#one thing about me is i will have opinions and i will make sure they're heard. unfortunately for everyone else

[zoe-oneesama]

Are there any other designs from the new seasons you would like to have your hand in, whether they be on the girls or boys? Like for me I can't really get over Juleka's like green lipstick because it just comes out of nowhere to me, I know you did a design where she was wearing it, but at least she wore green in her clothing in the time to match the makeup to her outfit. As for Adrien, his design barely changed, which could be symbolic, but how would you tackle that?

Yeaaaah, Juleka's green lipstick is NOT it for me, and I think her new outfit is really boring. I'll probably wait for a more Juleka centered episode to tackle it since I'll get a better view of the whole thing 360 (kinda why I held off on Sabrina, Rose was an exception). That's kinda how I feel about most of the characters: wait to see it in action. That's how Mylene's whole HEAD fell out of favor for me - longer dreads with smooth bangs and GREEN EYE SHADOW?! Did they think we were ripping on Chloe's blue eye shadow because of the COLOR?! But hey! Pride Flag Pin!

That's what I mean. I can't see the details until they're in the episode. Right now we have "Daddycop" for the top half of the girls and the OP for everything else.

Now for Adrien, I can kinda tell they're going with SyMbOLiSm so I'll let that one rest until we get a full scope of where they're going with it. For my opinion, I only wish it was like worse? Like great his hair is flat now that he's not styling it to Daddy's Specifications, but can we get, like...cowlicks? Chat Noir hair? And the wrinkled, un-ironed shirt with the floppy collar is a good start. I'm not sure how to improve this except to make the wrinkles more noticeable? Some audience members might not notice these details as signs of Adrien being "less perfect" because they might write them off as just quirks of the new animation style, which is why I think they should've pushed it a little harder.

But I'm not gonna totally dunk of them for being subtle in their visuals. I like "aha!" moments that don't take away from the plot if you notice or don't.

[batmanisagatewaydrug]

Hi, I hope this is an okay question to ask. I am s l o w l y exploring and learning what kinds of kinks I like. I’m drawn to taboo kinks and I’m really curious about ageplay, but I’m worried that if I open the door to letting that be hot, I’m going to start seeing actual kids as hot. Obviously that doesn’t mean I would do anything about it, but I’m still not sure I want that in my head. Is there any truth in this fear? Could that happen?

well much in the same way that the majority of pup players aren't trying to hump real labradors on the street, D&D players generally aren't running around pulling swords on random shopkeepers, and my years doing Warriors Cats rp online never made me want to live in the woods pissing in the dirt and eating mice, I suspect that what you're attracted to is the safety of fantasy and play rather than the actual, literal thing. pretty big line between those two things, actually, and most people are pretty clear on the difference between stuff that's made up and harmless and stuff that's really really bad. I use this example often, but I assure you that my abiding love of Batman using his billions of dollars to dick around doing lawless bullshit has not softened my feelings on Elon Musk in the slightest.

I assume that, like most well-adjusted adults, you aren't attracted to children. what you're into is, presumably, adults acting in ways that are characterized as immature, carefree, cutesy, helpless, bratty, etc, and the dynamic of those playacting adults might have with others who take the role of their caregivers. that is... so, so, so far removed from being attracted to an actual human child. I don't know if you've ever actually, like, hung out with kids, but they're pretty different than adults. I mean obviously they're little humans who have their own opinions and ideas and personalities and have a right to autonomy and making their own decisions as much as is safely possible, but they are REALLY different from age appropriate, sexually compatible adults. someone doing ageplay is, like, a million miles from an actual kid.

it's kind of like how when Riverdale was on I'd see gifs of that insane redheaded lesbian and go "yeah, she's hot." like, sure, the character's a teenager, but that actress is an adult woman who's only two years younger than me and we all know that. the idea of fucking an actual teenager is vile. even if I were to see someone and have an initial aesthetic appreciation, the second they open their mouth and start saying 17 year old things the attraction is gone because I've realized that's a child.

(no offense to the teens in the room! you're great and I'm sure your 17 year old stuff is really important to you! but adults should not want to fuck you, is the point.)

so what I'm saying is: seems unlikely!

also, okay. let's assume the absolute worst case scenario happens and you experience a twinge of sexual interest towards a child. that's understandably alarming; that's not an urge most people want to harbor within themselves. that may require some dialing back from ageplay, or a chat with a kink-friendly mental health professional, or seeking out some community and advice from others in your kink scene who may have struggled with something similar. but please, give yourself some credit: you have some shred of impulse control within your body, yes? you're not going to make the leap from having a thought to being an active child predator in one fell swoop. the choice to harm a child, or to seek out pornographic material of child sexual abuse, are still choices that you would have to actually make. and it's making those choices to do harm that actually make child abusers a danger, not just having thoughts. having a thought all by itself doesn't hurt anyone; it's the way you act on it that has the potential to cause harm.

but again, I want to emphasize, sexual behavior is by and large a pretty easy wire not to get crossed with other things. please note the brave billions of people who manage to get through every day without groping their colleagues and random strangers because they understand it's not the appropriate time, place, or partner!

[villainousauthor]

"This might be a new low for you." Hero's voice is firm, unwavering. Villain looks up from their delicate work, crossing of wires and fuses. They were hoping to get this explosive planted quickly and efficiently, though Hero's presence may delay their goal.

"I didn't know you previously held such a high opinion of me. I'm flattered." Villain's speaks in a deadpan tone.

Hero crosses the room, standing before Villain, arms folded in irritation. "A government building? Really? I thought my opinion of you couldn't get lower, but you dropped the bar into hell." Villain looks up, meeting their stern glower. Their fingers drum across the wooden desk the explosives sit on, holding Hero's gaze.

"Is this supposed to have any effect on me? I'm used to your scorn." They stand up, rising to Hero's height. "Either try to stop me or get lost. If you try to fight me, though, know I won't go easy on you this time."

This was too important. They didn't have time to play their usual games with Hero, or worry about their disappointment.

"I can tell." Hero speaks, sitting down on the desk, as if uncaring about the literal ticking bomb inches away. "You have that look on your face. Like you're thinking hard about something." They sigh as if exhausted. "Trying to fight you when you get like this never goes well."

"So leave-"

"Nope." Hero crosses their legs, uncrosses them, and leans back, meeting Villain's stare again. They're forcing a show of relaxation, but Villain doesn’t miss the way their limbs shake, or the way fingers won't stay still. "I have a better idea." They continue.

"Do go on."

"You go ahead and finished setting up these explosives and high tail it out of here like a coward, and I'll stay here." Hero's tone is like that of someone discussing the weather, or the latest sports game.

Villain blinks, opens their mouth, and closes their mouth before finally finding their words.

"What? You do know what a bomb is, right? I know your skull is a bit thick, but you do realize what would happen in that case?"

Hero makes a show of a fake explosion with their hand, complete with an auditory Woosh.

"I'd be turned into paste. Probably. If your weapons skills are even that good." They try to keep their voice in that same casual tone, but yet again, Villain doesn't miss the slight tremble. They're frightened. None of this makes sense.

Villain pauses for a moment. "Are you suicidal? Is this a cry for help because I'm sure this Hero gig of yours pays well enough for some therapy-"

"Nothing like that." Hero interrupts with a shake of their head and a laugh devoid of humor. "I appreciate the concern, but no, that's not what's going on here."

Staying quiet for a moment, Villain waits for them to elaborate.

"I'm calling your bluff." They say simply. Like it's the most obvious thing in the world. "It's easier than trying to fight you and getting my ass kicked."

Frowning, Villain speaks a bit firmer, still confused though. "You're what?"

"I am calling your bluff. You can go ahead and blow up this building, but I'll be right here when it detonates." Hero smirks, like they've figured villain out.

Standing up taller, they lean over the wooden table and grab one of Hero's shoulders harshly. Their face becomes something wild.

"Are you really so self-centered, so arrogant, that you somehow- somehow in that stupid mind of yours think-" They exhale harshly through their nose and let go. "You think that your stupid threat of self destruction is enough to make me change my mind? You think your life matters to me, at all?" Their voice gets harsher as they speak, volume raising slightly. Why would Hero even try this?

"Okay then. So prove how worthless my life is to you." Hero shrugs. "You go ahead and set the bomb off, and I'll stay here." Hero tries to hide their smug smile. Despite their fear, they know they've caught Villain off guard.

Pinching their own face so hard they worry their nails may cut skin, Villain breathes loudly.

"You realize I could turn this back around on you, right? I could call your bluff. You wish to risk your life like this?"

"Call my bluff then." They challenge. "Unless you defuse this bomb, I'm not leaving." Hero raises their chin defiantly, eyes dagger sharp.

Villain rounds the table, grabbing Hero roughly, jostling them with a grip hard enough to ache. Hero's face doesn't change. "You think I can't drag you out of here? That I couldn't possibly knock you out and take you with me?" And then give them lecture filled with ire boarding on something violent later.

"You can certainly try," They keep that rebellious smile on their face, "but I'd fight you tooth and nail the whole way, and is that how you want to spend your precious escape time?"

Sneering, Villain can't decide if they want to shove them away or grip them tighter. "I hate you. I hate you so much." They all but snarl at them. If the imminent threat of explosion didn't kill Hero, they're sure the look on their enemy's face would.

Still, Hero pushes. "No, you don't. If you did, you'd already be out the door. You'd be killing two birds with one stone." Hero's hand reaches for the beeping package of wires, hand trembling, but they grab it nonetheless. They shove it to Villain roughly.

"Prove you hate me. Or defuse the bomb." They keep on the act of confidence, but that underlying dread is still in their eyes, the deep seated fear of what will happen.

Idiotic as always, Villain decides. Like there was any chance Villain would do anything else but spare them. Their stupid, infuriating Hero.

"I can't stand you." They growl, ripping one wire from the fuse.

[nonightingalesinberkelysquare]

WARNING FOR GOOD OMENS SPOILERS!!!!

FURTHER SLIGHT SPOILER WARNING FOR THE FOLLOWING BOOKS: The Bone Clock by David Mitchell, You Only Call When You're In Trouble by Stephen Mcauley, and Bibliomaniac by Robin Ince.

Edit: Photos by @polychromicron-persei-8 !!!!!

So I'm sure a lot of the fandom have seen the pictures posted by a very lucky fan who saw the production of good omens happening out in Scotland today!!

However what I'm not seeing people talk about is a hidden gem in the reblogs.

SOMEONE HAD MANAGED TO GET A PICTURE OF THE BOOKS IN THE WINDOW!!!

Naturally, I had to go and do my research to see if these books give us any clues or serve any other purposes other than decorative purposes

AND LET ME TELL YOU

These are the the books visible in the window:

I'll go through them one by one

(Please bear in mind, I haven't read any of these books personally!! The only information I have on them are the little bits I found online in a very rushed attempt at research!!!)

Okay firstly

"The Bone Clocks" by David Mitchell

Now, this is the one that I struggled to make sense of the most out of the three.

The story appears to follow a runaway teenage girl who is a "lightning rod for psychic phenomena." These visions are said to reorder reality and send her into a real life nightmare.

However,

It also states that there is a boy who eventually crosses paths with her and who's story "comes together in moments of grace and extraordinary wonder"

As I said, I've never read these books and the only link I could begin to make with this is the idea of a "supernatural being meets another supernatural being and what they can do when they're together defies anyone's wildest dreams" story, similar to what we have seen and could see in GO3.

The next book is where it gets FARRRR more interesting (in my opinion)

NOW

THE TITLE? INTERESTING ASF.

IS AZIRAPHALE IN TROUBLE? OR EVEN CROWLEY?

The quotes are literally taken from the amazon listing itself, but I'll just point out the bits that stuck out to me personally.

☆ "is it ever okay to stop caring for others and start living for yourself?"

And I'm skipping a HUUUUGE chunk of the story here so apologies

☆ "Tom does what he's always done - answers the call."

☆ "Thus begins a journey that will change everyone's life and demonstrate the beauty or dysfunction (or both?) of the ties that bind families together and sometimes strangle them."

THAT LAST QUOTE REALLY STICKS OUT TO ME. Personally, I'd say that could possibly relate to the heaven and hell divides?

But furthermore, we were told prior to the whole NG situation that Aziraphale and Crowley aren't talking.. so could that mean that as soon as they begin speaking once again, they have the power to leave heaven and hell behind? Perhaps stop the divides?

And last, but certainly not least

Now, keep in mind that this particular book is nonfiction and appears to be written from the authors own point of view as he aims to visit 100 bookshops in 100 days.

This has a relatively short description from what I can see right now so I'll put it in here

"Bibliomaniac takes the reader on a journey across Britain as Robin explores his lifelong love of bookshops and books - and also tries to find out just why he can never have enough of them.

It is the story of an addiction and a romance, and also of an occasional points failure."

This one interested me SO much because it SCREAMS Aziraphale character development sort of thing? You know?

I really struggled to find any spoilers for this one whatsoever but one website did mention the author's love for vintage books, which he only ever reads as and when, as opposed to focusing on just one book.

I just thought this was SO SO SOOOOO interesting, and if anybody has any differing thoughts/interpretations or has even read the books, the comment section is a safe space to do so!!! All theories/suggestions are welcomed (any hate WILL be blocked, don't test me).

OR MAYBE THIS ALL MEANS NOTHING AND IM JUST CLOWNING FAR TOO HARD?!??!??!

[cripplecharacters]

Hello! Do you have any advice on how to handle an inherently fictional facial difference (that was caused by a fictional reason and while may have some partial crossover/parallels with elements of real world FDs, ultimately is a fictional one and is specific to the world/lore) in a way that would not come off as harmful to real facial differences? I also have some characters with actual real life FDs in the story, but maybe there's something else I should consider?

Also, what is your opinion on fictional disabilities in general? Not when the story just has a vague disability that can't be strongly connected to anything specific from real life, but when author specifically develops a fictional condition/disability/chronic disease etc in context of/based on elements of their fictional world?

Hello!

A fictional facial difference has basically the same potential pitfalls as any other fictional disability. You can take a look at this post where we talked about what not to do, TLDR: make sure it's actually a fictional disability and not just one you haven't heard of yet and be mindful of what real conditions it could be reminiscent of (and avoid stereotypes accordingly).

It's good that you also have characters with actually existing disabilities, it honestly annoys me to no end when people boast about their "disability rep" while all they have is 20 different "magic character can't do magic" characters. So this is definitely a big plus.

The only thing you need to keep in mind is to not split the two (character with fictional FD vs characters with IRL FD) into separate categories, consciously or not. Don't treat the one with a made-up FD as better or as inherently prettier than "those other people". Ideally they're all just treated the same in the story since that's the only option that makes logical sense.

Also, it was mentioned already in the post I linked, but unless you have some very specific scenario you purposefully want to do and actually comment on, avoid making the cause of her FD either 1) result of her parents doing Evil Drugs or black magic or whatever or 2), contagious. Very little FDs have those origins, but many are stereotyped or downright accused of being such.

Other than that, think of the same stuff as you would with IRL facial differences existing in a story. How does society treat them? What is the acceptance level? Are the majority of people knowledgeable (a person can know exactly nothing about being disabled and still be kind and accepting; it's not exclusive)? Are FDs more common because medicine is less advanced?

For the last question; it depends. If it has symptoms that real people have, there are gonna be real people who will relate to it (if done well) and real people who might be offended by how it's portrayed (if done badly).

Let's say your setting has a magic toxic flower that causes lower limb paralysis and/or weakness after someone steps on it - that's fictional, but there are many real world disabilities that share similar symptoms, even if the cause is obviously very different. If this was the fictional disability, the characters who have it would probably share the same community as characters with SCI, neuropathy, MS, etc.; it's based in fantasy but it's easy to imagine that it could be real.

In this context you should be researching the symptoms - leg paralysis and weakness - and potential treatments - physical therapy, learning how to walk with orthoses/crutches, painkillers, etc. Real readers with real symptoms will be able to relate to this kind of fantasy disability.

But let's say the fictional disability mainly presents as chronic pain and muscle spasms caused by the person not using magic enough. This on the other hand, doesn't work as a (respectful) fantasy disability. The main "accusation" people with chronic pain get is that we are lazy and if we just did more of [usually exercise] we would be cured - it doesn't work like that, and it would be frankly offensive to make a whole illness where the chronic pain is caused by someone not waving their wand enough or whatever. No one will be relating to this because it's not based on how stuff works, it's based on a stereotype. "It's fantasy" isn't a get out of jail free card, you still have to be conscious of what you are implying.

As long as you do research and keep in mind which real things your fantasy disabilities resemble (e.g. Hansen's disease and ALS will have very different stereotypes attached to them) so you can avoid making a connection you don't want to make.

Hope this helps,

mod Sasza

[butchsophiewalten]

Small Excerpt from Twitter Space 09/28/24

Kyle asks Martin a question: "In your Opinion, what would each character [in The Walten Files] listen to? What kind of music?"

Martin answers, "I've al- It's so crazy, because people always ask me this, and to me, the answer always changes, because my understanding of the characters changed a bit. Like, their core always remains the same, but the way I understand how they work is different, For example; I feel like, um- I think Jack would listen to a lot of old- old-timey, 1930s or 1940s music. And I feel like that's because he's probably someone that- it's harder-- He's someone that I feel doesn't adapt well to the world- to the style of the world changing. And I'm not talking about (cultural stuff ?), I'm talking more about like, how people dress, what kind of music they listen to, I feel like Jack kind of remains stuck in the time he grew up in.

And I feel like that almost lack of desire to change, lack of desire to try to adapt to this new world that's coming- because- I feel like part of why I chose the 1970s is because I feel like that was a really- almost a transitionary decade for the world and pop culture, and stuff like that. So, to me I feel like Jack would be someone that wouldn't, uh, try to adapt to like, the rest of the world. He would just remain in the style of what he was accustomed to. Because to me, that's how Jack is as a person. I don't feel like he's trying to change the way he thinks or the way he sees life as a whole.

Felix I feel is more simple; I feel like Felix listens to- I remember this was, um, Felix's old voice actor Coker's idea, but I feel like that actually fits him really well, he's uh, listens to a lot of like, 70's rock and stuff like that. A bit of Badfinger--"

Kyle interjects. "I don't know if- if I'm using the term right. Would you say something like- would he listen to like, Yacht Rock, do you think?"

Martin agrees. "Yeah. Yeah, I think so, yeah. So, I feel like- that's sorta- I feel like if Jack remains true to what he grew up with, I feel like Felix is always changing. Always evolving, like, he changes along with the world. He usually listens to, I feel like like- further along in the story, like after 1974, he listens to more late 70's, early 80's music.

Sophie, I feel, is different. I feel like Sophie is someone that just listens to whatever is on the radio. I don't think- and she maybe fixates on one song or another that she listened on the radio, but she doesn't have, like, any- any sort of, like, cassettes or vinyls of her own, I think they're all Jenny's. Because- to me, Sophie is someone that, in a way, doesn't really know what she wants yet. She doesn't know what kind of person she is. And, of course, we're gonna go further into that in season two, but to me I feel like she- that is also reflected in what kind of music she listens to. She just listens to anything. Because she doesn't really have a specific style, to what kind of music she likes.

Rosemary... I feel it would be a lot of 60s music. A lot of, uh, Woodstock music, kinda, I've always imagined. I don't know why, it always- it always struck me that way.

And, uh, Charles, I feel... Charles listened to a lot of like, songs that are still popular to this day, from that era, to me. I remember- [Kyle] sent me... 'Charles' Work Cassette' (a playlist Kyle made), and I was like, that is definitely what he would listen to."

Kyle: "Hold on, I wanna make sure that it has the right-- damn! Nevermind, I was gonna say, like, 'Oh, would he like Hotel California,' and then I checked, like-"

Martin: "Yes! Yes, yes!"

Kyle: "That's the thing! It came out after he died!"

Martin: "Yeah, it came out after he died, but listen, bear with me here, I've always compared Charles, like, as a character; his style, the way he jokes around, to my father. And to me, I feel like- all the songs that I listen to when I write Charles, when I draw him, whatever. They're all songs that I listened to when I was a kid, and I had to listen to my father's radio. Which is a lot of like, Hotel California, Free Bird, Suzie Q, and stuff like that, y'know? That kinda- that style of music...

And, to me I feel like the most interesting one is Bon. I feel like Bon- Bon is the only one in which the music he listens to actually plays a part in the story. And it's- I feel like Bon, he kind of, like, his era of music is Classical music, because to me, he's a character that has been stripped away from all identity. And he- he's sorta, like, a person-- The way I feel like Bon sees himself is as the default person. Like, he can't picture himself as anything more than a blank slate. And to me, I feel like classical music fits there, because to me it's almost like he regressed back to, like. the earliest-- I wouldn't say the earliest. But like, one of the earliest forms of music. And to me, it's also because that kind of music represents his almost, like, unspeakable desire for-- to almost have, like-- I don't- I don't wanna give anything away. But, if I were to put it-- to make sense of his own identity, of his own life. It's like, I feel like I've always sensed that he almost releases that struggle, through that kinda music.

And that's why when he kills Susan, and when he puts her in Banny, there's always classical music playing. Because, to me, I feel like that's how Bon is able to express himself without putting it into words. Because I feel like not even he could put it into words. He's not gonna, like, stop in the middle of a scene and monologue his entire backstory and his life. But he expresses it in very artistic ways, in my opinion."

[epickiya722]

I love Bakugou with all my heart. He's one of my favourite characters. But it's always kind of hard to interact with a lot of his stans because of how overly protective they are of him, to the point where they mischaracterize or slander other characters when they dont do something in favour of bakugou. They act like hes a baby at times. Ofc not all of them are like that, butbits always the vocal ones that stand out and theyre many.

Unpopular opinion but I also dislike the "bakugou is a damsel in distress" thing they say, mainly the dk//bks. Cause that title should be given to no one, they're all bamfs.

The release of 431 basically had half the bakugou fandom burying Midoriya alive and even saying things like how Bakugou should start hating on Midoriya. Or that bakugou should have died so that Midoriya can live a life of suffering. Acting like Horikoshi did Bakugou a disservice when imo Bakugou had the kindest, most well written character development given to him.

To be completely blunt, in all my years of being in this fandom I've never encountered such a rabid group of people who will literally shit their pants because other characters or the author (in the final chapter) weren't kissing their ass for more than 2 minutes.

I do feel you on that, Anon.

I said it before, Bakugou is my guy, my boom boom boy. I like him as I do many other characters in the series. He has a good storyline, he is a great character on his own.

And that what infuriates me about some other Bakugou fans.

He is already such a good character, so why is there a need, a must, an urge to bash and mischaracterize other characters just to put him down?

Part of what I'm going to say is my bias because you all know Midoriya is my favorite tied with Miruko, but the other part of me is someone coming from a Bakugou fan standpoint. And you know what, feel free to be mad at me, but I just can't anymore!

The fandom over the past year or so has done nothing but disappoint me. Truly and at this point, I feel like I have to let out everything.

A lot of the reactions I saw towards Midoriya in the epilogue was absolue bullshit.

"He should give Bakugou back the suit!"

"How dare he turn down Bakugou!"

Bakugou was not the only fucking person who put in on helping with that suit and he damn sure wasn't the only person who saw Midoriya as the hero he is. Midoriya does not owe Bakugou any, let alone be an EMPLOYEE at his agency.

Like, damn, can he actually get used to some Pro Hero work in before he makes such decisions?

And I'll be honest, him not working at agency actually gave me joy. I actually like that idea. It reminds me of Miruko.

Him being a solo type hero allows Midoriya to be flexible with his routine. I guess they forgot he is a teacher. They must not have realized that Midoriya can and will fight by Bakugou's side in the field. Who said they needed a fucking agency to do all of that?

In fact, them being separated and not working at the same place would allow them to be more happy to see each since it's like "I didn't get to see you all day! I've been waiting to lay my eyes on you, I was counting the seconds till we meet again". I like that scenario, can we jump on that?

Like, what if Midoriya said no because he felt like Bakugou had done enough for him? Huh? How would he know Bakugou would want him at the agency and why even spring that on him being so cryptic about it in front of Kirishima? Sorry but Bakugou went about it the wrong way.

Midoriya can be oblivious but he's also not a mind reader. And sometimes, Bakugou is not that transparent, let alone someone who is right all the time himself.

I feel like that a lot of the fandom just wanted Bakugou to tie Midoriya down. Want him to own Midoriya like he's some fucking pet.

I thought they were supposed to be equals, but clearly I was lied to!

Like, when I say I was so disappointed in some fellow BakuDeku shippers, I was probably beyond disappointment. I couldn't follow anymore of some of the blogs because of the things they were saying.

I know Bakugou's hair is golden, but he is not some golden child. He is not some fragile little baby that some of the fandom treats him as such while also thinking he's so perfect.

They're doing exactly what lead to his terrible behavior in the first place, now that I'm thinking about it! Oh, I thought we were supposed to learn from that, HELLO?!

He is not perfect. That's what makes him a great character. A character with flaws makes for an entertaining one, but in this case, not for Bakugou! How I cannot believe!

That's why I also enjoy Midoriya. He has flaws, but the bad thing is how most of the fandom amped them up to 100 to make him seem more terrible.

I really hate how some of those same Bakugou and BakuDeku shippers reduce Midoriya into someone who can't do everything right, or he was like vindictive in the epilogue.

Like, some of you was so quick to say that the epilogue was so out of character, so why even go along with the notion that "Midoriya doesn't care about Bakugou, he betrayed Bakugou"?

Easy, because you don't care about Midoriya which is absurd to me given that if you're a Bakugou fan, Midoriya is the last character you should be hating on. Bakugou would hate you for hating Midoriya.

(Getting flashbacks to that one post about how the OP was mad at Midoriya for making Bakugou cry because he didn't tell him about OFA... in season one... WHAT?!)

I'm jumping on that unpopular opinion with you because my gosh. "I hate it when Midoriya is the damsel in Tddk fics and Bakugou is the bad guy".

I see why, but then why turn around and treat Bakugou like he's a damsel? To give more Midoriya stress? I'm all for angst, but I do feel like some people just want Midoriya to suffer like "see how you didn't appreciate Bakugou enough" and out of some hate agenda.

Listen, I know the pair are like the "don't separate at all costs" type, but again, it should be equal.

Yes, they care deeply about each other. But they're still their own separate characters.

Flaws Horikoshi's writing may have, but it damn sure ain't that flawed to not make sense of some of these characters.

I'm sorry (not really), but I feel like that some truly don't get Midoriya at all and don't want to take the time out to understand him. An injustice really to being a BakuDeku shipper. You won't see the harmony within that ship.

[rom-e-o]

So, like, I know Rook and Emmrich are supposed to be "moving fast" in their relationship. But what does that mean for Belismrich? What's their timeline for relationship markers?

For Guineverich it's, of course, the first kiss/makeout session on their first official date. Which is practically recklessly fast for G'iney, considering the best outcome for any of her first dates previously was the guy giving her a handshake as he dropped her off home before vanishing into the night to leave her to her life of health issues, never to be seen again. The second date already has Emmrich bringing food to her place and them getting hot and heavy with him sucking on her tits and both their hands down pants at the very least. So there's quite an amp-up there in that extremely short time span. (Girl even has a mini identity crisis in front of friends, wondering if she's "that type" of woman: "Is that what I am--the fast girl? Easy? Loose? Is that who I am?" To which friends suggest: "This seems less about who you are and more about who Emmrich could be." [i.e. The One]). Then three months of varying degrees of sexual experimentation and fun before they finally go all the way. Which might not be particularly fast for a lot, but for Guinevere, who thought she'd never even lose her virginity because she would never give it up to anyone who she wasn't sure was her true love but had little hope of ever finding that, it's practically breakneck.

Oh, those Ravens? Get it, you two. It is very, VERY much deserved.

I was thinking about this ask as we discussed the other one, specifically regarding how "fast" Emmrich and rook really move in their relationship, and how quickly things come to fruition, are consummated, etc.

For G'iney to take the plunge into making out on the first date is a pretty dang big deal. We've established that they have a good foundation of friendships & communication (not to mention Manfred being an adorable matchmaker that ties them together as a family unit from the get-go). The second date, the fact that they're already getting hot and heavy to that degree is a testament to how compatible they are.

I can see where G'iney's worry comes from. I mean, you're going from 0-100, so pausing to think for a minute is a good sign. I can only imagine Neve brings her back to reality. "This has never happened before, like you said. So, that tells me that this specific time is special. That he is special. Trust what you feel, Guinevere. You're cautious and careful. If there were red flags, you're not one to miss them. And I must say ... you two are very cute together." ;)

Emmrich might even do to some companions of his own for advice. He doesn't have many close friends (academia kept him distracted) but it would be fascinating if he went to Lucanis. Harding, as well, who seems to be the one he opens up the most to about relationships/marriage.

"I do worry, I confess. Are Guinevere and I moving too quickly? I don't want to push her, but everything just feels so natural and right."

H: Really? Sounds like there's no issue.

L: I agree. If things were moving too fast, Guinevere would tell you. She is capable of speaking her mind, as I'm sure you know. Keep your ears open, my friend, but otherwise, embrace it. You both deserve it.

For Belismerich? Ohoho. Well~

So, their first time having sex is in the coffin in the Necropolis. It any universe, I think it take about 6 months for them to sleep together.

Ebenestance and Belismerich both sleep together on the third date, technically, haha.

Belisma isn't a virgin, but she has ... things to work out. She's a sweet, wonderful, kind woman (I'm bias, haha) ... but she has a lot of rage inside her. Not at Emmrich, but at life. It hasn't been kind to her. At all. She realizes she's maybe a little emotionally immature as well, and wants to work on it.

She needs time to unpack all that before diving in deep with a man who, in her opinion, deserves the world. She is not a woman that will throw her heavy baggage to a loved one and yell "CATCH."

Emmrich deserves more.

Still, I do think Emmrich and her move fast. Not necessarily sexually...but intimately.

After the first kiss, they can be found necking in the dark corridors of the Lighthouse, or embracing each other frequently. Or even reading love poetry to each other in the library.

I think they sleep together (as in they literally ONLY sleep) after that dinner date. They make-out, she feels his erection, and then go back to her room and just...unwind. Make-up/jewelry off, pajamas changed. They see each other casual and bare-faced. They read to each other. They talk. They make shadows with their entwined hands against the candlelight. It's lots of honeyed words and softness. Some groping, but nothing too crazy.

After that, they get each other off with handjobs/blowjobs (which is when Davrin's 'tugging at the old bone' comment comes in, haha).

By the third 'date', it's clothes off and full coupling. It may be their first time in bed, but also by then, they've seen each other nude and satisfied another in bed.

After that? They're off to the races. Post-game, she and Emmrich immediately move in together, travel with Manfred (when he says "There is so much I want to show you" <3) and are...pretty frequent in bed. Marriage and babies follow shortly, haha.

[girlwith15cents]

Oversharing on the internet about ADHD

I've been trying to write this post for awhile now. It relates to my previous post about mental disabilities. But it's proving difficult cause it keeps sounding too pathetic, but that's kinda the point.

I, in my present, have an idea of who I am. My interests, how I act, how I dress, who I associate with, my gender expression. These are all observable things. Ways that other people can form opinions on me. These are, by most means, who I am.

However, who I want to be is pretty drastically separate from that. I know a version of me that I can try and project but will always fall short of. I want to learn and enjoy makeup. I want a larger wardrobe of clothes that I genuinely like. I want to learn an instrument. I want to get into streaming games for fun. I want to be able to take my friends out to dinner and buy them gifts and go around the city with them. I have so many ideas for tattoos and I have piercings I want to get. There are so many things I want and yet cannot have and have no real avenue to get.

The reason I cannot reach for these (very reasonable) things is because of my lack of capital and personal agency. Extremely debilitating executive dysfunction has stripped me of any milestones of adulthood someone of my age might be seeing. I've never been able to hold a job without growing deeply suicidal due to the effort required. Hobbies cost money. Rent costs money. Expressions of the self cost money. I have always had to exist within the confines of someone else's generosity to take care of me. It has stripped me of opportunities to grow as a person. It has made me less and less who I want to be and more who I am.

All too often because of this people don't take me seriously. Financial burden that I am, I have learned to make myself small better than any other skill. I choke up when asked to assert my wants. I put others first. I'm quiet and guarded. Any strive to make myself the person I want to be feels deeply embarrassing. Like a child who is convinced they're something they aren't. So people who meet me see the child. They see the loser who won't take steps towards employment because they're lazy. They see the girl who orbits a social group but never belongs. They see a nice girl who has far less desirable qualities than the other candidate for this job position. It hurts so fucking bad to be condescended to without any ability to rebut it.

So when does it end? When I find work that won't end up being the death of me? When our government wises up and pushes for UBI or expands upon disability payments? When they invent adderal that doesn't have a million side effects? When I get sick of it and give up? There's no real end in sight, and every time ADHD gets laughed at as a pop-psych joke it gets further away. Am I doomed to be a child forever? When will I see the respect I know I deserve?

And sure, pathologizing behavior is 'bad'. Maybe the answer to all my woes is to grit my teeth harder than I already have been my entire life. Maybe the real reason I see no forward movement is because I'm projecting my own helplessness. But can't it be a little easier? Everyone else is having a rough time, but at least they're having a time. The behavior I exhibit is very normal to neurotypical people on a bad day, but it makes up my entire existence. And it sure feels a hell of a lot more severe than someone having a day of bad focus.

The fucked up thing about it is that I like me. The present me and the me I want to be. We both have so much to offer. We're both one of the best friends you've ever had. We both have skills and qualities that make us very likeable people. But these qualities have little to no monetary value. Any way that I could monetize it would also require investment. Investment that I cannot make without agency. So I'm stuck as a vague bundle of good qualities and talents that everyone sees so much potential in and is eagerly awaiting a moment where I channel it somewhere. A moment that will never occur without agency.

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[buttercupshands]

Always wanted to draw something like this

The sky at least

Still figuring out stuff after recent chapters, but it's better

Also some park sketches + a sketch-warm-up before the first one

[st4rstudent]

i feel somewhat responsible for this, even if i’m not the one saying these things. I’m genuinely so sorry.

No need to apologize! It's not one singular person doing it and truth be told I don't think it's a large majority that thinks that (albeit the ones that do are quite vocal). I didn't mean to upset anyone or anything when complaining about it, I was just letting off some steam.

Having a yap session under the cut sorry I feel like rambling under your ask anon.

Admittedly, I do think there are reasonings for people thinking this way. A lot of the focus with Clash has been on the cogs, especially after the 1.3 update. Which I can't say I blame them! Managers were something new and exciting and (from what I can tell) really separated them from the other servers. I don't blame them for wanting to put focus on that because that was their thing. Alongside other things, but majorly when you hear Clash the managers are mentioned in someway shape or form. But as we all know, toons ended up taking the short stick from this. This isn't helped by the gameplay itself, being mainly a fetch-quest deal so you often only talk to npcs once or twice unless if they're repeated ones and the taskline wasn't entirely accessible on the wiki for a while (shoutout to the wiki maintainers. The taskline script is a savior). Which I'm quite excited to see if they deal with this issue with the rewrite. I imagine they will, but anyways. Social media posts would often contain more managers than toons, which I also believe they're starting to fix. And ontop of this, I believe most of the team in the early era of the sever is gone, so there's been some stuff lost in the change. So yeah, dialogue/writing has been kind of rocky. AGAIN- I am completely aware of the rewrite going on and I am not judging them harshly based off of their current state. I'm very appreciative of the fact that they took the time to listen and are focusing on trying to fix it up. And then there's also fandom mischaracterization- especially of the cogs. Forgive me for mentioning mischaracterization because normally I wouldn't really care (I've mischaracterized characters before..especially in my younger years. I think it's just a process of learning an having fun and I hate to limit anyone because of it). With that being said, there's a lot of baby-fying and coddling of the managers. Especially with those who have more 'sympathetic' stories (Misty, Chip, Winston specifically). Don't get me wrong, I like these characters and I can appreciate the story they're trying to tell, but I feel like so many people will hear their dialogue and then misplace their anger. People get mad at Bessie for trying to protect HER lighthouse or at the Elders for trying to keep YOTT safe (lets not forget Winston was there to brainwash toons). Yes, yes technically there would've been better ways to do it but consider this: The toons are scared. Their homes, stores, lives are being taken over by a big corporation that has more resources that they do. They don't have the privilege of waiting, seeing, and gathering. And then people forget that the company has such a huge role in both toons and cogs lives. If you're mad over the mistreatment of Misty or the fact that Winston is still in the dungeon, your anger should be directed at the company who doesn't care. I may be completely wrong in saying this, but I feel like the stories with almost all of the managers is a reflection of the company. The toons are only trying to protect themself and their environments and yet this seems to go forgotten when people start bashing them. And of course, I'd consider myself a toon guy so me saying all this and complaining may come off as "I HATE the cogs and everyone who posts only about them!" and for clarification that's not true. You all know how much I like that little brain thing. The cogs are interesting, their designs are fun, I don't blame people for liking them because I do too. I just wish that the thought process behind so many of these discussions wasn't so cog focused because I believe that this anger at the toons for, RIGHTFULLY, defending themselves helps push this mischaracterization of them as a whole. That they're mean, boring, unlikeable while the opposite is true. Yes there are some, what I'd consider, "filler" dialogue from the shopkeepers. This is just because of the gameplay. But there are some funny and cute moments with them if people would just listen and read.

Which also brings me into another point: people skip the dialogue. I've caught myself doing this before (on my first account. I have 4 accounts total, so I reread the dialogue on like 3 of them). But people will complain about lack of toon personalities while doing this. It's like reading through a comic book, only looking at the drawings, and then complaining because there "isn't a storyline". Luckily, there's been efforts to keep track of the dialogue on the wiki but I doubt a lot of people are going through and reading the entire script. It just feels very disingenuous to criticize the dialogue when you haven't even read it. Likewise, people don't seem to read the blogposts either. This is both from a dialogue aspect and from an update aspect (people continuously asking about hammerspace/mix-and-match under unrelated posts).

[after-nine-at-the-oasis]

the rookie let women make mistakes challenge

[cescalr]

Oooh, definitely glee for the fandom asks! <3

Always with the hornets' nests with these ones, I see! Though i don't think there's a fandom out there that isn't in some way a hornets' nest once it gets large enough... hm. Alright. I'm just gonna be as honest as i can be about this, and tag accordingly.

Glee:

my favourite female character: augh. argh. ouph. so difficult. so hard. Since I'm working off of half-remembered show and half recently-rewatched show... its a tossup. Mercedes, Santana, Quinn. Probably Mercedes. She did nothing wrong ever in her entire life <3 well okay maybe except that one time she smashed kurt's car windows (but it was a banger song, though). Can't say Santana because of the Biphobia TM and other things like excessive use of bigotry-based insults, and Quinn. Oh god girl. Cheating is not cool! Funnily enough! So I find them really interesting but 'favourite' is hard to say. Mercedes. Mercedes for sure <3

my favourite male character: Blaine sam blaine sam blaine sam yes. I am imitating ripping petals off of flowers and coming to a conclusion based on which is the last name i said. So I guess that means Sam! But really this is a tie.

my favourite book/season/etc: Mannnnn idk. I don't like shows for seasons as-a-whole. Also i could not tell you what happened in any given season if you held a gun to my head. I'm not good at that. The only shows i know 'seasons' of are Buffy and Teen Wolf because i've watched them like 100000000000 times (exaggeration) for various reasons (mostly fanfiction research).

my favourite episode (if its a tv show): I can tell you my LEAST favourite episode (blame it on the alcohol, thank you Kurt king of biphobia! this is a persona foible it's not the worst episode in the show. by far. by far. it's kind of an average one. I'm just angry at it.) BUT er. Favourite? Idk. Genuinely some of the earlier Kurt-centric stuff was really well done (his convo with Burt... <3) and the Quinn giving birth accompanied by bohemian rhapsody was obviously iconic, but if I'll be honest I couldn't name any episodes of this show (other than That One previously stated, anyway). And yeah most of the time they were named after song titles and No i don't remember those song titles either. I'm just so bad at this. My memory is that of a goldfish's being haphazardly bounced around on a sieve.

my favourite cast member: it would be really funny if I said Demi Lovato [she counts!] but the truth is N/A: i don't know these people !!! They are strangers!! (i don't. follow celebrities. at all. I couldn't even name most of them. They're just people doing a job and their lives are irrelevant to me beyond their ability to perform that job well. I do not need to know where they live and what coffee they drink. Stalker shit tbh. I'm kind of a very private person myself, so rpf-adjacent stuff just... creeps me out. I've never watched a single cast interview in my lifetime and I'm not about to start!)

my favourite ship: Difficult to say! Grave and obvious lie. Blam. It's blam. Quintana is a close runner up though Santana really needs to stop dating people who cheat on the regular (I'll accept Quinn has grown enough not to do this by the time a Quintana coupling would be viable - and satisfying in terms of character arcs - narratively speaking).

a character I’d die defending: Blaine Anderson did something wrong for sure but like Kurt did it first so shrugs. Cancels out. Bad for each other! Case closed!

a character I just can’t sympathize with: genuinely don't remember if I had one of those the first time around because I was like 10 and just didn't pay attention if I didn't care, but Terri and her racist self take that 'prize' this time, alongside the obvious predator in the room [original choir teacher. Sandy? I forget his name immediately after hearing it. He doesn't deserve to be remembered]. Also JBI is just.... a yikes character all around. I mean, he's a blatant stereotype for one, in a the people who wrote this person don't like jews kind of way. Unfortunately common stereotype too, for the era, so not only is he that, he's also lazy. Just a one-note pervert who's the butt of various antisemitic 'jokes' you've heard from era-peer shows a million times over, tired and awful and a sour reminder of bigotry that continues to this day. Really regrettable character who's lack of redeeming qualities was probably purposeful. (I know Rachel and tina are also jewish, but this comes up very rarely and mostly only when santana needs to say something kind of fucked up, as is her modus operandi, for 'comic relief'. Tina's jewish-ness wasn't even canon for several seasons, because she didn't have a surname or a family or anything resembling complex character depth for several seasons. The one time I really remember Rachel's religion being important was when she was pressuring Kurt into believing in some kind of god, which??? don't do that. Bad example. Trying to guilt trip a friend into faith sucks. I take back what i said earlier Mercedes did that too. Boo. Girls try again that was a bad showing all around. Though i have no idea why Kurt went the acupuncture route as his 'secular' option but i think that has to do a lot with the writers doing literally no research ever once in their lives (you can tell they don't by the way they write the football segments of the show, which make no sense according to football fans who watch Glee, of which there are numerous because real life isn't like fiction where you can only like music or sports. Most of the kids in my school year were doing the most of everything ever if they were the 'popular' ones - we do that differently; popularity isn't really based on who know know; for some bizzare reason literally everyone knew who I was? Even people I'd never spoken to?? - but more about like... how much you can do, I guess. Overachievers, but I'm not saying that negatively; these people were generally - generally - very nice, and surprisingly chill for people who had no spare time whatsoever. I'm not entirely sure when they slept; A* across the board, at least one sport, at least one instrument, several extracurriculars, parties every weekend, dozens of friends and an s.o. . Eh? Way too much going on. Scary lifestyle! Impressive burnout rate, probably. Er. Tangent! Back to the scheduled programming).) There's uhhhh there's a lot of bad characters on the show, but i'd say Sandy and Terri and her equally but more loudly racist sister are truly completely irredeemable ones. Like they're not interesting or anything, they're just there to be narrative annoyances (which, in the case of Sandy specifically, is insane. Arrest that man!!! He has actively sexually assaulted minors!!!).

a character I grew to love: difficult to say because I tend to just make an opinion and stick to it. Also i don't remember who i liked at first and who i didn't, this show came out when i was eight. I didn't watch it until I was a little older than that, of course, but I frankly have spotty memory until my late teens, so! I'm not sure!! Quinn, probably. Pink-hair-era Quinn helped me understand her more, and seeing the moments of kindness hidden behind practical cruelty, when you understand her family and situation, makes things make a lot more sense. It takes a lot to get me to sympathise with a cheater, but I can see where Quinn was getting all turned around in her head about life because of her upbringing and socialisation, not to mention the profoundly negative impact cheerios had on her mentally and that the school's culture in general was not exactly a breeding ground for empathy and optimism.

my anti otp: can you tell (klaine). I don't dislike Kurt!!! Please let him have a fun chillaxed boyfriend in new york with his vogue friends. But also please stop attempting to control other people's diets thank you!! Thank you!! I'm of mixed feelings. Blaine and Kurt both did at least one bad, relationship-ending thing, and proved over and over again that they just weren't on the same wavelength in regards to life goals and ways of living it. They can't even share the same living space, which is kind of required for a functional marriage. I don't know, it just seems like they settled for their first proper, serious boyfriend even if that's not really the best match, and I... wish they'd just got to see more of life first, you know? They got married at like 20! Or something! I'm 23, I cannot imagine getting married at 20. That's a baby. Let them live first!

(same for Santana and Brittney, imo. I also don't really like them together because Santana and Brittney have very different ideas regarding monogamy, which is just never going to go down well in the long run. If your girl cheats on you like twenty times and tells you to your face its not cheating in her view of things, but you think it is, break up with her because you'll just make each other miserable. Brittney sort of seems incapable of feeling guilt but if she were, this kind of moral pressure would be Not Good, and obviously Santana isn't comfortable with the idea and doesn't have to be!! Just move on!!! Find other people!!!! Don't marry your first girlfriend if you've broken up like ten times this is simple!!!! Please!!!! But Klaine wins out over Brittana because - in my opinion, glee fandom please do not persecute me, I am known for this specific thing - I see... interactions that verge on abusive between Klaine that I don't see in Brittana. So. Oof? Ex; use of public perception to disguise attack; deliberately hurting Blaine in a stage-combat fencing match (you are not meant to make actual contact in these) and thus using Blaine's own dislike of making his difficulties common knowledge against him in order to 'punish' him. This is no good! Don't do this!!.[Also just to err vaguepost about a comment.... that is. not. what i would call passive aggressive. Physically attacking someone with a sword - no matter the type of sword, fencing foils hurt just as much, they're just not stab-you sharp... er, these days - is just straight-up aggressive.]).

Note that negative things stick in the mind better than positive ones; on a rewatch I may well alter my opinion!

But also I'm really, really stubborn. So it's not likely. Klaine.

[lock-my-feelings-in-a-jar]

russ ballard on leaving argent:

(1974)

"Before I told the lads, I was pacing the floor all bloody night, which didn't exactly help health-wise."

"The hardest part about leaving was telling Robert Henrit, our drummer, 'cause we've always been in bands together over the past 12 or 13 years but it was just something I felt I had to do if I was going to do my own thing."

"Even at the time of Hold Your Head Up I wanted to do an album and play all the instruments and I thought hell, I don't want to reach the age of 35 and still be waiting to do something on my own. To produce my own things will give me the satisfaction of knowing that it is down to me, knowing that if anyone was going to take the rap, it would be me, whereas in a band, you can always spread the blame or credit to the rest of the boys."

"It bugged me a little bit because although Rod's a great organist, the solos particularly on my songs went on for too long in my opinion and it got me down. I thought some of the instrumentals on the album went on too long but that's the way Rod feels and you can imagine how these little differences become bigger and bigger year after year until you think, hell, I've got to do something about it."

"You can always change a situation that you are in. So many people sit around and complain and do nothing about it, whether it's in marriage or, in my case, music. But now I've changed my situation and I've always been a great believer in this method."

"I never realised this, but I was talking to Colin the other day about organ solos and he told me that he used to ask Rod in the Zombies' days if he could walk off-stage during the organ solos. Rod apparently couldn't understand why Colin was like this but I can see his point now."

"It's frustrating 'cause I'd like to do more piano and have a bash on the drums but I'm limited and it is frustrating just standing there watching."

"I reckon Argent are one of the best around at the moment and there's still room for improvement, but I think I've got more to offer on my own. We're a very close band and that's why we've lasted so long. Rod has said that we pull in different directions at times and it's perfectly true. I think the group will be better off without me 'cause he can do his thing and he won't have my influence and they'll have more direction."

"I wanna get a drummer, bass player and guitarist, preferably some good young talent who are enthusiastic. It's going to be very hard 'cause I've been in bands since I was 12 and Argent is the first band I've experienced who are totally into music. You'd always get one who was only after the birds and others who were in it for how much money they could get, so I want three guys who are into music and not into the trappings."

"I like to hear a few bum notes on an album as long as the performance is good. I find that Argent are too perfect at times, making each note too good and it doesn't sound real."