#omg I also asked them to do this!!

[boarloved-art]

hello hello!! <3 since i discovered you via your wenzhou fanart i have been waiting with bated breath for more of that (shameless sketch request nudge nudge). i love your style & while i adore your other art as well, there is something to how you draw wenzhou that just ,, hits me straight in the heart. they're my fav of all favourites of all time and your design and interpretation of them make them come alive. (also i know u specifically meant danmei requests, but i'm reinterpreting that as dangai :3) obvs not a demand! ignore this if you're not feeling like it idk, i just also took this as an opportunity to finally tell you i guess <3

hii!! omg thank you so much this is so sweet TT !!!! im glad u enjoy my wenzhous, im sorry they disappeared off the face of the earth!!!! ive missed them dearly!!

[kestrel-of-herran]

my thoughts on peterrose in season two + predictions for season three

i want to preface this by saying that i ended up enjoying season two wayyy more than season one, and i think it came down to the bigger complexity of the storyline, the unpredictable alliance switches and twists, and the depth with which the afterglow of peter and rose's experiences and relationship in season one was handled. this season's focus on angst and exploration of the psychological impact of the work on both of them and what it means for their relationship really elevated the love story for me from a pretty clean-cut "us against the world" vibe to the messiness of both of them being used to blackmail the other and their relationship straining because of the secrecy around the missions and the contradictions of rose feeling safe with peter but being constantly endangered by his work and peter needing rose around for his peace of mind but rose suffering psychologically from her proximity to the morally grey aspects of his work. chef's fucking kiss where's the next course

peterrose things i loved in season two + development from season one

rose having the option to leave anytime

while in the first season both of them had little actual choice about whether to stick together or not, circumstances that created a kind of bubble around them and aided the romance, this time around rose could have backed out repeatedly, making every time she chose to stay a decision that had as much to do with peter as with the help she thought she could give to the investigation. not only was she there at the beginning to help him gain some trust in people back and make sure he didn't steer off the ethical path, but later she also discovered for herself that even in the thick of danger (the party, the air vents situation in the last ep) she prefers to try to help rather than back away. it's a mode of thinking that will definitely lead her to sharing some of the danger of the job longer-term if the show lets her explore it.

closeness without labels

this is one aspect that i thought was handled with so much care and delicacy in a way that felt very satisfying to watch. they haven't seen each other in ten months, but she still has scores of photos saved on her phone (the show could have easily gone with one selfie, the fact she was always showing a different photo really shows they dated for a while before his posting, and were happy enough during it to constantly take pics) and doesn't hesitate to ditch her job and track him into danger because she's worried sleepless about him. she doesn't hold not calling her back over him even though she's clearly hurt about it because she knows it's out of his control, but he still apologizes and makes it clear again and again how thankful he is that she's there and how she's helped him both emotionally and logistically, like with noticing an attacker or planning the party heist. even as he wants her to leave to be safe, he doesn't make her feel like she's intruded or endangered his mission, but follows her advice and always gives her credit when she contributes to the work. they're comfortable enough with each other to cuddle and hug and kiss spontaneously, but they never discuss exactly what kind of relationship they're in because it's obviously a closeness both of them enjoy and initiate and they care more about being together than giving their relationship a label or discussing a future together at a point when he's so involved with his work and she's still sorting out how she feels about it. she doesn't pressure him about quitting and he doesn't force her to stay, he notices whenever she's upset and talks things out with her, and gives her space to process her feelings even if it means she might realize she's better off out of his kind of life. they both try to give the other whatever they might need in terms of emotional support and space to change their mind, even if that contradicts what they each would prefer the other to do or want or if it would result in emotional pain for them personally.

domesticity

i was absolutely treated to this trope this season. sharing clothes, him casually bringing her drinks while she's working, buying her food and knowing her preferences by heart, all the little jokes and fights that just made them feel like a family throughout the season. it shows clearly that their dynamic goes beyond needing each other in dangerous situations, that they were having a swell time just teasing each other. it's a quieter dynamic than the previous season, because they're both more aware of the constant and repeatedly chosen danger of the situation that is now a way of life rather than a crazy few days before things would go back to normal, but it's also more profound in how it acknowledges the trauma while showing they're still really compatible in the little safe haven of their nights at home.

partnership

they really felt like an agent couple in this season, not only in the way their skills complement the other's, but also in how they're both on the same wavelength of thinking during high-stakes situations and are able to brainstorm through them together or understand each other without words. peter didn't hesitate to tell the guy blackmailing him with rose's life to fuck off because he has faith in her ability to evade the attacker if he warns her. rose's involvement saved several of the missions from going south, and as much as he's uncomfortable with her choosing danger over safety in the moment, he clearly admires the effectiveness of her contribution. moments like when she noticed the comms being overheard and when she ambushed markus and showed peter what she'd do just by counting with her hand really show how perfectly they work as a team, and how much smoother operations in the future would go if they're both there to have each other's backs and think through problems together.

your life for hers

fuck me uppppp i love this shit soooooo much. i think one of the main jobs a writer has when developing a plotline is to explore all likely scenarios emerging from the goals and feelings of the character until that point, and the emotional development when it comes to peter protecting rose here is spectacular. while in the first season he was focused on protecting her partly from a feeling of friendship and because he wanted to do right by her and felt responsible for her, in this season it's as clear as day that he's protecting her because he values her life more than his and he's completely aware that if something happens to her it'll wreck him completely. he spends the better part of the season processing the loss of a mission partner and blaming himself for it, and it only serves to bring into focus how much worse things will be for him if rose gets hurt. she's no longer someone he's protecting because it's the right thing to do but someone so precious to him he's fraying at the edges just imagining something happening to her. she's his priority to the point that he doesn't hesitate to throw the mission and put himself in the position of a traitor that he has so much trauma about because of his father, because her being alive and safe is worth every sacrifice to him. the look on his face every time he was blackmailed is 1000000/10.

separation parallels

i really felt the upgrade of the separation scene this season, from the neat wrap-up of the hero flying off into the sunset while his girl waits happily for his call to both characters showing their emotions with all their bitter aftertaste and just feeling through a situation they can't amend right now. i absolutely love how worried rose was whenever someone slipped that peter had done something he could be charged for and all through peter explaining his decision to her, because it's not just that he loves her but that she was used against him and as long as they love each other this can happen again. peter was just excellent here, from taking the time to tell her himself to checking his urge not to get to the bottom of his feelings and taking her hands as he told her the full truth of what he feels for her. rose just breaking down crying and him hugging her and that head kiss was just sooooooooooo perfect in capturing how much they care for each other. rose's expressions as she watches him leave in the taxi and her going towards it are particularly telling, as is her struggle to maintain her smile and carefree tone while talking to noor. her reaching out to noor in the first place speaks volumes to me already, because if she didn't want to be involved with peter's world anymore i doubt she'll want to meet with anyone from that stage in her life now that she's managed to break away from it. noor wasn't buying any of her statements, and from the scene when she sensed something was wrong with her family leaving iran from rose's facial expressions alone, i think she's pretty good at reading her, and the lingering shots on her face leave little doubt rose isn't as fine as she'd like her to think.

predictions for rose in season three and beyond

my thoughts on statements of the writers and actors

the two things that are on my mind when i'm reviewing all the interviews that have addressed rose potentially not continuing with the show are that (1) the showrunners have the right to change their mind about the focus of the show whenever and although it would be like shooting themselves in the foot if they drop her that's their (very unreasonable bc i love rose to pieces) call to make, and (2) no one involved with the show would reveal a major twist before the season has even finished shooting. let's look at some statements of the cast and crew in light of that.

"We don’t want to artificially create a situation where characters have to be part of a specific season on a regular basis. We want to tell the story that feels true in that moment. I am very aware that one of the big strengths of Season 1 — and what I think is a big strength in Season 2 — are Peter and Rose together. I think the relationship is really strong. [...] Their shared trauma from these first two seasons has built this incredible bond. But is it enough to overcome the difference in their lives and their lifestyles Is something that we spend a lot of time talking about. So, not trying to duck the question, but we’re still creatively looking into all that. This, hopefully, with the success, will be a long-running show, and the question you raise is something that we talk a lot about in the writers room." (source)

they're clearly still writing the season and figuring out where they want to place rose in the story without compromising her moral code, and i think they might have wanted to hear the audience's and critics' responses to this as well before they wrap up this season's plot. journalists keep bringing this up in interviews and i think that's very telling to how the public as a whole and not just the shipping fandom views the show as about the both of them, so i hope that interest makes a difference in how they perceive the future of the show as a successful one as well, since they do need people to stick around and characters are a huge draw (case in point i started this for the couple rather than the plot, and didn't even find the plot engaging until season two, but i'd never spend hours of my morning writing an analysis for their excellent handling of plot only). they're clearly aware of peter and rose as a huge boon to the show, but also want to make sure that either of the actors not being able to continue with the series isn't going to put the whole thing out of business. one way i see this playing out is with rose having reduced screen time in season three but coming in as a regular in season four for example, if another season of peter doing agent stuff while she develops something (a program, fighting skills) is what's required for her to fit smoothly in the events surrounding him. i can also see they're anxious not to repeat plot points and make copies of previously successful seasons, so i expect rose's future involvement in the plot to be more creative and not replicate her previous actions, e.g. her not seeking him out on her own in a similar way again, but likely coming in as a partner already in some official capacity.

"That will be a part of Season 3, him trying to emotionally and logistically deal with the unintended consequences of his actions in season 2. [...] The goal isn’t darkness but what I would say is — and I’m involved in a coalition that talks a lot about how mental health is portrayed on TV — one of the things that we wanted to do in Season 2 was model Rose’s behavior as being how you want to approach trauma and violence in your life. She’s seeking professional help, and she’s making progress. Peter, on the other hand, is approaching it in a very old fashioned, very masculine, frankly, way of burying it, ignoring it, and that doesn’t often work. I’m always adamant that I don’t want the show to become so dark and impenetrable, so I think you’re going to see a lot of sides of Peter in Season 3 in the same way that you did in Season 2. I hear your question, and no, the show isn’t about going to the abyss with Peter." (source)

kuddos to them for that honestly i absolutely loved the ptsd portrayal in season two, but the main thing i'm getting from this response is that it's very unlikely for rose to be killed off to remove her from the plot at this point, or to double down on peter's trauma, because that's how peter would define "going into the abyss" imho.

"I would say that that moment, that breakup scene, felt true to us, the writers, as we were crafting the second season. That they live in two very different worlds, that he wants to be in this world that's dangerous, that she doesn't particularly want to be in a world that's dangerous, and yet they have this incredibly strong connection forged over living through and helping each other through these traumatic events. So there's always going to be this incredible connection between the two. What that will mean for their onscreen pairing I think is something that we continue to talk about and will figure out. So, I don't know yet, because we haven't definitively decided what it means for the characters. I will just tell you that we love the character of Rose. We love the character of Peter. We love Luciane and Gabriel as actors. I think they're tremendous together. When we started to work on season 2, I came back to the writers with what I felt were strengths of the show from season 1, and the very first one I wrote down was Peter and Rose together. So we don't take that lightly. At the same time, we don't want to craft something that feels inauthentic just to be a fan service, to keep them together in ways that might feel unrealistic. So that will be the responsibility and the struggle of the writing staff and myself as we craft further seasons." (source)

i think bringing them on the same page about the work can be done with the kind of emotional development they pursued when they explored the impact of trauma and morally grey choices on both of them, so i see this mostly as a matter of narrative time and writing effort, providing they're willing to put those in, rather than the characters being naturally incompatible in terms of their life goals. case in point, rose's characterization in season one came down to happy to break the rules, threaten people with arms, steal things, and kill to protect others or to avenge her loved ones. it's only in season two that we see her struggle with threatening people and endangering lives, so that was a very conscious narrative choice and a huge pivot for her character arc from a tiny daredevil (aspects of her we still see in the party scene for example) to the voice of reason in ethically dubious situations. this kind of major change of heart can happen easily with sufficient screen time and the kind of plot points to inspire it, and is completely within the writers' abilities should they want it to take place.

"I have no idea [whether Rose will be back in season three], and I can’t spoil anything. I wish I could tell you, but Peter does say ‘No, don’t come looking for me,’ and I don’t think Rose takes well to direction; she does whatever she wants. So you never, never know." (source)

it's worth seeing the video of her answering this question, because honestly to me she seems happy to give a little hint of something bigger. it's either her character sixth sense talking (and she's right), or she already knows she'll be brought back to wrap-up the season. i think rose showing up unexpectedly, and prepared, when peter's been spending the season dealing with choosing her safety over remaining clean, is only going to contribute to that theme.

"You can have love for someone without physically expressing it. I think that’s, I don’t want to say trope, but a lazy way of showing that two people care about each other is having them hook up. Sacrificing your life for someone or putting your life at risk to save someone, I think, is a bigger testament of love than giving them a kiss or something like that. The relationship is important to both of them, and you see that through their commitment to one another and keeping one another alive, regardless if that means they’re going to be together, at least they’ll have done what they can to protect the other." (source)

turn this shit upppppppp i love this so much... but this brings me to the fact that as long as they're in love they will be used against each other, so it's time to develop some scenarios from there (and i don't mean them not being in love anymore bc that's just unrealistic at this point; it would require either of them making choices the other can't understand and the entire series becoming more dark, "you can't love anyone"-style, than the writers seem to want it to; giving peter another love interest instead also just seems like undoing a ton of hard work and audience interest just to pull a james bond, and i think they care about being original way more).

plot-realistic scenarios

i'm using this term (likely made-up by me, a writer finishing a book atm btw) here to indicate scenarios that need to be followed for the plot to feel satisfying, e.g. ignoring them would require some disbelief suspension and might make the audience doubt they're seeing the logical development of events and characters as they have been built up so far.

rose is going to continue being used to threaten peter

if part of his goal next season is to eventually turn against the guy holding rose's life over his head, peter needs to make sure she'll survive that plot point, either by protecting her again or warning her and making sure she's in a safe environment while he takes the guy down, for which we need at least a cameo, though that is the laziest way to wrap this up imho. i think the guy will absolutely keep tabs on her so he can use that if peter goes astray, so she'll be involved in this as long as peter's an agent even if she's living a normal life, and i doubt peter will be able to make anyone believe that he doesn't care about her since all it takes for the truth to come out is for someone to point a gun at her head.

rose would benefit from some combat training or security if she's going to make it through this show alive

at the very least, keeping rose out of the show without killing her means also providing her with the means to protect herself as long as peter is being blackmailed with her life, which is one of the few plot points that seems to be a given for the next season. a basic agent training course that would allow her to rebuff attackers, or security trailing her to make sure peter isn't compromised because of her, are the least catherine can do to make sure her plans for peter are successful.

catherine doesn't seem to be done trying to use rose

at multiple points throughout this season, catherine was impressed with rose's coding and recruited her help for a job, and i doubt she'll just let an asset go if she thinks she can be useful. she knows peter's a weak spot for rose that she can utilize to put pressure on her (like with the security cameras, the consequence of rose's choice not to join would have been peter being exposed to more danger, so she changed her mind), and since peter is pretty central to her plans for season three, it makes sense to keep rose closer rather than further. she knows rose can get through to peter when no one else can or take him out of the path she's set out for him, so risking her being too far out of sight to influence strikes me as unreasonable. and what better way to bring rose back into the action than with a bang, by placing her in the middle of a covert mission in later eps (preferably without warning peter to amplify the emotional climax of the reunion) with the kind of skills that would make her at least competent in avoiding capture when things go wrong.

the show has barely scratched the surface of rose as an agent

i mean this seriously, there's so much to work with when it comes to her becoming an agent or helping out with some of the jobs or even if she's joining the action as a voice on the comms while she's hacking some system. peter won't always be in the position to make sure she's safe, and she's been showing so much resilience, quick thinking, and willingness to pull a gun or stab someone during a fight. she's smart, a creative and smooth liar, and refuses to give up even when the odds of her making it are slim. she'll be an asset to any mission the show involves her in, and keeping her in a california office is a huge waste of potential.

rose's arc is far from wrapped up

the thing with rose as a character is that her arc could have been wrapped up in season one without bringing her into season two and the show would still have made sense despite the (disappointing for me the rose fan) shift in focus from romance to political intrigue. the showrunners seem keen to be making that shift anyway, but they decided to keep peter and rose's relationship as not only a subplot but the driving force behind peter's moral conflict and the starting point of him becoming a double agent in season three. rose received a great amount of screen time, agency, and emotional development, but it wasn't enough to feel that she exited the story cleanly and permanently. she clearly still has a lot of processing to do when it comes to both her feelings for peter and whether she wants to join the action and save lives (at multiple points in the show she turned back and rejoined dangerous situations not only out of love for him, but because i think she knows that without her input, chances of things fucking up increase exponentially) despite the danger to her safety, mental health, and moral integrity, and the way to conclude these plot points is to give her more screen time to get full closure or process her trauma and decide to become more involved with night action. even with new storylines and characters appearing, the show will only benefit from keeping rose and peter's relationship as a subplot and exploring the shift in their dynamic and feelings if she's cleared to join the missions on par with him or becomes an agent on other postings unbeknownst to him at first (night action picking up the phone when he has a crisis in season three or her appearing in a completely unrelated undercover mission happening in the same place he's working his target so both of them are thrown off-balance by the proximity). how will their romance develop if she's as competent a fighter as him, if she puts herself at risk as regularly, if their superiors try to use them against each other to manipulate both to their ends? now that's something i'd kill to watch.

[faaun]

last night i got home kind of tipsy and very much in tears and my mother told me the force you exert to keep someone in your life is proportional to the force with which they will leave your life. if you have to fight tooth and claw to keep them, their leaving will be just as hard, just as harsh, and just as definite.

[myokk]

70s au

[meltedmush]

how long does it take you to draw your sketches/doodles? also do you have any tips to draw faster? 🙇‍♀️

I generally take 30 - 60 minutes a sketch,,,, but honestly really depends on how detailed it is.

Like a Chibi will be done in 20 - 25 minutes (Counting in the extra time I spend on minute details like a perfectionist 😭)

I for some reason really like spending egregious amounts of time on random objects too??? Unless it’s the in the background, I’ll spend 40 minutes refining it.

Random characters that are fully colored and rendered with take like 80 minutes.

The comics take usually take an hour or two per page. (If I decide to cross hatch it, my entire day will be gone with 4 pages… so I’ve been trying to find shortcuts. But not without sacrificing the quality for time lol)

I don’t think there’s any trick or magic to drawing faster. It’s really about weaponizing your artistic knowledge, and finding what’s comfortable or convenient for you!

There was a period of time where I would spend 11 or 12 hours on an illustration, and it wASS UGLYYYYY. (Some of these artworks are still available on my tumblr,,, but it’s SO LONG AGO, AND IT WAS MY 1ST OR 2ND YEAR GETTING INTO DIGITAL ART)

Overtime I learned what worked best for me, and practiced till I felt more comfortable with what I was drawing. Eventually I managed to shorten the time to 4 hours or less! Ambition was my biggest enemy but at the same time my biggest motivator. (And it still is LMFAO) 😭

EDIT (bit more to my way too long tangent): ALSO??? BRO DON’T BE AFRAID TO USE YOUR MESSY SKETCH AS LINEART OR DRAW ON TOP OF IT. I’VE DONE IT FOR YEARS NOW AND IT ADDS SUCH A GOOD EXTRA BIT OF TEXTURE,, AT THIS POINT I DON’T EVEN USE LINE-ART ANY MORE UNLESS IT’S A COMMISSION,, (IT’LL ADD LIKE AN 2-4 HOURS TO MY WORK)

[rosiesriiveters]

Keep thinking of Buck and Bucky's perception of Rosie through their eyes. When they meet him, Rosie's a great pilot, has been training gunners for ages and knows his way around a plane well - but has yet to see any combat. He's that wide-eyed kind of hopeful that he can make a difference.

When they meet him again by the end of the series, Rosie's gone on to fly 52 missions. He's well and truly past his first tour, and well into his second. The rest of the 100th adore him and respect him as a leader; and Rosie adores them all right back.

Despite all of that, Rosie still seems like the same person - undemonstrative, and a little more heaviness to his shoulders perhaps, but that wide-eyed hope that I can make a difference hasn't faded.

[axel-tiredstudent]

for my naruto high school au! heres an updated relationship map of the teens + the teachers

and heres my queer headcanons for the teens i havent drawn yet!

[toorurii]

Are you aware that your art is getting posted on Pinterest?

Yeah, for about 5 years now 😭 I kicked up a fuss when I first noticed it but it’s so rampant that nothing happed so I lowkey gave up complaining abt it and trying to report stuff cause literally everything I’ve ever drawn is there 🧎🏽 my only hope in the darkness are the folks that comment my username under the posts that don’t credit me 🧍🏽‍♂️ty for wanting to let me know though!

Maybe a remedy could be making my own acct and posting my own art there but good god.. I can’t handle yet another site to post art on 😫

[broareweabouttoviberightnow]

"Can you shut the fuck up for a second!" Pony's fists are clenched so hard the knuckles are white 'n Steve thinks suddenly it's probably a good thing the kid bites at his nails or they'd be diggin' into his palms.

"No, you little punk. What's your problem?" Steve's not really angry yet. He's still pokin' half-heartedly mostly on instinct then any real urge to piss the kid off. The problem is that Pony is decidedly way over the aggravated line 'n into pissed without any help from Steve at all.

"I just had a shitty fuckin' day ok! How about you mind your business! Actually, why don't you hang out at your own house? You're wanted there just as much as here." Somethin' flashes across Steve's face 'n he narrows his eyes. Pony's flushed, chest heavin', a look of triumph on his face.

"You take that shit back." Steve balls his hands up, forces himself to stay down on the couch instead of marchin' over 'n puttin' the kid on his fuckin' head.

"No." Pony tilts his head 'n flashes a cold smile Steve just knows he picked up from Dallas. Steve takes a long breath. Remembers that Pony has a tendency to be cruel 'n not mean any of it when he was livid like this.

He's fourteen, Steve. Do you remember fourteen? Darry had told him after one of their regular matches. And he did. The problem was that Steve hadn't said mean shit. He just knocked the offender on his ass. Pony's mouth was too smart for his own good.

"You know what? You don't get to take your shit out on me, actually. Fuck off." Steve settles back on the sofa, turns back to the TV like he can pay any attention. God, where was Darry when you needed him. He'd probably collapse from the shock of it.

See, Steve contents himself with imagin' his face, I can be the bigger man. But then it's spoiled some since Steve can clearly hear Darry's took you long enough, you're only three years older than the kid.

"The fuck? Steve c'mon." Pony finally drops his school bag, right in the middle of the floor where Darry's gonna holler at him when he trips over it later, 'n takes half a step toward Steve. Like he's wheedlin' for a fight.

"C'mon? Glory, Pony. What's your fuckin' problem?"

"I don't have a fuckin' problem! Ok! You're the one with the problem!" Pony's voice is hittin' an all-time high, shrill note of frustration. Steve tears his eyes off the TV, rollin' 'em with a sigh, but now that he's lookin' at Pony he can see the way his eyes are rimmed red 'n his lip is bleedin' from him bitin' at it.

"Pony? Chill out kid, what's goin' on?" Pony does not chill out. In fact, it only serves to get him more frustrated.

"Nothin'! Nothin' is goin' on! Ok! I just don't know why you always have to be here 'n actin' like that 'n in my house- 'n- 'n-" Suddenly hot tears are streakin' down Pony's face 'n he's scrubbin' them away with nails bit down so far they're bleedin'.

"Pony?" Oh, Jesus. Where is Darry when you need him? Steve flies to his feet 'n Pony flinches back like he suddenly doesn't want the fight he's been askin' for. "Oh, glory kid."

"Just leave me the fuck alone. I'm fine!" Steve grabs Pony's wrists 'n hesitates awkwardly. He wasn't used to havin' to comfort the kid 'n he was way out of his zone. So he just moves on instinct, pullin' the kid to his chest like he's watched Darry do a hundred times.

For a moment Pony stiffens up 'n holds his hands out like he's not sure what to do with them, a weak little sob half caught in his throat. Then Steve wraps him up maybe a little too tight 'n Pony lets himself go limp.

"Let me go, Steve!" Pony wails like he doesn't have his face buried in Steve's shirt, leanin' so hard against him Steve's gotta work to keep him on his feet.

"Fine." Steve squeezes him again 'n then unceremoniously drops him. Pony's on the floor before he knows what's happenin' 'n Steve crouches down 'n puts a hand on his shoulder to keep him there. Pony goes to scramble to his feet 'n Steve pushes him back down, gently. "You wanna tell me what's goin' on?"

Pony blinks at him, eyes wide 'n hair wild 'n Steve can abruptly see him at eight, runnin' to Steve 'cause he'd scraped his knee 'n didn't want to tell Darry 'cause he'd told him to put on jeans if he was gonna ride his bike. Steve had made him give him his dessert in exchange for silence but had snuck the first aid kit out the bathroom window 'n wrapped it up real good.

"I dunno..." Pony scrapes again at the tears fallin' down his face 'n Steve bats his hand away, pullin' his handkerchief from his pocket 'n pressin' it none too gently across Pony's cheeks. "Knock that off." Pony snatches it from Steve 'n wipes at his own face.

"Glory, someone's in a mood." Apparently, it was too soon for that.

"I am not! Look, Steve, I can handle it myself. I don't need your bullshit." Pony pushes himself up 'n Steve easily grabs his wrist 'n yanks him back down.

"Fine, you don't need my help which, by the way, I wasn't offerin'. I just think if I'm gonna get hollered at on my day off I should get to know why." Pony narrows his eyes, scowlin' hard before droppin' his sulk down to his lap.

"It's nothin'. I just- I dunno, sometimes I just, when I-ugh!" Pony throws his hands up, makes a low angry sound in the back of his throat. "I just had a bad fuckin' day 'cause like, I just, it's-"

Oh. Steve thinks. Ok. I know that.

"If you don't know... like, what it is-" Pony goes to cut him off 'n Steve whacks him on the hand 'n barrels on. "Or if you know what it is but you don't know how to like... say it. Don't worry about it. I'm not gonna make you figure it out."

Pony blinks at him again 'n Steve drops his hand off his shoulder. "Well. Alright." 'N just like that Pony wipes the remain' tears away, clambers up, 'n offers Steve a hand. Man, if the kid couldn't bounce back from anythin'. Steve tries to remember if he'd ever been like that. But he remembered fourteen 'n he'd always been more of a sulker.

"We good, kid?" Steve eyes him 'n Pony shrugs, shoots him a mischievously little grin Steve knows he got from Soda.

"Sure, as long as you get me dinner."

"Oh sure," He pulls Pony under his arm 'n messes up his hair 'n Pony whines," as long as you're payin'. After all it is your house."

[ask-the-druggieverse]

Dream if you don't give me the weed paint in TWO SECONDs i'm gonna BEAT Y

- ALT - DREAM: Look, I understand you wanted it DREAM: But you really shouldn't take stuff that isn't good for you BILL: NUH UH!!! DREAM: (i'm going to fucking kill this bitch one day)

- IDK - Moving my rambles in tags, also depending on if I finish another ask today I might double post!! AWESOME!!! (the next post I wanna do might be a bit difficult cuz I wanna make it a gif BAJFBH)

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[potato-lord-but-not]

Wonder if you would like the raven cycle books ..... Friends that are all a little in love with each other and that being a major point throughout all of the story to the point that the author said that them stopping being friends was genuinely the worst thing that could happen to them. Also you seem like the type to absolutely eat up the Blue and Gansey dynamic

Funny you mention that

[necrotic-nephilim]

for the recent ask game, i’m really curious about your take on 7 + 8 :P

for the choose violence ask game!

7. what character did you begin to hate not because of canon but because how the fandom acts about them?

i'll be so honest: Jason Todd. i know there's a lot of argument of "who has the worst fans" and i think that question is flawed and impossible to answer, but i will say Jason fans irked me so deeply. because i read mostly 90s era Batfam, i admittedly didn't have a lot of exposure to Jason for a while, expect for his New-52 runs i'd read years ago. and since i never liked him based on those runs, i could not understand *what* his fans liked about him, or where they got some of their headcanons/ideas from. i've never been more baffled. it ranges from "oh i don't agree but you do you, i guess?" to "what character are you talking about i am BAFFLED". and it soured me on Jason for so long that i actually hate read *most* of his pre-Flashpoint appearances just to understand what on earth people liked about him. and now i can say, i love him dearly, but i can also say, i still don't know what character his fans are talking about sometimes. and i hate the fanon version of Jason who feels almost, Deadpool-ified? with this self-aware slapstick humor but a sad soft interior but also sassy and will kill a man it's just. it feels very hollow to me and it has made me almost tempted to block his character tag more than once over the years bc sometimes certain takes make it difficult to even like him. i just have to tune it out or yell about it for hours.

8. common fandom opinion that everyone is wrong about

i'm going to get particularly saucy with this one: that Dick Grayson has Eldest Daughter Syndrome. or more generally, that he was parentified. not a single ounce of Dick's backstory indicates him as being parentified. to be parentified you have to be a child taking care of other children either emotionally or physically because your parents are not fulfilling that role. and Dick was *never* a child at the time that another child was under Bruce's care. he has been an adult for the entirety he has known every other Batkid. and even then, the *only* one he was something you could akin to being a parent figure to was Damian, and Dick *chose* that. Dick was a grown-ass man in his late 20s who had the facilities and capacity to make the decision to be Damian's primary caretaker. he's never been parental toward any of the other Batkids, nor has Bruce ever forced upon him the role of having to raise them. did Bruce do a sort of questionable job with Dick? yeah. but i would argue Bruce did the best job with Dick of all the Batkids, and even if he was shitty with Dick, he couldn't parentify Dick bc there was no one for Dick to be parenting. and Dick wasn't parenting Bruce either. they just had a normal relationship of loving and caring for each other.

as for Eldest Daughter Syndrome i just.. i Do Not Like calling any male character "female coded" or "female rage coded" or "eldest daughter coded" because they're *not*. especially not in *this* medium. these are male characters, created by men, written by men 90% of the time, and written to be *male power fantasies*. nothing about Dick or Jason or any Batboy is female-coded bc they exist to be badass men. just because they show emotion and have complex relationships with Bruce doesn't make them suddenly women. Dick shows his anger in a very destructive, stereotypically "masculine" way. even if we strip it of gender, Dick doesn't exhibit most traits of Eldest Daughter Syndrome. he easily makes relationships with people his age, he has no issues telling Bruce no, he did not have caretaking responsibilities forced onto him by Bruce, he's not even really hyperindependent. Dick has a support system outside of the Bats, the fandom just ignores it. does Dick force caretaking responsibilities onto himself sometimes? can he be an overachiever? absolutely. but these are internal complexes that just come with making a character a superhero, it's a complex they all have. if i have to hear one more fan call him Eldest Daughter Syndrome-core or say he's a victim of parentification, i think I'll explode a little bit.

[seiwas]

hi sel!! i missed seeing you around dash - i hope you’re enjoying your lil vacation!

n for your lil game.. if it appeals.. may i suggest touya + rain/storm ?

scar hello!! sorry i've been on and off these past months 🥹 i missed being on here too!! i have been enjoying my lil vacation though 🥺 it's been a while since i've just chilled at home! thank you for sending in a prompt 💗

contains: fallen angel touya, visions in dreams, kind of disorientating what's reality vs not, reader tries melatonin, there is a fire

touya + storm

there's a storm outside your window.

the rattling of string lights on your balcony jolts you awake, the wind howling an eery melody. this weather is common at this time of the year, but tonight, you feel uneasy. you think there's something on your front yard.

your footsteps are light as you make your way down your staircase, the flashlight on your left hand clutched tightly as you reach for the umbrella by the door.

it's zero visibility on your front yard, heavy rainfall being dragged sideways by the wind. you squint, flashing your light at the area in front of you.

a broken branch from your neighbor's tree dangles loosely towards your fence, but you can't make out anything else apart from that. you contemplate stepping outside to get a better look, but a burst of light streaks itself across the sky, lightning flashing before thunder rumbles loud enough that it reverberates in your heartbeat. a sudden chill breezes over you, your skin prickling from strands of hair standing.

your flashlight flickers, the light going out once before you tap it on your wrist twice. and when it turns back on, you think you can make out a figure hunched over the shrub at the far right of your garden.

you flash your light over the area to get a better look but it turns black―your vision or the light, you're not sure.

the next time you open your eyes, you're tucked in bed, squinting your eyes at the brightness of sunlight.

a dream? you wonder. the jacket you're certain you reached for is still right by your vanity, untouched. could be.

your front yard is trashed, just like you expected it to be, if your subconscious was trying to tell you anything from last night's dream. plants are uprooted, with small branches scattered all over the grass. you suck in a breath when you spot the broken branch from last night just as you saw it―still barely hanging on as it dangles over your fence.

you must have heard it break off in your sleep, you tell yourself. the mind can be quick in associating these things.

things become weird after that.

you get more visions in your sleep, mostly when the storm beats heavy raindrops against your window. sometimes, they're the same as the first time―instances of you searching outside but blacking out and waking in your bed the next morning. others, they're stranger, more vivid. you see a man with white hair turning red at the tips.

he comes to you in flashes―in between lightning strikes and thunder claps; in fragments, distorted by sheets of rainfall. you can never fully make out his face, but his eyes glow a striking blue amidst the darkness that often surrounds him.

the melatonin makes it worse. for a few nights now, you've begun to see more of his silhouette, similarly hunched over that shrub from the first night, except it grows taller, almost as if he's standing.

you wake up every time he almost reaches full height. but were you even really sleeping?

your therapist tells you it must be stress. this particular time at work is busy, after all. and, "halloween festivities can be impressionable when the mind is tired."

so you let it go, hoping that the dreams disappear eventually.

but then you find a feather. it's long, far too long to belong to any animal you know of; the color is charcoal black, with its tips slightly crisp as if it's been burnt. you find it by the shrub, where the silhouette crouches over every night in your dreams.

your palms sweat as you handle it, a mixture of anxiety and fear. you feel sick to your stomach; scared and disoriented. what even is real?

you call your friend, midoriya, to keep you company. he's no cynic, but if anyone could think up an explanation for anything, it'd have to be him. he has notebooks and journals full of analyses and theories on a bunch of weird things.

"can you tell if he's... uh..." he tries to find the words, as if trying not to scare you, "demonic?"

though with how jittery he is, you're pretty sure he's just as, if not more, nervous.

"i don't know yet," you admit, setting down his blanket for the night, "i guess he does feel kinda angry, but..." you think back to those blue eyes, trying to discern the exact emotion in them, "not at me i think. i don't know."

midoriya jots down some more notes as rain increasingly patters outside your window. you're sure he'll spend the whole night figuring this out from the way he continues to ask you more questions.

that night, you dream of the figure again, but something about this time feels ominous; larger. it starts out with his face, lightning illuminating glimpses of his expressions. you see scars across his cheeks and his hair turning a shade darker. another crackle of lightning brings him further away, hunched over the shrub again, except this time, he begins to stand; and you're prepared to wake up again right before he shows himself in full height―except you don't.

he stands before you still concealed by the downpour, but his presence is simultaneously chilling yet glorious. and you don't expect it, what happens next―the unfurling of wings right by his sides. they span the width of your entire yard, large and so unlike anything you've ever seen before.

then, an alarm breaks, and you wake, neither in bed nor on your front porch.

your feet touch wet asphalt, the sensation hardly differentiating itself from how drenched you are by the rain. thick smoke fills your lungs as you stand before a blazing house a few streets down yours. sirens sound around you―an ambulance, a firetruck, and a police car, all managing the commotion.

people evacuate their nearby houses as the policemen round them up at a safe distance. out of everyone in the scene, you seem the closest of all, the heat from the fire nearly licking at your cheeks.

"everybody, please step back!" one of the firemen shout. to your right, another one hurriedly hauls a body down to the stretcher beside you. a paramedic immediately tends to the person before you can even catch a look.

"please step back!" the fireman closest to you calls out, but the sound is muffled in your ears, almost by a dull ringing and the subtle sound of wings flapping. an unexplainable urge pulls you toward the body.

"hey―!" the fireman tries to call for your attention, but you ignore him, inching closer towards the stretcher. you tiptoe to get a better look, and as you catch a glimpse of the body's face―

the fireman holds you by the shoulder, "i said―!" as another paramedic addresses you and asks, "do you know this man?"

and right there on the stretcher is him―white hair with red at the tips; his cheeks are an angry shiny red, like its been melted, burnt. he remains only semi-conscious, eyes half-lidded as he is tended to. but when you peer over, he blinks and manages to look at you.

you find the same striking blue.

[thewandererh]

I think I have a type 😳

@calamarispider (ran no have @ :[)

(behold, the beginning of a however-long-spanning jashling gift bomb. this one is of a few specific round headed jashling fellows i adore with all my heart 😭. you can see where Dyadracide’s inspiration came from <33)

[olibensstuff]

Benny I love u oh so much but if u ever kill TMNTCO Splinter we will be having WORDS/silly

Pshhhhh I’d neverrrr do that

original image below the cut (2012 spoilers)

[residentialsinyomakai]

Yokai to Human Form Tidbit

Ok so there's human designs/ forms for Caspian's yokai friends 1, for fun, and 2, cause there's some situations where it's convenient/just better to have some in human forms (EX: Whisper coming to Caspian's choir concerts and conferences bc his parents are. fairly absent). Everyone has their own opinions on it and stuff and in this post I'ma talk about Baddinyan's!!

So fun little fact he does Not Like being human. This is mostly for body dysphoria adjacent feelings, like all of a sudden he has different hair, no fur, different ear placement, etc. The 'phantom limb' thing tends to happen with his tails, too, which is trippy and kinda uncomfortable. He also hates that a lot of his senses are dulled. smell, hearing, sight (especially in the dark), it makes everything feel kinda hazy and causes him to be a lot more stressed about everything.

Idk maybe I just think it's kinda funny to see a character thrown into a whole new form and reasonably be like. what. the hell this sucks. His easygoing (nice way of me saying his lazy ahh) and usually pretty chill/surprisingly level-headed mood is def worsened when he's constantly feeling skin that doesn't technically belong to him. A form he shouldn't really have.

As a result, he's oftentimes irritable and anxious in this form, with some days being better than others. He typically avoids having to use it unless he needs to though, and refuses to take his glasses off for anything. Has to be bribed with a Chocobar to enma forbid go out in public. He's also less used to it than most due to his extreme aversion to it. He just hates it and everything is physically gross and cloudy and nothing's in the right place and he can't explain why.

Badude, on the other hand, doesn't mind being human! It feels more similar to his body than it does for Baddinyan, and is kind of a fun change of pace every now and then. He's Baddinyan's like. closest friend besides Caspian in this AU, so he's typically who's convincing him to not kill everyone in the room and/or take off the stupid leaf in public lol. Their convos can sometimes go like

"C'mon, it's just until we get outta the store. Don't get your non-existent tails in a twist-"

"Shut up and do nyot remind me right nyeow."

"(Oh it's like. that kind of day whoopsies) Mbmb, we can ditch these nerds and go look at the candy isle or somethin' for a bit..?"

He stinks at comforting people or anything like that but tries. Sometimes. idiots

I'm working on references, but all I have to say about their designs for now is vitiligo Black-Mexican Baddinyan and Mexican-Japanese Badude CANON!!! See you for now! :) Have a radtastical day out there, don't implode or get rocks thrown into your inbox!! (again for some of you...)