#one of the ways i came out to someone

[poorly-drawn-mdzs]

Swapping tips on how to be a bestie in the bath.

[fatedroses]

More than just the Demon.

[here-comes-the-moose]

Bad Batch As Things My Parents Do While Driving

Hunter- Will hit a curb at full speed and will be like “that curb just came out of nowhere!”

Wrecker- Playing music at full blast and singing or at least nodding/dancing along

Tech- Gets oddly personal and creative when roasting other drivers that are irritating him

Crosshair- Gets mad and calls another driver a “stupid fuck” or a “stupid fucking fuck”

Echo- Randomly drops some insane lore or knowledge in the middle of the car ride.

Omega- Points out all the doggies

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[dat-lil-shark]

Just to inform you, guys. I’m intending that, for the majority of our Sparkling AU, it’s an AU, so it’s not about the characters when they are actually babies anymore. It’s basically about the whole entire TFP story except it’s set in a universe where there are no actual wars. The whole ‘war’ thing is just some sparklings going into groups and play-fighting with their imaginations. Every character that ‘died’ in this universe are just either moving to another school (ex: Cliffjumper & Elita One) or got tired of the game and didn’t wanna play anymore (Ex: Skyquake, Dreadwing, and Breakdown). And all the human characters are all little ragdolls that are brought to life by the sparkling’s imaginations.

cause the actual show crippled me and this is my denial mechanism.

(read the tags)

[akicklineisinevitable]

something about Hatchetfield is so Hadestown coded. something about how it's a sad tale, but we sing it anyway. as if it will turn out this time. (i'll find you in the next timeline). something about how not everyone can make it out, and those that do don't make it out unchanged. something about love that was doomed from the start (wait for me? i will) (when you shipped out, i thought i'd wait for you). something about how the scenery changes, but the stories are the same. something about it was a world of gods and men (there are monsters and there are men).

[might-as-well-happen]

Isaac’s storyline in Heartstopper season 2 is so important to me. We’re going to have all these teens seeing themself on screen, seeing the struggles of “what even is attraction anyway and how does it feel?” Seeing the moment when you’re coming across the terms Aromantic and Asexual and finding a part of you that you never understood or wanted to understand come to light. And it feels so much better than you’d have ever imagined. Having to tell a good friend that you’re not interested, and having to hear a platitude that doesn’t actually comfort you. “You’ll find someone, you’ll feel it eventually”, knowing that it probably will not apply to you, but if it does what does that make you? A liar, a late bloomer, indecisive? (Don’t worry it doesn’t - labels can change and feelings can too, identifying with one label at one point and a different label at another is totally fine!).

Finally realizing that you’re ace/aro, and being so so so happy about it. Knowing you’re not alone or weird or wrong, but you’re just you and that’s perfect.

Teens will be able to see that, and see themselves in Isaac’s storyline! It’s so awesome that we have that, and done in such an amazing way too, it makes me so happy.

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[skitskatdacat63]

Roleswap anyone??

Tell me Fernando wouldn't make a fantastic general/emperor, and that Napoleon wouldn't make a fanastic driver/tp!!

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[bobmckenzie]

🌳🔅🍉 picnic study date! 🧺🍀🥪

[puppyeared]

I love you when we haven’t talked in weeks and months I love you when I have 12 unread messages I love you when im not in the mood to talk. We’re still friends even when we spend time apart

[ffc1cb]

i’ve always found it peculiar how during meeting the chargers cutscene the game just assumes your character automatically understands what krem is talking about when he mentions binding (though, granted, it’s all very unsubtle). like, this is a roleplaying game. what if i want to play a character who just doesn’t get it

[ra-vio]

I miss nier. I have to watch the automata anime

[nobodymitskigabriel]

I love the idea that Gabriel is one of the few beings in existence capable of understanding the scale of Sam's torture in the Cage. Sam's trauma might make him "out of reach" to ordinary people in some respects, but it also gives him an otherworldliness that puts him on more even footing with supernatural beings like Gabriel.

[isa-ah]

met a really cool queer stranger today that i thought was just so fucking neat i wanted to talk but if we were playing tennis they were, with the most gentle and earnest voice ive ever heard, shoving the tennis racket down my throat. every compliment or joke i made was turned away but in the sweetest way possible that made me sound like an absolute asshole lunatic. it was so scary.