#one more thing I didn't know how to fit in here

[stillness-in-green]

Some thoughts on The Discourse about the last BNHA cover

(Note: This Discourse was on Twitter. I don’t know how much of this may have been said here on Tumblr, so consider this either my contribution or just me reporting back on drama from other fronts.)

So, I saw a lot of back and forth over there between people who didn’t like the cover and people who did, and I spent a little while mulling it over. It seemed to me that the people who didn’t like it had a good point, but one they were not articulating particularly well, possibly thanks to the character limit and possibly also because the people talking about it tended to phrase their objections in sarcastic, consciously exaggerated terms because that’s the language months and months of dealing with the truly insufferable Horikoshi Defense Squad on Twitter primed them to use.

So what is the point?  Basically this: In going for the lazy/easy callback in both the cover design and Dai (plate-hair kid)'s role in the final chapter more generally, Horikoshi landed on an "everything comes full circle" ending when what the story desperately needed was an indicator of change.

We didn't need to know that a kid with low self-confidence and nothing to speak of in the quirk department can still become a Pro Hero if he[1] wants to.  We already knew that because it's what the whole story of BNHA was about!  Deku passing the torch/paying it forward is nice if all you care about is Deku's personal arc, but it's sheer reductiveness if you care about literally anything else.  If there was going to be a kid getting Deku's encouragement and help at the end, if that's the ending Hori was absolutely set on, it shouldn't have been the Deku Redux kid; it shouldn't have been the weak kid who has already been metaphorically proven capable of becoming a Hero.

1: And of course it would be a boy.

It should have been the troubled kid, the one from the bad family situation, the one who isn't sure whether he even believes in this Hero thing.  It should have been the kid who, if nothing about Hero Society had changed, would’ve been rejected by the whole corrupt system—in so many words, the Tenko Redux kid.  That's the one who we saw could not become a Hero under the previous system.  That's who we needed to demonstrate the system's improvement.

Instead, all we get is Deku helping himself.  And it fits, I guess, because “himself” is the only sort of person Deku ever wanted to save anyway—remember that in the very first chapter, Deku tells All Might that he wants to be a Hero because he was never “saved” as a kid and so he thinks saving is the coolest thing ever.  Implicitly, then, Deku wanted to be the kind of Hero who could have saved the kid he was, and that tendency to reserve his compassion for people he can recognize himself in—the crying children and the Hero wannabes—is consistent throughout the series.  Dai, then, simply becomes the very last of these examples, the chance for Deku to tell his middle school self that he, too, can be a great Hero.

And that’s quite a choice, isn’t it?  Take a second to consider the implications there. The metaphorical parallel Deku helps is his middle school self, not his childhood self—there’s no evidence that Dai was bullied on the same level young Izuku was, and we sure didn’t see anyone telling him to jump off a roof.  So, who does save those children, then, in this grand, improved version of Hero Society?  Does anyone?

Well, not really. Not that we’re shown. Indeed, the child who was the closest analogue to young Izuku—a weak and seemingly quirkless boy who stuck his neck out for other rejected children, who still stubbornly wanted to be a Hero despite a parent's disapproval—was Tenko, and Deku pointedly did not save him.

To be clear, I don’t mean that just in the sense that Deku failed to save the adult Tenko became, but even in the emotional sense that the series clearly wants me to believe Deku succeeded at, the saving of the boy's heart? I don’t think Deku even managed that.  Sure, he might have protected the echo of that child from a few memories, might have held his hands for a few exchanges of dialogue, but then the boy transformed back into the form of the Villain he'd become and was swallowed down the spiritual maw of the man from whom society failed to save Tenko to begin with! And what was Deku doing as this happened? Absolutely nothing but yelling impotently as he got blown backward and out of the mindscape.

Imagine that Deku had found some way to cheer up Izumi Kouta only for Muscular to kill the kid thirty seconds later.  No one would be saying, “I think Deku still saved him—his heart, anyway,” if Deku got Kouta to smile and admit that Heroes were actually pretty cool only to do nothing but scream helplessly as he watched Muscular pulverize Kouta’s ribcage with one gentle squeeze.[2]

2: Mind you, this comparison is flawed!  Unlike AFO’s vestige, Muscular doesn’t turn up to kill a child as a direct result of Deku’s own actions. Also unlike the events of the final battle, Deku doesn't jump up and personally administer the killing blow to the still-screaming victim, either.

It just leaves me thinking about some of the stuff @codenamesazanka has said about how the narrative treats Shigaraki and Deku helping him: not as something Deku has a duty to do, not something Hero Society on the whole owes Shigaraki (and all the other metaphorical expy/future Shigarakis), but rather a bonus, a nice extra, a demonstration to shine up Deku's Hero cred because he's making efforts no one else would bother with and that no one would reasonably expect him to make. It's not Deku’s job to save the Tenkos or the young Izukus of the world; apparently that just falls to society at large.

So then, what was the point of making Tenko/Tomura such an extreme case of someone who started in a similar place to Deku?  Why make him, also, a weak kid who was told he couldn't be a Hero, if you're not going to have Deku save him in the way no one saved Deku himself?

From where I'm sitting, the answer is, "It seemed like a good idea to Horikoshi at the time, but proved to be poorly thought out."  But if Deku failing to save his own closest childhood analogue was where the story was going the whole time, then Shigaraki should never have been used to parallel Deku to begin with.  It's just a damned waste of Shigaraki as a character, an insult to everything he represented, to use him for ~the parallels~ throughout the entirety of the story except the very beginning and the very end.

Anyway, Pro Heroes are bullshit and the ending should have been them being radically reconceived from the ground up with input from all the people they failed to save.  But again, if you have to still have Heroes-qua-Heroes at the end, and you have to have some stupid thematic echo because you as an author think callbacks are the single most compelling storytelling tool of all time, then everything we got on Dai should have been for Scissors-kun instead, and here I am very much including Dai's scene before the first war. An unsettling scene of a strange child with his mouth sewn shut, stuck in a straitjacket in a dark room should have been the last thing we saw before launching into the day of the raids, an apparent element for the future in the same way that so many future Villains were first shown in the wake of Stain's arrest.

See, Shigaraki’s own destructiveness is what ultimately frees Scissors-kun from the basement, “saving” this rejected, abused child in a way no Hero ever managed or even knew to try, just as Shigaraki brought light and a strange sort of hope to the lives of so many others whom Heroes failed.  However, Shigaraki couldn't carry his ambitions through to the end. He was never able to meet the kid he indirectly saved, never able to offer that appallingly abused victim an avenue for his signature brand of rough justice. Heroes stopped him from doing so. So then, who will help Scissors-kun?

If we’re to believe that the story's protagonist has made a real difference, that Deku and his classmates have changed the world for the better, then we don't need to see them helping a kid who we already know is going to turn out fine because “he” aleady did. We need to see them help the people that previously only Villains would have helped, picking up the torch they struck from Shigaraki’s hands.

So sure, keep the scene with Granny Evil and Scissors-kun if you must, to show that it’s not only Heroes but also the broader Hero Society that’s changed. After that, though, show Deku stepping in.  Show him taking an interest in this kid as a way to keep his promises—to Shigaraki, that the rejection and obliviousness that he sought to destroy have indeed been destroyed and will remain so, and to Spinner, that Deku will remember Shigaraki for the rest of his life. 

When Deku is older and in a position to give advice to a kid who’s floundering and uncertain of what to do with his life because of what people around him say about him, make that character echo the characters the old system failed to save, not the character who the entire story proved would do just fine.

For god's sake, ditch Deku Redux.

Now, I know the obvious rejoinder here: We can’t use Deku’s story to say that BNHA already showed us that Dai would be fine because Dai has a quirk where Deku did not, therefore Deku’s path would not be open to Dai.  To this, I would reply that neither Deku nor Dai specify that Dai wants/is able to be a top Hero, merely that he be the kind of Hero people can admire—which the story has also already proven true!

Ojiro got into UA with nothing but one (1) extra limb.

Manual has a perfectly middling quirk that turned out to be absolutely crucial in two different wars because it was the right quirk at the right time.

Wash’s quirk makes strong bubbles. 

Like, this list is not short.  Manifest Plates might or might not make Dai Hero Billboard material, but one of the major points of the endgame was the sublime and noble value of helping when you can, in the way that you can.  So to reiterate, we didn’t need that to be proven again in the epilogue.

If anything, going the route of retreading the same story makes the epilogue much worse! Not only do we not get to see how this society is helping the people the old society most profoundly failed—victims who fall through the cracks and become Villains—but in seeing yet another a weak kid being mocked for his heroic aspirations, we find that we’ve barely moved a step beyond the exact same place we started.

That’s the message Horikoshi chose to go with, for both the closing chapters of the story and the story’s final volume cover.  Truly, as art that summarizes the story goes, it’s a masterful choice!  And that's the whole problem. The cover of Volume 42 is a perfect illustration of the self-absorbed, cynical, cyclical nature of BNHA's endgame. Little wonder, then, that it's hated by the same people who hated said endgame.

[brbsoulnomming]

Heart On Your Sleeve Part 1

written for steddiebigbang2024 and belatedly posting here!

---

Steve's parents always locked their hearts in a safe in his dad's study at night.

For as long as Steve can remember, he watched them do it, pulling their hearts out of their chests and tucking them away in the safe in an easy, practiced motion - like a dance, like something they did without even thinking about it.

He liked it, liked watching them move in unison. It made him daydream about his own partner in the future, how they could move in sync with each other, anticipating each other's every movement and not having to say a thing to know what the other wanted.

Even his parents’ hearts were similar. They were both the same pale pink, bisected with only a few silver scars, and though they didn't quite beat in unison, it was close enough that Steve's young eyes didn't notice the difference. 

“One day,” his dad always said. “When you're old enough, your heart will go in here, too. When you're trained to be separated from it, when you're grown up.”

Steve wanted to be grown up more than anything.

But his heart never looked like theirs. Even when he got old enough to pull it out of his chest, to first show it to his beaming parents, it was a deep, unblemished red.

A kid's heart, his dad called it.

“It's not a bad thing!” his dad was quick to say. “You're young, Steven, you should have a kid's heart. Go be a kid.”

He ushered him out to play with Tommy and Carol, pleased as punch when the three of them came home to get snacks.

“You've made the right friends, Steven, my boy,” his dad said one day, while Steve was in his study, watching him take his heart out of the safe and tuck it into his chest. “Tommy's not bright, but he'll do what you say, and Carol looks like she'll be taking after her mother. Find yourself a girl who fits in, and you've got the makings of the next generation.”

Steve didn't really understand what that meant, but he liked his father's approval, and Carol and Tommy were the best friends he could ever imagine, so he guessed it didn't really matter.

—

The first time his parents leave for more than just one night, Steve protests.

He grabs onto his dad's slacks, his mother's skirts, and refuses to let go.

“Steven,” his mother hisses, a warning clear in her voice.

“Little tyke loves us so much,” his father says to his business partner, who’s waiting in the front hall. There's something in his voice that Steve's never heard before, something in his eyes that makes a chill go up his spine. “Give us a minute to say goodbye.”

His parents argue in his father's study. Steve hasn't been allowed in, so he doesn't know what they're saying, but he can hear the tone, knows it's angry. 

He's not sure what he did wrong, but it must be something, so when the door opens he flinches. 

Mom doesn't look happy, but she doesn't look unhappy, either, and Dad looks pleased, so he guesses it must not be something too bad.

“Come on, Steven, my boy,” his dad says, ushering him into the study. “I think it's time we trusted you with something.”

Steve perks up, eagerly following his dad into the office and over to the safe.

“Now, you know we lock our hearts in here every night to keep them safe,” his dad says.

Steve nods. “One day mine will be in there too.”

“That's right!” His dad is smiling again, but there's still something lurking in his eyes that makes Steve nervous. “But it's not just at night. We keep them here when we go away, too, and we need someone to stay here to keep them safe.”

The idea of being trusted with something so important outweighs the lingering nerves, and Steve lights up. “Me?”

“Of course! You're our son, Steven, the best of both of us! Who else would we trust with it?”

They still leave him alone, after that, more and more often, but Steve doesn't mind.

They trust him, and he's not going to let them down.

—

Steve doesn't really like keeping his heart in his chest. It's okay, for a while, but the longer it stays the more it feels like it's trapped - like his chest is too tight and he can't breathe, like he's more alone than he's ever been.

He doesn't think hearts were meant to be locked away, but his parents tell him different, so he listens.

They're just trying to keep him safe, after all, trying to make sure he's smart and strong and doesn't get hurt. 

—

"Ugh," Carol groans. "I'm so tired of my mom asking to see my heart at the end of the day. Like, I'm in middle school now, I don't need her checking if my feelings have been hurt."

"Mine still does it, too," Tommy grumbles. "Dad keeps telling her to knock it off at least."

Steve can't remember the last time his parents wanted to see his heart. 

"Mine leaves me alone now," he brags, because it feels like he should, even if his heart clenches painfully. 

"You're so lucky," Carol says wistfully.

"Already king of the castle, huh?" Tommy asks, jostling him with his elbow.

Steve snorts. "Yeah? If I'm king, what does that make you two? Prince and princess?"

Carol wrinkles her nose. "Prince and princess are for babies," she says. "We're not kids anymore." 

"What are we, then?" Tommy asks.

"Duke and Duchess," she says decisively. "I've read about them, they're like the second commands. The king's advisors."

"Yeah," Tommy says, bobbing his head. "We're like the royal court. The three of us can take on anything."

"Hearts out," Steve says. "That's what my dad says you have to do when you're entering into an agreement."

Carol and Tommy obey immediately, holding their hearts out in the middle of the little triangle they make. Steve holds his out with theirs. All three of them are a vibrant red, plump and solid - Steve's is a little deeper, a little fuller, than both of theirs, but he figures that's okay.

He's the leader, it should be different. 

"Now what?" Carol asks.

Okay, so, Steve doesn't exactly know. Still, he can guess, based on what his dad has mentioned about his business partners, and he confidently says, "Now we make sure all of us are worth dealing with. Liar's hearts are black, and people with hearts too broken to function are full of holes and scars, and hearts with no color can't be trusted."

The three of them inspect each other's hearts closely, then nod at each other. 

"We need to touch them, too," Carol says. "My mom says that's what you do with people you trust."

Steve isn't sure about that, but he figures it can't hurt, so they rotate hearts - Steve's to Tommy, Tommy's to Carol, Carol's to Steve, and then around in a circle until Steve's holding his own heart again.

It did hurt, a little. But it didn't feel bad, just a little scary.

It's okay, though, because it's Tommy and Carol. His Duke and Duchess, the royal court.

They'd never hurt him. 

—

"Hey Mom?" Steve asks the next time she's home when he gets done with school. "Do you want to see my heart?"

"What for?" she asks, a hint of confusion in her voice that doesn't show anywhere on her perfectly made up face. "Has it changed?"

Steve's shoulders droop a little bit. He set himself up for this one. "No," he admits reluctantly. 

She hums softly, more a vague acknowledgement than anything else, and goes back to pinning her hair up.

His mom and dad must be going out somewhere tonight. 

"Can I see yours?" he asks, wanting - something. He knows they'll lock their hearts away for him to protect before they leave, knows how much it means that they trust him with that, but sometimes he just wants to see them.

"Of course, darling," she says absently, pulling it out with a practiced motion and setting it on the vanity in front of him. 

It's still exactly the same as the last time he saw it. Steve glances over at her, but she isn't even looking at him. He bites his lip, then reaches out to touch it, his hand resting gently on top of it. 

His mom flinches, just the tiniest bit, but doesn't tell him to take his hand away. 

Steve frowns. "Does that hurt?"

"It always hurts when someone touches your heart, Steven," she replies. "That's why you need to keep it in your chest, why you need to be careful about who you let close to it."

He considers that. "But you let me touch it anyway."

"Of course," his mom says. "You're my Steven."

He likes the words, and if he were a little younger, he thinks they might fill him with warmth, make his heart flush even redder. But he's old enough now to recognize that tone - the same tone she uses when he hears her on the phone with one of her friends or one of her clients, and she thinks they're being stupid.

Steve isn't stupid. 

He pulls his hand away.

If his mom's heart hurts every time he touches it, then he won't reach for it anymore.

—

Steve is in eighth grade when they learn that people can't travel far from their hearts without suffering any ill effects.

Tommy's watched Steve's parents put their hearts in their safe and leave for dinner out while he was staying over, and he laughs when their teacher tells them that.

"Something funny, Tommy?" Mr. Clarke asks.

"Well, sure," Tommy says. "It's just that isn't true, right Steve?"

"Right," Steve agrees earnestly, eager to show off his knowledge on the subject. "Or it's not always true. Some people can go miles away from theirs, I've seen it."

He says people, and not my parents, because he knows better than to drop personal information like that in the middle of class. 

Mr. Clarke had been frowning at Tommy's laughter, but something about Steve's eagerness makes him smile. 

"You have?" Mr. Clarke asks. "Tell me more."

Aware that everyone's attention is on him now, Steve makes sure to slouch casually - he can't look too invested. "Well, they didn't just leave their hearts out in the open and unguarded. They left them with someone they trust to protect them."

Mr. Clarke's smile grows, his eyes lighting up a bit in excitement. "Ah! You found the loophole. Steve's right," he says to the rest of the class, making Steve preen just a little bit. "Heart exchanges! People can travel much further from their hearts if they're safely tucked away in the chest of someone else. They can even survive things that might have been fatal, if their heart was in their own chest."

He gives a little chuckle. "There's even anecdotes of things like soldiers leaving their hearts with their fiances as they go off to war, knowing they'll be kept safe. Romantic, if unlikely. There's been no conclusive evidence of someone able to survive such a distance from their heart for so long, even with the loophole."

Steve frowns. His parents have been gone weeks at a time, leaving their hearts safe with him. 

"What about if it's locked away in a safe, and guarded?" Steve asks. "I know - I mean, someone told me that would work."

Mr. Clarke frowns a little. "Even more unlikely, I'm afraid. There's some studies that have shown people can train themselves to go further and further from their hearts, but still not without ill effects." 

Kevin sneers. "Well it sounds like someone is a liar."

Steve bristles. 

Kevin Carson is the worst.

He's a bully. Both in the way that his dad taught him the word - the kids who are too stupid to realize that brute force will only get you so far in life - and in the way that makes Steve's stomach turn a little, choosing to pick on people who can't fight back. 

The last two years at Hawkins Middle, he'd have never gone after Steve. But Kevin wanted to be basketball captain, and Steve got it instead, and now Kevin's been dogging him every chance he gets.

It's starting to get really annoying. 

Before Steve can say anything, though, Mr. Clarke's moved over to Kevin's desk, frown deepening.

“You know better than that, Mr. Carson,” Mr. Clarke says, in his disappointed voice. “We don't ridicule anyone's curiosity journey in this class.”

Kevin scowls, but he mutters out an apology. Mr Clarke watches him for a moment longer before nodding, moving back to the front of the class to continue.

"Teacher's pet," Kevin hisses at him, loud enough for the others nearby to hear but not Mr. Clarke.

Steve's never really understood why that was a bad thing - why wouldn't you want your teacher to like you? - but he knows it is, so he grimaces.

"I just listen to Coach better than you," Steve replies. "Must be why I'm captain this year."

Kevin's expression shifts into confusion. "What?"

"You don't keep your grades up, and you're on the bench for the rest of the year." Steve shrugs, leaning back so he can show how pointless this conversation is - and open it up even more for others to hear. "Aren't you looking at an F in Mr. Clarke's class? Maybe you should have more enthusiasm for your curiosity journey."

—

Tommy punches Kevin at lunch that afternoon.

Someone starts shouting, "Fight, fight, fight!" and Steve and Carol look at each other, realize they can't find Tommy, and immediately go where the crowd has gathered. 

It parts easily as Steve and Carol push through to the center, where Tommy and Kevin are squared off warily against each other. Steve tugs at Tommy's arm, and Carol shoots Kevin a look as she helps herd Tommy off to the side.

“What happened?” Steve asks Tommy, voice low and urgent. 

“Kevin was trying to rally some of the team against you,” Tommy spits out. “Said that they should get you around back, teach you a lesson about the way things are supposed to work.”

Steve's stomach twists. It's not surprising from Kevin, but the rest of the guys are his friends.

“Did they agree?” Carol asks sharply, eyes flashing.

“No,” Tommy says. “They told him to shut up. But Kevin was going on about how you're not captain material.”

Okay.

Okay, that's better, Steve can handle that. Kevin's persuasive, but Steve can be, too, and Steve hasn't been picking fights that make the team have to run drills when Coach gets pissed at them.

He leans away, pivoting back to face the group.

“Seriously, Carson, again?” Steve demands, not bothering to hide how irritated he sounds. "You remember Coach has a zero tolerance policy for starting fights, right?" 

"I didn't start anything, he punched me first!" Kevin says.

"That's not what I heard," Steve says conversationally. "I heard you talking to the other guys, trying to get them to jump me while my back was turned. Didn't know you were a coward, Carson. You got something to say to me? Why don't you say it to my face?"

Kevin draws himself up and gets in Steve's face, and Steve hears Tommy curse and start to move forward, but Steve holds up a hand. 

Steve's not scared of Kevin, and he doesn't want Tommy to get in any more trouble. He juts his chin out, tipping his head to the side so he can look down at Kevin - Steve and Tommy started their growth spurts early, and it's only by an inch or two, but they're the tallest guys here right now. 

"You gonna hit me, Kev?" Steve says softly. 

"Maybe I will," Kevin says. "Maybe it's the only way to put you in your place. Your daddy gets you out of everything, but he can't get you out of a black eye, can he?"

Steve's not sure where anyone gets the idea that his dad gets him out of anything. His dad barely knows what's going on with his life - but he guesses he doesn't really have to, guesses it's more about his dad's reputation than anything else. 

Still, it turns his irritation into anger, and just a little bit of hurt, and Steve finds himself smiling.

"Black eyes fade, Carson. You know what doesn't?" He leans in, lowers his voice a little. "How's <lyour dad gonna react when you get kicked off the team, huh? Yeah, we all know he was a high school star - it's all he ever was - what do you think he's gonna say when you can't even be that?" 

Kevin looks like he's a second away from shoving Steve, and for a moment, Steve thinks - yeah, go ahead, come on. The stuff he's saying? Steve deserves to get shoved. 

But Kevin doesn't.

Steve pitches his voice back louder. "Starting fights at school and flunking science? Not looking good for you to play at all the rest of the year, Carson. And anyone who's not playing now can kiss their spot on the high school team goodbye."

"Yeah?" Kevin asks. "Who's going to go blabbing to Coach?"

Steve shrugs, giving a disappointed sigh. "I don't like it, but it's my duty as captain to tell Coach when someone isn't being a team player." 

It probably isn't. Technically, Steve isn't even officially the captain - their coach just wanted them to be prepared for what it's going to be like in high school, and the players all voted Steve as their unofficial captain. 

But he knows that Coach will appreciate that Steve is taking it seriously, if he does tell him about anyone affecting the rest of the team.

"What are you even pissed at me for?" Steve asks. 

It's a genuine question - he actually does want to know - but it comes out sarcastic, and he can't backtrack it. 

"Passing science? Not letting you walk all over me in Mr. Clarke's class?" he adds. "Or are you just trying to get the rest of the team to be a bully like you? You want to get them in trouble, too?"

Carol hip checks him, and - yeah, okay, he sees her point, he needs to end this before Kevin has a chance to spin things back in his favor. 

"You're not worth my time," Steve says with a sneer.

There's a beat of silence.

"Didn't you hear him?" Carol asks. "You're dismissed."

Kevin tries to pull a sneer, but with his split lip it looks more like a snarl. "Who died and made Steve Harrington king?"

Carol examines her nails, the picture of boredom. "Your spot on the high school basketball team, apparently."

“Give it up, Kevin!” someone calls out.

“Come on, man, I'm sick of having to stay late at practice because of you, can't you just chill out?” Mark Jefferson bitches.

There's a chorus of agreement, and Steve watches Kevin's face as he realizes he's not going to get any backup here. Anger flickers briefly in his expression before he rolls his eyes, huffs out “Whatever,” and stomps off.

Now that there's not going to be a fight, everyone else disperses, leaving Steve alone with Tommy and Carol.

"You need to tell me and Carol before you hit someone again, okay?" Steve says seriously. "Let us handle it first."

"Yeah," Carol agrees. "You'll get in trouble if you do it all the time - you have to only do it when someone really deserves it. When we tell you."

Steve doesn't want Tommy to hit anyone, no matter what, but he guesses Carol's right. 

He'll just have to keep an eye on them.

–

When he's home, he goes straight to his dad's study and stares at the safe.

He knows the code, but part of him doesn't want to open it up. If they lied to him about this - what else have they lied to him about? Did they think he was stupid, did they not care if he ever figured it out? 

But he knows he has to, so he opens it up, and stares at what's inside.

Nothing.

Of course his parents didn't leave their hearts with him to watch over, and he feels like an idiot for having ever fallen for it. 

Something in his heart cracks, but he ruthlessly ignores it, slamming the safe door shut again.

He doesn't care, he tells himself.

His dad's an asshole anyway.

–

Nancy Wheeler is the first person to truly hold his heart in her hands, without it hurting the slightest bit.

It makes it even worse when she calls him bullshit, bullshit, bullshit, and he feels his heart crack so deep he's not sure it will ever heal.

[misspelledwordswizard]

Some forms of courtship of male wolves are to adopt dominant postures, like show their teeth or they may give gifts such as meat or bones, all to impress the female

I like to think that Twilight unconsciously does something similar, he stands at attention around you, puffs out his chest a little, if he hunts an animal he makes sure to pass close to you so you can see it, finds nice things around and leaves them in your stuff, etc

It's all about you, he wants your attention and approval so much unconsciously that he's like a puppy, If you want, he can lie on his back in front of you (act of submission or surrender) Just so you understand how much you have him wrapped around your finger, But please tell him he's doing everything good 🥺

I really like this, this idea itself is very good, and maybe it's because I like it so much that it was so difficult to do.

It took me a long time to get around to writing something about it, because all the ideas didn't seem good enough, and I still think it didn't turn out the way I wanted. But here it is!

Instincts

The Rancher approached me, with something in his hands, crouched down in front of me, where I was sitting, extended his closed hand towards me and opened it, revealing a golden ring with a blue stone in it. 

— What is this? – I asked, confused about why he had it, and why he was showing it to me, and not about what the object itself was. 

— A ring, I found it in a chest. It’s for you. – He answered, still with his hand extended, offering me the ring. – As soon as I saw it, I thought of you. – He concluded with a sweet smile on his lips. 

That made me smile too, it was really nice to know that someone thought of me seeing something like that, especially when that someone is Twilight. This feeling has been following me constantly for the last few weeks, I feel strangely silly when he’s around, and it feels like I’m going crazy, because I’m starting to think that maybe this could mean something more coming from him. This is probably just my deluded mind seeing things, but it makes me happy. 

I accepted the ring, he didn’t seem willing to give up on the idea of ​​me wearing it, and it fit perfectly on my ring finger, it felt right to be there, and it was really very beautiful.  Satisfied with that, the blond stood up and turned his attention to something Time had said, but I hadn’t heard it, as I was too focused on the present to notice the things around me. 

I sighed and hoped that no one was around to hear my silly act of a little girl in love, especially the Veteran and the Captain. I got up from the place I had been sitting under the shade of a tree. It was still morning, some of the boys had gone out to explore the surroundings of the place where we were camping and had just returned, as had Twilight. This ring was probably found in the surroundings. And now, he, Time and the Champion were going to hunt for our food. There wasn’t much to do. We would be staying here all day to replenish our supplies and regain our strength, as the next city was still far away. 

I went towards where Sky was sitting, he was sculping something on a small piece of wood, which ended up catching my attention.  I sat down next to him and was greeted by a kind smile. He seemed to understand my curiosity, because before saying anything he showed me the object he was working on. It still looked very unfinished, almost shapeless, but I was able to recognize that it was a bird. 

— It’s a hobby of mine, it helps me to distract myself.  

— I liked it, it’s really cool, but it seems difficult. You’re talented. – I replied, enchanted by the manual work, I wanted to know how to do things like that, it would be great to give as a gift.  

— Do you want to try? I can teach you if you want.  

— Are you sure? I won’t get in your way? – He just laughed at my question.  

— No, of course not, it will be fun!  

That was enough to convince me, after all, I was already very tempted. Sky gave me a square piece of wood that I could make whatever I wanted and asked me to choose something to carve. I thought for a moment, but soon a perfect image came to mind. He helped me mark the shape on the wood, and then he showed me how I should use the tools.  

It took a while for me to get the hang of it, but soon I was in the mood and we were both working on it, focused, taking advantage of this quiet time to talk.  He told me about his Zelda, and how he used to make her these cute little gifts. There came a time when we just talked about whatever came to mind, without much concern. 

Until the hero stopped talking, and something covered the sun behind me, creating a large shadow. Sky looked at what was behind me, looking surprised and confused, mostly confused, which made me look back too. And there he was, standing, at his full size, carrying a slaughtered boar on his shoulders with a certain pride, with his clothes even a little stained by the animal’s blood, Twilight. For some reason, he was just standing there, without reacting, staring at his brother with something that looked like a frown, which only made the situation stranger and more confusing. 

— Well, if you’ll excuse me, I needed to talk to Time, now that he’s back. – Sky said, getting up from his seat and leaving, with an expression that looked like understanding. 

I could see the wolf boy’s posture relax drastically, and finally, when Sky left us, his gaze turned directly to me, with a big smile on his face. I stood up, putting my unfinished work in one of the pockets of my belt, and turning my attention to him. 

— I got this. – That was all he said, keeping his proud smile on his lips, making me smile with his attitude. 

— Impressive! I’m sure the Cook and I will be able to make something very good out of this. 

His smile faltered for a moment at my words, but then he just nodded in agreement, satisfied for some reason. 

— Yes, I’ll help you. 

— Oh, no need, you’ve already done great at that. 

— No, it’s okay, I want to help you. 

I ended up just accepting that, so I went over to where Wild was to prepare lunch. He didn’t take too kindly to the idea of ​​the Rancher helping, saying there wouldn’t be much for him to do, but his insistence ended up winning the argument. He ended up only being left with the task of cutting the meat, in the end, but that seemed good enough for him. While the Champion and I took care of the rest and talked, he kept staring at his brother with that same weird frown. What’s gotten into him? 

After we did most of the work, all that was left was to wait until the meat cooked, so Wild released us from the task. I went to a corner to read, and for a moment, I thought Twilight would follow me to that corner, if he hadn’t been called by Warriors, making him sulk again. It’s a shame, I really wish I had his company right now. 

 I didn’t see him again then, at least not until now. After lunch I spent the rest of the afternoon going back to work on the wooden sculpture, I wanted it to be perfect. This was good, because it distracted me for hours, when I saw it, it was already getting dark, the boys who were out, for unknown reasons, returned, including my wolf boy, who came straight towards me, ignoring any calls from his brothers.  

He threw himself down next to me, resting his head on my shoulder and sighing. Poor thing, it must have been a tiring day for him. I put my work, now finished, aside and moved so I could look at him better, making him raise his head, attentive to my movements. I put a hand on his cheek, I felt hypnotized by his beauty, and it hit me even harder when I saw him melt into my hand, smiling. That was, until his smile died, for some reason, leaving me worried. Did I do something wrong?   

Before I could ask him anything about it, he pulled me into his lap, making me squeal in surprise, and pulled me close to his body, hugging me tightly in a protective manner. I couldn’t be more confused, but I’m definitely not complaining. 

— What’s wrong? – I asked softly, and he took a moment to answer, looking thoughtful. 

— You still smell like Sky. I’m taking care of it. 

I didn’t know what to say to that, I didn’t imagine that I could smell like someone else like that, but there was no point in contradicting him about it either, after all, Twilight’s sense of smell is definitely quite sharp. I sighed, relaxing against the strong man’s body with a goofy smile on my face. What a good day. 

— Oh, I have something for you! – I said, picking up the sculpture I had been working on, which was shaped like a wolf, or rather, Wolfie, and handing it to him. – Sorry, it didn’t turn out very well, I’m still learning. 

He held the gift carefully, analyzing it, looking surprised. Then he pulled me closer, giving me a tight hug and burying his face in my neck, I could feel him smiling against my skin. 

— Thank you, dear. – He said, looking me in the eyes again, and placing a warm kiss on my right cheek. 

[boxturret]

2003, The Era of Sport, The Era of the Hockey Men

I'll be honest, I wanted to do a big multi part write up in a similar vein to the one I did on the Bohrok Pens, but after getting all the sets in hand I just...didn't have much to say about them. I took a ton of photos but when it came to actually putting a post together I just wasn't having any fun, felt like I'd end up reciting set numbers and other things that anyone can look up on other sites, so screw it. In no particular order, here's my rambling thoughts about the 2003 Bionicle Hockey sets:

They're okay.

Function

The spring part at their core is neat, it's bidirectional, so both ends of the spring are set up in such a way that when its rotated it will return to centre.

There are two configurations of hockey men, they all use the same basic functional parts:

The first kind mounts the spring vertically and by pushing on the head the stick rotates slightly

The second one mounts the spring horizontally and pressing the head swings the stick in a wide arc.

There's four different kinds of sticks, two for each configuration.

Each has a different shape to it to affect how the hockey puck is hit, but in practice the horizontal mount is by far the more powerful of the two.

This one fires pretty straight.

This one is curved so it kinda flicks the puck in the air.

This one destroys everything in its path.

And this one is pretty much the same, but with a slight bend in it.

And that's it really. Despite there being 8 different hockey men across all the sets, there's only those four configurations.

When looking at some of the parts, like the spring and the base, I saw how they were mirrored, and was hoping that maybe you could reverse the mechanisms at the very least, but nope.

Sadly the main wedge parts are chiral, so they can't be flipped around. Which seems rather a shame, having left and right handed hockey men would have added some variety.

Masks

On the topic of variety, one of the more interesting aspects of the hockey men is the masks. This was really the reason I got them. I'm really in to the pre-Bionicle idea of Voodoo Heads, and some of these masks seem like they would have fit in well with that theme.

The hockey men actually use a Tohunga head, the same as in the 01 Bionicle sets, but in light grey. So their masks are completely compatible with Bionicle.

The way they were released though was very odd.

There's 7 different masks, which works out perfectly for the number of sets, 4 canister sets, a two pack, a mess, and the omni man who can be anything you wish:

The masks were on sprues, three to a wheel. The first row of three was on one, the second on another. The seventh mask was released on its own.

What's so odd about the sprues is how...different they are.

The first one has a much thinner wall to the ring, there's no support spokes, and the masks are supposed to be held together with a little 3 pronged bit of plastic in the middle, though none of the ones I got had that part in place. In fact, one sealed set I got that was supposed to come with this ring just had the masks loose, with the bit of plastic along with them. Note how the masks all have horizontal parts jutting out from the mouth peg, that slots in to the mouth of the Tohunga skull, just like a Bionicle mask would.

The second wheel is much thicker, with additional supports along the edges, and three spokes holding everything in place. Now you'd think this would be a later revision, but look at the mouth pegs, they're lacking the parts that lock in to the mouth, meaning they're harder to align properly.

The seventh mask is lacking any sprue marks so I think it was done as a single part and has the side parts on the peg. Its also quite similar to one of the ones on the first sprue, so for a while I didn't know it was its own thing.

They're quite odd. Neat looking though.

Mess

Speaking of the seventh mask, here's the set it came with.

Its best described as a hot mess.

In theory its supposed to be a puck feeder, shooting pucks out for you to attempt to hit, but the motor is so weak, and the construction of the feeding mechanism is really prone to jamming.

It barely has enough power to get through the included pucks, which it just limply drops out of its ramp.

If that isn't good enough for you there's alternate instructions for a...thing instead.

Its super awkward to wind up, and you get seconds of a hockey stick shaped thing flailing around a bit, the bulk of the mechanism itself filling most of the goal on its own.

Its also even more susceptible to jamming than the first build!

Goals

Okay, back in to more positive things, the goal in that last set was a stripped down version of the goals that came in the two pack set, which I think are some of the better things to come from the theme.

Featuring lovely long red axles and a special net, they really look the part! shame about the blue friction split pins, this was right on the edge of when everything fell apart colour wise.

What's better is that if you got the big multi pack which came with the two pack and two of the omni-men, you also got the huge hockey rink base which had special tabs just for locking the goal in place.

The rink is a really cool thing, its made from this milky plastic and they printed everything on the back side, so the prints are viewed through the semi transparent plastic. This makes it look very authentic to how ice rinks really look (I'm Canadian I know these things).

Its huge though, it needs a lot of table or floor space. Its larger than toy hockey rinks, and is getting close to some smaller air hockey tables I've seen.

Couldn't even take a full photo of it easily.

You can fit all the major sets on it, but its pretty tight, but that doesn't really matter that much, as I don't think you'd be able to play the game like this at all.

Really I don't know how playable this game is, even with the rink, there's some sets that are purposefully designed to flip the puck in the air.

Combination Models

Speaking of flipping pucks in the air: the hockey Kaita. Okay I don't have a good link to this part.

I think these guys really highlight the weakness of this system. even when using parts from multiple sets the functions stay identical, the extra parts are just tossed on haphazardly.

Also, even though this one says its a combiner of those two sets, you can make it without touching any part of the second one.

It doesn't come though on this scan, but the face plates in these photos are clearly 3d printed.

Mini Guys

As is traditional, the theme also features several small sets. Its quite confusing as there's a lot of different versions, some come together, some separate, some in bags, some not, but at their core there's 6 figures, two pairs of each size class; large, medium, and small. The larger ones sometimes had goals, depending on the version.

The mini guys all have the same function, which honestly is pretty ingenious, using a Slizer foot to wedge the two feet beams apart on one side and snap them together on the other side to shoot the puck. Honestly its a bit more fun than some of the full sized sets.

The one issue is that hitting them too hard on the softer plastic of the armour piece does feel liable to bend it. Something to look out for, especially with the set exclusive yellow one.

That part came in a very wide array of colours in this one theme.

Female Bionicle M.O.C.s for decades after owe a lot to the hockey-men.

Bottle

And I guess to end things I'll briefly touch on the bottle. Much like the Roboriders and Bionicle sets, they came in canisters, in fact the threading is cross compatible between many of these various canisters.

The canisters always had a purpose, the Roborider's lids could be used in the combiners, the Toa's canisters were an important thing in the story, and the lids represented the suva and could store 7 masks, and the Bohrok canisters represented their hive and doubled as a way of displaying them.

The hockey canisters are functional water bottles.

The nub on top can be pulled out and drunk from. Its a fairly standard water bottle design, though I think more recently its fallen out of favour. the lid is lacking a gasket of any kind however, so the water tightness of this bottle is questionable.

Conclusion

And that's all I have to say about the hockey men of 2003. Turns out it was quite a lot, but it wasn't quite as comprehensive as I was intending. I took a lot of photos that I didn't end up using, so I'll put them all up on my drive HERE. In my attempts to get all the sets I just incidentally ended up with practically all the boxes and cans, which is pretty funny considering all the effort I went through to achieve the same for other themes.

Overall, they're kinda neat, interesting to mess around with a bit, but the system was really needlessly limited and some functions were quite lacklustre. If I had to give them a number ranking it would be an eight point three.

****

I'll leave this post on a bit of a mystery I'm not invested enough to get to the bottom of:

There's an odd amount of inconsistency between how the sets are depicted, whether its a straight image or doing this effect where its a single image projected across multiple screens. I got all the canister sets at once, and they all came with their instructions, so unless the person selling them was mix and matching them, which is possible but seems unlikely with the condition they were in, I have no clue what's going on here. Some match, some are one way, some are the other, its all very odd.

Well, have a nice day.

Ah yes! One last thing:

Like the Slizer boxes, the Hockey Men all come with a nice blank tile to write your name on.

Which is, I believe, a crime in oleg fan circles severe enough to warrant execution.

[olderthannetfic]

Knitting question!

Intellectually I know failure is fine. I'm a beginner! I'm learning! Mistakes are part of the process! But I find it really hard not to be demotivated by projects not turning out how I want

I spent all this time and materials on this and it's just kinda shit?

Did you experience that/have any advice?

--

I definitely experienced that when I first tried knitting. I don't remember, but I suspect it's why I drifted away from the craft for nearly two decades.

I have a couple of semi-failures from my current re-entry into knitting. I intend to frog or partially frog them and re-knit, but there are other projects I care more about that are taking priority so far.

Right now, I love watching youtube videos with little tricks to improve one's knitting or deep dives into technical matters. I find information on fiber fascinating. I think that has helped me avoid many of the problems I experienced the first time around. Even if I run into an issue now, I can probably redo the project to make it how I want.

I think the first thing to figure out is how it's kind of shit. Yes, yes, you're a n00b, but there are lots of reasons projects turn out shitty. Some issues require a lot of practice. Many issues require reading a blog post explaining some technical thing and instantly upgrading your knowledge.

--

For example:

When I first got back into knitting, I got some pretty green yarn and made a Medieval-looking hood. I had no clue how alpaca behaved or that it would be waaaay too flowy for the look the pattern was supposed to have. I was also knitting the pattern with the wrong size of yarn, needle, etc. It turned out way too big for me and a formless blob. It was also itchy.

A year or two later, I threw it in the dryer, and now it's an epic rainy day hood. It's mostly not itchy because the felting stuck down all those hairy ends. It has a lot more body now because it's felt instead of flowy hand-knit alpaca. (And, hey, it's even more Medieval since those hoods were often felt but not often knitted as far as I could tell.)

What went wrong here was mostly that I knew fuckall about fiber. I knew I was making it in some randomass size and didn't really care that it was too big, but I didn't know it would slither off of me due to alpaca's drape. I didn't need practice: I needed someone to tell me how alpaca behaves.

--

Example 2:

I knit that Owls sweater and didn't like how it had no shaping... so I winged it. I ended up with really bizarre shaping because 1. I had no idea what I was doing and 2. I didn't close the underarm holes until the very end, so the sweater appeared to fit when I tried it on.

I could open the underarms back up and knit a separate piece for them, but I realized that I dislike the fabric overall. I knit it on a too-big needle (in my opinion). I thought I liked that looseness in my swatch, but I have changed my mind. I was also worried about running out of yarn (since it's a used yarn that I won't find again), but I had tons left over. I also think I want it more cropped. The yarn has a sort of nasty texture but beautiful color, and I knit quite a tight (and thus scratchy) sweater. I don't think I wet blocked it though, so that might fix the texture.

What I should actually do here, assuming I don't just get rid of the thing in favor of better yarn, is frog it and reknit from the top down, reversing the pattern and not having a phase with the underarms open like that. I should also knit it at a tighter gauge but with a little more positive ease, and I should trust that the stretchiness of wool will make it conform to my body just fine without a lot of shaping. Before any of that, I should wet block it and see how the texture changes.

I don't really consider this a permanent failure. I like the Owls themselves. I can easily just knit this again and get a sweater I want to wear... possibly a cardigan, now that I think about it. The yarn is a relatively robust wool that will be fine being frogged and reused, and knitting it gave me more experience with finishing a whole sweater. My various fuckups taught me things about both knitting and my personal taste.

I guess it could be demotivating because it took a while, but on that bigass needle, it really didn't take that long. I would probably always have knit multiple sweaters from this pattern. I see more than one in my future anyway.

Experience was an issue here, but it wasn't experience with the literal act of knitting. My tension was fine. It was more that I fucked around and found out.

--

Example 3:

I made a self-drafted BTS sweater out of another batch of used yarn that I'll never get more of. I love the body. the sleeves are too tight in the upper arm, and my bizarre-ass design for the top of the body means that the sweater wants to be a boat neck but also fit differently in the sleeves and... gaaaaah. The tight sleeves don't feel bad, but what they do do is make the whole sleeve slide down my arm weirdly because of the fit issues around the boat neck.

Part of why the upper arm area is so tight is that I was worried I'd run out of yarn (which I did) and I wanted a balloon sleeve rather than a straight one. The yarn is so stiff that the balloon part is weird, and the two other purple yarns I added for the lower sleeve look weird. I should have reversed their order because one matches too well, and now it just looks like I ran out and had to add a last inch in a random other yarn. I have most of those two skeins left hanging around and a sweater that fits strangely.

Also... it needs hand washing but is shaped and sized to be worn against bare skin, so it gets stinky after a few hours of wear because I am a sweaty, sweaty person.

In this case, I wouldn't redo the body: this silk blend will look less nice after frogging, and I already roughed it up a lot knitting the damn thing the first time. I knit it starting at the top, so the weird fit across the shoulders is mostly here to stay.

However, I'm pretty sure the bad fit on the sleeves can be fixed by ripping back and adding a bunch of width up top. I can also start with the flowier other two yarns and maybe have bands of this stiffer one that I used in the body. I suspect the weird body fit is fixable by changing what the sleeves are supposed to be doing.

This is another case of fucking around and finding out, so I'm not too disappointed in it. I did wear it to Yoongi's concert too, and it was gorgeous, if too hot.

I do realize now that I hate boat necks, but I think I can put up with this one if the sleeves aren't constantly sliding out of place.

And if fixing the sleeves doesn't rescue this, I might attempt some surgery one of these days, but that's more of a pain in the ass, so that will definitely have to wait.

--

Now, my guess is that your "kind of shit" is not "I freehanded a sweater two seconds after getting back into knitting because I'm a crazy person, and I messed up the shaping".

The more common problems are things like:

Not realizing that you should block or not blocking aggressively enough, so your stitches look way more uneven than they need to, the shape is weird compared to the example pics in the pattern, etc.

Using assy bind-offs so the edge looks amateur instead of polished. (You can go back and fix this.)

Failing to swatch, and now you've knit the wrong size.

Picking a fiber that just cannot do what you want it to—usually seen in people trying to avoid wool and not getting that 99.999999% of trendy patterns are written specifically for wool. I have an ancient sweater from college that looks nothing like the example in the book because all I could afford was big box store acrylic. Never again the plastic horror!

Buying patterns from a size 0 lifestyle blogger aspirational knitwear designer with no boobs and a great photographer, then feeling dumpy when trying the thing on under crappy lighting. This one usually requires a little more self confidence and some bust darts.

Making things in plain stockinette in a light color and smooth yarn like cotton that shows EVERY SINGLE TIME your tension wasn't machinelike. This is unfixable. Don't do this.

--

If you're using mohair or alpaca, frogging may be more trouble than it's worth, but you often can reuse the materials. Granted, you've still sunk that time in, but the materials don't always have to be wasted. That might help it feel more like time you spent practicing and less like a complete disaster.

I'm a very product-focused knitter, so I don't really have practice pieces. I'm knitting to have a Thing and I want to wear that Thing, so I get the disappointment if you don't end up wanting to actually use what you've made.

But that also helps me not get totally demotivated. I still want that Thing and now I have a clearer idea how to make it.

So... what are these "kinda shit" projects anyway? What about them do you not like?

[alexanderwales]

The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

[starheirxero]

[rez anon]

EARTH WHEN I FUCKING GET YOU

'oh we made sure he knew we still loved him' yeah fuckin sure Moon the definitely felt the love when you left him fucking homeless.

'He's developed several bad coping mechanisms'

OK THEN FUCKING HELP HIM?!?!? YOU HAD BAD COPING MECHANISMS TOO?!

'Oh he said it was an accident but we don't know if it was a one time thing so we're gonna kick him out to protect the kids'

Moon was it a one time thing when you let killcode out to kill? You think you're ANY safer???

'I will always be your brother, I will always look out for you.'

Aint that the same fuckin thing you told Lunar? Cus you sure as he'll didn't follow up on that.

Gond fucking forgive Lunar act like Eclipse

Ill talk more later

WATCHED THE EP U SENT THIS ABOUT JUST NOW AND YEAH. YEAH.

I AM... JUST. BAFFLED. I AM SHOCKED AND APPALLED. THERE'S NO WAY THIS HAS ALL BECOME "FOR THE KIDS' SAFETY." The way Earth just immediately understood why they kicked Lunar out is just,,, augh. Yes Moon I'm sure Lunar felt the love just dripping from your statement of "you're lucky you're still even considered family." 😭

YEA THE WAY THEY TALKED ABT HOW LUNAR'S WAS COPING MESSED ME UP ACTUALLY. Like, the whole interaction of,,, "He's hidden so much from me." "That's just how he is." "I don't like how he is then." LIKE OH,,, OH. OW!!! YK??? LIKE FUCK. On one hand I am so painfully aware of the celestial family's perspective on this, and I know that Lunar has avoided proper help before. But on the other hand THAT FEELS LIKE SUCH AN UTTERLY CRUSHING THING TO SAY.

It just feels like,,, you got a look under their cheery little mask for the first time and saw all the gross anger and unhealed trauma underneath and you decided that's just... it? Earth, who stuck out for Eclipse, saw anger and resentment in Lunar and said she doesn't like who they are anymore??? Like. Am I reaching here or does that feel unfair?!?!!!

AND HONESTLY THE KILL CODE POINT. YEAH. Like again I get it. Yes it would suck to risk having repeats of this incident. But also like. The other family members have shit too that could be regarded with the same weird caution and it's like. cmon. I'm starting to wonder if it really is just a matter of Lunar being too astral to fit in with their entirely robot family, yk???

Like. Idk. Vague hand motions. Nexus fans I'm sorry I never understood you until now HSJABDJSN

[peppermintquartz]

(felt like adding something to this)

Buck stumbles out of bed and gets to his door before the knocking gets any more agitated. No one has texted him to say they're coming over, so it may be an irate neighbor here to complain about the KitchenAid.

He's not ready to see Tommy standing outside in a black fitted tee and tight jeans.

Tommy looks... different, in the week since he walked out on Buck. His shoulders aren't rounded and his posture is perfect. There's a sharpness to his jaw and his hair is gelled with a swoop. And he's wearing boots instead of his usual sneakers.

"Evan?"

Buck blinks. Something is wrong. This isn't how Tommy says his name, unless Tommy really doesn't -

"Tommy."

"No, not Tommy. I'm Donovan. Tommy is my younger brother - twins." He flashes a smile, and it's so similar to Tommy yet so different that Buck's mind is reeling. "He was supposed to introduce us next week, when I have time to come and stay for the weekend."

Inhaling sharply, Buck takes a step back. "He has a twin. Six months... What other secrets did he have? Maybe he's not even gay! M-maybe he has a, a wife and three kids and that's why-"

"Hey, Evan, breathe. Relax."

"Don't call me Evan," Buck snaps at Not-Tommy. Donovan. "Shit. This is... This is bullshit."

Donovan steps back and holds up his hands. "I don't know what I'm supposed to call you, because Tommy only ever talked about his 'boyfriend Evan' to me."

"Buck. You can call me Buck."

"And I prefer Rocker." Rolling his eyes at Buck's quizzical frown, he says, "Tommy and I are twins that didn't grow up together. Since we were eight, we've been living with different parents. Divorce. Mom got me, Dad got him. It sucked for Tommy and Mom tried her best, but, well."

"Still doesn't explain why Tommy didn't mention a twin."

"Look, can we talk inside?" Rocker asks.

Buck folds his arms and blocks the door. "No."

"Dude, I just wanna-"

"Donny!" The shout comes from the elevator. Buck looks over and his heart skips three beats. It's Tommy, the real one, and he looks an absolute mess. He's a little broader in the jaw and the features of his face softer, gentler. He's not shaven, there are bags under his eyes, and his hair is frizzy and tangled in the longer parts. The shirt he has on is a size larger and his jeans are relaxed fit and he has his blue Reeboks on.

That's his Tommy.

(His. His his his his his.)

"I'm trying to help," Rocker says, his hands on his hips.

Tommy makes a face and his mouth goes thin and unhappy. "You can't just show up at my boyfriend's place - ex-boyfriend. I meant." He clears his throat and glances at Buck. "Sorry. We'll leave."

"Hell we are," says Rocker. He slings an arm around his twin's waist and catches Tommy's free arm before he can land a punch. "Baby bro, I've taken down armed men who want to kill me. Your efforts are futile."

"You're the fucking worst."

Buck stares at the two, and exhales heavily. Stranger things have happened. He steps aside and says, "I've a walnut loaf and an apple pie that needs eating. Come on in."

As Tommy is dragged past him, Buck says, "If you call me Buck, I'll whack you with a rolling pin."

Donovan Rocker tilts his head and a delighted smile creeps onto his face. "Oh, so that's why I can't call you Evan!"

"This had better be good," Buck grumbles, even though he's secretly happy to shut and lock the door with Tommy in here with him. His brother can find his own way down from the balcony.

"Donny, not today."

"Hell you mean not today," Donovan Rocker pushes his way into his twin brother's house. "You drunk called me, crying about your boyfriend whom you were supposed to introduce to me next week, saying that you broke up 'for his own good', and you think I won't take a couple days off to check on you? Fat chance, fathead."

Tommy groans and drops onto his sofa. "Whatever, man."

"What happened?"

"He asked me to move in with him."

"Tommy that's awesome! You love the guy!"

Tommy cracks open an eye. "Donny, he didn't even tell me he loves me. And I have a fucking house, okay? I have a whole damned house which you are sitting in."

Rocker makes a face. "Did you say that to him?"

"Like that's gonna make a difference." Tommy shuts his eyes and tilts his head back. "Fuck. Fuck all this. At least now he doesn't have to know how shitty I am."

Humming in sympathy, Rocker sits next to Tommy and carefully gathers his twin into a hug. Tommy resists a little at first, but then gives in to lie on Rocker's shoulder, curling his socked feet onto the cushions.

"Sometimes I think Mom should've fought harder to have custody of us both," Rocker says quietly, after a while. "She'd have got that low self-esteem out of you somehow."

"Yeah, well. Wishes and horses."

Rocker kisses the top of his twin's head. "I'll stay here tonight, baby bro. Seems like you need someone in your corner."

"I'm only eight minutes younger," Tommy grumbles, but he doesn't chase Rocker away; his arms wrap more tightly around his twin, pretending it's not a different body he wants in his embrace.

[locomoqo]

Since there's only 1 taehoon fic on your blog..

how about taehoon fucking us while wearing the dobok😧??

(LOVE YOUR WRITES I HOPE THERE'S MORE VIRAL HIT FICS COMING SOON💥💥)

fantasize

— taehoon seong x reader

details: NSFW CONTENT, fem bodied reader, fingering, p in v, protected sex, clothed sex (?)

A/N: i swear im going to post more viral hit fics soon trust

Something about seeing him in his dobok, especially when he's training, has you completely transfixed. The way the fabric fits just right, the focus in his eyes, the tension in his arms as he practices his forms—it's enough to make you lose your train of thought entirely.

And he's caught you admiring him in his uniform on more than one occasion.

The first time—you didn't even realize you were staring that hard. Snapped out of your daze by Taehoon’s voice, you blink as he crosses his arms, a skeptical eyebrow raised. “You even listening?” he scoffs, his expression showing that typical impatience.

“Uh… yes, I'm listening,” you quickly insist, dragging your gaze upward to actually meet his eyes. But you know you're not fooling him.

“What was I saying then?”

“Um… this and that?”

“Knew it. You weren't listening to a single thing I was saying.” He’s clearly annoyed, but you’re too flustered to even defend yourself. Well, how could you be expected to concentrate when he looks that good?

Still, Taehoon isn’t one to let you off easy. He frowns, more annoyed that your attention isn't where he wants it to be. After all, you’re supposed to be here learning taekwondo (like you asked to), doing your stretches properly, not zoning out. Without warning, his hand presses gently on your back, encouraging you to bend deeper into a stretch. “Focus,” he chides, irritation in his voice, and you let out a surprised squeal.

“Wait, wait!” you protest, but he only rolls his eyes. “If you spent less time gawking and more time practicing, you’d be way better at this by now,” he mutters, and you can’t even deny it.

But you keep sneaking glances at him. Even when you're trying to behave, it's impossible not to notice the way he moves or the serious expression on his face when he's in training mode. He’s used to you looking at him with that soft, adoring expression, but there’s something about the way you look at him during these moments that’s different.

He eventually puts two and two together.

One afternoon, while you’re both tangled up in each other during a heated make-out session that’s on the brink of something more, he pauses to take off his uniform. You grab his wrist and, breathless, say, “No, it's fine… keep it on.”

Taehoon stills, realization dawning in his eyes. The way he glares down at you, almost incredulous, makes your face heat up. “Oh,” he says, his voice low and laced with newfound amusement. “So that’s why you keep staring at me like that.”

You squirm under his knowing gaze, the embarrassment hitting you hard. He smirks, the corner of his mouth tilting upward in that rare, playful way. “Unbelievable,” he mutters, but there's a hint of satisfaction there too. He finally understands why you’ve been so distracted—and he’s definitely going to use it to his advantage.

“You just like seeing me wearing this,” he scoffs, pulling you back into a kiss. Your fingers trail down his toned front, curling around the waistband of his pants. He pulls away to press hot, open-mouthed kisses down your neck, his hands holding you firmly in place.

A soft moan escapes your lips as you tilt your head to give him more space. One of his hands moves from your thigh to your waist, trailing teasingly along your clothed cunt. “Makes me wonder just how wet you get seeing me like this,” he murmurs against your neck.

“Don’t rub it in,” you mumble, your voice laced with embarrassment.

“Nah, this is all on you,” he chuckles, sliding those slender fingers past your defenses. You gasp at the sensation, leaning toward him while clutching the sturdy fabric of his uniform. His fingers slide in and out slowly, an amused smirk playing on his lips as he watches your struggle for more. “Quit teasing…” you whine, burying your face in the crook of his neck.

“You’re demandin’ a lot from me today, huh?” he taunts, fingers stilling momentarily. “First, you get all handsy with me.”

He withdraws his touch, swiftly pinning you down onto the bed. “Then, you ask me to fuck you in my dobok,” he accuses, voice teasing yet full of intent. His fingers find you again, sliding inside as he pins your wrists above your head. His middle and ring fingers curl perfectly into your gummy walls, making your legs reflexively try to close around him. But he’s already prepared for that, using his knee to keep you open.

“And now, you think you can tell me what to do?” His eyes narrow with a slightly sadistic smile.  Oh, that’s how you know he’s going to be mean with your body this time around.

Moving his fingers ruthlessly that in no time you can hear the lewd squelching coming from your pussy. “‘m sorry! ah! Tae—‘m s-sorry!” you whine and moan as his fingers work you over, his palm grinding against your clit that has your hips twitch uncontrollably. It’s embarrassingly easy for him to make you cum on his fingers just like that, leaving you breathless.

“I’ll give you what you want, then,” he mutters, reaching into your side drawer. He knows exactly where to find what he’s looking for—this isn’t your first time together, after all. He tears open the condom wrapper, pulling down his pants just enough to free himself before sliding the rubber on. He doesn’t even need lube; your wetness mixed with your juices makes it effortless for him to push into you, drawing a moan from your lips. Your nails dig into the skin of his hand still pinning your wrists down.

You can’t help but admire just how good he looks like this. The way his dobok hangs loosely over his frame, the slight furrow in his brows as he gives you a moment to adjust. Of course, he catches your gaze and smirks. “You’ve got a reaaal bad staring problem,” he mutters, his eyes shifting back to where he’s buried inside you. He starts moving at a pace that isn’t slow but not fast either, but knowing him, it’ll only get faster later on anyway.

He knows exactly how to hit all the right spots, what makes you whimper and clench around him. How to make you come apart so easily, like it’s second nature to him. The sensation pulls a breathy moan from your lips, and his grip on your wrists tightens slightly.

“You like that?” he asks, voice low and gravelly, though it’s less of a question and more of a tease. He smirks when your only response is a strangled moan, your back arching involuntarily.

His free hand finds your waist, fingers digging into your skin to hold you still as he increases his pace. The heady tempo makes it hard to think, his dobok brushes against your exposed skin with every thrust, the fabric a tantalizing reminder of why this was happening. It isn’t long until you’re both chasing that sweet release, a mix of grunts and moans.

Once you do, you both stay like that for a moment. After a minute or two, he leans down into your ear. “Should I start training in my tank top and some sweats next time, so you don’t get distracted?” he murmurs, a hint of a chuckle breaking through.

[secriden]

Re-watching the scene where Kant and Style talk outside the diner makes me wonder if Style only suggested Kant's dad's car because he thought Kant wouldn't agree to that deal.

The way he says it, all gleeful and teasing, it's clear he's not expecting Kant to say yes to this.

When Kant agrees, the expression on Style's face is almost fond amusement, like "Oh damn, bro, you're really agreeing to this?? You're THIS gone on him already? After one night??"

He even checks again, to see if Kant's serious, like he's half trying to talk Kant out of the deal.

(Love how the whole time Kant is So Serious. Every frame in this scene is Kant serving Soft, Sad, and Wistful eyes as he gazes longingly at Bison through the window.)

But I love what this shows of their friendship. Style will do this crazy thing for his friend just because Kant is in love (as far as Style's knows) for the first time and asking him to help. And yes, some of it is the car and his own ego/desire to put the hot jerk who refused his attempts at seduction in his place -- but its also kind of sweet. Style is presented in ep 1 as quite selfish and self-centered (not maliciously, but in a careless kind of way), but here we see him agreeing to something quite inconvenient for the sake of a friend.

There's some hints at how sweet their friendship is earlier in this episode actually. In the bowling alley, when Style is acting like a brat:

Maybe its just cuz First is too damn pretty for his own good, but his expression reads as slightly exasperated but very fond. It feels like Kant indulges Style's quirks and brashness a lot, so I can sort of see Style agreeing to get involved with a relative stranger just because his friend asked.

This also fits more naturally into my headcannon for Style being the most naive and therefore vulnerable character in the main cast. He's doing everything for (mostly) genuine reasons and I really hope we get to see an explosive reaction when he finds out that Kant didn't tell him about the whole police pressure situation, not to mention the assassin issue.

But I could also see Style finding out that Fadel is a dangerous assassin and being like, "Wait, and the worse you did to me was prick me lightly with a pin and drag me outside your diner?? Yeah you're definitely attracted to me." Which would be. So Hilarious. Imagine Fadel's face. xD

[jesuis-assez]

We know that Lucy calls Tim babe (I refuse to use past tense I’m in denial lol), if you could have your way, what would Tim call Lucy as a pet name? #ChenfordChats

Hmm... I think I'd melt if he called her 'Baby' or 'Sweetheart' I have a soft spot for those ones. I don't know what that's about. I don't want to go there 🤣

And if I think of moments where those terms of endearments could've been used:

6x04:

When he rushed to the hospital and comforted her by touching her head ever so gently. Him softly telling her, "My god, you didn't have to take my hero suggestion so literally" If we were to replace "my god" with "sweetheart" or "baby" ?? 👌

6x06: ( Everyone put your pitchforks down and hear me out ) 🤣

If he said "I'm sorry, baby" or 'sweetheart' right before kissing her forehead. Although, I'm not sure how it would have fit exactly in the scene. But, I wouldn't object to it. It actually was one of my favourite scenes of theirs in season six. It had everything for me. It ripped me apart emotionally and left me wanting more. I loved it, no sarcasm here. I'm being genuine.

The scene itself is already packed with so much angst. But, then there would be them holding hands, " I'm sorry, [term of endearment]" and a forehead kiss in there. We're already on the ground dying and that would just finish us off.

In 6x03:

Lucy is over preparing for her detective exam with Tim being so amazing and supportive.

What he said here was truly enough and It doesn't matter so much that a sweetheart wasn't at the end of him saying 'yourself', but I would've loved it even more. I thought him saying that to her was a huge thing to say, coming from someone who ALWAYS needs to feel in control.

Because Lucy was so far in her head with it. So much that she had been projecting all of her self-doubt onto Tim. She couldn't see that he was being supportive, because it's not like her parents were ever supportive of her career. She's never had that support.

Yes, Lucy. And not even yourself, either.

That's what she was doing. Listening to that voice in her head telling her that she isn't good enough. That she's not ready and she can't do it. And Tim being her number 1 supporter was there reminding her not to do that. After all... he had taught her not to.

And to see her going back into that mind-set, to see Lucy filling herself with all that self-doubt again? To second guess herself again... It must be hard to watch someone you love, spiral like that. To try and help them through it and no matter what you say or do, it only pushes them further to burning out.

I focused heavily on season 6 for examples. Even if he were just to say, "Are you okay, baby?" I am aware that he said 'baby' to Isabel before (When she got shot in the head) but, that doesn't mean shit here 🤣 It's obviously a term he has been comfortable with using in the past. I don't see why he wouldn't use it again, unless he were to come up with something specially for Lucy. (What I am hoping for)

If he were to actually use 'sweetheart' that would also fit well for Lucy, for how kind-hearted she is and has been to him.

I do hope that Tim might use something that we've never heard before. *fingers crossed* for this one. It won't matter if he doesn't. I'm ALMOST sure whatever endearment he comes up with (if he even does) some of us will probably pass out on the spot *raises hand* Me. I'd-- I'd do that. Ok, I might (very unlikely)

But what most likely would happen is what usually happens. I'll either be internally screaming or I'll sit there on the spot inaudibly screaming 'Ahhhh' while pointing.

I'm hoping it would be something that's unique to their relationship. Or at least Lucy. I'd be so on board for that! I am a sucker for those kinds of nickname/endearments, too.

Y'know, something similar to when she was his rookie and he would incessantly call her 'boot'.

Thank yooooou for sending me this ! I may have put waaay too much thought into this. I'm incapable of answering without talking extensively about it. This ask was a lot of fun 💖🤭

[ordinaryschmuck]

Full Family AU Part 39

"I've never seen eggs made this way..." Luz said, astonished as Eda held the pan over a floating blue flame. She stood very close to the witch, up on her tiptoes to stare in awe at the flame just over the counter top, but not burning or melting it.

"That's the way of magic, kiddo," Eda said with a grin, stirring the eggs up a bit. "You can do a ton of cool stuff with it."

"Can you teach me how?!"

"Ooh, sorry, but no. Afraid that humans can't do magic. They're biologically incapable of it."

"Oh..." Luz thought for a second, drumming her fingers on the kitchen counter. "What does...by-log-ick-ally...in-camp-able mean?"

"That was a good try," Eda commented. "And it means you can never do it because you weren't born a witch. You don't got the parts to do it right."

"Aw...!" Luz whined, which earned her a gentle pat on the head from Eda.

"WHAT ARE YOU DOING TO MY KITCHEN?!" a certain voice shrieked, causing both Eda and Luz to jump and spin around to see a frazzled Camila.

"Good morning to you too!" Eda shouted back, a little annoyed. "How do you like yer eggs, by the way? Scrambled, omlet, or--"

"YOU!" Camila ran over to the counter and ducked down to open the little door under the sink.

"We're making eggies for the puppy," Luz tried to explain as Camila tossed out pan after pan. "Also, he's not a puppy."

"That's great, Mija!" Camila shouted, not really paying attention. She then got up with a fire extinguisher in hand and aimed it at the blue flame. Eda barely had time to yank the pan away before Camila blasted foam at the fire, putting it out.

"Watch it!" Eda yelled. "You almost ruined breakfast, ya animal!"

"You're the animal!" Camila pointed the fire extinguisher at Eda in a fit of rage. "I don't know how things work in magic land, but here, WE DON'T SET KITCHENS ON FIRE!"

"Ooh, Mami!" Luz chirped, running up to Camila. "Griffins are real! And they breathe spiders! I knew they did!"

"WONDERFUL!" Camila told her, still not really hearing Luz.

At this point, Manny went up to Luz and carefully pulled her away from her mother.

"Mija, I think it's best to keep a distance from Mami for now," He said. "She looks about ready to go in for the kill."

"Unreasonably, I might add," Eda said, making Camila more furious. "It was a blue, magical flame. It radiates heat, but it don't burn or melt! Witches use it to cook all the time, like when they're out camping or if the stove's broken."

"You know at a stove is and you lit a fire instead of the perfectly good stove right there?!" Camila loudly asked, pointing at her kitchen stove for emphasis.

"I don't know how that thing works! I mean, look at that!" Eda pointed at the stove's digital clock. "What even is that?!"

"It's a clock!"

"Like nothing I've seen!"

Camila growled. "I HAVE HAD IT WITH YOUR--!"

"Excuse me..."

All eyes now went to the entrance of the kitchen, where Vee stood there as she rubbed the sleep out of her eyes and, miraculously, didn't have Manny's jacket over her shoulders.

"Why is everyone yelling?" she asked quietly. "Is everything okay...?"

Camila stared at her for a bit, the small child bringing clarity back to her mind for just a moment before glaring back at Eda again.

"I...am not happy about that fire," she admitted. "But eggs...do sound good right now and we can have them. BUT!"

Camila stomped over to Eda and yanked the pan out of her hand.

"No one cooks in this kitchen but me!" Camila declared. "Is that clear, Bruja?!"

"...Does your husband ever tell you that yer kind of hot when you're angry?" Eda smugly asked.

"I WILL SMACK YOU WITH THIS FRYING PAN, I SWEAR TO GOD!"

[gaypiratepropaganda]

Izzy's apology in the finale seems to have taken some people by surprise. During the break between seasons, I tried a few times to politely bring up the fact that Izzy was technically abusing Ed. Not because I wanted anyone to stop liking him (you can like a character who's doing abuse! it's not real. who cares), but because I was worried about the reaction when season two came out. I love this show very much and I know how tumblr can get. Most importantly, I love fucked up fictional relationships and cannot abide people making these two boring. So here we go. (I also love lists)

First. Emotional abuse can occur in intimate relationships, family relationships like father and son, or in the workplace (Ed/Izzy triple threat!). Second, it has to be an ongoing thing. Someone doing one of these things once is not abuse. Abuse is a pattern of cruel and frightening behavior in order to control the victim.

(Don't feel bad if you didn't notice this stuff! It's relatively subtle and we're kind of trained to ignore and forgive it, especially from characters like Izzy. I wasn't 100% sure I was right about this either until season two confirmed it. I think a lot of people don't even know what emotional abuse is, at least where I live.)

Below are some pretty solid warning signs (this said "criteria" before but I changed it to be more accurate) for emotional abuse, followed by examples:

•Monitoring and controlling a person’s behavior, such as who they spend time with or how they spend money.

One of Izzy's main motivations in season one was trying to force Ed to act more like his image of Blackbeard. To achieve that, he bullied, belittled, and threatened Ed. He attempted to kill Stede because Ed was spending too much time with him and he felt that Stede was a bad influence.

• Threats to a person’s safety, property, or loved ones

He tried to kill Stede (Ed's loved one) or get him killed several times. Once trying to get Ed to do it himself with the doggy heaven situation, once directly with the duel, and once by calling in the navy.

He didn't directly threaten Ed's safety until episode ten, but he did seem to have Ed convinced that the crew would kill him if Izzy wasn't there to protect him and then when Ed did things he didn't like, Izzy threatened to leave. It's indirect, but has the same result: Ed felt he was unsafe unless he did what Izzy wanted.

• Isolating a person from family, friends, and acquaintances

Izzy seemed to keep Ed isolated from the crew, act as a go-between, and control their perceptions of each other to a certain extent. In the first few episodes, Ed was always shown alone in his goth cabin with Izzy as his only contact. When he started to make new friends Izzy tried to make him kill them.

After Izzy was banished, he secretly sent Ed's ex in to manipulate him and get him away from his new community. Then he got them all arrested, culminating in the deal he made with the English that would have made Ed his prisoner. Not sure that was on purpose, but it was so fucked up I had to mention it.

The bit that really got me, for some reason, was when Frenchie asked after Ed and Izzy told the crew he was sick.

• Demeaning, shaming, or humiliating a person

Izzy is often shown berating Ed and yelling at him. The way Ed reacts suggests to me that he may be used to this kind of treatment from people in general, or from Izzy in particular. He never leaves or asks him to stop, he just takes it.

• Extreme jealousy, accusations, and paranoia

He was so jealous of Ed's relationship with Stede that he got the literal military involved. His explanation to for why Ed enjoys spending time with Stede was that he has "done something to [Ed's] brain." Like, what magic powers do you think he has, Izzy?

• Making acceptance or care conditional on a person’s choices

Izzy made it very clear that he would only support Ed if he conformed to the Blackbeard persona. He also seemed to have Ed convinced that there was no way he could survive without Izzy's support.

I just realized that if you subscribe to the headcanon that Izzy acts as a sort of caretaker to Ed (I do not) then all of this is way more fucked up.

• Constant criticism, ridicule, or teasing.

In season one he criticized everything Ed did, all his plans, even while telling him to come up with more plans. He ridiculed Ed and called him names pretty often: "twat, namby-pamby, insane." Even in season two when he's doing better, most of their interactions consist of Izzy teasing and making fun of Ed for being mopey or in love.

• Refusing to allow a person to spend time alone

I didn't think of this until now, but Izzy is often around when Ed thinks he's alone. He knows about things that happen in scenes he isn't in. Izzy's always sort of lurking, though? And he does it to everyone. So I'm not sure if we should count this one.

• Thwarting a person’s professional or personal goals

He's ok about piracy related goals, but as soon as Ed tried to do something other than that he got so weird about it. "This crew is so talented, why are we even being pirates?" is what got Izzy to threaten Ed. Which is interesting because he was fine with the retirement idea before, when he thought he'd get to be captain.

• Instilling feelings of self-doubt and worthlessness 

"insane unpleasant shell of a man merely posing as blackbeard." "I should have let the English kill you. This... whatever it is you've become is a fate worse than death."

• Gaslighting: making a person question their competence and even their basic perceptual experiences.

He called Ed insane and implied that the crew would mutiny if he wasn't there to stop them. This is clearly untrue, as we were already shown that his method of "massaging the crew" consisted of calling Ed half insane and pulling Fang's beard even though Fang hates that. The fact that he calls Ed insane more than once while at the same time trying to get him to act more insane seems like basic gaslighting to me. Then again, Izzy's definition of "insanity" may be like, depression, crying, showing emotions, loneliness, and enjoying softness.

[can't find a gif of this so just imagine Ed in the gravy basket with Hornigold saying "you're worried you're insane."]

Something that wasn't on this specific list but is generally considered part of emotional abuse is manipulation: the use of indirect tactics to change someone's thoughts, feelings, or behaviors in an attempt to influence them for personal gain.

I think Izzy often tries to be manipulative. He's not the greatest at it, but it's the thought that counts. He manages to be surprisingly successful through persistence and repetition.

He's got Ed convinced from the first time we see them that he is useless as a captain without Izzy. That's why Ed feels like he needs him. He tells him that the only thing standing between Ed and a crew constantly on the brink of mutiny is Izzy. Then he tells him that he will leave if he can't live up to his expectations.

He has a pattern of lying to Ed or not telling him the whole truth. He threatens him directly and indirectly in an attempt to influence him and control his behavior. He wants power, whether he gets it by becoming a captain when Ed retires or by making sure Ed remains powerful by any means necessary.

this is what he was apologizing for, along with the years of being terrible to Ed before Stede came into the picture. I never expected him to admit it so clearly like that. He fed Ed's "darkness," poked at his trauma for so long because he needed Blackbeard. It was something they did together, and he enjoyed Blackbeard's dominance and cruelty.

Of course there are other things that can be part of this kind of abuse, like infantilization, silence, and harassment. There are more examples of abusive behavior from Izzy at the start of season two, especially in the scene where Ed's asking Izzy to kill him. but I am not ready to get into that right now.

Anyway, Ed and Izzy's storylines in season two only make sense to me with this in mind. Ed is recovering from not only the suicide attempts but also this fucked up situation he was in, whether he realizes it or not. Izzy learns to stop being such a shitboy and admits he was wrong. ~growth~

if you interpret their relationship differently that's obviously fine. but I think this is the most interesting interpretation, as well as what was intended. It's no fun for me when people make them both equally awful to each other. I like it better as it is in the show: Ed fighting back against Izzy's emotional abuse with physical violence, which only ends up traumatizing him further. It's such a unique and fascinating story.

[maliro-t]

as a bona fide vaxleth lover i am more confused than ever about how they are portrayed on the animated series i'm not gonna lie 😭

[fantastic-mr-corvid]

last years pride i had a sexuality crisis and this year a few days later im having a gender one. fuck.

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.