#one really cool development has come from ai recently though

[aurosoul]

FUUUCKK YESSS

One not-uncommon iteration of the dolphin suit is to add gripper arms separate from flippers, as in David Cherry’s 1985 frontispiece to David Brin’s Startide Rising

[felassan]

Snippets. 🐺💜

For Game Informer’s July 17th DA:TV article, "BioWare On Returning To The Dragon Age Series, 10 Years After Inquisition", the article is still titled as such on its own page, but it looks like on the GI DA:TV Hub page its listing was updated to "Dragon Age: The Veilguard Is 'Respectful And Referential' To Previous Games Without Making Them Mandatory"

[previous comment for context - Brenon: "we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earler...so yeah...RIP"]. Derek on this: "Choice and consequence, baby." [source]

[context: DA official Twitter's news about what's coming in August] Derek: "Buckle up!" [source]

Bryony Corrigan (Rook) on the strike: "I care a lot about this game! @/dragonage. Gutted we are unable to speak more about the game for now but absolutely in solidarity with actors in the US. I hope @/EquityUK are also fighting for better protection against AI clauses in the UK too…!" [source]

Matt Rhodes recently wrote to his mailing list that "The project I’ve been working on for many years is nearing completion. In my rare free moments, I’ve been starting to organize concept art to start posting after the game ships." [source] So it sounds like DA:TV is nearing completion and that he will be posting DA:TV concept art that he created after release. [This] is the link to his website where you can view his art, including some existing DA:TV and previous DA game concept art. If you click the envelope symbol on this page, that's how you can subscribe to the mailing list

from Community Councilmember Ladyinsanity - Lucanis x Rook apparently might be an "angst pairing" and there's maybe another one of these in the game also...? 👀 [source]

A user mentioned that they aren't keen on the word "roadmap". Michael Gamble explained: "all it means is a list of cool things you can expect to see us showing." [source]

Bellara's family name Lutare wasn't recently changed as some users wondered, it was Lutare at least a year ago during development. It seems it was just mis-printed or mis-reported in the GI coverage [source]

This article describes DA:TV as the most beautiful game the writer saw at SGF. It says the prologue is dated 9 years after DA:I. "Varric isn’t a ginger so much as a grizzled gray fox now". On Solas, he "wants to tear down the Veil that separates Thedas from the world of demons, restoring his people’s immortality and glory and sacrificing thousands in the process. But when his ritual goes awry, two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world." The game moves quite seamlessly from action to cutscene, and in the prologue "every cutscene is clearly building toward something larger". Position matters in combat. There is an accessibility option which involves the path-tracing of enemies' ranged attacks. At the beginning of the demo, the devs mentioned that they thought about the way different lighting affects your character. " The animations associated with combat are complex for one reason: responsive character features." CC has "inclusion of thick curly hair and capturing the tightly curled texture of Black hairstyles and natural hair", customizable shoulder-width and "a much-welcomed broad spectrum of skin tones—capturing both cool and warm undertones of both white and brown skin". The article highlighted the fluid movement of cloth. The writer also said, "I’m sure other Summer Game Fest previews will have a lot to say on the evolving relationship between Varric and Solas". [source] ((I don't remember seeing this article til now, it's from June though so I either missed it or have seen it and forgotten. also I don't know how accurate it is but the writer was one of the attendees of the DA:TV demo at SGF))

[character limit text break!]

Malcolm: "When I joined DA:Ve I was really hoping there'd be a romanceable dwarf companion and boy howdy did that come true. Harding is ☀️delightful☀️" [source]

[context: this Tumblr post of some neat art] Malcolm: "This is amazing and I fully went "oh wow that really sounds like Emmrich" before remembering that Nick Boraine is in fact a entire human person." [source]

User: "Speaking of Stalker, as a player the description of Bellara and Veil Jumper i've heard so far, alongside their exploration of Arlathan, somehow reminds me of Clear Sky and Chornobyl in Stalker series..." John Epler: "great eye! roadside picnic, Annihilation and STALKER were all absolutely inspirations" [source]

John Epler: "time to slowly make my way home after an awesome 4 days. thanks for an amazing experience to everyone who was a part of it. back to work." [source]

User: "We know there are returning characters in The Veilguard, so my question is: How would you and the rest of the writers go about writing a returning character who was originally primarily written by a writer who is no longer at the studio? What is the process?" Trick Weekes: "1. Watch videos to get the performance, how the character speaks. 2. Don’t try to replicate the character exactly. Allow them to have grown. Morrigan in DAI wasn’t Morrigan in DAO. She’d grown up. 3. Trust Character Art and Performance/VO. As soon as Morrigan walks in and talks in DAI, it works." [source]

Ali Hillis (Harding) on Twitter: "@dragonage @/bioware @/BioWarePulse @/ea #/DragonAge #/SDCC #/SDCC2024 FOLLOW ON INSTA FOR MORE!" [source]

Alex Jordan (Rook): "To all the D&D loving Dragon Age fans out there, let me tell you about my D&D group, made up of faces from the games industry! Including the voices of Geralt from The Witcher, Clive from Final Fantasy XVI, and Noah from Xenoblade! We are ⁦@/NaturalSix ⁩#/DragonAge" [source]

Erika Ishii (Rook): "Grateful I got to spend SDCC celebrating my roles in 2 games I love. Thank you to the devs (including laid-off workers who deserve full credit!), my friends, and the community. This is the last you’ll hear from me about my games from struck companies until they sign an interim agreement or the strike is won. Keep playing games, but share info from the union and let people know we’re taking a stand for all creatives. See you on the other side! ✊🏼🎮" [source]

Jeff Berg (Rook): "Damn, I love making video games. It’s like the perfect blending of theatre on film, where an actor is encouraged to collaborate and let their imaginations soar. And damn, do I ever love the incredible support from the fans of this incredible medium. Unfortunately, we’re in a time of upheaval in the industry. So let me make it perfectly clear: Video game performers deserve fair wages, safe working conditions and A.I. protections. I call on the employers to #/LevelUpTheContract. Guys, this is no single player game. We need you on our team. #/SagAftraStrong #/VideoGameStrike". Text in the accompanying video reads “Video game performers are stuck in a grind. AI is stealing voices, and companies are hoarding profits. The future of voiceover and performance capture artists is at stake. But out fight isn’t single-player. Whether you’re a gamer, a fan, a performer, a labor ally, or just someone believes in fairness. Keep video games people powered. We need you on our team. Video game companies must offer AI protections to ALL video game performers. Join me and show your support for those who bring our favorite games to life.” [source]

Jessica Clark (Neve): "Aaah a true bucket list moment!! Thrilled to play Neve Gallus a Private Investigator & one of the companions in the upcoming DragonAge The Veilguard Video Game!! We are appearing at the San Diego Comic Con as we speak!! With so much thanks & appreciation for the most fantastic team @/bioware & inspiring fellow cast members including (not limited to) @/missalihillis @/nickboraine @/zach.mendez @/jeffberg1 & more 🙏🏽 Draon Age The Veilguard releases this Fall 2024 & from what I've seen... It's truly epic!! You will love it & yes, it's worth the wait. (SAG-AFTRA issued us a specific window to promote & celebrate at Comic Con & from Sunday night onwards we will all be joining our fellow actors in the picket line for the Video Game Strike)." Text in the accompanying video reads "I’ve wanted to share this for so long! Thrilled to reveal that I play Neve Gallus in the upcoming Dragon Age The Veilguard!! Appearing at Comic Con San Diego as we speak” [source]

[source]

Jessica: "Last night's Comic Con San Diego's Fandom red carpet celebrating Dragon Age The Veilguard! Releasing this Fall 2024!!" [source]

Zach Mendez (Lucanis): "A truly amazing first day of SD Comic Con at the @/dragonagegame poster signing at @/darkhorsecomics booth. Thank you to the fans who made my first con unforgettable #/sdcc /#sdcomiccon #/dragonage #/darkhorsecomics #/lucanisdellamorte #/voiceacting #/bioware #/eagames #/theveilguard #/babysfirstcon" [source]

Zach: "Dragon Age. Dancing. Derulo. Thanks @/fandom for a killer party" [source]

Nick Boraine (Emmrich): "Thank you @/bioware @/ea and @/comic_con - had an incredible time! #/dragonage #/theveilgaurd #/emmrichvolkarin @/zach.mendez @/missalihillis @/thejessicaroseclark - can’t wait for the fall release date." [source]

Ali: "Honored and thrilled to have been a part of another epic @/bioware story w @/ea . Thanks from the bottom of my heart to the whole team! We worked hard, and put our all into this one. Can’t wait to see you all at #/sdcc2024 this week to celebrate @/dragonagegame #/dragonageveilguard" [source]

Ali: "1st day of San Diego Comic Con 2024 !! The lines were long and the signings so much fun! Met some really nice fans, hung out w dragon age performance director @/ashley___barlow , companions @/thejessicaroseclark @/zach.mendez & Nick Boraine . So SO grateful for this #/dragonageveilguard family!" [source]

Ali: "I love every one of these people. There, I said it! What a warm welcome we received! Thanks to ALL! For EVERYTHING!" [source]

Ali on SDCC: "Gooooooood times. ❤️" [source]

Here is a 'behind the scenes at the DA:TV SDCC panel' photo -

[source]

Here is a photo of Erika Ishii with Rook's blue knife -

[source]

Here is an excerpt from Brianne Battye's website:

Text reads: "Dragon Age: The Veilguard Defy the gods. Rise as Rook, Dragon Age’s newest hero. Be who you want to be and play how you want to play as you fight back and lead your team of seven companions, each with their own rich story. Together, you will become the Veilguard. Coming soon From EA/BioWare. I was responsible for a companion story arc, significant side characters, faction content, exploration content, and helping develop and expand worldbuilding lore."

[source]

Also, last year Zach Mendez (Lucanis) made a prior podcast appearance:

Zach: "I was lucky enough over the pandemic to have just hit a really nice commercial, and then I got this beautiful job on a video game where I was doing motion capture. Motion capture? Okay, so you put on this leotard, this black suit, and those little dots on, and you do all the motion for a video game, and you get to do the voice, and they put all these black lines on your face, so they capture your performance and whatnot. And so I was doing that and had some commercial money, so throughout the pandemic, for the past few years, I’ve just been getting to live off acting, which is great." -- Zach: "[Voiceover is] what I'm working on right now." -- Zach: "My father's from Spain." -- Zach: "I'm currently working on a video game, I can't say which video game." "It is a big one, it's not a big deal, it's a big one, I'm one of the main characters, it's not that big a deal." The interviewer asked about how acting in video games works. "Somebody's giving some performance that of course, they layer on imaging afterwards, like in graphics, right? But you're giving facial expressions, that's what gives it the reality, that's what I find so fascinating about motion capture, is that, you get to give big performances, because you're playing these crazy characters in crazy situations, and a lot of your performance is coming through in the final product which is, just gets me excited about the future of things about all the different ways. It's my voice, a lot of my facial features, I voice, I think, one or two characters in this game."

[source (dated ~a year ago. source link isn’t work-appropriate. I don’t recommend the podcast)]

[greenplumbboblover]

Hey Lyra, Hypothetically, and based on recent developments in AI and being able to use chatgbt to pretty much get an answer for most things, I've noticed some games are being completely remastered by modders/community in UE5 (eg: 2unreal5underground) and I wanted to know if you ever imagined ts3 to be "remade" in the future by the community? You are an OG so I thought it made sense to ask you as you've developed a lot of stuff for the game. So just an idea and wanted to know your thoughts???

Hey!

Oh I love this question because I have checked this out actually! (and have thought about it many times lol) :)

So we all know that TS3's scripting API runs on C#. Unity is also purely C# in that sense (well okay their engine is also written in C++ but generally speaking, it's C#). So, in theory, this would be possible. Unreal would be harder as you'd have to create the game basically from scratch. Including the code.

However, the bottleneck comes to stuff that needs to be rewritten. For example (assuming we'd use Unity as a reference), some things that come to mind that are handled by the C++ side of TS3's engine would need to be "Unity-fied" such as:

Thumbnail creation. That one is easy.

Package reading/loading/writing. That one is doable because of the amount of wiki info on it. Though, not everything is reversed engineered, unfortunately.

Convert everything to use Unity's calculations and helper classes. Since those are, often, 10000x better than EAs more "cheaper" methods. (they're often made for one purpose rather than multiple in mind, which makes things much more challenging than they have to be.)

Routing needs to be completely redone, since Unity also has its own (better) routing system. \

Somehow make EA's custom UI elements work with Unity's UI. Or completely rework it.

Save readings. Although if it was totally up to me I'd rework that myself to be much lighter.

I do know what needs to happen, but I haven't really attempted it because by myself it's A LOT of work that definitely will take years to do on my own.

However, I do have a secret thing to share :p

I had for funs, made a TS3 bodyshop thingy as my first Unity project. It looks cool right now, but it's a bit shit in regards to the coding, because I was really new to Unity). Plus it's SO SLOW!... I was thinking of redoing the whole thing after the core mod for Hobbies and Interests was out.

Here are some pictures!

Anyways, I may check it out. But I may just stick with my little bodyshop program for the time being :p

[nellasbookplanet]

Book recs: robots and artificial intelligences

A note: I'm differentiating here between artificial intelligence and transhumanism (such as uploaded consciousnesses and cyborgs), which I intend to make a separate rec post for at a later date.

(Titles marked with * are my personal favorites)

Other book rec posts:

Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books, portal fantasies

Continue beneath the cut for details on the books!

The Outside by Ada Hoffman*

AKA the book the put me in an existenial crisis. Souls are real, and they are used to feed AI gods in this lovecraftian inspired scifi where reality is warped and artifical gods stand against real, unfathomable ones. Autistic scientist Yasira is accused of heresy and, to save her eternal soul, is recruited by post-human cybernetic 'angels’ to help hunt down her own former mentor, who is threatening to tear reality itself apart.

The Prey of Gods by Nicky Drayden

South African-set scifi featuring gods ancient and new, robots finding sentience, dik-diks, and a gay teen with mind control abilities. An ancient goddess seeks to return to her true power no matter how many humans she has to sacrifice to get there. A little bit all over the place but very creative and fresh.

17776: What Football Will Look Like in the Future by Jon Bois*

A multi-media web novel available to read freely online (which you should do!!). I don't want to give too much away as the initial punch of finding things out is part of the journey, but it's both hilarious and profound as it questions the meaning of humanity and life.

Illuminae (Illuminae Files) by Amie Kaufman & Jay Kristoff*

Young adult told through the medium of transcripts, text messages and the like (this is one of few books where I highly recommend reading a physical copy over a digital as the visual aspect is much more enjoyable like that). After their colony is attacked, the surviving inhabitants flee on space ships, attempting to avoid the pursuing killers while also dealing with a deadly madening plague on board and a ruthless ship AI seemingly losing its mind.

A Closed and Common Orbit (Wayfarers series) by Becky Chambers*

Technically part two of a series, but stands well on its own as the installments are only losely connected (though I recommend reading the first book as well, it's very good). A former ship's AI recently moved into an illegal android body tries to make sense of life as she navigates her way through humans and aliens alike.

The Quiet at the End of the World by Lauren James*

Young adult. After the spread of a global virus causing infertility, teenagers Lowrie and Shen are now the youngest humans alive as the adults around them race to find a cure. As they investigate the ruins of the world, the two come across records from the past, of how grief stricken people turned to raising artificial children in apps and how these 'children' developed, and through these records the two learn of their history. Also has a bisexual main character!

A Psalm for the Wild-Built (Monk and Robot series) by Becky Chambers

Novella. Long ago, robots, upon gaining sentience, simply laid down their work and walked into the wilderness. Long after, a tea monk looking for purpose follows after them into the wilds, where they come across one of the robots seeking its own sort of answers. While not plotless, this story focuses more on character and vibes over plot. Also has a nonbinary main character and features conversations on gender between human and robot.

All Systems Red (The Murderbot Diaries) by Martha Wells*

After having hacked its own governor module, SecUnit uses its small amount of new freedom to secretly download and watch as much media as it can between doing its job guarding humans. But when the scientists it’s been charged with keeping safe come under attack, it must make a choice about whether to continue keeping its freedom secret or risk it all to save them. The series features both novellas and full length novels, and balances humor with scathing critique of capitalism.

Machinehood by S.B. Divya

Prudent in the rise of AI and machine learning, Machinehood shows a near future in which humans struggle to find a place on the workforce as more and more jobs are given to AI. Status quo is shaken as a dangerous terrorist group calling itself The Machinehood starts committing attacks. A close look both at the rights of humans in a technologically changing world, and at the rights of AI as their intelligence edges ever closer to full sentience.

The Company of Death by Elisa Hansen*

A wild mix of genres, where a zombie apocalypse has struck and vampires gather up humans to keep their food source from going extinct, a robot travels across America with a young man she's tasked to keep safe, and former-vampire-hunter-recent-zombie Emily teams up with Death himself to stop the apocalypse. Features bi and ace characters! Bonus rec: the author also runs the youtube channel Maven of the Eventide, where she talks about various vampire media. Check it out!

Railhead by Philip Reeve

Young adult. In a future where humanity travel between the stars using not spaceships but a portal-connected system of sentient trains, a young thief and street urchin is hired to steal something off of the Emperor's train.

Being by Kevin Brooks*

Young adult. Cards on the table, I think I was about 14 when I last read this, but it made a strong enough impression that I still think of it as one of my favorite books. After having gone in for a routine exam, doctors make a stunning discovery about Robert Smith: he isn't human. Suddenly hunted, Robert goes on the run as he tries to cope with the fact of his own existence. While I love this book, it gives very few answers to its many mysteries, so don’t go in expecting full explanations.

Ancillary Justice by Ann Leckie*

A space opera in which sentient spaceships can walk the ground in stolen human bodies, so called ancillaries. One of these ancillaries, the sole survivor after the complete destruction of her ship and crew, is one the hunt for revenge. This series also does very cool things with gender!

Crier's War by Nina Varela

Who says sci-fi has monopoly on robots? In sapphic YA fantasy Crier's War, artificially created automae have defeated and subjugated humans, who live as second class citizens. Young Ayla goes undercover as a servant, meaning to assassinate automae girl and Sovereign's daughter Crier. This would be easier if the two weren't quick to develop feelings for each other.

My Heart is Human by Reese Hogan

Nine years ago, all complex technology was made illegal. This complicates life for Joel, young transgender single father, as a bionic just uploaded itself into his brain without consent. Scared of losing his daughter, Joel tries to keep the bionic secret while using it to fix his life, but things quickly get more complicated as the bionic gains more and more control of his body. Makes a lot of cool paralells of bodily autonomy to Joel's experiences as a transman. Bonus rec: if you like the general concept of struggling for physical control over one's body with an AI, may I also suggest the (much grittier and gory) movie Upgrade.

The Archive Undying (The Downworld Sequence) by Emma Mieko Candon

In a world where AI gods sometimes lose their minds and take entire populations down with them, Sunai was the only survivor when his god went down. In the 17 years since, he has wandered on his own, unable to either die or age, drowning his sorrows in drink and men. But his attempts to flee his past comes to a stop as he is forced back into the struggle between man and machine. Featuring some pretty wild world building and narrative techniques, this book will definitely confuse you, but it is worth the experience.

Activation Degradation by Marina J. Lostetter

Unit Four comes to life in the middle of a war. The mine it was created to care for is under attack, and as Unit Four is activated with the memories of its predecessors, it is thrown into the task of protecting it at any cost. When the battle leads to its capture, it is prepared to do anything to stop its captors, even as their very presence causes it to question all that it knows.

Sea of Rust by C. Robert Cargill*

Years after the death of the last human at the hands of a robot uprising, Brittle travels the desert searching for machines on the brink of breaking down whose parts she can scavenge. The world is quickly falling apart as a war between OWIs - One World Intelligences - struggle to absorb every robot, willing or not. Bleak and captivating, Sea of Rust features horrible people who you can’t help but root for anyway as they struggle for their lives while questioning the very nature of said lives.

Bonus AKA I haven't read these yet but they seem really cool

Hybrid Child by Mariko Ōhara

Japanese 1990s classic. Follows an escaped AI who can take on the form of the people it has consumed.

World Running Down by Al Hess

Follows a powerful AI that has been forced into an android body against its will.

The Thousand Year Beach by Hirotaka Tobi

Set in a virtual world populated by AIs, meant as a resort for human guests who stopped showing up over a thousand years ago, leaving the AIs on their own.

And Shall Machines Surrender by Benjanun Sriduangkaew

Novella. Machines are the gods and rulers of the Dyson sphere Shenzhen, where humans live in luxury and strive to become host bodies for future AIs.

After On by Rob Reid

Phluttr is a social media and a person, potential hero and potential villain, holder of the secrets of all her users.

Annie Bot by Sierra Greer

Annie Bot was designed to be a perfect girlfriend, but as she learns all the more about being human, perfection becomes all the more distant.

Honorary mentions AKA these didn't really work for me but maybe you guys will like them:

The Lives of Puppets by T.J. Klune, Machines Like Me by Ian McEwan, Barbary Station by R.E. Stearns, The A.I. Who Loved Me by Alyssa Cole, Medusa Uploaded by Emily Devenport

[thecurioustale]

I got Google's new AI toy to generate an entire podcast discussing a scene from my book.

I read with much enjoyment and pleasure of nostalebraist's recent experiences with Google's experimental new NotebookLM, which will take a piece of writing that you give it and generate an entire conversation where a pair of AI-generated hosts get into a "deep dive" discussion about it, in the style of a discussion podcast.

I listened to the "The Northern Caves" and "sufficiently advanced" podcasts and was similarly impressed at how far the mimicry of human speech patterns has come.

While it is in the experimental stage, NotebookLM is free to use. All you need is a Google account. That's a pretty low barrier to entry—and I have just enough vanity and masochism synergy to try this out for myself with my own work!

Let's do a deep dive, shall we?! =D

I had Google whip up a "deep dive" of a piece of my own writing that I shared earlier this year for the ATH 25th anniversary, a scene from The Great Galavar, set many years before ATH where a much younger Silence, new to Sele, asks Galavar for a desk and they go to Javelin's furniture shop to see about getting one. (I only fed Google this scene; not the attached scene where Javelin visits Galavar later that night.)

Here it is:

I'll start off with a complaint that spans the entirety of the podcast: I was put off by the disingenuous way that both podcast hosts acted as if they hadn't read the work under discussion and expected the other to explain it to them, because they keep switching these two hats back and forth (proving very conspicuously that they both know the work very closely), and it comes across as patronizing. I noticed, however, that I found this more off-putting with the podcasts nostalgebraist shared than with my own.

And a couple more quick complaints:

First off, there's no recognition of Silence's left-handedness, so frankly I think we can throw these toasters onto the scrap heap for another 20 years of development. 😏

(Actually, stick a pin in that; I'll come back to it later.)

Second off, I forgive these AI hosts for their horrible butchery of the pronunciation of custom names like "Terlais" and "Sele." 😭😭😭 That's understandable and not off-putting (though it does jar).

But mainly:

I am very impressed by the the AI's ability to synthesize an understanding of the material with such high fidelity and general accuracy! I think it's super cool!

While obviously this represents a major stride for AI technology, I think this is first and foremost to my own credit for writing such a coherent scene in the first place (more on that later). With my own work being analyzed, it was a lot easier for me to notice (as opposed to with nostalgebraist's podcasts) just how the AI was essentially digesting and repeating my own text back at me, occasionally literally but more often through a very basic layer of interpretation and recapitulation. For example, at the beginning they talk about how Silence has this sharp intellect and "sees right through you"; this is true and I would even call it insightful, but it's also explicitly there in the text, conveyed in different words but unmistakably the same idea. So really the AI picking up on it is just a validation that I wrote it in the first place. (More on that in a moment.) This makes the AI synthesis somewhat less impressive than it otherwise would've been, i.e. a very elaborate form of mimicry, but the absolute reading on my impress-o-meter is still very high. This is, all things considered, a fantastic level of comprehension, mistakes notwithstanding (more on those in a bit).

It was a very awkward, disorienting experience for me to hear these convincing simulacra of people earnestly discussing my work, especially with the work being a scene about Silence, which is always quite personal for me. I think, echoing nostalgebraist's thoughts, that it hits on a level that would not have been as intense / visceral for me if the exact same conversation were purely in text. But even if it were text, I definitely feel seen (in a rather uncomfortable way, like with a light that's too bright) that the AI easily picked up on the fact that this scene is all about Silence even though she's not the point-of-view character and Galavar actually has a much larger presence in the scene than the AI deep dive would have you think. The AI saw right through that.

The main complaint I gathered from nostalgebraist's reaction to the AI podcasts about his works was that the AI analysis was anodyne, superficial. I partially agree, which I'll get to. But with this criticism in mind, I thought to be on the lookout, when listening to my own AI podcast, for insights about how a more lay audience might engage with and understand my work. Are any hypothetical lay readers picking up on the main themes? Do they understand the basics of what's happening? How does my work come across to the sorts of people who listen to the kinds of podcasts that NotebookLM is simulating? That kind of thing.

I found the answer promising: Like I implied above with the AI's recapitulation of Silence's power to comprehend people's thinking and nature, if this podcast is any indication, I think my work is more readable than I have given it credit for. I don't consider this scene to be a particularly "easy" one to parse (nor particularly "hard"), but the AI did a pretty good job of it, so maybe I was underestimating a hypothetical human lay audience's ability to absorb and enjoy it as well.

I do have a complaint of my own: I was wryly amused at how the AI replicates the common practice of the male podcast host leading the discussion and doing most of the talking, with the female host providing a lot of affirmations and occasionally offering original insights with less egotistical framing. It's very subtle, and I can't rule out that it's just me being oversensitive and construing data out of noise, plus I don't listen to a ton of podcasts (especially the type of podcast that this experiment is most directly imitating), so there's that caveat too...but I still perceive it strongly enough to wonder what it's doing in there, as it's not something I would expect Google to: A) do deliberately; B) fail to notice.

Anyhow, as to the analysis being anodyne or not: Yeah...yeah, I do see it. But I'd probably look at it as an exercise in realistic expectations. What do we realistically want from an AI podcast host? To be challenged both deliberately and serendipitously with insightful perspectives and non-obvious ideas? To what extent?

To approach those questions, consider this: I mentioned earlier that you should stick a pin in the fact that the AI didn't pick up on Silence's left-handedness. That was a joke, obviously, but it touches on a point of interest for me in this experiment: All of today's big-splashy AIs work by virtue of having lots of examples of human-generated data to draw from and emulate (plus the information contained in your prompt). What happens, then, when you invite them to venture into spaces that humans rarely talk about, such as, oh, for instance, a stylish and objectively correct obsession in sinistrality?? Well, the answer seems to be that they just don't pick up on the opportunity. I'd probably have to be more pointed about Silence's handedness in the text, thereby raising left-handedness to the level of "an idea in itself," for the AI to notice it as relevant to the meaning of the text. In essence, I would conclude that uncommon ideas are nearly invisible to the AI when they are present only in the background. (Silence's left-handedness is explicitly mentioned only once, and is alluded to twice more.) This has implications about this kind of AI's ability to compose original philosophy; namely, that the AI is constrained for the most part only to repeating what we already know and connecting different things that we have already said. And I don't know if this is something fixable, because asking someone to interpret something that they don't already have good information on is an exercise in a form of intelligence that I don't know is well-suited to how these AIs work (and would thus be more likely to produce gobbledegook answers and continually infer meaning where none is intended).

So, in this one respect, I am not impressed by this AI performance, but neither am I thus surprised. I would have been shocked if they had picked up on the subject matter that is much more niche or even virtually exclusive to me.

I think perhaps the next big frontier for getting these AI "deep dives" to have more valuable (the first frontier having been developing the ability for the deep dives to be seriously attempted at all) is for AI to begin doing what humans do, plugging in life experience to connect seemingly unrelated ideas together. By my understanding this is emulable (and thus "fixable") under the current paradigm of AI, at least to some extent. I always enjoy it when some character is talking about some straightforward problem, and their mentor / advisor / parental figure / etc. starts telling this seemingly unrelated story that ends up either recapitulating the same idea in a different way (sound familiar?) or else shedding new light on the original idea through context or testimonials. I think this is something the current crop of AI could be taught to do.

This brings me to a comical moment at the end of the podcast where one of the hosts mentions that she gets "chills down [her] spine every time [she] reads it" (lol) when she gets to this point in the scene:

“Fat, eh? Not many of those around here. It’s not really an Ieikili fashion.” “Give it time!” Silence merrily exclaimed. “I will teach this whole society how to grow fat.”

CHILLS !! LOL

And the hosts go on to elaborate that it's "chilling" because with Silence there must be a double meaning to it, i.e. ambition, influence, etc. This is a very interesting take, and it's also the first of several mistakes I'm going to discuss.

The mistake is twofold. First of all, the female host calls Silence's line about teaching society how to get fat the last line of the excerpt. It's not; it's closer to the middle. I find this error fascinating because it implies the absence or failure of some kind of logical error-checking that I would have thought is trivial but which perhaps isn't. Second of all, there's no deeper meaning to Silence's vow. She just likes fat people. If there is a deeper meaning that must be forced out of it, it is an insight into Silence's multifaceted nature, as elsewhere in the scene there is so much focus on her restoring her health and vitality and mobility after a long convalescence from her prior injuries. She's all up for fitness and mobility, but she's also up for curtailing that on her own terms (as opposed to involuntarily), or having a lover do the same, when the context is right. I think this error provides insight into the kinds of calculated risks that the AI takes in order to compose its analyses. The AI is obviously not well-exposed enough to fat liberation speech in its training data to have picked up on this fat-affirming message as such; instead it drew on the imagery of growing fat as a metaphor for growing in power and influence, which is much more common in our culture—enough that the AI assumed that's what I was talking about.

So, this gets back to what I was just saying about the potential dangers of trying to force the AI to draw conclusions on ideas that it isn't well-exposed to: It'll do it wrong, both in assuming meaning where none is intended and in characterizing what that meaning is.

A second mistake that I'd like to mention is that, early in the podcast, the hosts characterize Silence as someone of "very few words," which isn't supported in the text (and if anything Silence tends to be verbose). What I think what the AI was picking up on is that Silence wasn't sharing her full thoughts with others, which is actually a really clever (and correct) reading, and somehow got from there—perhaps by way of Silence's deliberateness and her initial "passivity" in Sele during her convalescence—to the idea that she doesn't physically talk much. This is a fascinating conflation to make! I assume that what's going on here is that the AI has fitted Silence's personality type into a box, and this box potentially includes the character trait of not talking much, and the AI decided that there is enough supporting language in the scene to establish that Silence indeed doesn't talk much. No such language exists, but I see how an AI (and perhaps a human reader not familiar with Silence) might infer that it does. I'd be curious to round up some humans, make them read this scene, and ask them questions so as to implicitly invite them to say that Silence is a mate of few words without explicitly prompting them to do so. I bet you some would, even though in this very scene Silence is literally quite talky! Because it's easy to compartmentalize those things, I think: Silence's actual talkativeness, and her personality traits which might imply that she is not talkative.

A third mistake, which is, again, wrong in an interesting way is that there is a very clear up-front statement by the male host that Silence "is a woman," with emphatic tone on those words. This isn't the end of the sentence. He pauses, and there is some reaction from the female host, and then he finishes his thought: "...of few words." So, this is mistake not only because of the "of few words" part but also because of the "is a woman" part. I go out of my way to characterize Silence as near to genderless as possible, and while this doesn't apply to physical sex (she is female-bodied) there also isn't any discussion of that in the scene; so the AIs are drawing this purely from her pronouns, the discussion of conation (mindwashing / "mental merging" as the AI aptly puts it), and the clarification that Silence and Galavar are not bonking.

I wouldn't necessarily bother to call it out (I don't expect AI to use my paradigm of sex and gender), except that the way the host delivers his distance really emphasis the "is a woman" words, and I think that's deliberate; I think it's a very clever thing the AI is doing, piggybacking on a separate idea (about Silence not talking much) to insinuate without immediately mentioning it that there are sexual tensions in the scene. Now, it's wrong; there is no sexual tension—not between Silence and Galavar anyway. (And the AI elsewhere allows that the source material is vague on this point; I would say, from reading this scene in isolation, that that's fair.) But in fact this is the scene that woke me up to the fact that there can't be sexual tension between Silence and Galavar, at least not in the past, because she's still practically a goddamn kid when she kids to Sele, and Galavar is early middle-aged. I had never wrapped my head around that until I was laying out this scene in my thirties and realized that it'd be gross. So I wrote this scene with no sexual tension between them at all; the fact that Javelin originally mistakes Silence as a lover of Galavar before actually meeting her in person is part of the verismilitude of Javelin. But I can see how an AI without knowledge of any of these characters' histories outside this one scene might take the mistaken perception by Javelin as a positive indicator of a relationship between Silence and Galavar. So, again, I think we are seeing some of the limitations on this type of AI. In the grand scheme of things, many human storytellers would have sexual tension in a situation like this. And I think the AI failed to see that there wasn't any, or at least wasn't able to make up its mind.

I actually like this failsafe. The podcast hosts mentioned several times that the source material is unclear or vague, which makes it a lot safer for them to speculate. That, in my opinion, is a really solid implementation by Google of a way to lampshade the AI's risky assumptions to the end user. This way, if the podcast hosts go barking up the wrong tree at least they will appear to be doing it honestly, based on the text's own ambiguity. And I think all the instances where the hosts invoked this failure are justifiable instances, even if they aren't necessarily correct that the text is in fact ambiguous.

Another mistake, and one that's a lot more disappointing for technology which is otherwise getting so impressive, is that the hosts misgender Javelin later in the podcast after originally getting it right. (Editor's note: Actually I am not sure that they gender her correctly in the first place. I've listened to this thing so many times in the course of writing this that I'm not up for going through it again, so take the following with an asterisk.) I suppose this too is a reflection of how the AI actually weaves its stories: To them, the "Javelin" mentioned at any one moment in their podcast isn't necessarily the Javelin mentioned at any other moment. The AI''s persistent understanding of, for instance, the City of Sele as the setting for this scene does not imply a comprehension of what "the City of Sele" is but rather that it would be appropriate to mention a thing which is probably called the City of Sele in various instances where our human minds would in fact agree that it is appropriate.

A very understandable mistake is that the hosts infer that Silence's choice of the word "secretary" has some special meaning that goes beyond the actual meaning. (She chooses the word, having only recently become proficient in the Selish language, because of its relationship with "secrets.") The AI hosts are wrong in their speculation but they're right to be sniffing something there. (It is, after all, the title of the excerpt.) And you kind of need to have the other scene, with Galavar and Javelin that evening, to better understand why it's the title, and so I don't hold it against the AI for falling short here. I do like that they tried to mention it at all; I think they would have been remiss not to.

A final mistake that I'll mention is that, when talking about Silence's new immersion in Sele after having lived in Junction City, the hosts did indeed take an incredibly anodyne route of characterizing this discontinuity. I found that line of discourse to be very underwhelming. And it rises to the level of a mistake because it is not correct. Silence's adjustment to Sele is not complicated all that much by her past life in Junction City. That's just plausible-sounding tripe; it's not analytical at all.

There are plenty more mistakes, of course, but, moving on from mistakes to talk about specific praises, I really like how the AI hosts were able to pick up on the fact that Silence's behavior in this scene is all about her trying to prove herself. It is specifically stated in the text (albeit in a narrower sense, referring only to Silence's newly restored ability to walk partway across the city), so I'm not surprised that the AI picked up on it, but I'm glad that it did. That smacks of good design to me. It's a very important detail. And, assuming Google put its "top men" on the case for making these deep dives as compelling as the technology (and the company's contortions to avoid getting sued) presently allow, I would be inclined to consider the successful identification of this point as important to be a high-quality indicator that their efforts were constructive.

But, of course, this is the same tech that I found so underwhelming in the previous paragraph, so...you know. You win some; you lose some.

Another praise is that I appreciate the hosts for being gentle with me in describing "Silence's almost superhuman level of perception." It was equally within Google's power to invent an AI podcast host duo that will just absolutely trash you and roast you and make fun of you instead of acting like your work is the most interesting composition they've seen all year. Silence's capabilities are definitely possible, and I would even argue plausible, but I fully grant she is performing way above your average schlub. A character like her may not defy belief, but she strains likelihood. So I think it's fair and probably even authentic for the hosts to point out that she's "almost superhuman." I think not mentioning it at all would be a mistake. Silence is not just making power plays; she's an extremely competent person making power plays.

Anyway! Let me go back to something I said earlier that I said I would get back to:

I think this is first and foremost to my own credit for writing such a coherent scene in the first place

It occurred to me, even before generating this deep dive podcast, that I would like to feed the AI a scene that is much more difficult to parse, and see what that "deep dive" looks like.

So join me later when I do that. But for now, I think this is a good place to end it.

[aseriesofunfortunatejan]

Misc notes from the Maghni AI February Q&A Stream:

Aurum demo is going to be delayed by a few weeks, currently expected for the beginning of March.

Everything else should be on schedule.

Hype content will be posted around the end of February regardless of Aurum's demo being delayed! (Something fun, Oliver related, is coming before the end of this month. Assumedly - not mentioned, this is me saying this - his second English demo, since Austin's announcements match the schedule.)

Languages development has been going well on Natalia's part.

Audine recently finished her English recordings, development for her voicebank starts soon.

Crossy has been drawing a lot - for the upcoming February content and for the official character art, which is a lot of work since they want it to turn out perfect.

GABRIEL and GLASSIA's voice actors have been recording. GLASSIA's voice recordings are experiencing some delays because their voice actress wasn't satisfied with them, but she's a fast recorder according to Natalia.

GLASSIA is Brazilian.

Natalia and Austin are excited about the development of voice colors, and Austin is also excited about the engine themes. Barham is excited about the age and gender parameters (which are different!) though those won't be available on release. Caleb is most excited about phoneme editing but also mentions that some very powerful voices are coming. (I have never used VOCALOID so I didn't understand what Crossy was talking about o(￣┰￣*)ゞ something "V1 pitch bends better than V5")

The vocabulary they use around the program is inspired by a will to "paint the vocals". This is mentioned in response to someone asking if you can draw the pitch bends, to which the answer is yes.

They're putting a big focus on accessibility and beginner-friendliness, as they expect Maghni AI to be a first entry-point to vocal synth for many users due to the many languages it includes.

I'm not sure what exactly this is about, and it's mostly hypotheticals but they're enthusiastic about ideas adjacent to lyp-syncing. And feedings your voicebank little raspberries. For what it's worth

The two test libraries should have the exact same quality as other full libraries, but they will be limited in what they can do. (Like they won't have as many voice colors, their range might not be as great, they're just meant to be for getting a feel of the program.)

Maghni AI is meant to be very third-party friendly.

"Huge French vocal synth scene" mention!!!! (the girl taking these notes is French)

"Vocal A" is pretty much finished with his recordings.

Even if they create official stories with their characters, Vocatone's characters are up to your personal interpretation. (If Oliver is a silly goofy child to you, that's cool, if Oliver is very serious and broody to you, that's cool too.)

Next stream should be at the end of next month.

Growl parameter is an exciting prospect but probably not anytime soon. That being said, one of the voicebanks they're working on will have a voice color that's pure growl.

They were asked about "if they could have any UTAU for Maghni AI". I've been having a difficult time processing names but I'll do my best... Natalia: Momo Momone, Ruko, Ritsu - there are also voicebanks that aren't as big but are phenomenal, like Aiko Kikyuune - later mention: Yufu Sekka, Sayu Yurika. Barham: isn't familiar with UTAU. Austin: I didn't catch the name, sorry, but if I'm understanding well, two voicebanks he worked on? Caleb: Kakoi Nizimine. Crossy: Celeste? Then one I didn't catch, then Muyuka. Someone in the chat: Adachi Rei (which Natalia thinks would be phenomenal). Natalia keeps mentioning UTAUs so I'm giving up OTL

There will be a transcription in the future if you really must know what UTAUs they like (and if I got them wrong)! This is a summary so please go ahead and watch the archive if you want to know more about Maghni AI.

[blueberry-lemon]

Image Overload

(I was gonna title this post “the tyranny of the image” because it sounds cool but I still don’t 100% get what that phrase means. If only there was a way to look up what things mean…)

I’m not sure if this post is coming from a place of just temporary sadness, or feeling overwhelmed, or if this is how I “really feel”, but I’ll try to put it into words.

I feel like I’ve been overloaded with images.

Art, characters, videos, comics…all the cool stuff that people post, stuff that I’ve been following online for years.

It’s just so much, and I don’t know what to do with it anymore.

I’ve kind of referred to these feelings before.

A year ago, I wrote about my fear that original illustrations, devoid of story or joke or IP recognition, would lose value, because of the fact that it has to compete with the thousands of other images we see on the internet. Basically, the idea that people might lose interest in artwork just for artwork’s sake.

I’ve talked about my own artistic burnout.

And most recently, I’ve talked about being in a time where I might be losing my interest in posting and scrolling online as a way to spend my time.

This time, I want to be careful with what I say. Because I want to be clear that this is only a personal feeling, only a thing going on in my life, and I don’t want to insinuate that it reflects any wider trends in the world or in the wider internet (even though maybe they do correlate, who knows.)

I just feel burnt out…not only on making art but also on looking at art.

I started using Twitter and Tumblr sometime around 2010. In the years since then, as platforms like that became a bigger part of my daily life, I started following more creators. Artists, animators, 3D modelers, cartoonists, streamers, and game developers.

With that, of course, comes the things they post. And the cool things people Share from other creators, who I’m not even following. Years after that came algorithmic timelines, and you know the rest.

In the past year or so, I started feeling this strange new thing: like I’ve reached my limit on being able to enjoy these works and give them the time they deserve.

One part of it is just sensory overload. It might just be me, but I’m losing my tolerance for being able to handle never-ending social media timelines filled with cool stuff. All of the images and videos blur together and make me want to log off and go for a walk.

I’ve been trying to get better about curating my feeds, sometimes using browser extensions to block out stuff. But god forbid I log onto something like Facebook on my phone to check in on people from my high school / college and then get bombarded with an even more ridiculous algorithm firehose.

The worst part is…FB has figured out JUST CLOSE ENOUGH what kind of stuff I’m into. So it hits me with all this fanart of stuff I know, or gag comics that are hashtag relatable, and I do find myself looking at them. But after a few seconds it all starts to feel like slop (and some of it, sadly, actually is AI-generated slop.)

Another part of the feeling is a weird sort of guilt. When I see work from a creator I love…I feel that pressure to Like, Share, and Comment. I know how hard it is to be seen on the internet and I know the courage (and the never-ending hard work) it takes to try to get stuff noticed that you worked really hard on.

When I don’t Like, Share, and Comment…I feel like I’m letting that creator down. I feel guilty, like my reflex to ignore and keep scrolling past their hard work is the exact “problem” with “people these days.” If they’re a freelancer who relies on the internet for their income, I feel even guiltier.

I don’t know what to do with these weird feelings, aside from type up a whine-y blog post about it like this.

Like I said, I feel bad about it. Because so many artists I’ve followed for years (or ones I’ve recently discovered) are consistently putting up fantastic illustrations, or sharing their fun OCs, or putting out awesome comics or personal stories and I don’t feel like I can give that work the time that it 100% deserves. I DO want to Like, Share, and Comment on every single thing. I want to give it attention, take my time with it, and show the artist that I enjoyed it and admire the work they put into it.

But it’s just all too much to keep up with.

At worst, now when I see doodles and characters that used to bring me joy…I feel almost nothing. Which probably says more about me than it says about the art.

As another wave of people migrate from Twitter over to Bluesky and other platforms, I think I might have to be even more mindful about curating my feeds. It’s not worth feeling this conflicted feeling every time I log on: things that remind me of my own burnout as an artist and remind me of how hard it is to make a living online. It’d be better for me to just trim down how much I come across, so that I can take the time to appreciate each piece of artwork at its own pace.

For what it’s worth, I don’t get this overloaded feeling about text. I’m not sure what that says about me. If I see a bunch of text I don’t feel like reading, I just skim it or skip it, and I don’t feel as much guilt that I didn’t give it the time it deserves. Maybe it’s because text kind of inherently culls out uninterested people and we all kind of accept this. You’re not going to “consume” all the text unless you’re genuinely interested, while with images you can kind of consume them in passing.

There’s something about the image itself as a package that just seems like it can’t find room in my head right now. Like I’m a Tetris screen that’s one block away from topping out.

Maybe I’m just getting older, lol. Or maybe I need to accept that scrolling the internet for art like this doesn’t give me the same amount of joy that it used to, especially if I have the bias of feeling personally burnt out.

[my-current-obsession]

I recently decided to give Psychedelica of the Black Butterfly a try. As I generally do when I get into something, I binged it. Now I’m about halfway through overall (as in I’ve seen roughly 50% of EVERYTHING - scenes and short stories in general, and endings). Here are a few misc. thoughts. Beware spoilers if you haven’t played or finished the game yourself!

Despite technically being an otome, this game is definitely a plot first, romance second title. To the point that on a first run the game is on rails towards what it calls the “best ending” and your choices actually DON’T matter, apart from a one-off choice that leads to an immediate bad ending. Kagiha’s ending MIGHT be an exception - according to a guide it SHOULD be possible immediately, but every other ending requires seeing a DIFFERENT ending that you can’t get until AFTER getting the “best ending” So at minimum for most routes you have to have seen at least two plot-related endings first.

That’s not necessarily a bad thing and I DO really like the actual story and how everything comes together. That said the actual “romance” routes are INCREDIBLY short which is a tad disappointing. If you include the short stories locked to each character (which are necessary for getting their endings) they’re probably like 2 hours long max. That’s not a ton of time to develop the relationship between the guy and MC and resolve it happily. The game mostly gets by on having every guy (except maybe Hikage, who is an outlier for several reasons) established in the story as having feelings for Ai/Beniyuri, which at least makes the potential for a relationship obvious. I still would have liked more buildup for each relationship though.

Something neat this game has done though is separating some of the characters into two distinct “routes” based on their fantasy mansion versions and reality after the good ending. There is a tragic Yamato ending and a very sweet and happy Takuya ending, and it definitely seems that same distinction will be made for Karasuba/Aki and Monshiro/Kazuya.

For most of the game I was not a big fan of Karasuba (for two main reasons - one, he is WAY too flirty/forward, and two he is just kind of an asshole), but he has grown on me a little thanks to the ending and “real world” segments. I appreciate that he was trying to get Ai to face the past and move on... although his reason for doing so wasn’t exactly heroic. Not sure how to describe it beyond saying it’s the opposite of the “cool motive, still murder” meme. What he was actually doing/saying was RIGHT and it is healthier for Ai to confront her trauma and move on, but he was only so insistent on it because she was using her lingering feelings for Natsuki as a shield to keep from acknowledging him (or any other potential romantic partner).

The way he and Yamato/Takuya represented two exactly different sides of the issue - one saying to face it and move on, the other just as stuck in the past and steeped in guilt as Ai - was done really well IMO. I haven’t actually seen any romance route other than Yamato/Takuya yet, but at least in his case I really love how they essentially are drawn together because of that shared trauma/inability to move on, and depending on which ending you get either they help lift the other up or outright drag the other down with them. I’m planning on doing Karasuba/Aki next because I want to see how his route expands on his desire to see Ai move forward, presumably in good AND bad ways.

Hikage (and Usagi, who seems to be connected to him) is the only lingering mystery in the story. After The Reveal I like him a little less as a character but I’m WAY more intrigued about his route. I need to know why he is the way he is and what exactly he was trying to accomplish, since the best ending left that a mystery. My only concern is that since his route will ALSO have an entirely separate plot, he’ll be even more sparse on romance compared to the others. We’ll see.

The shooting minigame is superfluous and only exists to give you an in-game currency to spend on unlocking short stories. IMO they should have made short stories only unlockable after making certain choices and/or seeing specific scenes (which is how some of them unlock anyway...). That would also serve the purpose of making the short stories feel a bit more connected to the story proper instead of existing separately in a nebulous time period during the plot.

Overall I’m really enjoying this game although I maintain that it doesn’t balance plot and romance well. If you want a game that is more about the romance/relationship, probably skip this. If you want a plot-focused game with romance as the secondary goal... play Even if Tempest. Or play Collar x Malice or Taisho x Alice for peak stories with a good balance of romance/plot. If you want more after playing THOSE gems... then I’d recommend this!

[brookewalkerblog]

Web Development Trends 2024

As a web developer who's been in the game for over a decade, I've seen my fair share of trends come and go. But let me tell you, 2024 is shaping up to be one of the most exciting years yet. The web isn't just a place to find information anymore; it's a dynamic, interactive space that's becoming more like our physical world every day. So, grab a coffee (or your beverage of choice), and let's chat about what's hot in web development services in USA right now.

First up, Progressive Web Apps (PWAs). I remember when we had to choose between building a website or a mobile app. Now, with PWAs, we get the best of both worlds. These apps load lightning-fast, work offline, and feel just like native apps. I recently worked on a PWA for a local boutique, and their sales shot up by 30%. It's amazing how giving users that app-like experience can make such a difference.

Now, let's talk about AI. It's not just science fiction anymore. I've been integrating AI-powered chatbots into websites, and let me tell you, they're game-changers. They handle customer queries 24/7, freeing up the human team to focus on more complex issues. It's like having a tireless, knowledgeable assistant that never takes a day off.

Speaking of AI, have you noticed how everyone's talking to their devices these days? "Hey Siri, what's the weather?" "Alexa, order more coffee beans." Voice search is huge, and it's changing how we approach SEO. We're not just stuffing keywords anymore; we're thinking about how people actually speak. It's made me rethink my content strategies, focusing more on natural, conversational language.

On the technical side, serverless architecture is making waves. Remember the days of managing servers, worrying about scalability, and those dreaded 3 AM calls when something went down? Serverless has changed all that. I'm building more scalable, cost-effective apps without the server headaches. It's liberating to focus on coding rather than infrastructure management.

Now, let's get a bit visual. Motion UI is turning heads (literally!). Adding those subtle animations and transitions makes websites feel alive. I recently revamped a client's portfolio with some slick Motion UI, and the engagement metrics went through the roof. People aren't just visiting; they're staying, exploring, and really interacting with the content.

And speaking of interactivity, Single Page Applications (SPAs) are everywhere. Frameworks like React and Vue.js have made it easier to create these fast, app-like websites. Users don't have to wait for new pages to load; everything happens dynamically on one page. It's smoother, faster, and users love it.

But with all this interactivity and data exchange, security is paramount. Cybersecurity isn't just an add-on; it's foundational. SSL, multi-factor auth, secure APIs - these aren't nice-to-haves anymore. They're essentials. I always tell my clients, "Your users' trust is your most valuable asset. Let's protect it."

On a lighter note, dark mode is now a must-have. It's not just about looking cool (though it does); it's about user comfort. I've started including it in every project. Users thank me for saving their eyes and their phone batteries!

Looking ahead, blockchain and AR/VR are the frontiers I'm most excited about. Blockchain isn't just for crypto; it's bringing transparency and security to all sorts of web applications. And AR/VR? Imagine trying on clothes virtually or taking a tour of your dream home from your couch. I'm just scratching the surface with these technologies, but the potential is mind-blowing.

Lastly, there's edge computing. It's all about processing data closer to the user, reducing those annoying delays. For real-time stuff like IoT or live streaming, it's a massive upgrade. The web is getting faster, more responsive, and edge computing is a big part of that.

So there you have it, my friends. The web application development in USA is fast, smart, interactive, secure, and more immersive than ever. As developers, we're not just coding; we're crafting experiences. It's challenging, sure, but it's also incredibly rewarding. Every day brings a new problem to solve, a new technology to master.

What excites you most about these trends? Are you working on something cutting-edge? I'd love to hear about it. After all, the best part of this job is that we're all in it together, pushing the boundaries of what's possible on the web. Here's to making the web a more amazing place, one line of code at a time! 

[number-1-kuaidul-fanboy]

VRAINS Characters Tier List

Because I did one of these for the each of the other shows (though I’ll need to redo the 5Ds one) and my opinions have shifted slightly.

Everything I said in my favourite characters list still stands so I won’t reiterate those ten. Windy I like for no good reason. Shima I admittedly think is funny. I like having someone who absolutely sucks at duelling and for the most part I found him amusing rather than annoying.

Aqua and Earth I’ve decided I like. I hate Aqua’s design and Earth pushing her off the hoverboard still upsets me but apart from those things, they’re good characters. Earth’s socially awkward bit makes me laugh what can I say? Lightning is a cool villain though I’m not particularly attached to him.

Spectre is... fine, honestly. I used to say I hated him because he had a terrible first impression with his pointless nonsense defeat of Aoi and this is gonna sound rude but looking like a creep. Honestly though? He’s a perfectly fine character. I still hate the tree thing though. That was bullshit. However, seeing a victim who actually enjoyed the Lost Incident is interesting in a messed up way and I kinda like how he figured out Lightning was hiding something just from his vibes. Also, one of his first lines was legitimately clever pun so I gotta give props to that. Everyone else in that tier I don’t really have an opinion on.

Revolver just barely goes in conflicted rather than dislike because he does have his moments. His Ignis racism makes me want to slap him across the face and it’s something he really should’ve grown out of if the show wanted me to think he developed at all. Yeah, he vaguely cares about his teammates by the end of the series. Sure, whatever. HE’S STILL A FUCKING RACIST PRICK. That’s not an excusable flaw. And yes it is racism because he hates all the Ignis for being Ignis and insists they all need to die because of his daddy’s superstition about them even when three of them fought by his side to protect humanity despite his ultimatum that he’d kill them after because saving humanity mattered more to them than their lives and also Lightning was the only one actually causing those futures his dad saw, something HE TOLD EVERYONE. By the end of season 2 after all these events, it seemed for a moment like he got over his stupid racism. Then in season 3, before Ai has done anything villainous, his racism comes back full swing in an honestly insulting scene where he tells Yusaku and Takeru, the latter of whom is GRIEVING THE LOSS OF HIS RECENTLY DECEASED IGNIS, that he still intends to hunt down the last Ignis because their mere existence is a threat to humanity. Again, before Ai was a villain and after he knew for a fact that Lightning was the only Ignis that wanted humanity dead. Because Windy straight up had his personality altered by Lightning to be evil, none of that was actually him. So yeah Revolver really pisses me off, thanks for coming to my TED Talk.

Oh yeah and Go Onizuka is in dislike because he has two sudden out of nowhere shifts in personality completely offscreen. He was a good character in season one but the writing really screwed him over. Also Queen doesn’t do anything cool, sorry not sorry.

[that-banana-headed-bovine]

My main man Michael Knight for character bingo!!!!

AYYY- This one's interesting really, especially because Season 2 Michael is basically,, an entirely different entity? As in, he's reached the end of his character arc and is actually a really, really nice dood. So I had to use two types of bingos, and I'll explain it further below. Here's the original post BTW.

If you can't read the image, don't worry, I'll say all the marked squares below. If you can, let me know if there is anything I can do to make it more legible next time--I mean, obviously, the squares are covered up, but I mostly mean with the colors. I almost used red and green, and then I remembered that, oh yeah, that really sucks for colorblindness. Now the saturation is still about the same, but anything much lighter or darker is less legible??? So yeah, any recommendations on that welcome.

Let's start with the reds, or Definite opinions.

They are soooo cool looking!

I dressed up as Michael Knight for Halloween a few years back, even though I wasn't fully sold on him as a character yet at that point. I was still healing from Season 1 (half kidding) ... but I did it because he is such a Vibe. Seriously, I felt so alive it wasn't even funny AISHDOAS- my final form /j

Michael is, aesthetically at least, literally everything I want to be (other than. y'know. male,,,). Immaculate. MUAH! He really does feel like a California Cowboy of sorts... and leather jackets are a gift to mankind by the way. I especially love how, in his classic leather jacket + red polo outfit at least, he coordinates with Kitt. So cute haodh

Wasted potential

I've been having a bit of a moral dilemma recently when it comes to the way I engage in this fandom, so I want to disclose fully here that, in real life, I don't think a robot can be on the same level of sentience as a human. Perhaps, as tech evolves, there will be AIs that are really, REALLY good at replicating it... but that won't be real. We're just people after all. We can develop really cool technology, and that's all great, but we shouldn't be trying to play God and think we can make actual life. We can't.

That said, within the confines of Knight Rider's fictional universe, Kitt is fully alive. Michael is the only character who has so much as a shot of really getting that. Devon understands theoretically what Kitt is meant to be, and Bonnie even understands mechanically, but Michael sees his personality. And it's strange, really, how the show sometimes treats this as important but sometimes Not. I really love how, in Trust Doesn't Rust, Michael is far more hesitant to go after Karr than anyone else, asking if it really is necessary. I truly wish they'd have taken that further in TDR, and involved it at ALL in Kitt vs. Karr. Season 2 is my favorite because it embraces this (more later), but even then, we didn't get to see the stage in between that brought him there. He went from a caring skeptic in S1 to full-on sap in S2. Honestly, I really believe there's a lesson there about not taking those around you for granted, that just because you don't understand someone doesn't mean they're any less worthy of love, that just because you know you care doesn't mean that they do. I never expected Knight Rider to become an arc-motivated show, but I did at least hope that the subtle throughline would stay more consistent.

They're deeper than they seem

Basically just above 2.0. He has an internal struggle I think, between wanting to trust his new family and having been burned by his old one (the police force I mean, especially Tanya). It takes him a good while to FULLY trust and understand Kitt--yes, the pilot is a big step in that direction and probably what the show writers meant to be the end of it, but I can't help but sense more. Is his best friend even REAL, y'know? Also probably PTSD. And ,,, EVERYTHING about Stevie, it almost feels like an entirely different mini-show in those episodes? Possibly even some imposter syndrome about how this new life isn't even HIS life, he's walking in the shoes of somebody else? I dunno, but there's a lot here.

Also, while I don't know if I'm down fully with the "Michael is ace" headcanon, because he's definitely willingly Done the Deed plenty as implied by certain episodes of the show (man I hate that sentence I'm sorry), I do love the idea that he's really not fulfilled by these relationships in the slightest. That behind the "not thoughts, head empty" smile he just wants something real, but has been dragged into a fake life and a surface-level existence. Feels bad man

They work better as part of a dynamic

Michael and Kitt, mostly. If Michael were by himself, Knight Rider would feel like just another Magnum PI, Hardcastle and McCormick, etc. Not that these shows are bad, Magnum PI has probably aged better than KR after all, but none of them captured my attention quite as much. Kitt,,, MIGHT be able to carry a show by himself entirely, if he were human? Idk, that personality is just so good and unique, but even he benefits from a foil. Michael, though, is probably the best iteration of a very common 80s MC personality, and having Kitt there is what makes it go from a pretty good romp to a wonderful classic.

Also Michael and Karr are my favorite duo to think about, it would be so good. Especially if Kitt is there trying to babysit his two himbo besties. Michael's got no braincells, and Karr has 'em but chooses not to use them.

Onto the blues, or the kinda/conditional opinions.

If they were real, I would marry them.

Depends on the season 100%. Season 1 Michael is likeable enough but just SO frustrating at times, and Season 3 has proven to be frequently outright insufferable. Season 2, though? That man's marriage material probably, and even just aesthetically. Maybe not MARRY marry, I don't really have a crush on him??? Anymore I tend to immediately convert my potential fictional crushes into blorbos, so there's that. But lifelong besties at least.

They're like a blorbo to me

HMM- Honestly? Dunno if this one's true. Then why did I mark it? Because... KINDA???

He's been at the forefront of my mind a lot more recently, admittedly because I already worked out Kitt + Karr's arcs (the TRUE blorbos) and am now trying to figure out what to do with him, but still. And even at times when I hate Michael's guts and wanna bap him in the forehead, I still don't hate him. Like "holy macaroni that was horrific like I actually hate you" "so you don't like him?" "*grinning* nah he's cute". Like, Hoff's characterization of him is too charming ashfo idc if he's an ahole he's MY ahole

So,,, probably more of my Little Skringlo than a Blorbo, but close enough.

Nothing I like about them is technically canon

See,,, Everything above about his character arc. See, I think his arc is SUPPOSED to be canon? But it isn't TEEECHNICALLY canon anymore thanks to Seasons 3 and 4 existing, which means S2 Michael got reverted to S1 Michael and then it was a whole mess. If it had ended in S2, I would have been convinced that it was the intended arc. But now, I don't actually know.

Why do they look like that

I'm interpreting this entirely wrong and I know it, you can't stop me /laughing hard

As I said before, I aesthetically love Michael so much, so I don't mean this as in "ew why does he look like that?" ... I mean it literally, WHY would you do that Wilton?

Why would you find some random guy in the street, go "that's the ticket Shahra", and then PUT YOUR KID'S FACE ON HIM ASDOHSHD WHY FOR WHY

so yeah, not Michael's fault, this is a Wilton callout post now

They got too much screentime

I'm really only saying this about the first half of Season 1. After Trust Doesn't Rust, they seemed to realize that people really REALLY loved the cars, and so balanced the episode more. Before, though, they tried to fit in so many bits for no reason while STILL giving Michael the majority of the screentime? It really went

Devon says Here is Mission (and establishes a Funny Interest)

Michael takes off with Kitt. Michael and Kitt participate in Banter, with Michael getting way more of the words than is reasonable?

Michael tracks down the bad guy and monologues stuff out loud, figures out a gameplan, goes in after Guy

Kitt has A Gag

Michael does 80% of the work

"I need ya buddy" vroom vroom Kitt silently breaks into building.

Michael does Car Stuff

punch punch bad guy even tho we have indestructible car!!! they get apprehended of screen we didn't see any cops show up either so I guess Michael sent 'em to the shadow realm

Devon's interest gets made fun of

Kitt's interest from Gag also gets made fun of

and scene

seriously am I forgetting anything here IASDHOI- The dynamic got fixed pretty quickly tho, which is why it's not a full Yes. I am fine with Michael getting the majority of the screentime so long as Kitt isn't left with like, three lines of dialogue.

Also, I do project SOME imposter syndrome onto him, just not enough to mark off that answer. And also I didn't wanna give y'all bingo so easily >:) try again muahaha

[scoutception]

Yet again ranking the 5 animes I’ve watched most recently

After losing the will to just sit down and watch it for quite a while, I’ve finally gotten through 5 anime series yet again, and, as is tradition for me by now, I’ve decided to just type out my thoughts and rankings of them, with my first two posts of this nature being here and here. As usual, this is just my personal thoughts, and the only other thing worth noting before I start is that, unlike last time, I do think everything listed here is at least decent on its own. With that, I’ll just get to it. 5. Robotics;Notes

Number of episodes: 22. Language options: dub and subs available. Streaming availability: Funimation. Robotics;Notes is an adaptation of a visual novel, which I actually just wrote a review on, which can be found here. Long story short, it’s the third entry in the Science Adventure series, the same series Steins;Gate is part of, unknown to most people, with Robotics;Notes technically being the sequel to it. Originally aired in 2012, the same year as the visual novel was released, and made by Production I.G, Robotics;Notes is in an interesting middle ground between the acclaimed and popular Steins;Gate animes and the downright awful and obscure Chaos;Head and Chaos;Child animes, and until 2020 was the only option those who didn’t speak Japanese had to experience it at all. Since I went into so much detail in said visual novel review, I’m mostly going to focus on how the anime holds up both by itself and as an adaptation. Ever since its creation nearly ten years ago, the dream of the Chuo Tanegashima High Robotics Research Club has been to finish Gunbuild-1, a lifesize recreation of Gunvarrel, the titular mecha of an insanely popular anime that’s credited with starting a “robot boom” within Japan, and the club’s current president, Akiho Senomiya, the little sister of the club’s founder, Misaki Senomiya, is extremely determined to see this dream achieved. Unfortunately for her, the club has fallen on hard times, with its funding being cut, its advisor being completely unreliable, and the few other members it has, namely Kaito Yashio, Subaru Hidaka, Junna Daitoku, and Kona Furugoori, aka Frau Koujiro, being quite difficult in their own ways, and often more than Akiho can handle. While Akiho puts her all into finally bringing the club to greatness, the otherwise apathetic Kaito finds himself involved with a mysterious AI called Airi, who exists within the augmented reality app IRUO. Airi’s creator, the deceased Kou Kimijima, turns out to have also created several AR annotations scattered throughout Tanegashima, titled the Kimijima Reports, which warn of a grand conspiracy that will utterly devastate humanity if unopposed. I’m not the most unbiased viewer, since I had played, and enjoyed, the visual novel months before watching this anime, but generally, it’s actually an enjoyable time. Some of Robotics;Notes’ biggest strengths were always its cast of characters and lighter tone, and for the most part, the anime preserves both well, keeping it mostly silly, but endearing early on. The artstyle actually matches up fairly well with the VN’s CGs, and the dub, which I watched just to spice things up, since I already knew the Japanese voice cast was quite good, is overall solid, with Clifford Chapin as Kaito, Lindsay Seidel as Akiho, and Monica Rial as Junna especially sticking out to me. As an adaptation, on the other hand, it falls short in quite a few places, namely when it comes to characterization. While obviously, no adaptation could feasibly fit in every detail from its source material, the Steins;Gate anime managed to preserve almost all of its cast’s characterization, whereas in Robotics;Notes, several characters lose prominent details to their backstories or personal conflicts, or act differently in scenes unrelated to that, making quite a few of them come off different. While instances of the latter case, such as Junna coming off as less shy and hesitant, don’t necessarily worsen anything for the most part, the former definitely does, as it makes the affected characters much less developed and interesting. Nobody suffers from this worse than Kaito himself, who loses most of his backstory, motivations, and arc, to the point of one of his best moments being changed from something intentional to completely accidental, with the end result making him come off as a completely different character, and an inferior one, at that. Additionally, around episode 16, the anime starts diverging pretty significantly from the VN, and not in ways that are improvements, to the point it even leaves a few otherwise preserved scenes in earlier episodes without context. Overall, I can imagine the Robotics;Notes anime still being a decent, if unremarkable watch on its own, and was certainly an interesting and fun way to reexperience the story, and definitely fares better than many visual novel adaptations, but I can’t quite say I’d recommend it. If Robotics;Notes interests you, the visual novel is very much preferred. 4. Nichijou

Number of episodes: 26. Language options: dub and subs available. Streaming options: Funimation. Here we have one of the most acclaimed anime comedies out there, an adaptation of Keiichi Arawi’s surreal sketch comedy manga series, produced by Kyoto Animation, a name that’ll be showing up here again later. Nichijou mainly focuses on two different trios of characters. There’s the ordinary high school girls Yuuko Aioi, a rather dim and reckless girl with terrible luck, Mio Naganohara, the most relatively normal one of the cast, whenever she’s not having explosive freak outs that involve beating people up, and Mai Minakami, a stoic girl who enjoys messing with people just for their reactions. On the other hand, there’s the far less ordinary Shinonome Laboratories trio of Professor Shinonome, an 8 year old girl who happens to be capable of building incredibly advanced machines, Nano Shinonome, a robot built by the Professor who desperately desires a normal girl more than anything, and Sakamoto, their pet cat who, thanks to a special scarf also made by the Professor, is capable of talking. The series focuses on their would-be ordinary lives, were it not for the seemingly daily chaos they get involved in, from witnessing the school principal wrestle a wild deer, to being trapped in an elevator for hours, to the school science teacher attempting to capture Nano for study. It also follows the antics of several other side characters, such Koujiro Sasahara, the seemingly upper class student who is actually just the son of a family of farmers, to Misato Tachibana, a very typical tsundere towards Sasahara, whose tsun side manifests as assaulting him with military-grade weapons, to little effect, to the equally quirky teachers of their school. Needless to say, it’s a very silly and chaotic series, and that’s exactly what makes it so memorable. The humor is pretty hit and miss in the first half of the series, but from episode 14 onwards, they thoroughly master it, with every episode having at least a few scenes that got me laughing. Beyond the silliness, though, the series actually has a lot of heart to it. There’s a few moments that change up the status quo, or even develop the characters just a bit, and some scenes are surprisingly sweet, if still played for laughs more often than not. There’s also a lot of continuity, which in later episodes often provide the punchlines to some of the best gags, which definitely encourages watching the whole series. The Japanese voice acting is fittingly crazy for each character, and the animation fits perfectly, as while the character designs are quite simple, there’s many would be mundane moments that have contrasting overly impressive and exaggerated animation that makes them very memorable. All in all, Nichijou is a very enjoyable series once it finds its groove, and about the only reason its not higher on my rankings is just because pure comedies aren’t really one of my favorite genres. Still, if you ever want a good laugh, you can’t go wrong with this. 3. Soul Eater

Number of episodes: 51. Language options: dub and subs available. Streaming availability: Netflix, Funimation. Soul Eater is yet another adaptation, this time of a manga by Atsushi Ōkubo, produced by Studio Bones, who also did the Fullmetal Alchemist animes, and is quite similar to the original FMA series in that it outpaced the manga and, rather than simply overloading itself with filler, decided to go in an entirely different direction by the end. The Death Weapon Meister Academy is a school founded by Death himself, dedicated to the training of Meisters, who wield Weapons, humans with the ability to shapeshift into weapons, for the purpose of destroying Kishin Eggs, evil beings who have consumed the souls of others, and pose the risk of transforming into extremely dangerous demons. Any Meister who can collect the souls of these corrupted beings, as well as the soul of a Witch, can transform their Weapon into a Death Scythe, the personal arms of Death. Among the students of the DWMA are seven Meisters and Weapons who stand out in particular: the teams of Maka Albarn, a kind hearted and responsible, though temperamental, girl, her Weapon, Soul “Eater” Evans, a laidback and snarky wannabe “cool” guy, Black Star, a prideful and loudmouthed ninja who’s seemingly always out to make a spectacle of himself, regardless of how it hampers him, his Weapon, Tsubaki, a humble and levelheaded woman, Death the Kid, the son of Death and one of the top students in the cool, held back only by a crippling obsession with symmetry, and his Weapons, Liz and Patty Thompson. While these seven gradually come together as a team, a Witch named Medusa begins to put an ambitious and destructive plan into motion, one involving her “child”, Crona, and the strange, insanity inducing black blood that courses through their veins. Soul Eater has a lot going for it. A likeable and crazy cast of characters, even the side ones, like the maniacal Doctor Stein, or the surprisingly goofy and casual Death, or the tragic Crona, or the hilariously egotistical Excalibur, to a lot of fun action scenes, to its great animation and overall unique visual design, including the sun and moon having giant, creepy laughing faces. It has a lighthearted, comedic tone that doesn’t detract from the serious moments, and the main characters get some pretty good development as the series goes on. The dub is also great, with Laura Bailey as Maka, Micah Solusod as Soul, Brittney Karbowski as Black Star, and Todd Haberkorn as Death the Kid especially sticking out to me. In general, I don’t have a lot of significant criticisms, besides how the story is handled once the villainous organization Arachnophobia is introduced, which is also about where it begins to deviate from the manga. Most of the villains part of it never really feel like a threat, and the story becomes much more simple and typical compared to how the manga went, and when the ending arrives, it just kinda, happens, with several notable subplots just kinda left unfinished. It definitely feels like an underwhelming ending, and is a big reason why I place this lower on the list, but Soul Eater is still a pretty entertaining watch that’s worth a try if you want a decently lengthy, but not horribly long shonen. 2. The Melancholy of Haruhi Suzumiya

Number of episodes: 28. Language options: dub and subs available. Streaming availability: Funimation. Here we have the big one, an extremely memetic and famous series by Kyoto Animation, based on a series of light novels by Nagaru Tanigawa, a series that was finally completed back in November 2020 after its start in 2003. Kyon is a lazy and down to earth high school student who wishes for little more for himself than an uneventful, normal high school life- a hope that’s abruptly shattered when, on a whim, he becomes involved with Haruhi Suzumiya, an eccentric, hyperactive, and thoroughly self centered girl, who claims to have no interest in ordinary humans, and instead wishes to discover things thoroughly unusual, such as aliens, time travelers, or espers, and forces Kyon to form a club, the SOS Brigade, with her to achieve this. Haruhi quickly pulls three other students into the brigade, those being Yuki Nagato, a stoic and quiet bookworm, Mikuru Asahina, a shy and passive girl often subjected to humiliation and abuse by Haruhi, and Itsuki Koizumi, a calm transfer student who acts extremely subservient to Haruhi. While Kyon initially writes off the club as an unreasonable use of his time, his fellow members reveal an unexpected truth to him: the subjects of Haruhi’s fascinations actually do exist. Yuki is an alien, of a sort, created and controlled by an entity known as the Data Overmind, Mikuru is a time traveler from some point in the future, and Itsuki is an esper, and member of an organization of similar people. All three of them have been sent to observe the oblivious Haruhi, who appears to have the unconscious ability to change reality itself according to her desires, and is at threat of remaking the entire world if not placated. With Haruhi apparently having taken a unique interest in Kyon, he finds himself taken along for all sorts of supernatural adventures spawned from Haruhi’s whims. There’s a lot I could go on about regarding Haruhi, but in the interest of not turning this into a full on rant, I’ll keep shortish. It’s more or less an insane mishmash of several different genres, from slice of life, to science fiction, to fantasy, just depending on what each individual story feels like being. The episodes are mostly adapted from the early light novels, mostly the multiple stories from the third and fifth novels, The Boredom and The Rampage of Haruhi Suzumiya, respectively. It’s not often you’ll have any idea just what to expect from each individual episode, which makes the series very chaotic, but interesting. The characters are likeable and memorable, including the side characters, and the sheer ridiculousness of what goes on makes for many amusing moments. At the same time, the series is surprisingly complex, with many possible interpretations of its characters and the events they go through, furthered by the antics Kyoto Animation pulled when it was originally airing, such as airing the episodes out of chronological order, meaning the plot would often jump from the middle of an arc to something else. The end result is a very unique and enjoyable product, helped by the fantastic dub, with the actors capturing each character perfectly, from Crispin Freeman as the grounded and snarky Kyon, to Wendee Lee as the aggressively energetic Haruhi, to Stephanie Sheh as the gentle, yet secretive Mikuru. That said, there is one pretty disappointing part of it all, and that’s the second season, mostly thanks to the infamous Endless Eight arc, an eight part arc that’s more or less the same things happening over and over, with only the first and last episodes having anything noticeably different. Regardless of its own uniqueness, more than half the season is taken over by this, and something that may have worked if cut down to three or four episodes instead singlehandedly killed off the series’ goodwill. About the only redeeming factor of the second season is the five part adaptation of The Sigh of Haruhi Suzumiya, which has some of the funniest moments in the whole series. Overall, Haruhi is still a very fun series, and I’m really gonna have to watch its movie, The Disappearance of Haruhi Suzumiya, one of these days. 1. Trigun

Number of episodes: 26. Language options: dub and subs available. Streaming availability: Funimation, Hulu. Finishing off this list is an adaptation of a manga series by Yasuhiro Nightow, produced by Madhouse and another adaptation that overtook its source material. Compared to how Soul Eater handled it, however, Trigun went down much, much better, to the point Nightow himself had nothing but praise for how the anime turned out, and the series is generally considered one of the best animes of the late 90′s. On the harsh desert planet of Gunsmoke lives a wandering gunslinger known as Vash the Stampede, the “Humanoid Typhoon” with a large handgun known to leave tremendous destruction in his wake, who amassed a bounty of $$60,000,000,000 after destroying the city of July, leading to an endless trail of bounty hunters out to collect the price on his head. In the middle of all this, Meryl Stryfe and Milly Thompson, two representatives of an insurance society which is often forced to pay for damages caused by Vash, track him down for the purposes of minimizing the chaos he causes. Upon catching up with him, however, the duo discovers that, contrary to his reputation, Vash is a kindhearted goof, and self proclaimed hunter of love and peace, who absolutely refuses to ever take another person’s life, even at great personal risk to himself. Vash continues his travels carefree, helping out whoever he can, with the occasional assistance of Meryl and Milly, as well as a traveling priest known as Nicholas D. Wolfwood, only to one day have an encounter with a mysterious and cruel man known as Legato Bluesummers. Vash soon learns that Legato has hired a group of assassins known as the Gung-Ho Guns to kill Vash, and leave a trail of bodies wherever they go, seemingly for the sole purpose of tormenting Vash. As Vash hunts down Legato, he is gradually forced to face his past, and consider whether he can truly stay committed to his pacifist ideals. In general, Trigun is just a very, very well made series. It has a likeable and developed cast of characters, with special mention going to Vash, who is a very compelling and sympathetic character, and Wolfwood, who makes a great foil to Vash with very interesting development of his own, with characters outside of the main cast being memorable as well, from Legato himself, to even some of the more minor villains, such as the varied members of the Gung-Ho Guns, or Brilliant Dynamites Neon, who makes an inexplicably strong impression for a one off villain not even important to the overall plot. The space western setting is quite good, and the designs are great, with many villains having distinctive looks that further help them make an impression. The action is great, and the animation is also quite good, and has that 90′s anime charm. The dub, while a bit rough around the edges, is generally solid too. From Lia Sargent as the ditzy but kind Milly, to Dorothy Elias Fahn as the hotheaded Meryl, to Jeff Nimoy as the weary Wolfwood, to Richard Cansino as the calculating and disturbing Legato, with special mention needing to go to Johnny Yong Bosch as Vash. Despite it actually being his first voice acting role ever, he does a great job in portraying the many sides to Vash, and absolutely sells many of the biggest moments in the story. Speaking of which, the series started quite lighthearted and wacky, with the first four episodes actually being filler, but gets gradually darker as it goes on. The earlier episodes are still quite enjoyable on their own, though, and manage to slowly reveal new aspects to Vash in each one, before finally setting his nature in stone in episode 5. What really sells the series and makes it so memorable, however, are the themes it explores, of the practicality of unwavering pacifism, and whether taking a life, whether for heinous crimes committed without remorse, or with the purpose of protecting others, is ever justifiable. While quite a few series have touched dilemmas like this before, what makes Trigun stand out with it is the emphasis placed upon it throughout the whole series, with many episodes touching upon it in some regard. It genuinely fairly looks at the different sides of it all, and the consequences of each, with many emotional moments coming from it as a result. While the manga did ultimately take a very different turn from the anime, the anime actually preserves several of the most important plot moments, and manages to come to a satisfactory conclusion of its own regarding the themes. Ultimately, Trigun makes for a very fun and interesting watch that I highly recommend. And with that, my ranking is complete. With the exception of Robotics;Notes, I can pretty confidently recommend every show on this list. Got some more shows I plan to get through soon, so another ranking like this may be soon in the making. Either way, till next time. -Scout

[animation-is-my-jam]

I mentioned before that I would also post my drawing of the other fan kid OCS for the “Hero’s” side (basically the wg kids) (The upper left one is Omi (age: 8) and he’s actually created by another OC so don’t worry, the middle left is Kuzo (age: 7), the one below him is Clover (age: 9), the one in the middle is Tori (age: 11), the one in the upper right is Willow (age: 11), and the bottom right is Sele (age: 10)).

Omi: A normal kid who attends school and is definitely not a robot, well he is but that shouldn't stop him from being normal. He was built by other robots and he really admires Tobey, although Tobey kind of finds it competitive that someone else built a really functional AI for Omi. Omi is really shy and kind hearted, where he likes to focus on his friends emotions first before his. He likes to take care of animals and people.

Kuzo: The first adopted child of Tj and Johnson, Kuzo has five younger siblings where he remains the leader. Growing up in a home with five chaotic siblings and his older cousin Tori who loves to get into trouble, he at only age 7 is very responsible and serious for his age. He acts like the most sarcastic and stern out of the entire group, but it's not hard to make him overjoyed, especially if he gets to hang around Omi. He likes to do anything that involves problem solving and puzzles, and the most important thing to him is his family.

Clover: The biological kid of Violet and Scoops, where Scoops is their guardian father. Scoops and Violet aren't divorced or anything, Violet volunteered to be a surrogate for scoops and Clover was born. While Scoops and Violet are still good friends, many can't deny things are kind of awkward between the two. Clover and they're older sister were being raised by their dad in another big city, when Scoops actually got a promotion to run the big city times in fair city. Prompting for Clover to move and met their new friends and cousins in Fair city. They adore cleanness and photography, but they really are a big germaphobe, they also are very timid when it comes to any scheme the gang gets them involved with.

Tori: The daughter of Becky and Tobey. Tori considers herself extremely proud to be born with a legacy such as her mother's and redeemed father's, who has really made a positive impact on most things (Spoilers). Ever since she was a baby Becky and Tobey would always tell her stories about their adventures and life, this always fascinated Tori into admiring the history of her parents. Tori unintentionally became a Wordgirl superfan with how she carefully documents the stories of her mother and father. This of course led her to admire the concept of history in general, focusing her genetics of lexiconian literacy to become a history buff. While at first Tori was content in just being quiet and nerdy for most of her childhood, she was still ambitious in being more, and accomplishing great feats like her parents. Tori wants to make a legacy in which she can be proud to document, with her developing lexiconian powers she might be able to achieve that by wanting to be a hero, however her schemes in trying to be a hero kind of put her in more trouble than anything. Luckily she has her friends/cousins to always bring her down on earth. While she adores history, she also likes fighting and anything physical (while her parents disapprove of this) and will take any chance to show off and train her powers. Tori loves birds and a particular friend of her's (it's Sele), and her dream is to open a very historically accurate Wordgirl museum when she's very old and done with being a hero.

Willow: The adopted daughter of kid math. Willow knows her father is a superhero and she really does try to help him with both his jobs, as fair city's overlooked superhero and the school's fifth grade math teacher. Willow and her dad are the only people in their lives besides faraway planetary family and the McCallister-Botsfords. Willow, however does have a role model in Violet, she extremely admires Violet, and becomes interested in the same things as her. Her main passion is however is entomology, where she has a special talent in communicating with bugs of any kind. While most kids and teachers at school don't respect her with her very vocal opinion on bug rights, she can count on her old/new friends to help her with her bug passion, even if Clover can't stand the sight of one.

Sele: The daughter of Eugene May and Emma, technically making her on of Granny May's Great granddaughters. Sele used to be best friends with Tori when they met in preschool, because Tori was the only one who enjoyed her home made burnt cookies. But after kindergarten they both eventually stopped hanging out with each other and drifted, that didn't stop both from forgetting the other one though. Sele started hanging around very self absorbed girls, who didn't hesitate to make fun of Tori's tomboyish attitude and Willows love for bugs. Sele never really participated in anything ridiculing but she still felt guilty in letting it happen. After a day of her bully friends picking on Tori and the new kid Clover she finally decided that she didn't want to hang around her "cool" friends. Sele was actually free from her judgemental friends and she can get back to her old love of baking and cooking. Sele was eventually invited to hang out with Tori and the group after years of separation, and while most were surprised by her true nature, Tori wasn't since she always knew that her old best friend hasn't changed. Sele is aware of most things, but the crush Tori has on her is still a bit oblivious to her, but she can't ignore how admires Tori ambitious nature and eventual dream to be a superhero. If Tori would let her, she could be her sidekick, even if her great grandmother wouldn't approve.

Basically Tori, Kuzo, and Willow have know each other since birth. Omi just showed up in school one day, quickly being accepted by the group of marveled popular outcasts. Clover recently moved and decided to hang around his friend cousin's and Sele was recently taken in by Tori's decision. They quickly became a very loyal group of friends after a weird moment where they all decided to run for student council at Woodview elementary.

[shinneth]

Spill the tea on Stevinel (just because I saw one for conniverse) And yes, I'm not on Anonymous. Because I'm a proud stevinel shipper and no one's going to stop me from loving it, also your blog is cool

And you know what? That’s the right attitude to have! People should be free to express what they ship without shielding themselves with anonymity. I don’t blame the people that do these days - antis are fucking dangerous people - but goddamn, people. It’s fiction. 

So I commend you for shipping Stevinel openly and proudly! Hard to believe it’s actually considered a bold and brave move just to be open and honest about harmless preferences these days. 

That said, I’m sorry it took so long to get to this. I felt you deserved an epic, given how unexpectedly successful my tirade on why Connverse is a shit ship with an undeserved golden reputation was...

But the truth is, even though I’m very much a Stevinel shipper, it’s definitely not my OTP.

And it’s very tricky for me to figure out how to spill the tea on Stevinel in a way that’s distinct from me doing the same with Stevidot.

Because, well, let’s face it: these two ships, beyond being very similar in nature, have also endured identical hardships from the fandom.

All the death threats Stevinel fans get from the raging antis for daring to ship something so “problematic/immoral/wrong/not Connverse”? 

Stevidot fans have been treated that exact same way for years. And still are. For the exact same reasons.

Both Stevinel and Stevidot shippers are valid, but the fandom constantly turns a blind eye to Rebecca Sugar’s husband who also worked on the show outright saying gem x human ships are FAIR GAME.

And also turn a blind eye to the recent interview where Sugar herself stated that the gems are more like AI - a conclusion I and many others deduced ages ago just by how gems are portrayed in the show. 

But by god, they’ll hang on Matt Burnett’s word that “grown gems” are a thing even though canon itself explicitly states that GEMS DON’T GROW.

Just like how despite Maya Petersen outright admitting that Aroace!Peridot is just her headcanon, people treat it like the fucking gospel now.

(no offense to anyone who’s committed to that particular headcanon - I just don’t really see it with Peridot in particular and it’s really fucking stupid to claim it’s 100% canon when the source herself explicitly said it wasn’t)

Well, it’s canon that Spinel kissed Steven and he didn’t turn into dust. And Steven was already well on his way down the path of self-destruction at this point in time; he would’ve gone monster whether this happened or not. 

Also, how often does a character get the “heart eyes” expression for just a platonic love?

If there was ever a scene where Connie or Steven had heart eyes, no doubt most of the pricks would scream “YES!!!! UNDENIABLE PROOF THAT THEY’RE IN LOVE!!!”

But when it’s Spinel, suddenly it doesn’t count? Really?

How convenient.

There’s also the stupid idiots who saw the conceptual development of Spinel in that movie artbook and saw some vague color keys during a conceptual stage and claimed that Spinel was “family” to Steven - which of course must mean “related” and therefore must make Stevinel an incestuous relationship! 

Which is bull. Also shit. It’s already common knowledge that gems don’t work that way. She was the designated playmate for Steven’s mother. Nothing more.

Of course, most gems who come in Steven’s orbit end up being sort of a family to him. 

But everyone seems to have this impression that a gem being part of Steven’s family means they become additional surrogate mom figures.

And yeah no, that’s dumb and wrong. Garnet and Pearl are really the only ones I’d consider actual “mom figures”. Amethyst’s more of a big sister. Everyone else can vary depending on perspective, but I’ve never seen any of the other gems as anything close to a motherly figure for Steven. Any time I see shit about Lapis or Peridot being regarded as “gem moms” to Steven, I laugh my ass off. They are so not moms or any kind of authoritative figure for Steven. Bismuth at best is more of the fun-loving aunt.

There are more roles in a family than just a paternal/maternal substitute. In fact, I believe Steven has considered Connie to be part of his family well before they hooked up in canon.

(as a side-note, I love how people who are allegedly SO squicked out by age gap ships totally pardon Connverse - you guys realize Connie was 14 in Future, right? Possibly 15 depending on the time scale? There’s gonna be a point in the relative near future where Steven is 18 and Connie isn’t - why don’t I hear you assholes angst about that “atrocity”, huh?)

I honestly do consider the CG B-Team as part of Steven’s family, but more in a loose sense. But by that same token, I consider Connie as part of the family in a similar manner. 

Especially since Spinel was shoved off to live with the Diamonds after the movie - and the Diamonds themselves have a very fucked-up relationship among themselves to the point where I honestly hesitate to put a familial label on it at all - it’s extra stupid to try and paint Stevinel as something with incestuous overtones when it clearly doesn’t. 

Spinel does happen to be a perfect representative of how full of shit antis are about age gaps, though. 

While Peridot’s age has always been left vague, we know she can’t be 5K or older due to being an Era 2 gem. Due to her utter lack of knowledge of Era 1 events (or being completely sold on the Diamonds’ propaganda) and her general inexperience with her own equipment - as well as her ability to quickly adapt to Earth - I always headcanoned Peridot as being especially young. Like, younger-than-Steven young. 

Mostly because Peri’s attitude reeks of Gen Z - also because it’d be nice for a change to have a gem who isn’t thousands of years old like literally every other noteworthy gem in the show. We need a representative of gemkind who hasn’t been around for ages. 

Of course, Spinel’s backstory proves that even if they went the boring route and made Peridot thousands of years old just like everybody else, it wouldn’t really mean much of anything. She’d be no less of a valid romantic option for Steven regardless of age.

Spinel is several thousands of years old, and the movie explicitly shows us what exactly that amounts to for a gem.

As I mentioned earlier, Sugar sees the gems more like AI. Spinel remaining in one spot for several millennnia, not moving an inch, not speaking to anyone, not seeing anything other than a gradually-deteriorating garden... yeah, and somehow, despite all that, Spinel’s still very childlike per her design. She had literally no room to mature or accrue life experience: Pink Diamond basically hit the pause button on her entire life.

Even though she’s several thousands of years old, through no fault of her own, Spinel’s mindset remained unchanged. It wasn’t until Steven inadvertently came into her life that she became twisted - understandably so after finally realizing she’d been abandoned by Pink. 

But she still didn’t completely lose her true self. Spinel realized on her own that Steven didn’t deserve to suffer just because his mom was a negligent asshole. She also came to understand on her own that unlike Pink, Steven truly cared for her no matter what shit she threw his way. 

Steven could give Spinel the care and attention she always deserved; something Pink totally denied her while deceiving her into wasting away with her abandoned playground. He could be the one to give Spinel the love she always deserved but was either denied or manipulated into believing she got. 

Honestly, this is more than enough to warrant building something more between these two. 

The age gap is irrelevant. The two have chemistry. They aren’t related.

(and honestly, this is fiction - these details are largely irrelevant in fiction anyway. I’m only bringing it up because it doesn’t take much research to find that every label the antis put on Stevinel is complete inaccurate Diamond propaganda bullshit)

Stevinel is FINE. Let people ship it if they want to!

Um... is that good enough?

Honestly, I’m not gonna lie: Stevinel’s pretty goddamned popular; so much that I’m a bit jealous of it. I enjoy the ship a lot, but I’ve been keeping it at arms-length all this time. I’m looking forward to when I can write my own brand of Stevinel interaction when I get to introduce her in my series, but that’s still a while to go. 

Also, there’s almost zero Peridot/Spinel material, let alone my Peridot/Steven/Spinel OT3. And Stevidot material is still hard to come by; I’m noticing Stevinel’s still quite a bit easier to find by comparison. 

So in a way, I feel many other unpopular ships deserve some tea-spilling sooner than Stevinel because Stevinel at least still has a sizable fanbase. Same can’t really be said for a lot of similar ships here...

A lot of this can apply to other Steven x gem ships, honestly. 

But I guess I haven’t been showing Stevinel much proper love due to my devotion to my superior SU-AU. I can only hope I can soon reach a point where I can have GA Spinel react to Steven, since their dynamic will be significantly different.

(and then one day I’ll finally make the Peridot/Steven/Spinel OT3 fic!!)

Until then, I can only hope I did Stevinel some justice here!

[flirting-with-psychology]

[zombiebandido]

Can you recommend any Neil Gaiman to me, aside from Stardust or Good Omens? I cannot

What’s the best concert you’ve been to, if you’ve been? Idk, I think I’m just not huge on concerts

What’s the funniest screenname you’ve ever seen? i-run-with-scissors-to-feel-dangerous

Is there an animal you like that most people don’t? Don’t think so

Is there an animal that you think is overrated in terms of how it’s liked? Goats or cows, maybe

Is there a time period you think is underrated? Not really

What about music? Showtunes

Do you find yourself listening to music that’s a bit more esoteric? No

What are your three favorite books and why? Harry Potter because of the worldbuilding, Mistborn because of the worldbuilding and characters, A Confusion of Princes because it is a fun standalone book

What about authors? Idk, I mostly like specific books  Do you have any likes you wouldn’t tell someone until you got to know them? Nah probably not

Do you have a favorite language? Not really

What about a place you’ve always wanted to visit? Ireland

What’s something someone does or says that just makes you laugh? Idk, it’s usually situational

Do goldfish crackers ever make you sick, or is that just me? No?

Do you have a favorite art style? Probably realistic

Do you have a favorite myth/fairy-tale? No, sorry I’m being boring with this quiz

Who is your favorite person aside from family? Probably my bff

Do any of your pets (if you have them) have weird quirks? My cat was just very emphatic

Do you listen to music from anywhere besides America? Not really

Have you ever “quit” a site and came back to it more than once? No

Do you have an “odd” fascination with anything? Dice

What is the thing you want most at this moment? An interesting job and a return to normal from the pandemic

What was the last book you read and what was it about? I’m currently reading The Martian about an astronaut stranded on mars

What was the worst book you’ve ever read & why? Walk Two Moons because the twist ending fucked me up

Do you have a favorite breed of dog or cat? Which? Golden retrievers

If you like any anime/manga, what are some titles you recommend? I don’t really like it

What do you think about school in general? I thought it was interesting and I wish I could go back

What’s the hardest thing you’ve been through, & what did you learn from it? Maybe the braces. Dk what I learned from it

What are three “unrealistic” things you want most? An interesting creative job with steady and high pay lol, the lottery, the good place experience from The Good Place

What are some of your favorite foods? Pasta, chocolate, cereal. I am a simple girl

Where do you like to buy your clothes? Kohl’s, Macy’s, and thrift shops

Do you take any daily vitamins? When I remember

Who are three of your favorite fictional characters of all time? Kelsier from Mistborn, Sirius Black from Harry Potter, Raydan Lykel from The Crown and the Flame

If you had to give the world a pre-existing mythological/fictional being, what would it be? Idfk

When buying Slurpees, if you do, do you get only one flavor or mix them? Mixing is fun

Do you have a favorite 7Eleven food? No

Do you have any desire to learn (a) foreign language(s)? Which? Not strongly

If you could have any career, “realistic”-ness aside, what would it be? Something in film maybe

What are three memorable movies from your childhood? The Little Mermaid, Harry Potter, Barbie as the Princess and the Pauper

Do you, personally, put a space after ellipses, or not? Let me check... do I? I guess I do

What do some of the things that inspire you have in common? Making things

Micky D’s sweet tea, y/n/other? No

What are three of your best (non-physical) qualities? Creativity, honesty, smarts

What are three of your worst (again; non-physical) qualities? Stubbornness, anxiety, lack of empathy

What is one of your firmest beliefs? I don’t really have firm beliefs

Do you ever question things until you’re unsure of even the silliest thing? Yes

Do you have anything that keeps you from doing something you’d truly enjoy? Anxiety and procrastination, and money

What are your three biggest pet peeves (personality-wise) in others? Holier-than-thou people, acting like you’re too cool for fun, being unsafe

Do you work to fix your faults? Or at least, admit to them? I admit to most of them but I’m not so great at working on them

What are three of your best physical qualities? (NOT EYES!) Why not eyes? Other than that, I guess hair color, boobs, singing voice (at least I’d like to think so)

What are some of your greatest aspirations? Do something fun, have a good social life, see what I would look like in my prime

How do you hope the world will change, if at all? Get done with the pandemic, stop having capitalism be so shitty

Who are three (fairly known) people you find very intriguing? Taylor Swift, Voldemort, F. Scott Fitzgerald

What are three things that make you the happiest? hanging out with friends, crafts, cuddling with my boyfriend

What is/are your view(s) on god, religion, spirituality, or relations to? I don’t believe in them

Are you arachnophobic or scared of spiders in the least? YES

Do you play WoW? What do you think of it either way? No, I am just not that into video games

What kind of computer do you have? Windows 7/Vista/XP/Other? Macbook Pro

What are you good at? Crafts and school

What career do you hope to have? Something creative

Are you taking any interesting classes in school/do you not attend? I’m finished with school but I wish I could go back

If you don’t attend, are you taking any “lessons” for anything? No

A book/piece that has had an exceptional impact on your life? Harry Potter

If you know of pandora.com, what is your favorite station? I haven’t listened to pandora in ages

Have you ever “lost” a friend in any way? How did you deal? Some just faded away but some actively ditched me and I tried to find out why

Any music recommendations? Showtunes

What are at least three of your biggest fears? Spiders, living a mundane life, covid right now

Most recently read book that you liked? A Confusion of Princes

Do you have a piece of jewelry you don’t like to take off? No, I have so many that I like to alternate them

Do you have a favorite quote? Why is it your favorite? Carpe Diem. Haven’t lived it much lately though Any odd pastimes you have? Making lists and charts

Are you quirky in any way? (Name them please). My fashion sense especially in high school, the nerdy things I do

Have any practices you aren’t opposed to but wouldn’t do yourself? Probably a lot, I’m generally of the live and let live mindset

Political standing?

Left

Do you have any piercings/what do you think about piercings? I just have my ears pierced

Do you have a favorite material? I’m a fan of soft materials like suede or velvet, also metals like copper and silver

What are three names you’d name a pet if you HAD to get a pet right now? It depends on the pet

Do you like to listen to dorky/amusing music? Idk

Coffee vs. Tea vs. Energy Drinks: Order from favorite to least favorite. Tea, energy drinks, coffee

Do you like more “fruity” sweets or “savory” sweets? Fruity unless it’s chocolate

What do you hate the most? Spiders

What genres of music are your favorite? Showtunes

Do you believe in true love? Idk

Do you believe in love at first sight? If yes, why? No

What are some of your favorite clothing accessories? Jewelry

If reincarnation exists, what sort of person would you want to be next?

One of those outgoing guys that always has adventures with his friends What are some things you believe strongly in? Idk

Where’s your favorite place you’ve been? London was pretty cool, also Italy

What sort of books and movies do you like? For books: sci-fi, fantasy, dystopia. For movies: rom-com, sci-fi, musical

What’s your favorite thing to do on a rainy Saturday? Idk, just stay in

Is there a book you’ve read that really touched you? The Great Gatsby just because I related to Gatsby a lot

Do you have a favorite artist? Taylor Swift

PC or MAC? Mac

What do you love doing? Crafts, shopping, board games

If you could create the perfect world for yourself, what would it be? Basically just the good place from The Good Place. Unlimited time and resources to learn and try things without pressure to make money off it

Do you think that fate plays a part in people’s lives? Not really

Are you religious, spiritual, atheist…? Atheist

What are your opinions on the media? The media is a very broad range of things

Do you think that people throw the words “love” and “hate” around too much? Idk

What is your favorite piece of technology that you own? My laptop

What’s a piece of technology you’d like to own? I have what I want at the moment.

Are you afraid of technology developing to where we’re too reliant on it? A little bit of getting to the point where a lot of jobs get replaced with AI, because instead of making lives easier like they could be, there will just be a huge unempolyment problem that our stupid capitalist society won’t solve

Does it bother you when people do things to fit in with a certain crowd? If it’s not what they want to do

Hot or cold? Cold Do you think that Bzoink should extent the character amount for questions? I don’t use Bzoink

Do you have a favorite combination of complimentary colors? Maybe green and pink

Do you know why all the young people who have nice cars always look grumpy? I don’t think I’ve noticed that

What’s your favorite odd ice cream flavor? Lemon Sorbet or Coffee Toffee Bar Crunch

Where do you like to get your ice cream? Haagen Dasz or Ben and Jerry’s

What’s your opinion on stereotypes/labels? Idk

Do you ever use random word generators for Bzoinkoids?

What?

Do you believe that history repeats itself? It sure seems like it is

Would you rather learn from your mistakes or just undo them? Learn from them

What was the most interesting class you had in school? My words and music class in college Do you write? If so, what? I used to write poetry, I sometimes come up with stories but I don’t really write them

Do you have a favorite website? Tumblr and Etsy

Do you think that the quality of TV shows is going down? No, there are usually good ones to discover

Do you have a favorite culture? Maybe Celtic. I just like the art patterns What was a story you heard as a child that really affected you? The Headless Horseman scared me a lot

Who was your favorite grade-school teacher and why? My third grade teacher and my 6th grade math teacher

Do you think that the world will end? How? Probably in a few billion years when the sun turns into a red giant

Do you believe in Global Warming? Have you researched it? Yes but I haven’t researched it

Do you prefer piercings or tattoos? Tattoos

Do you remember your dreams? Sometimes

[talesfromgringolandia]

Underwing Challenge Day 4 - What’s the world of your WIP like?

So first of all, the world of Bo and Shen is incomplete. There’s a lot of gaps that I haven’t gotten to yet, mostly names and stuff.

For example, there’s this big blur of the history of the early years of the Venus colony. Essentially, Earth colonized the entire solar system, including Venus. Then there was a massive war, and Earth lost, leaving Venus completely stranded, without communication to the outside world.

Some basic info on Venus: The air pressure at the surface is equal to 90 earth atmospheres, making it completely uninhabitable. But it was also rich in minerals, so colonists would use gas to drill out the valuables. The gas ended up trapped in the rocks, which floated up to the height where the pressure equals earth pressure. This is my explanation for the floating islands. Also, the people doing the mining tended to belong to the same families, who became very isolated in their wealth. After some time, they ended up permanently deformed by their delves into the abyss, becoming the dwarves.

Before the war, people lived on artificial floating islands, powered by electricity and stuff. The “natural” islands were decorated with plants and animals and made great vacation spots, but no one lived there. But after the end of the war, or maybe during it, Venus experienced its first abyssian storm.

Near the surface of Venus, it's constantly storming, and in those storms live dragons. Please don’t ask how they weren’t noticed during the mining phase. These dragons are pure black, have no legs because they can almost swim in the thick air down below, and can breathe lightning. Sometimes, storms from the Abyss will overflow into the upper atmosphere, and rarely, those storms contain hordes of dragons.

During the first dragon storm, the artificial islands were completely destroyed. The citizens were unprepared. The small portion who survived fled to the natural floating islands, where they struggled to survive. It was essentially the apocalypse. It only took a few generations for these people, who were reduced to stone age equipment without electricity, to forget a lot of their history.

Soon, the Titans appeared. I don’t know where they came from. They introduced the people to the Aether, and taught them how to use it.

After a long time, sky ships were invented, and people could finally travel to other isles, establish nations and such. And that's how the current situation came to be.

Here’s something to understand about the technology in the Sky Isles. They can’t mine metal from the islands, because they risk destroying the very ground they stand on. But luckily, alchemists, people who use aether to control organic things, came up with a solution. They genetically engineered plants which can be spun into a fiber, which is a pretty good substitution.. It's still not quite as good as actual metal, or True Metal, so the few scraps of true metal that remain are incredibly valuable.

All sky ships, weapons, large buildings, et cetera, use some metal fiber. There are various kinds of metal fiber plants. Iron oak is by far the most powerful, but also a little rare because it's very difficult to cut down the tree. The most common is copper-root, which are like onions. There’s also silver-leaf,(not sturdy, but pretty), and probably something for gold? Still not finished with that bit. But copper-root tools and buildings are everywhere, while sky ships are most likely made of iron oak.

Most technology is developed in Galras, where Tinkerers can use the aether to cause massive clockwork machines to move. So most sky-ships are built there, although they need to cooperate with the dwarves to finish them.

What's the Aether? In-world, not many people know, with the exception of some individuals who specifically study its nature. It's something people use to do cool things. The aether is actually the manifestation of people’s souls in the real world. You use your spiritual soul to effectuate physical change, and these interactions are called aether. The more aether you use, the more you attach your soul to those activities. This is why tinkerers are known to be mad scientists, and why many alchemists grow so attached to their craft as to start experimenting on people. The Titans know how to effectively and safely use the aether to not only avoid negative effects, but create positive ones. Felenor and the other good titan use this knowledge for the good of humanity, while Ildra and Lralso use it to turn people against each other.

I must also mention the clockwork sentients - clockwork robots, powered by aether, who have minds of their own. More on them later.

There are four main nations, each composed of one main isle and those isles surrounding the main one. These isles, in order of settlement, are the Dwarven Isles, where the dwarves live underground in labyrinths; Destra, where the paladins originated; Galras, a technological power, and the origin of Tinkering; Endora, covered in a dangerous swamp, and only has one city, also called Endora; and Minvir, a mountainous, snowy isle where the sparse tribes are at constant war with each other.

I’ll talk more about the specific isles below the cut, because this post is long enough.

So remember the dwarves? Their ancestral profession changed their appearance significantly. Their skin appears permanently burned, and is ebony black. Not like dark brown. Pitch black. They’re also short. They’re excellent engineers, and can see in the dark better than humans can.

During the dragon storms that caused the apocalypse, they managed to flee separately from everybody else, ending up on an isle that was already full of holes because it was home to an insect hive. They’ve tamed these insects, which range from the size of dogs to the size of elephants, and they harvest the insects honey, which can be spun into a steel fiber that needs a better name. The honey can also be burnt to produce the gas that goes into the balloons on Sky-Ships, which means that dwarves are obscenely rich. They are also very secretive, to the point that a lot of people don’t know the actual name of the Dwarven Isles. Coincidentally, neither do I.

Occasionally the dwarves will venture into the Abyss to recover true metal from the wreckage. I’m not sure how they do this yet.

The first isle to be settled, besides the Dwarven Isles, was Destra, which you might recall is the origin of many paladin orders. There is a lot of history in Destra, it's kind of like visiting Rome, its really ancient. At the moment, it's completely conquered by the paladins of Ildra, Titan of suffering and despair, who let paladins of Lralso(deception, dishonor) run free. Paladins of Felenor(justice, honor) and of placeholder name(love, charity) have to flee or are killed. Some fought back, but most of those were killed.

Before the conquest of Ildra, however, Destra was mostly run by paladins of Felenor. Their law was just and honorable, which doesn’t mean there weren’t some bad eggs in the system, but the system was good. But some people didn’t enjoy being ruled by a law they had no choice in, and began a revolution on the south side of the isle. During this, they discovered tinkering, and turned the tide of the war with the construction of clockwork robots. Once they had conquered half the island though, the paladins began to learn how to easily deal with the automotons, who were pretty stupid being simply robots. So the Tinkerers ended the war by building massive drills which cut the island in half. The Tinkerers' side became Galras. The northern isle, which is still called Destra, was weak after the war, which opened them to Ildra’s conquest. Those drills still line the northern coast of Galras.

More about Galras! Their capital city is Kellenth, which is like one giant skyscraper many stories tall. Towards the top is where the elite live, while the bottom extends deep into the ground. The bottom floor is full of criminals and evil, where the light doesn’t shine. It's like cyberpunk, but it's clockwork. The city is supported by four massive True Metal pillars, which are a statement to how rich Galras has become.

Shortly after the war with Destra, Galras created a Clockwork Sentient, a clockwork AI. It soon went rogue and fled to an unknown isle, where it has constructed a factory of clockwork sentients. These ones are not nearly as powerful as the first, which is now called the Master Sentient. These minions are known as clockwork sentients, or just sentients, and sometimes they defect and come to live alongside humanity. Understandably, many people are… reluctant to accept them. The Master Sentient frequently conducts raids on Galras, and has recently conquered a small corner of the isle. They are rapidly becoming a significant threat, and the war against them is affecting the entire nation. The Master Sentient is not actually the first sentient, but there are some left over after the war with Destra, who are now ancient and live in the corners of Galras.

Don’t forget the Sentries! Sentries are soldiers who use clockwork armor and weapons, which they control by their aether, in combat. They compose the higher ranks of the army and protect city streets. They also make great mercenaries. Each suit of armor is unique, since soldiers will customize it with their own gizmos and setup. Think of each gamer in reality having their own setup.

Also the Storm Guard! There’s a fleet of ships specifically dedicated to preventing dragon attacks. This was created after a particularly bad battle with the Master Sentient, during which a surprise storm turned the tide, allowing the humans to win but at a much higher cost.

Next is Endora! It was originally established way back when Destra wasn’t split in half, as a rest stop for passing sky ships. That was hundreds of years ago, and now Endora has grown significantly. It has developed a reputation as a land of freedom, where there is neither the arm of the Galrian government nor the chaos of Ildrian Destra. There are farms right outside the city, and some small villages as well. Don’t forget the hordes of monsters that live in the swamp just beyond civilization; they frequently come out and attack settlers.

Endora has also become a safe haven for alchemists, who fled from Galras after people reacted to the image of alchemists as mad scientists who experimented on people. Many alchemists in Endora still perform these experiments, creating the chimeras, human-animals hybrids who often flee society to live in the swamp. There is a large hidden community of chimeras living there now, and many have adapted alchemy to the purposes of protecting nature, rather than exploiting it. These call themselves druids, rather than alchemists. Don’t take too kindly though - they can put the well-being of nature over human lives. These are two extremes though. Most alchemists are well-meaning doctors, and most druids are guardians of their people.

Recently, the Felenor Academy for Guardians was founded by Ambrose, where young men and women are trained to protect the city from monsters, and their families from crime. The city is mostly run by the people in charge of the ports, so at the city border with the swamp, not much is done. The Academy is changing that by empowering people to protect themselves.

Endora is also a major exporter of fish, which, since there’s no ocean, are rare pretty much everywhere else.