#only two people have actually written anything based on my fandom posts

[mixelation]

it's so weird to me when people reblog ideas for very specific AUs (like, specific down to named characters and situations, instead of just like, "what if these two tropes together" or "idea for vampire worldbuilding") with tags indicating.... they're going to write them? like with fanfic it's kind of whatever-- OP literally doesn't own those characters-- but it just seems vaguely rude

[prettyinpwn]

Mabel Pines: How Well Was She Written... Really? (GF Writing Analysis Pt. 3)

GF Writing Analysis Series: Pt. 1 - Ford Pines: A Masterclass in Writing a Good Flawed Character Pt. 2 - How Gravity Falls Could Have Been Better + Poor Ford and Wendy

Like my previous post in my GF Writing Analysis series, I am a bit nervous to post this, to be honest. I love this fandom, but there are two main topics in it that tend to draw the most debate: A. how Gravity Falls ended and its length/pacing, and B. Mabel's writing.

I already tackled the former in my last post, so today, I'm tackling the latter: Mabel. I like to live fandom life on the wild side, what can I say?

Let me preface this post by saying that I am very neutral on Mabel as a fan. I never especially liked her, and I never especially disliked her. It's nothing against Mabel. I'm just personally more drawn to characters like Stan and Ford the most, and if I'm honest, the only reason I'm drawn to Dipper more than Mabel is likely because I relate to him more.

*Gestures at, you know, this blog's over a decade long history of theorycrafting and analyses.*

So... I'm coming at this post with a very neutral eye and an open mind, and like my other analyses, it will be based as much as possible on writing theory I learned in college and over the years in personal study.

But unlike Ford's post, where I already had a viewpoint in mind and wrote it around proving that thesis, Mabel's is going to be more exploratory, and I will reach a conclusion at the end. Is Mabel really that badly written? Is she written pretty well with just some flaws? Or... is she actually a really well-written character and just misunderstood?

Let's discover the answer together.

Mabel's Introduction + Who is She?

I will quote my general method of analyzing character writing from my Ford analysis post to start:

"When I took writing classes in college (and over years of writing in general and drooling over writing advice podcasts and blogs), I found that the best method for me, personally, when it comes to crafting characters is to focus on two major things:

1. Their want.

2. Their need. On the surface, these look like the same things, but in character writing, they can be vastly different. For example, say that you have a character that greatly desires fame and recognition. They want these things.

But what’s the real reason behind it? Is it because they had a parent that was famous and want to live up to their example? Is it because they want to be adored by people? Is it because they were told they’d never amount to anything by someone and want to prove them wrong?

This real reason behind it all is the core need. Yes, they want fame and recognition, but they need it because, say, they have low self-esteem and need copious amounts of outside validation to boost it.

Tied to this need is usually a backstory reason (sometimes called their wound). Say your hypothetical character was bullied a lot as a child. Or abused by a parent. Etc. Whatever the wound was, it caused a big, painful hole in their heart that they try to fill and fix with their want.

So they go on a journey. The want is often the external journey. The need is often the core journey / character arc. Our example character seeks fame and recognition on an external journey, but deep inside, they realize they need something else, which is to understand that their past trauma/wound doesn’t define them, and fame and recognition will not be the balm they expect it will be. Often, they realize they had what they needed all along. They grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."

So... what is Mabel's core want and need as a character? And what's her wound? Who is she? Let's identify these things by looking closely at the very first episode, Tourist Trapped. Tourist Trapped establishes the following things about Mabel:

Optimistic; likes to look on the bright side of things. ("Yay, GRAAAAAASSS!", "Check out all my splinters!").

Go with the flow / easy-going / accepts things at face value. ("Yes, you can keep chewing on my sweater!", learns Norman is a bunch of gnomes and instead of punting them immediately she tries to gently turn them down).

Romance obsessed. No examples needed. *Gestures at whole series.*

Assumes the best in people / accepting of others. (e.g Norman).

Naive / overly trusting (e.g Norman again).

Cares about her family (protecting Dipper).

Clever (ever notice how she tricks the gnomes almost like how Stan tricks Bill near the end of the series?).

(Quick side note because this part always blows my mind: Tourist Trapped is a microcosm of the whole series, by the way. Two siblings get into an argument, one gets swept into the paranormal, and the other saves them from it. The former tricks the paranormal in a clever way to stop the paranormal threat from harming them both, and the two make up at the end and go on more adventures. Sound familiar?)

Back to Mabel, let's identify her core want and need and wound from her character traits. I struggled a long time with identifying this, because Mabel seems like such a laid back character that it's harder to pin these down for her compared to, say, Ford (false validation given to use me vs. honest but selfless love) and Stan (earning worth vs. knowing inherent worth). But I think I pinned it down...

Yins and Yangs

And guess what? Hers and Dipper's wants and needs match Stan and Ford's, but not in the way you think. Dipper has Stan's struggle, and Mabel has Ford's. Just like how Tourist Trapped is a microcosm of the whole series where one twin gets whisked away into the weird (Ford and Mabel) and the other needs to save them from it (Stan and Dipper)... their wants and needs are the same.

Granted, it manifests in different ways. Using Ford as an example, Ford's want is love and acceptance, but in a "praise me and my science and my accomplishments and accept me for who I am" way. Mabel's want is love and acceptance, but in a "must find boyfriend and keep loved ones close" way. Or in another way of explaining it, Ford desires introverted love, and Mabel desires outgoing love; makes sense for their characters. Ford is a Mabel if she were an introvert, and vice versa. Just like how Stan is a Dipper if he were an extrovert, and vice versa.

So... yeah. Ford and Mabel are the same character... sort of. Because as much as Ford pursues the unknown, Mabel pursues love (both romantic and familial). And Stan and Dipper are the twins that chase after them, anchoring them back to reality, sometimes even literally.

And that's where we come to the concept of balance, AKA why the twins are good for each other. You ever notice how the Pines at their worst is always when they're alone? Stan alone is a depressed criminal. Ford alone is both paranoid and naive. Dipper alone is insecure and pessimistic. And Mabel alone is also too trusting like Ford and delusional.

What fixes this? Their twin. Stan with Ford is happy and with purpose again, Ford with Stan is protected (thanks to Stan's people smarts) and grounded, Dipper with Mabel is more confident and optimistic, and Mabel with Dipper is protected (thanks to Dipper's logical smarts) and realistic.

THAT'S why the show had Mabel and Dipper stick together at the end. THAT'S why there was such an emphasis on why Stan and Ford being apart caused so many issues. THAT'S why Dipper chose to stay with Mabel over the apprenticeship. Because time and time again, the show states the thesis that a Pines without their twin is a dysfunctional Pines. Agree with it or not, that's the theme with their characters.

Because - and I say this lovingly - the Pines are kind of stupid at times without their twins. Stan's purposeless and turns to crime, Ford's too naive and trusting, Dipper's too pessimistic, and Mabel's too optimistic. Ford gives Stan purpose, Stan gives Ford some actual common sense, Mabel gives Dipper some needed levity, and... Dipper gives Mabel a reality check (GEE, I WONDER WHY MABEL'S WEIRDMAGEDDON EPISODE WAS CALLED 'ESCAPE FROM REALITY', AND WHY DIPPER WAS THE ONE TO BREAK HER FROM IT? *Cough beats people over the head with a theme but somehow people still didn't get it cough.*).

Sorry, Caps Lock rant aside, honestly, I should just make a chart to explain the Pines. We'll be using four scales: introverted (I) vs. extroverted (E), gravity (G) vs. levity (L), active (A) vs. reactive (R), and book smart (B) vs. people smart (P).

(Yes, we're gonna make our own Gravity Falls Myers-Briggs, because I'm that insane.)

This system also reflects the Pines on a layer level: Stan and Mabel's outside personas (E and P) seem more similar, but their cores are different (GR vs LA); the same goes for Ford and Dipper (shared outside persona of I and B, but different cores of LA and GR).

This is why, in the fandom, we often look superficially at the Pines and say, "Dipper is the Ford twin because smart nerds, and Mabel is the Stan twin because outgoing fun ones". No, my friends: Dipper is the Stan twin, and Mabel is the Ford twin. Dipper is just Stan in a Ford coating, and Mabel is just Ford in a Stan coating.

We'll come back to this later for the next section, but for now, let's focus on answering the main question: is Mabel written badly, or is she written well?

Well... she has core wants (fun and love and escapism and childhood). She has a need (reality and gravity and facing the future). And... well, they never really explored her wound AKA her reason why she desires these things like they did for Stan and Ford.

But... my guess is that reality has often wounded her and popped her bubble in the past (maybe bullying at school, hence her desire to not face growing up alone without Dipper), so she avoids it in order to keep her optimistic fantasy alive to avoid pain. Just like... I dunno... that whole episode that centered around that thing called Mabeland? Metaphors, people.

So so far, Mabel checks the same boxes as my earlier analysis on why Ford is a well-written character:

Want? Check. Need? Check. Realizes she had what she needed all along (Dipper to ground her)? Check. And our last point, I'll refer back to my quote from earlier: "They [well-written character] grow past their flaws associated with their seeking this want through understanding and instead pursuing the need."

Yeah. Mabel has flaws, associated with her pursuing her wants. They manifest in that, yeah, sometimes she's selfish. And that's the flaw most people in the fandom have criticized her for.

But guess what? ALL of the Pines are selfish at times.

Stan? Ford gets captured in Weirdmageddon and Stan - although we get why he's bitter - is reluctant to save him again.

Ford? Ford received a college grant and made no attempts to reach out to Stan who was poor and struggling - although we understand why Ford was bitter, too - and reaches out to Stan not to make amends but to ask him to do him a favor.

Dipper? Probably the least selfish of the Pines, but still... at times he's selfish, too. The Time Traveler's Pig explores this. He repeatedly rewrote the day of the fair because he wanted a chance to be with a girl we know he never would have gotten with anyways. Did he think about what Wendy wanted when he did that? No. Did he think about what Mabel wanted? Well, no, at least until the end, but the moral of that episode is that Dipper learned to sacrifice his selfish want to make someone else happy.

So if people dislike Mabel for being selfish, well... they should dislike all of the Pines, then. And there are times she gives up her wants for Dipper, too, albeit shown less often. She trashes her sock puppet show - her chance at impressing a guy and compromising her core want of love - to save him, inspired by all the times he sacrificed for her. She lets go of a land of perfection and her delusion - albeit one that really wasn't real - to help him fix Weirdmageddon and save Ford.

Because here's the thing: a well-written character has flaws. There'd be no story if they didn't. A character without flaws has no arc and is poorly written. Mabel - just like the other Pines - is flawed and that's great. Because it means... she's well-written. I'll quote my post on Ford again:

"This is why Ford is a well-written character. He has flaws and suffers for them until he makes up for his mistakes. They are understandable flaws, but like in real life, just because it’s understandable why we act poorly at times - be it because of trauma or upbringing - it doesn’t mean we’re justified in continuing to hurt others or ourselves because of those flaws. We must acknowledge them, grow past them, and do our best to do better in the future, as well as apologize to those we hurt along the way."

Just like Ford, Mabel has flaws - albeit understandable ones based on who she is and her history - and she suffers for them. But in Escape From Reality, she acknowledges them, grows past them, and does her best to do better in the future.

As for the other hate on her I've often seen, including the way she gave the Rift over to Blendin/Bill... my friends... she did the same thing Ford did. And the flaw Bill took advantage of to do this was the same flaw she had in Tourist Trapped: her naivety.

Bill: "Hey, naive Pines twin, I have something you want (for summer to never end / validation and knowledge). Just give me something (the Rift / possession and build this portal) and I'll let you have it. I swear I'm innocent and on your side and have your best interests at heart!"

Bill is a master manipulator. So if we don't judge Ford for the way he was manipulated at the age of his late twenties, then why the hell do we as a fandom judge Mabel for falling for the same trick as a 12 year old?

And so we return to Tourist Trapped. Mabel's flaw in that episode was the same as the flaw she had by the end of the series. Drawn into a fantasy, lacking realism and logic about it, sibling saves her, apology to sibling, and working together to fix the mess. The difference is, is scale and stakes, and at the end of the series, it's a permanent change of growth. Mabel learns to accept reality; that life won't always be love and rainbows and sunshine, and that's okay.

I also want to highlight how the Pines' flaws are often their greatest strengths, too. Dipper often pops Mabel's fun bubble with his pessimism and realism; sometimes it rains on her parade, and sometimes it breaks her out of a delusion. And vice versa: Mabel often is too optimistic and naive, and that leads to Dipper having to save her from some manipulations and delusions, but sometimes she's the one who lifts him up when he needs it and he's too pessimistic and insecure. Case in point, Gideon Rises, where Dipper insists he needs Journal 3 after Stan takes it, and Mabel tells him, "You're a hero whether you've got that journal or not.".

And as for the hate on her "holding Dipper back from his apprenticeship", I'll quote this here, said by Mabel after Dipper convinces her to leave Mabeland:

"Hey, Dipper? I appreciate what you said back there, but if you want to take Ford's apprenticeship, I won't get in your way."

She offers him a compromise; she allows him to go for it. Because she learned her lesson of accepting the reality that, sometimes, people grow apart instead of things staying the same forever. She's become selfless. And at that point, it was Dipper's responsibility and choice to take it or not.

So if you're upset that Mabel "held Dipper back", no. She gave him room to leave, and he said no and stayed. If he'd wanted it that badly, he'd have gone for Ford's apprenticeship. And remember the series' thesis on the Pines I stated earlier:

"A Pines without their twin is a dysfunctional Pines. Agree with it or not, that's the theme with their characters."

So... we've now arrived at our conclusion about Mabel's writing based on the points we've explored above:

Once and for all, and I'll bold and make this big to emphasize my point, because I hope it quells some of the Mabel dislike: Mabel is a well-written character. She's flawed, yes, but that's the point. So... Why the Mabel Hate, Then?

There have been some ideas thrown around as to why Mabel has received extra scrutiny compared to the other Pines characters. One theory that's been thrown around is her gender, as she's the only female character of the four Pines, although I would lean towards that this isn't the likely main cause, due to the fact that there are other female characters that are liked in this fandom. Wendy receives little to no hate that I've ever seen (and in fact, I mostly see wishes to have gotten more writing featuring her character). Pacifica is liked, especially when it comes to shipping her with Dipper. So... why Mabel, specifically?

I would argue it's not her gender, specifically, but more her femininity. Mabel is very stereotypically "girly". Wendy is a tomboy, and Pacifica - although "girly" - is more of an aggressive character before her growth. Mabel is feminine and passive. She also is into many stereotypically "girly" things, like romance, knitting, crafts, etc. So people that are uncomfortable with the stereotypically feminine might have a subtle, unconscious "ick" reaction to Mabel for that reason.

And... combine Wendy's tomboy quality and Pacifica's association with a male main character (at least, when shipped with Dipper), well... er... I think that may be one potential reason why Mabel is disliked more. She's A. "girly" and B. she has no inherent "value" to a male character.

Dear God, I feel ick even writing that. But when you think about it... that could be one potential reason why she's the most disliked female character in the series. She's girly and is not a prize to be won to add value to a male's life. I shudder to think that this may be the case in today's world, but that may be the unconscious bias some people might have against her, and instead of realizing that, they blame it on "Mabel's selfish / poorly written".

Or, it could be the expectation that women need to be more selfless than men. Let's take after Ford for a moment and do some science: "The reward and learning systems in our brains work in close cooperation. Empirical studies show that girls are rewarded with praise for prosocial behavior, implying that their reward systems learn to expect a reward for helping behavior instead of selfish behavior. With this in mind, the gender differences that we observed in our studies could best be attributed to the different cultural expectations placed on men and women. This learning account is also supported by findings that indicate significant differences in the sensitivity of the reward system to prosocial and selfish behavior across cultures." (Credit/source).

Translation? In society, we praise women for being selfless, and we praise men for being selfish.

Getting this back to Dipper and Mabel, many have viewed their character conflict as "Dipper's being ambitious, and Mabel's holding him back". And with Dipper being a boy, and Mabel being a girl, fans might judge her overly harshly for her selfishness yet are easy on Stan, Ford, and Dipper for their selfishness because, yes, possibly... gender bias. "Mabel should have been less selfish!", they yell, yet people who criticize this flaw of hers are awfully quiet when it comes to addressing this same flaw in the male Pines.

Another reason why I think this is a strong contender for the most common reason why Mabel is disliked, is because of the parallelism between the two sets of Pines twins. Stan does the same thing as Mabel does: wanting his twin to stay with him, not wanting him to pursue his ambitions, wanting things to always stay the same...

So why do people not criticize Stan for the same thing? Why does he get more sympathy, yet Mabel gets ire? When Stan does it, he's a loving brother who just wants his brother to stay. When Mabel does it, she's "too selfish".

Feminist literary lens aside, sometimes I think Mabel's dislike can also be defense of one Pines twin over the other. I've seen this a lot with Ford and Stan in the fandom, where people vilify Ford yet see Stan as innocent in their squabble, as was common shortly after Ford was revealed at the time of airing.

Added to that was the fact that Ford got less attention from the writers and less time in the show to justify his flaws and understand his character (see my previous Gravity Falls writing analysis here that covers this topic), and, well... of course there's a high likelihood people are going to sympathize with Stan more than Ford. The show gave us more reasons to. But that doesn't mean Ford is inherently more wrong or more flawed than Stan. It's just that... people might like Stan more than Ford, so give him more stink-eye.

So I think the same happens with Mabel and Dipper, although Mabel and Dipper got roughly the same amount of airtime, so that leads me to my next point:

I have a little side theory here I want to test (but I could very likely be wrong) regarding why some characters in Gravity Falls are well-liked by certain people and vice versa, as well as why some characters are more vilified or idolized in this fandom. Let's return to my Pines personality chart:

Please ask yourself these questions honestly:

Who is your favorite Pines?

Who is your least favorite Pines?

Now, write these letters down depending on your answer:

Are you introverted (I) or extroverted (E)?

Are you a realist (G) or an optimist (L)?

Are you someone who goes after what you want (A) or waits for it to come to you (R)?

Are you more book smart (B) or people smart (P)?

Now, create your four letter Pines personality (e.g ILRB).

With your Pines personality, count how many letters you have in common with each character.

Now, answer this: do the Pines you share the most letters with happen to be your favorite Pines, and do the Pines you share the least letters with happen to be your least favorite Pines?

Personally, my favorite is Ford, and my least favorite is Mabel (although like I said earlier, I do not dislike Mabel, I am just neutral at worst with her). My own four letters are ILA/RB, meaning I'm introverted, trend towards optimism/levity, am split on active and reactive, and am more book than people smart.

I share 3-4 letters with Ford, 2-3 with Dipper, 1 letter with Stan, and 1-2 letters with Mabel.

And lo and behold... my favorite Pines is the most like me, and my least favorite Pines is one of two least like me.

So here's my theory as to why there's Mabel hate, since we've already established why Mabel is actually technically written very well: a combination of possible unconscious gender bias and personality matchup. Because if there's one thing us humans are good at it, it's, "Ape like me, me like, but ape less like me? Me throw rock! Insert war/hate/prejudice/online fandom hate, etc here.".

Therefore, in final conclusion: Mabel is well-written, and she's criticized unfairly. Anyone that criticizes her as "too selfish" needs to honestly analyze why they might not apply that same criticism to Stan, Dipper, or Ford.

[thewertsearch]

Let's kick things off with a mega-giga ask compilation!

I've spent the last couple of days working through the backlog, and I've been able to answer some quite old asks that were spoilers at the time they were sent.

@kintatsu asked: So, I was rereading your blog, and got to the post where you determine that John's 13th birthday was a Monday, and complain on his behalf that he couldn't really relax due to having the whole schoolweek ahead of him. Well, I checked, and the previous day was the first Sunday after the first full moon after the equinox, i.e. Easter Sunday. So it might have been a holiday week.

John entered the Medium shortly after Easter Sunday, and he did so by biting into an apple. Forget about the god tiers – his most powerful transformation is clearly Catholic Beast Mode.

Anonymous asked: The thing about knowing your Aspect, I think, is that it's the Aspect you most GET. I GET Space and Light, I understand them completely, they are suffused in my bones and my blood, they are writ large upon my brain and every base in my DNA. What aspect do you just GET?

To be honest, I don’t think I know enough about any Aspect to ‘get’ it.

If I had to choose, then I'd probably feel the most natural affinity for Life and/or Doom – and if was forced to pick one, I’d say I'm very slightly more drawn to Life, just based on vibes.

@mhafanlol2000 asked: I think the horrorterror’s plan (or the closest thing we can comprehend) is CHAOS-by which I mean LIFE. Skaia is order. If it can want, then it wants its players to follow the script it has written-the Alpha. It wants propagation, the snake to eat it’s own tail, blah blah blah. That is order. That is perfect servitude. That is NOT life. The gods, meanwhile, want chaos. It wants its servants to live. It does not tell people to do anything. It simply gives them the facts, and says “here is what you should do. You can not, you can do whatever the hell.” It wants romance, conflict, CHAOS. that is life.

And if this theory is accurate to the canon Life aspect, then I feel justified in my affinity for it. It falls fairly closely in line with my own philosophy.

@necrowyrm asked: When searching your blog I always type "thew" before Tumblr autocompletes your URL. That has become who you are to me.. Thew, Glorious Liveblogger, navigating the treacherous seas of Homestuck

Sally ‘Thew’ Ertsearch, reporting in. 🫡

Anonymous asked: there's actually another arthurian joke to do with dave's land/quest. have another look at the disc platform that bro stabbed. how would you describe the shape of that turntable?

Ayy, Dave's a Knight of the Round Turntable! Honestly, that'd be a pretty great name for his theme song.

@caliquill asked: kanaya vs rose would be absolutely hilarious but. kanaya IS the original "I Can Fix Her" girl for a reason.

Anonymous asked: the only real requirement for a name suggestion to be picked was that the firstname was 4 letters. but by really cool coincidence strider and lalonde are 7 letters, and egbert and harley are 6, and if you add those together its 4/13! similarly, both the trolls names were required to be 6 letters (i think hussie mixed and matched them actually, some of the firstnames were suggested as surnames and vice versa) so theres a similar case to be made for 6/12. but just doubling the same number i think holds less water than adding together two different numbers

Number symbolism is just very flexible in general. All Hussie really had to do was introduce a few 'important' numbers, and the fandom could start finding them everywhere!

Anonymous asked: This may be the wrong place to ask, but have you deleted your post of analyzing the Let the Squiddles Sleep song? I can't seem to find it anywhere.

Here it is. Hopefully you're able to see it now!

Anonymous asked: Will the Mega-Ask-Compilation and Liveblog Recap also happen? ~LOSS (19/2/23)

The former is currently taking place. The latter was planned, but after skimming my blog for a bit, I realized I didn't have as much to say about it as I thought I did. Plus, it's been ages, so I'm really excited to look at some new pages. We can leave the old ones for later - I'll probably do some sort of blog retrospective eventually.

Anonymous asked: i figure the trolls' battlefield went through a full set of dnd dice/platonic solids, plus maybe some other notable johnson solids like a truncated icosahedron (aka a soccer ball or buckminsterfullerene), before becoming a sphere. maybe the outer ring went through stages like simple torus, mobius strip, borromean rings or other fun knots, before becoming a mobius net. (not really sure what a mobius net is, mathematically, but that's apparently what the thing around the final form of the kid's battlefield is called.) or maybe something weird happens with that many prototypings, and the battlefield turns into a tesseract or a klein bottle or a menger sponge or a mandelbulb.

If you so much as look at the Battlefield created by the Gigasession, your brain will leak out of your ears.

@manorinthewoods asked: <3Dave, >3>John, >3oJade, <>Rose (by process of elimination) ~LOSS (5/6/23)

I don’t think either of the girls have worn a playing card symbol. The leaf on Jade’s Wardrobifier does kind of look like a spade, but John’s already got that quadrant on lockdown.

Anonymous asked: Reading stuff about skaia on this blog reminded me of madoka, and made me consider that skaia might be like kyube and the other incubators and sburb is skaias way of keeping the unerverse from decaying

Reading this ask makes me realize that Rose is a near-perfect mark for Kyubey.

There’s only one way to save your session, Seer. Form a contract with me, and become a magical girl.

Anonymous asked: man. i dont know what i expected to happen when you found it. but for The Baby Is You to be liveblogged in less than 20 words during a post was not the way i expected it to go

I know it’s not technically part of Homestuck canon, but it really feels like Homestuck canon to me - at least to the same degree as Sweet Bro and Hella Jeff, and I liveblogged that.

Anonymous asked: begging (lightheartedly) for you to add posts like LOLCAT and "this guy's an orb" to one of the liveblog tags. they're pretty funny, and it's nice to see off-the-cuff reactions like that, haha. imo it'd be a shame for new readers to miss those kind of posts

Done! I sometimes forget to tag posts like that, because I usually just fire them off and forget about ‘em.

@captorations asked: “Give me a set of rules, and I'll analyze the hell out them, every time.” hello fellow doom player. hope you like the color green

Based on ~ATH’s association with curses, as well as Sollux’s programming hobby, I think there’s a decent chance that Doom relates to coding in some way.

Coding is all about rules, so perhaps Doom, is, in fact, the aspect of rules and logic. I'm not sure why such an aspect would be named 'doom', but it's been obvious for a while that these aspect names aren't always literal.

Anonymous asked: I’d just like to clarify some terminology because it seems relevant, but Aradia isn’t a red blood, she’s a rust blood

[The blood colors all have canon names: Aradia = rust blood Tavros = bronze blood Sollux = gold blood Nepeta = olive blood Kanaya = jade blood Terezi = teal blood Vriska = blue blood (I like cerulean better tho) Equius = indigo blood Gamzee = purple blood Eridan = violet blood Feferi = fuchsia blood and Karkat has no official blood name, but people usually call him mutant blood or candy-red blood - C ]

Oh, there are official names for each color? That’s going to be helpful to disambiguate each blood caste, especially when we really start digging into troll culture and biology.

Anonymous asked: I do believe the top-left ship on the wall - no, Karkat doesn't have red eyes. […] It's probably Vrisrezi, yes, but it could also be Vriskat.

Yeah, I’m still not sure who this ship is supposed to represent.

They have Terezi’s eyes, but the hair and symbol look like Karkat’s. Plus, Nepeta hates this ship, which would make sense if it’s between her crush and someone other than her.

Honestly, my best guess is that it was meant to be Karkat, and the red eyes were just a mistake on Hussie’s part.

Anonymous asked: something I never thought about… is the blue blood sourced from equius or did he get a stock.

Aradia has real blue indigo blood in her veins, and it almost certainly belongs to Equius himself. He could have got it from a donor, but I personally doubt there was anyone else he could ask. Equius feels like he'd be an outsider, even to other indigo-bloods.

Anonymous asked: vriska would be a good strider

Vriska Serket raised by Bro Strider would be the most terrifying character imaginable. I don't even want to contemplate what that upbringing would do to her.

Anonymous asked: Any piece of lore hussie writes needs to contend with the fact that hussie is resolutely committed to the bit. Hence all the words on how different trolls are being entirely blasted aside by 'and then they're just grey humans anyway lmao'

That's the price of admission into Homestuck, for better or for worse. Hussie quite clearly enjoys screwing with us, and we have to take everything we see in the comic with a huge pinch of salt.

Anonymous asked: I'll disagree a bit on the phrasing that Eridan forces Feferi to <> him because firstly she doesn't even seem convinced that he would commit genocide and secondly she dropped him super easily once the lusus-feeding is no longer necessary. While understandable, that doesn't suggest to me someone who is obliged by Eridan's aggression to pacify him. I think she has much more agency in this relationship (or lack thereof I suppose) than that.

Feferi definitely had her doubts – but she must have believed that Eridan was dangerous to a certain degree, because that’s the basis of a moirallegiance.

Forced might not be the right word, but she certainly felt some amount of obligation to pacify him. She sure wasn’t in that relationship for the good of her health.

Anonymous asked: So, Vriska has a conversation with Karkat, where he says she seems to have blackrom feelings for Tavros, but that he doesn't think Tavros can even feel blackrom properly. Then she has another conversation with Tavros in which she antagonizes him, and he notices, but just kind of ignores it and doesn't respond emotionally. Then we see her make a huge dramatic redrom gesture and kiss him. She vacillated because he wasn't into her… incel behavior.

Yup. I’ve always held that Tavros never wanted anything to do with Vriska. He doesn't want to love or hate her - what he really wants is to live in a world where she doesn't exist.

Vriska’s refusal to accept this basic fact is one of the main reasons she’s decided to make his life a living hell.

Anonymous asked: I headcanon that troll blood is analog, but the empire culls non-digital colors because they make the troll race seem like a joke or something. Lol

If there were minor variations in blood color, the Empire probably wouldn’t want to acknowledge it, since the stratification of blood classes forms the basis of their society.

We haven’t seen any trolls besides our twelve (apart from Troll Will Smith) so we can’t compare the blood of two members of the same caste - but we can speculate. Human blood color is known to vary depending on its oxygenation level, and I imagine troll blood would reflect its current chemical composition in the same way.

Anonymous asked: Vriska must be seething while Karkat introduces the concept of quadrants to the reader. Imagine this basic and important facet of troll life, and you're just getting schoolfed it. (This message was sent on 20/10/22.)

This was a fun bit of weirdness from early Hivebent, wasn’t it? In retrospect, it's kind of hilarious that Karkat decided to infodump to Vriska about the obscure, niche topic of… dating.

@sanctferum asked: According to his formspring, Hussie's self-insert's classpect is Waste of Space. He also briefly considers Huss of Lips. This is obviously not meant to be taken seriously but. since you asked @absinthe-and-alabaster asked: i believe hussie said somewhere that FedoraFreak's classpect was "Gent of Piss" Anonymous asked: (not sure if this is technically a spoiler but) hussie has jokingly said that fedorafreak's class is a gent.

If Dad Egbert was a Player, then the Gent class would be forced into canonical existence, as the only class that could possibly define him.

Anonymous asked: If Vriska's control does require the victim to on some level want to do the thing, then Sollux's insistence that you do not under any circumstance eat the mind honey could be something he developed in response to that incident. So that if she ever controls him again, she won't be able to make him eat it.

Wow, I never considered that. That’s a very good (and tragic) take, and I think I'm at least locking it in as a headcanon.

Anonymous asked: the official extended zodiac actually has… 288 signs, if im doing my math right? and also probably hadn't yet been conceptualized when that page was posted (the earliest known evidence comes from 2015). i don't know if any thought was put into the number or if it was just pulled from their ass, but there was a running gag in hussie's q&as where he repeatedly threatened us with a 10,000 page intermission focused on 48 squiddles, each representing a sign from the alternian zodiac Anonymous asked: I believe the troll zodiac is one of the few things in HS lore that was truly retconned, there’s actually 288 signs.

Move over, 48 Squiddles. I want to hear about the 288-player clusterfuck that actually gave rise to Alternia!

@manorinthewoods asked: wheee, you got to the first god tiering! this probably opens up a load of new things to say, so, first off: do you think you need to have a full echeladder to god tier? vriska implied so.

She never outright stated that it was required, but I still think it probably is. You generally need to max out your class levels before you can prestige.

@morganwick asked: Believe it or not, you're still in the "Homestuck could have updated RIGHT NOW" phase of the comic's release schedule. The break after the Equius-Aradia kiss aside, the hiati you've heard horror stories about didn't start becoming a thing until the end of Act 5.

[this was around page 3000. still true at this page though - C]

Hussie’s sheer productivity at this stage continues to astound. Could you imagine having that much creative energy?

Maybe Hussie just drinks twenty coffees a day.

Anonymous asked: as someone who is Normal about aradia it's an absolute delight to see someone dig into her character. she's so fascinating to me. (also, fun fact, a while ago tumblr voted her the coolest character in all of homestuck. so there's that)

Aradia’s awesome, and I still don’t think her death is going to stick.

Her ghost was perfectly capable of existing without a body, so there's no reason she can’t survive her new body's destruction.

Anonymous asked: feferi hasn't just woken up, she won't be stuck asleep until 3 hours and 14 minutes into the future! timestamps, yo

Consider this the first mark on my otherwise impeccable record.

Anonymous asked: does cat have a troll/kidsona? itd be interesting to see a full 4 player session in art

[No kidsona, yes trollsona, but even a picture of her would spoil stuff from Act 6 😆 - C]

What she said. It’ll be a while until we can meet KATYAA SCRENR.

@mhafanlol2000 asked: Hey! You can just call me Fan. In all honesty I’m just some guy who likes your liveblog. He/him. I’m gonna list some fan aspects, and I want to see what you think they’d represent, and what abilities they’d give Law Dreams Might Shape Flow

Ooh, more fan aspects! These were a lot of fun to puzzle out the last time.

Law would be the aspect of command, instruction and agreement. An example power would be giving someone a simple rule they're compelled to follow, such as 'don't turn around'.

Dreams would be the aspect of ideas, motivation and symbolism. An example power would be the ability to detect people's idle thoughts - the things they're not even aware they're thinking about.

Might would be the aspect of growth, conflict and evolution. An example power would be the ability to temporarily enhance someone's Aspect abilities, at the cost of making those abilities harder to control.

Shape would be the aspect of form, encapsulation and topology. Shapeshifting is the most obvious application of this aspect, but it's appropriate.

Flow would be the aspect of persistence, momentum and continuity. An example power would be the ability to 'continue' something that has recently stopped. For example, if your PC ran out of power, they'd be able to keep it running for a while. The longer it had been previously running, the longer they could keep it running.

@martinkhall asked: I think Bro might have been raised entirely by shonen anime and My Little Pony Friendship is Magical (the version that existed only in the heads of the worst examples of Bronys). And puppets. Puppets were definitely involved in raising Bro. Anonymous asked: "He has no known relationship with any of the other parents, but was definitely getting foreknowledge of Sburb from somewhere. I’m not even sure I want to know what sort of childhood produces Bro Strider." well. i mean. he grew up with Lil Cal didn't he? the clearly haunted puppet from the sburban dreamscape of derse? it was what he dropped to earth with. i feel like that might explain at least a small part of, like, whatever he had going on.

That’s true. I don’t trust that puppet one bit, and we don’t know what it was up to before the start of the session.

I still suspect that the thing’s still just as alive as it was on Derse, and is just choosing to play dead.

Anonymous asked: I imagine you might've already been told this, but when checking out your FAQ I noticed you described PS/PQ/FS as "not exactly canon" and that you're less interested in liveblogging them because one of your favorite parts is watching all the story come together -- without spoiling anything, I find it pertinent to mention that Pesterquest & Friendsim definitely contribute to the wider "canon" even though dubiously canon themselves. Definitely "part of the story" so to speak.

Yeah, we’ll have to see what comes of this. The problem is that I’m still fuzzy on what ‘dubiously canon’ actually means.

Hopefully that will become more clear as I’m actually liveblogging these tie-in materials – which I am planning on doing. Only time will tell how in-depth the liveblog will actually be, though.

@manorinthewoods asked: In my Sundered opinion, Bec Noir is the best character design in Homestuck. I can't think of any other interesting designs at the moment, other than some which don't beat him and are spoilers anyway (like LE's). Which design do you find most interesting, out of the ones you have? ~LOSS (22/9/23)

I definitely agree that BecJack has one of the best designs in the comic. Plus, Scratch is so weirdly intimidating for a cueball-head.

Anonymous asked: My favorite part of PKWU is just how pointy Gamzee's chin is. It's so… Defined.

iT’s ToO lAtE, ErIdAn! I’vE AlReAdY DePicTeD MySeLf As ThE ChAd, AnD yOu As ThE SoYjAk >:o)

Anonymous asked: i need you to know ag canonically ripped off the sleeves on all of her shirts just to show off the robot arm

I believe it. I don't even need a source; this is just so true to Vriska's character that it's obviously correct.

@bladekindeyewear asked: If you and your ask screener decide that literary/external-media hero title examples without any details or explanation are alright to pass on unless they're too obviously revealing -- and those in and of themselves are usually in heavy dispute by classpect theorists -- I've long been of the opinion that Monkey D. Luffy and Peter Pan are the best possible literary examples of a Page of Breath.

All Pages of Breath must be associated with pirates. No exceptions.

Anonymous asked: unfun fact: the reason rose and jade dont have a lot of pesterlogs with eachother is just because their text colours were kinda eyestrainy together. thats it thats literally the whole reason!! god damn

Hussie: "I don't write Rose/Jade conversations because they’re hard to read."

Also Hussie:

Anonymous asked: you have officially passed my second favourite flash in literally all of homestuck. it's all so well hinted at beforehand but it still comes to punch you in the gut nonetheless Anonymous asked: My favourite thing in this flash is how the name of the flash isn't John: Rise Up, it's JOHN. RISE UP. it's WV sending a plead to John to not die. My second favourite thing is the way the music remixes Doctor (The theme for LoWaS). Anonymous asked: [S] JOHN. RISE UP. is one of my favorite flashes in all of Homestuck. Savior of the Waking World is some of Toby's best work What are your thoughts on our first taste of god tier? @violetsquare111 asked: So glad you liked Savior of the Waking World! One of my favorites in the comic for sure. It takes a lot of ideas from another of Toby's songs, Penumbra Phantasm, a song that… never actually got finished or officially released. There's still various renditions of it though, and the HS collection links a couple of em. (Some people have speculated that Penumbra Phantasm itself was never supposed to be a Homestuck song, and might end up being used in Deltarune, which would be cool as hell) Anonymous asked: It's crazy to think that just about 12 hours ago John was wearing silly disguises to fool his dad and now he's dying to become a god.

God time!

I do think it was the most emotional flash we’ve had, on the strength of the music alone. Savior of the Waking World goes hard as all hell.

Honestly, when WV started calling John a hero, and telling him to rise, it did start to give me some mild chills. Like, yeah – we know John’s a hero, but it feels extra special when it’s coming from someone who’s normally so irreverent.

@elkian asked: Welcome back, hope you're feeling better! I am losing it a bit over you IMMEDIATELY understanding how this coin flip sitch works, something about the narrative and reasoning doesn't match my brain so I've reread it multiple times with total understanding out of grasp and watching you dissect it halfway into the page is truly wild (delighted). Also feel like I understand it a lil better with your analysis.

Thank you! This message was actually sent the last time I returned from a pause, so apologies that I’m one hiatus late in answering it.

@royalvorpal asked: I just reread your entire blog in anticipation. Anonymous asked: This is such a good liveblog, I'm rereading it again and you are really letting me relive the pleasant parts of my middle school years. Reading this blog makes me feel like I'm back on the school bus talking to my friend about the newest update. Thank you for doing this 💛 Anonymous asked: That return page didn't have any sound, so misleading! (I jest, nice to see you're back.) ~DJ @manorinthewoods asked: Hahahah, we are BACK! Lovely, I've missed this liveblog. Most in-depth Homestuck liveblog I'm aware of, looking forward to the restart! ~LOSS (29/3/24) @popcornsalty asked: So excited to see you back!!! :D @chaosorchestrator asked: welcome back! It's good to hear that you're planning on getting back into it! I hope things have been going ok for you in the meantime! @necrowyrm asked: HAPPY 4/13 (OR AS THE ENLIGHTENED KNOW IT: 13/4) AND WELCOME BACK!!!!!!!!!!!

Thank you for your votes of confidence, and happy 13/4 to you all!

@rippledphysique asked: Just found this blog and devoured it in a few days. I am selfishly wishing you the best in health and life so that it may return one day… @elkian asked: Hey Sally! Just wanted to wish you well on the recovery, the plague is no joke and I hope you've been able to enjoy some kind improvement. And that 2024 will be kinder, as well. Anonymous asked: wishing you the best in your interim, hopefully you can get a better position where you're not prone to burning out! Anonymous asked: Hope you're doing ok!! I miss seeing your cool liveblog on my dash @kittycatttmattt asked: Poor girl… Got killed by the schedule

Thanks for all the well-wishes, as well. Really, it wasn’t the schedule that was the issue – I just had a lot going on in the background last year. That’s all over now, though!

Anonymous asked: yeah, Homestuck's back babeyyyyy - the site was crashing because of traffic and everything @calamitascalliope asked: You coming back from your break resurrected Homestuck's corpse hggfffdd Anonymous asked: i think this actually is the first time homestuck has updated since you started liveblogging lol - homestuck 2 has been inactive assumed abandoned since december 25th 2020. also happy slightly belated blogiversary btw - you've been delighting us with your journey for two years now! @heliotropopause asked: New Homestuck upd8 just dropped. Apparently. Anonymous asked: what are the odds that you start liveblogging again the same exact day that postcanon comes back from the dead? Anonymous asked: crazy news. so literally just today, october 8th 2023, hussie has officially given complete free license to the newly formed "homestuck independent creative union" (HICU) to create content and monetize it with the homestuck brand however they see fit, with zero creative or financial control from any corporations or even hussie themself, though hussie has said they're available for consultation whenever the HICU wants their input. the HICU seems to be made up of people the community largely has respect for, and the person heading all of this up is James Roach, who is one of the most widely respected individual who has been inolved in homestuck "post canon" (ie. after homestuck itself ended). nobody was expecting any of this, it's completely bonkers. hopes are looking pretty high for homestuck compared to where they were merely a day ago.

Throwback to the day I personally resurrected Homestuck.

Has anything come of this since, actually? I haven’t heard anything about this new comic – although I do scroll in the opposite direction any time I see a reference to Homestuck, so I guess it makes sense that I wouldn’t.

@corporalotherbear asked: What’s your favorite Pokémon?

Contrarian, that I am, I’ll instinctively gravitate to Missingno., if only for the nostalgia factor. Gen 1 glitches were my first real experience with pulling back the curtain of a game’s code, and taking a look at what lies beneath.

My favourite official Pokémon are Porygon-Z, Shedinja, Reuniclus and Metagross!

@heliotropopause asked: Breath/Light is an interesting one, because the ‘Mixolydian’ implies a musical theme, and I thought Time was the musical Aspect. Maybe it’s not that simple. They've all got a musical reference in the name- they are called fraymotifs, after all. Anonymous asked: The Fraymotifs are all musical references actually. E.g. Breath/Time is "Ivories in the Fire", the ivories in question being John's piano keys. A fraymotif is a battle theme. Anonymous asked: ivories in the fire is a musical theme, especifically a Rap term used by Snoop Dogg. So yeah it's connected to Dave Anonymous asked: re: fraymotifs: you pointed out "mixolydian", but that's not the only musical term there. feather "cadence", pneumatic "progression", even fray "motif" itself! hell, the building where you buy these things has an emblem with a crossed sword and music note! so i think this might be less a situation of "need to rethink time aspects association with music" and more "fraymotifs have a musical association also" Anonymous asked: if you look a bit closer at those names, (including the one "fraymotif",) you may realize that "mixolydian" isn't the only musical term referenced…. @galaxa-13 asked: You say the breath/Light Fraymotif implies a musical theme, but they all do! Fraymotif is a portmanteau of "fray" (to fight) and "leitmotif" (repeated musical phrase). Each Fraymotif name implies a musical theme.

Dang it. Yup, they’re all pretty obvious references to music.

I wrote that post the day I was trying to wrangle our family PC into running the Homestuck Collection without lag, so I was a little distracted at the time. Please direct all complaints to Windows XP.

[crazylittlejester]

honestly, the fandom dismisses wars trauma a little too much. Have you noticed it’s always never brought up in his character studies? And when it is, it’s totally brushed off him and cia had a WEIRDDD age gap. It’s also weird hyrule warriors never acknowledges this. I honestly don’t think it’s gonna be recognized in LU but idk. It’s just weird how quickly the fandom brushed over all that. What’s your opinion? Cuz you have cool opinions lol

Disclaimer: Everything you’re about to read is my opinion and my interpretation of a game. I’m not talking about headcanons (unless otherwise specified), I’m just talking about my experience with the game and everything else. All of this is from MY perspective interacting with the canon material from both Hyrule Warriors and Linked Universe. Also! I am dyslexic, my bad for oddly autocorrected words or weird spelling mistakes

A huge reason I started yapping so much on this blog was because I saw a lot of people either actively disliking Wars, making fucking INSANE comments about his body, overly sexualizing him, or just straight up dismissing him all together and it helped me get over my posting anxiety because it genuinely made me so upset. He’s been my favorite character since only a few posts into LU (i originally liked Twilight better based sheerly on design but it took like only a few posts before that changed), and I love HW Link in general, and I thought it was actually crazy that more people didn’t like him. I’ve written several of my own characters studies on him, some of which I’ve posted, others lay trapped in my old laptop in the form of a full on analysis paper, never to see the light of day

You can send a full grown man to war and he will come back with trauma, imagine what happens when you grab some poor teenager and tell him everything relies on him. Literally forget Cia for a minute, Link as a teenager was taken and shoved into a full on war where his men turned on him and in order to survive, he had to kill. Monsters and hylians alike, it was him or them, and he’s the one who made it out. Not to mention he was constantly running all over the battle field trying to prevent the hylian captains from being defeated, and he most certainly lost many people he cared about just because he couldn’t get there in time. He had to carry around the guilt that this war was started because some sorceress was obsessed with him ON TOP of that

This was said earlier by an anon on a post I reblogged, and I’ve been saying it myself for months but I will say it again: If Warriors had been a girl and been obsessed over that same way, I fucking GUARANTEE you people would be taking it more seriously

I literally just typed in the character name and the game she’s from and that is what google had to say about her. If an older man was described as ‘harboring serious affections’ and having a ‘desire to claim’ a teenage girl I literally don’t think it would’ve been glossed over or ignored like it is

I don’t think nintendo was ever gonna elaborate or really recognize it in the game, they never go super in depth on anything in Zelda games from my experience, and I doubt Jojo will really get into it in LU mainly just because she has so much going on with eight other dudes and potentially two more (based on the header on the linked universe blog)

I saw a lot of characterizations of Warriors and opinions of him that made me so confused and also a bit mad, such that he is a womanizer or a stupid twink (of which he is neither), and that’s a huge reason I started writing fanfiction for this fandom. Firstly to just create more content for my favorite character because I rarely saw any that focused on him, and secondly because I didn’t like some (NOT ALL) of how I was seeing him characterized. (i cannot emphasize enough: NOT ALL people in the fandom characterized him this way, I saw plenty of amazing and beautiful characterizations of Warriors)

I do not think he is a womanizer at all, in fact I fully believe his flirtatious behavior is a defense mechanism. I think his ‘woman problems’ are the fact that he’s afraid of women (especially older women) he doesn’t know or trust, but also that’s just my opinion. And I am genuinely a bit worried that now that people have stopped talking about how they noticed he seemed off a few updates ago and now that they’re saying he’s back to normal that people are going to start reducing him to a stupid dramatic twink again, as if Warriors was not the one who came up with the initial plan to fight Dink and was not the first one to fight him. As if this is not a man who lead a god damn army. As if everything he’s done and everything he is no longer matters because he’s ‘pretty’

anyways I have a lot of thoughts about him in general and im just glad the fandom has been treating him better as of late, but i am a bit worried it’s just gonna go back to how it was

thanks for the ask!! sorry i got a bit carried away 😭

[honeyhotteoks]

do you have any advice on like getting better with writing?

hey! i definitely do!! i’ve talked about this before but i have a lot of new readers, so ill start off by saying i’ve been writing for my entire life, and im 30 so thats a lot of years. if you’re a new writer, trust me i used to be there and good god if you guys could see the stuff i published in old fandoms 💀 really, really bad haha

i only say that because i by no means consider myself a great writer, there are fic writers in this space alone that i’m always so floored by and look up to…. but people have been very kind about my writing style and it’s something that took time to develop it’s not something i just “had”. outside of fic, i was a literature and creative writing major, and got very used to writing and workshopping pieces.

now! onto some actual advice —

1. read a lot and read more, but read stuff you actually like and not stuff you feel pressured to read. i love high brow litfic as much as the next pretentious english major, but i started writing a ton after reading a bunch of kindle unlimited romance because it was fun and it got me inspired

2. watch well written television for dialogue and pacing. people do not talk in proper english, they don’t say things eloquently, and there’s a lot of filler and fluff. that’s good! that’s real, so i love well written tv to show me how it’s done

3. get comfortable writing in weird ways. for years i used to sit down and be like “ah okay so chapter one” and then i was stuck, stalled out, and just felt bad about the process. when i started writing both aurora and tnt, i started in the middle. i had an image of a scene in my mind (for tnt it was actually the claim attempt) and i just wrote it out and then bounced around later

4. outlines are your friend! sometimes i’ll get a random line of dialogue in my head or an image but that doesn’t mean i’m ready to write it. i throw it in one big outline so i don’t lose it.

5. if you’re wanting to write really good smut i have two suggestions but please only do this to your personal comfort level. this is what works for me but do not make yourself uncomfortable— for good smut, i watch porn for reference and for good dirty talk, i listen to nsfw audio. i like to really write the visuals for smut and make it immersive but lol i haven’t experienced everything ive written about and logistics of the body are hard!! i usually find a video or an audio and let that help guide the imagery im writing.

6. be comfortable with the editing process. i know the temptation to post something the minute you finish it is there, but sleep on it. come back and edit it, read the dialogue out loud if you have to. i swear you’ll make the piece better just by leaving it and coming back.

7. don’t be afraid to post. most people are kind, and the worst thing that will happen is you don’t get a lot of notes. that’s okay, it’s a process.

8. research! as i’m writing anything, even a silly little oneshot, im doing research on something. i am hyper aware that im not korean and have never spoken korean or lived in korea, so for my fic i try my hardest to ground elements of that in reality. i truly cannot tell you how many hours ive spent reading like korean case law on revenge porn just for like 3 lines of dialogue. and you don’t have to go that crazy, i’m arguably too intense, but i do think some of that helps the story and the dialogue feel real.

9. describe something real- every place in my writing is based on something real. every apartment, hotel, cafe, venue, etc., they’re all either something i’ve found online or drawn from my life and use that to my advantage. i use apartment listings and save photographs, i do google map walks to see what neighborhoods look like, anything to get the feel of a place or an experience. for the christmas chapters of aurora, i watched hours of gwangju walking tour videos on youtube while i was writing just to understand how to describe their walk in the snow. it really helps me to have a visual that i can put words to.

10. find your weak points and see what other writers do differently. if you want to improve, you should find a small place to start. is it dialogue? overall plot? smut? etc. - i’ll never forget being on a creative writing retreat, and a very important writing professor said to me “everything you write is very pretty but you haven’t said anything. you have to decide to say something.” that feedback hurt, but sent me down a much better writing path when i realized where i was falling short and not challenging myself.

okay i hope some of this was helpful and if it’s a mess im sorry im on mobile. i really just love writing so deeply and will always talk about it, so i hope this was helpful 💗

[batmanisagatewaydrug]

Hi. I’m sending this anonymously but if tumblr glitches and it isn’t anonymous please don’t post this because I’m absolutely completely entirely mortified.

I’m 20 FtM. About a year and a half ago, when I moved out and started at college, I discovered fandom, and began to get really into reading fics on AO3. My parents had heavily restricted my internet access growing up, and as new adult I began to discovered the barrage of content online.

Soon enough, I was spending about an hour or two every night reading smut fics. I never thought anything of it, because, well, it’s just words, it’s not *actually* porn, right?

Recently I did start watching some explicit videos but tried to limit myself to only once or twice a month because the shame I felt as well as the strange dissatisfaction just wasn’t worth it.

After doing some research, I found a study that said that watching porn for more than an hour a week was unhealthy. I thought, yeah, okay, fair enough.

Then I realised: does my fanfiction reading count as pornography?

I kept thinking to myself that because it was text it didn’t count, but —does it? Is that the reason that lately I’ve been feeling strangely dissatisfied and empty after reading/watching? Will I feel like this when I eventually have sex?? (still a virgin, mainly for dysphoria reasons)

I found all this stuff online that says porn addictions can screw you over for life, that you can’t find sexual satisfaction with a partner.

Should I cut back?

I don’t normally masturbate while consuming porn. I feel too ashamed. I normally just sit there and read/watch.

Am I a porn addict?????? Should I quit reading smut? Help.

If you can’t tell, I wasn’t raised in a very sex positive environment and I feel very ashamed. I don’t really know who to talk to and I just feel very guilty so I’m resorting to an anonymous ask on Tumblr.

If you read this, thank you for taking the time. I appreciate it.

— Jason

hi Jason,

I don't think you're a porn addict. I think you're probably just an anxious 20 year old from a pretty restrictive background and now that you have a little more freedom you're kind of nervous about it, which is very normal.

I want to be super clear: written porn is porn. porn is any sexually explicit material designed to titillate; it's existed since WAY before the moving picture existed and it will exist long after the internet has crumbled to dust. people like porn! and it's okay to like porn. the text-based stuff is particularly high on the list of porn that's pretty unambiguously fine, morally-speaking, because you never have to worry that the performer you're watching has had their video stolen by pornhub or that, god forbid, anyone onscreen isn't a willing participant, but I want to be super clear that liking sexually explicit photos or videos of real people is also 100% fine.

obviously I have no idea what study you read, but I'd be cautious about any study being boiled down to such black and white, attention-grabbing headlines. you can interpret a study to mean virtually anything if you want to, and there are a lot of interest groups with a vested interest in demonizing porn. if reading smutty fan fic makes you happy and isn't interfering with the rest of your life, you should do that.

unfortunately it sounds like it's not making you happy lately, dissatisfied and empty feelings. in the kindest way possible, I don't think much of that is being caused by the porn itself. it sounds like it's coming from your gnawing worry that you're a porn addict. maybe it's best to take a little step away from porn and smutty fic for a while, if only until you feel able to engage with it without feeling bad.

also, speaking of porn addiction: that's a very dubious condition, and one that's not scientifically or medically recognized. to be certain, people can develop a reliance on porn that disrupts their daily function and can wreak havoc on their lives, but that's true of anything that causes your brain to spit out happy chemicals. anything that become a maladaptive coping mechanism, including and especially things that are fine and even necessary in small doses. sleeping, exercising, and going shopping are all things that can be life-ruining if done to harmful excess, but that doesn't mean you're doing anything wrong if you like to sleep in, go for runs, or browse your favorite online stores every once in a while.

if reading smut isn't causing you to skip out on your more important obligations, fail to take care of yourself, or bringing on bankruptcy, I think you're probably alright. the biggest danger I see here is you beating yourself over the head with your own anxiety about this, which may be a sign that it's a good idea to take a step back for entirely different reasons than you were worried about.

[mr-laveau]

People don't take audio RP seriously and I have opinions about it

I can't find the original post but the gist is a discussion on how people don't treat Audio RP as a serious medium of media and story-telling which I agree with. People don't. To mark it with a disclaimer tho-I don't inherently disagree with that post, I thought there were some valid points brought but I wanted to throw my hat in the ring as a VA and as a person who consumed a lot of Audio RP content and still does to this day (I just don't got a lot of time to be a fan and a creator whilst working a job) so here it is, my opinions on why people don't take this seriously and bi-products of that.

To start, I wanna say that Audio RP to me specifically is by its nature very collaborative because I as a VA and writer have to make my character appealing whilst also understanding my audience and what their appeal to my characters are*. It's kinda why I think Erik and the Redacted fandom have such different views on characters and the story-Erik does not have much of a connection with his audience (not hate, just a fact) so things tend to feel flat in some areas versus others-my point however is that I genuinely believe that if you want to make Audio RP, you have to actually understand your audience a little bit, which creates a good segway to my first point.

*if someone doesn't like your character, this isn't to say you're not doing a good job, it just means that people have preferences and their preferences do not align with your character.

Firstly, not a lot of VAs understand the RP(Role Play) part of Audio RP, and it shows. I think a lot of people who make content in this sphere don't take into account the person who's listening to their audios and following along. I'm not going to pretend I know about this but I am going to say that it shows sometimes when you don't understand the core of your audience and it causes people to disengage with your audios because you don't take into account who is listening to your audio (which creates problems like audios which are hard to engage with because of a speaker talking too much/too fast to process anything, issues where listeners are treated less like characters and more like ear pieces and problems where the speaker is written more to show them off than to be engaged with a listener). Really and truly the crux of this is in my opinion is that a lot of people who came into Audio RP, seem to have never RPed with another person or are unfamiliar with those spaces (TTRPG, Text-based Roleplay, Fandom Roleplay and the like) and rather saw an audio RP video and just did something like that (not hating, I started because I liked Castle Audios and wanted to be cool like her). That is not only focusing on VAs, that also applies to the audience, some of y'all are new to this and it shows because some of y'all don't know how to act right*

*That being said, some of y'all don't know how to act right and that is because there's no compendium of ettiquette(/j) for how to engage with this media and that is not on y'all. That said, (lovingly) learn to learn to behave like a listener and less like a spectator.

RP is collaborative by nature because you are creating a character with a narrative for another character who engages with said narrative by role-playing together and creating a collaborative story. Half the fun of RP is that it's a process of two people showing off their dolls and having fun. That is not something that can be said a lot about some Audio RP channels because a lot audios do not take into account their listener as a participant in this process (no, this does not mean the audience has explicit rights to the story, let's calm down there(/j). I will add that Audio RP is different given that the listener cannot directly influence the story like traditional roleplays but that does not take away from the fact some VAs and script writers don't think about who is listening and focus too much on who is speaking.

Secondly, a lot of the audience does not know to engage with the medium and that's a hard pill to swallow because it's not their fault but it is also their fault (/lh). Put down the torches and hear me out. I think that a lot of people who interact with Audio RP do not have the best media literacy and I also think this is true for some VAs. Some people who listen to audios don't read enough into audios on more than a surface level view (which makes for people going "teehee, look at that loser listening to people talk") and some people read too much into an audio to the point that it breaks their immersion and they cannot focus on the audio but have to point shit out (this does not mean that you cannot be enthusiastic about lore and info in audios or notice errors in an audio). To solve this, I just have this to say: expand the media you intake and learn to think critically about what you're intaking and how you're intaking it. TLDR; consume media outside of your usual range and think about that media while questioning the media to see how you feel about it rather than have someone tell you about it. This also applies to VAs and Scriptwriters, it makes your work better, this is a fact of life and I need y'all to see that. Love you all so much and the work you put into this community cannot be understated. That said, everyone sometimes shows a lack of media literacy and awareness and it should be known that it's not just the audience.

Finally, Both creators and fans are trying to make the medium something it's not and they need to stop. This isn't to say you cannot advance or experiment with the medium but trying to make it something it is not will mess with the core idea of what it is, you lose people when you try to do X,Y and Z when you ain't even reached A*. A lot of the audience does not understand the limitations of Audio RP and they need to see what can be achieved within the space and what cannot be done. A lot of creators in the space try do too much and while I get the need to push boundaries, there comes a point where you need to reevaluate what you are trying to make and determine how you are going to do that moving forward. That is not to say you can only make a specific brand of audios and anything other than that isn't Audio RP. No cut that shit out, that is being an asshole. You can make whatever Audio RP you want, it just needs to be audio RP. At the end of the day, the goal is to make an audio where the listener feels like they are a part of it. How that looks can differ and that's okay.

*I'm adding onto this by saying that you can experiment with the medium of audio RP, different genres of it are valid (people like what they like) and there is no one way to do Audio RP and anyone who says there is a way is lying to you.

In conclusion, I want to add that a part of the list of reasons people don't take Audio RP seriously (on top of people not respecting VAs, people not being considerate, people treating Audio RP like they do fanfic and people just being people) is because we as a community are all over the place and don't even enage with our own community right and don't know to respect and treat the medium the way it should be. That's all folks!

[struggling-jpg]

Yanqing and Yunli Appreciation Post

Keep Reading cut due to 2.4 spoilers~ (also relatively long-ish post)

These two bounce off each other so well! As a writer, it feels so satisfying to see their characters shine through the quest and the event in the way their interactions highlight them. So I'm gonna use this space to ramble about it!

My previous post pretty much talked about it already, but Yanqing!!! My son!!! I was quite worried that any potential arc for him would be shoved down the road or to the side due to the scale HSR has, but the game's been actually holding up to his ongoing arc. As a result, at least to me, he's come through as one of the best written/developed characters on the Xianzhou so far.

The nature of the length of the updates lets what we get in previous quests settle in for a long while, and considering the mentioned of flow of time in-game, Yanqing's had the time to think and develop as a person. The fact that so many players have had their view and opinion of him finally turn around in this quest is a testament to that. We get to see more facets of him, as in, doing his job and the responsibilities of doing so, and how his insecurities are mentioned in a main quest for all to see. He's constantly referencing others and his past encounters. You can tell that Jing Yuan raised him with his manner and approach to things, which is highlighted by the contrast to Yunli (will get to that soon).

His position as a child soldier has made him mature faster, be quiet even when he's been wronged (filial piety/saving face (aka thank you person on Reddit who makes the banger character Yanqing (and other characters in general) appreciation posts)), take a step back and have to be able to read the room (though, reasonably, he doesn't catch on all the time), and much, much more. The fact that other official content has described him as being more worried about diplomacy and all that. He doesn't have the luxury to be as carefree or brash for someone his age.

There's a lot to unpack there still, even with the development he's had now and that's good! If the Hoyo writing team was wild enough, it'd be cool to see them address the grayness of his role and Jing Yuan's mindset in raising him as he did (We love Dad-Yuan and he loves his son dearly no question, but it'd be so interesting to explore his flaws/mistakes in this perspective!).

Now onto Yunli.

I'm saying straight off the bat, I'm irritated by her!

And that's a good thing!

Her being annoying or bratty or irritating doesn't automatically make her a badly written character! She only would become one if they don't do anything with her, and HSR most probably will, and she should be given the same room to develop in her own arc.

She acts like her age, and she doesn't have the same pressures as Yanqing does. Just like how you can see Jing Yuan in Yanqing, you can see Huaiyan in Yunli, if anything he says is to go by. She's tempremental and outspoken to a fault, and based on the way how quickly Huaiyan relented when she talked back, you can tell that Huaiyan isn't as strict/stern with her to give her a sense of being humble.

I had this thought that she's technically what the general fandom viewed Yanqing as initially, and I'm not saying that as a 100% thing, by the way. But like by some traits and the vibes. She, of course, has a lot more nuance that will be explored at one point or another.

But back on topic, she's a foil. They represent two different approaches and lifestyles and can clearly learn from each other. Her inconsideration of the fact that she's on the Luofu but enforcing Zhuming practices (which I noticed people were upset by, and same; which I imagine is the point), her bluntness to no matter who she's talking to—there's a lot to work with here.

Just like with their swordplay, Yanqing could learn from her mental strength while Yunli can learn from his focused speed and defense. He can learn to regain a more firm grasp of his recently found purpose while she can learn to mature and take in her surroundings and be more thoughtful in that front.

Another interesting note is that where we are with Yanqing currently is in the middle of his arc, we've had the time to see him take a long route of struggle to get to this point, exacerbated by irl players views of him. He's in the middle of his growth and we've had since 1.0 to get to know him. But with Yunli, she was introduced very recently, so we're technically at the "beginning" of her character arc. In a way, Yunli now highlights how far Yanqing has come and changed, and in a way Yanqing now is a potential show for the arc that Yunli can have (not being the exact same as him of course).

I think the idea with these two is that they develop to be more balanced. Balance is such an important thing, especially in Chinese culture (Daoism (Yin-Yang), etc.), and 2.4 has shown how much potential they have to make for amazing character arcs.

It's cool that while they have such similar base traits, they're so different from each other. Calling Yunli a female Yanqing or Yanqing a male Yunli is simply outright incorrect. Their backgrounds, upbringings, ideals, swordstyles, perspectives, and positions in life are so distinct. I'm looking forward to their futures!

[natureboy96]

SJM, ACOTAR, Authorial Intent and what's "fair" to criticize/validate

So, the title of this post is, while accurate, a bit vague. I decided to put my two cents out on this because, since I joined the ACOTAR fandom a few months ago, I've found a lot of very harsh words being flung one way or another, largely based around the characters of the book or the direction people believe SJM has taken/will take the narrative. There's also been a lot of rather nasty attacks on people for their takes, their ships, and their criticism. I'm not an expert on writing, but I thought it worth having a proper, fleshed out discussion on these topics.

Author's Intent vs Reader's Interpretation

When it comes to understanding a text and gaining meaning from it, Author's Intent and Reader's Interpretation are generally the two fields which are subscribed to. Authorial Intent argues that the meaning of a text should be derived by what the author wanted the reader to take from it, and that a text is inherently connected to the intent of the author; for example, because SJM doesn't put as much emphasis on certain side characters, the reader shouldn't consider them important. Or, that SJM and the narrative intend and clearly state that the IC and Rhysand are the good guys, it only makes sense to view them as such. Reader's Interpretation posits that texts are meant to be interacted with, and that the meaning people can derive from them is subjective, because individuals have different life experiences and perspectives which can lead them to understand a text in different ways; A reader can see Rhysand's actions as hypocritical based on their interpretations of what he did and how in ACOSF. Or, coming at the text with a different understanding on trauma or sexuality, a reader can come away from a text finding Tamlin to be a more sympathetic character than hateful one. Both of these arguments have existed for decades, if not longer. And the thing is...

Neither of these are wrong or right ways to read a text

There is no "one right way" to engage with or criticize a text! If you believe that SJM is a bad writer because she uses characters as plot points rather than giving them actual growth/retcons things as needed for her narrative, or that Tam’s actions have earned him his redemption, that is a valid assessment based on what you read in a text. If you think Lucien and Elain have no chance because Elain has on multiple times been shown being friendly, even intimate (not romantic intimate, just close) with Azriel and that the author seems to hint towards a rejected mating bond, that is a valid assessment too. Anything in a text, written, implied or intended, is a valid avenue of criticism.

At the same time, people are fully allowed to have their own head cannons and fanfics about characters outside the written narrative. Just because SJM wants you to ship Feysand, doesn’t mean you can’t write or ship TamlinxRhysand, or Gwynriel or Rhysta. Art, including text, is open to interpretation and you are allowed to make it your own too, even if the text itself makes it clear it’ll never happen. Hell, shipping Elain and Tamlin because they both like flowers is entirely valid! Fan fiction and ships don’t have to be defended by the text/author’s intent, they are your own creation and can be based on whatever you want! Have fun, go crazy with em.

What isn’t ok for criticism

You can criticize the actions and choices and motivations of a book character all you want, using whichever method of critique you want. If you want to call Rhysand a pedo because he came to a pic of his child, you can make that take. If you call Tamlin a serial abuser who brought everything on himself, you can make that take.

What isn’t ok, is using your takes to criticize the people who disagree with you.

(These are just a few examples I’ve seen in the last few days, but I’m pretty sure everyone in this fandom has seen personal attacks along these lines, some far worse than the ones I grabbed. It’s also not a matter of degrees of bad faith criticism, all of these are of the same vein and one isn’t more ‘valid’ than others because it wasn’t as harsh.) Believing Rhysand is a pedo doesn’t make it ok to call people who like him the same. Believing Lucien is a terrible person doesn’t make someone who likes him a person of questionable morals. Having a different method of criticizing a text doesn’t make someone else’s different way of approaching the text wrong.

At the end of the day, these characters, this world, this narrative are all constructs, not people. You are not Feyre, you are not Tamlin, you are not Rhysand or a Valkyrie or Elain or Cassian. You do not deserve to be judged for the actions of fictional characters, and you should not be judged for your opinions on these characters either. And you need to let others have differing opinions on characters, even ones you dislike intensely.

Let people like the characters they want to like, let people criticize the characters they don’t like (or the ones they do) and for fuck’s sake, don’t take it or make it personal.

[xerith-42]

Stop blaming characters for bad writers

Seriously, stop fucking doing this. While this is a post that could certainly be applicable to MANY fandoms, I'm mainly directing this whole rant at my target audience which is mentally ill minecraft obsessed freaks.

If a character is written badly, gets badly fumbled by the creator, or has the ball dropped in regards to their arc in some way, a lot of people will blame the character, as if they're a real conscious person making these decisions. When they aren't. They're a block man literally being controlled by two people who just aren't very good writers and one or both of them are incredibly sexist, kind of racist, ableist, and just bad writers in general.

Yeah, Laurance does some pretty shitty things through out Season 2 of MCD, actively crossing lines he wouldn't have previously crossed. We as fans can cope by saying something something calling, or just saying Laurance is a bad abusive person, but the reality is that the writers wanted to force the series to fit a specific vision and as a result were willing to do anything to get the series to that point. In order to make Aaron the most favorable suitor for Aphmau, her previous suitors need to be out of the picture, or clearly inferior options.

Garroth suffered the out of the picture, being mostly absent outside of a few cutscenes here and there until episode 81 of season 2, but episode 81 is the culmination of the writers goals to make Aarmau happen. By the time Garroth has returned to the series, the damage has already been done. He's not getting the life he wants. And Laurance is written out of the picture as well, but only after being shown to be inferior because Jesson were pushing an agenda.

Laurance didn't deteriorate as a person due to neglect of his physical and mental well being after a severely traumatic experience. He deteriorated as a character because the writers stopped giving as much of a shit about him and instead were using the series as self indulgent fanfiction of alternate versions of themselves. That's not Laurance's fault.

And this applies to any character who was completely fumbled in MyStreet due to this similar focus on wish fulfillment from the writers. Jess has stated that the relationship between Aphmau and Aaron in Phoenix Drop High is reflective of her relationship with Jason, we all know this. This means that any characters who come off as total fucking creeps in that series (namely Gene), are not actually acting on the whims of their own autonomy or desires as characters. They are acting in service of telling a predetermined story that they are retroactively being added into for author fulfillment.

In this regard I fully support fandom cope and say that you should rewrite your little guys to your hearts content. But if you're going to criticize these characters for their actions, don't criticize them. They didn't do anything wrong. All characters are just puppets in service of the story or themes a writer is trying to push. If a character acts in an objectively terrible way, especially a way that isn't in line with their previous characterizations, that is a failing of the writers, not the character.

And I feel like largely a lot of us can and frequently do this. We're actively criticizing Jesson for being terrible low-key bigoted writers all the god damn time, it's like half of the content here. But when we get into character discourse I feel like some people cling onto bad actions of the canon too closely and I've seen more than a few posts presume some pretty terrible interpretations of characters based on these actions. Obviously Laurance is a character I and a lot of others are fixated on so a lot of discourse revolves around him, and it was seeing some... interesting takes on him that prompted me to start writing this post.

But this happens to everyone. Quite personally based on the character I was shown in MyStreet, it feels really weird that Garroth would make an insensitive comment about his brother's weight. Yeah siblings poke fun at each other and often cross lines, but if that was something Zane was seriously insecure about (which it seems like he might be) then it does make Garroth come off as a really insensitive brother, which just doesn't gel with how hard he tries to bond with Zane despite their tense relationship. And I don't think Garroth should be criticized for making those comments.

Whoever wrote those lines (Jess and/or Jason) should be criticized for writing a scene where a character is mocked by their older sibling over a physical insecurity even if said sibling would not normally do that. It's not Travis' fault that Jesson never decided to give him more of a character beyond "funny pervy guy" that's not funny in every anime they've watched until Season 5 of MyStreet. It's unfair to try and say Travis should be scrutinized for his borderline sexual harassment of some characters when it's not his fault that happened, he was written by writers who don't think this sort of behavior isn't all that bad if they make it out for comedy and punch him in the face.

And god dammit it's not Laurance's fault that his jealousy became the most prevalent emotion he felt. Laurance has always been a character to give into his vices and yet fight against them at the same time, it's what makes him compelling. If they were going to pull on those vices in order to make him a less appealing love interest, he never had a chance to really be his own character after a certain point. Because at a certain point in Season 2, Jesson stopped caring about the character they had been writing for over a hundred episodes at that point. They just wanted to canonize their self insert ship and were willing to do anything to get it.

Laurance isn't an abusive angry person who would have killed Aphmau if they got together. He's a flawed character being handled by incredibly flawed writers who are prone to making some of the worst decisions you have ever seen a creator make in regards to their character writing. He was caught in the crossfire of the adoration he received from a very dedicated fanbase, and the creator who would rather pretend he and his previous arc didn't exist for the sake of her fun. It's not Laurance's fault his arc was stilted, jerked around, and ultimately ended with him completely face planting. And yet still reliably dragging his bloodied body up at just the slightest glimmer of hope (Void Paradox).

It's deeply poetic and tragic that I can describe his character in universe and in the meta-textual sense that way, but we should never blame Laurance, or Aaron, or any other characters for things being like this.

They didn't write the show. Jess and Jason did.

[laurfilijames]

All week I told myself that on Sunday, I was going to write all day.

I opened my laptop up for the first time in two weeks. I haven't written a word since I finished editing Expensive and tried for over an hour to work on my series Like My Dreams.

I thought about it all week and have been so eager to continue it, only the words won't come.

I know it's not for lack of passion or wanting to; I think about this story (and all the other ones) constantly.

I've been trying to deny some feelings for a while, or chalk it up to getting too much in my own head, but today it's come down heavier than ever and what is ultimately responsible for blocking my creativity and turning my love for my stories from thoughts into actual sentences.

I'm lonely.

I've never felt so alone.

The Charlie fandom seems to be relatively non existent, or just extremely quiet.

I have no space. No where I fit in.

I'm on the outskirts, trying to find a spot, constantly seeing if there is a way I can have a place for my ideas, stories, and even friendship, and have it hold some value to the others I'm around.

The more I post on here, the less I feel seen.

Engagement on this platform has reduced drastically across the board, and it's effecting so many artists.

It's not about numbers. I'm sure some of you are probably thinking "your last fic has over 100 notes". Yeah. It does. Almost all of those notes are likes, and more than half the reblogs are my own.

What I'm seeking is engagement. Conversation. A likeness and kinship started by a common interest that blooms into simple conversations and thoughts shared.

Comparison is a bitch. I see so many people living the Tumblr life I wish to have. Asks, comments, reblogs of teasers and moodboards for upcoming fics screaming of excitement and praise and how eager they are to read it. People dropping everything they're doing to read the latest chapter of their friend's new fic.

I realize the many reasons why I'm in a different position than they are, but lately it's been screaming at me louder than ever that I'm lacking something meaningful or whatever I'm doing on here isn't enough.

I've tried creating a buzz around my stories. I am aware that most of the time I write for unpopular characters with a smaller fan base, so I set the bar lower but am still left feeling inadequate even when I write for the popular ones. Whenever I've shared snippets of WIPs in hopes to gain some excitement from my readers, it falls short. Usually it'll inspire me to keep going, to write better than ever and make this next fic The Best One that makes me so happy and excited to get out. (For Charlie, I'll say, and write something I'm so unbelievably proud of) and then sometimes it makes me wonder if I should bother continuing at all.

I know I am not owed anything by anyone and no one is obligated to read or comment or anything of the sort, and I am beyond grateful for the comments and support I do receive, and the friendships I've made, old and new.

I'm not exactly sure what I'm getting at here, I just needed to write it down and "talk" it out.

I've been battling the decision to continue writing but not share it. I don't want that to happen, because as much as I write these stories for myself, a lot of the fun of it comes from being able to share it with all of you.

Nothing dramatic is happening. I'm not leaving, and I will be writing again because I'm not at all done with what I have to say about these characters, I just felt this needed to be said and already feel a little lighter by sharing it.

Write your stories, comment on your favourite fics, scream with your mutuals about a photo or gif that inspired something in you, tell your writer friends and writers you've never spoken to but love their stories just how much you do... I promise it makes more of an impact than you know. 💗

[acourtofthought]

Because I follow the "Elain Archeron" tag, Tumblr will occasionally make recommendations on my feed and some of those happen to end up being posts written by E/riels.

One of these suggestions mentioned that Elain and Az are well suited to one another due to their quiet and reserved natures and I had to shake my head because, what?!

The Elain in the Night Court who talks softly, has hands that shake around Az, is quiet and reserved is the Elain still experiencing the effects of trauma which we know she still has because she herself confirmed it in SF.

The Elain from before:

She had come alive here, and her joy was infectious. There wasn’t a servant or gardener who didn’t smile at her, and even the brusque head cook found excuses to bring her plates of cookies and tarts at various points in the day

Elain had taken charge of planning and finding me a last-minute dress, and … it would only be for an evening.

But I tried to smile, if only for Elain, who flitted about the room, personally greeting each guest and dancing with all their important sons.

Two in the morning, and yet the party was showing no signs of slowing. / Elain was laughing among a circle of beautiful friends, flushed and brilliant. Nesta had silently left at midnight, and I didn’t bother to say good-bye as I finally slipped upstairs.

Elain, to my surprise, had a horse, a satchel of food, and supplies ready when I hurried down the stairs. My father was nowhere in sight. But Elain threw her arms around me, and, holding tightly, said, “I remember—I remember all of it now.”

“We keep it secret—we send the servants away. With the spring approaching, they’ll be glad to go home. And if Feyre needs to be in and out for meetings, she’ll send word ahead, and we’ll clear them out. Make up excuses to send them on holidays.

Order them to leave now.” “I’ll do it,” Elain said, taking a deep breath and squaring her shoulders. She didn’t wait for either of us before she strode out, graceful as a doe.

“My sister Elain can convince anyone to do anything with a few smiles.”

Does that seem like a reserved and quiet female or does that seem like someone who, while kind, takes charge and is the life of the party? Someone who comes alive when in the right place?

Does the Elain of the Night Court seem to be the center of everything that's going on or does she seem to fade in the presence of the others?

And if that's not convincing enough:

“Elain is overwhelmed by crowds.” “SHE DIDN'T USE TO BE THAT WAY". Nesta swirled her glass of amber liquid. “She loved balls and parties.” The words hung unspoken. But you and your court dragged us into this world. Took that joy away from her.

Feyre then tells Nesta she's "readjusting" and sure, Elain isn't a total shell, she's doing her best to make a life for herself but she's definitely not the vibrant person she once was.

We are told point blank that the Elain in the Night Court is different and it's clearly not a good thing.

Show me a scene where Az ever happily wandered around from person to person making conversation in a social setting outside of the IC. Show me a scene where he's happily chatting up even a single person outside the IC.

Show me a scene where people are eager to do things for Az because he's such a pleasure to be around.

Feyre wonders if Az gets some of his information from "stone cold manners" but there's never any proof of it happening and even if it had, having manners in order to spy on someone isn't the same as actually enjoying the interaction.

The fact is that Az and Elain do not have similar personalities and any connections people are trying to make is based off Elain as she is after very recent and extreme traumas.

It's a problem in this fandom that I often notice with certain groups and something they seem to do with both Gwyn and Elain.

They think Gwyn can't be interested in Az because she started SF in a low place. They look at Elain as she is in the NC and have based their entire opinion of who she is off that.

They fail to realize that ACOWAR, ACOFAS and SF are poor representations of who these two females actually are (as who they are in those books are who they are because of trauma). They fail to consider who they'll be once they've fully overcome their traumas.

Gwyn isn't going to shy away from males forever.

We've already seen growth from her in SF and she's only going to continue healing. Thinking that it's going to take too long for her to overcome what happened to her and therefore can not go on to have a happy relationship before the series ends is a disturbing mentality.

And thinking that we're not going to eventually see the return of the Elain who took charge and convinced others what to do with smiles alone, who thrived when surrounded by friends and non friends (just people in general), who loved balls and parties is a bit odd because that's the Elain who is canonically the happiest we've ever seen her to be.

And if there is the acknowledgement that we will see the return of that Elain but someone still believes she'd be well matched with Az who Cassian tells us "likes his space", it's possibly the strangest thing of all.

Sure Elain and Az are physically attracted to one another, that can not be disputed.

However what also cannot be disputed is that the Lucien who easily makes friends wherever he goes and enjoys parties, who prefers to avoid violence is an exact match for the happy version of Elain who easily makes friends, enjoys parties, and is bothered by cruelty.

Someone can prefer the opposites attract trope but it's completely false to claim that Elain and Az are similar in personality.

But regardless of what tropes we prefer, in the end what someone wants to see won't matter because SJM doesn't seem to prefer opposites attract and she's the one calling the shots.

[abyssleaves]

Why I'll Be Remaining in the Lurking For Love Community

Ok.

Honestly, I really don't want to make this.

I'm way too old for fandom drama, and I don't need to be making myself a target. My gut is telling me that it's a bad idea to get involved, and I'm inviting trouble for myself by posting this.

But the most recent post against Tom is just ridiculous and I can't not speak my piece.

I'm not linking to it or reblogging it because I don't want to send hate anyone's way, and honestly because I'm going to block them as soon as this is posted. You can read mine and theirs for yourself and decide what you think.

As far as the “anti-Latino” posts that Tom liked, I can't speak to whether they do damage, or what Tom’s views actually are. I am not Latino, and I'm not Tom. It's not my place. But I will say I was aware of those posts long before I saw that “callout” post, and it's because multiple Latino artists I follow liked and retweeted them. At the time, I was given to understand that they were satirizing the fact that both were styles of stereotypes, but one was acceptable while the other was not, despite both being bad. I can't say, based on just those tweets, that I see any anti-Latino sentiment in Tom. I'm willing to admit that my knowledge on that front isn't bomb-proof.

The second point, well... I'm sorry to the friend that feels used. They're entitled to be hurt. And I will readily admit that I'm only able to respond to the info within that post. Maybe there IS more to it.

But I don't think that Tom ceasing contact over the hormones is surprising at all, from a mental health standpoint. Put yourself in his shoes: you're a trans person in US, which is its own struggle, and you've reached your mid/early 20s without being able to attain gender-affirming care. Now someone years younger than you just got the thing you want more than anything else. Sure, you might be happy for them. But that is also going to hurt, horribly. You really have three options:

1) stay friends and smother the bitterness/possible resentment. That will either end up ruining your mental health, or coming out and ruining the friendship anyway.

2) Ask your friend not to tell you/post about their transition. That makes it about you and also ruins something that should make them happy.

3) Distance yourself.

Maybe he should have spoken more directly with you about his feelings, granted. But, Tom has not been shy about the fact that he struggles with his mental health. None of us handle every situation well. As far as his occasional venting, I would think, if you WERE his friend, you might have some compassion, and either cease contact if the friendship is not fulfilling, or accept his sincere, well-written apology (Which are the ONLY words straight from Tom’s mouth on the entire fucking post).

Instead, you got the apology from him, and then shared a bunch of gossip between you and another friend, and outed your interpretations of his vent sessions to the world. That's not exactly classy, posting about how he sought people he felt safe with during a time when a big chunk of the community he built is telling him to do horrible things to himself.

I want to make it clear that I don't agree with all of Tom’s views as expressed on his initial explanation post. Again, many of them are issues that I don't feel are my place to get involved in, and therefore I stayed quiet at the time.

I'm aware that the justified and intense hurt felt by people in those communities can mean that even differing opinions feel like a slap in the face. You have every right to see Tom’s views as hurtful and choose to leave, and/or make a separate community for support. I don't blame people who are in those communities for doing so. This post is aimed at the obsessed minority that won't leave the tag/remaining fans/Tom alone.

All of the above being said, the reaction to Tom’s post is the most “touch grass” thing I have ever seen.

Tom liking one or two comics from a dark-humor comic artist so widespread on the internet that I didn't even know he had an actual page, or anything about him as a person (something Tom also stated) = Tom is a Nazi sympathizer.

Tom saying “I don't care for neopronouns, but I won't attack you for using them and will respect what everyone wants to be called” = Tom is a monstrous bigot.

The racism accusation has me especially 💀. All because he liked a post about help from an unexpected source and that we should be kinder to each other.

How on earth are you going to tell a POC that he doesn't know what racism is because he’s NOT THE RIGHT KIND OF POC? Do you hear yourself?

(FWIW, I also don't agree with kink at pride. Sorry. LGBTQ+ people are not "narsty little freaks"--yeah I SAW that post--they're people. They can be kinky, they can be vanilla, whatever. Kink has nothing to do with your orientation, and therefore it isn't part of Pride. Also, my guys, if you're having public sex/being nude at pride for kink reasons, then you're not part of the healthy kink community: safe, sane, and CONSENSUAL. Nobody around you consented to that. Similarly, while I feel that sex education for minors should be normalized in order to give them better tools to tell when they're being groomed, seeing strangers with no pants on is NOT education, that's involving minors in your fetish. And that's fucking gross. )

The LGBTQ+ community in the US is in a lot of trouble right now, and we have a very bad habit of eating our own. We divide and subdivide and allow ourselves to be carved up by a united conservative front.

We do not allow for differing levels of leftist beliefs, and we constantly accuse each other of being not POC/leftists/queer enough, or being the wrong kind, or using a term for ourselves that some other individuals don't like. A great deal of the bullying leveled against him is justified by others saying that he's choosing to support a party that will turn on him and cause him and others like him harm.

Well, to be honest, the only community I see doing that right now is this one.

The amount of disingenuous “OMG, just FYI everyone to everyone hurt by [situation], I’M not transphobic/a bigot, you're all welcome here 😌” posts from people, who did not read his post, did not link to or quote his post. Disgusting. You know very well that nothing in his explanation or in his actions throughout his time in the community pointed to any abuse ON HIS PART towards trans people, non-binary people, people of the Jewish faith, or POC. You're virtue signaling, you're putting lambs blood above your door to keep the baying mob away.

This is insane. When did differing opinions turn into this? You don't have to agree with Tom’s views on anything. You're welcome to not follow his accounts, not like his art, not buy his game. If you feel that his opinions are too severely different from yours, you should be allowed to leave the fandom without people telling you that you should do bad things to yourself because your opinions don't match theirs (sound familiar?).

But…please. Can we stop with this awful parasocial obsession with his personal page? You can't lie to yourself and call it anything other than literal stalking. It's creepy as hell, and it reflects more on you than on him, in the long run. People might agree with your outrage, but deep down, they're afraid of being the next target, and they stay quiet out of fear that you'll stalk them next and send a mob hurling abuse their way.

To Tom, I'm sorry that this happened to you. You didn't deserve anything even close to this level of vitriol and abuse. You started from scratch and created a character and story that I feel was something truly unique. You reached an incredible number of people's hearts with Lurking for Love and Jacob, and no matter what happens from here with both of them, you deserve to feel proud of that. I hope that you are ok. Being a public figure on the internet doesn't mean you don't have a right to private opinions or even just general privacy.

I'm not tagging any characters in this. I'm only tagging the game because I hope other fans get to see that they're not alone. I don't believe the tags should be polluted this way. If you have to discuss a creator, it should be in his tag and not in a fandom space.

I'm aware that there will be deliberate bad-faith readings of this, or nitpicking of things I didn't cover. Whoever wants to, go ahead and respond, but I've said what I came to say, and I have nothing more to add. My inbox is closed and I love the block button.

[cnwolf-brainrot]

How do I get my au to become popular like yours

ALRIGHT, I’ve got a lot to say here!!

FIRST OF ALL, THE MOST IMPORTANT ADVICE I CAN GIVE: Don’t write for popularity. Seriously. I know that’s cheesy, but I’ve tried it before and it’s just draining and fruitless. If you’re writing an AU, or a fic, or anything random related, you should be writing it because it’s something you wanted to see. When starting Weapon by Name, I wrote the first five chapters with no intention to post it at all, it was purely because I wanted to read it. We have the canon writers to give us stuff that’s written for popularity; if you’re writing fanfic, you have the freedom to cater to the audience of you, so embrace that!!

That being said, I do think I have an idea of some factors that have brought Weapon by Name to the position it’s in. So, here’s what worked for me!

CONCEPT

If you’re making a Marvel AU, something that I’ve noticed is that AUs that are more grounded in canon tend to do better. For example, I actually wrote a IronDad and SpiderSon fic at one point, which theoretically should have done well because that was a super popular dynamic. However, the fic was a Peter Pan AU, and had a ton of additional worldbuilding that I think made a lot of people skip over it. On the other hand my GotG fic where the only change to canon was that Floor lived ended up doing pretty well. I think I’ve noticed that as a trend; people seem to like AUs that are close enough to canon to be easily recognizable, probably because this makes them a bit easier to initially grasp and get invested in. Things like “Civil War BUT Hulk is there” or “Daredevil BUT if Matt lost his powers” are more likely to get hit then stories that are so heavily AU that the characters look more like OCs. This can change based on the fandom you’re in, but I think it’s relatively true for Marvel AUs!

CONSISTENCY

Once you have your idea, you want to establish consistency. If you’re consistent, that means you’re reliable, and that means people will come back to your story. WbN has slowed down a lot now that I’m back in college, but during the first month or so I was putting out a new chapter every two to three days and I think that is a huge part of the reason that it started to gain a following. It gave people a reason to check back with the story, and to do so frequently. A big thing that helped me with keeping consistency was to establish an editing buffer; I’m actually writing the story about five chapters ahead of where I’m posting it! This buffer gives me time to ensure quality, cohesiveness, and also gives me an update to fall back on if I really need it!

TIMING

This is where I got flat-out lucky. I had no idea that the X-Men fandom would get such a resurgence when I started posting WbN. I started posting it because X-Men ‘97 had rejuvenated my love for the characters, and I quickly found out that I wasn’t the only one feeling that way. That initial wave gave the story a bit of a boost, and then by the time Deadpool and Wolverine came out the fic had ten or fifteen chapters; the perfect amount of there being enough to read, but not too much to be overwhelming. I think that’s where a lot of the attention came from, and that was just pure luck with the timing.

INTERACTION

Now while timing may have gotten some interest, interaction is where you go from “interest” to “community”. If you want people to interact with your work, interact with them! Reply to any comments you get! If you get fan art, link it in the story! If someone reaches out to you, respond to them and chat (I got out of my comfort zone and replied to a few direct messages that I got as the story gained interest, and holy cow I’m so glad I did because I met some of my favorite people on the internet)! The reason that Weapon by Name got to a moderate level of “popularity” is because people started talking about it, and the more that people talk about it the more people it will reach. Your audience is important and valuable, so make sure you treat them as such, no matter if you have two people reading your story or two hundred.

Speaking of, you have to keep going no matter how “popular” your AU is. That’s why it’s so important that you write something you want to read, because there is always a chance that you do everything right and then your story is still lost to the depths of the internet. I’ve had that happen more times than I can count. However, you have to keep creating; you never know when someone might find your story, and if you have a good amount of content out then they’re more likely to stick around. Most people would be more likely to click on a multichapter fic with ten chapters than one with only one. You have to love your story, and you have to keep writing; worse case scenario, finish it because you want to see the ending, even if it never gets “popular”.

There are other factors to what goes into a “popular” AU, of course. I do think that quality matters, and I do think that WbN’s quality is one of the reasons people are coming back to it. The way you present your story (through tagging, description, summary, etc) also can be a huge impact on whether or not someone will check out your work. Style matters, voice matters, character choice matters… but at the end of the day, this isn’t something you should be writing for hits and kudos. This is fandom. You should be writing a story for yourself. Don’t get discouraged by a lack of hits or attention. Just keep creating; you never know when things might work out in your favor!

[renlyslittlerose]

Last week was the one year anniversary of me posting my first obikin fic, and over the last year being a part of the fandom has brought me so much joy and happiness and enthusiasm once again. Some of you knew me before 2019 and were aware that I was working on my Masters in the Classics, which included a massive thesis. While working on the thesis I was also working part-time at the museum, as well as battling a few chronic illnesses - some of which still affect me today - all of which drained me physically and emotionally. When I had finished my thesis and graduated from the program I was well and truly burnt out. 

 2020 was rough for everyone, and I was contented to just exist without doing much of anything that could be seen as creatively productive. But then 2020 came and passed and I thought maybe I should get back on the saddle, and started working on my own original story. I fell off of social media, didn’t interact in fandom, and tried to grind out a story that wasn’t working like I had hoped it would. 2021 and I still wasn’t ‘feeling it’; I had gone from writing about 1-2k words a day to 500 words a week - if I was lucky. A part of me wondered if I was tapped out for good, that I didn’t have it in me anymore, and that my thesis was my last creative outlet - my last hooray.  I know it sounds a bit dramatic, but when you go from creating almost every day since you were sixteen years old, to suddenly believe that the well has run dry is terrifying. Maybe I was done for good - maybe I wouldn’t create something I was proud of.

And then Kenobi came out. I was a massive prequels fan since I was nine years old and the Phantom Menace came out, and an even bigger Darth Vader fan, but I had never interacted with the fandom in any meaningful way. I was contented to just watch the films and the shows and leave it at that. But as I was watching I had the epiphany that Obi-Wan and Anakin were actually ~roommates all along. I started reading obikin fic, came back on tumblr to see what sort of fandom there was, and suddenly found myself with ideas again, and a desire to create something. 

So I wrote my first fic ‘Sacred to the Gods’ based off of a thesis I wrote during my undergrad about the psychology of a Greek demigod. It took me about a week to write, but in that time I had a lot of fun - the words started to come more easily, the vibes were there, and the passion was slowly but surely returning. One fic turned into another, and then another, and suddenly I had written two multi-chaptered long-form fics, some shorter multi-chaptered ones, and a bunch of oneshots, all about our favourite duo. 

And in the that span of time, not only was I able to rediscover my passion for writing and feel inspired again, but I met so many amazing, incredible, kind, passionate, creative people who welcomed me with open arms. I was used to fandom being sort of a gate-keepy thing, where if you were the new kid in town it would take you a while to work your way into any circles. But it didn’t happen with this fandom. I went up to a few people, held out my macaroni art, and was overjoyed to see them take it and immediately put it up on their fridge.

There are a lot of people I want to thank, and I should thank, from those who read my stuff, those who send me asks on tumblr, those who bookmark and kudos and comment, and those who followed me, but there isn’t any space to do all that. So I hope that a general ‘THANK YOU THANK YOU THANK YOU’ will suffice. Thank you for giving me my passion back, thank you for supporting me, thank you for being an awesome community that has it’s issues, but still cares deeply about the art they’re creating, and who care about fostering a community. 

However, there are a few people I would specifically like to address, because I don’t think this post would be complete without you. I’ll put it behind a cut because this post is already cumbersome:

@bi-wan || My beloved! You were the first person to follow me on tumblr after reading one of my fanfictions, and the first to reach out to me to be my friend. Thank you for reaching your hand out to me and dragging me into the fold. Because of you I’ve made so many good friends who I treasure dearly - including you. 🥰

@ragnarlothcat || I feel like you and Cam are a packaged deal, and so I thank you for being curious about me and checking out my work, and for allowing me to occupy both you and Cam’s comfy little raccoon haven. You’re so supportive, and your work was some of the first I read in the fandom which truly secured my desire to be a part of it. Thank you 💖

@intermundia || I’ve told you this before, but you were the first person I approached in the fandom when I decided I wanted to dip my toes into the experience, and your warmth and welcoming nature secured my desires to be a part of this group. The fact that you support my stories and are so passionate about it really fuels my desires to keep creating (as well as feeding my ego). Thank you for being such a good presence in the fandom.👑

@theseptemberist || I have a feeling that Will told you about me, and I am so glad that he did because we’ve struck up such a friendship that I can’t see myself without. Our chats on discord over the past few months have been wonderful in so many ways that are too innumerous to say here. Thank you for sharing your heart, and for being so kind and empathetic. And thank you for sharing your encyclopedic knowledge of fandom tea ☕

@unspuncreature || Just like Rag and Cam come as a team, you and Cal (and Wren, even though I’ve never spoken to her but feel like I know her) are the trio that delight and entertain. Thank you for your brilliant art and creativity, thank you for letting me bounce all my ideas off of you, and thank you for collaborating with me. You’re brilliant 💗

@kyberkenobi || Beyond the fact that your filthy brain inspires me and delights me, and the fact that you’re willing to goed me on when I come up with something that’s delightfully nasty, your maturity when it comes to fandom is refreshing. At the threat of sounding like a proud grandma, you’re still so young and yet you’ve got a lot of shit figured out - most importantly, that fandom is supposed to be for fun and write what you want to write. Can’t wait for us to finally collaborate one of these days 💕

@dininginspace || What can I say? You’re a delight, you’re incredibly funny, you’re kind and understanding, and you’re the best cheerleader a loser like me could ask for. The fact that you jumped on the Buffy bandwagon when I drove by on it secures you as one of my favourite people. Thank you so much for your early and continued support 🧛‍♂️

@nuandia || Thank you for chatting with me all the time; keep up your writing, it’s brilliant and worth it, even if you doubt it sometimes. 💖

@grapenehifics || I had just finished watching MASH when you commented on Moonlight Serenade. The noise I made when I saw your username, followed by the continued joy I get whenever I see you on my dash or in my inbox, or when I see you’ve posted something new for the world to enjoy. 🧡

@palfriendpatine66 || You’re a delight. You’ve got things figured out, and how you can write so much with the life you’ve got is incredible. Keep going - you’re a gem. 💎

@binaryeclipse || Love chatting with you on discord, and being able to throw out random things about Canada into the chat that doesn’t need explaining - you just get it. Especially when it comes to Alberta politics. It doesn’t always feel like a safe space out there when you’re an Albertan who loves her province but also hates so many things about it, but you make me feel as if I can be a contradictory mess and still feel as if I belong in Canada. Your muse will come back soon, I trust in this ✨

@treescape || Your work is sublime and an inspiration. I read your fics first when I went hunting for things to read, and was immediately captivated. When you followed me back and weren’t at all weirded out by me bounding over to you like an excitable golden retriever, I was very grateful - I am very grateful. Can’t wait to see what you create next. 💛

@starsdies || Thank you for listening to me; thank you for being so inspiring; thank you for helping with community events and exchanges. And thank you for streaming The Last of Us for me because I’m too cheap to buy HBO Max. 🙏

@tessiete || You fact-checked the details I put into Moonlight and all I can say is THANK YOU. Sometimes I feel like I’m getting too lost in the details, but its people like you who google that shit that makes me feel good about my obsessions. 🌸

[dawnfelagund]

This Week in Fandom, from a Small Site Owner's Perspective

This past week has offered an interesting example of synchronicity in fandom history. On 5 May, a comment on the Silmarillion Writers' Guild Discord about "AI fanart" prompted the mods to collectively make a uncomfortable noise like, "ummmm ..." and swiftly open discussion on whether AI-generated "fanworks" were actually fanworks. (We decided no.) The next day, 6 May, the OTW Signal highlighted the interview with legal chair Betsy Rosenblatt, where she expressed excitement for inclusion of fanworks in AI training and pissed off a bunch of fans. By this point, I'd mostly written the SWG's AI policy but was giving my comods the weekend for further research and discussion on the issue before turning the document over to them for comments and edits.

As a small archive owner, it is interesting to undergo this process, first with my comods and now with SWG members, at the same time as the OTW/AO3 is wrestling through theirs. Yesterday, my afternoon was spent researching and implementing, with the help of my co-admin Russandol, strategies to block as much AI scraping of the SWG as we can. In the aftermath of that work, I wrote this post about a small archive owner's perspective on the issue and how it has unfolded on the SWG vs. AO3.

Then, in a second instance of synchronicity, while I was writing this post, AO3 was clarifying their stance on AI. First, as a PSA to anyone reading this, AO3 does block AI scrapers and has since December 2022 (though I'll be petty and note that it doesn't seem that they've gone as far as the SWG in the tools they're using, at least based on this post). But AI-generated "fanworks" are allowed: "If fans are using AI to generate fanworks, then our current position is that this is also a type of work that is within our mandate to preserve." This is what I predicted in my [synchronous] post, and I was right.

Two big points emerge from my consideration so far of this issue and how it has been handled on a small site (mine) and AO3:

People want/need AO3 to be something it's not because there aren't any other options for the vast majority of fans. (Tolkien fans, you do have options. Not a lot, but trust that there are people in other fandoms wishing they had even the few small independent archives that we do.) OTW/AO3 need to take a principled stand that all fanworks deserve to be preserved. And fans often want spaces where all of the fanworks that ideal encompasses (like AI-generated ...) aren't included. Both are legitimate! But when AO3 is the only option for most fans, they turn their energy to trying to change a foundational value of the one option they do have, and that's fruitless and frustrating and contribute to the comments along the lines of "no one will listen or care."

Big organizations are big, and changing or responding to anything is like trying to port-round the Titanic: It's going to be slow and cumbersome and possibly involve catastrophic collisions with icebergs despite best intentions. In eight days, the SWG went from never having discussed AI formally to having a draft policy in front of members for comment and implementation of AI bot blocking. In the same span of time, OTW managed to rouse themselves to an apology that has been widely perceived as half-assed, and AO3 managed to inform people, after a week of worry, that they've been blocking most AI scrapers for months. This isn't a criticism of those organizations (really!) but an acknowledgement of the difference between big organizations and small ones and an argument for diverse options for archiving fanworks because both options have advantages to offer.

As I said above, I wrote much more about this here.

Of course, what should be done? The options are what they are, right? Right now, yes, mostly. That's the sad place where we've ended up, but we can reverse course. There was a time when many fandoms had dozens or even hundreds of options for archiving fanworks. Those small sites, archives, and communities died due to a variety of factors: closure of the platforms on which they were built (e.g., Geocities and Yahoo! Groups), low to no traffic (due to everyone reading and posting exclusively on AO3), and deteriorating software (e.g., eFiction ... and again at least partly due to low demand, again because everyone thought AO3 would be everything they ever needed).

However, there is hope that more options will become available (or already have).

Neocities is a resurrection of Geocities for personal homepages.

Bobaboard "lets you create moderated, privacy-oriented communities for all your fandom interests."

Dreamwidth is still around, fandom-positive, and underused.

eFiction is being rebuilt, ideally with the ability to host a site through their servers, much as you can build a Wordpress site without downloading Wordpress onto your own webspace.

Fandom Coders is a resource for educating fans who want to learn the skills to build and run website.

I'm working on a tutorial for how to build a fanworks archive in Drupal, the software we use on the SWG. I have the whole thing outlined and will be recording it this summer. Watch this space.

So what can you do?

If fanworks are hosted somewhere other than AO3: post there, read there, comment there, interact there, link there. I cannot overstate how vital this is for small sites.

Make sure your fanworks are archived someplace other than AO3 (like Dreamwidth), even if you're not getting clicks, comments, and interaction there ... yet.

Nearly all of the options for independent sites that I linked above accept donations toward their projects. eFiction is one where I know progress has stagnated due to a lack of funding.

So this turned into another tirade/plea for small sites, but it really is unfair to OTW/AO3 to ask them to be something they were never intended to be, and it's also unfair to fans that they don't have a place to put there work that they feel reflects their needs, wishes, and values.