#on the buses

[colorsofthedark666]

Doctor Who and On The Buses (on the tardis)

[georgefairbrother]

Remembering Welsh entertainer Doris Hare MBE, born March 1st, 1905.

She was born into a travelling theatrical family and made her stage debut in a speaking role aged three, then worked for decades in music hall, variety and musical theatre, and in the 1960s for the Royal Shakespeare Company and National Theatre.

During World War Two she hosted a radio programme especially for merchant mariners, Shipmates Ashore, and became 'the Sweetheart of the Merchant Navy', for which she was awarded the MBE.

She found later fame as 'Mum' in On the Buses, on television and in the cinema adaptations (1969-73), and in three 'Confessions' sex comedies, which were some of the most profitable British films of the 1970s.

Her film career spanned 60 years, from Night Mail in 1935 to her final credit, Second Best, directed by Chris Menges and starring William Hurt and Keith Allen, in 1994.

According to a tribute in the Borehamwood and Elstree Times:

"...At the grand age of 87, Doris Hare was to take to the West End stage one last time. Doris appeared at the Playhouse Theatre in the Ray Cooney farce, It Runs in the Family. The role saw her reunited opposite former Benny Hill straight man, Henry McGee..."

She passed away at Denville Hall, the residential care home for artistes, on May 30th, 2000.

[all-action-all-picture]

RIP Georgina Hale who died on 4 January this year. British actress with a long list of credits but if you've never watched it seek out the One Foot in the Grave episode "Love and Death" (which also guest stars Stephen Lewis from On the Buses). Alright My Love!

[boscofuller]

[futurebird]

The "B" is *not* for "buses"

Via mastodon(aka the fediverse)

[trainsinanime]

I wonder: Do Americans know about american school buses? Not their existence in general, but how they're seen overseas.

Over here, they're one of the symbols of America, on par with the Statue of Liberty, the flag, the Eagle, and well ahead of any chain restaurant you can name. People won't know any US states, but they will know these vehicles.

The thing is, here in Germany, we don't have dedicated school buses. The general idea is that kids go to school on their own. When that's not practical, they're expected to use (and given free tickets for) public transit. Public transit is designed around this requirement; there are many places where there is a bus, and anyone can get on it, but the route and timetable really only makes sense for school children. In case a dedicated school bus is really needed, that's generally subcontracted out, and the lines either use something like a Sprinter Van for smaller routes, or a normal city or interurban bus (often a used one that's a bit older). School trips are normal public transit, or a rented bus, typically a coach or regional bus.

It's not a perfect system, in the past couple of years there's been an epidemic of people bringing their kids to school in their cars instead of letting them walk, which is less than ideal. It is what it is. But building a dedicated network of public transit lines only for students, and building dedicated vehicles only for that, has never occurred to anyone here.

Of course we know about these buses, from movies and such, but they're as foreign here as cacti or pick-up trucks (actually we're seeing more and more of these here) or yellow cabs (all europeans will assume all cabs in the US are yellow until they actually visit).

You do see these buses here at times, because people still generally like the idea of the US, even if they have a lot of issues with a lot of details, and so folks bring them over, along with stretch limos and stuff (also not really a thing here). And of course, if someone goes to all that trouble, they don't do it to haul school kids, they rent it out for city tours or as a party bus or whatever.

So you see these yellow things as a symbol of faraway places, scenic vistas, some vague undefined idea of freedom that doesn't necessarily hold up to any contact with reality, and it's just a huge part of the whole US aesthetic.

And then you go to a student exchange with the US, and you finally get the chance: You yourself get to ride in one of these iconic chrome yellow buses! It looks just like in the movies! You get in, you drive in them a little…

…and you realise they're shit. Just the worst buses in the western world. Terrible suspension. Uncomfortable seats with weirdly high backs (so they don't have to put seatbelts in, they just restrict how far kids can fly in an accident). Everything made out of the cheapest materials. Turns out the reason why the US uses school buses like that instead of normal modern city buses, which the US has, is to save money and because they just hate kids.

And then it hits you why US Americans say "as American as apple pie", a dish that is made and enjoyed literally anywhere in the world, instead of "as American as yellow school buses". Of course the Americans already knew all this. They got tortured by these things forever. It would never occur to them to see this as a symbol of America, it's just a normal part of life for them. It's a symbol of school and school life and sometimes normalcy, and tells us that these actors getting out of it are supposed to be teenagers, nothing more.

But most people in Europe have, of course, never ridden on these buses. So when they see them in movies and TV, that's a giant big yellow signifier that we're not in Hessen or Wallonia or wherever anymore. A symbol of a different world, one that may be at most a once-in-a-lifetime-experience for most people, just like a picture of a tropical beach, Mayan Pyramids, the Great Wall of China, or Hildesheim (there's no reason to go there twice). And I think Americans don't know that, and that's fascinating.

[mx-mania-mischief]

I want my orgasms to be entirely in your control. I have to ask permission before I cum, and if I cum without permission I want the most brutal punishment. I want you to make me edge constantly so that I'm always wet for you. Deny my orgasm for days at a time, make me crazy and desperate with horniness. When you do make me cum I want you to make me regret ever asking. Strap a vibrator to my clit while I'm tied to a fuck machine. Turn the vibrator on high. Leave me for hours being fucked and forced to cum over and over again. By the time you untie me I'll be barely coherent, covered in sweat and tears, and my pussy will be so sensitive from overstimulation. Remind me why I shouldn't beg for orgasms if I can't handle them.

[dabswithyodad]

cmon n enjoy me daddy🍒🍒

[georgefairbrother]

Remembering Stephen Lewis, merchant seamen turned actor and writer, who passed away August 12th, 2015.

Born in Poplar, East London, in 1926, he initially went to sea, before joining Joan Littlewood's Theatre Workshop, where he made his West End debut in The Hostage, by Brendan Behan, in 1958.

He wrote Sparrers Can't Sing, a play performed in broad cockney with significant improvisation, which was adapted as a feature film in 1963.

According to Variety:

"…The film is based on a play that (Joan Littlewood) staged at the Theatre Workshop. She and the author of the play, Stephen Lewis, collaborated on the loose screenplay and Littlewood surrounds herself with most of the Workshop cast. She also operates almost entirely on location in the East End that she knows and clearly loves so well…Much of the dialog, which is rather salty, appears to have been made up off the cuff of the players. This shows up dangerously in the intimate scenes, but gives gusto to others..."

Stephen Lewis later found lifelong fame as Blakey in LWT's On the Buses, on television and in three movie adaptations by Hammer, which went on to be some of the most profitable British feature films of the early 1970s. He wrote 12 episodes of On the Buses with co-star Bob Grant, as well their segment for the 1972 ITV Christmas special, All Star Comedy Carnival, and IMDb lists him as a contributing writer for the anthology series Armchair Theatre (Thames/ITV) and Comedy Playhouse (BBC).

He reprised the character of Blakey in the On the Buses spinoff, Don't Drink the Water (1974-75), with Blakey having retired to Spain with his sister, played by Pat Coombs.

He popped up on British television over the years with the occasional cameo, and appeared in David Croft and Richard Spendlove's Oh Doctor Beeching (1995-97), and in 135 episodes of Last of the Summer Wine.

Unlike Bob Grant, who struggled with the legacy of his On the Buses stardom and subsequent typecasting, with ultimately tragic consequences, Stephen Lewis happily embraced his persona to the very end...and beyond.

(This image: 70s Time Machine. Other Background from IMDb, Variety and The Guardian)

See also:

[transperth-official]

public transport and public libraries are making out nasty on the couch

[boscofuller]

[politijohn]

Source

Source

Make public transit free

[jh-ph0tography]

[laddersmp3]

Sleepy snoozy morning with stupid pajamas

[mx-mania-mischief]

Want you to tie me up with my legs spread wide apart on a chair next to your desk while you're playing computer games. Use me as a cum dumpster in between playing. Play with me whenever you're bored, but don't let me cum. Edge me to keep me wet and needy for you.

You stuff a big dildo in my cunt, stretch my ass with a butt plug, and tape them inside my holes so they can't fall out (no matter how uncomfortable the stretch is). Then you stand there, wanking over my pathetic body, before you cover your denied whore in cum.

You leave me like that while you continue with your gaming session, I can hear you talking to some guys with your headset on. Whenever you take a break you play with my clit a little more, praising me for being such a good cum rag, and then you use me to jerk off again. And, that's only if things are going well...

When you lose a game or get frustrated, you abuse my body, leaving me bruised, crying, and desperate for relief. Just make sure to keep me gagged so my whining and crying don't distract you too much.

Please use me while you game like the worthless toy I am.

[dabswithyodad]

ik u wanna touch this