#one particular artist’s work has been kind of healing but not gonna say who it is
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the way some ppl draw k!ng d!ce…….🥰🥰🥰🥰
#some of y’all hve him serving DUNT (dice cunt)#(im sorry)#falling in love all over again to the point where i wanna draw him again but you’ll never see me post any of it here#maybe even a little bit of……oh you know……😈/🎲#im slowly feeling more comfortable engaging with dev!ld!ce again but only in private#one particular artist’s work has been kind of healing but not gonna say who it is#advanced gatekeeping at its finest lol#also reading fics have helped a little too#frizz talks
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Restless Rewatch: The Untamed Episode 14 first part
(RR The Untamed Masterpost) (Canary’s Pinboard - more Masterposts)
Warning: Spoilers for All 50 Episodes!
Murder Turtle, Continued
Lan Wangji wakes up after a good night's sleep leaning against a rock wall, to find that his leg is no longer splinted, and his perfectly clean and unbloody headband has been put back on his head while he was sleeping.
Leaving aside the "not waking up" part of things, how, exactly, did Wei Wuxian get his headband on without mussing his hair? Did he bring a crochet hook?
Wei Wuxian gives him a sitrep and then they cozy up and have an extended conversation about the nature and history of the Tortoise of Slaughter. Wei Wuxian is interested in everything Lan Wangji has to say, and Lan Wangji talks a lot more than usual; they are completely on the same wavelength here and are enjoying swapping obscure knowledge.
Lan Wangji: My lacerated leg and I are actually super aware that it has big teeth, but thanks for the reminder.
In the course of the conversation, Wei Wuxian mentions his plan to 1. sneak into the tortoise's shell and 2. drive it out of its shell so they can attack it.
OP did a little tortoise research and learned that the only species of turtle that can leave its shell is the Koopa Troopa.
Good news for Wei Wuxian: If you jump on its shell in the right spot, you can rack up a pile of extra lives.
Does that make the Tortoise of Slaughter a giant Koopa Troopa? Perhaps...the king of the Koopa Troopas?
I'm gonna say yes.
(More after the cut)
Let’s Go Killing
Wei Wuxian is exhilarated by the idea of fighting a giant dangerous monster with Lan Wangji. Some day Wei Wuxian will found the Nike clan, because his motto is definitely "Just do it."
It's sweet how, in his romantic notions about chivalry and Lan Wangji, he's completely elided the original reason they were (sort of) told to venture together.
Wei Wuxian: I'm still on the "find the Yin Iron" quest; I'm just skipping the "suppress it" part.
Wei Wuxian weighs up their chances against Bowser and tells Lan Wangji that even if they die, it will be badass to be killed by a famous monster, so they won't have to feel embarrassed.
This is the exact moment that Lan Wangji's feelings for Wei Wuxian go from "smitten" to "gagging for it."
Lan Wangji: as soon as we get out of here I'm going to borrow a whole lot of books from Nie Huaisang
The boys come up with a plan that involves a rather long montage of collecting archery equipment and deconstructing it. This potentially-dull montage is fun to watch because they are both very, very good looking.
Artists who want to draw Wang Yibo as an elven archer, this is your episode.
Now we suddenly have, with zero explanation, telepathy. Ok, sure. It seems to work kind of like a phone conversation, in which they say specific things to each other, rather than like Cherry Magic telepathy where you can hear everything the other person is thinking. Or at least, neither of them is embarrassed, so I assume they are maintaining some mental privacy.
Club Ruohan
Same, Wen Chao, same
At some point there is a boring sequence at Club Ruohan. Wen Ruohan doesn't know where Xue Yang is, but really wants his hunk of Yin Iron. Wen Chao thinks that WRH's 3 pieces of Yin Iron should be able to beat Xue Yang's 1 piece, but apparently he is dumb and that is not how math works. O...kay? OP does not understand this either but whatever, Wen Ruohan is boring, moving on. This scene is really just here to make us think about Yin Iron before Wei Wuxian jumps into Bowser's shell.
Bigger On The Inside
So then Wei Wuxian climbs into Bowser's shell, which is, to quote The 12th Doctor, bigger on the inside.
Bowser’s shell is the approximate size of my entire house. It is also bathed in a hellish pure red photo filter, which OP has done her best to remove for these gifs, because it gives me eye strain and it obscures Xiao Zhan's hotness.
Camera Operator: What did I do?
Wei Wuxian wanders around inside, finding random corpses encased in slime cocoons. Tortoise, spider, xenomorph, whatever. There are also random curtain things hanging all over, and then at one point Wei Wuxian stares into the face of a corpse, and then does a jump scare response at the camera operator even though nothing particular happened.
I imagine the corpse was supposed to open its eyes and say "killl meeee" but it got censored. He also makes about 8 other faces at the camera operator, so we get that the inside of this TARDIS-like tortoise shell (must...resist...temptation...to...say...TORDIS) is yucky.
Lan Wangji waits outside listening to Wei Wuxian telepathically complain about the smell. He is anxiously clenching a bundle of string and an arrow, and wishing he could clench Wei Wuxian Bichen instead.
Serendipitous Yin Iron
Wei Wuxian backs his way through the TORDIS until his butt bumps into a sword that is steaming with resentful energy. That's right: Wei Wuxian is about to pull a piece of Yin Iron almost literally out of his ass.
He grabs it and is overwhelmed by its screaming resentful energy and has to let it go again.
So this is what a vibrator with 4 batteries feels like
When Bowser comes looking for him, however, he quickly decides to go for it, grabbing the sword and singing "I've Got the Power (Gonna Make You Sweat)"
Wei Wuxian plunges the sword into Bowser's lower jaw, and Bowser pulls his entire head out of his shell with Wei Wuxian attached, while leaving the rest of his body and all rational laws of physics inside the shell.
Gamera Versus the Cultivators
What follows is one of the more ridiculous action sequences in the history of the world, and I say that as someone who likes Mothra movies.
Wei Wuxian hovers in a perfect horizontal plank while “hanging from” the sword, which is held well below the level of his torso. While Bowser spins him around. For much of the time, Bowser keeps his head still and just waves his neck around.
Lan Wangji and the camera operator do everything they possibly can to make "guy pulls on string" look interesting.
Everybody tries really, really hard and the actors are great at pretending something is there when it isn't, but this whole sequence is just horribly conceived.
What works well, though, is the Yin energy and Wei Wuxian's wrangling of it. He starts off being frightened and overwhelmed, and looking like it's too much for him; I dont' know if they made his face puffy on purpose or if that's just what happens when you spend days hanging from the ceiling fighting an imaginary monster. But he looks slack and unwell as he grapples with the iron sword.
Which makes this moment, when he gets control of it, deliciously creepy. He uses the power of the Yin Iron to stick a bunch of pokey things into Bowser's neck.
Lan Wangji has seen him struggling and now sees him...not struggling. Which scares the piss out of him, and he moves to finish the fight as quickly as possible, slicing up his hand and breaking the string. Combined with the pokey things, this does the trick and Bowser dies while Wei Wuxian faints and falls into the water.
Do the Whumpty Whump
Lan Wangji rescues him and wakes him up, and Wei Wuxian clutches the Yin Iron sword and tells Lan Wangji that he was knocked out by the screaming of disembodied voices.
This certainly sounds like a strange and dangerous phenomenon, so Lan Wangji carefully asks him to explain everything.
Ha ha ha j/k. Lan Wangji asks him exactly nothing about the strange sword or the black smoke or his weird evil smile or his new power over pointy objects. Lan Wangji appears to have a Star Trek: TNG level of unconcern about strange phenomena happening directly under his nose. But in fact he has noticed what's up, which is why he will be instantly distressed when he sees Wei Wuxian's flute moves at the Wen Corporate Headquarters.
Wei Wuxian has a fever (stay positive test negative) and comments on Lan Wangji's being so nice to him.
Wei Wuxian: I could never have imagined Lan Er Gongzi acting this concerned about me. Lan Wangji: what else have you never imagined me doing, while we're on the subject?
Lan Wangji transfers a stream of spiritual energy to him. Lan Wangji has so much spiritual power he can be a battery for Wei Wuxian without breaking a sweat or, like, noticing whether Wei Wuxian has a golden core or not, for that matter.
Wei Wuxian basks in the nice feeling of gigajoules for a while but then decides he's bored. So then he pouts, whines, and cajoles Lan Wangji in exactly, EXACTLY the way he whines at Jiang Yanli. I think this, while annoying of him, is a leap forward in his relationship with Lan Wangji.
He's letting his guard down and not just allowing Lan Wangji to take care of him; he's demanding to be cared for on multiple vectors, when he asks the guy who's already busy healing him to sing to him as well.
Lan Wangji obliges, singing him the song he composed about their love cultivation journey, while Wei Wuxian (or possibly Lan Wangji) (or possibly both) has a flashback to assorted sexy interactions that they've had so far.
Wei Wuxian memorizes the song perfectly on one hearing, before passing out.
Writing Prompt: Baldur’s Gate III / Untamed Crossover AU featuring elf archer Lan Wangji
I DARE YOU
Soundtrack: 1. Everybody Dance Now by C+C Music Factory 2. Paradise by the Dashboard Light by Meatloaf
Wei Wuxian fainting tally (cumulative): 3
#fytheuntamed#the untamed#wangxian#the untamed gifs#the untamed meta#the untamed spoilers#restless rewatch the untamed#my gifs#canary3d-original#asian whump
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hello stranger | reader x changbin |
a/n: we are getting to the “height” of the conflict, therefore the angst is gonna start amping up-just as a reminder! This fic talks about self worth and healing from past trauma so please read what makes you comfy! In this chapter, the majority is implied, but still, please read the warnings ahead of time :)
Part 4
Pairing: self insert, female reader x seo changbin, female reader x han jisung
Genre: strangers to lovers, fluff, smut, angst
Tags: (of this part) college au, rapper!changbin, rapper!jisung, establishedfwb!jisung, artist!reader, explicit language, fluffy growing feelings, mentions of food, hello yes I just wanna give this changbin a huuuuge hug
CWs: implications/discussion of past toxic realtionship, implications of negative self-worth and self-sabotage
Word count: 4.8k
Chapters:
PART 1 | PART 2 | PART 3 | PART 4 | PART 5
Popcorn flew into the air in slow motion and approximately four hundred multicolored skittles scattered the floor like the shattering of glass.
“Yes...yes...FUCK YES!!”
Felix launched his small body into the air with a victorious screech, turning his controller into a projectile. The clump of black plastic thumped into the torn up corduroy couch missing Chan’s arm by millimeters.
“HOW TO YOU LIKE THAT?? WOOOO!!”
Your friend took a victory lap around the tiny living room that was a mess of winter coats and boots with melted snow dripping to the hardwood floor.
“Felixxxxx, you made a mess!” Chan sighed out deeply and solemnly at the array of rainbow colored candies on the floor.
“I never win. You gotta admit the way that I finished that off was extra disrespectful. DID YOU SEE the way that I down-B’d you to pieces??? That was fuckin’ awesome.”
“Good job ‘lix.” You pulled a Twizzler by your teeth and dished out a little wink for him.
“Hey! I haven’t been playing for nearly as long as you two have. I see this as a complete win.”
“Well, Chan and I were at each others throats the whole time, so, we kinda killed ourselves off for you.”
“I still won!!”
“Alright, alright, good job.” Both you and Chan took turns patting his poofy blond hair.
“Ahhh our Lix’ is finally growing up.” Chan sighed, mockingly looking out in the distance to some far away place. “But...now you’ve gotta clean this up. Lucky you’re the one that paid for the Skittles, not me.”
In his fit of happiness Felix didn’t even care about getting down on his hands and knees to pick up the pieces like Cinderella.
Chan took a gulp of his electric green Monster. “Feels nice to have you back around here Y/n. It feels like it’s kind of been a while.”
“Mm, it has. You know how it goes, stuff gets busy and all that.”
“~And she’s been hanging out with someone else~” Felix’s words came out in a cutesy little song.
“You have?”
You slapped Felix right upside the head to which he whimpered out with a much more dramatic “owww” than was warranted.
It was likely a mistake that the two of you had kept Changbin a secret from Chan. Chan basically idolized him, and you felt that it was best not to...complicate things. Every other hour Chan would bring up one of Changbin’s songs, talking about him as if he was some kind of lyrical genius. He had half a plan to meet him at the last show, but had gotten too shy and pulled you both before he could get second thoughts.
For it to be so easy for you...it felt somehow unfair.
It was definitely a mistake.
“Who? Jisung?” Chan rolled his eyes a bit like he always would when spoke of that boy.
“No...” Your voice became small, then you shot deathly glares at Felix who tucked his tail in between his legs.
“Chan...”
Felix’s eyes widened to full moons once he had realized what you were about to do. You curled yourself up into a ball slightly, sweaty hands grasping at your controller.
“Its...Changbin.”
“CHANGBIN?” Chan shot upright from his seat. “Changbin?? Are we talking about the same Changbin?? Changbin-from-the-show-Changbin??”
“Yes.” You steadied your thumping chest.
“When did that happen??” Chan turned his body towards Felix who cowered into the mess of Skittles. “Did you know about this?”
Felix made a little grunt that could have sounded like either a “yes” or a “no”-- it was likely his safest bet.
“Why didn’t you tell me?”
“Because I knew it would be kinda...like this...”
Your eldest friend sat back down his his palm firmly slapped against his forehead. “Sorry, I’m just having a hard time piecing this all together.”
“It happened after the show that one day. I was walking home and I fell and got kind of scraped up, then he took me back to his place...”
Simply bringing that night back up again sent you spinning into your pool of memories: and they had a particular tendency to make you just as flustered as the night when they had first occurred. There were dozens of little things about him that had stuck with you, even if you wouldn’t admit it out loud.
There was that stupidly confident smirk of his, that little scar on his chin, how his fingers looked in those silver rings, his hooded grey-black eyes, those faint little stretch marks on the backs of his arms, and the way that his Adam’s apple would bounce when you kissed into his neck.
“Well? Chan’s voice snapped you back. “Does that mean...you aren’t seeing Jisung anymore?”
“...Jisung?”
His name hadn’t occupied your thoughts for weeks, and you hadn’t taken much notice of it. There were unread text messages from him that had fallen to the bottom of you message list, and missed calls that you hadn’t returned. Creeping inside of you was a sick and sticky feeling: the kind that you pushed deep down inside yourself to the place where things would get forgotten.
You didn’t know what you wanted from Jisung.
It wasn’t the way that he would kiss you roughly and needily, or how he would take greedy hands to every inch of your body. It wasn’t how he would fill praises into your ears or shake a little when he would finish himself off on your belly. Months ago, it would be all you could think of, then immediately forget after it had happened. That was what made it easy.
Changbin wasn’t easy. He wouldn’t give himself up entirely to you just because he could. He made you earn him, and he made you seek him.
You belonged to neither of them.
In your lap, your hands trembled with a memory of long ago: snowflakes in your hands burning with the cold and your throat scratched from all the yelling.
“Y/n?” Chan softened.
A sob had caught in your throat which you swallowed down with effort. “I-I’m still seeing Jisung.”
“Wait, you’re seeing both of them?” Felix popped up from the floor. “You didn’t tell either of them?”
“I don’t need to. I’m not tied down to either of them.” You had said it as confidently as you could, almost like you needed to convince yourself.
Both of your best friends eyes carefully held yours.
“Doesn’t mean that you shouldn’t tell them.” Felix nodded.
Chan nodded too in agreeance.
“But we’re just fucking around?? Its not like I’m cheating on anyone.”
“Y/n, you’re missing the point.”
“What? Don’t I have the right to sleep with whoever the hell I want to? Don’t you think that it’s kind of backwards that I should keep everyone in the loop when I’m just--why would I--”
Chan’s hand snuck over to yours which had started shaking even more violently on your leg; you hadn’t even noticed. The sobs that you had held in your chest started to overflow, bubbling and spewing from your surface. They felt choked in your throat, and then burned hot tears in your eyes. Both of your friends got to work, scooting in right next to you and sandwiching you between their arms.
“You don't have to be afraid.” Felix whispered softly. He smoothed his hand down your back.
“I-I’m not.” You clenched the words between your teeth. “Why-why are you guys drilling me like this??” You squirmed a bit between them.
Chan hushed, “We’re not.”
“Then why does it feel--”
“--You're doing it again.” Felix simply sighed, and rocked the three of your bodies to the tune of your messy sobs.
Chan let out little “shhh” sounds. “Stop digging yourself in that hole Y/n. You know that you’re doing it. Its more than just messing around.”
A tangible and thick silence held the air where your two closest friends held onto you tightly, almost like you would slip away. You fucking hated them for reading you as well as they did, but you also fucking loved them for being as good at it as they were. Being sandwiched like this with them was all too familiar. They had also done it on that same night: the night when your world had collapsed. That night you had been so weak you could barely hold back.
“It’s not gonna happen again.” Chan said at last. “I know that you must think about it all the time, and I’m so sorry that you do. You’re never gonna be stuck in that alley alone again.”
Felix quickly added, “We’ll be there--even if it does--which it won’t.”
“Stop dragging yourself through it okay? I know it’s easier said than done.” Chan took his black sweater sleeve to dab at your tears.
You were completely engulfed in your friends love, the unconditional kind: the kind that would part the seas and walk through flames for you. You don’t know how you could have forgotten how it had been there.
“Maybe its one of them or the other, but, I think you should tell them. You don’t deserve to tear yourself up like this over it all. It’s not good for you, or for them.” Felix laughed a little. “We’re not blind you know.”
Fat, thick sniffles clogged up your nose. Your subconscious and consciousness mudded behind your eyes and those memories of both boys: Changbin and Jisung became indistinguishable. You had sought them out for different reasons, but you hadn’t known why. Now, it was all becoming clearer.
“You like him don’t you?” Felix took his turn dabbing at your eyes too. “I can tell.”
“N-no...”
Felix didn’t even need to say who “he” was for you to understand.
“No?”
“I just...go see him sometimes.”
You would. You would see him, think of him, call all the little things about him to your memory: that scar on his chin and the faint stretch marks on his arms.
Snot dripped down your nose and over your quivering lips and you didn’t even care.
That voice rang in your ears just as you had remembered it on that night when he had dragged you out there, alone, furious. You didn’t even know what you had done wrong.
"I don’t want it to happen again.”
The words tore from your lips freely, finally. The fear that you had held so deep inside, the fear that would plague your every other thought. The fear that kept you from answering questions or giving answers. The fear that brought your feet to Jisung’s doorstep and the fear that kissed away words on Changbin’s lips. A massive weight like heavy metal chains that had wrapped around your body started to loosen.
“How are you going to let yourself have a chance at something good if you don’t try, right?” Chan and Felix exchanged hopeful little smiles.
Felix patted your hair to fix where you had frizzed it between them. “You know what you need to do.”
╚ ——————————————— ╝
[11:18]
changbin: this friday? yeah, I don’t think that I have anything else going on.
its been a little while.
everything okay?
...
i’m sorry if i overstepped that night
you just looked
...
fuck
you’ve got me thinking of you all the time
╚ ——————————————— ╝
Snow fell on your walk to class. It was the same early morning one that you shared with Minho. These days, the two of you had seemed to have gotten much closer. Even though you hadn’t been over in nearly a week, Minho still talked to you as if he saw you there every day. He would complain about little things such as how the rest of his roommates would leave dishes in the sink or socks randomly on the floor.
What the two of you didn’t talk about much was Changbin. There was some unspoken understanding now that the two of you had promised. He didn’t want to know much and you didn’t want to tell him; and it stayed that way. It was odd now considering that you had been quiet before so he couldn’t hear.
Admittedly, that did give you a chuckle or two from time to time.
Today, the snowflakes gathered in clumps and hugged each other while they floated down the the ground where they would melt instantly. This was the kind of snow that wouldn’t stick around. For this, you were grateful. In the first week of February, you had just enough of winter and longed for the green grasses that would peek from the melting white.
The tip of your nose and ears were warm as you marched onward with eyes squinted from the flakes that would get caught in them. In some ways, you were thankful. During the lectures, you would often prefer watching the blanket of white dancing in the windows behind the professors head.
Something you still had to learn however, was picking the right shoes. Your toes were frozen in the same canvas shoes that Changbin had scolded you for wearing. You pulled out your phone the check the time: eleven minutes early. It was somewhat of a personal best.
You smiled with a little pride, missing the body mass that was walking right past you and collided with your shoulder.
“Oh! Sorry, I’m so sorry, I was--Jisung?”
“Y/n?? Holy shit--”
Heartbeats rang in your ears and you felt as if you could hear the very blood pumping in your veins.
“I-I’m late for class, I gotta--”
“--No wait!” Rather than looking angry as you expected, that wide smile of his spread across his rosy cheeks. “I’m just glad that I ran into you.”
“Jisung, really, I need to go--”
His gloved hand reached out for your arm. “I’ve been trying to reach you but I think something must’ve gone wrong with your phone. How are you doing?”
“How am I doing?”
“Yeah, I was kinda worried, it was like you dropped off the face of the earth.”
You clawed your arm away. “I’ve been fine.”
Jisung sucked at his teeth, “Listen, after your class, can we talk? I borrowed my roommates car--I can drive us back to my place--”
“--That’s what you want to do? Talk?” The simmering anxiety that washed over you turned into irate heat.
“Yeah?”
“No its not.”
You slung your shoulder bag high up your arm, and walked on.
“Stop stop stop.” Jisung threw his body in front of your path. “What’s been going on with you? Hm? Did something happen? What is it? Your-uh art or something? You still do that right?”
Jisung had seen your paintings decorating the walls of your bedroom and the sketches that piled up on your desk next to colored pencils tied up together by rubber bands. He had seen them, but he had never looked.
“Why the hell do you care so much?”
“Baby--” He scuffed after your determined steps towards the business building. “Listen, I-I missed you okay?” Jisung yelled into the winter air: “I missed you. Alright?”
“Jisung, it wasn’t me that you missed.”
He stammered, and huffed up those puffy cheeks of his. In one final attempt, he approached you carefully with those cute brown eyes that you would often let slip into your daydreams. He reached out for your cold hand and took it in his. Had it been several months ago, you would have killed for him to hold your hand like that.
“I’ve been doing some thinking lately, especially when I hadn’t heard from you. I just...got this feeling like had done something wrong and I couldn’t figure out what the hell it was. Now, I know that I did. I...don’t like seeing you mad like this. Tell me what it is? I wanna see you at my show next week. I just want things to go back to the way that they were.”
The way that things were.
The way that things were was simplier. Easier. Just like he was. Jisung didn’t ask questions and Jisung didn’t take you out to noodle places just because he he felt like it.
The way that things were would have been easier and his hand did feel pleasantly warm in yours like you had imagined.
“I have to get to class Jisung.”
╚ ——————————————— ╝
On that Friday evening when you marched up to the front door of Changbin’s apartment building, he stood hooded under the tin awning turned to rust brown with age. He huffed out a little under the dinky light of the old building, but as far as you could see, his cheeks and nose had blushed with pink. You wouldn’t have pegged him it for it, but he had draped a thick black scarf around his neck in the same place where he would usually display that thick silver chain. As soon as you locked eyes, he gave you a little wave with knees bouncing.
“Shouldn’t you be inside?” Your breath vaporized into thin, white, visible droplets in the air.
“I thought that I could meet you out here rather than have you wait in the cold. I realized I did that last time.”
“Oh. Uh-thank you...I guess.”
Changbin cracked out a little smile, then announced, “Come on, let’s get going.”
“Get going? Get going where? Did you want to get noodles again?”
He chuckled, then stepped out into the lightly falling snow. It tangled up in his curling locks and got caught in the fabric of his scarf. “Hm-no. Not this time.”
Changbin looked over at you with his stormy grey eyes, something that hadn’t come to you as easily as before. Something in him had changed since you had first met him when he was standing on that stage as if it was the edge of the world. Before, you had felt as if you were drowning in the way that he carried himself, or the way that his gaze would bear down at you as if to test your strength. The aura that you once thought to be crushing had now turned into something much softer.
“You coming or are you just gonna stand there?”
One of his hands which he had tucked into his parka coat wiggled out to beckon you behind him.
“Come on. Take it.”
“Wh--”
Changbin made the choice for you then shoved both of your hands into his pocket. “It’ll be warmer this way.”
You scoffed at the gesture: it was the oldest trick in the book. “Really? Is it?”
In the cramped pocket filled with lint, his thumb rubbed up against yours. You obliged, and he tugged you close to him with each and every finger interlaced between yours.
“See? Feels better now doesn’t it?”
Flecks of salt crunched under both of your shoes when you turned the corner lit by a single streetlight. Both of the fabric of your coats squeaked standing this close to eachother. His scarf was pulled up all the way to his chin, and his hair bopped with each and every step that he took.
“You’re not going to tell me at all?”
“Can’t you just let this happen? I’m trying to surprise you, damn...”
“...Surprise? What...?”
Changbin lead the two of you past another corner to a much busier street in the nighttime: it was bustling with cars and taxi’s and it was lined with little shops on each side that leaked out tantalizing smells.
“Are we getting food here?”
“Quit asking questions.”
Two more blocks, and Changbin’s hand tugged at you all the way down the stairs to the subway where he used his own card to swipe you both in. Down there the sides of the walls were dirtied with old newspapers and cigarette butts, and the walls were of an aquamarine blue hue.
“The subway? We can’t be going too far...right?”
Still, he said nothing while he brought you right over the the waiting area, and the two of you stood amongst the businessmen in their best shirts stained with food smears and beer splatters as well as the nurses still in their scrubs after a long day.
“I said stop to asking questions.” His sentence trailed with a bit of an edge. “Here, stay close.”
A group of particularly raucous businessmen fell all over each other in a little pod closest to you and Changbin. It was as if it was instinctual for him the way that he wrapped his arm around your shoulder to pull you in to his chest where you stood on the subway deck. A dank smell of wet coats and the sweating bodies under them wove to the air once you had entered and mingled with the rest of the passengers. It was rush hour, and the capacity of the subway was near limit, so no seats could be found. You had to bury your face partially into that scarf of his as he held onto one of the straps dangling from the ceiling of the car. Both of your arms wrapped around him in a type of hug as you clung to his frame to keep your balance.
“Only a few more stops,” He assured you.
The lull of the car drew a heavy and sleepy film over your eyes, and you found yourself nuzzling into his warmth and clinging to the fabric of his coat just a bit tighter. You had never guessed, but there was an odd sense of intimacy about holding on to one person on a speeding train in a crowd of people.
“This one.” Changbin nudged you lightly, then pushed a few bodies out of your way bodyguard-style at the stop. “Watch your step.”
He swept your hand back up into his, then he led the both of you to the staircase and the sound of the city that was much louder and obvious than it was at the stop by his home. His smug smirk only grew the higher and higher that you ascended.
“Now are you going to tell me?”
“You’re horrible with surprises. Changbin nudged you with his elbow. “I’m never surprising you again.”
The skin of your cheeks were once more assaulted with the bite of the winter, and it took you several moments to figure out where he had taken you.
“Look over to your left.”
Just past a hectic intersection, there was the soft glow of lights: the first ones that you could see were yellow-white, and they were all tangled up in the branches of tree branches: making them appear as if the leaves had never fallen, but were instead replaced by these luminescent ones. You looked further past them to the entire park which was illuminated by similar string lights of all kinds of different colors: green and red, blue, pink and orange. Every single tree in the park was decorated with them, and they shone upon the area in a rainbow of colors.
“Christmas lights?”
“The last ones that they take down I think.”
“I mean...I wasn’t expecting...this” You gestured to the sea of lights before you.
The stoplight across the street blinked on to the little “walk” symbol.
Confident as ever, Changbin didn’t falter. “Let’s go.”
╚ ——————————————— ╝
You followed after Changbin under the canopy of spiny winter fingers and the lights that were spotted in between them. The passageway of the park was lined with benches on the side of the path and little groups of families, friends and couples each passed pointing out at the whole display. Christmas had been long gone, but somehow it still existed here in this little corner and the joviality it held with it.
He motioned for you to sit and brushed off the remnants of snow caked on the wood.
“I’ve got one more surprise for you.”
“I thought you said that you weren’t going to surprise me anymore?”
“Well, you’re in luck because I planned this one already.”
From his pocket he took out what looked like a thin aluminum container with hinges on the side. The metal was cold in your hands when you popped it open and inside was a small sketchbook with dotted paper and a set of double-sided colored pencils.
“I thought...you said something about colors the other day and how you liked them so I thought you would like it here with all the lights and maybe you could draw it? If you want?”
“Changbin...”
The wooden pencils were of a waxy quality; likely the kind that you could get at a corner store but that wasn’t nearly what mattered the most.
“Thank you. I mean it. I’ll draw something.”
Your heart always skipped a beat the second that you brought your pencil to the paper, and this was no exception. Across from you, there was another bench, identical to the one you sat on, and behind it, was a tree wrapped in pink lights. You set to work quickly, copying the picture as best as you could, not even caring for the little mistakes you could make. Changbin watched you from your shoulder, but you had barely taken notice. Once you had finished, you scribbled your signature at the bottom habitually.
“Here, I want you to have it.” You tore out the page. “It’s a thank you.”
He turned it over in his hand, then lightly brushed his fingertips over the way that you and woven the tree branches together and how it looked like the bench was dipped in the symphony of multi-colored lights. Beyond the tree line, you had drawn a few of the skyscrapers crowning the scene which he traced over too.
“Wow...um, thank you.” He hid his tiny grin after shoving it in his pocket.
Together you both sat, saying nothing, but rather taking in the scene together just as you had done at the noodle shop. It was peaceful simply existing next to another human being like this.
Your knuckles cracked in your lap while you recalled Chan and Felix’s urgings looking over at Changbin while he too wondered around himself.
Its not good for you. Or for them.
The man next to you rose, “Do you want to walk around a bit more? Or--”
“--Changbin...I need to tell you something.”
“What is it?” Under the pink glow of the string lights, his skin appeared softer.
“There’s something--I haven’t told you something and...you deserve to know.”
“Know...what?”
His head titled, examining the way that your face had fallen and became twisted up in the words on your tongue. He reached out to hold both of your cold-bitten cheeks in his hands, rubbing his thumbs to soothe you. You thought to yourself, there was something oddly intimate about standing out in the open with him like this: bearing yourself as such for the whole world to see, and how the tip of your nose rubbed up against his.
The words stung in your throat with a pain like acid.
“During this time when we were...there was also-I was also--”
“--I know what you’re going to stay and I want you to stop.”
“What?”
Changbin scoffed. "I should have guessed anyway but, it’s not my place either since we never really said exactly what this is.”
Your voice wavered, “I’m sorry. I’ll understand--” your arms fell to your sides. “--if you don’t want to--”
“--I said stop. Do you need me to say it again? I don’t own you or any dumb shit like that, and you don’t owe me anything either. But, I appreciate the honesty though.” Changbin pulled your forehead to rest against his, exhaling out visible breaths. “What are you going to do now?”
Just as he had done before, he reached down, all the way down your arms to wrap them around his waist.
“I-I don’t know. But--I do know that, being around you is...different and--” You sniffled, “--I don’t want to give that up yet.”
“Okay then.
You held your eyes closed, but you could hear his one and only smirk in his words.
“I wouldn’t mind sticking around either--but--you know what this means then?”
“What’s that?”
“You’re coming to my show next week.”
“Ugh, fine. I’ll go.”
Both of your breathless giggles filled the space between you both.
Your chest shook with a sigh, the kind that had been trapped, or maybe just held in for too long.
His lips were cold under the array of twinkling lights, and he delved himself into you carefully with his focus on nothing other than you. The way that he kissed you was terrifyingly beautiful: as if you were the way that each of the colors from the lines you sketched intersected and became one with the other. The heat of skin and the tip of his tongue filled your mouth with his promises that he had been composing for you since he had met you, and you could finally hear it for the first time. He had never changed the way in which he had done it from that first night.
He kissed you like he loved you, and maybe he really did.
#stray kids smut#skz smut#stray kids imagines#changbin smut#seo changbin smut#changbin x y/n#changbin x reader#changbin x female reader#stray kids oneshots#stray kids drabbles#stray kids fanfic#stray kids fanfiction#kpop smut#kpop imagines#kpop oneshots#kpop drabbles#kpop fanfic#kpop fanfiction#5k words of hello stranger??? we're wildin#if you've read this far#soft dom changbin#can fold me like a chair#thank you for coming to my ted talk
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Danganronpa 1 Girls: adopting an abused child - Headcanons
Request: If it's okay, the DR1 girls with an adopted child that was previously in an intensely abusive living situation? The kid is extremely traumatized by the experience, and is very quiet, fearful and suffers frequent breakdowns and nightmares.
Part 2: Oh! Adopted abused child for DR1 girls anon here... To specify, headcanons.
Of course! A unique request. I’m gonna write this assuming they’ve had the child in their home for a while, maybe a few years, and you can headcanons the girls’ partners versus if they are single moms on your own. This will just be how the DR1 girls treat their adopted, previously abused child. - Mod Kokichi
WARNINGS: past child abuse implied/referenced. Trauma/panic attacks and anxiety
Aoi Asahina:
The queen of three things: sweets, sports, and positive attitudes.
She would definitely use these three skills/interests of hers to help the previously abused child she adopted.
First of all, she’d chosen this child in particular because she saw their profile and asked about them. Her big heart wouldn’t allow her to abandon a child that’s clearly been through a lot of suffering, especially not after her own experience in the killing game.
Despite whether or not she had a partner, she’d want kids when she was able to responsibly care for them. Also, her experience as a big sister would prepare her for kids a little better than an only child.
Sweets: having a panic attack? Here’s some home-made cookies. Bad day at school? Let’s strap on an apron and bake together tonight. Stayed up late with insomnia or nightmares? Well good news, doughnuts for breakfast the next morning!
Sports: being athletic and active herself, Hina would encourage her child to enter team sports to get better at socializing and just learn important motor skills, but she wouldn’t force them into it, knowing crowds or loud noises may overstimulate them.
Maybe she’d have them start small. Table tennis or private swimming lessons. When and if they were ever ready, soccer or lacrosse on the school’s team.
That’s not to say she wouldn’t love and appreciate a more artistically or mathematically inclined child. Sports or not, she’d find a way to use their inherent skills to better them. She’s not one to give up on the people she cares about.
Positive attitudes: slip-ups and panic attacks are nothing to get discouraged about! She would stay up all night with a child going through anxiety, assure them that this too shall pass, and use positive reinforcement.
Sakura Ogami:
Another mom who would seek out sports as a way to ease her child’s suffering.
But unlike Asahina, she’d see sports as more of a way to teach perseverance and self-discipline rather than social skills.
She would want them to learn some type of martial art. It would teach balance, strength, inner-peace, and erase self-doubt.
Plus, learning martial arts would help teach self-defense. She would never want her child to go out until the word helpless and not knowing how to defend themselves should they absolutely have to.
She would enjoy reading to her child at night, and talking at length with them about what was bothering them. She would let them cry onto her strong shoulders, and offer stoic wisdom. She’s like, super good at giving advice.
Loves them unconditionally, is fiercely protective and loyal. A very supportive and loving mother.
Shells out the cash for any and all therapy they need, physical and psychological. She doesn’t see mental illness as a weakness.
Celestia Ludenberg:
This mom, instead of teaching a child to ignore trauma and bullies - be they internalized and metaphorical or external and corporeal - would teach her child how to face their obstacles head on.
Bullies at school? Well we’ll handle that. “They won’t be a problem anymore, trust me.”
PTSD and past trauma? Well we will sit here and talk about these weaknesses until they become our strengths. “What doesn’t kill you makes you stronger, and you’ll be undefeatable after all you’ve been through.”
This child will be spoiled, but not in a bratty way. They will simply wear the best clothes, eat the most expensive food, and attend the best schools.
Celestia would play endless card and board games with her child to keep their mind off of darker thoughts.
“Moooom, you cheated again!”
“Oh? Did I~?”
“Yes!” A disgruntled but reluctantly amused smile.
“Well~ I think it is simply that you don’t know how to play this game yet. But one day, you will.”
Kyoko Kirigiri:
At first, it may take her a while to open up and truly be the best mother she can be.
But she understands wanting more from a parent-child relationship, and after a while of doubting herself, would buckle down and do what she needs to do.
Wouldn’t be as pushy with talking about triggering subjects, or entirely comfortable giving advice either.
But is a terrific listener/observer. She walks in after work and sees her kid crying alone in their room. They’d remembered something scary, something they didn’t want to think about, they said.
“I see...well, do you want to talk about it?” And she’d sit there by their bedside until she was sure they didn’t need her any longer.
If single: definitely has a big house, a reputable maid, a nanny, a nice car in the driveway, but still insists on personally packing her kids lunch with a little encouraging sticky note inside.
If she has a partner: can be convinced to be more involved and slowly but surely becomes more hands-on and soccer-momish, minivan and all. Sees her partner’s own parenting skills as a challenge to step it up. Kyoko has all the makings of a great mother, she just won’t let herself see it. A partner would be just the push she needs: a Watson to her Holmes.
Toko Fukawa (I watched the anime and played the three main games so if her personality changes drastically in ultra despair girls and I’m way off I apologize):
Toko knows childhood regret, trauma, nightmares. She understands feeling isolated and different. She would be a very clingy and coddling mother.
If you ever touched a hair on her child’s head, you better just execute yourself before she does.
Sure she’s not the most confident or kind person on her own, but we’ve seen how devoted to and possessive she is of people she cares about.
She’d read to her child nightly, but only what she deemed to be the best children’s literature, of course.
Would love her child more than she loved her own partner. She would feel needed, like someone depended on her for once instead of her tagging along behind someone else.
I think as she boosts her child’s confidence and social skills, her own would grow along with them.
I know she’s getting better every day at controlling her inner demons, and her other half, Syo (I watched like two hours of UDG gameplay so I know this much) but I think she’d be extra careful and determined to have full control once becoming a mother.
Sayaka Maizono:
I think she would see music as an outlet for a hurting child.
Another girl who would have hella money, so she wouldn’t hesitate to get her kid lessons from the best instructors, be they voice or instrumental lessons.
And when her child mentions feeling uncomfortable about leaving the house for unnecessary reasons, especially for going to a public, noisey studio, she would pay extra to have the instructor come to them.
To her, music heals the soul.
When they have nightmares, she’s the most likely of the girls to sing lullabies, being the most talented and confident in her singing voice.
She would definitely want to be a mother one day, but with her time-consuming job, might find adoption easier and less compromising to an idol’s “flawless” body (her manager’s opinion more than her own ugh).
She’d use her intuitive “psychic” abilities to sense when her child was having a particularly rough day, or having more depressing thoughts. I think she’d be one of the ones more suited to deep conversations and true motherly advice.
Junko Enoshima:
I honestly don’t think she’d adopt a child for any wholesome or selfless reason.
She’d adopt a child with PTSD or past trauma in order to feed off of their despair or to teach that already hurting child to hurt others.
She’d be drawn to the more chaotic and/or mentally unwell children, but it would be a mistake to let her near them.
Junko is selfish in every way and would only adopt a child to carry on her evil lineage.
It may not even go that far. She may get bored of them or decide they aren’t worthy of becoming her protege and just dispose of them like an old play thing.
(Sorry Junko stans but I’m not about to pretend she’s just a bratty, preppy rich blonde mean girl type. She’s a selfish and abusive psychopath lmao)
Mukuro Ikusaba:
Another one who probably shouldn’t be a mother.
I do feel bad for her though. Much like Korekiyo, I think their siblings both abused and manipulated them from a young age. They never learned any differently. Still she’s responsible for her bad choices in the series.
Without Junko’s influence, I believe she would be fiercely protective of a child, much like an obsessive mother bear once she retired from mercenary work for good.
But unfortunately, she’s given her life to her abusive sister.
If she had a child, they would either be neglected because she spends all of her time serving Junko or away on dangerous mercenary missions.
Or they would be trained to be an abused slave to their aunt Junko just like Mukuro is.
Junko may manipulate Mukuro into adopting a child, saying things like: “you’re more of the mommy type than me!” Or, “yeah I totally think a despair filled child would be good for you! You could teach it to like kick ass and shit!”
This of course, was all a way to get Mukuro to do all the work of actually raising the child, while Junko warped both of their minds to her cause.
#junko enoshima#mukuro ikusaba#sakura ogami#aoi asahina#kyoko kirigiri#celestia ludenberg#sayaka maizono#toko fukawa#genocider syo#genocide jill#headcanons#imagines#modkokichi#request#mothers#adopt#abuse#trauma#fanfic#fanfiction#taeko yasuhiro#danganronpa#Trigger happy havoc#super danganronpa 2#danganronpa V3 killing harmony#girls#dr1#angst#anime
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creator tag
Rules: It’s time to love yourselves! Choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!
thank you @kckenobi and @pandora15 for the tag!! <3 so here are the works, in no particular order and also oh gee i am so sorry this got so painfully long you can tell i’m procrastinating on my final + also i just tend to run my mouth when im talking about writing asdffd
to these memories (After Darth Sidious is defeated, everything changes. Some for the better, others not so much. Mostly better though. (Or: Anakin becomes a dad. Rex rehabilitates clone troopers who no longer want to be a part of the army. Ahsoka gets a call from an old friend. And maybe Obi-Wan finds out it’s not just his enemies who don’t stay dead. Basically, everyone gets the happy ending they deserve.)
so this was my first major longform tcw fic, and i just. i have a lot of feelings about this fic, mostly nostalgia and lots of gratefulness. first of all, i think i met a lot of super cool people through this fic, and i also? just? idk, this was a major project that i kind of worked on to cope with post-tcw sadness + also just. general sadness about the world’s situation. writing this story was actually super healing for me, mostly because i just. really wanted to have something where happy endings existed.
so this really...was an experience, and i’m so super grateful for everyone who read along. to this day, whenever i get a comment about this fic, i feel super happy because it makes me feel glad to know that there were some people who took comfort in this work, because i really wanted this fic to have that kind of effect on people. :’)
there they are (Right before Ahsoka leaves for Mandalore, Rex distracts Bo-Katan so she could give her family a proper goodbye. (There's hugging. We just needed our trio to hug.)
i think this was one of my first tcw fics of 2020, and. i just remember impulse writing this after watching old friends not forgotten because i was just. so sad that we didn’t get an anakin and ahsoka hug or a trio hug or anything. i understand why they didn’t--like, i really, really do, but. but i think if there’s a theme i’m going through this year, it’s ‘this was sad, so i’m gonna make it happy!!!’, so...as my masterlist puts it, ‘dave filoni said no trio hug, so i said fine, i’ll do it’.
uhhhhh, how very unusual of me, but!!! probably my working on a new original story. i’ve got the fourth draft of another story siting in the background, but. this other story idea came at me, and five outlines later, i started this story. i’m about three chapters down now, but. a snippet of the prologue:
“Well…it’s also a rather important story,” Rosalind said. “Do you enjoy stories?”
“I want to be a writer,” I blurted, and I stopped at that. I fiddled with my mug, heat that had nothing to do with the hot chocolate or the fire rushing to my face. Silly, oversharing me—oh, what a young, lonely child I was back then. So desperate for conversation that I had grown out of practice and resorted to sharing details that the average stranger would not care for.
But then again, these were not the average strangers—although I’m sure you’ve figured that for yourself.
“Yes,” I said meekly. “I enjoy stories.”
“Well,” Dae said after some time, “it’s good that you’re a writer.”
I lifted my head, and this time, I saw Dae and Rosalind smile at each other. A softer smile, one that made me feel suddenly dreadfully, dreadfully lonely.
“You might want to write this down,” Rosalind said at last.
And so I did.
*and cue the actual story* i won’t say too much because adsfsdfsfd talking about my original work makes me feel awkward + also i am constantly in fear of people stealing ideas even though,,,even though i know the only person who can write this story is me, anyways, but uh. i will say that i have a plan for a five-part series that’s basically about a witch and a princess. there’s a prophecy in the background. there’s magic. there’s rivals to friends to enemies to lovers. there’s father figures + big sister figures + found family + ancient kingdoms + the real world blending with the fantasy world + uh i’ve said enough okeee bye that’s it
the moment was enough (The war ends. Ahsoka and Obi-Wan try to work things out since the last time they actually saw each other.)
it had been a long while since i had written anything that was really just about ahsoka and obi-wan, but. i think everyone knows that i really love my grandpadawan and grandmaster duo? idk, this fic really made me feel things because i was thinking a lot about how obi-wan and ahsoka had left things. i wanted to make it pretty clear that they both clearly care about each other a lot, but like. also. there’s still some hurt there. i just had so much fun writing this, because obi-wan and ahsoka are such an underrated duo and i love them :’)
loose stitches (The discovery and aftermath of Maul. Anakin and Ahsoka find themselves pacing in front of the Council chambers multiple times. They might have taken Obi-Wan to Dex’s. Something might have unraveled, only to be stitched back together.)
kasey before you say anything pls know that i would talk about this fic until literally the day i die i am sorry if i am making you feel self-conscious--but anyways this was a collab with the ever-talented, ever-wonderful @kckenobi. so uh, quick story which mayhaps i might not have told anyone before, but whatever, i’m listening to evermore and therefore have no choice but to be emotional huh--this fic was like...one of the first collabs i’ve ever done? in general, collaborations were always something that made me nervous because it required lots of vulnerability and honesty, and there’s a side of me that’s very obsessed with having this image of Neat Writer Who Has Coherent Thoughts (which,,,doesn’t even exist so why was i obsessed? no idea). so that said, this collab was just. so wild + wonderful because it really was, first of all, such a cool, magical experience. there’s something so amazing and insane about passing words back and forth and like, even a screen apart, there’s something magical about like. sitting down at a laptop at the end of the day and feeling like you’re about to step into a portal where it’s just two people trying to spin a story. writing with kasey was just such a wonderful, absolutely magical experience, and i’m really glad that we got to write this story + the many more that we did. just. there’s something really personal and beautiful about writing until 1, 2, 3 am when the world’s asleep. anyways. magical.
asdfsdfd i’m very sorry that this got so incredibly long, but!! that said, 2020 was a hard year for lots of different reasons both personally + because of *gestures at the world* but. like. i’m really, really glad that i got back to writing clone wars fic this year, because i’ve met so many wonderful, wonderful, wonderful people here, and. yeah. y’all are my serotonin suppliers, and i do refer to a lot of people here as ‘oh yeah, my friend and i were talking the other day about...’ and ‘why are you smiling?’ ‘oh, just something a friend said--’ and. yeah. i hope y’all have a wonderful, wonderful rest of the year + also a wonderful life because y’all are simply the best :’))
no-pressure tags: @lightasthesun @meandmyechoes @soplantyourownflowers @ilonga @sonderwalker @mytardisisparked @60sec400 and really, honestly, anyone else who wants to!!! <333 (like. i mean it. literally. just tag me and lemme scream encouragements at you.)
#tag game#thank you!!#caroline stop writing essays challenge!!!!#i cannot and will not stop writing essays i guess adsfsdf
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Sept 12
Fresh off the UK release of Amazon Studios’ reimagined 'Cinderella', pop icon Camila Cabello talks to Nick Levine about her starring role in the film and her next chapter.
Camila Cabello is in a very good place right now. The utterly joyous video for “Don’t Go Yet”, the lead single from her forthcoming album Familia, shows her dancing around a dinner table surrounded by family, friends and RuPaul’s Drag Race star Valentina. An eyepopping colour palette definitely complements the song: a bright and buoyant Latin bop banger that hits like musical serotonin. In the comments beneath the YouTube video, the singer has added a sweet message: “Hope you guys love this and that it inspires many wine drunk kitchen dance parties for you and your familia.”
The video may be a visual feast, but it’s no fantasy. Cabello says it reflects a recent healing period during which she focused on “collective joy and community and really growing the seeds of my relationships”. The casual dinner parties she threw with partner Shawn Mendes became a nourishing ritual as she stepped off the pop star treadmill for the first time in nearly a decade. This breather was long overdue given that Cabello’s career has maintained an upward trajectory ever since she entered the US version of The X Factor in 2012. Though she auditioned as a solo artist, she ended up landing a record deal as a member of Fifth Harmony, a girl group formed One Direction-style on the show. Four years later, she went solo and cemented her A-list status with “Havana”, one of the bestselling digital songs of all time. She now has more than a dozen platinum singles to her name, including 2016’s collaboration with Machine Gun Kelly, “Bad Things”, and 2019’s “South of the Border” with Ed Sheeran and Cardi B.
Still, Cabello’s pace of life slowed down last year for one reason only: the pandemic. “It’s been an absolutely traumatic thing that’s happened to the world,” she says today, speaking on the phone shortly before she records Spanish overdubs for her movie debut in a feminist reimagining of Cinderella. “But in terms of my mental health, before that particular moment, I was really approaching… ” The 24-year-old pauses, then corrects herself. “I mean, I don’t think I was even approaching, I think I was burned out. And I feel like that necessary forced pause [caused by the pandemic] just allowed me to look at my life differently. It allowed me to recalibrate what makes me happy and what is important to me. I feel like it saved me in a lot of ways.”
Cabello has spoken candidly in the past about her struggles with anxiety, which in turn led to obsessive-compulsive disorder. Today, she likens managing this anxiety to a “constant ebb and flow”, which is made easier by her new therapist, but says the pandemic let her rethink her attitude towards work. “I’m fortunate enough to choose what I say yes and no to,” she explains. “That’s what’s really important to me this time around. If it’s affecting my mental health in a negative way, I’ll say no and do it another way.”
“I feel like the public and the media could almost have become a third person in our relationship.”
A project she’s clearly fully invested in is Cinderella, a new film version of the familiar fairy tale, directed by Pitch Perfect’s Kay Cannon. Cabello stars as the title character opposite Broadway legend Idina Menzel as her non-wicked stepmother and Pose actor Billy Porter as her fairy godparent. According to Cabello, these reimagined characters are just two of the film’s progressive elements. “Those classic fairy tales were all written by men. That’s why the story [of Cinderella] is that of a woman who’s saved by a prince,” Cabello says. “But in our version, which is written and directed by a woman, she’s saved herself and is trying to build her own life. It’s a much more empowering version of the story.”
In fact, Cabello’s Cinderella story has “no evil people in it at all”, because it places the focus firmly on the heroine’s self-actualisation. “Cinderella’s dream is to live an independent life at a time when women aren’t allowed to have careers,” she explains. “So she’s seeing something that’s wrong in the world and not waiting for someone else to correct it for her – she’s doing it herself. I think that’s a really necessary, positive update.”
Cabello has also been using her formidable social media presence – 54.5 million followers on Instagram, 11.9 million on TikTok – to spread some very necessary positivity. After being papped on a run in mid-July wearing “a top that shows my belly”, Cabello told her TikTok followers she thought “Damn!” before remembering that “being at war with your body is so last season”. Today, she says she experiences much less body insecurity since sharing this post. “I felt like I was not alone in feeling that or alone in my frustration,” she says. “And so next time there are pictures of me where my belly is out, there’s gonna be a community of women who have heard me talk about the way that makes me feel and who support me. And that is honestly so liberating.”
She has even used TikTok to break down a human rights issue that is close to her heart. In July, Cabello shared a well-received video explaining that recent protests in Cuba aren’t “about lack of Covid resources and medicine”, but are really “the latest layer in a 62-year-old story of a communist regime and a dictatorship”. She says speaking out in this way was a matter of moral obligation for her. “You know, I’m Cuban and I still have family on the island,” she says – Cabello was born in Havana, then moved to Miami with her parents when she was six. “And so much of what I do is Cuban culture. I mean, ‘Havana’ is one of my most successful songs so far,” she adds. “So when I’m in the United States, showing the beautiful part of Cuban culture, I feel like I also have to be there for the hard part, for the people there who are struggling.”
“If it’s affecting my mental health in a negative way, I’ll say no and do it another way.”
“Havana”, a sultry and infectious celebration of the Cuban capital, was so huge that it could easily have overshadowed her debut album. But thankfully, 2018’s Camila was a cool and cohesive affair that also spawned the brilliant angsty banger “Never Be the Same”. Then in 2019 Cabello launched her second album, Romance, with “Señorita”, a massively successful duet with Mendes that has now racked up 1.9 billion Spotify streams. When Cabello and Mendes confirmed they were dating shortly after its release, they became gossip-site staples – something they remain today – and were accused of faking the relationship for publicity. The impact of this negative coverage on their mental health was barely even mentioned.
Still, more than two years later, Cabello says she and Mendes have managed to maintain their privacy. “I feel like the public and the media could almost have become a third person in our relationship,” she says. “But that’s not been a thing for us because Shawn and I don’t even look at social media like that. Even though we know it’s there, it’s almost like it doesn’t exist for us. And that’s why we don’t live in LA. We live in Miami or Toronto, where there’s less paparazzi and that kind of attention is less of a thing.”
Looking ahead, Cabello says she’s excited for fans to hear Familia, which she feels has greater “intimacy” than her previous albums because she worked so closely with core collaborators Scott Harris, Ricky Reed and Mike Sabath. Because she trusted them implicitly, Cabello says she was able to “freestyle” during recording sessions and really pour her heart out. “You know, there’s one song [I’ve recorded for the album] where I’m talking about my mental health and anxiety without [specifically] saying it’s about anxiety,” she says. “But it’s about what anxiety looks and feels like for me in my body and in my mind. And that wasn’t something I came into the room intending to write about. Ricky just showed me a piece of music he had and it all came out of me.”
Cabello says this “stream of consciousness” songwriting style “never would have happened” when she was recording Camila and Romance because, for her, there was still too much “tension” in the room. But this time around, she felt comfortable enough to be truly vulnerable. In this respect, Cabello draws a comparison between her own creative evolution and that of Billie Eilish, who recently released her acclaimed second album, Happier Than Ever. “I saw this quote from Billie where she said, ‘I wasn’t scared, it wasn’t forced, there was no pressure, it was just really nice.’ And I feel the same way about this album’s process for me,” she says. The message is clear: in both her personal and professional lives, Camila Cabello is in a very good place.
#camila cabello#interview: hunger tv#hunger magazine#cinderella promo#cinderella#don’t go yet#familia#shawn mendes
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Camila Cabello is in a very good place right now. The utterly joyous video for “Don’t Go Yet”, the lead single from her forthcoming album Familia, shows her dancing around a dinner table surrounded by family, friends and RuPaul’s Drag Race star Valentina. An eyepopping colour palette definitely complements the song: a bright and buoyant Latin bop banger that hits like musical serotonin. In the comments beneath the YouTube video, the singer has added a sweet message: “Hope you guys love this and that it inspires many wine drunk kitchen dance parties for you and your familia.”
The video may be a visual feast, but it’s no fantasy. Cabello says it reflects a recent healing period during which she focused on “collective joy and community and really growing the seeds of my relationships”. The casual dinner parties she threw with partner Shawn Mendes became a nourishing ritual as she stepped off the pop star treadmill for the first time in nearly a decade. This breather was long overdue given that Cabello’s career has maintained an upward trajectory ever since she entered the US version of The X Factor in 2012. Though she auditioned as a solo artist, she ended up landing a record deal as a member of Fifth Harmony, a girl group formed One Direction-style on the show. Four years later, she went solo and cemented her A-list status with “Havana”, one of the bestselling digital songs of all time. She now has more than a dozen platinum singles to her name, including 2016’s collaboration with Machine Gun Kelly, “Bad Things”, and 2019’s “South of the Border” with Ed Sheeran and Cardi B.
Still, Cabello’s pace of life slowed down last year for one reason only: the pandemic. “It’s been an absolutely traumatic thing that’s happened to the world,” she says today, speaking on the phone shortly before she records Spanish overdubs for her movie debut in a feminist reimagining of Cinderella. “But in terms of my mental health, before that particular moment, I was really approaching… ” The 24-year-old pauses, then corrects herself. “I mean, I don’t think I was even approaching, I think I was burned out. And I feel like that necessary forced pause [caused by the pandemic] just allowed me to look at my life differently. It allowed me to recalibrate what makes me happy and what is important to me. I feel like it saved me in a lot of ways.”
Cabello has spoken candidly in the past about her struggles with anxiety, which in turn led to obsessive-compulsive disorder. Today, she likens managing this anxiety to a “constant ebb and flow”, which is made easier by her new therapist, but says the pandemic let her rethink her attitude towards work. “I’m fortunate enough to choose what I say yes and no to,” she explains. “That’s what’s really important to me this time around. If it’s affecting my mental health in a negative way, I’ll say no and do it another way.”
A project she’s clearly fully invested in is Cinderella, a new film version of the familiar fairy tale, directed by Pitch Perfect’s Kay Cannon. Cabello stars as the title character opposite Broadway legend Idina Menzel as her non-wicked stepmother and Pose actor Billy Porter as her fairy godparent. According to Cabello, these reimagined characters are just two of the film’s progressive elements. “Those classic fairy tales were all written by men. That’s why the story [of Cinderella] is that of a woman who’s saved by a prince,” Cabello says. “But in our version, which is written and directed by a woman, she’s saved herself and is trying to build her own life. It’s a much more empowering version of the story.”
In fact, Cabello’s Cinderella story has “no evil people in it at all”, because it places the focus firmly on the heroine’s self-actualisation. “Cinderella’s dream is to live an independent life at a time when women aren’t allowed to have careers,” she explains. “So she’s seeing something that’s wrong in the world and not waiting for someone else to correct it for her – she’s doing it herself. I think that’s a really necessary, positive update.”
Cabello has also been using her formidable social media presence – 54.5 million followers on Instagram, 11.9 million on TikTok – to spread some very necessary positivity. After being papped on a run in mid-July wearing “a top that shows my belly”, Cabello told her TikTok followers she thought “Damn!” before remembering that “being at war with your body is so last season”. Today, she says she experiences much less body insecurity since sharing this post. “I felt like I was not alone in feeling that or alone in my frustration,” she says. “And so next time there are pictures of me where my belly is out, there’s gonna be a community of women who have heard me talk about the way that makes me feel and who support me. And that is honestly so liberating.”
She has even used TikTok to break down a human rights issue that is close to her heart. In July, Cabello shared a well-received video explaining that recent protests in Cuba aren’t “about lack of Covid resources and medicine”, but are really “the latest layer in a 62-year-old story of a communist regime and a dictatorship”. She says speaking out in this way was a matter of moral obligation for her. “You know, I’m Cuban and I still have family on the island,” she says – Cabello was born in Havana, then moved to Miami with her parents when she was six. “And so much of what I do is Cuban culture. I mean, ‘Havana’ is one of my most successful songs so far,” she adds. “So when I’m in the United States, showing the beautiful part of Cuban culture, I feel like I also have to be there for the hard part, for the people there who are struggling.”
“If it’s affecting my mental health in a negative way, I’ll say no and do it another way.”
“Havana”, a sultry and infectious celebration of the Cuban capital, was so huge that it could easily have overshadowed her debut album. But thankfully, 2018’s Camila was a cool and cohesive affair that also spawned the brilliant angsty banger “Never Be the Same”. Then in 2019 Cabello launched her second album, Romance, with “Señorita”, a massively successful duet with Mendes that has now racked up 1.9 billion Spotify streams. When Cabello and Mendes confirmed they were dating shortly after its release, they became gossip-site staples – something they remain today – and were accused of faking the relationship for publicity. The impact of this negative coverage on their mental health was barely even mentioned.
Still, more than two years later, Cabello says she and Mendes have managed to maintain their privacy. “I feel like the public and the media could almost have become a third person in our relationship,” she says. “But that’s not been a thing for us because Shawn and I don’t even look at social media like that. Even though we know it’s there, it’s almost like it doesn’t exist for us. And that’s why we don’t live in LA. We live in Miami or Toronto, where there’s less paparazzi and that kind of attention is less of a thing.”
Looking ahead, Cabello says she’s excited for fans to hear Familia, which she feels has greater “intimacy” than her previous albums because she worked so closely with core collaborators Scott Harris, Ricky Reed and Mike Sabath. Because she trusted them implicitly, Cabello says she was able to “freestyle” during recording sessions and really pour her heart out. “You know, there’s one song [I’ve recorded for the album] where I’m talking about my mental health and anxiety without [specifically] saying it’s about anxiety,” she says. “But it’s about what anxiety looks and feels like for me in my body and in my mind. And that wasn’t something I came into the room intending to write about. Ricky just showed me a piece of music he had and it all came out of me.”
Cabello says this “stream of consciousness” songwriting style “never would have happened” when she was recording Camila and Romance because, for her, there was still too much “tension” in the room. But this time around, she felt comfortable enough to be truly vulnerable. In this respect, Cabello draws a comparison between her own creative evolution and that of Billie Eilish, who recently released her acclaimed second album, Happier Than Ever. “I saw this quote from Billie where she said, ‘I wasn’t scared, it wasn’t forced, there was no pressure, it was just really nice.’ And I feel the same way about this album’s process for me,” she says. The message is clear: in both her personal and professional lives, Camila Cabello is in a very good place.
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Scooby Doo Idea
Okay. The Gang were friends in high school, and while they all (with one notable exception. Stay tuned.) went to different colleges, they stayed in touch. They had had sort of an amateur investigative service running back in school, so when they all got out of their respective post-high-school obligations and realized that they all had no immediate plans (and privately, each of them realized that they all had emotional damage that made them reluctant to just go do adult life), they decided to take their investigative skills on the road, mostly as an excuse to semi-drop-out of society. Hey, it’s 1970. These things happen. But then, wherever they go they keep bumping into things that really do need solving. (“But where did they get the money for the van?” Daphne. “But all the food they have to buy--” Daphne. “But most people probably don’t pay them once their mystery gets solved--” Daphne. Daphne hasn’t even come into her inheritance proper yet, but her trust fund alone could buy Switzerland for cash.) Again, we are not trying to make this take on the series “modern” or “interesting” by having the characters constantly be at each other’s throats. They genuinely care about each other (and because this is me, will have settled into a full-on polycule before the series is over). It’s just that they all have, from various sources, considerable emotional damage that they need to do their best to work through. (But we’re gonna do our best not to let them be defined by their damage. They still have [variants on] the personalities we know and love from the old cartoons.)
Norville “Shaggy” Rogers: As high school came to a close, he wasn’t really sure what he wanted to major in at college...and then Uncle Sam called, and he never got a chance to decide, because it was 1966 and the war was hungry. After three years of Hell, he got shot in the shoulder just badly enough to qualify for a discharge home, where he spent the next year failing to shake it off. Luckily for him, he’s blessed with a fairly supportive, understanding family, but still, he’s been through things no teenager should have to, and he’s been left with scars far deeper than the one in his left shoulder. (Note to self: get as accurate a picture as possible of actual PTSD symptoms. Yes, he has nightmares, and yes, there may be the occasional flashback, but we need more than just those two cliché things. Let’s see, what do I already know? Well, he gets protective of people he cares about, he’s generally kind of nervous and jumpy [as is the standard for this character, but now with more of a concrete reason], his huge appetite may partially be a reaction to memories of starving in the jungle; now that food is plentiful, he eats, because he can’t entirely convince his subconscious that it’s going to stay plentiful. And for all his cowardice, when things get bad, I mean really bad, he slips into a sort of...detached competence. A fugue-like, hyper-focused calm in which he knows exactly what to do, and will put all his energy into seeing it done.) However, as I said, none of these people are entirely defined by their damage. When he’s calm, or at least comparatively calm (which sometimes comes with the help of pot) there shines through a caring, empathetic, gentle man with a surprisingly deep wisdom and a laid-back sense of humor. Also, in addition to his voracious appetite, he’s an excellent cook, and putting his energy into cooking is one of the things that can help calm him down after his symptoms get bad, and generally be a thing in his life that helps him heal. In addition to this, during his Year Of Failed Recovery, his uncle, who had a similarly hard time recovering after World War Two, suggested that he get a dog, advice which Shaggy took, which brings us to…
Scoobert “Scooby” Doo: What you need to understand about Scooby in this version is...he’s a dog. He’s very intelligent...for a dog. He’s very helpful in dangerous situations...for a dog. He’s surprisingly good at communicating with humans...for a dog. But he doesn’t talk, and he is not supernatural in any other way. He’s a dog. Nevertheless, he serves an important role in the group, not least of which is as Shaggy’s (though he’s never officially called this, as I believe the phenomenon was not a recognized as a medical phenomenon in 1970) emotional support dog. Like most dogs, he’s good at sensing what mood his people are in, and Shaggy is his people (and so are the others, eventually), so even though the actual training that emotional support animals get today didn’t exist for him to get, he can tell when Shaggy is in a particularly upset mood, and offer comfort. In addition, having an animal to care for gave Shaggy one more means of grounding. Plus, it doesn’t matter how well-planned your criminal scheme is, or how dedicated you are to it, if a big fuckoff Great Dane comes charging at you full-tilt, you’re gonna move. Most of his usual cowardice is probably gone in this version; in fact, if he feels that his people are in danger, he will not hesitate to square up and fight.
Frederick “Fred” “Freddie” Herman Jones: His father wanted a strong son; an athlete; the golden All-American boy...and he got it, by Hell or high water. Genuine interest in his son as a person? Willingness to support unconventional hobbies? Any affection given without Fred “earning” it by living up to one of the many standards of “manliness”? Naaaaaaaahhhh. Which was a problem, because Fred showed early on that he had little natural inclination towards what his father wanted him to be. His interests lay in painting, a particular breed of fashion, and mechanical things (and not the car kind.) Well, Papa Jones didn’t want any egghead or sissy for a son, and his efforts to “correct the problem” were, by most estimations, excessive. The man had a fast and furious temper. (And Mom died when Fred was very young, far too soon to do anything to counteract Dad’s influence) So Tiny Freddie learned to lie and suppress and play his part, and he played it so well that it couldn’t help become genuinely part of who he was (and, because children are children no matter what their parents are like, the praise he got when he finally lived up to his father’s standards warmed his little heart in a way he couldn’t control, even as he hated how much he had to hide), but through it all, he kept up his true self in secret, as much as he could, scheming and planning and hoping for the day when he could leave home and leave his father’s ideals behind. And he got into college (he got his father to accept an engineering major with only minimal cold disdain by pointing out all the possible connections to construction) and started trying to shed all of his father’s influence...only to find that he couldn’t, entirely. If you ask him point-blank, he will say that he knows his father was wrong and he’s not ashamed of his true self or his true interests, but getting out from under a lifetime of abuse is never that easy. After 18 years of being glared at and derided and shouted at and hit every time he did something “Poindextery” or “girly” or “weak”, the inner voice that does the same is something he has to face down and banish almost constantly. And as I said, some of the All-American Boy affect has just become part of who he is. His healthiest self, when he can find it, is the best of both worlds, with the gregarity and leadership skills of the Golden Boy combined with true embrace of the artist and inventor he is.
Velma Dace Dinkley: Her home life during childhood was just fine. The trouble came when those pesky peers showed up. She was short, and serious, and academic, and plain, and wore big thick glasses, and so she did not get along easily with the other children. She took things seriously, so when they teased, she took that very seriously, and lashed out, which only ostracized her more. Eventually, she buried the rage the only way she could: under layer upon layer of academia, forced apathy, and prickly snark. But underneath that, she was lonely. She didn’t feel lovable, or wanted, and she was frustrated by her inability to fix whatever it was that was wrong with her. Not that she was willing to admit any of this to herself, except in the dark and still of her bedroom at midnight. Who knows just how isolated she might have become if she hadn’t fallen in with the Gang during high school. As it is, she’s cynical, has a hard time dealing with or admitting to her own emotions, and is extremely distrustful of overt kindness or friendliness (the Gang get a pass on this because she knows them well, but if a stranger starts being noticeably nice to her, out come the quills.) She is, however, scary-smart. Smart enough to get PhDs in English and History in the time it took Fred and Daphne to get their Bachelors. And sometimes, when she’s around friends and feels safe, that clever, biting wit can be used for good, instead of to push people away “before they have a chance to hurt her”.
Daphne Anne Blake: What you have to understand is that the Blake family is rich. Wildly rich. Unimaginably rich. No, richer than you’re picturing. No, double that amount. No, on second thought, square it. The other thing you have to understand is that they have been this rich for slightly longer than America has existed as a political entity. So growing up a Blake certainly comes with privileges that most children can only dream of, but it also has its drawbacks, chief among which is that you will never, for one second, be allowed to forget that you are A Blake. And such was Daphne’s childhood. Grace, deportment, beauty, all the skills of a lady, perfection. Never a hair out of place, never a stain on that dress, never a sour note, never an uncouth word or gesture, don’t frown, dear, it wrinkles your forehead, but don’t laugh to hard, it puts lines around your mouth, and don’t you dare fall off that horse. After high school, she went on to Harvard for a B.A. in Psychology, because it’s important for even girls to be properly educated. And it’s all left her a scant hop skip and a jump away from being a nervous wreck. She needs everyone to like her all the time, she needs to look perfect, she needs to be perfect. But at least on some level, she doesn’t want to need to be perfect. She wanted to be able to relax, wanted to let her hair down, wanted to find an identity outside of being A Blake. Lucky for her, she’s the youngest of a large co-ed brood, and her parents suddenly decided that it was chic to have a child who was being slightly rebellious. So as long as she doesn’t get her name in the papers in a negative way, or overspend her allocated trust fund (which would be an impressive feat), they’re perfectly happy to titter at parties about how their youngest daughter is off roaming the country with her strange little friends. As to her quest to find herself outside of her family, it has and hasn’t succeeded. She’s mostly managed to reject generational snobbery and extend her gracious manners to one and all, but sometimes without thinking about it (or sometimes on purpose when they need it for a case) she slips into The Manner Born. And it’s been a long hard process puzzling out how much of the infinite lessons she can keep and use for good, and which she must discard. (For example, she’s certainly in no hurry to abandon her taste for the finer things in life, and if you’re going to make a life out of chasing down criminals, there are worse things than being a trained fencer.) No matter what she does, she’s always going to be a lady. She just hopes to become a true gentlewoman, rather than the paradoxical people-pleasing snob her parents were raising. Her biggest progress has come in the form of letting go of any residual feelings of superiority, and becoming less and less afraid to have and state her own thoughts and opinions, no matter who does and doesn’t agree with them. She’s working on that. Slowly.
Relationships
So, like I said, the endgame here is a full-on, everybody x everybody else poly situation. But even though they (eventually) think of themselves as a foursome, with no one pairing getting any precedence but rather the four of them being a group, it is true that within that group, there are six pairs, and each individual pair is strong enough that (if I may be morbid) if any two of them died, the remaining two would stay together. So here is a summary of each of the pairs.
Fred/Daphne: Ah, the classic pair. It’s a cliché, perhaps, but they really do have plenty to bond over.They both struggle with the weight of parental expectations, they both have a flair for personal style, and heaven knows they look good together. They spend a lot of time talking to each other and helping each other with the problems that come from their parents’ respective demands, but they also have a lot of fun enjoying together the more “preppy” things that Shaggy and Velma don’t like so much.
Shaggy/Velma: The other cliché, mostly a result of pairing the spares. However, it has its legitimate reasons to exist as well. Their senses of humor complement each other; Shaggy’s more overt clowning works well with Velma’s snark. As the two more “alternative” members of the gang, they also make sense as a couple in public. Shaggy’s earnestness, empathy and sillieness can help get past Velma’s shell, and her no-nonsense practicality can often help to calm his nerves.
Daphne/Velma: The third most popular pairing (or possibly even the second, however much I might want to kid myself about the ubiquity of my childhood OTP). On some level, Velma may be put off by (and might also envy) Daphne’s beauty and grace, but she can’t help but also be drawn to it, and be constantly delighted to find the intelligence underneath. Daphne, for her part, loves Velma for her intelligence, and is amazed by her forthrightness and assertiveness. In addition, Daphne has decided that Velma’s low estimation of her own desirability is unacceptable, and has taken it upon herself to shower her with all the attention she should have been getting all these years. She’s been put on enough pedestals of her own to know how to construct one for someone else, and has thrown herself wholeheartedly into singing “Dulcinea” under Velma’s metaphorical window. Velma’s reaction to this is...complex (which is to say, she would like to just let herself enjoy it, but can’t entirely shut off her reflexive cynicism).
Fred/Shaggy: They don’t always talk very much, but that’s okay. They enjoy the quiet. Shaggy appreciates having a leader-type around, and Fred takes comfort in Shaggy’s utterly accepting nature.
Fred/Velma: In some ways, they can get competitive, but it’s never vitriolic. It’s just that she’s never been one to hide her light under a bushel, and Fred’s reaction to how impressed he is with her is to want to impress her by trying to match up to her, and she respects him enough to not talk down to him or slow up so he can catch up, and so it spirals. She shows more and more skill at investigating and figuring out who the culprit is; he refines his plans and traps more and more. That’s why it so often seems ambiguous whether Fred or Velma is the leader; they’re sparring over the title.
Daphne/Shaggy: Well, he can’t help but be a little awed that such an obvious princess is into a guy like him. And he’s so unlike the boys shes used to that she can’t get enough of him. Their differences only make them stronger. And with her Psychology degree, she may be the one most equipped to actually help him with his symptoms. No, she’s not a therapist, but at least she knows the technical terms for what’s happening, and may have a list of possible treatments. And she revels in how few expectations he has.
@scoobydooservicedog You’re getting tagged because part of this relates to what you do (and because you seem cool and I kinda want to know what you think)
#scooby doo#shaggy rogers#norville rogers#fred jones#daphne blake#velma dinkley#poly mystery inc#fraphne#shelma#velma x daphne#fred x shaggy#fred x velma#daphne x shaggy
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Now that's what I call Venus In Aries
Since venus is starting a new cycle in the sign of Aries I thought it would be fun to make a new series of playlists, “Venus in X Sign” where I would pick a collection of songs that are some manifestation of Venus in that sign, while Venus in Aries is one I know well, I may need help for the next signs, I am also looking for queer perspectives to add to these playlist!
Artists with an asterisk have either: Sun, moon or venus in Aries, Kylie has sun conj mars
Love at first sight, Kylie Minogue
Venus in the the first sign knows very much about love at 1st sight, the 1st impression is akin to the ascendant, you know the angle that Aries bestowed, jumping into the impulse love
Fergalicious, Fergie*
As venus also speaks about the way one has with their femenine side, in Fergalicious Fergie makes it all about herself, her flirting style: being herself!
Domino, Jessie J*
“I'm feeling sexy and free” Jessie sing as she flaunts how amazing she feels, a songs that exudes confidence and fun, something that Venus in Aries loves, as venus also relates to our self esteem what better to be what you like!
John Wayne, Lady Gaga*
“Can you go a little FASTEEER?!” Another possible manifestation of Venus in Aries is a liking for a particular kind of masculinity: strong, aggressive, wild, fast and short lived, she knows is bad for her, but she gets in love with the adrenaline he provides.
Rude Boy, Rihanna*
As aries is a raw and natural sign, venus here likes the taste of the unpolished manhood, no filters no cosmetics, but also we can see the commanding nature of a venus in aries “oh rude boy you think you are in control? sure thing boy”
She Wolf, Shakira*
Primal instincts, a sexul hunger, a need for freedom and the chase, what else I can say?
As a plus, a she wolf was the one who feed Romulus and Remo, the sons of mars. There's an analogy to make but I will leave up to others.
Don't keep me waiting, Britney Spears*
Venus in Aries doesn't like to wait, and truly why would you do that? she believes in saying what you want loud and clear, and work from there, let's make this happen right now!
Love is a Battlefield, Pat Benatar
A tug of war will entertain venus in aries for a time but is not really healthy in the long term, however. I'm very aware this is an extremely common manifestation of her, and Arian women can really give a run for your money, yet the battlefield is never in their favour.
Muscles, Diana Ross*
She gets straight to the point; She likes the strength associated with muscles (something that was exclusive associated with men, but not anymore)
The Warrior, Patty Smith and Scandal
Venus in the warrior sign knows what it takes to fight for love, here Patty is similar to a battering ram, but the walls she takes down are not physical, they are emotional and extremely limiting.
Wrecking Ball, Miley Cyrus
But sometimes venus in aries is too strong, too belicious too loud, like a a wrecking ball, but some people's walls are extremely strong, and they don't come down with brute force. and instead Venus ends with a broken heart and a headache.
Girls like Girls, Hayley Kyoto*
But you know which other walls venus in aries can break? The ones of homophobia. We are in a severe lack of venus/mars queer perspectives. Here Hayley is bold , brave and daring about who she loves.
The chase, Celine Dion*
Every site of astrology talks about how Venus in Aries is more in love with the chase than the person, here Celine reckons how much she enjoys the rush of running but also reflects about who is gonna keep up with her?
Soldier of Love, Sade*
Venus is in exile in aries, the sign of warriors, but what about the times you need to fight for your love? And what about the times when you are a soldier in an empty battlefield, full of scars, is not similar to a heart who has been broken too many times? and with the same spirit that keeps pushing a warrior, here venus keeps love as that pushing force to face adversity, because you are going to need it!
Army, Ellie Goulding
What is love for Aries? as a warrior who has endured trial and tribulations, wounds and healing, the focus changes goodby to the chase, the bad boy, the image, love is that companion who will lay their life you and you would do the same for them, together we are an army a kind of martian love that can only be found once in million. Maybe Im understimating that number...I hope I do.
Do you have a "Venus in Aries" song ? put it in the notes/ Commentaries.
#venus in aries#venus in the 1st house#aries season#kylie minogue#shakira#astropop#astrology#fergie#hayley kiyoko#the signs as
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Ian Mathers’ 2020: We’re stuck inside our own machines
I’ve had a song I loved in high school and haven’t thought much about since stuck in my head. The song “Apparitions” by the Matthew Good Band is a fine example of the alt rock of the late 90s; if you grew up then but somewhere down in the states (or elsewhere) instead of my southern Ontario you may well have your regional equivalents, and like this one they may not resonate terribly strongly outside of their time and place. It popped back into my head after a long time recently and of course 2020 has changed it a little. A song that as a teen I felt keenly as about loneliness (albeit also about how technology can feed into that) of course now plays on my nerves as another small piece of art about the way that most of us (those scared and/or responsible anyway) have only that relatively narrow, technologically mediated connection to the people we love. All of us, artists and listeners alike, are trying to fit our feelings and art and selves down these little connections, with some success.
On a personal level, 2020 wound up being stressful in ways we couldn’t have predicted even after the pandemic hit. In circumstances that could have seen governments on this continent support those unable to work (and those who shouldn’t have to), support those workers who are truly essential, support workers and renters and even landlords and small businesses, instead we got a near-total abeyance of those governments using the resources we provide them with to save any of us. On a personal level my wife and I were lucky enough to be able to work from home (not that it didn’t come with its own forms of stress, and now that I’m off until January I have several work/stress-related illnesses to recover from) but still saw friends and loved ones lose good, used-to-be-sustainable livings overnight, saw family businesses succumb to a near-total absence of effective government support after months of trying to keep above water, etc.
It is probably no surprise that this is not a situation conducive to listening to music, let alone writing about it; I have deliberately and happily kept busy on behind the scenes stuff at Dusted that I could still manage but looking, at the end of the year, at the amount I managed to actually create is demoralizing if not at all shocking. I’m not sure I think next year will be ‘better’ in many important ways, although at our job there is a growing feeling among coworkers that next year has to have some work/life balance because 2020 was, maybe more than anything else, unsustainable.
That’s not to say I didn’t spend a lot of time and emotion on music this year, and if nothing else constant sleep deprivation, stress, and panic meant I was probably open to being deeply moved by all sorts of art even more than normally (it’s gotten to the point where I can’t even read a sad or moving twitter thread out loud to my wife without getting teary, which is kind of… nice?). Funnily enough the band that did the most to keep me sane didn’t really put out anything in 2020. Personal favorite, Low, instead started, in early April, getting on Instagram with something they called on whim “It’s Friday I’m in Low.” With one brief break they have now done by my count at least 35 shows (catalogued here, by the way), every Friday at about 4 my time.
Admittedly it’s easier for Low to pull this off than some bands, since the 2/3 of the trio that sing are a married couple (they’ve had a couple of socially-distanced backyard shows with bassist Steve Garrington, but he’s mostly been isolating elsewhere). These shows have seen the band’s Alan Sparhawk take a mid-set break to do follow-up phone interviews with the acts featured in the COVID-curtailed touring bands series Vansplainingthat they started on YouTube, or just to give a tour round their vegetable garden and talk tips. It’s seen Alan and Mimi Parker draw on their impressive, 25+ year body of work (averaging 4-5 songs a set, I don’t think they’ve repeated themselves yet) and talk a bit between songs about pandemics, politics, song choices, and whether Alan should grab his bike helmet this time.
They’re not the only musicians out there speaking love and sanity (and playing music) into the strange digital interzone filled with hate and disinformation where we’ve all been forced to gather while locked down, but they were and the most consistent and steady signal being emitted each week. No matter how tired I was from work or what new symptoms I’d developed or what horrific thing I read into the news, even if I had to take an emergency nap while it was actually airing, every Friday the show was there. Once things do return to something more like normal, it’s one of the few things I’ll unambiguously miss about this weird-ass year.
So if that makes an argument for Low as my band of the year (admittedly again… it’s not like Double Negative has aged poorly, either), that does a disservice to those 2020 records I did connect with; even if there are still literally dozens I have to go through, many of which I expect to love, my top picks this year (if as unrankable by me as always) hit me as hard as any top pick in recent years did. So here I present a quick and informal top 5, which the rest of my top 20 following in alphabetical order. Here’s hoping for more time and space in 2021 for music, and even more than that, for more support for those who need it from those who could have been providing it all this time. (The Matthew Good Band, incidentally, always did best with their ballads. “Strange Days” is another I’ve had in my head these days; the image of moving “backwards, into a wall of fire” has stuck with me since the 90s and it’s never felt more grimly appropriate.)
Greet Death — New Hell
New Hell by Greet Death
This one is, in some sense, cheating; it came out November 2019. But that just means it’s the latest winner of my personal Torres Prize for Ian Being Late to the Party (so named because becoming slightly obsessed with Torres’ Sprinter just after I sent in my 2015 list was the first time I noticed that one of my favorite records of each year tends to get picked up by me just after I call it quits on the year, no matter how long I try to wait). This very doom and gloom slowcore/metal/(whatever, just know it’s heavy) trio at first felt very much like my beloved Cloakroom (whose Time Well has also won a Torres Prize) but sure enough nuances revealed themselves. Back in February it felt almost a little too negative, but then the rest of 2020 happened. And the extended burns of “You’re Gonna Hate What You’ve Done” and the title track remain searing.
Holy Fuck — Deleter
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Probably the record I’ve been trying to write about the longest in 2020, and the one I’m most disappointed in myself that I just couldn’t get the requisite paragraphs together. It’s a wonderful effort from the consistently great Toronto resolutely human-created (and —mediated) dance music quartet, one that both feels like a summation of everything they do well, and with the addition of some outside voices (including strong turns from the singers of both Hot Chip and Liars) a step forward at the same time.
Spanish Love Songs — Brave Faces Everyone
Brave Faces Everyone by Spanish Love Songs
As the year got worse, this roar of defiance only got more crucial for me to hear every so often; I was a big enough fan of it, even after writing it up for Dusted, that when they solicited fan footage for a subsequent music video you may just be able to get a glimpse of me in it. (I’m the one in a “No Tories” t-shirt.) My punk rock-loving twin brother was the one who introduced me to Spanish Love Songs and we were supposed to spend an evening in June screaming along to them live in a packed, sweaty room. I need that in my life again.
Julianna Barwick — Healing Is a Miracle
Healing Is A Miracle by Julianna Barwick
It’s a sign of what 2020 has been like here that even just this album title leaves bruises, and while I privately worried Barwick would have a hard time following up 2016’s sublime Will (probably my favorite record that year), it seems that continuing to take whatever downtime she needs to keep focusing and refining her particular muse has once again yielded amazing results. Anyone who thinks they know what a Barwick track sounds like should really check out, say, “Flowers”, but much of this record absolutely sounds like Barwick, just even better than before. She also boasted my wife and I's favorite streaming concert of 2020, an absolutely gorgeous rendition of this album with Mary Lattimore showing up.
Phoebe Bridgers — Punisher
Punisher by Phoebe Bridgers
I joked on Twitter recently that I have far too nice a dad (and far too good a relationship with him) to be as obsessed as I am with Phoebe Bridgers’ “Kyoto”, but here we are. Like most of her generation, Bridgers’ social media presence ranges from shit-posting to inscrutable, but even though things are often just as hard to figure out in her beautiful songs (as they often are in life), there’s an emotional clarity to them that can just grab you deep down. Couple that with seriously impressive songcraft and the progress from her already astounding debut Stranger in the Alps and more than anyone else in 2020 I’m excited to see just where the hell Phoebe Bridgers is going to go, because it feels like she’s talented and hardworking enough to go just about anywhere and drag a lot of our hearts with her.
Other Favorites
Aidan Baker & Gareth Davis — Invisible Cities II
Anastasia Minster — Father
Deftones — Ohms
Hum — Inlet
Kelly Lee Owens — Inner Song
Mesarthim — The Degenerate Era
Perfume Genius — Set My Heart On Fire Immediately
Protomartyr — Ultimate Success Today
Rachel Kiel — Dream Logic
The Ridiculous Trio — The Ridiculous Trio Plays the Stooges
Sam Amidon — Sam Amidon
Shabason, Krgovich & Harris — Philadelphia
Stars Like Fleas — DWARS Session: Live on Radio VPRO
Well Yells — We Mirror the Dead
Yves Tumour — Heaven to a Tortured Mind
Five Reissues/Compilations/etc.
Aix Em Klemm — Aix Em Klemm
Bardo Pond — Adrop/Circuit VIII
Charles Curtis — Performances & Recordings 1998-2018
Coil — Musick to Play in the Dark
Hot Chip — LateNightTales
Ian Mathers
#yearend 2020#dusted magazine#ian mathers#greet death#holy fuck#spanish love songs#julianna barwick#phoebe bridgers#aidan baker#gareth davis#Anastasia Minster#Deftones#hum#Kelly Lee Owens#mesarthim#perfume genius#protomartyr#rachel kiel#the ridiculous trio#sam amidon#Shabason Krgovich & Harris#Stars Like Fleas#well yells#yves tumour#aix em klemm#bardo pond#charles curtis#coil#hot chip
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Top Albums of 2020
I was tagged by the amazing @joonni to list my top nine twelve albums of 2020! This was honestly so hard, but so fun. I love any tags to do with music xD (Your music taste was amazing btw! Sorry I went a little crazy and did a few extra lol.) Thanks lovie 💓
I went with the albums that I loved as whole (aka I loved most, if not all, of the songs) and listened to the most this year. Some choices have deeper meanings, while others were just flat-out enjoyable. I also stuck with albums that came out this year only, but I wasn’t sure if that was inherently part of the challenge. I wasn’t too picky on the criteria, just went with the ones that made up the score for my 2020. All albums have Spotify links incase something catches your eye! (Apologies for my extra-ness; I added recommendations from each album and a brief...ish explanation as to why it made the list.)
Also, they’re in no particular order, because this was difficult enough...
Map of the Soul: 7 by BTS
Explanation — This album was my first comeback as part of the BTS Army. There are so many tracks that I adore, and I honestly can’t remember the last time I was so excited for music. It breathed life into my Spotify, it was the album I listened to the most this year, and Black Swan was my most listened song. The differing music genres that they played with, all the way from orchestral to trap to hip hop and synth pop, left me more and more excited as the songs progressed. If there was a #1 on this list, it would be MOTS:7.
Highlights — Interlude: Shadow, Black Swan, ON, We Are Bulletproof: The Eternal
Zero: Fever Part.1 by Ateez
Explanation — This was the soundtrack to my summer. I hadn’t heard much from Ateez, but what I had heard, I wasn’t a huge fan of? Maybe I hadn’t been grabbed yet, but oh boy. Zero: Fever definitely did that. Every track is such high energy and memorable, so it was so hard to pick favorites! I’ll always think back on this one for summer, and will be transported back to plenty of sunset commutes.
Highlights — Fever, Thanxx, One Day At A Time
The Dream Chapter: Eternity by Tomorrow x Together
Explanation — Until this mini album, I had only listened to TXT in passing. I liked their stuff, but I feel like this is where they really found their stride. TDC:E caught me totally off-guard, in the best way possible. To me at least, this one is a work of art. Each of the six tracks is so entrancing, and so different from each other while still working together as a cohesive story. And don’t even get me started on the MVs! This is an album that I listen to for feels and fun, which to me, TXT are just brilliant at.
Highlights — Fairy of Shampoo, Maze in the Mirror, Eternally
Dystopia: The Tree of Language by Dreamcatcher
Explanation — It took me forever to find a girl group that I could really stan, like hardcore. This comeback for Dreamcatcher was when I realized they were it for me. This album in particular is so diverse. Their voices are both haunting and beautiful, and the way they interweave rock/alternative elements into their music has always turned my ear. They are so different from so many other girl groups out there, from the sound to their stage presence to their aesthetic. I will never stop talking about them, and this album really shows the best of their work thus far.
Highlights — Red Sun, Sahara, Paradise
BE by BTS
Explanation — How could BE not be on this list? What a perfect end to a shitty year. There’s something so comforting yet uplifting about this one, and I will happily admit I cried when I first heard Blue & Grey. Who am I kidding, I still do. There’s only one other artist I have listed on here with two albums, so BTS is in good company. What more is there to say other than BE was the warm hug we all needed.
Highlights — Life Goes On, Blue & Grey, Dis-ease, Stay
Heng:garae by Seventeen
Explanation — This is another group that I hadn’t listened to much before this album. I was so surprised and excited. Every song that passed, I found myself smiling more. Their voices are astoundingly beautiful, and the songs are sickeningly catchy. Another album that I go to just to have fun. It’s one of my favorites to just put on when a day is good, but doesn’t Seventeen make it a little better regardless?
Highlights — Fearless, Kidult, I Wish, Together
The Untamed by various
Explanation — If you’ve seen the Chinese drama The Untamed, then you know exactly why this is on there. This album is a collection of songs that are themes for the characters in the show, most of which are sung by the actors themselves. Let me tell you; I don’t know a lick of Mandarin, but these are some of the most stunning songs I’ve ever heard. It’s one of the things that drew me to the drama to begin with; everything, including the music, is breathtaking. The classical Chinese sound plays so well with the character’s stories and singer’s vocals. They tell stories all on their own and give the drama so much depth. Even if you’re not a fan of the show or webtoon it’s based on, give this one a listen. You won’t be disappointed!
Highlights — [Wen Qing] woodland, [Wen Ning] Chi Ni, [Lan Xichen] Bu You, [Jiang Yanli & Jin Zixuan] Yong Ge, [Interlude] Yi Nan Ping, [Nie Minghao & Nie Huaisang] Qing He Ju
Humanity (Chapters I & II) by Thomas Bergersen
Explanation — If you know anything about me, you know how important orchestral music is to me. It’s been a huge part of my music journey ever since I was in middle school. Thomas Bergersen has been my favorite composer for years; the way he integrates the classical with the modern is just...there are no words. These two albums cannot be listed separately; they’re part of a seven-part project titled Humanity. Chapters I & II came out in 2020, and honestly, I have no words. The way he tells a story through almost entirely lyric-less work is just immaculate. I’ve never felt more powerful, emotional, or inspired than when listening to these two. I cried when I first heard Your Imagination and Materialize. No matter how I am feeling, whether I need inspiration or hope or just some peace of mind, I go here. I’ve never felt more healed than when listening to his work. If you take a chance to listen to anything on this list, PLEASE. Give these a try.
Highlights — We Are One, Wings, Humanity, Your Imagination, Materialize, Innocence, The Stars Are Coming Home
Brightest Blue by Ellie Goulding
Explanation — I don’t listen to a ton of western music that isn’t orchestral or lofi, but I used to adore Ellie Goulding. Halcyon was my entire teen-hood. When I saw she came out with a new album this year, I gave it a listen for sentimentality reasons. And boy, I still love her. Her voice is both angelic and haunting, and her sound is so unique. The messages given in these songs are powerful, potent, a tad bit bittersweet, and especially valid for young women navigating adult life. Also the instrumentals backing her vocals are often big and grand and symphonic, filled with piano and violin. That’s enough to get me to listen. And to top it all off, the collabs she has on this album are so fitting for each track, it’s absolutely beautiful.
Highlights — Start, Cyan, Ode To Myself, Woman, Flux, Overture, Slow Grenade, Hate Me
Beneath Your Waves by Sleepy Fish
Explanation — If there’s one kind of music that shuts off the little anxiety bug in my brain and gets me to work, one that isn’t as intense as orchestral music and that doesn’t put me into sensory overload like orchestral sometimes does, it’s lofi. And Sleepy Fish does it so freakin’ well. This album that came out this year is one of my most often repeated over and over. When I’m struggling with sensory issues at work, I put this one repeat and my mind just...goes...quiet. It’s like medicine. And the tunes are so catchy and sweet. I’m instantly transported to someplace magical, some seaside city straight out of a Ghibli film, and far away from the things that are troubling me. Then I can finally get some work done, get to sleep, or just quiet my mind. If you struggle with sensory issues or anxiety like I do, give this album a shot. Also, the album titled My Room Becomes The Sea from 2019 is excellent.
Highlights — Velocities, Sunbreak, Swimming, Nights Like These, Winter Winter
WOOPS! by Woodz
Explanation — Another mini album that is just a blast to listen to, but it also has such a soft side that hits me in the feels. I don’t see a lot of people talking about Woodz, but you all should give him a listen. He’s so talented, and his voice on this one is just *chef’s kiss* everything. The mixing is also impeccable and pairs so well with his vocals.
Highlights — Bump Bump, On my own, Sweater, Tide
D-2 by Agust D
Explanation — I mean, we all knew this one was gonna be dope. Yoongi did not disappoint. This mixtape is so different from most of the stuff I listen to, but I absolutely adored it. The truth and rhythm and pure talent in each and every verse stuns me still. I find myself especially drawn to this one when I’m frustrated (not exclusively, but often, ‘cause 2020.) Both his truth and sound give me a safe place to feel that frustration and anxiety and vent/work through it. I don’t know what it is about Yoongi, but to me, all of his work is like a comforting friend going, “Hey, you’re totally valid and okay for feeling this way...but it sucks, doesn’t it?”
Highlights — Daechwita, People, Dear my friend
Now, I’ll tag these lovely people! Only if you wanna :)
@kooala @cultleaderyoongi @yoontopia @hobicomeholla29 @helenazbmrskai @moon-write @dreamcatcherjiah @ditttiii
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Amour Vincit Omnia / Epilogue
11 Months Later / New Year’s Eve
“Kira?” Jimin called excitedly and Akira turned away from where she had been talking to her mom and brother to see Jimin jogging up to her. “You have another person who wants to talk to you about buying a piece.”
“Can’t you handle it Jimin?” Akira wondered, her feet already starting to hurt, both from her heels and how much she had walked around Jin’s gallery even though it had only been an hour since the exhibition had started. “You know my prices.”
“The life of an in-demand artist, huh?” Jimin teased, making her laugh. “I got you though Kira.”
“Thanks Jimin,” she smiled, watching as he walked away from her before turning back to her mom and brother, who were both grinning widely. “What?”
“I’m just so proud of you,” Tonya chuckled. “You’ve been talking about the day where you’d finally have your own solo art exhibition ever since you graduated from art school and now here we are.”
“Well, none of this would be possible if it weren’t for Keem,” Akira said as she looked over at her brother, who was leaning onto his cane. After Akeem spent a few weeks in the hospital recovering, he was discharged and immediately began intensive physical therapy. It took months until he was able to even stand up on his own so he spent the first 8 months of the year in a wheelchair, which meant that he wasn’t able to walk across the stage at his high school graduation but he fully soaked up the attention that came with being wheeled across the stage instead.
“You’re damn right,” Akeem joked, hissing when Tonya smacked him in the back of the head. “If I didn’t need someone to accompany me to therapy, you would’ve never gotten that picture.” While Akeem was in the most grueling part of his physical therapy, Akira would often accompany him just to help out if need be and make sure that he was doing alright.
One day, during his usual cool down period where he rested from pushing his body to it’s current limits, Akira caught a glimpse of him sitting in his wheelchair and staring out of a window. What amazed her was that that particular session had been really tough for him and yet, he was sitting and smiling as he simply watched squirrels chase each other around. Akira snuck a picture of him and ended up doing a watercolor painting of it which she titled “Black Boy Joy”. She posted it to her social media accounts and it ended up going viral, which subsequently led to the sudden popularity of her art.
“Admittedly though, I never thought that that painting was gonna blow up the way that it did,” Akeem admitted and Akira nodded in agreement.
“Me either,” She smiled. “But I’m glad that it was that photo out of any of the other ones that I’ve ever done.”
“Don’t get sappy on me,” he groaned, lifting his cane and smacking her leg lightly.
“Kira!” Akira heard someone shout and when she turned around, she saw Cassie and Hobi pushing their way through the large crowd.
“You made it!” Akira exclaimed, allowing Cassie to gather her up into a tight hug.
“You think us moving to Florida would keep me away from your big night?” Cassie scoffed playfully, making Akira smile gratefully.
“We would’ve been here sooner, but someone took forever getting dressed,” Hobi snickered and Cassie shot him a glare before looking back at Akira.
“It’s getting hard to style this bump,” Cassie chuckled as she reached down and rubbed her 6-month baby bump.
“How’s my god daughter doing in there?” Akira wondered as she set her hand on Cassie’s stomach.
“She’s high maintenance already,” Cassie giggled.
“Just like her mother,” Hobi muttered.
“You two are just in time though,” Akira announced as she looked up at the clock before Cassie was able to castrate Hobi. “It’s about time for me to give a speech.”
“Oh, we really are on time then,” Cassie giggled, and Akira flicked her arm in response. Just then, Jin clapped his hands loudly.
“Can I have everyone’s attention please?” He said loudly, waiting until all of the chatter throughout the gallery had died down before continuing on. “My name is Kim Seokjin and I am the founder and owner of the Healing Gallery. As you’re all aware, we’re here tonight to celebrate the first solo exhibition of one of my best friends, Akira Lewis!” The crowd erupted into applause, and Jin waited until they stopped to keep talking.
“Since this is her first solo exhibition, I’m gonna let her come up here and say what she wants to so Akira?” Jin called and Akira nodded before walking up to the front of the gallery where Jin was, giving him a quick kiss on the cheek before turning to face the large crowd.
“Ok, this crowd looks a lot larger from this viewpoint so now I’m nervous,” she admitted, making the crowd chuckle. “But I’m gonna keep this really short and sweet because all of this is still kind of surreal for me and it hasn’t completely set in yet. Firstly, I want to thank my mom Tonya and my brother Akeem, who you all might recognize from the ‘Black Boy Joy’ painting. The two of them have always supported me and my dreams and I’m very grateful to them.”
“You’re welcome!” Akeem called out, making the crowd burst out into laughter.
“I’d also like to thank my best friends who are all over there in the corner, being embarrassing and recording this entire speech on their phones,” Akira laughed as she motioned her hand over to where Jin, Yoongi, Namjoon, Hobi, Cassie, Jimin, and Jungkook were standing. “All of them have put up with me fussing about my work at some point or another and they’ve also been there for me whenever I call them so thank you guys as well.”
“We love you Kira!” They all replied, making her smile as her cheeks heated up in embarrassment. Akira turned back to face the crowd and she couldn’t help but to notice the front door to the gallery opening as she did so, the sounds of the New Year’s Eve traffic flowing into the gallery momentarily.
“And finally, I’d like to,” Akira started to say but she paused as the stranger who had walked into the gallery took the hood of his jacket off of his head, realizing that it was Taehyung. She gasped softly but quickly regained her composure, putting on a soft smile to the rest of the crowd. “I’d like to thank the person who has been my inspiration for a while now. A lot of these pieces that you see were created thanks to them so I’m also grateful to them. Thank you all for coming out tonight and please, buy lots of pieces!” Akira laughed, making the crowd do the same as they applauded for her.
“You did great,” Jungkook assured her as she walked over to them, and Akira smiled at him.
“Thanks for lying to me,” she replied.
“No problem,” Jungkook smirked knowingly.
“I’m so proud of you kiddo,” Yoongi whispered, sweeping her up into a hug.
“Thanks Yoongi,” she muttered, pressing a soft kiss to his cheek. “For everything.”
“Me too,” Namjoon spoke up and Akira let go of Yoongi before she stepped over to him, giving him a kiss on the cheek as well which made him blush intensely.
“Hey pretty girl,” Akira heard and when she turned around, Taehyung was standing right in front of her.
“You came,” she breathed out, and Taehyung smiled softly.
“I couldn’t miss your first solo show,” he chuckled, giving her his signature boxy smile. Just as Akira moved to open her mouth to reply, Jin walked over to her and touched her shoulder softly.
“You have some buyers that want to talk with you,” he told her and Akira nodded her head, even though the last thing that she really wanted to do was step away from Taehyung. “Stay and we’ll talk later?” She said as she looked back to him.
“Of course,” he nodded and she smiled softly before letting Jin lead her away.
.......................
Akira didn’t end up seeing Taehyung again during the rest of her exhibition, because a lot of the guests there took her “buy more pieces” comment very literally. By the end of the show, everyone was heading out to their respective New Year’s Eve plans.
“Are you sure you don’t want me to wait with you?” Akeem asked Akira as the two of them slid into their jackets. Akira’s mother had gone back to Akira’s place and Akeem was joining Akira and the rest of her friends to pregame before heading to Times Square to see the ball drop.
“Nah, you go ahead with Yoongi,” Akira assured him. “I just have a few things to tie up here and then I’ll meet you guys at Jimin’s.”
“Ok, we’ll be waiting,” he nodded, leaning over and giving her a kiss on the cheek before walking out of the gallery and meeting Yoongi outside. As Akira gathered the last of her things, she noticed Taehyung standing in front of one of her paintings.
“Hey,” she called out as she walked over to him, making him look over his shoulder at her. “You’re still here?”
“You promised me that talk,” he shrugged and Akira couldn’t help but to laugh. He held his arms open and Akira immediately allowed herself to fall into them, hugging him tightly. “How have you been pretty girl?”
“I’ve been great, great,” she nodded before pulling away from the hug to look at him. “What about you?”
“Pretty good,” he said. “You did great tonight. I’m so proud of you.”
“Thanks,” she smiled, following his gaze that was on a painting of a silhouette that she did.
“Is this supposed to be me?” Taehyung questioned suddenly as he turned to look at her.
“Is it that obvious?” Akira giggled.
“I mean, I know myself,” he chuckled.
“Yeah, it’s you,” she admitted.
“Ok, so does that mean I’m the person who’s been ‘inspiring you for a while now’?” He recited and Akira groaned as she nodded her head.
“I must be completely transparent,” She tutted and he shook his head.
“I kind of just put two and two together after seeing this,” he said, motioning to the silhouette painting in front of you two. “Although I’ll admit, I don’t understand how I was your inspiration when we’ve been broken up for almost a year and haven’t seen each other in nearly as long.”
“Well, you know how I stayed in Michigan after you left?” Akira said and Taehyung nodded. “I basically ended up moving back home for about six months to help my mom out with Keem and there was just so much going on, I kind of lost any motivation to paint. It actually kind of freaked me out because I’ve never experienced that.”
“You had a lot going on Kira,” he whispered and Akira smiled softly.
“Yeah well, that feeling lasted until I moved back to New York and I saw the picture of you that I had used for reference when I did that small canvas that I gave you for Christmas. Something about seeing that picture just...spurred me on and I ended up making this,” she told him, pointing to the painting of him. “It was the first time that I really took the time to think about our relationship and reflect, which is why it’s just a silhouette of you.”
“Wow,” Taehyung huffed. “The shadow of what used to be there.”
“Yeah,” she nodded, knowing that he’d understand what she meant. “But I thanked you as my inspiration because once I finished this, it’s like the fog that was hanging over my creativity was lifted and I created all of the pieces that were on display tonight afterwards. Even ‘Black Boy Joy;.”
“I’m happy for you Kira,” he replied genuinely and she smiled before looking down at the ground for a few seconds as a silence fell over the two of them.
“I heard about your uncle,” Akira spoke up suddenly and Taehyung sighed. “I’m sorry for your loss.”
“Not much of a loss, really,” he chuckled bitterly.
“I figured as much but I know that it probably felt weird and I’m sorry for not reaching out,” she replied.
“Don’t beat yourself up about it,” he shrugged. “This is probably gonna sound really bad, but it was kind of the push I needed.”
“What do you mean?” She wondered.
“After we broke up, I didn’t know how to go about ‘finding myself’ the way that you had suggested so I just threw myself back into working and creating the new line for Vantae,” Taehyung started. “Once uncle Byun passed and I went back to Korea for the funeral, I realized that my uncle had no one at his funeral to tell any funny stories about their time with him, or how he had impacted their lives in a positive way and all I could think about was that...I didn’t want to end up like that.”
“Taehyung,” Kira whispered, reaching out and touching his arm lightly.
“The day after the funeral, I took an extended leave of absence from Vantae and stayed home with my parents,” Taehyung smiled. “It was kind of weird at first, given the fact that I haven’t lived or spent any extended length of time with my parents since I was 18, but it was great.”
“I know that your mom was happy about that,” Akira smiled and Taehyung nodded his head while laughing.
“Oh, she was over the moon,” he grinned. “Being home for so long forced me to kind of face all of the things that I had been burying concerning my uncle and how he treated me and I ended up having what could be called a little ‘breakdown’.”
“Not surprising,” Akira muttered.
“After that, I decided to go into therapy and Dr. Kwon, that’s her name, she really helped me realize exactly how manipulative my uncle was. Just not of me, but my entire family and how that manipulation has manifested itself into my life,” he explained.
“That’s amazing Tae,” Akira praised, and Taehyung chuckled in embarrassment. “I’m proud of you.”
“Thanks. Now, I’m back in New York and I just started art school at the beginning of the semester,” he revealed, making Akira gasp loudly.
“Get out of here, you serious?” She questioned with a wide grin and he nodded his head proudly. “What about Vantae?”
“After a lot of soul searching, I decided to step down as CEO of Vantae back in August,” he said. “I’m still on the board and I’m an investor, but I don’t have to deal with day-to-day logistics and designing anymore.”
“Aw, don’t you miss it?” She wondered. “I know Vantae was your baby.”
“Actually, I don’t,” he admitted. “I love designing and creating but with me starting art school, it just showed me that I was attached to only that aspect of the Vantae and not the business part.”
“That makes sense,” Akira murmured in understanding.
“Maybe in the future, I’ll start my own company. Something that’s truly mines and something that I can build from the ground up,” he sighed.
“Wow,” Akira huffed. “You’re so different now.”
“Nah, not really,” he shrugged. “I just sorted through my trauma and dyed my hair back to black.”
“And that makes a lot of difference,” Akira scoffed. “The trauma part, at least.”
“Aw, you don’t like the black?” He questioned with a smirk and Akira rolled her eyes playfully.
“I loved the blue, but I guess you’re still pretty cute like this too,” she joked.
“Pretty cute,” he repeated while shaking his head. “You really know how to cut a man deep Kira.”
“Oh, shut up,” she laughed, making Taehyung do the same. Once their giggles had died down, she was left with a smile on her face. “I’ve missed you.”
“I’ve missed you too,” he replied honestly.
“What do you have planned for tonight?” She asked him suddenly.
“Nothing, was just gonna hang out at home with Yeontan,” he shrugged.
“Who’s that?”
“Oh yeah, I got a dog,” he laughed. “Forgot that part.”
“First off, I have to meet him,” Akira said seriously and Taehyung nodded his head. “Secondly, come out with us tonight instead.”
“Ah, I don’t know Kira,” he chuckled awkwardly.
“It’ll be more fun than hanging out with your dog,” she tutted.
“Ok, Yeontan resents that,” Taehyung laughed.
“Seriously Tae, come with us,” she pleaded. “I want you to.”
“You sure?” He wondered and Akira reached down and grabbed his hand, intertwining her fingers with his.
“More than sure,” she nodded.
“Alright,” he grinned, looking down at their hands. She led to the front door of the gallery, turning off all of the lights before dragging Taehyung out into the busy streets of New York, their hands never leaving each others.
#bts#bangtanarmynet#bts reactions#bts series#bts v#bts taehyung#kim taehyung#v x oc#taehyung x oc#taehyung smut#taehyung angst#taehyung fluff#v smut#v angst#v fluff#bts smut#bts fluff#bts angst#bts x oc#bts imagines#bts scenarios
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Some dumb Team Spicer OT3 headcanons no one wants to hear but I’m gonna say them anyways:
Jack has a thing with personal space and doesn’t like being touched by pretty much anyone and hates physical contact as a whole, except for maybe hugs from Mom. However, he’s severely touch-starved and the more he falls for Jermaine and Timber, the more he not only allows for physical contact from both of them, but he initiates it too. Sitting closer to them, leaning on their shoulder, that sort of thing.
Eventually when they do become a thing he then becomes this barnacle that is always hugging or leaning or lounging on one of them at all times. They’re his safe space and he shows it by being close to them.
I’m still debating on whether Timber’s short hair becomes a permanent look, but I like to think that if it becomes long again, Jack has a habit of playing with it and petting it because it’s so soft and fluffy. And because it’s Jack, Timber let’s him.
Since one is a martial artist and the other is a wilderness nut,Jermaine and Timber are both pretty physically strong. And Jack 👏 is 👏 here 👏 for 👏 it 👏 He’s into physical strength.
Before Xiaolin training Jack is pretty wimpy and nowhere near as physically fit as he should be because he spends most of his time building robots in a lab. Since he’s so slow and kind of a load in an emergency, Timber often just picks him up and carries him. He pretends to hate it and won’t stop complaining when she does it, but he actually kind of likes being carried around like that. He’s always lowkey impressed by it.
He has tried or will try carrying her just to get back at her and it never ends well.
Jermaine is the strongest of Team Spicer and can carry both of his partners. However since he’s also the shortest member he rarely does it because it’s way too easy to lose balance.
Timber never really played any sport except hockey because...well, because Canada (and also no friends), but I like to think that Jermaine teaches her how to play basketball and she just loves it. She likes playing it and when he finally takes her to a game she likes watching it too. Jermaine loves the way it brings out her competitive spirit and her sense of wonder as a whole.
Jermaine’s favorite things about Timber are her enthusiasm, her curiosity, her creativity, her ability to stand on her own two feet, her outspokenness, her wild nature (pun intended), her wilderness skills, her thirst for adventure and knowledge and her smile.
His favorite things about Jack are his innovative nature, his feistiness, his intelligence, his competitiveness, the cute and silly faces he makes when he’s sketching out new blueprints for one of his inventions, his eyes, his awkward and adorkable moments, his defiant nature and the way he just doesn’t quit no matter what life throws at him.
Jermaine also likes Timber’s laugh and Jack’s smile. Neither of them are prone to laughing or smiling and as they grow closer Jermaine makes a point to try to get each one to do both. He genuinely wants to see these two disasters realize how beautiful and amazing and incredible they really are.
Slight spoilers but Jermaine ends up suffering from nightmares after the events of MW! due to reasons I won’t go into. He’s alright but healing is a slow process and it takes time to get over trauma, and the nightmares are intense and leave him in a cold sweat and make it hard for him to get some rest. The only way he feels safe enough to go back to sleep is if he’s with Jack and Timber. So for a long time after the fic, the three have nightly sleepovers so Jermaine can actually get some sleep. He wakes up, freaks out, talks it out with them, sometimes Timber makes him some tea with her super potent lavender and chamomile flowers and after they just all fall back asleep.
Jack is the first to catch Feelings. Next is Timber. Jermaine, for all his virtues, is incredibly thick and can’t seem to understand that both of the people in his party are crushing on him pretty hard. Sadly it’s because he doesn’t really think he’s good enough for anyone to like him.
In this universe, Jack and Jermaine are both bi, but only Jack is aware of his own orientation. Jermaine is not. At least, not for long.
Jack’s color motif is mostly black, Timber’s color motif is mostly blue and Jermaine’s is mostly red with yellow accents. Why?
They’re the colors of the poly flag :)
Spoiler but once they start dating, everyone’s in a tizzy about it. But hands down the person who is most shocked and/or disturbed by this turn of events is...Chase Young. Despite the fact that he used the boy as a pawn in a scheme, he did get somewhat attached to Jermaine. He was after all a good student and Chase is honorable enough to respect legit talent and effort. The moment he hears that his talented former Apprentice is dating both the student of his oldest rival AND Jack freaking Spicer, he goes through all five stages of grief before running straight to the Xiaolin Temple, finding Jermaine and telling him “I’m sorry for your loss”.
As you can imagine, Jermaine isn’t pleased.
You better believe I have an entire YouTube playlist dedicated to this ship, but this one in particular, and this particular mix made for this AMV, is definitely one of my favorite songs for their ship. https://youtu.be/SYcODDcNSIk
youtube
Timber’s family is dysfunctional and abusive, and Jack’s family is distant and neglectful, if well intentioned. So I like to think they both find a healthy family dynamic in Jermaine’s mom, grandmother and older sister.
They try to keep their relationship a secret from anyone outside the Temple, but eventually their families find out. Jermaine’s family is very supportive, but you better believe Ivory grilled Jack and Timber pretty hard once she realized these two idiots were in a relationship with her baby brother. But eventually they do have a supportive dynamic with each other (with Timber slightly more successful than Jack on the grounds that Jack is a show off and Ivory doesn’t like show offs).
Jack’s Dad is shocked and doesn’t really know how to handle it but since Jack is genuinely happy for once in his life he’s got no beef and just quietly lets them be - with one exception. Jack’s Dad is relatively famous and in the news all the time, so he’s used to being paparazzi fodder and having tabloids spin stuff on him. But the moment they try to belittle Jack for his relationship with his partners, Jason puts an end to it. IMMEDIATELY. Jason may not understand his son, but he will always love him.
Jack’s mom is devastated, but not because he’s poly - it’s because as a hardcore supporter of Jack getting married and giving her lots of grandkids to spoil (she’s that kind of mom), she’s been budgeting his future wedding for years, LITERAL YEARS, so that the moment he finds The One, they can get hitched with no fuss. And now suddenly she has to budget for a whole other person. One and a half decades of planning RUINED.
Timber’s mom and step-dad.....even I’m not sure. But Kallik and Hanta still care about their sister, even if they’re terrible at showing it. And once they get wind of what’s happening, Timber’s brothers get overprotective and overstep their boundaries in an effort to drive off these “playboys” from toying with their sister’s heart. That is, until Timber puts them in their place.
I like to think that Kallik and Hanta eventually do find a way get along with Jack and Jermaine, if only for the fact they can watch over Timber when they can’t....but it’s a slow process. After all, they’re still working on repairing their relationship with their sister.
Poly families exist in real life (and happily so depending on the family) so maybe when the members of Team Spicer are all grownups and are at a good age to start a family, they get married and have kids? I dunno. It’s a hypothetical situation for now since the whole “Xiaolin Dragon” thing is more or less a lifelong deal and that would get in the way of raising kids. But I like to think that if they do have kids, they have a boy named Jake who raises a lot of Hell (like his birth Dad), and a girl named Jazmine who likes to kick evil’s butt (like her birth Dad).
Slightly spoilery but our Team each end up with an army of their own - Jack has his robots, Timber has her plants and Jermaine has loyal jungle cat soldiers. So if they did have kids, those would hands down be the most well protected kids on the face of the earth. Also maybe the most...interesting, since being raised with killer robots, killer plants and dangerous animals might make for some unnaturally fearless kids.
Jermaine is the glue that holds them all together. Jack and Timber come to love each other dearly but Jermaine is so influential to the both of them that neither one can imagine life without him.
Same with Jermaine and both of them. Timber and Jack are both crazy, they’re both stubborn, they’re both unpredictable, they cause trouble and break rules and he never knows what they’re gonna do next - and he loves that about them.
You know that person in the relationship that steals the other person’s hoodies to wear them? That’s Jack. And he doesn’t even say sorry.
Jack likes to flirt and tease Jermaine and Timber but when either of them reciprocate he gets all flustered and tsundere.
Jack and Timber both have jealousy issues but neither of them compare to Jermaine’s. He gets majorly angry when someone flirts with or gets too close to either of them - he just hides it well and is smart enough to know that Jack/Timber weren’t asking for it.
Jermaine is very protective and sometimes even overprotective. It’s an issue he’s gonna need to let go of.
Jermaine is pretty short for a boy and Timber is very tall for a girl. Jermaine doesn’t have issues about it, Timber does...but if anyone insults either of them, Jack throws hands. Like seriously he will fight you if you make a nasty comment about their height.
You see these three often chilling with each other because they are each other’s safe space.
Because they fell in love with each other while traveling the world, their idea of a date together is grabbing the Tiger Claws, warping to a random location and exploring it together. It’s a tradition they keep up even as they get older.
They genuinely love and care for each other very, very much.
That’s all for now but I have more headcanons for these guys. Trust me.
#team spicer ot3#the good the bad and the wilde#jack x jermaine x timber#Jack x Jermaine#jermaine x timber#Jack x Timber#Youtube
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it’s yours, it’s mine (CSJJ DAY 11)
pairing: emma swan/killian jones rating: g but maybe t wc: 3276
Sometimes, Emma loves Killian Jones— well, all of the time, really. ‘Til death do us part and all that. Sometimes, however, in situations like these, as Whale pulls the thick glass shard from her palm, she really wishes he’d shut up.
He won’t. He never does.
if i’ve done my job correctly, this little number will warm up your january morning with a little bit of fluff and banter between our favourite star crossed couple! shout out to the @csjanuaryjoy team and discord server for all being such diamonds and a big back-breaking hug to my girl @thisonesatellite who's tenacity, support and mad beta skills encouraged me to polish this off, even when i was mostly dead (but still slightly alive).
tagging @itsfabianadocarmo, @teamhook, @kmomof4, @superchocovian, @darkcolinodonorgasm, @artistic-writer (if you wanna be added to the list just shout up!)
available on ao3 ♠
it’s yours, it’s mine
“Breathe through it, love. It’s just a routine extraction.”
Sometimes, Emma loves Killian Jones— well, all of the time, really. ‘Til death do us part and all that. Sometimes, however, in situations like these, as Whale pulls the thick glass shard from her palm, she really wishes he’d shut up.
He won’t. He never does.
Modern medicine fascinates him, in practicality and in fiction. It’s her fault really, showing him early on the wonders of Netflix. Storybrooke really isn’t as action-packed as it once was, leaving her plenty of time to hook (ha!) her husband on hospital dramas. They’re currently six seasons into a Scrubs marathon but his favourite is, by far, House. That Cameron lass looks an awful lot like you, love He says, every time she questions him on it. It’s gonna blow his tiny mind when he finds the sexy doctor outfit she has tucked away in her underwear drawer, complete with stethoscope and clipboard.
A slick squelch and nauseating drag as Whale slides the glass from where it embedded itself in her hand snaps her from her thoughts, drawing out a hiss she can’t bite back. It’ll leave a nasty scar, that much she knows.
“Fuck!”
“You did a real number on yourself, Emma, but the worst part is over.” Pressing an antiseptic gauze pad over the wound, Whale offers her a wink. Despite the land being free of curses and peace all around blah blah blah, he still manages to catch her last nerve with his cocky demeanour, pressing down on the now stained gauze with some force. It stings like a bitch.
“I’m pretty sure the worst is yet to come, Doctor.” Killian chimes in, leaning over to see the tools laid out on the sterile tray resting on Emma’s bedside table. She had protested the bed, claiming she could take the stitches standing or sitting or anything but laying down. The nurse looked as if she was ready to wrestle her down if she refused. The bed had been the lesser of two evils. “What type of stitch will you be using?”
“Killian—” She starts but isn’t able to argue with the fascination in his eyes. He’d seen hospitals before, of course, been on the receiving end of their services on more than one occasion, but he never held the same kind of enthusiasm then as he does now, watching as Whale inspects the gash on her hand.
“Actually, Captain Jones, your wife is lucky. I think it’s just shallow enough that a few steristrips should do the trick.”
“Thank God.” Emma mutters under her breath, not missing how Killian gives her non-injured hand a reassuring squeeze.
Whale applies the strips with practised ease, allowing each one to gently seal the edges of the wound closed. There’s a tension where the adhesive tugs at her skin on either side of the gash, uncomfortable but not unbearable. She’s dealt with worse.
It takes eight strips in total, each one taking less than a minute to apply. Whale talks through it, trying to distract from each uncomfortable twinge but it’s all background noise. Emma lets herself zone out, focusing only on the slow drag of Killian’s thumb across her knuckles.
Emma rolls her eyes at Whale and his insistence that she take it easy. “Take a few days off, Sheriff. Doctors orders.”
“Oh please,” She scoffs, flexing her palm and feeling the discomfort as she does so. Not that Whale needs to see that. Killian smirks, pressing a kiss to her cheek as the doctor calls him over. “I could use magic to heal this in a heartbeat if I wanted to.”
“Is that so?” He hands over a bottle of painkillers to Killian, nothing fancy, and a few extra dressings for the wound. Killian tucks them in his pocket, taking a look at the chart at the end of her bed. He’d look good in a lab coat, hair pushed back, glasses, using his authoritative voice to order two week’s bed rest… wow, now she’s the one with a fantasy.
“Then why don’t you?” Whale teases, one eyebrow raised. His hair is lighter than it had been when they’d first met. Someone had clearly discovered peroxide in the land without magic. It’s stupid. He’s stupid. The childish retort sticks in her throat.
“Someone’s got to check everything’s up to standard here, mate.” With a wink, Killian pats the doctor on the shoulder, the brace of his hook catching his shoulder blade with a dull thud. Whale winces away from it. He drops the subject of Emma’s magic and returns, grumbling, to disposing of the bloodstained gauze into the fluorescent biohazard waste bin.
Their whole trip to Storybrooke General had taken less than half an hour but, as Killian drives them home—a recent development, having only just gained his permit after years of pestering from David—exhaustion rolls over her in waves, encouraging her eyelids to flutter shut. She reaches her hand for his thigh, resting it there just to feel warmth beneath her palms. The heat in the damn car still doesn’t work, despite David’s attempts to fix it throughout fall. By October, he’d given up. She really needs to find a better mechanic.
“You okay, love?”
“Yeah, just cold.”
“We’ll be home soon.” He reassures, taking his good hand from the wheel to stroke hers atop his thigh, softly caressing her wedding band. “I’ll sweep up all the glass and you can curl up on the couch. We can watch Pride and Prejudice again if you’d like?”
In their time living together, without the pressure of being the saviour or magical prophecies or bad guys, he’d come to know her so well. Truthfully, she hadn’t expected him to adapt as easily as he did—she’d half expected him to miss the adventure and danger—but Killian had taken to domesticity like a duck to water, revelling in life’s simple things like electric blankets, text messaging and two for one offers on Ben and Jerry’s. She couldn’t be more thankful for her husband. She tried to show him whenever she could. With words, kisses and more.
“1995 or 2005?”
“Do you take me for a fool?” The smirk across his lips is the one she fell in love with. She would recognise it anywhere. “2005, of course.”
“Right answer.” She hums, content, letting her eyes slip shut for the rest of the ride.
//
The painful throbbing spikes in her palm, radiating through her wrist and falling short just shy of her elbow. It’s almost agony and the grunt it drags from her has Killian peering over her in seconds, a concerned furrow in his brow. Falling asleep in his lap, arguably, had seemed like a good idea at the time, with her brief nap on the ride home doing nothing to sate her tired yes. Now? Not so much. There’s a crick in her neck and a throb in her spine and her toes are cold from where the blanket hadn’t quite covered them.
“Painkillers wearing off, love?” He strokes the stray hairs from her forehead with the point of his hook, careful not to drag the tip against her skin. Anyone else would’ve questioned using his hook in such a manner, but she’d become accustomed to the addition in all aspects of their life—even the intimate ones—and, above all else, she trusts him. Killian’s been wielding the appendage for longer than she’s been alive, after all. It’s a part of him as much as she is.
“I didn’t—”
“You didn’t take any, did you.”
She shrugs.
He sighs, exasperated. “Emma—”
“I know, I know.” She leans up to kiss the frown from his lips, ignoring the protest from her aching back. This must be what ageing feels like. “I figured I’ll survive without them.”
“You’ll survive, aye, but you’ll be a misery arse the entire time.” He’s right, of course, Emma can already feel the irritability creeping in with each pulse of her hand. Why does he always have to be right? He smirks, meeting her with another soft kiss. “You’re pouting, love.”
“You’re annoying.”
“And you’re stuck with me.” He reaches over to the coffee table, bringing back the abandoned bottle of painkillers and a half-full glass of water precariously balanced in one hand. “‘In sickness and in health.”
Emma’s heart stutters, fluttering in her chest as Killian offers them to her.
Years ago, they’d promised no walls, no secrets. Then they’d promised forever.
Her walls are all but rubble now, he’d torn down each one with ease; each adventure, each endeavour, each loss and return, solidifying his place in her heart.
Their wedding day, despite the circumstances surrounding it, still stands true as one of—if not the—best day of her life. They’re working slowly on forever.
Well, maybe not as slowly as Emma had originally thought.
She’d done pretty well on the whole ‘No Secrets’ thing, for the most part, only vetoing the rule come birthdays and Christmas and the occasional anniversary, just to keep things exciting. Over their years together, the need for secrets dissipated the closer they got.
Until last week, sat on the floor of her mother’s bathroom with the fate of their future clutched in her fist.
The five-minute wait had been agonising. Mary Margaret paced, talking a mile a minute about nothing in particular as Emma clutched her knees tight to her chest, memories of the first time she’d done this flooding back. Back then she’d been trapped, alone and afraid.
Two thin blue lines.
She took three more tests, just to be sure.
Identical results.
The tears that came this time around weren’t ones of fear or trepidation, but happiness. A second chance.
Emma hadn’t been ready for a child the first time—pregnant too young in a situation too fucked up—but now, surrounded by love and trust and support, maybe she is.
Dark hair, blue eyes—or maybe green eyes, her cheeks, his smile—
“Swan? Anyone in there?” As quickly as it formed, the vision is gone, replaced with her husband’s soft smile. God, she hopes she has his smile. She? He? They? Does it matter? Emma shakes the thought away, pushing herself up on her good hand and tucking her legs beneath her. Her back doesn’t scream in protest which is a good sign.
“I was just thinking.” She shrugs, letting herself lean against his arm.
He rests his head atop hers, pressing a quick kiss to her crown. “That’s dangerous.”
“Shut up.”
“Sorry, go on.” He chuckles, warm and deep, wrapping one arm around her shoulders and letting his fingers caress the exposed skin between the strap of her vest and the edge of the blanket. At some point, he’d put the pill bottle and water back on the table, most likely when she was thinking of—
“There’s a reason why I haven’t used magic to heal my hand and why I haven't taken anything for the pain.”
He nods, the movement of it ruffling her hair slightly. “I figured as much.”
"It's just that it's a lot to take in and I wanted to think of some big extravagant way to tell you because I know you'd have done the same for me, so I planned out a nice evening; home-cooked italian food, a couple pints of ice cream and your favourite rum, which is why I was elbow deep in the glass cupboard trying to find the tumbler Henry had engraved for you before he left, you know, the 'world's best dad' one. I found it but I slipped and— yeah, you know the rest."
Silence rests between them for three heartbeats as she allows it to sink in, half confession, half explosion. She doesn't want to be the one to break it.
"Can I ask," He starts, voice husky and quiet. Emma turns to face him, taking in his features as he calculates what it is she's saying. "Why you'd need that particular glass, love?"
She smiles, letting the warmth of it radiate through her, pain in her palm almost forgotten. "Isn't it obvious?"
His eyes, hopeful and oh so blue, sparkle in the low light. Every time she looks, she finds so much love there, enough to fill them both so completely and she hopes so much that he sees the same in hers. Starting a family is something they’d talked of in passing; hushed conversations, wrapped in the warmth of each other, neither one wanting to surface back to reality as they discuss the fantasies of the future, both frivolous and not. It’s not something they’d actively pursued, but sometimes these things happen.
Accidents happen.
Maybe even happy ones.
"I'm pregnant."
It takes a few seconds for him to respond, the only indication that he hasn’t completely frozen is in the widening of his eyes and the lingering patterns his fingers draw on her shoulder — they slow, pressure barely there at all, but never stop.
“Are you certain? I thought— your protective pill?”
“I know, I was surprised too. I’m sure though.”
Emma hadn’t even noticed her hand sinking down to her stomach, resting over the place she would soon swell, until Killian placed his own hand atop hers. There are tears in his eyes, darkening his lashes as he tries to blink them away, and they’re soon mirrored in her own. God, she loves him. This man, who’d come into her life on the back of a hurricane, broken and hell-bent on revenge, had become part of her world and more, tearing down his own walls along with hers until they were nothing more than two bare souls, open and honest and joined by a love they’d both thought impossible. Who would’ve seen it coming?
(Mary Margaret says she knew right from the beanstalk. Emma always refutes it but, then again, her mother does have some kind of sixth sense when it comes to true love.)
“We’re having a baby?” His voice catches on the word, so impossibly full of love that her heart almost bursts. He’s not looking at her, only focused on where their hands are joined. She can see the thoughts running through his head, clear as day. Baby. Babybabybaby.
“We’re having a baby, Killian.”
“We’re having a baby.”
“Yeah.”
The smile that breaks out across his face seconds before he lunges for a kiss is one of pure elation, relief and joy and delight all at once, and it meets her lips in a ferocious kiss, not the gentle press she’d been expecting. Before rational thought can stop her, she’s straddling his thighs, injured hand resting on his shoulder as his hook caresses the length of her spine. Every time she breaks for air, takes a second just to register the response she’s getting, he looks at her with such adoration. Praises on his lips, promise in his eyes.
She hadn’t expected it to go this way but, then again, she hadn’t expected to spend almost an hour in the hospital awaiting a glass extraction after her original plan had gone awry.
Killian’s tongue in her mouth more than makes up for it.
“Wait,” He pauses, laughing as Emma chases his lips for another kiss. Instead, he offers her his cheek. She pouts, sitting back and wincing at the throb in her hand as she grips his shoulder with her injured one. Gently, he removes it from his shoulder, turning it over to look upon the bandage. The telltale inkblot of red casts a shadow on the dressing, she’d probably tugged it at some point, causing one of Whale’s magic strips to tear. Killian presses a kiss to her palm. “I’ve watched enough of your hospital dramas to understand the reluctance to take your prescription while in such a delicate state but why not indulge in magic?”
In the past few days, between finding out and confessing, Emma spent a lot of time worrying about the magical side of things. Despite Mary Margaret’s comforting and reassurance that everything would be okay, magic or no magic, the weight of her gift sat like lead in her stomach. If Zelena hadn’t skipped town for the Enchanted Forest with Robin all those months ago, Emma would’ve bombarded her with questions. Her next option, Regina, was either too busy to answer the phone or ignoring her calls, burying herself in work after Henry’s departure. Emma never felt like leaving a message. Pregnancy announcements are probably best not left as a voicemail.
She’d tried the library without much luck, only managing to find a few dog-eared copies of What To Expect When You’re Expecting and one horrifically detailed article on birthing techniques from Agrabah. She didn’t want to let slip to Belle either, not before Killian knew.
Emma had shouldered the weight of her doubts, abstaining from magic altogether. It’s honestly surprising that Killian hadn’t noticed sooner.
“I know how it sounds but I just— I don’t know how, or even if, it’ll affect the baby.” The admission comes with a wave of guilt, simmering just slightly below the surface. The first time she’d done this, there had been no one to tell, no one to turn to for comfort, nothing but the four walls and cot in her cell. Killian’s hand and hook, caressing her injured palm, pull her back from the edge of that thought. She’s not that girl anymore. She is no longer lost.
He is her true north.
“No one can blame you for being cautious, love,” He smiles and it makes every part of her ache to kiss him again. She doesn’t, instead, letting her free hand tuck his hair behind his ears. She wonders, with a soft smile, if the way he leans into her touch is intentional or instinctive. “But Henry turned out fine. Better than fine, in fact. Henry’s fantastic. Though your magic was dormant then, it was still there. Just like it’s there now, protecting our little one.”
“Do you really think so?”
Nothing settles her as much as Killian’s knowing smile does. He nods, certain.
“Aye, love.”
Any qualms she’d had about this earlier drain out of her in a sigh; each niggle of doubt, tug of anxiety, flash of fear. All gone. Here, with her husband by her side, she is safe. Whatever happens, they’re in this together. Whatever life throws their way; villains, monsters, tragedy, pregnancy— they’ve got this.
She’d promised him forever, after all.
Between them, her palm glows bright white.
//
Alice Margaret Jones comes, kicking and screaming—all 7lbs 6oz of her—into their lives and she is magical. Killian cries, of course, and Henry comforts him through it, both of them completely enamoured by the newest addition to their family. She’s pink cheeks and blue eyes and a shock of blonde hair but it’s far too soon to see which parent she’ll favour. Emma doesn’t care, too choked up with the love she holds for the angel latched to her breast.
She doesn’t have words for this emotion and can’t begin to even comprehend the gravity of it. Alice, for nine whole months, was her companion, her guide, her conscience. Reassuring her with soft kicks, heartbeat thrumming like a butterfly’s, always hiding from the ultrasound wand on their appointments. Now, she belongs to the world. Now, everyone else gets to experience the purest soul Emma has ever known.
Alice’s tiny hand clutching Killian’s finger in a vice grip is the last thing Emma sees before sleep finally claims her, truly content.
//
There is no scar on the palm of her hand but Killian kept the shard of glass, a reminder wrapped carefully in the velvet box in which he stores all his treasures.
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CLASSPECTING TIME
You have no idea how fucking long this took. Also I’m willing to like hear ideas about this but as these are my personal headcanons don’t be like….weird about it ahfdksafd classes are FAKE AF and we are all just guessing bitches out here.
Ardata Carmia: Maid of Doom. A Maid is typically understood as “one who creates [aspect]/creates though [aspect]” for the benefit of others. The Doom aspect represents death, suffering, misery and destruction, something Ardata quite literally serves up on a silver platter for her subscribers. She creates (relatively) low stakes of misery for her subscribers to watch and enjoy, as well as to feed her lusus’ hunger for blood. Despite the apparent selfish motivations, its clear that Ardata doesn’t really enjoy what she does. At least, not for its own sake. Its a means to fulfill the role she believes society demands of her, even if filling it makes her actively miserable and very, very lonely.
Diemen Xicasi: Page of Hope. A page is typically understood as one who “provides [aspect]/provides through [aspect]” for themselves. While his meal of choice may be some savory meat products, Diemen’s real bread and butter is his unwavering optimism. Not to say he’s always looking on the bright side, merely that he allows the miserable realities of being a homeless rustblood on Alternia to wash off his back. Like other pages that have proceeded him (Tavros Nitram and Jake English), Diemen has been noted to have an effect on people that makes them want to help him, without any apparent psiionic tricks to force it out of them. Furthermore, when he really wishes for something (and its usually hot dogs), well, things have a way of working out in his favor, no matter the twists and turns it takes to get there.
Amisia Erdehn: Heir of Mind. I’m gonna be honest, Amisia was tricky. Mind doesn’t on first glance seem like a natural fit for her. However, while there’s a variety of definitions for what an Heir does, I prefer the description of the Heir as someone who strives (or succeeds) to wholly embody their aspect. As such, Amisia is the pure embodiment of both Mind’s decisive problem solving and single-minded logical framework. Need paints? Well, blood is multicolored. Actual creation is difficult, yes, but when it comes to getting the right materials, well, there’s no one more driven and no one less deterred by mere sentiment. This isn’t to say she’s emotionless, merely that emotions are often an obstruction to her true potential, rather than an aid.
Cirava Hermod: Prince of Hope. Awful dark class for such a chill motherfucker, but like most things about Cirava, it makes far, far more sense in context. Hope is about convictions, about right and wrong, about doing what your internal code compels you towards. And, there was a time when Cirava felt like this. They would constantly get into fights on Chittr with highbloods, despite knowing it was risky, because they felt it was wrong to take credit for their work. However, the Prince is ultimately one who bring about destruction through/destruction of their aspect. Cirava certainly brings about destruction in a physical sense: they destroy their eye in order to prevent injustice. Likewise, they take the time to try and destroy their own connections to the hopeful aspect, attempting to kill off their morals and content themselves with keeping their head down and quietly streaming.
Skylla Koriga: Knight of Time. While Time is perhaps the aspect most bound up in the mechanics of Sburb/Sgrub, its ultimately defined by a determination to triumph despite the odds. In Skylla’s case, like Dave Strider, that desire is tempered by a sense that what she does should be for the sake of others. Skylla is one of the most selfless trolls we encounter, expressing generosity and kindness to a stranger even at her own personal costs and even expressing confusion when others (like Konyyl) are not so kind. Skylla, while she may slip into despair when the situation is pulled beyond her control, ultimately refuses to take anything lying down that she can fight against.
Bronya Ursama: Sylph of Breath. The typical verb applied to a Sylph is “one who heals through/heals their aspect” for the sake of others. In general, I prefer the verb “restores”, as it has a broader application. However, in Bronya’s case, that healing is for the most part literal. Breath is the aspect of freedom and individuality, which seems an odd choice for the rules-oriented Bronya. However, by looking at the people in her life it begins to snap into greater clarity. Bronya may restrain herself, but her presence provides freedom to so many characters: she gives the reject wrigglers a chance at new life even when the culling system would condemn them to death. The other jades are allowed the freedom to explore themselves and the world around them because, on some level, they know Bronya will protect them from consequences as much as she can. Bronya does not serve freedom or necessarily provide it wholecloth, but she restores it to others who would have it taken from them otherwise.
Tagora Gorjek: Thief of Space. Space is hard. Like time, its an aspect very bound up in the mechanics of Sburb. How Kanaya describes it, as concerned with propagation, didn’t seem to have much to do with a guy who doesn’t seem concerned with much more than the propagation of his own wealth. This is part of why Thief felt natural for Tagora: “one who steals/steals through their aspect” for themselves. However, as we’ve seen from Meenah and Vriska, while the motives of a Thief may often be selfish, it doesn’t mean that they are necessarily harmful to the party. The Thief will take the most direct path to getting what they want, but if what they want is the good of the party, then they make powerful allies. Space heroes, like Tagora, are creative and very aware of the way they go through the world. Tagora is environmentally aware, which is part of what makes him an effective legislacerator (and an effective con artist).
Vikare Ratite: Mage of Mind. The Mage, like the Seer, is bound up in knowledge about their aspect. However, they are often cursed by either an excess of or severe shortage of their aspect. Vikare, arguably, suffers from both an excess AND a shortage of Mind. On the one hand, atmospheric flight a logical first step before interstellar flight, and the fact that Alternia didn’t take that step is in fact, pretty fucking wild if you consider it. Vikare suffers by being (apparently) the only one aware of this level of absurdity. However, in other respects, Vikare is cursed by a lack of Mind when it comes to decisive action. Rather than actively pursuing his desires, he hides them behind an apparent embrace of his true role, and eventually has to have flight “forced” on him for him to truly enjoy it.
Polypa Goezee: Rogue of Breath. Polypa here can be seen to be stealing her aspect in two regards. One, she is literally stealing “breath”, or life (not to be confused with Life GODS ASPECTS ARE HARD) from her targets. Two, she is in some sense stealing their movement and independence, in particular from highbloods, who are not used to the fear of death impeding their choices in the way it impedes the lowblood. However, unlike the Thief, Polypa steals for the sake of others, whether it be working as a hired killer, getting vengeance for her lost lusus, or protecting her friends from the uncomfortable truths that would force them to act against their true wishes (as with Tegiri).
Zebruh Codakk: Heir of Doom. One who invites misery and despair wherever they go. Definitely sounds like how it feels when Zebruh walks in a room. Jokes aside, Zebruh is drawn to situations of misery and destruction (e.g., his attraction towards lowbloods) out of some latent sense that he can exploit it. If the Heir is someone who reaps the benefits of their aspect, then Zebruh certainly fits the bill. Likewise, the world is affected when the Heir is finally allowed to “Become” their aspect. Easily one of the endings most literal about it being a “doomed” timeline is Marvus’ bad ending; notably, its also the only ending where Zebruh dies. When Zebruh finally fulfills the promise of doom, the entire timeline goes down with him. That is very possibly some powerful godtier commentary.
Elwurd: Witch of Hope. One who changes their aspect/changes through their aspect. Elwurd doesn’t believe in shit if she doesn’t want to, and if she wants to believe something then damn it if she won’t make it true. She commits herself consistently to relationships that she knows are a bad idea under the presumption that she can change them. You can’t ever properly convince her that she’s not hung up on her relationship with Bronya. In the end, the only one who can change Elwurd is Elwurd.
Kuprum Maxlol: Knight of Hope. optimistic Duelist has a good video already on the topic and while I disagree with their classpecting for Folkyl ultimately I don’t really feel the need to add much onto it. Suffice to say, Kuprum defies fate for another person. Rather than let voidrot run its course, Kuprum volunteers himself as a battery for his moirail. While its perhaps a short sighted plan, its one that stems wholly from Kuprum’s belief in his ability to make a difference, if not for society at large, at least for one person.
Folykl Darane: Seer of Void. One who is wholly in sync with their aspect, in full understanding of it. Folykl is entirely aligned with the nothingness and emptiness associated with Void, being quite literally denied vision, power, and even the ability to ambulate on her own. Likewise, though, she has a clarity of vision in the metaphorical sense. She accurately assesses both Kuprum’s feelings towards Trizza and Trizza’s worthiness of those feelings, emblematic of Void’s disdain for a comfortable lie. However, true to the passive nature of her class, while she often chastises Kuprum for his feelings she isn’t ultimately willing to do more than bicker about it.
Remele Namaaq: Page of Space. Initially I thought we might end up with two Thieves of Space, but what important to note is that whle Remele does steal artwork, theft isn’t necessarily her true nature. At her core, she’s an artist that has been forced to become cynical because of the society she lives in. Sburb roles aren’t just meant to embody you. Often they’re meant to challenge you. As such, her more derivative works can be seen less as the final fulfillment of her role and more the beta stage of her coming into her aspect. While it may not show in her artwork yet, Remele demonstrates a great potential for on the spot creative thinking that could potentially be bolstered into a powerful force in its own right. Likewise, like Diemen she demonstrates the Page’s intuitive ability to get people to aid her in her quest, regardless of whether or not its in their own best interests
Konyyl Okimaw: Prince of Light (because gendered classes are FAKE NEWS). One who destroys/destroys through their aspect. Light is associated with both fortune and knowledge, and Konyyl can be seen destroying (and destroying through) both. Her matesprit, Azdaja, is the Mind aspect: he supplies knowledge to Konyyl, who in turn uses that knowledge to destroy the lives of others. Likewise, she’s heavily resistant to doing the thinking for herself, seeming to intuitively sense its not her role. She’s also a bit on the unlucky side (I mean, what are the odds of an adult troll being there at that exact drop off point) but can destroy the luck of others. By killing them. Worst luck ever. Also she’d look cute in the puffy pants don’t tell me otherwise.
Tyzias Entykk: Page of Blood (damn there’s a lot of pages in here its almost like most of these characters have yet to come to their true potential or something). While its not always the case (Jake English being a notable exception, to my mind), Pages may often start the game with a deficit of their aspect. Tyzias has a deficit of friendships. She mentions she doesn’t have time for any quadrant but her matesprit, who is arguably the only troll on Alternia more overworked than she is. Beyond that, her social circle is restricted to people she meets in class. Despite this, Tyzias has a unique capacity to reach out to other people, which, once tapped into her, makes her a force to reckon with, especially so far as the empire is concerned.
Chixie Roixmr: Witch of Mind. GODS Chixie was so hard. However, what ultimately unlocked it for me was the rap battle. A witch is one who manipulates/manipulates through their aspect. Chixie, for as sweet as she is, is a pretty effective manipulator. She keeps Zebruh on the hook without getting forced into a quadrant with him, she manages to sway the crowd into her favor (despite the fact that no one in their right mind should be siding with a bronzeblood in a highblood owned club), she even manages to get the Reader to act in her favor on certain occasions. She does this through clear, decisive action, and through careful combinations of absorbed information, all of which come to a head in the rap battle. Despite potentially risking everything she’s worked to build, she forces herself onto that stage and, under pressure, synthesizes everything she knows about the band from social media and her own encounters with them into some pretty sick lyrics.
Azdaja Knelax: Thief of Mind. Azdaja, as previously mentioned, is the information half of Konyyl’s duo. Utilizing powerful psiionics, a quick grasp of strategy, and a willingness to do whatever it takes (all of which can be understood as part of the Mind aspect), Azdaja manipulates scenarios into ones that will directly benefit him. Often, he quite garners literal monetary gain, but equally as powerful for him is the added notoriety his actions gain him.
Chahut Maenad: Knight of Hope. No title more fitting for a defender of the faith. Chahut has strong convictions that run to the core of her being, something vital to a Hope player. However, while her convictions may render her single minded, they do not necessarily render her selfless. When the player does not antagonize her morals Chahut seems happy to benefit them (although most players would probably not view being a sacrifice as a benefit). She is happy to learn at the feet of people who have earned her respect, and defend those like Amisia who she considers worth protecting, all of which render her an apt candidate for the Knight category.
Zebede Tongva: Heir of Light. One who embodies their aspect, often perhaps to the point of excess. Zebede is many things, but he is certainly knowledgeable, in particular about his interests. At times, that interest can be cute, but at other times it can lead him towards creepy and possessive behavior. He knows everything about Cirava, to the point that he feels comfortable posting fanfiction about their life. Likewise, he displays frustration and anger when he is not allowed knowledge (or, in a meta sense, is denied union with his aspect), as in hs bad end when the Reader implies they are talking to other people while at Zebede’s house. Zebede, though his method of expression isn’t the healthiest, at his purest form is really just curious about the lives of the people he watches, and allows that curiosity to overcome him.
Tegiri Kalbur: Rogue of Void. If Tegiri embodies anything to me, its how much the temperament of a person affects their expression of their classpect. On first glance he and Roxy Lalonde have nothing in common. However, like Roxy, Tegiri has the ability to “steal” nothingness by replacing it with something else. He replaces it with order, imposing laws whether otherwise no sane troll would think to enforce them. By doing so, he’s not only stealing away the chaos associated with the Void, but also the sense of meaninglessness he might otherwise succumb to if he ceased to believe in Alternian law (much like a few other teals I could mention). Also like Roxy, Tegiri seems troubled by the sense that he may be irrelevant in the grand scheme of things, and becomes determined to impress his status as a hero of the blade upon us as quickly as possible.
Mallek Adalov: Witch of Time. Ok this one’s a little weird, but hear me out: a Witch, inherently, is about a refusal to accept your aspect as it is. Mallek demonstrates an understanding of the lacking nature of Time. With his Rites of Maturation perigrees away, he has a hard time coming to terms with how little time he has to do everything he wants to do. This might imply a Mage or a Seer, but what strikes me is not that Mallek wants to understand time, but that he is frustrated with his inability to do anything about it. We aren’t really told what he does after his conversation with the reader, but it can perhaps be assumed that, inspired by their words, he is doing what he has to to give himself the time he needed. Were an sgrub session to take place, he would be given the literal chance to do just that.
Lynera Skalbi: Maid of Rage. Again, whipping through an unusual class combo. The Maid is one who creates their aspect, for the benefit of others. Rage is not just about anger (although Lynera certainly has that in spades), but about convictions and truth. Lynera creates her truth and beliefs, and makes them in alignment to the people that matter to her. When she understands that keeping under the radar of Alternian society is important to Bronya, she becomes the bad cop needed to enforce those convictions. When she understands her making other friends is important to the Reader (and to Bronya), she immediately latches onto them as her nearest and dearest friendship. Ultimately we never see Lynera at a healthy place with her aspect, but she’s a dedicated soldier, ready to evangelize (or, create convictions) on behalf of the people in her life to matter to her.
Galekh Xigisi: Seer of Blood. The Seer is of course, associated with understanding. However, its important that unlike the Mage, one who already understands and suffers from it, the Seer is rather one who invites understanding. They may have a large knowledge base already as regards their aspect (a la Terezi with Mind) but are constantly on the hunt for more to the benefit of their party. Galekh, while he can be pompous and uptight, at his very core wants to understand people, and the people who matter to those he cares about especially. He is one of the few trolls to approach us with the explicit intent of forming a relationship (and deepening an existing one with Tagora). That wordiness and sense of self-righteousness likewise aligns him with our other known Seer of Blood, Kankri Vantas, although Galekh has arguably gotten more of a chance to mature than Kankri got.
Tirona Kasund: Thief of Heart. Tirona seeks to override the convictions, and by extension the “soul”, of others, whether by force or by persuasion. Her memeaganda is one branch of this, ingratiating the Heiress to people in a way that will make them forget the various ways in she has harmed her. Likewise, she goes rooting through the offices of their friends to dig up details about their personal opinions and politics in order to expose them for her own gain. Heart Players really can’t catch a break outside of Boldir huh. Speaking of…
Boldir Lamati: Muse of Heart. Unusual, I know, but then, she’s an unusual lady. Not much is known about the muse class, given that our only Muse is Calliope. Typically, the verb that I would assign to the Muse is “inspires” or “unifies”, as a contrast to the Lord’s “command” or “dominates”. Boldir’s strong unity of the self would likely explain how she demonstrates an uncanny awareness over the strange time activities. She is, arguably, on the verge of becoming her ultimate self. Likewise, simply by being around her the reader becomes deeply aware of their alternate selves. However, unlikely Dirk’s existential dread in the face of his splinters, Boldir inspires that peace and independence unique to the Muse class which allows her to transcend the division of self so often toxic to Heart Players.
Stelsa Sezyat: Knight of Blood. Together with Galekh, they’re two halves of a whole Signless kin. Knights defend their aspect and defend through their aspect. In the case of relationships, Stelsa does both. She is a loyal and caring friend, always on call for both the Reader and her matesprit Tyzias even when she disagrees with their actions. Likewise, Stelsa’s strongest asset, in addition to her boundless energy and organizational talent, is her capacity for networking. More so than perhaps any other troll, Stelsa understands that the key to victory sometimes isn’t what you can do, but who you know. In the event she goes godtier, though, the first thing she’s doing is ditching the hood. Not subjecting her hair to that, no sir.
Marsti Houtek: Heir of Void (side note, Inherit Nothing by phemieC may have been written for Equius but it is a jam and a half and kind of snaps this class into greater perspective for me). Like every troll on Alternia, Marsti has been forced most of her life to confront her limited options under the hemocaste system. True to her nature as a Void player, she seemed to have accepted her apparent irrelevance in the grand scheme of thing. As an heir, she embodies not only this irrelevance, but the enigma around it. We’re never truly given an insight into how Marsti actually would want her life to go. She seems resistant to any attempts to force her into some kind of emotional arc. Rather, she frames her actions in terms of simple “this is what I do” statements. Marsti is content with her own nothingness, and is frustrated by people who cannot accept that about her.
Karako Pierot: I uh…..really like the Lord of Mind theory. There are a lot of mind players in Hiveswap, but Karako, to me, embodies the karma aspect of Mind more clearly than any that proceed him. He either gets justice against his attackers, or, should he be killed, the reader feels compelled to enact that justice on others. Karako at once breaks the rules of his aspect (his illogical speaking patterns, his afterlife return to the Dark Carnival, the embodiment of whimsy and mystery) while commanding it through his will and the forces surrounding him.
Charun Krojib: Sylph of Rage. If Lynera embodies the part of Rage that deals with convictions, then Charun embodies the more anarchic, confusing parts of the Aspect. However, they do not seem to use it for destructive purposes, but deconstructive. Charun meets the player at a point when they are feeling low and burnt out and angry. However subtextually, Doc Scratch’s imposition over their narrative is starting to chafe at them a bit. Charun utilizes that anger and that confusion into a tool for healing via their art. They encourage the Reader to make something. Doesn’t matter what: if it turns out crap that it can just be stripped down and made again. And working with those nebulous guidelines, the Reader is able to process their frustration into art. Art that has no set meaning, but who’s lack of stakes and general confusion bring healing to the reader. Thus, Charun embodies the Sylph’s restorative role.
Wanshi Adyata: Seer of Doom. Seers are often seen as already understanding their aspect in some respect, but the role of Seer is one who is perpetually learning and understanding more about their aspect. Notably, Rose and Terezi are both still having revelations about the nature of their aspects and abilities even as late as Act 6, where most of the other players have broadly figured out their own as far as they need to. Wanshi has demonstrated a proclivity towards knowledge and understanding, being a voracious reader. However, we as the Reader are there with her as she takes her first steps into her aspect. Though no stranger to the suffering of Alternia, we see her experience death in the most direct way she has at that point in her life, and struggle to comprehend it. Depending on how Hiveswap goes, as she grows older she may be forced to reckon with this role, and part of her maturation will be whether she buckles under the negativity of doom, or successfully incorporates it into her worldview, allowing it to inform her without sinking her.
Fozzer Velyes: Bard of Heart. Man, heartbound derse players just canNOT catch a break….criminal. In any case, the heart has to do with the self, the soul, and the identity. The Bard is not someone who destroys, but someone who invites destruction of (or destruction through) their aspect. Notably, bards often demonstrate avoidant personalities, often refusing to directly confront the things that scare them (as Fozzer with the ghosts), and are prone to talking big game but falling victim to minor hitches in their plans (as the Reader notes contrasting his cowardly reactions with his revolutionary spiel). Fozzer’s self is in fact destroyed over the course of his route, and rewritten by forces beyond his control. Its possible he will continue to enact this role on others. If we’ve seen anything from homestuck, its that bards are the ones to watch out for.
Marvus Xoloto: Seer of Time. Alright, so like I said, I’m like 99% sure we’re do for some kind of twist with Marvus. However, the Caprist sign he’s been previously associated with is timebound, and based on his bad end especially I’d say that’s a good fit. The Seer is the role I chose because Marvus doesn’t really seem to exert any particular control over his aspect, nor does he feel bound to serve it (actively defying it, in fact). Rather, he demonstrates a more in-depth of the machinations of paradox space and “canon” than any character prior, arguably even more than Dirk. Marvus may not successfully wrest control of the narrative, but he provides further insight into the function of doomed timelines, as well as some possible hints as to how paradox space’s pull can be resisted by means other than the retcon juju.
Daraya Jonjet: Rogue of Hope. Something notable about rogues is that in their immature stages: a lot of them seem to initially covet their opposite aspect. Roxy, Rogue of Void, struggled with a desire for recognition from others (Light). Rufioh, Rogue of Breath, tries desperately to forge relationships that ultimately he isn’t ready to live out (Blood). Likewise, Daraya seems desperate to perform the anarchic and embittered Rage aspect. Her bad ending is her giving herself fully to these bitter teen “burn it all down” impulses. However, that’s not ultimately how she’s happiest. She is at her best when she learns to redistribute Hope to other people. Notably she’s the first person we make legitimate effort to connect with Tyzias’ revolutionary actions. Tyzias is a powerhouse in her own right, true, but she’s one person, and though her Blood aspect gives the the ability to connect to other people, as we’ve seen she’s not the best at rallying the troops (given that her attempts at a pep talk with Daraya fall flat with the Reader not there to help). Daraya, as she grows into her role and partners more with Tyzias, may be able to help with that, stealing the Hope so long denied alternian trolls and giving it back to the people with her rebellious actions. One things for sure: the two are stronger together than they are apart.
Nikhee Moolah: Knight of Rage. She weaponizes anger into her powerful arsenal, but arguably does do it for the benefit of others. In her good ending she strengthens the reader to their utmost, actually reaping muscular benefits as a result. Likewise, her fights are (arguably) a place of catharsis for Alternian trolls and may draw in more outsiders (given the only non-clown purple we have ever seen is….there PLEASE SOMEONE EXPLAIN THIS NOT CLOWN TO ME WHAT’S THEIR STORY). That anger becomes just as powerful a tool turned against the Reader as it is for the Reader, but ultimately Nikhee seems to do what she does for the good of her audience.
Lanque Bombyx: Thief of Life. Insert mandatory vampire joke here, but its not far off from how Lanque goes about his day to day. Life isn’t just about literally being alive, its also associated with growth, betterment, and positivity. We see Lanque take these things, especially from Lynera. While the amount of growth Lynera really demonstrated is VERY debatable, its hard to argue that Lanque immediately shut down the first attempt at reaching out to someone romantically that Lynera has done for anyone but Bronya, immediately turning it into an opportunity to put the moves on someone else. This may nudge him into the Prince class, but I think its more accurate to assert that Lanque isn’t destroying his aspect, necessarily, as he certainly seems to benefit from it. Instead, he’s simply ensuring that no one else gets it. Lanque is childish in temperament, and may assume that other people are as slow to mature as he is. Likewise he displays the Thief’s attitude that “I should get what I want if I’m smart enough and strong enough to take it” that we see with both Meenah and Vriska. Like both of those characters, he’s not necessarily doomed to evil behavior, merely that its more realistic to hope that he’ll start to see the good of the party as beneficial to him as well, rather than wish he’d just lose his self-interested ways (as Bronya does).
Barzum and Baizli Soleil: the fact that these two embody two different aspects (Breath and Doom respectively) seems to imply that there is at least some difference between the two twins, but whatever it is is hard to riddle out, given that they effectively switch personalities on a whim. As such, its possible to see Breath and Doom as merely two potentials towards which they could drift, either becoming more and more individuated as they embrace their Breath aspect or more and more singular as they embrace Doom. As such, I would probably assign them both the page role, as they are both untapped potential yet to mature enough to really embody anything but chaos.
#PHEW#that took forever#way more than i was expecting#but it did force me to dig more into class i guess#hiveswap#hiveswap friendsim#ardata carmia#diemen xicali#amisia erdehn#cirava hermod#skylla koriga#bronya ursama#tagora gorjek#vikare ratite#polypa goezee#zebruh codakk#elwurd#kuprum maxlol#folykl darane#remele namaaq#konyyl okimaw#tyzias entykk#chixie roixmr#azdaja knelax#chahut maenad#zebede tongva#tegiri kalbur#mallek adalov#lynera skalbi#galekh xigisi
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3, 7 and 18 for as many as you can answer; btw do you still have an ocs page? like with introductions and all that
wow this took forever oops!
tysm for the ask!! i’ve been meaning to make a carrd or something with oc intros, but i have so goddamn many ocs and so little time now that i’m in college and all that. and i have the code saved from my old pages before i remade, but those are kind of outdated and incomplete
that being said i’m probably gonna end up making that carrd regardless of how busy i am cause special interest indulgence and all that, so i’ll post about it when i do
anyway! i’m putting the actual oc answers under a readmore because i’m gonna try to do all the ocs i listed and it’ll be kinda long lol
3. What does your oc’s voice sound like? (Or, if you have one, what’s their voiceclaim?) Can they sing, whistle, or roll their rs? Do they have any speech impediments or notable dialects/accents?
how does one even describe voices... ok here goes
avani: she’s my character for a ttrpg campaign, so her voice sounds basically like mine (which might not help much cause you don’t know how i talk lol), but when i’m talking as her i pitch my voice up a bit and make it a bit more nasally. she’s not much of a singer, nor can she whistle, but she can roll her r’s pretty well. also, since she’s autistic and hard of hearing, her tone of voice often comes off the "wrong” way
farhan: he’s another ttrpg character i play lol, or at least he will be next semester, so his voice is again kind of like mine. but when i talk as him i pitch my voice down and it’s a bit hoarse. ig his voice would also be more “masculine” than mine but whatever. he can sing and whistle but has a pretty small vocal range (since he’s, like, 13 right now and will be 16 when i rp him next semester)
carter: i imagine his voice as low and on the quiet and raspy end, with a tiny bit of a lisp. he’s way too insecure to try to sing or even whistle or anything like that, though if he practiced at it he’d probably get pretty good
calira: she’s mute so n/a i guess. but she talks pretty formally in her dialect of elvish sign language, which is definitely unusual
sam: they have kind of a low voice that’s also raspy, but with quite a bit of pep and variation in their tone. they can even sing pretty well and they like to whistle constantly while working. that creates some kind of whiplash cause sam comes off as a typical edgy teen a lot of the time
jizoriel: high-pitched with lots of voice cracks, peak pretentious preteen/early teen jerkass. he can’t really sing or do anything similar, nor does he want to very much
victoria: so quiet and raspy that you can barely make out that it’s low and has a soothing and pleasant tone to it. she can sing well, or at least she could once upon a time
rowan: just! the happiest and most cheerful voice you can imagine! so much love behind how she talks! her voice fills up her whole head and the whole room!! and she whistles sometimes while she walks
ace: defies any masculine or feminine labels, smooth and cool in theory but they stutter quite a bit
charity: gruff but with a hint of cheer and clarity behind it that comes out when she’s startled. she loves to sing but can’t whistle and can’t roll her r’s either
jamal: i actually have a voiceclaim for him! it’s this (the voice that sings from 1:51 to 1:58)
kimberly: her voice is a bit high and a bit... idk how to say it exactly... i guess shrill would be the word?
fabián: his voice seems higher-pitched than it actually is cause he talks higher when he’s anxious, and he’s always anxious. it’s a bit hard to describe his voice otherwise tbh. i can hear it in my head but i can’t quite put it to paper oops. oh yeah also he has a great singing voice but never uses it sooo
7. What song reminds you of this oc? Does this match up with the type of music your oc likes to listen to?
this question opens up a wormhole cause i have playlists for many of these guys but instead i’ll just provide one (1) song for each and vaguely describe their music taste, how does that sound
avani: honestly “mr. capgras encounters a secondhand vanity” by will wood is a “her” song to me. her music taste leans a lot more toward older music though (like some classics from the 70s and 80s and such)
farhan: he’s still very new so i haven’t really found a song for him yet. but i know he absolutely loves peppy and energetic pop music and also sappy gay love songs
carter: (slaps my hand away when i try to type another will wood song) “fantasy island” by the shins always launches me into daydreams about him. which kinda roughly aligns with his music taste, he listens to a lot of those “mainstream indie” artists. he’d also listen to will wood because he’s gay and mentally ill <3
calira: one of my favorite songs on her playlist is “maximillian von spee” by dirt poor robins. but the music she listens to is basically all invigorating church-loving stuff with medieval-era instruments lmao
sam: “sometimes” by nick lutsko is an absolute bop and very much a sam song. sam actually doesn’t go out of their way to listen to music though, but when they do they listen to either the most soothing and relaxing stuff or to the angriest metal emo music. no in between
jizoriel: i’ll go the less emo angle here and say a song that reminds me of him is “upside down” by jack johnson. jizoriel’s music taste is like. old choir music and shit plus incomprehensible magical music that doesn’t even sound like music. if he was from earth he’d like my chemical romance
victoria and rowan: i’m grouping these two together here because a song that reminds me very strongly of both of them/their relationship is “human” by dodie. which actually fits very well into both of their music tastes!
ace: again, going the less edgy angle here, “auntie earth” by walter mitty and his makeshift orchestra. but ace mostly listens to uh, classical flute music and flute covers
charity: absolutely “dance and cry” by mother mother, that’s pretty much her theme song. it’s among her favorite songs in canon too
jamal: “tire swing” by los elk, since his arc is about letting go of childhood and all that jazz. he’s more inclined to listen to fun. and other pop artists and rappers and such. he likes janelle monae
kimberly: “best tears” by the happy fits for sure. in terms of her music taste though, her taste is pretty similar to jamal’s. they bond over being janelle monae fans
fabián: by god does “heal” by so much light fit him. his taste is that he rotates through three (3) specific obscure indie artists lmao, so theoretically i guess that specific song is included in there
18. How does your oc see themself? How does this compare to the way other ocs see them?
i am gonna do my best to keep these short cause this is a loaded question for all of them hoo boy
avani: how she sees herself: honestly the worst person alive. unless she spends every moment of her time trying to make up for what she’s done, she’s worthless, and she doesn’t deserve to love herself in any capacity how others see her: her brother (farhan) really looks up to her! most of the time. the superhero team she’s on (other people’s ocs) all think she’s generally smart and capable enough, and her boyfriend in particular thinks she’s incredible
farhan: how he sees himself: as of right now? a misunderstood emo middle schooler who’s still kind of cool i guess how others see him: his sister (avani) thinks he’s quite an impressive and charismatic young man
carter: how he sees himself: 1/10 awkward and annoying how others see him: carter reminds calira too much of her old self, so she love-hates him. sam thinks he’s weak and cowardly but admires his kindness. and jizoriel clings to him as a caring father figure and loves carter’s passion for natural studies
calira: how she sees herself: it goes back and forth between “i’m the greatest chosen one ever im such a strong warrior” and “wow i’m literal trash why did the gods pick me for this” how others see her: carter is a bit intimidated by her but appreciates her attempts to vibe with him, sam thinks she’s an annoying pretentious self-important bitch (but their opinion softens over time), and jizoriel sees right through her facade and feels comfortable around her because of it
sam: how they see themself: evil and in need of redemption, kind of similar to avani ig but with 10x more confidence in their skills and also much more violent how others see them: carter knows theyre doing their best even if theyre kind of an asshole, calira is a fan of their strength and determination, and jizoriel Hates Their Guts (at first) because they baby him too much
jizoriel: how he sees himself: a fucking fraud of a prince. all he has going for him is his abilities as a mage, but even then those are shaky how others see him: carter knows he’s very insecure and wants to comfort him, calira admires his magical prowess and noble air, and sam thinks he’s a snarky little pretentious douchebag but also he reminds them of their late brother and they want to protect him at all costs
victoria: how she sees herself: basically dead. only good for interacting with ghosts. not worthy of the human world or of friendship how others see her: she reminds rowan of her old self. rowan sees a glimmer of love and hope in her and wants to bring it out
rowan: how she sees herself: a fucking mess but she’s trying her best and that’s what counts! how others see her: victoria very much appreciates her cheerful air even if she doesn’t act like it
ace: how they see themself: way too weird to be human, way too weak not to be. their self-image changes constantly. theyre very confused about everything please help how others see them: charity is literally dating them lol she thinks theyre the cutest person alive, jamal appreciates how hard they try as a friend, kimberly thinks theyre an alien invader whom she can study and use to get further in life, and fabián knows more about ace than anyone else and loves them for it
charity: how she sees herself: a Teenager who’s struggling. she desperately wants to be young without the burden of her trauma but whether she thinks of herself as emo and sad and angry or not depends a lot on her mood how others see her: ace adores everything about her, jamal loves how cool and fun and sociable she can be, kimberly is annoyed with her rebelliousness, and fabián worries very much for her well-being and can’t shake the image of her as helpless (oops that’s gonna cause some drama)
jamal: how he sees himself: just a chill guy trying to get by. unremarkable. how others see him: ace is grateful for how forgiving he can be but is still terrified of him being angry over [spoilers], charity loves how sociable and fun he is and how protective he can be of his friends, kimberly secretly envies his carefree nature, and fabián sees him as a solid acquaintance to whom he did not give a good first impression
kimberly: how she sees herself: not good! if she can’t grow up fast and do science well then she’s useless how others see her: ace wants to be friends with her but doesn’t know how to do that, charity is annoyed by her rule-bound-ness, jamal thinks she’s cool but should unwind a little, and fabián resents her at first but would still like to play chess with her sometime
fabián: how he sees himself: he has a moral responsibility to help people Or Else. way too anxious and stuck up but he doesn’t know how to change that how others see him: ace fuckin Loves this guy, charity loves him too but she gets pissed when he tries to help her with anything, jamal genuinely thinks he’s a great guy and wants to get to know him better, and kimberly is actually impressed by him and envies his apparent confidence and charisma
ok ok that’s it i promise. sorry this is so long and tysm for reading if you made it this far!! feel free to ask more oc questions literally whenever, that goes for anyone reading this <3
#pey talks#ocs tag#this was so fun to write thank you for asking ;-;#ace#avani#calira#carter#charity#fabián#farhan#jamal#jizoriel#kimberly#sam
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