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lassieposting · 1 year ago

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Been thinking a lot lately about romanced Astarion post-spawn ending.

Because like. The Funnest™ thing about cptsd is how much of it gets delayed. When you're trapped in a lengthy, ongoing traumatic situation, you do not have the ability to process and start healing your mental wounds. Your brain and body go into survival mode, and all that matters in the moment is that you somehow cope with the horrors. He wouldn't have been able to even begin dealing with the physical, mental and emotional toll of two hundred years of torture, brutalization and dehumanization while he was under Cazador's control; he is in constant danger, surrounded by sharks in the water, and survival means not letting them smell blood. He can't afford to fall apart, to show weakness. He is shockingly functional and competent in-game, partly because he has to be to work as a game character, but also partly because...it do be like that, to some degree. When death, for whatever reason, is not an option, you just have to shut down and keep going. People adapt in order to survive, and when we learn that showing an "injury" (physical or psychological) only gets us punished, we learn to hide it.

Early-game Astarion is terrified - of Cazador, of Godey, of being hunted down by his siblings, of being staked or sold off at the first opportunity by Tav and the other companions, of turning into a mindflayer, of another painful transformation, of losing himself when he's only just regained his autonomy after two centuries, of what Cazador will do to him if he ever finds him - the man is overwhelmed by fear. He's on thin ice as a vampire, and he's not going to give them any more reason to want him gone. Survival instinct is still in control, and in this new situation, crafting some fragile safety for himself means not only selling his body for protection, but also being useful. Clear-headed. Good in a fight.

Endgame Astarion finds himself in a completely different situation. The time-sensitive overarching threats - Cazador and impending ceremorphosis - have been dealt with. He has a loving, supportive partner he's really starting to feel safe with - Tav/Durge has proved that they're on his side, that their affection is genuine, that they don't just want him for the one thing he's been told he's good for. They've told him they're going to help him find a workaround for his sun allergy. He's getting fed regularly. He has time to stop, and breathe, and just. Recuperate.

For the first time in 200 years, he is safe.

And it will probably take a while to catch up, during which time he will seem to be coping really well, but at some point, his brain is going to realise that he's safe, and it's going to finally start processing the sheer fucking horror he's been through. Since I haven't seen anyone talking about this particular fun aspect of cptsd, allow me to offer u some thoughts on issues Astarion and Tav might end up dealing with in the months/years postgame, during the

✨ Delayed Trauma Response ✨

Memory Gaps: Astarion realising, as he opens up to Tav, that there are entire years or decades of his life from which he has only a handful of memories. Great big blank stretches where he has no idea where he was, who he was with, what was happening to him. Some of the gaps cover years at a time where he was so dissociated and shut down that he just didn't retain any memories of what was going on around him. Some are shorter periods of particularly horrific torture that his brain has deliberately blocked out to protect him.

Recovered Memories: At some point, years into the future when he's done A Lot of healing, he might find that every now and then, a fragment of those lost memories will unexpectedly come back to him. He'll catch a particular scent on the breeze, or overhear a specific phrase in the street, or cross paths with someone whose face is oddly familiar, and he'll get a glimpse of an acute horror he'd filed neatly away where it couldn't hurt him anymore. He very rarely remembers all the context to those flashes of his past. He might recall that he was punished, but not what he was punished for, or he might remember words spoken by a greedy conquest, but be unable to recall the man's face.

Dissociation: Tav knows going into this relationship that Astarion has basically made an art out of dissociating during sex. They also know, from their shared encounter with the drow twins, that he's not great at enforcing his own boundaries - he'll always say he'll speak up and back out if he stops having fun, but in practice he rarely does; he's not used to having the option of saying no to his partner, and being punished if he tries. So they know there's going to be some practice and experimentation and negotiation necessary there, to figure out the rough limits of his comfort zone. But once he starts really processing, there may be days where he just checks out completely. Tav will touch his shoulder, and he'll startle and apologise - "Terribly sorry, darling, I was miles away for a moment there." And Tav will gently point out that he's been sat in the same spot vacantly staring into the middle distance for hours. They've been checking in on him occasionally and this is the first time he's responded. It's unsettling, to say the least.

Lost Time: Astarion was very young when he was turned, physically mature but emotionally juvenile. He was basically an overgrown teenager, in the phase of life where elves are just starting to learn who they are and what they want, and figure out their place in the world. But he never got to do that, because he spent his formative young adult years in a world where everyone became an abuser, where his only means of surviving was to smile and charm and obey while even his basic human dignity was stripped away. He learned that communication is based on manipulation. He learned that the powerful can do whatever they like to the weak. He learned an incredibly toxic, abusive way of life, and that was his family dynamic, his everyday life, for as long as he can remember. Now that he's free and safe, he's realising that the world doesn't actually work that way and that he's now far behind even shorter-lived races in social/emotional development. He's grieving for the person he could've been. He's grieving for the life he could've lived. He's grieving for all the years he already lost, and the ones he'll lose in the future as he flounders to catch up. A decent chunk of his life was stolen from him, and that's time he will never get back.

Flashbacks & Night Terrors: Specifically the kind where your brain convinces you that an injury you had a long time ago is actually an injury you have (or are receiving) right now. There are nights where he'll wake Tav in a panic, because his back feels like it's on fire, he can feel every freshly-carved wound dripping blood and he's in so much pain he doesn't know what else to do. If Tav looks, they see nothing out of the ordinary - old, long-healed scars, same as always. But the pain and the fear and the distress are all very real to him, and all they can do is try to comfort him, cover his back with cool damp cloths or healing salves, remind him he's safe now and they're not leaving him.

Boundary Shifting: Sometimes, Tav can come up and hug him from behind, and he'll melt into them a little bit and go all soft and happy. Other times, he might flinch away or go rigid at the same gesture. A lot of the time, it really depends on how he's feeling on the day, but at least a little bit of it is deliberate - he's pushing to find the limit of just how much autonomy Tav is willing to give him. He wants to know at what point they'll stop respecting his "no". Will they accept it if he doesn't want a hug? If he wants to sleep in his own room tonight? At what point will understanding turn to anger at being rejected? From the drow twins four/fivesome, we also know he's got a tendency to push his own boundaries, and jump into things he's actually not ready for, and Tav would be the one holding his hand through the fallout as he tries to figure out what his own boundaries even are.

Frustration! So, so much frustration. He wants to be Over It already. He wants to move past everything that ever happened to him and never think about it again. He hates that Cazador still has a grip on him, even in death - he doesn't want to give the bastard the satisfaction of dwelling on all his punishments, his cruelties. Sometimes, that frustration is going to explode outwards at Tav - he'll get angry at them for coddling him, or find something small to start a fight over, or he'll set an unreasonable boundary and try to defend it because he's still learning what healthy boundaries look like. Sometimes, it will implode inwards, and that won't be about Tav at all, but they'll get the brunt of it all the same - it might come out as self-loathing or self-punishment, and he'll react by doing something stupid, like trying to drive them away, because having a secure, relatively healthy relationship is terrifying and the instinct is to destroy it before Tav can. There will be yelling and angry tears and deeply unhealthy coping mechanisms, and they'd have to work through that. Trauma is ugly, and Astarion is right at the beginning of a very long journey towards healing.

Abandonment Issues: Astarion wants the relationship to be one between equals, but he's kind of got Tav on a pedestal all the same. They saved him. They helped him get rid of Cazador for good. They chose him and love him despite a wealth of better (in his eyes) options, and all his baggage. They stayed with him even when he has very little to offer them. We know his vanity and obnoxious self-absorption is a fragile attempt to obscure the fact that his self-esteem is in the dirt and he has virtually no self-worth, and there are a couple of occasions in-game where it becomes clear that he's afraid of losing the one person who somehow considers him lovable. After seeing Sebastian and all the other conquests, he begs Tav not to hate him, saying that he did what he had to. If he has a rival for Tav's affections, and Tav informs him that they broke up with the rival to be with Astarion, he's shocked and the first thing out of his mouth is, "You ended things with them for me? Why?" And if Durge tries to break up with him for his own safety, his facade drops and he immediately asks if he did something wrong. So while he's not afraid to argue with Tav, if something happens - like an angry outburst - that upsets or angers them, and he thinks he's at risk of losing that one steady, stable person in his life, he might well cling and overcompensate to try and repair what he thinks is a fracture in their relationship. He'll fawn or beg or crawl into Tav's bed to "apologise" and "make it up to them" because, well, very occasionally it worked on Cazador. With patience and good communication and lots of repeatedly driving the lesson home to overcome 200 years of education to the contrary, he will eventually start to believe that "I'm really pissed off at you right now," does not equate to, "You are the worst mistake I've ever made and I am leaving you."

Panic Attacks: I feel like honestly he'd get some symptoms of these on a fairly regular basis, but he's never been given any option other than just trying to power through them. He's used to realising he's shaking, he's used to feeling like he's watching himself from outside his body, or like he can't breathe even though he doesn't need to. He's very familiar with the sickening fear in his gut, so intense it makes his head spin. He's not used to being comforted or reassured about them - he thinks they're normal. Tav disagrees.

Anyway, cptsd is messy and complicated and often looks very different from person to person so these will not represent everyone's but these are just some ideas for what the ongoing recovery process might make them work through, based on the aspects I'm most familiar with.

Projecting? Who's projecting? I'm not projecting. Shut up.

#bg3 #bg3 headcanons #bg3 meta #astarion x tav #astarion x durge #mom said it's my turn to project on the blorbo #astarion ancunin

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fuckyeahgoodomens · 4 months ago

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Good Omens graphic novel update: June 2024

Welcome to the June update. A lot of behind the scenes work at the moment but we're grabbing the travel sweets, popping in the Bentley and hitting the road. More on that below.

Admin

Ongoing reminder that the project FAQ can be found here.

I pledged using my Apple ID, or no longer use the address my pledge is attached to, or I cannot work out what email address my pledge is connected to. What should I do? Please contact us via your Kickstarter account where the pledge is connected; we will be able to see on our system which address it is. If it's one you have access to, great! The FAQ has information on how to resend your invite link to access the PledgeManager. If it's one you are not able to access, then you can let us know which email is preferred and we can update this on the system, which will automatically send a new invite.

Events

We've had a lot of queries about when the Good Omens team will be attending events more formally, after some Aziraphale and Crowley spotting at conventions we'd been to previously. Well, we're excited to confirm the first: Good Omens HQ will be at ACME Comic Con in Glasgow, Scotland this September.

We'll be bringing the actual-real-life-home-to-Crowley-and-his-plants Bentley from Season 2 of Good Omens, the first time the car has been made available publicly for fans to come see and get photos with, ahead of its journey back to the set and the start of Season 3 filming.

We also see Quelin Sepulveda, aka Muriel, has been announced for the event for some additional ineffable joy.

You can get your tickets for ACME Comic Con here. We hope to see some of you there.

While we won't be rocking up with the Bentley to this next one, we want to let you know about Ineffable Con which, though sold out in person, is also taking place virtually in July. The fan-run event hosts great panels, auctions and more, with money raised going to Alzheimer’s Research UK, in memory of Sir Terry Pratchett.

Where next? We have - not an exaggeration - a list of about 200 events somewhere from when we asked fans this on Instagram and while we can't promise quite that amount of convention attendance, we're certainly looking to do some more things in future with Good Omens at large. Watch this space.

Good Omens items...

This month has largely seen prototypes and samples for the wider Good Omens merch store arriving, and while we can't share those yet, we are certainly excited to see more fan product suggestions coming to life. That does, however, leave our public item updates a little slim on the ground.

To make up for that, here's some new panels from Colleen:

Also known as, "What could possibly go wrong?" And:

Also known as, "Well why don't you ▇▇▇ ▇▇▇▇▇▇ ▇▇▇ ▇▇!@#▇" or words to that effect, we'd imagine.

Update from Colleen

Following such a positive response to Colleen's piece last month, bringing you behind the scenes into making the Good Omens graphic novel, we are delighted to say that she has agreed to write something for our updates going forward! For June, she's going more in depth into the process of flatting and the technicalities of colouring on screen vs print. Over to you, Colleen.

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I mentioned the other month that I use a flatter to help me with technical work on GOOD OMENS, and here is a great example.

This is my original, hand drawn line art.

And this is the flatting file which was created using the MultiFill computer program.

It will put your eyes out.

The raw image above demonstrates how the color art lines up solidly under the line art. If it doesn't do that, you get a weird phenomenon in print called ghosting, a tiny little line of white around each segment of color. I had this issue on one major project and ended up redoing every single color file after I got a look at the first printing. Nearly two weeks of work.

The same image with the line art on top.

The layer order looks like this.

Background copy is the clean, line art layer.

I scan the art at 600 dpi, then make the blacks pure black, the whites pure white. Then I convert back to greyscale, then RGB, then duplicate the layer. Then I delete the white on the upper layer so the line art layer is transparent but the blacks on that layer are not.

If you have blacks on a layer that has been multiplied, you can see slight color through those blacks. You want pure black.

The lower layer is where I use the MultiFill program to create the digital flats. First you use MultiFill to drop in the random colors, then the companion plug-in Flatter Pro to make those colors seal under the black lines.

This probably sounds like a silly thing to worry about, but if the flat colors don’t line up perfectly under the black line art, you get the dreaded ghosting I mentioned. You can see it below in this image. It’s a tiny little white line that will appear around the black lines and color areas.

This drives me nuts and is an absolute nightmare to fix.

It’s a very common problem, especially for people who work for web and don’t anticipate the problems going from web to print.

What looks great on your computer can cause big problems in print.

From here, my flatter Jul Mae Kristoffer, who is way over in the Philippines, does flatting that is more in keeping with the areas of color I want to isolate. As you see on Layer 1.

But again, this is still pretty ugly, and not what I would use for final color. Flatting is a technical issue, not a creative one, though in some cases a flatter will make choices you may use. Most of the time they don't.

Here is my final color page.

Sometimes my MultiFill flats are so wonky I have a hard time getting my brain to snap out of what I see before me. If I get stuck, it's a good idea to just pick at it and come back to it later.

If it really, really bothers me, I’ll take the MultiFill flatter layer and desaturate the color so it doesn’t poke my eyes out.

Here’s an example. The digital flat file.

The desaturated flat file that doesn’t make me want to poke my eyes out.

And the final color.

Sometimes I just put in a solid white layer so I don’t see the flats at all. Flatting is there to allow you to easily pick spots to color in, and doesn’t usually appear in the final work.

Sometimes I want to create my colors using transparent color over a white ground, which is more delicate in the final.

Here’s an example from Neil Gaiman’s American Gods. I also selected all black line art here and converted it to sepia to give it a vintage look. Except for the fairies. They’re green.

A colorist must also consider color settings.

Different clients can have different requirements. I find these color settings, which I got from the Hi-Fi Studio, to be pretty solid. I use them as my default for all my projects unless otherwise requested. If your publisher has other settings, they’ll usually send you a csf file which you can upload to Photoshop. The program will save your files and you can just switch between them as you need them.

This tells the printer things about the paper and the spread of the ink you will use. That’s what dot gain means - it makes printed color look darker than intended, so you set up your files to account for it.

When you hover your pointer over each box, it will tell you what each setting is supposed to accomplish.

Another really important thing to consider when coloring comics is color range.

I’m coloring this book in RGB range, but for print you use CMYK.

I’m about to confuse the heck out of some people with this post, I’m afraid. But here we go.

Here is this shot in RGB color setting.

And here is the same page calibrated for print in CMYK.

The biggest shift is in the reds. Print cannot match those reds.

You may not see much difference here, but it’s the sort of thing that drives artists crazy.

A computer should be perfect for conveying exactly what you want, right? It's all just 0's and 1's, binary information, and that information should be the same from one computer to the next?

Nope. Not even close.

First off, computer monitors must be calibrated. You can use a computer program or a tool that measures the color on your computer screen and then adjusts the color to an industry standard.

Have you ever been in an electronics shop where a bunch of TV shows were on display, all of them playing the same show, and have you noticed how different the color was from one TV to the next?

It's like that.

I freely admit I don't pay a whole lot of attention to calibration, but if I were a professional photographer I would. I'd have a little spectrometer attached to my screen and software would adjust my monitor to the best possible standard range. As it is, I just use the default setting on my computer and hope for the best.

If your monitor is properly calibrated and your art is shown on another monitor that is properly calibrated, the art will look almost identical from one monitor to the next.

YAY!

But from one monitor to the next, that's about where the resemblance ends.

Colors are calibrated to something called RGB, or Red, Green, Blue.

All colors come from a mix of red green and blue. At their greatest intensity, all the colors in the spectrum together become pure white light.

This is why RGB is called ADDITIVE color, because you ADD colors from the spectrum to get ALL colors, and all colors create the entirety of the rainbow, and pure white light.

Your computer monitor, your phone, your television, all images are created via light using RGB, a gamut that covers all possible colors that can be created.

That's a lot.

And that's why some of the colors you see on your TV or phone are so deep and intense.

For the widest possible range of color and intensity, you use RGB.

Unfortunately, there is what you can create with light, and then there is what you can create with pigment or ink. And that is why printing what you see on your computer almost never looks exactly like what you see in a book.

For printing, you must use a color setting known as CMYK. This stands for Cyan, Magenta, Yellow and Key/Black.

In printing, the pure blue is actually Cyan and the pure red is actually Magenta.

CMYK color range is not created by addition, but by SUBTRACTION. In order to get the color you want, you reduce the percentage of one of the four colors for ink mixing. Mixing all colors, instead of giving you white, gives you black.

The gamut of CMYK is limited to what can be created with ink.

You've probably heard the term four color press? This is what that means. Four colors, with each color of ink run over the paper on rollers which, combined in varying layers of opacity, create all the printing colors you see.

But remember, what you see on your computer monitor and what CMYK gamut can handle are two different things.

Now, I’ve been really careful with the color settings on Good Omens, so there haven’t been any big surprises, but let me show you a snippet of a project I did for the French fashion house Balmain.

The RGB version:

And then this shot after it was converted to a CMYK file for print.

That's a pretty big difference.

Now, you see this shift mostly with vibrant colors, such as that pink there. But other colors hardly changed at all, right?

That's because this issue is about range of color. CMYK and RGB occupy a shared range which you can see demonstrated by this graphic I got from Wikipedia.

The graphic shows the RGB ranges supported by various digital formats. SWOP CMYK is the most common range my publishers use. Note that the bounding box line shared by the RGB and SWOP CMYK formats shares about half the range space. So whatever RGB colors you use that are outside that range will be digitally converted to the smaller SWOP CMYK range.

And you may not like what you end up with.

As you can see, some of the most ethereal and intense colors get lost outside of the SWOP CMYK boundary.

A look at the Dark Horse Comics color settings in Photoshop. Theoretically, this information should prevent your art from looking like mud on publication.

Now, after I just told you the dangers of coloring in RGB then converting to CMYK for print, I tell you I am coloring Good Omens in RGB anyway. There’s a couple of reasons for this.

Remember, RGB give you a greater range of color, so it can be to your advantage to preserve your original files using a format that gives you the greatest range.

Again, here is the unaltered file.

You can see what the CMYK result will be simply by clicking the Proof Colors button here. This will show you how the art will convert.

And the Gamut Warning will show you which colors are out of gamut range for print.

The intensity of that magenta and that purple in the top right are not going to print true.

This is how it will look in final.

So even if you do what you think is perfect color on screen, there is no way it can perfectly convert to print. Almost everything will involve a little bit of compromise.

Even though you have to consider the color shift issues, preserving your files in RGB gives you greater wiggle room, especially if you get lucky someday and get to work with a printer who can print in 6 colors. Or maybe some technology you don’t know about will pop up and make printing super glorious. Who knows.

Regardless, you should keep an eye on that gamut and color for CMYK print, while preserving your master files in RGB.

Until next time.

#good omens #graphic novel #good omens graphic novel #graphic novel kickstarter #colleen doran

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seraphinitegames · 7 months ago

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The Wayhaven Chronicles - Update 26/April/2024

Lots happening this week!

The edits and bug testing came back, so I’ll be starting on that! I know the demo is later than I’d hoped due to—still ongoing and super annoying!—internet issues, but at least the editing process is going as smoothly as I was hoping so no one is getting too overwhelmed!

Once those edits go in, I’ll send them out to my next readers and sensitivity readers, then it’ll be ready to go!

And speaking of the demo, I thought you guys might like to see the logo for Book Four!

Super awesome, right? :D Really had a very clear idea of what Book Four’s logo was going to be, and Nai took it on board and smashed it as always!

And I was also smashing through chapter two this week! I am well ahead of myself on schedule, which is always a good feeling, lol! And because I was so ahead, I decided to add in an extra bigger choice set to add some variation to this somewhat linear chapter. It might be setting up the story, but that doesn’t mean the MC can’t have different ways to deal with how that happens!

So yeah, it’s been a busy week of some exciting developments, hehe! :D

Next week, I’ll be getting those edits in, sending off the demo section for final read overs, and then getting back to Chapter Two. It will also be social media days somewhere in between that, where I hope the internet will actually play ball long enough I can get asks done, as well as all the fun things coming up on Patreon! ;D

Hope you all have the most amazing weekend! We’ll be offline as usual, so I’ll update you all again next week <3

#the wayhaven chronicles #interactive fiction #romance #vampires #update #twc book 4 #logo reveal #cover reveal #choice of games #hosted games #choicescript #the wayhaven chronicles book 4

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cipheramnesia · 9 months ago

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This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

#netflix avatar

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sturniolo04 · 5 months ago

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Late Night Adventures M.S.

Bf!Matt x Gf!Fem!Reader

Summary: in which you and Matt make a late-night run to McDonald's

A/N: If you don't like the preadded name in my stories, you can either add your own name or not read it; it's up to you :)

Dating Matt has definitely been some of the best months and years you could ever imagine. All the core memories you have cultivated with just this one person that literally feels like and smells like home to you. All the picnics on the beach and the road trips you guys would take to Boston to visit his parents are something you forever treasure.

But the one thing you absolutely adore doing with your boyfriend are the consistent late-night trips to McDonalds. See both of us have a pretty interesting sleep schedule, honestly being nonexistent, causes us to be up at random hours of the early/late morning. you remember when the tradition started.

"Matt I can't sleep"

you groan out as you sit up in his bed. The only light in his room is his desktop screensaver emanating a light blue light.

"me either"

he simply states. Sitting up next to you, your shoulders brushing against each other slightly. At this point in time, the late-night runs to McDonalds started when you and Matt had only been together for 3 months.

"are you hungry?"

Matt speaks up breaking the awkward silence causing you to giggle at the random question.

"what Matt"

you chuckle out as he chuckles along with you.

"are you hungry?"

he reiterates turning his head to meet your confused gaze.

"i mean i guess so"

you state unsure of whats to come next.

" okay let's go- let's take a trip to McDonalds"

he simply states getting out of bed and putting on his black ransom hoodie you love on him.

"Matthew it's 2 in the morning"

you state still sitting in his bed.

"so you said you hungry- let's go"

he chuckles out as he reaches his hand out to grab yours to pull you out of bed which you willing do with a playful giggle and eye-roll, as you walk on your knees across the bed to get out of it on the side he was currently standing on.

"see wasn't this a good idea"

your boyfriend states as you guys are sitting in an empty parking lot handing you the food you guys just ordered.

" yeah yeah"

you reply playfully as you take the nuggets your order from his hand

"you know it is"

he chuckles focusing his attention on the food in front of him finally. See you guys never verbally announced that this was going to be an ongoing habit or tradition,it kind of just came to be.

" you thinking what I am thinking"

you state looking over at him as you and Matt are laying down in your bed.

"McDonalds?"

he asks still staring at the ceiling, already knowing the answer.

"McDonalds"

you repeat as he finally shifts his gaze to your eyes next to him.

"let's go"

he exclaims sitting up and grabbing your hand in the process.

Which brings you to the present time of you and Matt sitting in the same empty parking lot with your food, making this the third year of consistently having McDonalds runs late at night when you guys couldn't manage to fall asleep.

" did you know we have been doing this for 3 years"

you state out of complete realization looking at your boyfriend who is sporting your new obsession, his winter beard paired with his gray colored beanie and white t-shirt with his blue denim jeans along with his keys attached to the belt loop.

"for real"

he states shocked meeting your gaze in the process.

"Yeah"

you say simply continuing to eat on the MnM McFlurry you ordered tonight.

"well I wouldn't want to be doing this with anyone else"

he states affectionately, catching your gaze.

"I love you"

you respond as he grabs the side of your cheek to bring you closer to his face, rubbing your guys' noses together in an Eskimo kiss.

"I love you too"

Taglist

@adirtylittleheart @mintsturniolo @wh0resstuff @spicymuffins03

#sturniolo imagine #sturniolo triplets x reader #matt sturniolo x you #matt sturniolo #matt sturniolo fanfic

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ieatangstforbreakfast · 1 year ago

Text

Pairing ೃ⁀➷ Earth 42! Miles Morales x Fem! Reader

Summary ೃ⁀➷ Lovers have secrets of their own, no matter how much they come to trust each other, whether it be a past mistake or an unspoken trauma. For you and Miles, however, your secrets came in the form of hidden identities— one being a masked vigilante, and the other a mastermind.

Genre ೃ⁀➷ Forbidden love, mutual pining, eventual angst♡

Tags ೃ⁀➷ Both are artists, reader is from a very wealthy family, both are living double lives, underaged smoking, reader is female and uses she/her pronouns, forbidden love (ish?), swearing, daddy issues, mommy issues, reader is unhinged, both are mentally unstable, lots of flirting.

Author's Note ೃ⁀➷ Chapters are a bit rushed, sorry bout that 😭 hope u enjoy tho

Chapter 1: Behind the chain

Warning ೃ⁀➷ Profane language, underaged smoking, mention of death, horrible Spanish. Also, I don’t live in America so idrk how people talk there, so please bear with me.

FIC MASTERLIST

Next Chapter

“Hello? Yeah, I’m at practice.”

As your feet hit the ground, the chain link fence shutters from the release of your weight— a sigh escaping your lips as you pull your phone up closer to your ear. The sound of your aunt's nags echo from your phone, bellowing across the abandoned subway and overpowering even the sound of your boots hitting the damp ground. It was shrill, her voice. Like a fork being dragged down a piece of fine china. Activating the flashlight of your phone, you swiftly slip your head out of your hood, the new spot now staring back at you like an empty canvas— devoid of life and color. It’s tragic.

As you trudge down the narrow space, your senses begin to process the stench of the horror movie-like scenery. You could hear the pipes’ leaking going along with your aunt’s ongoing lecture about something you couldn’t recall— somehow distracting you from your search.

But what certainly made you uneasy was the chill.

You hated the cold. You hated the way it’d ice your feet, dry your skin, restrict your clothes, and clog your nose. Though ironically, autumn was the season you found most enjoyable. Most of the nostalgia you bore came from the sight of those scarlet leaves— the smell of pumpkin spice, your mother’s old scarves, and the earthly rich tones of orange and red. It’d been so long, though, since your last happy memory in the season.

Nowadays, the nights are just longer, and the days shorter.

Soon enough, you stop before a tall, white wall, making you gasp as though you’d just won the lottery. Only then you started bidding your farewells to your aunt, who was beyond exasperated with your hurried adieu. Shoving the gadget down your pocket, your backpack falls right off your shoulder with a small thump, eyes still glued onto the blank space.

You make your way towards one of the seats, settling down your stuff while slipping your vape out the crevices of your sleeve and taking a slow puff— the taste of peppermint flourishing through your lips and covering up the stench of whatever was rotting in the railways.

"You're early." A familiar, sarcastic growl emits from the shadows. You turn around as the light from your phone blinds him, making him wince.

“I missed you.” You playfully answered.

The familiar gleam of hazel blinks and stares right back at you, the same stoic stare narrowing from your comment.

“Sure you did.” He huffs.

In the back of your mind, the same phrase bellows.

Well, well, well. If it ain’t Miles Morales.

It was one night, two months ago, when the two of you first met. You were an utter mess, and so was he— and it just so happened that beneath all that rain, the two of you found each other at the right time, at the right place. Supposedly.

The two of you bonded in loneliness and art. It was almost poetic, especially knowing that the two of you were anything but good for each other.

But you believed that that’s what’s great about life— the reckless things, and betting whatever you have on the line, for a taste of something thrilling. Miles knew how to pull on your strings, and the idea of being understood was still new to you. Still, whenever you do find yourself in the comfort of Miles Morales, you can’t help but ask yourself:

Who will we be to each other?

How will we change each other’s lives after this?

You couldn’t quite tell if it was your gut warning you, or your anxiety just being a little shit, but you knew the time to hear the answers was drawing near. You had no idea whether the possibility mortified you or not.

One thing for certain though, was that you knew you wanted him, and you were willing to take the risk to see him over and over again.

Miles took a step closer, his height towering over you like a tree. With a single finger, he maneuvers your flashlight away from his face with a light push.

"Get that shit away from my face."

“Awe, but I wanna see that pretty face of yours.”

“Stop.”

Cat and mouse was your usual dynamic. Though you couldn’t quite pinpoint who the cat was.

He clicks his tongue, moving away from you to head over somewhere else. A few seconds later, the power suddenly lights up and brings the subway back to life. Miles stood by the power switch, staring right at you as if to examine your reaction.

You straightened your lips and raised your brows.

"Well, you should've done that sooner."

He lazily shrugged his shoulders, approaching you once more yet with more meticulous steps. "Wanted to scare ya." He cooly confessed, earning nothing but another chuckle.

"If you wanted to scare me, don’t look so pretty."

Said pretty boy furrowed his brows, making you grin wider.

"Ay, díos. You're..." For a short moment, he thinks of how to complete the sentence.

You hum. "I'm what?"

".. so fucking unbearable."

"Awe, I missed you too." You smiled in a sickly sweet way while placing a hand over your heart. That certain sort of thrill began thumping inside you again, an unfamiliar excitement that got you staring right at him mindlessly with that stupid look on your pretty face. As Miles replied with silence, you shrugged and pulled the mod up your tinted lips— blowing the smoke away from his face. Only then, you gestured it towards him.

"Want a hit?"

"Nah." He dryly replies. "That's your first step to a rehab, y'know."

A low laugh exits your lips, taking another hit while slowly walking around. "With how fucked up I am, I'm bound to end up in either jail, a rehab, or a mental institution— so," You snap your fingers. "I'm just gonna enter all three of them."

Miles looks at you, horrified.

"M’just kidding. Don't you think I look hot while doing it, though?"

He peels the horrified stare away from you, instead choosing to kneel before your backpack, unzipping the damn thing as though it were his.

"What'chu got?" He asks, a certain twang in his voice that lightened you up. You head over in less than a second, grinning stupidly like a little kid in search of favor. You pull the plastic bag out of your backpack, waving it over his face.

"Only the best for you." You wink. "I just kindly borrowed these from my school's art club."

Receiving the bag from your grasps, Miles pulls out the newly bought spray paints. He furrows his brows at the sight of the bold fifteens printed on the bottom of each bottle, a tag left as if to brag. "Kindly borrowed, huh?" He skims over the bottle, evidently impressed. "Fifteen dollars per bottle? That’s a whole heist right there.”

“I literally just snatched it off the cabinet.”

“You must go to some rich kid’s school or sum. You even look the part.”

He gestures over your well-kept appearance. Your clean boots, pressed jeans, freshly done nails, and fragrant hoodie.

And yet you continued to look at him like he was the crazy one.

"... Miles, it’s called neatness. A basic trait." You stand up, stretching your arms above your head, the ache in your bones subtly easing. "If I did have the money, my art would be in an exhibition, not in an abandoned subway."

He pursed his lips, somewhat convinced. "Touché."

As he unpacks the paints, you stay beside him, watching as he goes through the colors and lines them up in order. You shove your hands down the pockets of your hoodie, humming.

"So what'll you be drawing tonight?"

"I ain’t really sure yet… The Subway logo, maybe." He shrugs, an exhausted groan rolling off his tongue as he stands up. "… I ain't got shit. I'm drained."

"Then why'd you come here?"

"Felt bad for ya."

You smirk. "So you did miss me."

He takes a step back, turning his head the other way. "I sure do find your delusional ass amusing." He mumbled, trying to hide the anxiety gnawing at his throat. You hardly notice it, as you were too busy staring at the empty wall, but Miles was uneasy. Uneasy in a way that he was desperate to hide it.

"At least I’ve got an ass." You airily snap back, silence following like an awkward stench. "Did you bring your sketchbook with you, by the way?"

He then proceeds to go through his jacket, eyes widening from the realization. "Ah, shit. I did... Not."

"Awe." You blandly answered, pulling out your own from the pocket of your bag. It was small, convenient, almost like a notepad. "Well, I've got mine here." You toss it over, which he successfully catches. "They're not exactly as good as yours, but you can skim through the pages to find some inspiration."

The pages spin from the flip of his fingers. Tens of concept art, a few unfinished sketches, and some dabbling in watercolor appeared before him in a flash. As he goes through the pages, you take the moment to have a momentary smoke, straying not so far away just so he wouldn't inhale any of it. The nicotine eased you as it normally did, though now that you were looking at this pretty boy before you, you couldn't help but ponder about quitting. Just for him. Just for the sake of him.

Though the feeling the nicotine often brought you was addicting, his presence hit you harder than any other drug, affecting your system in a way that made your stomach whirl. He was like your favorite cup of coffee— the strongest coffee to ever linger in your presence. Strong enough to appear on a drug test.

It was damning.

Dangerous even.

As the page flips again, Miles freezes at the sight. You take the gadget away from your lips, approaching him immediately as he huffs.

"... Huh."

Bursting in neons of magenta and violet was the sketch you made of a certain vigilante.

"Oh, don’t mind that." You mumble. "That's just some random sketch."

He brings the paper closer to his sights, marveling at your talent. The markers and the ink, mirroring the image of a cat on the run. His pretty lips part, mouth hanging agape as he asks. "You know this guy?"

A hero of the streets, some sort of final pillar carrying the weight of New York's safety on his broad shoulders.

"Well, I've seen him— Prowler, from the news. I thought he looked pretty cool."

Prowler, a name all too familiar to you. How could you not know he was? A man hiding behind an iron mask, a digital purple hologram over the metals, making his silhouette mirror a panther’s. The man was all your father recently growled about, the memory of the heavy morning still engraved into your mind. You can almost sketch it out— The stench of his tobacco, the shrill of his angered voice, and the image of your poor housekeeper silently brushing some broken shards into the dustpan. You remember sitting by the dining table, solemnly choking on your breakfast as you forcibly shoved it down your throat.

Eyes downcast and hands shaking.

"You think he's cool?" Miles' voice tears you apart from the memory. He sounded almost elated, like a child in search of praise.

"Yeah, I'd always wanted to be a vigilante, fuck—" The vape rolls off your tongue unconsciously. "Like, my life is so damn boring, but at the same time, I've got too many responsibilities to handle so I can't do the things I like. But hey, that's life, I guess."

"If you've got too many responsibilities, then what the hell are you doing here? It's like midnight r'now, damn."

"I kinda told my aunt I had practice for band."

"You're in a band?"

"…. No." You deadpan. "That's the reason why I'm here, man."

He snapped the sketchbook shut, sighing as he plucked out the red and purple spray paints from the line. "God, you'd be one hell of a headache if I ever had a kid like you."

"Woah, slow down, sweetie, you're already talking about kids and you haven't even taken me out to dinner yet." You tease, teeth nibbling onto your lower lip as you watch him crumble. He straightens his lips, forcefully holding back a smile.

"… Shut that mouth for me, would ya?" He shot back. "Just shut up."

"Oo, make me."

He pops the lid off the red paint, the sound of a nickel ball being shaken up in a metal can soon following. Without even an ounce of hesitation, he curtly sprays the paint over your sleeve, earning a gasp from you. You quickly snatch the neon pink can and start spraying back, the chemical smell wafting over your nostrils as the sound of your giggles echoed down the halls. A minute later and the both of you began drawing your new piece while being drenched in paint.

"Hey, pretty boy.”

Miles instinctively turns to look at you, as though he prided himself in the nickname.

"I need to do the top part, can you boost me?" You ask, voice muffled from the towel pulled over your nose.

Maybe it was the exhaustion, but he agreed without making a sound.

He kneels, tapping on his thigh, gesturing you to take your step. Taking off your shoes, you cautiously climb over, feeling his hands brush against your calves, almost as if he was readying his stance to catch you just in case you fall. Initially, the pose seemed to be serving you well, but when your ankles started shivering, your hand latched onto his head, gripping gently in panic. Miles, who was, of course, caught off guard, began shaking. You finally took a step down.

"Fuck." You whispered. "Can you do it?"

"Hol' on."

"I think you just need to like, tiptoe a bit and—"

"Be patient."

And you did just that.

He stretches out his toes in an attempt to reach for the top, but he fails miserably. Miles then turned to you, bearing the pout of a frustrated child.

"... Ya already know what to do, right?"

"Mm, yeah."

An irrational thought crosses his mind, and it battles against his rationality like a civil war within the confines of his head. A second later, his lone finger signals you to come closer. You do so, and he looks up at the unfinished crown.

"I'm gonna carry you, a'ight?"

"What?" You blurt out. "Y-You don't have to—"

"Just balance yourself." He skips past your rant. "And you better do it well."

Before you could even intervene, he's down and offering you his shoulder. Hesitantly, you position yourself. Looking over at you, Miles skims over your face in search of approval. When your hand shakily makes its way over his other arm, Miles cautiously wraps his palm over the side of your knee, hoisting you up like a trophy he’d just won.

"You okay?" He asks.

"Y-yeah. Just— yeah." You stumble over your words, raising your hand over to start painting.

You could feel it tingling in your bones. Skin deep, rotting within the confines of your flesh, insecurity at its highest peak. And it shut you up. Miraculously, as Miles would say it. Your weight, your body, your own figure frightened you. It would be a lie for Miles to claim that he hasn’t noticed. But he stood tall, hardly showing an ounce of any struggle— which comforted somehow.

He was pretty strong, stronger than you first thought.

As you painted, Miles stood there in silence. Trying his best to focus on his breathing.

But the softness of your palm atop his shoulder, and the growing warmth of his own over your waist. Miles desperately tried to ignore growing warmth burning his cheeks. He resisted the urge to dig into the softness of your waist, and yet it remained like a taunt— allowing only his nails to grip over your shirt, the thin barrier over your skin. It seemed almost vulgar, how his hand was beneath your hoodie, gripping as though you were his favorite plush. How his wrist was pressed against the curve of your hip. Then and there, within the span of five minutes, the silhouette of your body was forever engraved into his senses, his mind, and his touch.

But no one spoke of it.

"... You done?" He groaned.

"In a bit, hol' on."

You thought he'd start complaining about your weight, but he didn't.

You were somewhat relieved, but at the same time, it flustered you.

And when the little scene ended, you and Miles stood there, backs pressed against the wall as you stared at your new masterpiece. You looked over the chemical stains on your sleeves, glancing at him. "This jacket's pretty expensive, y'know. It cost me like fifteen grand."

His face twisted in disgust. "You'd buy a jacket like that? In this economy?”

"It's a capitalist world we live in."

"No shit."

The two of you share a small laugh, evidently exhausted from the whole art process. It wasn't all that much, but it was based on one of your many doodles during class. The cursive that spelled out Stay Out was painted in an intimidating shade of red, its borders tainted in white and black— a crown of thorns resting above the text. It seemed like a warning, an open threat. Crafted by frustration, but upon its finish, you were eased.

"Next time, we should do something that says 'Eat the rich' or 'Vive la revolución.'" Miles suddenly suggested, jazzing his fingers comedically. You click your tongue. "We might get shot, man.”

“With all that smoking you do, you’ll wither away before the bullet even manages to get you.”

You raised your brows. “Okay, and?”

Miles scoffs at your ridiculous reply, but for a moment he thinks about it— some sort of plan in his mind. Sooner or later, he soon gently raises his palm without a word. You stare at his hand confusingly, “What?” you then asked of him. The boy then gestured over his lips with his fingers shaped like a v, imitating the act of smoking. “Lemme try, at least once.”

“… You’re kidding.”

“I’m being for real, ma, just let me try it once.”

You think about rejecting his request, but the curiosity had you fishing out your e-cigarette in less than a second.

“Okay, but if you die, I’m not paying for your damn ambulance bill.”

“Just uber me to the damn hospital.”

Miles then looks at it, glaring holes into the pen-shaped gadget as though he were waiting for it to speak. After considerably taking his time, he plucks it out your palm and starts a slow sip, the collision of the nicotine and the flavor flooding his tongue as the smoke enters his system. When the heat creeps in, however, he bursts out into a coughing fit.

You snatch the gadget away from his grasp as he groans.

“Careful.”

"What the fUCK—, ain't that s'pposed to calm you down?—" He slams his hand against the center of chest in an attempt to ease his lungs.

"… Did you fucking swallow the smoke or what?" You sigh while taking a sip, the smoke smoothly exiting your lips.

"... You know what? You are definitely gonna die early."

"Oh, darling, don't threaten me with a good time."

“Pu—” He coughs a few more times. “Puta, I almost died there.”

You take your palm and began rubbing small circles behind his back. “You shouldn’t do the shit I do, even if I look hot doing it.”

“Ain’t nobody told you that.”

“… Why’d you wanna smoke anyway?”

“I just wanted to know why you keep doing that.” He groans, staring at the pen in your fingers. “I mean— it’s unhealthy as fuck, hardly tastes good, and it’ll kill you the ugliest way possible. So why do it?”

You lower the pen as though your long-lost conscience re-entered your body.. “… I don’t know really.” You mumbled half-heartedly. “I think it’s what calms me down the most…? I don’t know.”

“… You don’t have, like, normal hobbies?”

“The fuck— of course, I do.” You swiftly shot back. “I just don’t have the time to do them.”

“Then what do you do at home?”

You blink.

“What— What do I do at home?” You repeat, thinking of it to yourself. “That’s a good question, what do I do at home?… I do chores, I study a lot. I-I take care the house.” Take care of the house? Yeah, shit I ain’t Mirabel Madrigal. As your mind short circuits, from a mile away, you could already guess his reply.

“I do that too, dumbass.”

You click your tongue. “.. It’s complicated. The time I usually have for myself is when I’m outside, that’s why I lied that I took up band for extra credit.”

You smoothed out the details of your life, picking out a few small details that were definitely not all that important.

"Is that why you're here?"

"Yeah.”

The boy curved his lips into a slight frown.

“I mean,” You shift closer, sighing as you palm the back your neck. “Sometimes, places like these are better than my own home."

"Places like an abandoned subway?"

“You make it sound like I’m homeless.”

“That’s what it sounds to me.”

"... It’s just.." You run your fingers through your hair, eyes glued onto the ceiling above. "I feel more at home in an abandoned subway more than my own house.”

Miles hummed. "… I'd always thought home would be more of a person," He tilts his head. "Rather than a place."

The silence was deafening, but this time, nothing was urging you to fix it— because there was nothing in need of fixing. You were comfortable, weirdly enough, as you never really found comfort in utter silence.

“It’d be nice to be.. Someone’s home.” You couldn’t help but utter those cheesy words. “I think I’d make a great home.”

Miles fiddled with the hem of his hoodie, holding back the words that echoed in his mind.

Yeah, you’re doing great.

Instead, what slips out of his mouth was: “How the fuck are you gon’ be a home? You’re a whole haunted house.”

“Oh, fuck you.” You roll your eyes. “If I’m a haunted house, you’re a rental where all the drive-by shootings happen.”

“Okay, what the fuck.”

“When you go low, I go LOWER.”

In the end, the two of you simply bursted into laughter, sinking down to the floor to take a seat. Another hour passed and so did a hundred topics. They flew by like the autumn leaves, leaving the both of you unconsciously huddling close for warmth beneath the large scarf you brought. Two birds of one feather, one nest. Easy conversations, light laughs, and genuine interest.

Even when the conversation grew darker, the two of you infinitely felt cosy enough to confide in one another. Especially when Miles spoke about his father.

You listened well, yet there was this ball stuck in your throat that you couldn’t quite swallow. A heaviness in your heart, a stiff feeling in your throat. However, your ears were welcoming. His tone was grieving, but his words resonated with acceptance.

"He used to drive me every morning to school... We'd fight over the pettiest things, and god, I hated it, but looking back, it was better then." He buried half his head into his arms. "I'd rather have him annoying me than have him not annoying me at all."

The words hit you like a truck, leaving you defenseless. In a moment, your walls crumble as these words crawl out your mouth. "... Sometimes, when we're with someone, you can't help but wish they'd leave you alone, but when they're gone, only then you'll realize how much you can't live without them."

Though your words were meant for Miles, you knew damn well that they were also for you.

"... There's some truth to that, I guess."

"Does that mean that you'd miss me when I'm gone?" You tease.

Your gentle gazes collide, and eventually, you see that Miles had softened entirely.

"... Maybe."

“.. Maybe?” You repeat his reply. “.. Should I annoy you more then?”

“You’re annoying enough as you are.” He huffs, pulling his knees to his chest. “I hate you so much.”

“Sure you do.”

You lean against his shoulder. “Hate me all you want. I’ll pretend to believe you.”

A light chuckle emits from his lips, but as it fades, he turns his head, burying his nose in the scent of your hair. You were fragrant, and it was addicting. Slowly, he shuts his eyes and basks in your scent.

Then he called out your name softly.

You hum, looking up at him— the inches between you closing in, cold breaths like white smoke intertwining. His cold fingers dance atop your own.

“What?” You whisper.

His lids were heavy, gaze switching between the pool of your eyes and the plush of your lips.

Then and there, you knew.

But something screamed at you in the back of your mind.

We can’t.

Ring. Ring. Ring.

And you pulled away before your lips could even meet.

"Shit." You cuss, clumsily pulling the phone out of your pockets. Your hands frantically scramble to answer the call, the look of Miles' defeated stare stinging the corner of your eye. "Hello?" You began, hearing the chauffeur's voice ask back. "Ma'am, where are you?"

Your fingers press the side of your phone, lowering the volume.

“We're currently clearing up the room right now. Can you please wait about thirty more minutes? Thanks."

As the call ends, you frantically head off to start cleaning up. Trying to evade whatever had just happened— at least, you try to. It invaded your mind and heart, left you breathless and unsteady.

You and Miles began picking up the bottles, shoving it inside the plastic. You then flung the strap of your backpack onto your shoulder, holding the plastic out to him. "You can have it."

Confusion was scribbled all over his face.

"Didn't you steal that from your school's art club?”

You look up, thinking about it for a moment before shrugging. "It’s their problem, not ours." You grin.

Miles shakes his head in feigned disapproval. "Tsk tsk tsk, eres una chica tan mala."

"Don't start, the only Spanish I know's from Dora."

"Que?"

"Queso."

You shove the plastic into his arms. "No hablo Español, lo siento." Was all you managed to form out of the past few weeks you started learning Spanish. You threw a hand in the air, waving him a fast farewell while pivoting your heel to leave.

“Can’t I walk you home?” A suggestion, and not a demand for the first time, Miles insists “It’s dark as fuck outside, and you might get.. Y’know.”

For a moment, you pause to laugh.

“Are you worried about me?”

He nods. “I am.”

“I— wait, what?”

He took a step further. “I am worried about you. It’s ten o’clock. I think I should take you home.”

Miles looked at you in a way you’ve never seen before. It was unfamiliar, or maybe you just weren’t good at paying attention, yet now that it was materializing before you— It overwhelmed you.

It was breaking you open.

You bite your lower lip, shoving your hands in your pockets.

“… I-I don’t know, I don’t think my dad would like that very much.”

“And I’m sure your dad wouldn’t like the idea of his lil’ girl getting hurt.”

There he goes again, towering over you, his cocky eyes never once leaving your face. Lil’ girl my ass, you can’t help but think. I’m tall, asshole. You just so happened to be taller.

“I’ll walk you home.” He reiterates. Now it’s an announcement, not a proposal. “You can tell me to leave when we’re near. I just need to make sure you’re okay.”

“… Miles,” The way his name rolls off your tongue had him weak, and you couldn’t even tell. “.. Okay, fine— But, only up until the Gristedes down the block. Until then, you go home, alright?”

Your voice was too soft, too mellow. It made his breath hitch, made his neck tense in this already cold weather.

“Aight.”

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violetasteracademic · 3 months ago

Note

I just finished cc3 and I’m worried the next book will be about nesta. Why do you think the next book is still about elain?

Hello my darling anon! Congrats on finishing CC3, you have sent this to a rare bird in the wild who actually enjoyed the hell out of it despite the flaws. So I hope you had a good time!

I'm a bit nervous to show you guys this side of me. Well, I suppose I've been showing it, but to compile it in such a way is quite another ordeal. That being said, I have toooons of links and resources to share why, for me personally, it is so clear that Nesta's story is *not* over, and Elain's book is undoubtedly next. Both of these things are true, but it has everything to do with the direction of the multiverse, which is very tightly woven, and *not* ACOTAR 5/6, which has been in the works for near a decade. Save this. Come back to it. Take your time working through it. I'm giving you everything, anon!

We have two parts at play: ACOTAR and the new series, which I have no doubt in my mind is Twilight of the Gods (more on that later) so lets start with facts before we move on to theory.

I am positive Elain's book is next because Sarah's messaging has remained 100% consistent since signing on the ACOTOR spinoffs in 2016. Moving forward from ACOWAR, she wrote ACOFAS as a novella to "bridge the gap" between ACOWAR and the spinoffs, and set up the future of ACOTAR. That was completely true for ACOSF, where everything that was set up has come to pass or been expanded on so far. The introduction of the Blood Rite, Nesta's mental health struggles, Morrigan being assigned to Vallahan, and the continued escalation of Elain's relationship with Azriel and Lucien's with the Band of Exiles. We meet Emerie, we learn more about the struggles of the patriarchy in Illyria, so on and so forth.

Then, we have ACOSF. The first dual POV romance of ACOTAR. This was only the beginning of a long term plan of dual POV romances coming to fruition. Here is youtube video from early on in the process describing the spinoffs as standalones that feature a different romantic pairing each book, but form a backbone when united.

By 2020, after ACOSF was announced, Sarah reiterated again that the new spinoff series features a new couple each book, with their own miniature plot and romance resolving within the overarching story of ACOTAR. Here she also shares that she plans to write a *lot* more than what she is contracted for, and has a ton of different ships to choose from. You can watch that here.

And now we move to 2021, after ACOSF was released, and Sarah confirms she always planned to write a book about Elain here.

This is actually a great interview and one of my favorites. You can watch the whole thing here. Eva Chen is a real one.

As far as ACOTAR goes, Sarah has continued to confirm in multiple interviews that her initial plans regarding the spinoffs have not changed, and still largely follow that initial outline she pitched back in 2016. And it was always going to be Nesta and Elain.

I will reiterate, ACOTAR is its own series with its own structure. Every ACOTAR book will feature a new couple with their own romance story. ACOTAR will continue to be exclusively a romance series from here on out. A lot of people speculate a lot of things on the future of ACOTAR. That we'll get a big finale with a multi-pov, that the story will end after Koschei, that we'll have a Kingdom of Ash style book. None of this is true. Sarah is going to keep contracting ACOTAR books until she runs out of couples. If you think this sounds odd, keep in mind that SJM herself is a fan of and grew up on Nalini Singh, who has series that started in 2006/2009 and are still going, featuring a new couple each book:

So, this is not strange behavior for the genre, and I think SJM is excited to have an ongoing fantasy romance series like this. And I'm excited for us to read it!

So, no KoA multi-pov finale. No second Nesta book. ACOTAR is an ongoing romance series with an "unspecified number of books remaining."

Okay! Now let's talk about Nesta! Bone Carver voice: Nestaaaaaaa

I'm going to do something just for you, Anon. And whoever catches this in the next week or so. I left titkok as far as booktok/content making and whatnot and privatized all my videos with my face on them (for a variety of reasons. Some fandom/bullying related, some not) but I did a massive breakdown of SJM's publishing contracts and all of the lore for Twilight of the Gods build up. I did get some of my screenshots from other Tumblr accounts, and linked my sources in the caption! Give this a watch (it's long) and pop back over.

Obviously if you spend some time in the comments section, mostly the questions at large are regarding timeline. I'm happy to chat theory, but focusing on Nesta, it is incredibly important and specific that she had her role in CC3 and that she connected The Valkyrie to Midgard, aka Middle Earth in Norse mythology which is where Twilight of the Gods, aka Ragnarok takes place. We have seen Midgard, Hel, and I have no doubt we will see Asgard.

But take a look at the difference between Nesta and Azriel's journey in CC3. Nesta had a deep emotional arc with Bryce. She developed trust and a relationship with her that Azriel didn't. In the HoFaS bonus chapter, Nesta forged a bond and a relationship with Bryce's mom, Ember. Nesta and Bryce's development is what is important here: Nesta has now created the bridge between the Valkyrie and Midgard. Valkyrie are the chosen fighters of Odin in Twilight of the Gods- the war at Ragnarok.

Twilight of the Gods is coming, fam. Crescent City three also revealed that The Mother, Urd, and Wyrd are all the same entity. The Goddess of all creation and fate. She oversees all worlds, and another important but oft overlooked element in the CC3 crossover is the frequency of the conversations about the Gods:

So yes, Nesta still has a huge arc coming up baby! She is not done. No one is done. But the Valkyrie are gearing up to play a major role in TotG, not the next ACOTAR. I believe this also grounds the continuation of the tension between Nesta and Rhys, and these two powers at odds when it comes to making decisions. Rhys will protect Prythian first. Nesta is building the bridges to other worlds, and is willing to fight alongside them. Rhys has no relationship with Bryce and Midgard. Nesta does. And lets not forget the Pegasi!

CC3 was not about Nesta. It was about Bryce and Nesta. Giving the Starsword back to Nesta is simply because that is who Bryce had a relationship with, and will continue to have a relationship with in the multiverse, not because Nesta is getting another book. Honestly- who else was she supposed to give the sword, Mask, and Truth-Teller back to? Twilight of the Gods will feature characters from all worlds. Sarah confirmed it will be emotional to write because of the old faces we'll see pop up in her Today Show interview here. This interview was thoroughly structured and planned, and released on the same day as HoFaS.

Speaking of the Starsword, let's talk Azriel and his role in CC3. Azriel is now the only person we have seen carry both the Starsword (likely Gwydion from here on out) and Truth-Teller. Light and dark. The power that combined to unleash the magic on Avallen, otherwise known as the Prison/Dusk Court in Prythian. Nesta has her own sword, Ataraxia. We have not seen Nesta touch, wield, or use Gwydion. Only Azriel has.

There is only one other character at home in Prythian who has also wielded and used the full power of one half of that pair of weapons: Elain.

Nesta used Truth-Teller to cut off the kings head, yes, but Elain used Truth-Teller to travel through the shadows across a battlefield with no experience and no training. She held that blade, and it worked to her will, tapping into its magic.

Azriel also learned about the corruption of the Cauldron. This was his primary experience in the crossover- discovering that the Asteri, who force mates and curate bloodlines to create powerful offspring which they then churn through a soul meat grinder for food warped the Cauldron to enact their will. Azriel did not form a relationship with Bryce, or Ember, or form any sort of additional connections to Midgard the way Nesta did. His part of the story revealed the problems at home. His (likely) love interest is the only person who has used his blade there, while Azriel is the only person who has used Gwydion. Bryce notes that Azriel must have some Starborn blood in him. Silene confirms that the Dusk Court can only be nurtured and looked after by Starborn heirs.

So while Nesta's compass in the crossover pointed to Midgard and her developing relationship with Bryce, as well as her clear willingness to work with her, Azriel's compass pointed home. It pointed to his lineage, to the corrupted Cauldron, to being one half of Gwydion and Truth-Teller combining, the Dusk Court. All of which points us to...

Yup. Elain.

If this STILL isn't enough for you, I have made a few additional posts regarding The Glass Coffin (aka Sleeping Beauty, which Bryce plays for Azriel in the HoFaS bonus chapter) and some, but not all of the little Elain coded details in HoFaS. You can find those posts here and here.

I could keep going forever. I can reiterate that there was not one but two ACOSF bonus chapters, and both were about Elain. I can talk about about the fact that SJM always planned to write a book about each sister, and ACOFAS was about- duh- each sister. But this is already so long and full of so many links and resources. The wrap up is this- ACOTAR is now an ongoing dual POV romance series. Until she tells us that is no longer true, it is true. A new couple each book. Nesta and the Valkyrie are key players in Twilight of the Gods. Sarah confirmed she was writing Crescent City and Twilight of the Gods at the same time. The multiverse is happening, and it just takes a little bit of exploration to understand where the characters are likely headed.

I'll end on this note. Azriel and Elain are light and dark. This belongs to them. The bridge of connection between them- Truth-Teller:

Now look at how the combination of the Starsword and Truth-Teller is described in HoFaS, and tell me if it looks familiar to you:

And now alllll together again, fam! Who are the only two characters who have properly wielded and/or tapped into the power of the Starsword and Truth-Teller in Prythian?

Azriel and Elain.

I think that's everything. I hope this comforts you. I genuinely don't ever feel worried or confused. It is all so clear to me how Sarah wove this together, and I think it's absolutely brilliant. Eep! I just get so excited! So take a little bit of my excitement and release the fear. Half of the people making content on this blatantly hate one half of the next book and they willfully ignore that she has had one of the most beautiful, breathtaking, well foreshadowed and woven storylines in the history of SJM's writing. Of course that is only my opinion, but honestly, how could you NOT be impressed and excited?!

I can't wait. I just can't heckin' wait.

If you got through all of this, wow. You're the real MVP.

#elriel #pro elriel #elain x azriel #elriel endgame #elriel supremacy

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reality-detective · 2 months ago

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I'm going to spell it out one more time for those of you who are lost and not registering the 100's of fuckin clues I've been dropping for you. So please pay close attention because I'm tired of repeating the same shit. 👇

YOU ARE WATCHING A MOVIE 🎬 📽️

A lot of what you are seeing is complete bullshit and fake. It's so outrageous on purpose to get your attention at this point and it will continue until it has accomplished the goal fully and arrest will be ongoing with or without you.

There isn't/and never was a Biden presidency. The real Biden was executed for his crimes long ago, along with Clinton and many other deep state goons. You can't arrest them if no crime has been committed and the minions are still committing crimes.

You are seeing actors. Some have masks. That's why Biden keeps referring to himself as the mask president. This means they are the good guys in this movie on the team of freedom.

This whole election was fake along with a fake inauguration.

Fake Biden executive orders.

Fake oval office.

It's all bullshit.

Wake up. 👀

The military right now is controlling our country until the new elections in the coming months. The Insurrection Act has been signed. Executive Orders from Trump are in full effect and I've pointed those out.

Things will soon be revealed publicly. Hopefully, you can wake up before then so you don't have a heart attack in the process.

They really tried stealing our election that part is real. Trump knew this and allowed it to happen to expose them and arrest those involved and he and the military will be implementing a blockchain fraud proof election system, which was already patented back in August 2020. He skipped the 9th circuit corrupt courts because they, too, were compromised and went 100% FISA. This whole thing has been a total military sting operation.

The goal was to arrest and remove these crooks first before ever winning an election. Furthermore, the Vatican owned the corrupt DC corporation, and that is no longer intact, it has been dismantled.

It will soon be a republic for which it stands under the constitution as originally intended. You will get a history lesson in the process along with a solid grasp of what the constitution actually is.

Many corrupt DC rats and Hollywood pedophiles have gone to jail and/or have been executed for crimes of high treason, conspiracy and other crimes against humanity. Many more are in the process of meeting justice via military tribunals as I'm posting this.

Things will be made public in due time, no more secrets, no more games.

There are many actors in this movie, not just the Biden double comedian guy. Who's who at this point is somewhat of a mystery. We don't know exactly who is who 100%. Some actors have been playing a part from the very beginning. Others flipped for a deal and are now playing a part in this movie to avoid the death penalty.

The best thing you can do right now is just wake up to the truth that's being shown to you, take heart and know that communists have no real power over our country and look forward to the things Trump has already pre-planned long ago for you.

I'll warn you now. Things WILL get stranger from here on out.

If you pay attention and listen to what I've been trying to tell you here, you'll start laughing at the ridiculousness of the whole production.

If you are watching the mockingbird media CNN or the other FAUX NEWS networks, you'll probably cry.

Whatever you do, please don't call Joe Biden the president. He really has been long gone, and his double has no power. And that ain't Kamala Harris.

Enjoy the show 🍿 As the federal government is being removed via the military.

https://rumble.com/v5cidlv-8.26.24-the-tipping-point-on-revolution.radio-with-l.t.-col.-riccardo-bosi.html?e9s=src_v1_ucp

If you people would listen to Riccardo Bosi in the above 👆 link you will see what I'm saying. The interview begins at the 1:11:11 mark it's about an hour long. Scott McKay talks about other things before bringing on Lt. Col. Bosi. I posted this 👆 earlier and I know people didn't listen to it. A lot of you are still stuck on the fake bullshit and if you wanna know the truth then put in the time required to learn it. I can't put this anymore clearly. 🤔

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racefortheironthrone · 10 months ago

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The Unwanted Guest and Grand Lysis

As part of my ongoing obsession with a certain transcendental plural entity, I re-read "The Unwanted Guest" with an eye towards what was Palamedes thinking about Grand Lysis and the nature of spirit magic shortly before the transmutation.

While a lot of the discourse on TUG has focused on the permeability of the soul (for good reason), I found myself on this re-read focusing on a different bit of Sextus' Poirot reveal:

PALAMEDES It’s all so messy … so much messier than we ever imagined. I’ve been in Camilla’s body for months now, and I’ve started remembering things I never saw. This is the real truth of Lyctorhood, Ianthe—it’s not some bloodless swapping-out of batteries. It’s grafting; transplantation. When you absorbed Naberius Tern’s soul, you didn’t swallow a diamond. (emphasis mine)

When I initially wrote my essay about Grand Lysis and Paul, I had thought of the Sixth's version of the Eightfold Word as a megatheorem that was enacted in the very moment as we saw it in Nona. That's certainly how it appeared at the time, but this paragraph above strongly suggests that the process we see later with Paul on the Ninth was in a certain sense already underway throughout their time on New Rho.

This certainly explains why Palamedes was so confident in his psychic duel that he had out-thought Ianthe about something so core to her core area of expertise: the nature of the soul. Because contrary to Ianthe's arrogant presumption that only she had "eaten ice cream," Palamedes and Camilla had been experiencing transplantation-leading-to-lysis for months and had been thinking really hard about what it all meant about the soul and the nature of Lyctorhood.

Moreover, one of the things I absolutely love about TUG is the way it completely recontextualizes and makes us rethink one of my favorite passages from Nona:

They dashed toward the abandoned body of Ianthe Naberius—an abandoned body that was now propped up on its elbows, staring out with pale, distrustful eyes, an expression on its face of commingled hate and despair. “So there was another way, Sextus, after all,” the body murmured. The figure crouched down and extended their arm. “I know how hard it is for you to kick against the goad,” said the new person. “But there are more worlds than this. Come with us. We are the love that is perfected by death—but even death will be no more; death can also die. There’s still time, Ianthe. Time for you, and for Naberius Tern.” The abandoned body stared at what had once been Camilla’s hand, at what once had been Camilla’s face, then at the hand again. After which it said brightly— “I bet you say that to all the boys.”

As I said in my original essay, one of the things I originally thought was so funny about this sequence is the idea that Ianthe would ever have contemplated the idea of Grand Lysis with Babs. But now that we know what passed between Ianthe and Palamedes during their psychic duel, it explains exactly why Ianthe is consumed by "commingled hate and despair," because she's just had a core element of her worldview, her ambitions, and her sense of herself comprehensively debunked and sees the proof of it standing before her.

And it also throws in a different light Paul's offer to Ianthe, which is rendered far more sympathetic and compassionate than before. They’re not just trying to convert Ianthe to their way of thinking, they’re recognizing that lysis is actively happening to Ianthe regardless of her will. Unwantedly, the inviolability of Ianthe's personhood has been compromised because she never stopped to count the cost of ascension, and thus Ianthe Tridentarius no longer exists - she is Ianthe Naberius (not Tern) now. Better to fully embrace the comingling of "proteins and lipids and molecules" and become something new and whole, rather than poison yourself with resentment and denial for a myriad.

And thus the tragedy that Ianthe refuses Paul's good news.

#the locked tomb #tlt #palamedes sextus #ianthe naberius #camilla hect #the unwanted guest #nona the ninth #tug spoilers #ntn spoilers #world building #necromancy #lyctorhood #the eightfold word

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roosjem · 5 months ago

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Star Wars Au Masterlist

https://archiveofourown.org/users/RoosjeM

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‘Oya'karir Jetiise’

Update status: Ongoing, updates whenever inspiration strikes

Notable tags: Semi hidden Jedi, All Mandalorians have a Competence Kink, Fix-it.

It started slowly. Mostly with curiosity from Mando’ade who had read Jaster’s article. Curiosity about just what their ancestors and predecessors saw in Jettise of all beings. That curiosity grew bigger when it turned out that Jetiise were a lot harder to find than anyone would have thought. Which made it a challenge. And there was no Mandalorian in the galaxy that would not rise to the challenge of a good hunt. -------------- Or, the discovery of a few tiny mistranslation leads to Mandalorians realising that their ancestors really really liked Jedi and they set out to discover why. Shenanigans ensue.

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‘The Temporary Temple Guards’

Update status: Ongoing, updates whenever inspiration strikes

Notable tags: Obi-Wan x Jaster Mereel, AU Timeline.

It was a widely known fact within the Temple, that the Temple Guards stationed at the Coruscant Temple were experiencing a ‘shortage’ at the moment. Seeing as Knights were sent out to complete missions and went on protective details, they were also the Corp that was responsible for the Temple Guards. - “I may have an issue.” “What is it?” The boy was alone. No one else was around despite it being the middle of the night. Just the boy who made a bee-line for Obi-Wan. He was way too young to be out at this time let alone out here all alone. It was the boy’s training armour that tipped Obi-wan off that this was more than just a lost child. “I have a youngling in front of me. There is no one else around and I am pretty sure he’s Mandalorian.” Quinlan paused, then asked, “...Come again?” Obi-Wan peered down at the child tugging at his arm. “Aran, ner echoy'la.” Kriff. “Correction, I have a Mandalorian boy in front of me telling me he’s lost.” - Or it’s Knight Obi-Wan Kenobi’s turn to be a Temporary Temple Guard and of course one of his past missions comes back to haunt him.

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‘To Heal, One Must Hurt’

Update status: Ongoing, updates whenever inspiration strikes

Notable tags: Jon Antilles x Jaster Mereel, Fix-it.

One of the Jetii’s scarred, pretty hands reached out and travelled to Jaster’s neck which had the latter stiffen. “What are you doing?” “Making sure your heart doesn’t fail while you sleep.” Jon replied. This Jetii was strange. “Your hand is putting too much pressure. I can’t sleep like this.” “I would rather not find you dead in the morning.” Jon replied, his hand not moving, “Healing you would be a waste of energy if that were to happen.” Jaster’s view of Jetiise had always been silver tongued Monks who sweet talked their way through politics and killed whomever didn’t fall for their mind tricks. This Jetii was nothing like that. “At least put your hand lower– how do you expect a Thaung-descendant to sleep when their ancient enemy is choking them?” It was hard to see the Jetii’s face below that deep hood of his. “Very well.” Jon scooted a bit closer. Jaster moved up and rested his head on top of the Jetii’s thigh. “What are you doing?” Jon demanded. “Shhh, sleep speeds the healing process.” Jaster mumbled. Another sigh told Jaster just how much he was pissing Jon off, but the Jetii kept his cool and slowly settled. It was actually surprisingly comfortable to lie down like this.

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'No Rest for the Weary'

Update status: Finished

Notable tags: Padawan Obi-Wan Kenobi

'Fresh from Melida/Daan, Obi-Wan goes on a mission with his Master to Mandalore. The conflict between three major factions; the New Mandalorians, Kyr'tsad and the Haat'ade was getting out of hand and the New Mandalorians requested the Jedi to interfere. When they get separated, Obi-Wan is left alone on Mandalore to survive and somehow gains a fanclub of adoption-happy Mandalorians.'

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'The accounts of Ben Yustapire'

Update status: Finished

Notable tags: Ben Kenobi x Jaster Mereel, Time Travel Fix-it, Mandalorian Empire.

'These are the official accounts of Ben Yustapire, recounting the the days leading up to the rule of Mand'alor the Reformer. The first Mand'alor to unite the Clans under one soul-ruler since the end of the Mandalorian Wars. Or as I knew him, Jaster be Aliit Mereel' In which Obi-Wan Kenobi is thrown back in time by the Force to get another chance at saving the galaxy.

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'The Last Of Their Kind'

Update status: Ongoing, slow updates/updates whenever inspiration strikes

Notable tags: Obi-Wan Kenobi x Cody, Obi-Wan Kenobi raises Luke Skywalker, Post-Order 66, Somebody Lives/Not Everyone Dies.

'He rounded the corner towards the square right in front of the Temple- it was different than before because there had never been a square in front of the Temple. Obi-Wan froze in place the moment he looked up. His eyes observed the large statues one by one. Plo Koon, Mace Windu, Kit Fisto- they were all Councillors during the war. Obi-Wan stood in front of the statues as tears welled up in his eyes. He hadn't seen them in a long time and these statues looked exactly like them. From facial features and expression down to the way they were seated- as if they were in a regular Council meeting. "Look Uncle Ben! It's-" Obi-Wan leaped to Luke and covered his mouth before he could say anything else. "Yes, I see, it's General Kenobi." He hoped the beings whose attention was drawn towards them would move on quickly. "But try not to shout, Luke, alright?" His eyes left the boy to observe the statue of himself. Or, in which the Clones take over the Empire and Obi-Wan hears rumours about the whole ordeal which causes him to head back to Coruscant. Updates whenever inspiration strikes.'

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'Rid'runi be Mand'alor'

Update status: Ongoing, slow updates/updates whenever inspiration strikes

Notable tags: Obi-Wan Kenobi x Jaster Mereel, Alternative Timeline, Soulmate AU, Obi-Wan Kenobi raises Luke Skywalker.

'In his quest to bring his newly born nephew to Anakin's stepbrother, Obi-Wan 'Ben' Kenobi accidentally passed through a Force Nexus which transports him to another world where his dormant soulmark finds new life. Realising his predicament, Obi-Wan sets out to find a way to get them back to their own timeline to ensure Luke would have his family. Except it isn't that easy when old enemies hunt you down and a certain soulmate is trying to pin you in place.'

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'The War Master of the Jedi Order'

Update status: Finished (25/25)

Notable tags: Ben Kenobi x Jaster Mereel, Time Travel Fix-it.

'The Force- strong and Light as ever- greeted Ben as an old friend. A breeze blowing Ben's hood off and moving his robes. As if a hand gently brushed through his hair- as if the Force was comforting him. The beautiful colours painting the atmosphere. Another melody in the cool and icy evening air. Marching in the background. Ben closed his eyes, listening to it. it was the shift of armour, the clang of Beskar against Beskar, that snapped Ben out of his quiet reflection and mourning. Ben opened his eyes and looked over his shoulder. Behind him were three Mando's approaching him from all sides and cornering him. Turning to face those approaching him, Ben tilted his head. "Tion'cuy?" "Naasade." Ben replied as he jumped back onto the railing, spread his arms and let himself fall back.'

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#star wars au #star wars fanfiction #star wars masterlist #alternate universe #obi wan kenobi #jaster mereel #obi wan kenobi fanfiction #star wars prequels #star wars #jon antilles #jango fett #masterlist

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johnnyslittleanimalblog · 29 days ago

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OTIS

Like everyone else I have been patiently waiting for 480 Otis to return to Brooks falls this year and like everyone else I have had a difficult time processing the fact that he hasn't.

I have been watching the explore.org bear cams at Brooks Falls since its inception in 2012.

Otis was always the one constant for all those years until this summer and one I regret ever taking for granted.

I have written this post probably 10 or more times since the beginning of August and I have kept re writing it and editing it another ten times in my head. Now that it is autumn and soon all the bears will be leaving Brooks Falls I thought I should probably finally post it.

This is not an eulogy that I am writing however as I am not yet ready to give up on the old bear. Maybe next year if he does not show up I will face facts but I am not ready to do that yet. There are some reasonable theories as to why he didn't make it back this year and all of them plausible. My own optimistic theory is that Otis stumbled upon some stream so full of salmon this year that he never left it.

Katmai is a huge and wild remote place and there is much of it people never go or get to or see. Even the rangers. Brooks Falls is only about a mile and a half of a 4.2-million-acre park.

Otis has legions of fans from all over the world and the internet is full of information and videos of him.

And he has no idea of any of his own fame.

Amazingly along the way, thanks to the explore.org bear cams he has become a very famous bear world wide and a wonderful symbol of conservation.

When I started watching the explore.org bear cams at brooks falls in 2012 Otis was already 16 or 17 years old. He was a well established adult bear with a place in the hierarchy of Brooks Falls when I first saw him. Otis was a good sized bear but I never remember him having big battles or ongoing issues with the top bears at Brooks Falls. For over a decade 856 was the most dominant bear at Brooks Falls and replaced in his absences by 747. They both never seemed bothered by the presence of Otis and would fish side by side with him for years. In later years I can only describe their relationship as old friends, at least in an old bear kind of way. Otis obviously did get into some battles along the way and he wasn't born with that floppy right ear. It was curtesy of another bear.

I have regretted not being able to see Otis as a cub growing up the in same way I have been lucky enough and able to see some of the other bears born in Katmai since 2012 who return each year with their families to Brooks Falls.

And, it wasn't until after watching the bear cams for 2 or 3 years that I really started to appreciate Otis for a variety of reasons. His very peaceful nature and personality and Zen master method of fishing for salmon was amazing to see.

Otis would sit for hours in his office at the far end of the falls hardly every moving and every once in a while his big paw would come out of the water with a salmon in it. Lots of bears like to chase or pounce on the salmon as they go up the river or give up after awhile and move to another fishing spot.

Otis's philosophy was to let the salmon come to him and eventually they did. He was incredibly successful at it and I remember one time someone counted him catching over 40 salmon in one sitting. He won the fat bear contest four times including its first year. He was so successful people began to call him the king of Katmai. He taught us all patience and we all admired him for it. Watching Otis fish for salmon on the bear cams was a calming and relaxing experience.

I saw Otis struggle last year and although he put on a lot of weight by October it was hard to see.

The explore.org bear cams at Brooks Falls is an amazing opportunity to view the lives of wild brown bears and their families and learn their stories. It really is an incredible privilege.

And it has been such a privilege to witness part of the life of Otis.

And so maybe we will not get to see Otis one last summer. As much as we have all wanted it.

Maybe last year was it.

We don't know, but if that is the case Brooks Falls will seem to be a very different place without him.

I love you old bear and where ever you are I hope it is a beautiful sunny day and the salmon are jumping and you are patiently sitting in the shade catching them in your big paws as they swim right to you.

And if you are unable to give us all another summer next year, my very grateful wish for you is that you are somewhere on a river full of salmon and that the summer has become an endless one.

~johnny

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gffa · 11 days ago

Note

Hello there! I was wondering if you could help me with some comic recs. I've been looking to read the Batman's-lost-in-the-time-stream stories specifically the ones where Tim tracks down evidence of Bruce not being dead (blowing up the LoA and losing his spleen in the process etc), but I find it tricky to pin down the exact comic names and numbers. I figured asking was worth a shot since you seem to know your way around the various continuities. Thank you! 💙

Hi! I will freely admit that I had to Google a lot of this, because I haven't read most of those comics since they originally came out and my memory is fuzzy, but I do think I can at least point you in the right direction. The majority of what you're looking for re: Tim is going to be in Red Robin, but a lot of this storyline spilled over kind of everywhere and crosses into several smaller event storylines, but as best as I can remember/find: (Note: These are all comics from around 2008-2010, so when you go looking for them, keep them separate from a lot of the current ongoings that have reached these numbers again. XD)

Bruce "dies" in the Final Crisis mini-series

Portions of that story also spill over into Batman R.I.P. 2008 (Batman vol. 1 issues #676–681). For memory, it's a separate story from the fight with Darkseid that "killed" Bruce, but aspects of it are intertwined with that main story, so feel free to skim if you want.

"Nightwing: The Great Leap" (vol. 2, issues #147-153) is part of the Batman R.I.P. storyline that will lead into Last Rites and Battle for the Cowl

The final issues of the Robin vol. 2 series, issues #175-183, are also part of the lead-up to the Last Rites storyline (and then part of the main storyline itself)

Last Rites is spread out across Batman #682-685, Detective Comics #851-852, Nightwing #151-153, Robin #183

Okay, for Battle for the Cowl storyline, there's a lot going on, but you can read the three issue mini series (Battle for the Cowl #1-3) and then kind of pick-and-choose what you want from the tie-in oneshots. I'm not sure how important most of them are, if you're just here for main Batfam drama, but the DC fandom wiki has a good list of them all.

This leads us into the Batman Reborn storyline, which is Dick as Batman and Damian as Robin and there's a lot of comics going on at this time that are dealing with the general fallout but not necessarily specifically about Bruce being lost in time. But I really liked this era, so of course I'd recommend reading it anyway.

Red Robin is where you're going to find the "Tim really looks like he's having a mental breakdown and goes off to find Bruce" content that you're looking for, those issues are the prime material for it, just that there's context spilling everywhere first before you get to them.

Batman and Robin from 2009 is Dick and Damian's side of everything that was going on--they do have other stuff they have to deal with, they're fighting against all the usual cases in Gotham popping up, but the "Bruce is lost in time" story does have a lot of context here as well, that Dick actually is doing research into this as well.

Early on in both of the above two comic runs (within about six issues or so) was an event called Blackest Night where all the dead came back to life and it's mostly about that, but the Batman tie in issues had Tim coming back to Gotham and the issue was raised of, "wait, why does Bruce's corpse look all wrong?" and people start to believe that Bruce is alive. I'd say read the two Batman tie-in issues for sure and at least skim the main Blackest Night #1-8 for anything Bat-related.

Batman: The Return of Bruce Wayne #1-6 is Bruce's side of his "death" and eventual return.

Bruce Wayne: The Road Home is the follow-up/aftermath of that and is spread out across several oneshots and the order is generally: Batman #703 (prelude) --> Bruce Wayne: The Road Home: Batman and Robin #1 --> Bruce Wayne: The Road Home: Red Robin #1 --> Bruce Wayne: The Road Home: Outsiders #1 --> Bruce Wayne: The Road Home: Batgirl #1 --> Bruce Wayne: The Road Home: Catwoman #1 --> Bruce Wayne: The Road Home: Commissioner Gordon #1 --> Bruce Wayne: The Road Home: Oracle #1 --> Bruce Wayne: The Road Home: Ra's al Ghul #1 --> Batman: The Return #1 (These are NOT issue #1 of their given series, these are all separate oneshots--aside from the Batman #703 prelude, of course.)

@fantastic-nonsense also has a really great context-laden post here about the storyline of them searching for Bruce and is very helpful to understand all the moving parts! If I missed anything major, hopefully she or someone else can step in and give us issue numbers. I know that's a lot of comics to throw at you, but it kind of goes to show that this is how some of the Bat-storylines used to have more of this kind of stuff, where they had big, sprawling events and everything kind of spilled over onto everything else. I don't miss having to buy a zillion issues to keep up with a storyline taking over my favorite book, but I do miss the interconnectedness of stuff like this, when it worked, it created storylines that genuinely were game-changing in the Batman franchise. Hopefully, this helps and if nothing else you can know that you inspired me to go pull out some of these runs and reread them to refresh my memory. (Even if I'm still mortal enemies with Grant Morrison, they wrote a lot of the comics that were at the height of my interest in DC. XD)

#lumi.txt #dc #batfam

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inthemaelstrom · 2 months ago

Text

So we're about six weeks out from another "most important election of my lifetime" and it's predictably making me literally sick to my stomach. When Trumpacabra got elected in 2016, I threw myself into politics in a way I never had in my lifetime and it almost wrecked me. I was one of those people who never voted for religious reasons (long, separate story) and I felt I had to make up for lost time. By the time 2020 rolled around, I was an unhealthy mess. I had stopped reading. Everything. When I wasn't watching MSNBC and political commentators obsessively, I started consuming absolute junk TV: home improvement shows, crack paranormal ghost hunter crap, etc. Things with no plot, no emotional investment, no danger. No fear.

Right before the 2020 election, old fanfic friends from my days in the Master and Apprentice Star Wars listserv found me and saved me.

They dragged me back into fandom, introduced me to Discord, and got me writing again. I updated a story I hadn't touched in 5 years. I made new friends online and in RL. I got some great fiction and fic recs from those friends and discovered a subgenre called Hopepunk—low stakes fiction with very little if any violence and fear and with happy endings. (Becky Chambers writes a lot of what I read, and Amy Crook has also become a favorite.)

One morning, I had one of those really vivid, realistic, linear plot dreams that literally dragged me out of bed to the keyboard. It was a meet-cute modern au of The Phantom Menace's characters, set in the Upper Peninsula of Michigan. I cranked out about 2000 words the first day. Then another 2000. Then another 2000. Then another 2000. And so on every damn day for the next four years until I had four novels, about 668k words, several timestamps written by three other collaborators who've come on board, some beautiful art I've been allowed to use, and now a fifth book in the works.

This is the Yooperverse.

It's not just The Fic That Saved Me, it's the place where I'm writing a vision of what the world could be like into being. A place where people with fucking obscene amounts of money don't spend it on themselves, or hoard it, or exploit other people to get more, but use it to help other people. It's a place where people who are bigoted dicks either get their comeuppance and crawl back under their rocks, or learn better and do better. It's a place where abused kids get rescued, everybody gets therapy and healthcare and is paid a living wage, people learn to value themselves and each other, and protect each other and defend each other. It's kinky and queer (although I'm neither) and above all, if not entirely safe to be both, I'm trying to write both things as just being another setting on the dryer. ¯\_(ツ)_/¯

It's not a utopia, by any means, because there are still assholes and the government is still ... the government, and capitalism is still a thing. There's some danger, especially in the first book, and there are accidents and illnesses and the vagaries of life. In the middle of the series, I had spinal surgery and was out of commission for a few months and that made me start thinking more about my main character dealing with aging and the limitations thereof. There's a LOT of mental health issues and the working through thereof, and a lot of ongoing process. Nobody's perfect. The world outside is still pretty much what it is. But in the little corners where my characters dwell, life is pretty dang good, sometimes great.

It's a vision of a life we all deserve. It's the thing I loved about Star Trek's universe, where people's basic needs are cared for and the obstacles to them developing their best selves removed. It's what I've loved about science fiction in general, especially Ursula LeGuin's: that opportunity to explore possibilities that are better than the present. It's modeled on the MacArthur Genius grants, but you don't have to prove your worthiness first. My main character invests in people's potential, young or old, with scholarships and grants and a steadying hand. His partner builds low or no-cost housing for people in need. There's an informal network of queer and straight kid rescuing going on under the noses of unfriendly governments and failed social service safety nets. The main characters build refuges, literal and emotional. They love each other fiercely and respectfully.

Right now, we're living in a country that is almost the antithesis of these ideas, for far too many of us. People are being manipulated by their fears, which are stoked by unscrupulous, lying shitbag politicians whose all too real evil would never make it past the pitch if you were going to try to sell it as a TV show or movie. They're consciously turning us on each other with lies about our common humanity, about the state of our country, about who and what's responsible for many of its faults, sewing suspicion and hate. And though the Yooperverse started as my personal comfort fic, I'm trying in my very small way to counteract what's happening in the world right now.

I've always believed in the power of story to change people's minds and lives, and I've experienced it myself. When I talk about story, I don't just mean fiction, though. I mean the narratives we tell ourselves and others about our own lives as a whole and day by day or moment by moment. I mean the stories we tell about each other when we're together, at the bar, at wakes, at a party. I mean the stories we invest in as fans in whatever kind of media we consume. I mean the stories we spin for ourselves and others to explain what the everloving fuck is wrong with the world.

Stories aren't separate from the world, they are the world. They tell it into being. They give it shape and purpose and meaning and a sense of possibility. Whatever stories we tell ourselves or each other about how things should be or how we should act as human beings (also called our "beliefs" or "morals" or "ethics"), they shape us, and we shape society. We are society, both together and as individuals. One person with a big voice and a story can tip a mass of people into either violence or solidarity.

I have no illusions that the Yooperverse will ever have that kind of power. It has a tiny audience on AO3 and Discord and it's mostly written for me to explore the things I feel deeply about, and wish I could do, and to teach myself to be a better person and live up to my own ideals. It's a world I'd like to manifest, to call into being, even in a small way. Even if it's just a story.

#fiction #why we write #us politics #the power of stories

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alatismeni-theitsa · 9 months ago

Note

https://www.tumblr.com/cardassiangoodreads/722229585723424768/im-just-going-to-say-right-now-that-i-dont-think?source=share

Just curious about your thoughts

The post and the tags because this person has blocked me preemptively - and they're lucky cause I wouldn't shat all over them. This person is a USAmerican very removed from Italian culture.

My Answer:

Ooooo coloniser rhetoric in the 21st century! That's a sight for sore eyes! (Which became sore cause they see such takes all the time).

Funny how this person talks about how objects belonging to Greece right after saying that our heritage figures (like our gods and heroes) don't belong to us. If Greek culture is a global culture why can't foreigners keep the objects? Hmmm I wonder…. They still put the "Greek" or "Roman" to characterise the stories but the moment Greeks and Italians speak up, then all of a sudden "the stories akksuually have no culture, they belong to all of us!" 😂😂😂

I wonder if this person understands what the term "heritage" means, because gods and heroes are definitely part of one's heritage and we never stopped preserving the texts that spoke about them, and they are still part of our living culture.

I'm all for listening to the members of the diaspora but when we are at the point when one of them is regurgitating imperialist points, not only there's a big divide with current opinions in Italy, but I also cannot leave such points unanswered. Also, many Italians, like Greeks, are sick of how their myths are treated but this person didn't even check, they just spoke over them. Because they didn't bother to ask people, obviously.

Ancient Greek heroes and gods still mean a lot to us. They always meant. They were born from visions, dreams, and other sacred methods, or oral traditions from our ancestors, reflecting specifically the ancient Greek culture. It's good that foreigners can access them and relate to a degree but divorcing any folk story from its origin is always negative. Especially when this culture is still ongoing.

Our Christianity is revamped ancient Greek religion, I wonder, does this person know that? Our temples have the same parts. We still have home altars, and divinities presiding over domains. Our hagiography is how we used to paint our gods and creatures. We still have almost the same nature creatures. The customs have remained and have persisted, and I won't have someone who clearly ignores this say "They gave the religion up". Ftou.

Also when it comes to our gods and their symbols (and yes btw we call them "our" gods lots of times), we can deduce things from our local tradition and environment, whereas an Anglophone who worships the gods or is interested in them but doesn't know stuff about the country of origin of those gods has no idea about our history, methods and environment. Example: Foreigner refuses to accept that there's a pine cone on Dionysos' thyrsos (although it looks like a pinecone) because "it doesn't make sense" and very excitedly suggests another plant instead. Greek lets them know that it is actually a pine cone not only because it looks like a pinecone but because the pinecone has been used in our winemaking process forever, and Dionysos also presided over this process. Guess Greece and its environment and it's people are still relevant to the religion, and it also turns out that the symbols of the gods derived from the Greek reality. Who knew!

Now onto another point. Op says that the Greek stories became "global culture" because they got shared everywhere. Them being shared is not a bad thing! However just studying them and be taught about them is not culture. By this logic, and since Egyptians "gave their old religion up", ancient Egyptian gods are now MY ancient gods because I can find books about ancient Egypt at my local bookstore. woww 😂 What about this? Almost every Greek knows 100 and 1 nights. We have made it into a play also. SOO... these are our cultural stories now, right? West Asians and Arabs in general shouldn't speak if they ever see us and other nations being ridiculous about the stories, and stereotypes and changing the characters a lot but still claim we are doing great, right? Got it.

The way this post is written it's like Germans and Brits kept the ancient Greek myths alive since ancient years or something. Greeks themselves never stopped preserving their own ancient texts, and they escaped with them in Europe after the fall of Constantinople, so NW Europeans REDISCOVERED them 1500 years later. They had lost interest by then.

Funny they mention different nations that were Hellenized or became Roman territories because people living in these nations are exactly those who don't speak about Greek and Roman culture as "a global culture". It's always North Westerners who start these discussions, I wonder why…..

People from the aforementioned nations already interact healthily with their ancient heritage - which is not Greek or Roman culture but always a local version with Greek or Roman elements, and that's great too. I haven't heard a Pakistani say "Theseus is our hero too!" or a Tunisian say "Zeus is our local ancient father of the gods!" Because they know exactly how the mix happened and what their national identity is. And I'm getting more and more tired of seeing Westerners erase these experiences too, and just make assumptions for other nations.

I swear I mostly see USians getting butthurt about other people getting conquered 2.000 years ago. The nations themselves don't give a shiiit. Guys, I know our antiquities are the only interesting thing about us in your eyes but Please Make An Effort to understand people from ancient cultures and how we don't give a shit about these conquests cause they happened Two Thousand Years Ago, and we had other tragic stuff in the meantime. Thanks

Also, as I said, these conquests are not why Greek myths are popular today. The conquests were so incredibly old that the average person in these countries (Balkans, the Mediterranean, West Asia) - and Greece - had no idea who built the ancient ruins they saw around! Does this person think Greek myths were handed down from Moroccan grandma to Moroccan grandchild from 300 BCE to 2024 continuously or something?

Greek myths are very popular in most parts of the world today because the West (meaning not Greece, especially at the time when we were "cattle") popularized them non-stop the last few centuries. And they did a shitty job, at that. In fact, Greeks abroad have been cringing about this treatment of our myths since the 15th century but, as usual, we were not being heard.

And what does "global culture" even mean?? As if you see any culture to how the US (because OP focuses on the US and the retellings there, from the looks of it) interacts with our stories. As if they care about the meaning of the story. (There are a few notable exceptions ofc but they remain FEW) People with such arguments just want to feel guilt-free when using our myths out of context. That's why Western academic cycles often run in circles about "what the myths mean" while Greeks have told you exactly what they mean.

The US audience is still not free of the coloniser WASP approach. They see our myths STILL as a product of modern White Supremacy instead of an ancient Greek product, and they often condemn the myths and "better" them by completely pushing them into USian lens to the point they don't look or feel like the original myths anymore. (All the above you don't dare to do with cultural stories and figures from nations you want to respect, by the way.) Is this the cultural "exchange" they're talking about?

I'm done hearing in the international spaces that my culture is "boring" because USians have seen horrible adaptation after horrible adaptation. I'm tired of USians making wild assumptions about how "horrible" our gods are because whoever told them the myths didn't give a simple explanation about our ancient societies. (Don't start crap about accessibility, there are very accessible ways to talk to kids, teens, and adults about other cultures and teach them age-appropriate tales) I'm tired of my heritage being commercialized to that degree. All Greeks roll their eyes in USAmerican movies about our culture and we call them Amerikaniés. And don't worry, I'm getting to the real stuff.

How our ancient culture is treated and how we are sidelined has real consequences on our lives abroad AND inside our culture, on how we are perceived, on how our surnames are perceived, on how we "don't look like Greeks", on how our Greek myth retellings don't get published abroad! They speak in front of us about our own words as if they are magical and mythical and strange! The opinions and perspectives of Greeks are not sought abroad, and you are a masterclass on why this happens. We make y'all uncomfortable. You feel better if you forget about us.

Another exhibit: All the hurtful comments of foreigners who centered the HUGE milestone of same-sex marriage in Greece because all they could imagine - while queer Greeks suffered a lot these last few months - was their wedding in Gay Mykonos and Lesbian Lesbos. This was their first reaction. They didn't possibly think that Greeks were seeing that because we are far away and irrelevant, right?

Obviously culture-mixing is not bad but the West didn't mix our culture with theirs. They just took it for entertainment and their popular culture never saw the depth or the meaning of it. OP speaks about how our stories were spread while actively avoiding speaking in depth about the problematic elements of that spread. They recognize to a small degree how Greeks feel about the matter but they dismiss most of our concerns in such a nonchalant way that all that comes to my mind is "privilege".

And speaking of power… Greeks have less systemic power than the countries of the West. We are the US' puppet, are you kidding me?? Our armies get deployed wherever the US wants. Our politicians don't even fart without a telephone from the US. We are the whores of the German, Belgian and French governments. Greeks abroad still face discrimination for their customs and how they look, and how their food smells, and how our religion is and how our hymns sound, and other ridiculous stuff. Our infrastructure is slowly being bought out by Germans and USians to various degrees. There are different scales to exploitation and bigotry, I agree, but that doesn't mean that only the roughest bigotry cases are worth discussing.

"We could also talk about the additional level of exploitation in how imperial powers used Greek mythology as an argument for the "superiority of the West," while at the same time plundering Greece's resources and treating it like it exists only as a tourist site" They are SO close to getting it, and yet their post says otherwise.

Fetishism of a culture makes the members of the actual culture feel alienated and hurt. As a person of Italian ancestry you should know how this specific "global culture" argument has been used to strip Greeks and Italians of any claims, so the "dirty Greeks" can be separated from the "pure WASP" USian upper class of the time who deemed themselves more suitable to engage with the material.

"Greeks spreading their culture through military force all over (eventually) most of Europe" what the hell?? Sorry, guys, (side-eyes the other Greeks) we conquered Romania??? wow!

Plus, this person doesn't know the difference between the Greek colonisation of Italy and Sicily and the recent European colonisation, and - to say it very politely - they should open a book.

By The Way

You can still interact with the Greek culture without having a colonial attitude! Nobody is barring you! I want to make this abundantly clear!

Most importantly, you don't have to make arguments for "global culture" when it's simple to place the myths inside their original context while interacting with them! You just have to read a bit more books that are on the internet and your library for free! Recognising that a foreign culture is not yours, and that you engage with it because it's just popular, doesn't stop anyone from interacting with it. You simply refuse to interact with them at the proper, deeper level, because you always want to center them around yourself. You want to interact with foreign stories just how the colonisers did it. Congrats.

I'm talking about the majority of cases. Of course people in the US can take all sorts of inspiration from foreign myths and adapt them to their reality. And it's a good result when they're being respectful and have studied the stories beforehand.

All we ask is to engage with the material in context so you can understand what our ancestors wanted to express. If your only view of Greek myths has come from other Americans and NW Europeans then you see them through coloniser lens. That's non-negotiable. I had people from other countries recite to me USAmerican viewpoints about the Greek gods, as if they were fact. Cause it's the only exposure that's happening worldwide right now.

You can interact with Greco-Roman myths whether Greece and Rome touched your country or not, we don't care. But please don't get your source from the pop US culture. These people think that it makes sense for nymphs to look like trees (that's an Anglo-Saxon and Celtic nature creature depiction. Ancient Greece was very anthropomorphic). It's not a crime if you change some stuff in a retelling but why willingly ignore the original depictions and what they have to show you for the ancient people who created them?

Pfff... Thank you anon for bringing this trash to me. I needed to - metaphorically - throw something in the trash. It took me a few hours to answer this but well... I do write a lot and this post was full of shit I had to shovel.

#answered #xenoi doing bs #uscentrism #representation #appropriation #greek myth #greek mythology

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