's zodiac sign, that is based on their birth date. Your lucky alphabet according to the zodiac sign, which is based on your date of birth. So, your zodiac sign can not be changed however you can imply other positive symbols in your life for additional good luck and good energy. 

6. Which zodiac sign is very lucky?

Sagittarius. Also known as Adventurer Sagittarius are known for their positive outlook on life that attracts good fortune and their explorer side for adventure. They are further governed by Jupiter, also known as a planet of expansion and abundance. 

[pokeglitchden]

t he headach es are nt li gh tenin g up and i'm starting to get worried

- @o-oo-o-ooo-o

Headaches... that doesn't bode well. Do you think it's related to your new Shadow typing?

I'm not sure if there is anything we can do safely at the lab to alter your type. At least not something that doesn't run the risk of corrupting you further, or turning you into a Bad Egg.

I was just talking to Conductor earlier. Has this been going on all day? I'd like to help but more information might be necessary.

-Simon

[postsofbabel]

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SC

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[margoism]

An AFK Adventure with Idol VaLoR

"Pwede ba ako dyan?"

Yan ang una niyang sinabi sa akin, naghahanap kasi ako ng ka Ygg duo sa guild chat nung araw na un - naaalala kong desperado na ako sa Eden coins kaya ayokong masayang ang pagkakataon magawa ang instance na un.

Naisip ko pa, aba, may nagoyo akong sumama sa akin.

Low DP kasi ako, alam mo na, di trip kasama ng majority. Tipong walang papatol sa iyo pag nagahanap ka ng kaparty sa world chat. Who you ka, kapal feys!

Sabihin na natin napahiya ang bida niyo at di kami umabot ng level 30. Expected ko na di na ako papansinin pagkatapos pero aba nakipagkwentuhan.

Ewan ko ba, pihikan naman ako sa kausap pero magaan naman ang loob ko sa kanya kaya ayun, mag iisang buwan na kaming regular na magkakwentuhan sa gabi sa 23.

Friendship Monthsary?! Michael Jordan? LoL.

Bakit ko alam? Eh inadd ko sa FB nung araw na un at nag message, un kaya ang date.

Okay, oo, golden rule. Wag basta basta add ng add ng friends sa FB. Eh wala naman ako tinatago and well, mabuti malaman na niya ng maaga sino kausap niya, ipagtagpi-tagpi na lang niya ang mga makikita at basa niya, hahaha. I mean, di naman ako scammer o chixi at kung tatanungin niya ako balang araw kung open minded ako at magkape kami minsan, eh sorry, hindi ako mahilig lumabas ng bahay, yayain na lang niya ako mag PVP at katayin na lang niya ako ng attack speed niya ng paulit-ulit (someday idol, maiisahan din kita, hahaha).

Anyway, sa present time.

Nakatulog siya nung isang gabi habang magkakwentuhan kami sa party chat. Naaliw ako at finorce follow ko siya na sundin ako sa buong mapa ng Rune Midgard. Ayun, nakapag MVP, TR, mini, at elite ang idol nating afk na si VaLoR. Kagabi naman, pinagbigyan niya ako at nag scripted afk siya.

non-verbatim: sige na, sa office na ako magwowork bukas ng gabi eh, 2 gabi ka rin makakatulog ng maagaa :P

(insert daming tawa here)

Siyempre, tuwang-tuwa lola niyo, kahit parang baliw na may nasunod na kapwa sniper (na malakas btw), G lang!

Adventure 1: Sinayawan Ko Siya

"Kinendeng mo kaso deadma" - koya, tip po, Jupe at ET run lang.

Bago siya natulog, ubos na raw comm tickets niya. Eh may 40 pa ako kaya ayan, ako na lang sumayaw...sinayawan ko si idol. Yes pwede ung 40 kahit afk kasama sa party, basta 2 kayo.

Adventure 2: Habol ng MVP at TR

Dharma best ghorl. AFK yarn.

(teeheehee GTB lang yan)

Adventure 3: Ikot Ikot Lang

Habang cooldown mga MVP, ikutin ang Rune Midgard!

Ulitin ko, afk si idol VaLoR. Today, di siya mamatay sa GH kasi nakakaKafra na siya.

Adventure 4: Inabutan ng Maintenance sa Huling MVP of the Day

Nagising siya na hinihintay na lang umappear ang OL.

Akala mo katapusan na ng mundo at pa maintenance na ng 7am, hahaha. Daming bilin, hanash, at paulit-ulit na "ingat ka, kumain ka, mamaya, sa Sabado, etc" kaming nalaman.

Ending, nag close ung app ng 7am at nag usap pa kami saglit sa messenger, hahaha.

Btw, twinning kami, "partner" costumes. Pinagbigyan kami ni ROO na magkaroon kami ng costume galing sa same gacha, hahaha.

...at least di ung moo-moo costume, may do do ng cow eh.

Hanggang sa susunod, na trip, abangan, hahaha.

[nottheoone]

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[bites-and-crunches]

ll..lonely...

i.. i sory.. ff...or.. nnot.. b..bein..g.. g...oo..d... e..n..ou..gh...

i.. sss...ory..

[kh-oc-askblog]

Character List

Note: (pronunciation), [a similar silent/ hidden sound to assist with pronunciation] Example: (S[w]ord).

Zorya

(Zor-eye-ya), Slavic; star. Age: around 14-16 during the main Kingdom Hearts games. Pronouns: she/her, but doesn't correct people when they use other pronouns and seems to not mind their usage. Weapon: Hooked double edged spear + hidden daggers. Stance: Doublehanded and singlehanded overhead thrust (spears), double handed Ochs guard (swords). Specialties: gravity, poison, enchantment/ enhancement, darkness and (money) magnet. Limit Break: Shadow Claw. Factions: Detective.

Aesthetic Board

Yoru

(Yo-[d]ru), Japanese; Night. Age: around 14-16 during the main Kingdom Hearts games. Pronouns: he/him. Weapon: Bō, later a staff with a hidden blade. Stance: Tail guard (both staffs and swords). Specialties: water, light, reflect/ barrier, healing. Limit Break: Premonition Strike. Factions: N/A, Civilian.

Aesthetic Board

Taiyo

(T-ai-yo[r]), Japanese; Sun. Age: around 15-17 during the main Kingdom Hearts games. Pronouns: he/him. Weapon: Heirloom Sword (short, one handed) and, later, Excalibur (two handed). Stance: Plow/ Pflug, or Chudan No Kamae. Specialties: fire, physical strength, light. Limit Break: Flame Zantetsuken. Factions: Guide (Dove -> Apprentice)

Aesthetic Board

Noir

(N-oo-a-gh), French; Black. Age: appearance of someone around 14-16 during the main Kingdom Hearts games. Pronouns: he/him. Weapon: Short sword hiding a concealed dual dagger. Stance: Fool's stance. Specialties: aero, vanish, poison, illusions/ shapeshift. Limit Break: Swift Swipe. Factions: Detective.

Aesthetic Board

Lunaria

(L-oo-n-ae-re-ah), Type of flower; Lunaria. Derived from Latin 'Luna'; Moon. Age: around 14-16 during the main Kingdom Hearts games. Pronouns: she/her Weapon: The Book of the Lost (summoning tome), and Surge Sabre (long sword) for close encounters. Stance: N/A for her book, wrath stance for swords. Specialties: Earth, summoning, healing, light. Limit Break: Chamber of Ghosts. Factions: N/A, Civilian.

Aesthetic Board

Glaucia

(Glor-sh-ee-ah), Portuguese, Greek, Latin; Blueish Grey/ Blue Steel. Age: around 14-16 during the main Kingdom Hearts games. Pronouns: she/her Weapon: Sovereign's Sign (rapier). Stance: Uses a single handed posta di fenestra (window guard, similar to Ochs) to hide her usage of the Stoccata technique and proficiency in using her one handed blade. Specialties: Ice, aero, time, light and enchantment. Limit Break: Glacial Time-Splicer. Factions: Heir, Blue-Blood.

Aesthetic Board

Nuaia

(N-ua-eye-ah), Original Language "Traitor's Tongue"; Tool of the Heart. Age: around 14-16 during the main Kingdom Hearts games. Pronouns: she/her Weapon: Electric Moonbow (lightweight hand crossbow). Stance: Archery; Open Stance. Specialties: Lightning, anti-gravity, esuna, energy drain and poison. Limit Break: Cheat-Shot. Factions: Unkown.

Aesthetic Board

Art references will be provided at a later date.

[a-z0-9-i-n-gram-completionist]

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3:    000 00G 00K 100 10K 142 194 197 198 200 20G 300 30G 3YE 4TH 50G 677 787 80G 871 941 976 977 981 983 9TH A67 AAA ABE ABL ABO ABY ACC ACE ACH ACK ACR ACT ACU ADD ADI ADO ADV ADY AFF AFO AGA AGE AGG AGI AGS AIK AIL AIN AIR AKE ALE ALK ALL ALR ALS ALT AMA AME AMI AMN AMS AMT ANA ANC AND ANE ANG ANI ANK ANN ANO ANT ANY AOS APE APH API APO APP ARA ARD ARE ARI ARL ARM ARN ARO ARR ARS ART ARZ ASB ASE ASH ASI ASK ASO ASP ASS AST ATA ATB ATC ATE ATH ATI ATM ATO ATR ATU AUC AUI AUS AUT AV3 AVE AVI AVO AYS AYT AZA AZI AZO BAB BAC BAD BAL BAN BAR BAS BBL BEA BEC BEE BEF BEL BER BES BIL BIO BIS BIT BLA BLE BLI BLO BLR BLY BON BOO BOP BOT BOU BOV BOY BRI BRO BSE BUG BUS BUT CAL CAN CAP CAR CAT CAU CCI CEC CED CEP CES CHA CHE CHI CHO CHU CIA CID CIF CIN CIP CKE CKI CKS CKT CMO COB COL COM CON COO COR COU CRA CRE CRI CRO CTA CTE CTI CTO CTR CUD CUI CUL CUT DA6 DAI DAM DAN DAR DAS DAY DDA DDI DDL DEA DED DEE DEL DEM DEN DEP DER DES DET DIA DIC DID DIE DIN DIO DIS DIV DLY DMA DMC DOC DOE DON DOO DOS DOT DOW DOY DRE DRI DSM DUC DUE DUR DVI EAC EAD EAK EAL EAM EAN EAR EAS EAT EAU EAV EBE EBL EBO EBU ECA ECE ECH ECI ECK ECO ECT ECU EDE EDI EDY EEB EED EEK EEL EEN EEP EER EES EFE EFF EFO EFU EGE EGM EGU EIR ELD ELE ELI ELL ELO ELP ELT ELY EMA EMB EME EMO EMY ENA ENC END ENE ENG ENJ ENO ENS ENT EON EOP EPA EPI EPP EPR EQU ERA ERE ERI ERK ERM ERN ERR ERS ERV ERY ESA ESC ESE ESI ESN ESP ESS EST ETA ETE ETH ETI ETO ETT ETU ETY EUS EVE EVI EWO EXE EXI EXP EXQ EXT FAC FAI FAN FEA FEC FEL FER FFE FFL FFR FIB FIC FIN FIR FIS FLE FOL FOO FOR FOU FRE FRO FUC FUL FUN FUS FYI GAI GAR GEN GER GET GGI GGT GHE GHT GIC GIE GIM GIN GIV GLA GLE GMA GME GOD GOE GOI GOR GOT GRA GRE GRN GSD GTS GUA GUE GUI GUL GUM GUY HAD HAI HAL HAN HAO HAP HAR HAS HAT HAU HAV HAZ HEA HEC HED HEE HEF HEL HEM HEN HER HES HEY HIC HIE HIJ HIM HIN HIS HIT HME HNX HOD HOK HON HOO HOP HOR HOS HOT HOW HRE HRO HTF HUB HUC HUM HUU HUW HYM I12 IAC IAL IAT IBE ICA ICE ICH ICI ICK ICR ICS ICT IDE IDI IDN IEC IEN IES IEV IFI IFU IFY IGH IGM IJA IKE IKU ILD ILE ILG ILL ILT ILU ILY IMA IME IMM IMP INA INC INE INF ING INI INK INN INS INT INW INY IOD IOH ION IOT IPA IPE IPL IRA IRD IRE IRG IRM IRR IRS ISC ISE ISG ISH ISI ISM ISN ISO ISS IST ITC ITE ITH ITI ITS ITT IVA IVE IVI IZZ JAC JEF JOK JOY JPE JUI JUS KAR KED KEE KER KET KIC KIL KIN KIS KIT KLE KNO KSA KST KTA KYS LAC LAD LAI LAN LAR LAS LBI LDR LDS LEA LEC LED LEL LEM LEN LEP LER LES LET LEX LEY LGR LIC LIF LIG LIK LIN LIO LIS LIT LIV LKI LKS LKY LLA LLE LLI LLO LLS LLY LMA LOC LOG LON LOO LOR LOT LOU LOV LOW LRE LRI LSO LTI LTU LTY LUR LUV LYA MAE MAG MAK MAL MAN MAO MAR MAT MAY MAZ MBE MBL MEA MED MEM MEN MEO MES MET MI1 MIC MIL MIO MIS MME MMI MMO MOB MOM MON MOO MOR MOS MOU MPL MPT MSE MUC MUL MUR MUS MYS NAB NAL NAM NAN NAR NAS NAT NCE NCH NCO NCY NDA NDE NDM NDS NDU NEB NEC NED NEE NER NES NET NEV NEW NEX NFI NFU NGE NGL NGR NGS NGU NIA NIC NID NIE NIM NIN NIS NIT NJO NKA NKI NKL NKS NLO NLY NNA NNI NNO NON NOT NOU NOW NPA NRE NST NTA NTE NTI NTL NTO NTR NTS NUG NUM NWR NYL NYM NYO NYT O4T OAC OAS OBA OBB OBE OBI OBS OCA OCK OCT ODD OES OFF OGI OHA OIL OIN OIS OKE OLD OLI OLK OLL OLO OME OMI OMM OMP OMS ONA ONC OND ONE ONF ONG ONI ONL ONS ONT ONY OOK OOM OON OOP OOR OOS OOT OPE OPH OPL OPP OPT OPU ORA ORC ORD ORE ORK ORN ORP ORS ORT OSE OST OTA OTE OTH OTJ OTS OTT OUD OUG OUL OUN OUR OUS OUT OV0 OVE OVI OWI OWL OWN OYB OYE OYO PAN PAP PAR PEA PEC PED PEE PEG PEN PEO PEP PER PHA PHI PHO PIC PIE PIN PLA PLE PLY POI POK POL POO POP POR POS POT POU PPE PPR PRE PRI PRO PTI PUK PUL PUN QUE QUI RAC RAD RAI RAL RAM RAN RAP RAS RAT RAV RAZ RCE RCI RDA RDE RDL RDO RDS REA REB REC RED REE REF REG REM REN REP REQ RES RET REV REW RGI RIA RIC RIF RIM RIN RIS RIT RIV RIZ RKI RLI RMA RME RNA RNE RNI RNS ROA ROB ROL ROM RON ROO ROP ROT ROU ROV ROW RPO RRA RRY RSE RSH RSI RSL RSO RST RTL RTO RUC RUF RUT RVE RVI RZI SAC SAF SAG SAL SAM SAN SAU SAV SAW SAY SBO SCA SCH SCU SDO SEC SED SEE SEG SEN SEP SER SES SET SEU SEV SEY SGU SHA SHE SHI SHM SHO SHR SIG SIL SIM SIN SIO SIR SIT SKE SKS SLE SLO SMA SMO SO4 SOM SON SOT SPE SPO SPR

SSC SSE SSO SSU STA STD STE STI STO STR STS STY SUE SUI SUL SUM SUR SWE SWI TAB TAG TAI TAL TAN TAP TAR TAS TAT TBO TCH TDI TEA TED TEL TEN TER TES TEX TFU THA THE THI THN THO THR THY TIC TIF TIL TIM TIN TIO TIP TIR TIS TIV TJP TLA TLE TME TOA TOB TOC TOE TOP TOR TOT TRA TRI TRO TRU TTE TTI TTL TTO TTY TUM TUR TWI TYX UAR UBR UCE UCH UCK UCT UDA UEE UES UFF UGG UGH UGS UIC UIK UIL UIS UIT UKI ULA ULD ULI ULK ULL ULT UMA UMB UMI UMM UND UNI UNK UNL UNN UNP UNR UNT URA URD URE URI URL URN URS URT USE USH USI UST UTE UTH UTI UTL UTT UUY UYA UYS V07 V3Y VAN VEG VEL VEM VEN VER VES VID VIL VIN VIR VIS VOU WAN WAS WAT WAY WEA WEE WEI WEL WHA WHE WHI WHO WIC WIL WIN WIS WIT WLE WLY WOR WOU WRE WRI X14 XEC XIS XPL XPR XQU XTE XTR YAR YAS YAU YBE YEA YED YEE YES YET YIN YLB YME YMO YON YOU YST YTH YX1 ZAR ZAY ZIP ZIR ZLE ZOV ZZL    1226/46656

4:    1000 100G 1941 1976 1977 1981 1983 200K 300G 3YEE 4THE 7871 A677 AAAA ABLE ABLI ABLY ABOU ABOV ACCI ACES ACHI ACKI ACKS ACRI ACTE ACUD ADDI ADIC ADOW ADVI AFFR AFOO AGAI AGER AGGI AGIC AIKU AILE AILU AILY AINS AINW AKER ALES ALKI ALLE ALLO ALLY ALRE ALSO AMAZ AMED AMES AMIO AMSE ANAN ANCY ANDA ANDM ANDS ANET ANGE ANIA ANID ANIM ANKA ANKS ANNO ANON ANOT ANTR ANYO ANYT APER APHA APIN APOL APPE ARAC ARAL ARAM ARAT ARDS ARIN ARLI ARME ARNA ARNI AROA AROL ARRA ARSH ARSL ARZI ASBO ASHE ASHI ASIL ASKE ASKS ASON ASPO ASTD ASTE ASTR ATAS ATBO ATCH ATED ATEL ATHE ATIN ATIO ATME ATOE ATRO ATUR AUCE AUIK AUSE AUTE AUTI AV3Y AVES AVIN AVOU AZAR AZAY AZIR AZOV BABE BABL BABY BACK BALL BANA BARR BASE BASI BBLE BEAS BEAT BEAU BECA BEEB BEEN BEEP BEFO BELL BERI BERR BESP BILE BIOH BISC BITC BLAC BLER BLIN BLIS BLOG BLRI BLYA BONE BOOP BOUT BOVE BOYB BRIS BROT BROW BSES BUGS BUSI BUTT CALL CANN CAPI CARD CARE CARN CARS CATA CATB CAUS CCID CECO CEPA CESI CHAI CHAN CHAO CHAR CHEE CHEF CHIE CHIN CHOK CHOO CHOP CHOS CHUC CHUU CHUW CIAL CIDE CIFI CING CINI CIPE CKED CKIN CKST CKTA CMON COBB COLO COME COMM COMP COND CONF CONT COOK CORN CORP COUL COUN COUR CRAS CREW CRIF CRIM CROW CTAB CTER CTIO CTIV CTOR CTRI CUDA CUIT CULT CUTI CUTL DA67 DAIL DAMN DARD DASH DDAM DDIN DDLY DEAT DEAV DEEP DELE DELI DELO DEMA DEMO DENT DEPP DERS DESI DEST DETA DIAT DICT DIDN DIEN DING DIOT DISG DISH DIVA DLYA DOCT DOES DOOR DOSE DOTJ DOWN DOYO DREA DRIT DRIV DRIZ DSMO DUCK DUCT DURI DVIS EACH EADY EALL EALS EAMT EANT EARI EARN EARS EASE EASO EASP EAST EATH EATI EATM EATU EAUT EAVE EAVO EBEA EBLO EBOP EBUG ECAU ECHA ECIA ECIF ECIP ECOM ECON ECTA ECTI ECTR ECUT EDEP EDIA EDIE EEBO EEDY EERM EESE EFER EFFE EFOR EFUS EGET EGME EGUL EIRD ELDR ELEC ELED ELIG ELIT ELLA ELLO ELOR EMAN EMBE EMEM EMEN EMON EMOR ENAN ENCE ENDE ENEC ENED ENGU ENJO ENOU ENTA ENTE ENTI ENTL ENTS EONE EOPL EPAN EPAR EPIC EPPE EPPR EPRI EQUE ERAL ERAT ERED EREN ERIN ERKI ERMA ERNA ERRY ERSI ERSO ERVE ERVI ESAN ESCA ESEN ESEU ESIG ESIR ESPO ESSE ESSO ESSU ESTA ETAB ETAI ETHI ETHO ETIM ETOT ETTI ETTY ETUR EUSE EVEM EVER EVIL EWOR EXEC EXIS EXPL EXPR EXQU EXTE EXTR FACE FAIL FANC FEAR FEAT FECT FELT FERE FFEC FFER FFLE FFRO FIBE FICI FINA FINE FIRM FIRS FISH FOLK FOLL FOOT FORC FORE FOUN FOUR FREE FRON FUCK FULL FUNK FUNN FUSE FUSI FYIN GAIN GARL GENT GETA GETT GGIN GGTS GHER GHTF GICA GIES GIMM GING GIVE GIVI GLAD GMEN GODD GOES GOIN GORD GRAN GRAT GRAV GRED GSDO GUAR GUES GUIL GUIS GULA GUMI GUYS HADO HAIK HAIN HAIR HALE HALL HANG HANK HAOS HAPP HARA HAUI HAVE HAVI HAZA HEAD HECH HEDE HEES HELI HELP HENA HERE HERK HESE HICA HICH HIEV HIJA HING HISS HITS HMEN HOKE HONE HOOS HOPE HOPP HORS HOSE HOWI HREA HROO HTFU HUBR HUCH HUMA HUUY HYME IATE IBER ICAL ICHO ICIN ICRE ICTI IDEN IDIO IECE IENT IEST IEVE IFIC IFUL IFYI IGHT IGMA IJAC IKET ILED ILGR ILLI ILLS ILTY ILUR IMAT IMES IMME IMMI IMPL INAL INAS INCE INCH INCO INES INFU INGL INGR INGS INKL INKS INNI INST INTE INTI INTO INWR INYL IODD IOHA IONA IONE IONS IOTS IPAN IPLE IRAP IRDE IRDL IRET IRGI IRME IRRA IRST ISCU ISED ISGU ISHE ISHM ISIT ISON ISOT ISSC ISSE ISSO ISTS ITCH ITHI ITIN ITTL ITTY IVAN IVEN IVIN IZZL JACK JEFF JOKE JOYE JPEG JUIC JUST KARA KEEP KETH KICH KILG KILL KING KINN KISS KITT KNOW KSAG KSTA KTAL KYST LACK LAIN LANE LASS LAST LBIO LDRI LDSM LEAR LEAS LEAV LECT LELE LEME LEMO LENE LEPR LETE LGRA LIFI LIGH LIKE LING LINK LION LISH LITT LIVE LKIN LKYS LLEL LLIN LLIO LLOT LLOW LMAO LOCA LOCK LOGI LONG LOOK LOOS LORE LOTS LOUR LOVE LOWI LOWL LREA LRIN LTIP LTUR LURE LYAR LYAU MAGI MAKE MALL MAND MANI MANY MARZ MATR MAZO MBER MBLR MEAL MEAN MEDI MEMB MEND MENT MEON MESA MESS METH METI METO MI12 MICK MILL MIOD MISE MISS MMED MMEN MMIC MMON MOBI MOME MONE MONI MOOT MORE MORN MORS MOST MOUS MPLE MPLY MSEY MUCH MULT MURD MUSH MYST NABL NALL NAME NANA NANI NARO NATE NATU NCEC NCED NCOR NDAR NDEA NDED NDMA NDUC NEBE NECK NEED NESS NEST NEVE NEXT NFIR NFUS NGLE NGRE NGRN NGUM NIAC NICS NIES NIMA NING NISH NITS NJOY NKAR NKIN NKLE NKSA NLOC NNAM NNIE NNOT NONY NOTE NOTH NOUG NPAR NREA NSTE NSTR NTAL NTAT NTED NTEN

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5:    4THED AAAAA ABLIS ABLYA ABOUT ABOVE ACCID ACESI ACHIE ACKIN ACKST ACRIF ACTER ACUDA ADDIN ADICT ADVIS AFFRO AFOOT AGAIN AGGIN AGICA AILED AILUR AINWR ALKIN ALLEL ALLOT ALLOW ALREA AMAZO AMIOD AMSEY ANANA ANDAR ANDMA ANIAC ANIMA ANKAR ANNOT ANONY ANOTH ANTRU ANYON ANYTH APHAL APING APOLO APPEA APPEN ARACT ARALL ARAMA ARATE ARING ARLIC ARMES ARNAR ARNIN AROAC AROLI ARRAC ARSHO ARSLE ARZIP ASBON ASHES ASHIN ASKED ASONA ASPOO ASTDI ASTES ASTRO ATAST ATBOY ATCHI ATELY ATHER ATING ATION ATMET ATOES ATRON ATURA ATURE AUCEP AUIKU AUTIF AUTIS AV3YE AVING AVOUR AZARD AZAYT AZIRA AZOV0 BABLY BACKS BANAN BARRA BASIL BBLER BEAST BEATM BEAUT BECAU BEEBO BEFOR BELLO BERIN BERRY BESPO BIOHA BISCU BITCH BLACK BLINK BLISH BLRIN BLYAU BONER BOYBE BROTH BROWN BSESS BUGSD BUSIN BUTTE CALLY CANNO CAPIN CARNA CATAS CATBO CAUSE CCIDE CECON CEPAN CESIG CHAIN CHAIR CHANG CHAOS CHARA CHEES CHIEV CHING CHOKE CHOOS CHOPP CHOSE CHUCH CHUUY CIDEN CIFIC CKING CKSTA CKTAL COBBL COLOU COMME COMPL CONDU CONFI CONTR CORNE CORPO COULD COUNT COURS COURT CRASH CRIFI CRIME CROWL CTABL CTION CTIVE CTRIC CUDA6 CUITS CULTU CUTIO CUTLA DA677 DAILY DDAMN DDING DDLYA DEATH DEAVO DELEC DELIG DELOR DEMAN DEMON DENTA DENTI DEPPR DESIR DETAI DIATE DICTI DIENT DIOTS DISGU DISHE DIVAN DLYAR DOCTO DOESN DOORS DOTJP DOYOU DREAM DRITC DRIVE DRIZZ DSMOB DUCKT DUCTO DURIN DVISE EALLY EARIN EARNI EARSH EASON EASPO EATIN EATME EATUR EAUTI EAVES EAVOU EBEAT EBLOG EBUGS ECAUS ECHAO ECIAL ECIFI ECIPE ECOMM ECOND ECONF ECTAB ECTIV ECTRI ECUTI EDEPP EDIAT EDIEN EEBOP EERMA EFERE EFFEC EFORE EFUSE EGETA EGMEN EGULA EIRDE EIRDL ELDRI ELECT ELIGH ELITT ELORE EMAND EMBER EMEMB EMENT EMORS ENANI ENCED ENDEA ENDED ENECK ENGUM ENJOY ENOUG ENTAL ENTAT ENTED ENTEN ENTER ENTIF ENTIR ENTLE EONEB EOPLE EPARA EPARE EPPER EPPRE EPRIN EQUES ERATE ERENC ERING ERKIN ERMAR ERNAM ERSIO ERSON ERVES ERVIN ESCAP ESENT ESEUS ESIGM ESIRE ESPOK ESSED ESSO4 ESSUE ESSUR ESTAB ETABL ETAIL ETHIN ETHIS ETHOD ETIME ETOTH ETTIN ETURN EUSER EVEME EVERA EVERY EWORD EXECU EXIST EXPLA EXPRE EXQUI EXTED EXTRA FACES FAILE FAILU FANCY FEATU FECTI FERED FEREN FFECT FFERE FFRON FIBER FICIN FINAL FINES FIRME FIRST FOLKS FOLLO FORCE FORES FOREW FOUND FUCKE FUCKI FULLY FUNKI FUNNI FUSIO FYING GARLI GENTL GETAB GETTI GGING GHERK GHTFU GICAL GIMMI GIVEN GIVIN GMENT GODDA GOING GORDA GORDO GRAND GRATE GRAVE GREDI GSDOT GUARD GUEST GUILT GUISE GULAR GUMI1 HADOW HAIKU HALLO HANGE HANKS HAPPE HARAC HAUIK HAVIN HAZAR HECHA HEDEP HEESE HELIT HENAN HERKI HESEU HICAL HIEVE HIJAC HISSO HMENT HOOSE HOPPE HORSE HOWIN HREAD HROOM HTFUL HUBRI HUCHU HUMAN HUUYA IATEL ICALL ICING ICREW ICTIO IDENT IDIOT IENTS IEVEM IFICI IFYIN IGHTF IJACK IKETH ILGRA ILLIN ILLIO ILURE IMATR IMMED IMMIC IMPLE IMPLY INALL INCEC INCOR INESS INEST INFUS INGLE INGRE INGRN INKLE INKSA INNIE INSTE INSTR INTED INTIN INWRE INYLB IODDL IOHAZ IONAL IONER IRAPH IRDES IRDLY IRETY IRGIN IRMED IRRAT ISCUI ISGUI ISHES ISHME ISITE ISONI ISOTT ISSCH ISSES ISSON ITHIN ITING ITTLE IVANK IVANT IVING IZZLE JACKI JOYED JUICE KARAM KETHI KICHO KILGR KILLI KILLS KINGR KINNI KISSE KITTY KSAGE KSTAG KTALE KYSTE LANET LASTD LBIOH LDRIT LDSMO LEARN LEASE LEAVE LECTA LECTR LELED LEMEN LEMON LENEC LEPRI LGRAV LIFIC LIGHT LIKET LINKS LISHM LITTL LKING LKYST LLELE LLING LLION LLOTS LLOWI LOCAL LOCKE LOGIE LOOSE LOREA LOVEL LOWIN LOWLY LREAD LRINA LTIPL LTURE LYART LYAUT MAGIC MAKER MANDS MANIA MARZI MATRO MAZOV MBERI MBLRI MEANT MEDIA MEMBE MENDE MENTE MEONE MESAN MESSE METHI METHO METIM METOT MILLI MIODD MISSC MMEDI MMEND MMENT MMICK MMONE MMONI MOBIL MOMEN MONED MONIN MOOTS MORNI MORSE MPLER MPLET MPLEX MULTI MURDE MUSHR MYSTI NABLY NALLY NAMED NAMES NANID NAROL NATUR NCECO NCORP NDARD NDEAV NDUCT NEBEA NEVER NFIRM NFUSI NGRED NGUMI NIEST NIMAT NJOYE NKARA NKING NKSAG NLOCK NNAME NNIES NONYM NOTES NOTHE NOTHI NOUGH NPARA NREAS NSTEA NSTRU NTATI NTENC NTIFY NTING NTIRE NTLEM NTRAD NTRUT NUGGT NUMBE NWREC NYLBI NYMOU NYONE NYTHI O4THE OACES OBABL OBBLE OBELL OBILE OBSES OCKED OCTOR ODDAM ODDLY OFFER OGIES OHAZA OISON OLDSM OLIFI OLIVE OLLOW OLOGI OLOUR OMENT OMEON

OMETH OMETI OMISE OMMEN OMPLE ONABL ONDUC ONEBE ONFIR ONICS ONING ONTRA ONYMO OPERA OPHIC OPPED OPTIO OPULA ORATE ORCED ORCIN ORDAN ORDON OREAN OREST OREWO ORKIN ORNAT ORNER ORNIN ORPOR ORSES ORTOB OTATO OTHEC OTHER OTHES OTHIN OTJPE OTTED OULIK OUNTE OURSE OVELY OVIDE OWING OWLEY OYBEE OYOUL PAPER PARAL PARAT PARME PARSL PEARI PEARS PECIA PECIF PEEDY PENED PENGU PEOPL PEPPE PERAT PERSO PHALE PHICA PHONE PICRE PIECE PINCH PLAIN PLANE PLEAS PLETE POISO POLOG POPUL PORAT PORCI PORTO POSTS POTAT POTTE PPEAR PPENE PPENS PPRES PREPA PRESE PRESS PRETT PRICE PRINC PRINK PRINT PROBA PROLI PROMI PROMP PROUD PROVI PTION PUKIC PULAR PULLS PUNIS QUEER QUEST QUICK QUISI RACTE RACUD RADIC RAINS RAINW RALLE RALLY RAMAZ RAMSE RANDM RAPHA RASHE RASHI RATED RATHE RATIO RAZAY RCINI RDERS RDEST READY REALL REAMT REASO REBLO RECIP RECOM REDIE REFER REFUS REGUL REMEM REMOR RENCE REPAR REQUE RESEN RESSO RESSU RETTY RETUR REWOR RIFIC RINAS RINCE RINKL RINTE RINTI RISOT RITCH RITIN RIZZL RKING RMARZ RMESA RNAME RNARO RNATE RNING ROACE ROBAB ROLIF ROMIS ROMPT RONIC ROOMS ROPHI ROVID ROWLE RPORA RRACU RRATI RSHOT RSION RSLEY RTLEN RTOBE RUCTI RUFFL RUTHE RVING RZIPA SACRI SAFFR SAGER SAUCE SAUTE SAV3Y SBONE SCAPI SCHUC SCUIT SDOTJ SECON SEGME SENTA SENTE SEPAR SERNA SERVE SERVI SESSE SETTI SEUSE SEVER SGUIS SHADO SHALL SHAVE SHAVI SHENA SHING SHMEN SHOWI SHROO SIGMA SIMPL SINES SINGL SLOWL SMALL SMOBI SO4TH SOMEO SOMET SONAB SONIN SOTTO SPECI SPEED SPOKE SPOON SPOTT SPRIN SSCHU SSO4T SSONG SSURE STABL STAGE STAND START STDIV STEAD STEAK STEAL STELL STILL STOCK STRAP STROP STRUC STYX1 SUITS SULKY SUMMO SWEAR SWITC TABLE TABLI TABLY TAGGI TAILE TALES TALKI TANDA TANDS TASKE TASTE TASTR TATIO TATOE TBOYB TCHIN TDIVA TEALS TEASP TELLA TENCE TEXTE TFULL THANK THECH THEDE THELI THERE THESE THING THISS THOSE THREA THYME TIFUL TIFYI TIMES TIONA TIONE TIONS TIPLE TIRET TJPEG TLASS TLEME TLENE TLEPR TMETO TOAST TOBEL TOPPE TOTHE TRADI TRAIN TRIAL TRICK TRONI TROPH TRUCT TRUFF TRUTH TTING TTLEP TUMBL TURAL TURNI TURNS TURTL TWICE TYX14 UARDS UBRIS UCEPA UCHUW UCKED UCKIN UCKTA UCTIO UCTOR UDA67 UEERM UFFLE UGGTS UGSDO UILTY UISIT UKICH ULIKE ULKYS ULTIP ULTUR UMBER UMBLR UMI12 UMMON UNISH UNITS UNKIN UNLOC UNNAM UNNIE UNPAR UNREA UNTER URALL URAZA URDER URING URNIN URTLE USERN USHRO USINE USION UTHER UTIFU UTION UTISM UTLAS UTTER UUYAS UYASB V3YEE VANKA VANTR VEGET VEMEN VERAL VERSI VINGS VINYL VIRGI VISED WASTE WATCH WEIRD WHICH WITCH WITHI WORKI WOULD WRECK WRITE WRITI XECUT XISTS XPLAI XPRES XQUIS YASBO YAUTI YBEEB YEARS YLBIO YMOUS YOULI YSTEL YSTIC YTHIN YX142 ZIPAN ZIRAP ZOV07    1110/60466176

6:    4THEDE AAAAAA ABLISH ABLYAU ACCIDE ACESIG ACHIEV ACKING ACKSTA ACRIFI ACUDA6 ADDING ADICTI ADVISE AFFRON AGGING AGICAL AILURE AINWRE ALKING ALLELE ALLOTS ALREAD AMAZOV AMIODD ANDARD ANIMAT ANKARA ANONYM ANOTHE ANTRUT ANYONE ANYTHI APHALE APOLOG APPEAR APPENE APPENS ARACTE ARALLE ARAMAZ ARMESA ARNARO ARNING AROACE ARRACU ARSHOT ARSLEY ARZIPA ASBONE ASHING ASONAB ASPOON ASTDIV ASTROP ATASTR ATBOYB ATCHIN ATIONA ATMETO ATRONI ATURAL AUCEPA AUTIFU AUTISM AV3YEE AVINGS AZIRAP AZOV07 BABLYA BACKST BANANA BARRAC BEATME BEAUTI BECAUS BEEBOP BEFORE BERING BESPOK BIOHAZ BISCUI BLINKS BLISHM BLRINA BLYAUT BOYBEE BSESSE BUGSDO BUSINE BUTTER CANNOT CAPING CARNAR CATAST CATBOY CCIDEN CECONF CESIGM CHANGE CHARAC CHEESE CHIEVE CHOOSE CHOPPE CHUCHU CHUUYA CIDENT CKSTAG CKTALE COBBLE COLOUR COMMEN COMPLE CONDUC CONFIR CONTRA CORNER CORPOR COUNTE COURSE CRASHE CRASHI CRIFIC CROWLE CTABLY CTIONS CUDA67 CULTUR CUTION CUTLAS DDLYAR DEAVOU DELECT DELIGH DELORE DEMAND DENTAL DENTIF DEPPRE DESIRE DETAIL DIATEL DICTIO DIENTS DISGUI DISHES DIVANT DLYART DOCTOR DOTJPE DOYOUL DREAMT DRITCH DRIZZL DSMOBI DUCKTA DUCTOR DURING DVISED EARING EARNIN EARSHO EASONA EASPOO EATING EATMET EATURE EAUTIF EAVOUR EBEATM EBUGSD ECAUSE ECHAOS ECIFIC ECOMME ECONFI ECTABL ECTIVE ECTRIC ECUTIO EDEPPR EDIATE EDIENT EERMAR EFEREN EFFECT EGETAB EGMENT EGULAR EIRDES EIRDLY ELDRIT ELECTA ELECTR ELIGHT ELITTL ELOREA EMANDS EMBERI EMEMBE EMORSE ENANID ENDEAV ENGUMI ENJOYE ENOUGH ENTATI ENTENC ENTIFY ENTIRE ENTLEM EONEBE EPARAT EPPRES EPRINC EQUEST ERENCE ERMARZ ERNAME ERSION ERVING ESCAPI ESENTA ESENTE ESEUSE ESIGMA ESPOKE ESSO4T ESSURE ESTABL ETABLE ETAILE ETHING ETHISS ETIMES ETOTHE ETTING ETURNI EUSERN EVEMEN EVERAL EXECUT EXISTS EXPLAI EXPRES EXQUIS FAILED FAILUR FEATUR FECTIV FERENC FFECTI FFERED FICING FINALL FINEST FIRMED FOLLOW FORCED FOREST FOREWO FUCKED FUCKIN FUNKIN FUNNIE FUSION GARLIC GENTLE GETABL GETTIN GHERKI GHTFUL GICALL GIMMIC GIVING GMENTE GODDAM GORDAN GORDON GRANDM GRATED GREDIE GSDOTJ GUARDS GUILTY GUMI12 HALLOT HAPPEN HARACT HAUIKU HAVING HAZARD HECHAO HEDEPP HELITT HENANI HERKIN HESEUS HICALL HIEVEM HIJACK HISSON HOPPED HORSES HOWING HROOMS HTFULL HUBRIS HUCHUW HUUYAS IATELY ICALLY ICTION IDENTA IDENTI IDIOTS IEVEME IFICIN IFYING IGHTFU IJACKI IKETHI ILGRAV ILLING ILLION IMATRO IMMEDI IMMICK IMPLER INALLY INCECO INCORP INFUSI INGRED INKSAG INSTEA INSTRU INTING INWREC INYLBI IODDLY IOHAZA IRAPHA IRDEST IRRATI ISCUIT ISGUIS ISHMEN ISONIN ISOTTO ISSCHU ISSONG ITTLEP IVANKA IVANTR JACKIN KARAMA KETHIS KILGRA KILLIN KINGRN KINNIE KISSES KSAGER KSTAGE KTALES KYSTEL LASTDI LBIOHA LDRITC LDSMOB LEARNI LEAVES LECTAB LECTRI LENECK LEPRIN LGRAVE LIGHTF LIKETH LINKSA LISHME LITTLE LKYSTE LLELED LLOWIN LOCKED LOGIES LOREAN LOVELY LOWING LREADY LRINAS LTIPLE LYAUTI MAGICA MANIAC MARZIP MATRON MAZOV0 MBERIN MBLRIN MEDIAT MEMBER MENDED MENTED MEONEB MESSED METHIN METHOD METIME METOTH MILLIO MIODDL MISSCH MMEDIA MMENDE MMONED MMONIN MOBILE MOMENT MONING MORNIN MPLETE MULTIP MURDER MUSHRO MYSTIC NAROLI NATURA NATURE NCECON NCORPO NDEAVO NDUCTO NEBEAT NFIRME NFUSIO NGREDI NGUMI1 NIMATR NJOYED NKARAM NKINGR NKSAGE NLOCKE NNAMED NNIEST NONYMO NOTHER NOTHIN NPARAL NREASO NSTEAD NSTRUC NTATIO NTENCE NTIFYI NTIRET NTLEME NTRADI NTRUTH NUGGTS NUMBER NWRECK NYLBIO NYMOUS NYTHIN O4THED OACESI OBABLY OBBLER OBELLO OBSESS ODDAMN ODDLYA OFFERE OHAZAR OISONI OLDSMO OLIFIC OLLOWI OLOGIE OMEONE OMETHI OMETIM OMMEND OMMENT OMPLET OMPLEX ONABLY ONDUCT ONEBEA ONFIRM ONTRAD ONYMOU OPERAT OPHICA OPTION OPULAR ORATED ORCINI OREWOR ORKING ORNATE ORNING ORPORA ORTOBE OTATOE OTHECH OTHESE OTHING OTJPEG OULIKE OUNTER OYBEEB OYOULI PARALL PARATE PARMES PARSLE PEARIN PECIAL PECIFI PENGUM PEOPLE PEPPER PERATE PERSON PHICAL PICREW PLANET PLEASE POISON POLOGI POPULA PORATE PORCIN PORTOB POTATO POTTED PPEARI PPEARS PPENED PPRESS PREPAR PRESEN PRESSO PRESSU PRETTY PRINCE PRINKL PRINTE PRINTI PROBAB PROLIF PROMIS PROMPT PROVID PUKICH PUNISH QUEERM QUISIT RACTER RACUDA RADICT RAINWR RALLEL RAMAZO RAMSEY RANDMA RAPHAL RASHES RASHIN RATHER RATION RAZAYT REALLY REASON REBLOG

RECIPE RECOMM REDIEN REFERE REFUSE REGULA REMEMB REMORS REPARE REQUES RESENT RESSO4 RESSUE RESSUR RETURN REWORD RIFICI RINCEC RINKLE RINTED RINTIN RISOTT RITING RIZZLE RMARZI RMESAN RNAMES RNAROL ROACES ROBABL ROLIFI ROMISE RONICS ROPHIC ROVIDE ROWLEY RPORAT RRACUD RRATIO RTLENE RTOBEL RUCTIO RUFFLE RUTHER RZIPAN SACRIF SAFFRO SAUCEP SAV3YE SBONER SCAPIN SCHUCH SCUITS SDOTJP SECOND SEGMEN SENTAT SENTED SENTEN SEPARA SERNAM SERVES SERVIN SESSED SETTIN SEUSER SEVERA SGUISE SHADOW SHALLO SHAVIN SHENAN SHMENT SHOWIN SHROOM SIMPLE SIMPLY SINESS SINGLE SLOWLY SMOBIL SO4THE SOMEON SOMETH SOMETI SONABL SONING SPECIA SPECIF SPEEDY SPOTTE SPRINK SSCHUC SSO4TH STABLI STANDA STANDS STDIVA STEALS STELLA STROPH STRUCT STYX14 SULKYS SUMMON SWITCH TABLIS TAGGIN TAILED TALKIN TANDAR TASKED TASTRO TATION TATOES TBOYBE TCHING TDIVAN TEASPO TENCED TEXTED TFULLY THANKS THECHA THEDEP THELIT THESEU THISSO THREAD TIFYIN TIONAL TIONER TIRETY TLEMEN TLENEC TLEPRI TMETOT TOBELL TOPPED TOTHEC TOTHES TRADIC TRAINS TRAINW TRONIC TROPHI TRUCTI TRUFFL TRUTHE TTLEPR TUMBLR TURALL TURNIN TURTLE TYX142 UCEPAN UCKING UCKTAL UCTION UDA677 UEERMA UGSDOT UISITE UKICHO ULIKET ULKYST ULTIPL ULTURE UMBLRI UMMONE UMMONI UNKING UNLOCK UNNAME UNNIES UNPARA UNREAS URALLY URAZAY URDERS URNING URTLEN USERNA USHROO USINES UTIFUL UTIONE UTLASS UUYASB UYASBO VANKAR VANTRU VEGETA VEMENT VERSIO VINYLB VIRGIN WASTES WATCHI WEIRDE WEIRDL WITHIN WORKIN WRITIN XECUTI XPLAIN XPRESS XQUISI YASBON YAUTIS YBEEBO YLBIOH YOULIK YSTELL YTHING ZIRAPH    797/2176782336

7:    4THEDEP AAAAAAA ABLISHM ABLYAUT ACCIDEN ACESIGM ACHIEVE ACKSTAG ACRIFIC ACUDA67 ADICTIO ADVISED AGICALL AINWREC ALLELED ALREADY AMAZOV0 AMIODDL ANIMATR ANKARAM ANONYMO ANOTHER ANTRUTH ANYTHIN APOLOGI APPEARI APPEARS APPENED ARACTER ARALLEL ARAMAZO ARMESAN ARNAROL AROACES ARRACUD ARZIPAN ASBONER ASONABL ASTDIVA ASTROPH ATASTRO ATBOYBE ATCHING ATIONAL ATMETOT ATRONIC ATURALL AUCEPAN AUTIFUL AZIRAPH BABLYAU BACKSTA BARRACU BEATMET BEAUTIF BECAUSE BESPOKE BIOHAZA BISCUIT BLINKSA BLISHME BLRINAS BLYAUTI BOYBEEB BSESSED BUGSDOT BUSINES CARNARO CATASTR CATBOYB CCIDENT CECONFI CESIGMA CHARACT CHIEVEM CHOPPED CHUCHUW CHUUYAS CIDENTA CKSTAGE CKTALES COBBLER COMMEND COMMENT COMPLET COMPLEX CONDUCT CONFIRM CONTRAD CORPORA COUNTER CRASHES CRASHIN CRIFICI CROWLEY CUDA677 CULTURE CUTIONE CUTLASS DDLYART DEAVOUR DELECTA DELIGHT DELOREA DEMANDS DENTIFY DEPPRES DETAILE DIATELY DICTION DISGUIS DIVANTR DOTJPEG DOYOULI DRIZZLE DSMOBIL DUCKTAL EARNING EARSHOT EASONAB EASPOON EATMETO EAUTIFU EBEATME EBUGSDO ECOMMEN ECONFIR ECTABLY ECUTION EDEPPRE EDIATEL EDIENTS EERMARZ EFERENC EFFECTI EGETABL EGMENTE EIRDEST ELDRITC ELECTAB ELECTRI ELIGHTF ELITTLE ELOREAN EMBERIN EMEMBER ENDEAVO ENGUMI1 ENJOYED ENTATIO ENTENCE ENTIFYI ENTIRET ENTLEME EONEBEA EPARATE EPPRESS EPRINCE ERMARZI ERNAMES ESCAPIN ESENTAT ESENTED ESEUSER ESSO4TH ESTABLI ETAILED ETHISSO ETOTHES ETURNIN EUSERNA EVEMENT EXECUTI EXPLAIN EXPRESS EXQUISI FAILURE FEATURE FECTIVE FERENCE FFECTIV FINALLY FOLLOWI FOREWOR FUCKING FUNKING FUNNIES GENTLEM GETABLE GETTING GHERKIN GHTFULL GICALLY GIMMICK GMENTED GODDAMN GRANDMA GREDIEN GSDOTJP HALLOTS HAPPENE HAPPENS HARACTE HAVINGS HECHAOS HEDEPPR HELITTL HENANID HESEUSE HICALLY HIEVEME HIJACKI HISSONG HTFULLY HUUYASB ICTIONS IDENTAL IDENTIF IEVEMEN IFICING IGHTFUL IJACKIN IKETHIS ILGRAVE IMATRON IMMEDIA INCECON INCORPO INFUSIO INGREDI INKSAGE INSTEAD INSTRUC INWRECK INYLBIO IODDLYA IOHAZAR IRAPHAL IRRATIO ISCUITS ISGUISE ISHMENT ISONING ISSCHUC ITTLEPR IVANKAR IVANTRU JACKING KARAMAZ KETHISS KILGRAV KILLING KYSTELL LASTDIV LBIOHAZ LDRITCH LDSMOBI LEARNIN LECTABL LECTRIC LEPRINC LIGHTFU LIKETHI LINKSAG LISHMEN LITTLEP LKYSTEL LLOWING LYAUTIS MAGICAL MARZIPA MATRONI MAZOV07 MBERING MBLRINA MEDIATE MEMBERI MEONEBE METHING METIMES METOTHE MILLION MIODDLY MISSCHU MMEDIAT MMENDED MMONING MORNING MULTIPL MURDERS MUSHROO NATURAL NCECONF NCORPOR NDEAVOU NDUCTOR NEBEATM NFIRMED NFUSION NGREDIE NGUMI12 NIMATRO NKARAMA NKINGRN NKSAGER NLOCKED NONYMOU NOTHING NPARALL NREASON NSTRUCT NTATION NTENCED NTIFYIN NTIRETY NTLEMEN NTRADIC NTRUTHE NYLBIOH NYTHING O4THEDE OACESIG OBABLYA OBSESSE ODDLYAR OFFERED OHAZARD OISONIN OLDSMOB OLLOWIN OLOGIES OMEONEB OMETHIN OMETIME OMMENDE OMPLETE ONDUCTO ONEBEAT ONFIRME ONTRADI ONYMOUS OPERATE OPHICAL OREWORD ORPORAT ORTOBEL OTATOES OTHECHA OTHESEU OULIKET OYBEEBO OYOULIK PARALLE PARMESA PARSLEY PEARING PECIFIC PENGUMI PHICALL POISONI POLOGIE POPULAR PORATED PORCINI PORTOBE POTATOE PPEARIN PPRESSO PREPARE PRESENT PRESSO4 PRESSUE PRESSUR PRINCEC PRINKLE PRINTED PRINTIN PROBABL PROLIFI PROMISE PROVIDE PUKICHO QUEERMA QUISITE RACUDA6 RADICTI RAINWRE RALLELE RAMAZOV RAPHALE RASHING RATIONA REASONA RECOMME REDIENT REFEREN REGULAR REMEMBE REMORSE REQUEST RESENTA RESENTE RESSO4T RESSURE RETURNI RIFICIN RINCECO RINTING RISOTTO RMARZIP RNAROLI ROACESI ROBABLY ROLIFIC ROPHICA RPORATE RRACUDA RRATION RTLENEC RTOBELL RUCTION SACRIFI SAFFRON SAUCEPA SAV3YEE SCAPING SCHUCHU SDOTJPE SEGMENT SENTATI SENTENC SEPARAT SERNAME SERVING SETTING SEUSERN SEVERAL SHALLOT SHAVING SHENANI SHOWING SHROOMS SIMPLER SMOBILE SO4THED SOMEONE SOMETHI SOMETIM SONABLY SPECIAL SPECIFI SPOTTED SPRINKL SSCHUCH SSO4THE STABLIS STANDAR STDIVAN STROPHI STRUCTI STYX142 SULKYST SUMMONE SUMMONI TABLISH TAGGING TALKING TANDARD TASTROP TBOYBEE TDIVANT TEASPOO THECHAO THEDEPP THELITT THESEUS THISSON TIFYING TLENECK TLEPRIN TMETOTH TOBELLO TOTHECH TOTHESE TRADICT TRAINWR TRONICS TROPHIC TRUCTIO TRUFFLE TRUTHER TTLEPRI TUMBLRI TURALLY TURNING TURTLEN UCKTALE UCTIONS UEERMAR UGSDOTJ ULIKETH ULKYSTE ULTIPLE UMBLRIN UMMONED UMMONIN UNKINGR UNLOCKE

UNNAMED UNNIEST UNPARAL UNREASO URAZAYT URTLENE USERNAM USHROOM USINESS UTIONER UUYASBO UYASBON VANKARA VANTRUT VEGETAB VERSION VINYLBI WATCHIN WEIRDES WEIRDLY WORKING WRITING XECUTIO XPRESSO XQUISIT YASBONE YAUTISM YBEEBOP YLBIOHA YOULIKE YSTELLA ZIRAPHA    540/78364164096

8:    4THEDEPP AAAAAAAA ABLISHME ABLYAUTI ACCIDENT ACESIGMA ACHIEVEM ACKSTAGE ACRIFICI ACUDA677 ADICTION AGICALLY AINWRECK AMAZOV07 AMIODDLY ANIMATRO ANKARAMA ANONYMOU ANTRUTHE ANYTHING APOLOGIE APPEARIN ARALLELE ARAMAZOV ARNAROLI AROACESI ARRACUDA ASONABLY ASTDIVAN ASTROPHI ATASTROP ATBOYBEE ATMETOTH ATRONICS ATURALLY AZIRAPHA BABLYAUT BACKSTAG BARRACUD BEATMETO BEAUTIFU BIOHAZAR BISCUITS BLINKSAG BLISHMEN BLYAUTIS BOYBEEBO BUGSDOTJ BUSINESS CARNAROL CATASTRO CATBOYBE CCIDENTA CECONFIR CHARACTE CHIEVEME CHUUYASB CIDENTAL COMMENDE COMPLETE CONDUCTO CONFIRME CONTRADI CORPORAT CRASHING CRIFICIN CUTIONER DELECTAB DELIGHTF DELOREAN DENTIFYI DEPPRESS DETAILED DICTIONS DISGUISE DIVANTRU DOYOULIK DSMOBILE DUCKTALE EASONABL EATMETOT EAUTIFUL EBEATMET EBUGSDOT ECOMMEND ECONFIRM ECUTIONE EDEPPRES EDIATELY EERMARZI EFERENCE EFFECTIV EGETABLE EGMENTED ELDRITCH ELECTABL ELECTRIC ELIGHTFU ELITTLEP EMBERING EMEMBERI ENDEAVOU ENGUMI12 ENTATION ENTENCED ENTIFYIN ENTIRETY ENTLEMEN EONEBEAT EPPRESSO EPRINCEC ERMARZIP ESCAPING ESENTATI ESEUSERN ESSO4THE ESTABLIS ETHISSON ETOTHESE ETURNING EUSERNAM EXECUTIO EXPRESSO EXQUISIT FFECTIVE FOLLOWIN FOREWORD FUNKINGR FUNNIEST GENTLEME GHTFULLY GREDIENT GSDOTJPE HAPPENED HARACTER HEDEPPRE HELITTLE HESEUSER HIEVEMEN HIJACKIN HUUYASBO IDENTIFY IEVEMENT IGHTFULL IJACKING IKETHISS IMATRONI IMMEDIAT INCECONF INCORPOR INFUSION INGREDIE INKSAGER INSTRUCT INYLBIOH IODDLYAR IOHAZARD IRAPHALE IRRATION ISSCHUCH ITTLEPRI IVANKARA IVANTRUT KARAMAZO KETHISSO KILGRAVE KYSTELLA LASTDIVA LBIOHAZA LDSMOBIL LEARNING LECTABLY LEPRINCE LIGHTFUL LIKETHIS LINKSAGE LISHMENT LITTLEPR LKYSTELL LYAUTISM MAGICALL MARZIPAN MATRONIC MBLRINAS MEDIATEL MEMBERIN MEONEBEA METOTHES MIODDLYA MISSCHUC MMEDIATE MULTIPLE MUSHROOM NATURALL NCECONFI NCORPORA NDEAVOUR NEBEATME NGREDIEN NIMATRON NKARAMAZ NONYMOUS NPARALLE NREASONA NSTRUCTI NTIFYING NTRADICT NTRUTHER NYLBIOHA O4THEDEP OACESIGM OBABLYAU OBSESSED ODDLYART OISONING OLDSMOBI OLLOWING OMEONEBE OMETHING OMETIMES OMMENDED ONDUCTOR ONEBEATM ONFIRMED ONTRADIC OPHICALL ORPORATE ORTOBELL OTHECHAO OTHESEUS OULIKETH OYBEEBOP OYOULIKE PARALLEL PARMESAN PENGUMI1 PHICALLY POISONIN POLOGIES PORTOBEL POTATOES PPEARING PRESENTA PRESENTE PRESSO4T PRESSURE PRINCECO PRINTING PROBABLY PROLIFIC QUEERMAR RACUDA67 RADICTIO RAINWREC RALLELED RAMAZOV0 RATIONAL REASONAB RECOMMEN REDIENTS REFERENC REMEMBER RESENTAT RESENTED RESSO4TH RETURNIN RIFICING RINCECON RMARZIPA ROACESIG ROBABLYA ROPHICAL RPORATED RRACUDA6 RRATIONA RTLENECK RTOBELLO RUCTIONS SACRIFIC SAUCEPAN SCHUCHUW SDOTJPEG SEGMENTE SENTATIO SENTENCE SEPARATE SERNAMES SEUSERNA SHALLOTS SHAVINGS SHENANID SO4THEDE SOMEONEB SOMETHIN SOMETIME SPECIFIC SPRINKLE SSCHUCHU SSO4THED STABLISH STANDARD STDIVANT STROPHIC STRUCTIO SULKYSTE SUMMONED SUMMONIN TABLISHM TASTROPH TBOYBEEB TDIVANTR TEASPOON THECHAOS THEDEPPR THELITTL THESEUSE THISSONG TLEPRINC TMETOTHE TOTHECHA TOTHESEU TRADICTI TRAINWRE TROPHICA TRUCTION TTLEPRIN TUMBLRIN TURTLENE UCKTALES UEERMARZ UGSDOTJP ULIKETHI ULKYSTEL UMBLRINA UMMONING UNKINGRN UNLOCKED UNPARALL UNREASON URTLENEC USERNAME USHROOMS UUYASBON UYASBONE VANKARAM VANTRUTH VEGETABL VINYLBIO WATCHING WEIRDEST XECUTION XPRESSO4 XQUISITE YASBONER YLBIOHAZ YOULIKET ZIRAPHAL    357/2821109907456

9:    4THEDEPPR AAAAAAAAA ABLISHMEN ABLYAUTIS ACCIDENTA ACHIEVEME ACRIFICIN ADICTIONS AMIODDLYA ANIMATRON ANKARAMAZ ANONYMOUS ANTRUTHER APOLOGIES APPEARING ARALLELED ARAMAZOV0 AROACESIG ARRACUDA6 ASTDIVANT ASTROPHIC ATASTROPH ATBOYBEEB ATMETOTHE AZIRAPHAL BABLYAUTI BACKSTAGE BARRACUDA BEATMETOT BEAUTIFUL BIOHAZARD BLINKSAGE BLISHMENT BLYAUTISM BOYBEEBOP BUGSDOTJP CARNAROLI CATASTROP CATBOYBEE CCIDENTAL CECONFIRM CHARACTER CHIEVEMEN CHUUYASBO COMMENDED CONDUCTOR CONFIRMED CONTRADIC CORPORATE CRIFICING DELECTABL DELIGHTFU DENTIFYIN DEPPRESSO DIVANTRUT DOYOULIKE DUCKTALES EASONABLY EATMETOTH EBEATMETO EBUGSDOTJ ECOMMENDE ECONFIRME ECUTIONER EDEPPRESS EERMARZIP EFFECTIVE ELECTABLY ELIGHTFUL ELITTLEPR EMEMBERIN ENDEAVOUR ENTIFYING EONEBEATM EPRINCECO ERMARZIPA ESENTATIO ESEUSERNA ESSO4THED ESTABLISH ETHISSONG ETOTHESEU EUSERNAME EXECUTION EXPRESSO4 EXQUISITE FOLLOWING FUNKINGRN GENTLEMEN GREDIENTS GSDOTJPEG HEDEPPRES HELITTLEP HESEUSERN HIEVEMENT HIJACKING HUUYASBON IDENTIFYI IGHTFULLY IKETHISSO IMATRONIC IMMEDIATE INCECONFI INCORPORA INGREDIEN INSTRUCTI INYLBIOHA IODDLYART IRRATIONA ISSCHUCHU ITTLEPRIN IVANKARAM IVANTRUTH KARAMAZOV KETHISSON LASTDIVAN LBIOHAZAR LDSMOBILE LEPRINCEC LIGHTFULL LIKETHISS LINKSAGER LITTLEPRI LKYSTELLA MAGICALLY MATRONICS MEDIATELY MEMBERING MEONEBEAT METOTHESE MIODDLYAR MISSCHUCH MMEDIATEL MUSHROOMS NATURALLY NCECONFIR NCORPORAT NEBEATMET NGREDIENT NIMATRONI NKARAMAZO NPARALLEL NREASONAB NSTRUCTIO NTRADICTI NYLBIOHAZ O4THEDEPP OACESIGMA OBABLYAUT OLDSMOBIL OMEONEBEA ONEBEATME ONTRADICT OPHICALLY ORPORATED ORTOBELLO OTHECHAOS OTHESEUSE OULIKETHI OYOULIKET PARALLELE PENGUMI12 POISONING PORTOBELL PRESENTAT PRESENTED PRESSO4TH PRINCECON PROBABLYA QUEERMARZ RACUDA677 RADICTION RAINWRECK RAMAZOV07 REASONABL RECOMMEND REFERENCE REMEMBERI RESENTATI RESSO4THE RETURNING RINCECONF RMARZIPAN ROACESIGM ROBABLYAU ROPHICALL RRACUDA67 RRATIONAL SACRIFICI SEGMENTED SENTATION SENTENCED SEUSERNAM SO4THEDEP SOMEONEBE SOMETHING SOMETIMES SSCHUCHUW SSO4THEDE STABLISHM STDIVANTR STROPHICA STRUCTION SULKYSTEL SUMMONING TABLISHME TASTROPHI TBOYBEEBO TDIVANTRU THEDEPPRE THELITTLE THESEUSER TLEPRINCE TMETOTHES TOTHECHAO TOTHESEUS TRADICTIO TRAINWREC TROPHICAL TRUCTIONS TTLEPRINC TUMBLRINA TURTLENEC UEERMARZI UGSDOTJPE ULIKETHIS ULKYSTELL UMBLRINAS UNPARALLE UNREASONA URTLENECK USERNAMES UUYASBONE UYASBONER VANKARAMA VANTRUTHE VEGETABLE VINYLBIOH XECUTIONE XPRESSO4T YLBIOHAZA YOULIKETH ZIRAPHALE    243/101559956668416

10:    4THEDEPPRE AAAAAAAAAA ABLISHMENT ABLYAUTISM ACCIDENTAL ACHIEVEMEN ACRIFICING AMIODDLYAR ANIMATRONI ANKARAMAZO ARAMAZOV07 AROACESIGM ARRACUDA67 ASTDIVANTR ASTROPHICA ATASTROPHI ATBOYBEEBO ATMETOTHES AZIRAPHALE BABLYAUTIS BARRACUDA6 BEATMETOTH BLINKSAGER BUGSDOTJPE CATASTROPH CATBOYBEEB CECONFIRME CHIEVEMENT CHUUYASBON CONTRADICT CORPORATED DELECTABLY DELIGHTFUL DENTIFYING DIVANTRUTH DOYOULIKET EATMETOTHE EBEATMETOT EBUGSDOTJP ECOMMENDED ECONFIRMED EDEPPRESSO EERMARZIPA ELIGHTFULL ELITTLEPRI EMEMBERING EONEBEATME EPRINCECON ERMARZIPAN ESENTATION ESEUSERNAM ESSO4THEDE ESTABLISHM ETOTHESEUS EUSERNAMES EXECUTIONE EXPRESSO4T HEDEPPRESS HELITTLEPR HESEUSERNA HUUYASBONE IDENTIFYIN IKETHISSON IMATRONICS IMMEDIATEL INCECONFIR INCORPORAT INGREDIENT INSTRUCTIO INYLBIOHAZ IRRATIONAL ISSCHUCHUW ITTLEPRINC IVANKARAMA IVANTRUTHE KARAMAZOV0 KETHISSONG LASTDIVANT LBIOHAZARD LEPRINCECO LIGHTFULLY LIKETHISSO LITTLEPRIN MEONEBEATM METOTHESEU MIODDLYART MISSCHUCHU MMEDIATELY NCECONFIRM NCORPORATE NEBEATMETO NGREDIENTS NIMATRONIC NKARAMAZOV NPARALLELE NREASONABL NSTRUCTION NTRADICTIO NYLBIOHAZA O4THEDEPPR OBABLYAUTI OLDSMOBILE OMEONEBEAT ONEBEATMET ONTRADICTI OTHESEUSER OULIKETHIS OYOULIKETH PARALLELED PORTOBELLO PRESENTATI PRESSO4THE PRINCECONF PROBABLYAU QUEERMARZI RADICTIONS REASONABLY RECOMMENDE REMEMBERIN RESENTATIO RESSO4THED RINCECONFI ROACESIGMA ROBABLYAUT ROPHICALLY RRACUDA677 SACRIFICIN SEUSERNAME SO4THEDEPP SOMEONEBEA SSO4THEDEP STABLISHME STDIVANTRU STROPHICAL STRUCTIONS SULKYSTELL TABLISHMEN TASTROPHIC TBOYBEEBOP TDIVANTRUT THEDEPPRES THELITTLEP THESEUSERN TLEPRINCEC TMETOTHESE TOTHECHAOS TOTHESEUSE TRADICTION TRAINWRECK TROPHICALL TTLEPRINCE TUMBLRINAS TURTLENECK UEERMARZIP UGSDOTJPEG ULIKETHISS ULKYSTELLA UNPARALLEL UNREASONAB UUYASBONER VANKARAMAZ VANTRUTHER VINYLBIOHA XECUTIONER XPRESSO4TH YLBIOHAZAR YOULIKETHI    167/3656158440062976

11:    4THEDEPPRES AAAAAAAAAAA ACHIEVEMENT AMIODDLYART ANIMATRONIC ANKARAMAZOV AROACESIGMA ARRACUDA677 ASTDIVANTRU ASTROPHICAL ATASTROPHIC ATBOYBEEBOP ATMETOTHESE BABLYAUTISM BARRACUDA67 BEATMETOTHE BUGSDOTJPEG CATASTROPHI CATBOYBEEBO CECONFIRMED CHUUYASBONE CONTRADICTI DELIGHTFULL DIVANTRUTHE DOYOULIKETH EATMETOTHES EBEATMETOTH EBUGSDOTJPE EERMARZIPAN ELIGHTFULLY ELITTLEPRIN EONEBEATMET EPRINCECONF ESEUSERNAME ESSO4THEDEP ESTABLISHME ETOTHESEUSE EXECUTIONER EXPRESSO4TH HEDEPPRESSO HELITTLEPRI HESEUSERNAM HUUYASBONER IDENTIFYING IKETHISSONG IMMEDIATELY INCECONFIRM INCORPORATE INGREDIENTS INSTRUCTION INYLBIOHAZA ITTLEPRINCE IVANKARAMAZ IVANTRUTHER KARAMAZOV07 LASTDIVANTR LEPRINCECON LIKETHISSON LITTLEPRINC MEONEBEATME METOTHESEUS MISSCHUCHUW NCECONFIRME NCORPORATED NEBEATMETOT NIMATRONICS NKARAMAZOV0 NPARALLELED NREASONABLY NSTRUCTIONS NTRADICTION NYLBIOHAZAR O4THEDEPPRE OBABLYAUTIS OMEONEBEATM ONEBEATMETO ONTRADICTIO OTHESEUSERN OULIKETHISS OYOULIKETHI PRESENTATIO PRESSO4THED PRINCECONFI PROBABLYAUT QUEERMARZIP RECOMMENDED REMEMBERING RESENTATION RESSO4THEDE RINCECONFIR ROBABLYAUTI SACRIFICING SEUSERNAMES SO4THEDEPPR SOMEONEBEAT SSO4THEDEPP STABLISHMEN STDIVANTRUT STROPHICALL SULKYSTELLA TABLISHMENT TASTROPHICA TDIVANTRUTH THEDEPPRESS THELITTLEPR THESEUSERNA TLEPRINCECO TMETOTHESEU TOTHESEUSER TRADICTIONS TROPHICALLY TTLEPRINCEC UEERMARZIPA ULIKETHISSO UNPARALLELE UNREASONABL VANKARAMAZO VINYLBIOHAZ XPRESSO4THE YLBIOHAZARD YOULIKETHIS    121/131621703842267136

12:    4THEDEPPRESS AAAAAAAAAAAA ANIMATRONICS ANKARAMAZOV0 ASTDIVANTRUT ASTROPHICALL ATASTROPHICA ATMETOTHESEU BARRACUDA677 BEATMETOTHES CATASTROPHIC CATBOYBEEBOP CHUUYASBONER CONTRADICTIO DELIGHTFULLY DIVANTRUTHER DOYOULIKETHI EATMETOTHESE EBEATMETOTHE EBUGSDOTJPEG ELITTLEPRINC EONEBEATMETO EPRINCECONFI ESEUSERNAMES ESSO4THEDEPP ESTABLISHMEN ETOTHESEUSER EXPRESSO4THE HELITTLEPRIN HESEUSERNAME INCECONFIRME INCORPORATED INSTRUCTIONS INYLBIOHAZAR ITTLEPRINCEC IVANKARAMAZO LASTDIVANTRU LEPRINCECONF LIKETHISSONG LITTLEPRINCE MEONEBEATMET METOTHESEUSE NCECONFIRMED NEBEATMETOTH NKARAMAZOV07 NTRADICTIONS NYLBIOHAZARD O4THEDEPPRES OBABLYAUTISM OMEONEBEATME ONEBEATMETOT ONTRADICTION OTHESEUSERNA OULIKETHISSO OYOULIKETHIS PRESENTATION PRESSO4THEDE PRINCECONFIR PROBABLYAUTI QUEERMARZIPA RESSO4THEDEP RINCECONFIRM ROBABLYAUTIS SO4THEDEPPRE SOMEONEBEATM SSO4THEDEPPR STABLISHMENT STDIVANTRUTH STROPHICALLY TASTROPHICAL TDIVANTRUTHE THEDEPPRESSO THELITTLEPRI THESEUSERNAM TLEPRINCECON TMETOTHESEUS TOTHESEUSERN TTLEPRINCECO UEERMARZIPAN ULIKETHISSON UNPARALLELED UNREASONABLY VANKARAMAZOV VINYLBIOHAZA XPRESSO4THED YOULIKETHISS    86/4738381338321616896

13:    4THEDEPPRESSO AAAAAAAAAAAAA ANKARAMAZOV07 ASTDIVANTRUTH ASTROPHICALLY ATASTROPHICAL ATMETOTHESEUS BEATMETOTHESE CATASTROPHICA CONTRADICTION DOYOULIKETHIS EATMETOTHESEU EBEATMETOTHES ELITTLEPRINCE EONEBEATMETOT EPRINCECONFIR ESSO4THEDEPPR ESTABLISHMENT ETOTHESEUSERN EXPRESSO4THED HELITTLEPRINC HESEUSERNAMES INCECONFIRMED INYLBIOHAZARD ITTLEPRINCECO IVANKARAMAZOV LASTDIVANTRUT LEPRINCECONFI LITTLEPRINCEC MEONEBEATMETO METOTHESEUSER NEBEATMETOTHE O4THEDEPPRESS OMEONEBEATMET ONEBEATMETOTH ONTRADICTIONS OTHESEUSERNAM OULIKETHISSON OYOULIKETHISS PRESSO4THEDEP PRINCECONFIRM PROBABLYAUTIS QUEERMARZIPAN RESSO4THEDEPP RINCECONFIRME ROBABLYAUTISM SO4THEDEPPRES SOMEONEBEATME SSO4THEDEPPRE STDIVANTRUTHE TASTROPHICALL TDIVANTRUTHER THELITTLEPRIN THESEUSERNAME TLEPRINCECONF TMETOTHESEUSE TOTHESEUSERNA TTLEPRINCECON ULIKETHISSONG VANKARAMAZOV0 VINYLBIOHAZAR XPRESSO4THEDE YOULIKETHISSO    63/170581728179578208256

14:    AAAAAAAAAAAAAA ASTDIVANTRUTHE ATASTROPHICALL ATMETOTHESEUSE BEATMETOTHESEU CATASTROPHICAL CONTRADICTIONS DOYOULIKETHISS EATMETOTHESEUS EBEATMETOTHESE ELITTLEPRINCEC EONEBEATMETOTH EPRINCECONFIRM ESSO4THEDEPPRE ETOTHESEUSERNA EXPRESSO4THEDE HELITTLEPRINCE ITTLEPRINCECON IVANKARAMAZOV0 LASTDIVANTRUTH LEPRINCECONFIR LITTLEPRINCECO MEONEBEATMETOT METOTHESEUSERN NEBEATMETOTHES O4THEDEPPRESSO OMEONEBEATMETO ONEBEATMETOTHE OTHESEUSERNAME OULIKETHISSONG OYOULIKETHISSO PRESSO4THEDEPP PRINCECONFIRME PROBABLYAUTISM RESSO4THEDEPPR RINCECONFIRMED SO4THEDEPPRESS SOMEONEBEATMET SSO4THEDEPPRES STDIVANTRUTHER TASTROPHICALLY THELITTLEPRINC THESEUSERNAMES TLEPRINCECONFI TMETOTHESEUSER TOTHESEUSERNAM TTLEPRINCECONF VANKARAMAZOV07 VINYLBIOHAZARD XPRESSO4THEDEP YOULIKETHISSON    51/6140942214464815497216

15:    AAAAAAAAAAAAAAA ASTDIVANTRUTHER ATASTROPHICALLY ATMETOTHESEUSER BEATMETOTHESEUS CATASTROPHICALL DOYOULIKETHISSO EATMETOTHESEUSE EBEATMETOTHESEU ELITTLEPRINCECO EONEBEATMETOTHE EPRINCECONFIRME ESSO4THEDEPPRES ETOTHESEUSERNAM EXPRESSO4THEDEP HELITTLEPRINCEC ITTLEPRINCECONF IVANKARAMAZOV07 LASTDIVANTRUTHE LEPRINCECONFIRM LITTLEPRINCECON MEONEBEATMETOTH METOTHESEUSERNA NEBEATMETOTHESE OMEONEBEATMETOT ONEBEATMETOTHES OTHESEUSERNAMES OYOULIKETHISSON PRESSO4THEDEPPR PRINCECONFIRMED RESSO4THEDEPPRE SO4THEDEPPRESSO SOMEONEBEATMETO SSO4THEDEPPRESS THELITTLEPRINCE TLEPRINCECONFIR TMETOTHESEUSERN TOTHESEUSERNAME TTLEPRINCECONFI XPRESSO4THEDEPP YOULIKETHISSONG    41/221073919720733357899776

16:    AAAAAAAAAAAAAAAA ATMETOTHESEUSERN BEATMETOTHESEUSE CATASTROPHICALLY DOYOULIKETHISSON EATMETOTHESEUSER EBEATMETOTHESEUS ELITTLEPRINCECON EONEBEATMETOTHES EPRINCECONFIRMED ESSO4THEDEPPRESS ETOTHESEUSERNAME EXPRESSO4THEDEPP HELITTLEPRINCECO ITTLEPRINCECONFI LASTDIVANTRUTHER LEPRINCECONFIRME LITTLEPRINCECONF MEONEBEATMETOTHE METOTHESEUSERNAM NEBEATMETOTHESEU OMEONEBEATMETOTH ONEBEATMETOTHESE OYOULIKETHISSONG PRESSO4THEDEPPRE RESSO4THEDEPPRES SOMEONEBEATMETOT SSO4THEDEPPRESSO THELITTLEPRINCEC TLEPRINCECONFIRM TMETOTHESEUSERNA TOTHESEUSERNAMES TTLEPRINCECONFIR XPRESSO4THEDEPPR    34/7958661109946400884391936

17:    AAAAAAAAAAAAAAAAA ATMETOTHESEUSERNA BEATMETOTHESEUSER DOYOULIKETHISSONG EATMETOTHESEUSERN EBEATMETOTHESEUSE ELITTLEPRINCECONF EONEBEATMETOTHESE ESSO4THEDEPPRESSO ETOTHESEUSERNAMES EXPRESSO4THEDEPPR HELITTLEPRINCECON ITTLEPRINCECONFIR LEPRINCECONFIRMED LITTLEPRINCECONFI MEONEBEATMETOTHES METOTHESEUSERNAME NEBEATMETOTHESEUS OMEONEBEATMETOTHE ONEBEATMETOTHESEU PRESSO4THEDEPPRES RESSO4THEDEPPRESS SOMEONEBEATMETOTH THELITTLEPRINCECO TLEPRINCECONFIRME TMETOTHESEUSERNAM TTLEPRINCECONFIRM XPRESSO4THEDEPPRE    28/286511799958070431838109696

18:    AAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAM BEATMETOTHESEUSERN EATMETOTHESEUSERNA EBEATMETOTHESEUSER ELITTLEPRINCECONFI EONEBEATMETOTHESEU EXPRESSO4THEDEPPRE HELITTLEPRINCECONF ITTLEPRINCECONFIRM LITTLEPRINCECONFIR MEONEBEATMETOTHESE METOTHESEUSERNAMES NEBEATMETOTHESEUSE OMEONEBEATMETOTHES ONEBEATMETOTHESEUS PRESSO4THEDEPPRESS RESSO4THEDEPPRESSO SOMEONEBEATMETOTHE THELITTLEPRINCECON TLEPRINCECONFIRMED TMETOTHESEUSERNAME TTLEPRINCECONFIRME XPRESSO4THEDEPPRES    24/10314424798490535546171949056

19:    AAAAAAAAAAAAAAAAAAA ATMETOTHESEUSERNAME BEATMETOTHESEUSERNA EATMETOTHESEUSERNAM EBEATMETOTHESEUSERN ELITTLEPRINCECONFIR EONEBEATMETOTHESEUS EXPRESSO4THEDEPPRES HELITTLEPRINCECONFI ITTLEPRINCECONFIRME LITTLEPRINCECONFIRM MEONEBEATMETOTHESEU NEBEATMETOTHESEUSER OMEONEBEATMETOTHESE ONEBEATMETOTHESEUSE PRESSO4THEDEPPRESSO SOMEONEBEATMETOTHES THELITTLEPRINCECONF TMETOTHESEUSERNAMES TTLEPRINCECONFIRMED XPRESSO4THEDEPPRESS    21/371319292745659279662190166016

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glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts