#olivie blake is not writing
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I, my dagger, and my bottomless pit of opinions on children's television return to chat in reply to asks/reviews/comments in a series of boldly shameless rambles wherein I, Olivie Blake, am not writing. Today's topics include revisiting MY MECHANICAL ROMANCE for Holi (0:40), a nice lil eyeful of the GIRL DINNER advance reader copies (2:36), undressing GIFTED & TALENTED for a flirty look under the cover (3:22), music, movies, and TV I've recently consumed (4:39), enjoying the wow that's happening now (instead of obsessing about your boyfriend's past relationships) (13:03), deciding which creative project to work on first (20:36), character-first secondary worldbuilding (23:15), and a few ARCs I'm looking forward to reading (28:07).
[ gifted & talented tour links, my episode of ve schwab's no write way ]
#well well well look who decided to show up#olivie blake is not writing#let's talk about love baby#big sistering#gifted and talented#girl dinner#writing advisements#Youtube
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You wouldn't make love with him. You'd make art.
pairing: literature student / poet!patrick zweig x reader
summary: patrick is a genius in everything but matters of the heart. but you don't make it easy on an insecure boy's poor soul.
Patrick doesnât know how to do any of thisâhe, an eloquent speaker, master of rhetoric, a man who knows almost all the dead and living languages of the world. He has always guarded his secrets as carefully as Odysseus hides his true name from the Cyclops.
Pathetic, is it not?
For a man such as him to be so utterly smitten by you. Enraptured by every little thing about you, from the way you toy with his fingers while he recites Virgil to you, or the way your stockings are always full of holes. The smudge of lipstick always present on the edge of your mouth from your lips planting against his own, or the way you pocket each of the poems he writes for you despite your outwards protests.
Heâs a paradox. A contradiction. A romantic, but a cynic. A writer, but a misanthrope. And worst of all, a modernist who secretly longs for bohemians and decadence. A paradox of sophistication and nihilism. A vision of cashmere, draped in apathy.
Itâs like he doesnât know who he is anymore, when he's with you. Like youâre taking all the broken, ugly, shameful parts of him, and making it beautiful. Itâs horrifying, but he wants more. Please.
And now he has to laugh, at how absurd it was that this girl who probably hated the world preferred to be around him, of all people. He knows all of this sounds terribly trite and unoriginal, but he couldn't help it anymore than he could stop the sun from setting. None of this makes any sense, and yet he has never seen something with more clarity in his life.
He loves you.
But, as usual, the words stick in his throat, and he exhales as through trying to exhale his nerves and uncertainty along with the oxygen into the stale air of his bedroom. Heâll scribble poems and declarations of adoration into a worn notebook his grandma bought him, but when it comes to uttering such confessions aloud? God, heâs a coward. So, all that comes out is a teasing:
âYou know I like it when youâre rough, darling, but you really ought to ease up on the make him bleed thing a littleââ
That earns him a bit of pressure added to his back, and a hiss of his own making. Patrick is quick to offer a half-grimace half-smile over his shoulder as an apology, bracing his hands against the sheets while you continue with your ministrations. Dabbing at carmine incisions along his bare back that look oddly reminiscent of a werewolfâs claws. He supposes you are quite the beast in bed together. The thought makes him stifle a snort, which quickly becomes a hiss of pain when you wipe over the nail scratches raking up his skin.
âOw, fuck, be carefulâ"
âDonât pout, Pat,â you chide, your voice low as you cut off his whine of a protest. Thereâs a teasing lilt in there somewhere, a hint of your dry humour creeping into the words. âItâs unbecoming of you.â
âI do not pout,â he scoffs, his eyes flicking over to meet yours, narrowed slightly. âAt what point have I ever pouted?â
Patrick knows that he should not push his luck without youânot when heâs perched naked by the end of the bed and entirely at your mercy as you wield an alcohol-soaked handkerchief. Although the air between you is not quite the icy chill he expects it to be. On the contrary, itâs almost playful.
âBesides,â he continues defiantly, resolutely ignoring the stinging down his back, âI do not appreciate being attacked during⊠well, you get the idea.â A lazy smile flutters on his lips and he angles his body around, his hands finding the curve of your waist to tug you closer. "You are awfully passionate, you know."
He has a very peculiar way of apologising, one that is often too self-absorbed to be even considered an apology. And Patrick Zweig has never been particularly good at those, though his mother always insisted he should learn a thing or two about proper manners. Not that she was ever very present, mind youâboarding school will do that to you, he supposes.
Your fingers are sure and practiced as you tidy him up methodically, the pad of your thumb gently skimming over a small patch of inflamed skin. âAttacked? Oh, how you exaggerate so,â you scoff, a hint of mild amusement in the depths of your eyes that you hide between narrowed eyes as you focus on your meticulous task.
âI do not exaggerate,â Patrick insists through gritted teeth, his other hand grasping the sheets in a fist. The pain is not the issue here, though he does flinch upon feeling the gentle caress of your fingers over one of the indentations. âSee, thatâs the difference between us,â he continues, his voice now laced with an exasperated air. âYou take no prisoners. Absolutely ruthless."
Itâs hard, as always, to determine whether his irritation is genuine or just an act to mask his discomfort at your lack of tenderness. He hates the feeling of being so vulnerable when youâre so⊠put together, like you take no pleasure or interest in the moment you just shared. Not even when the evidence is stained crimson along his back.
He shifts around, pulling you closer without preamble, his free hand wrapping around your wrist to still your motions. Something in his eyes has changed, the pools of blue once glinting with playfulness giving way into a more serious look. His lips pull into a tight line as he speaks again, his voice carefully measured.
âI donât appreciate your coldness. You act like a bloody automaton at times,â he mutters, his jaw clenching imperceptibly. But he knows you can pick up on any of his discreet little ticks at this point. He's grown to be utterly transparent to you, and he hates it, because it is the exact opposite of what you're becoming to him. More and more of a mystery with each interaction. He loves you, but you are so bloody difficult sometimes.
âIâm not being cold. Iâm patching you up, darling,â comes your light reply. Your free hand reaches up, thumb brushing over a smudge of rouge lipstick still present on his kiss-bitten mouth.
Itâs the use of the pet name that gets to him the most, the way your sweet voice wraps around that single word. His frown deepens slightly. âPatching me up,â he echoes under his breath, his grip on your wrist loosening in favour of capturing your palm against the bed.
âStop treating me like a fragile thing that might shatter with one wrong word. I am not made of glass.â
Thereâs something in the petulant way he says the words, the mixture of anger, frustration, and something else that is a little more difficult to defineâat least for Patrick, who isnât exactly known for his emotional intelligence when it comes to his own psyche. Said in a manner only a young man who has had the entire world served to him upon a silver platter could possibly manage.
Patrick Zweig has always been a self-absorbed, conceited ass, but heâs never been good with those who treat him with such apparent detachment. Heâs the one whoâs supposed to be casually flippant, indifferent. He is the one whoâs supposed to be in control.
But you do not seem to care. Not even a little bit.
He doesn't quite recognise the desperation that colours his voice. Heâs used to your indifference, the way you can just switch off whenever you want, but it stings. The more he tries to deny it, the more his own walls threaten to crack.
âAt least look like you care instead of pretending that the last thirty minutes never happened,â Patrick snaps, his fingers tracing the delicate vein on your inner wrist absently, as if seeking comfort amidst the darkening atmosphere.
And you do soften somewhat. You settle upon the bed next to him, now dressed in only his half-buttoned shirt and your underwear, legs drawn up beneath you as your gaze drops towards your hand, and the way his fingers skim across your veins. It's almost uncomfortable, the tender touch in such a vulnerable place. Youâre half-tempted to wince and withdraw your hand.
But it's Patrick. So, you do not. You allow it, even it makes you feel like youâre ready to claw your way out of your own skin. You allow it, because you love him, even if he is insufferable at the best of times.
Like now, for example.
"Sorry," you murmur, and it's not clear whether the apology is for the injuries along his back or the fact he's upset with your demeanour. Either way, you place a chaste, remorseful kiss to his shoulder.
Perhaps itâs your soft voice, or the light touch of your lips against his shoulderâbut the tension in Patrickâs body is replaced by something lighter, something that could almost be mistaken for⊠relief. Something so unlike him. There is something about your words, your tone, the fact that you have given him any response that matters.
His grip on your wrist slackens, fingers sliding down the smooth curve of your palm before lacing through yours. âI donât understand you sometimes,â he says quietly, his gaze fixed on your hands now intertwined against the sheets.
Itâs his way of saying he forgives you, that the brief argument has been put behind you. For now, at least. His thumb brushes against the back of your hand in an almost absent-minded gesture; in truth, itâs more to soothe himself than anything else. The anger that was bubbling underneath the surface seconds ago is gone without a trace.
âAnd stop being so detached,â he adds in a soft whisper, his eyes finally lifting up to meet yours.
Patrick knows that itâs not easy to get a reaction out of you, that youâre guarded, that youâre reserved. He's used to your stoicism, to your tendency of shutting him out at the first hint of his vulnerability. Heâs used to your coldness, but it never fails to annoy him, especially when heâs hurting and wants to just feel you.
His hand, still clasped around yours, pulls you closer, his free arm sliding around your waist. âYou could at least act like it meant something.â
"It does. You do," you murmur insistently. Your own arms loop around his middle, chin hooking over his shoulder, although youâre careful to avoid the lingering passion-induced wounds.
His expression softens slightly, a mixture of relief (from hearing those words) and affection (from your chin against his shoulder) washing over his features. He takes a moment, savouring the feel of your body against his, the warmth of your breath on his cheek. The way your knee presses against his thigh.
He knows you have a hard time with expressing feelings, and words of affection from you are always hard-earned. They are not freely given, and Patrick knows that he treasures them even more because of it. His chest expands in a deep sigh, his eyes fluttering closed.
"Don't shut me out."
He's long since accustomed to the fact that you will never open up fully, that your relationship will always be one-sided in a way, with him baring his soul while you withhold yours. But it's the distance that he can't stand, the way you can retreat into yourself without warning.
His fingers tighten around your hand while his other hand rests on the small of your back, keeping you close to him. He's not letting you run from this conversation; one of you has to be brave for once. "It's almost like you're ashamed to be with me."
"No, that's not it at all," you reply, your voice quiet. It's an uncharacteristic softness, the way you speak when he gets in his head like this. A rarity. Or in the tender embraces you share after sex, reserved just for him. "You're the only good thing in my life sometimes, Pat."
Patrick almost wishes you could be less reserved for him, less protective and guarded. But he knows that it's wishful thinking. He's resigned to the fact that your detachment is part of you, your armour, your defence.
He's used to it, but it doesn't mean he likes it.
"Yes, butâ" He begins, his thoughts cut short by the gentle touch of your fingers against his knuckles. You always do this. It's a habit you've picked up from him. Always toying with each other's hands when you're together. Something about the touch makes his chest tighten, and he almost forgets what he wanted to say.
He lets out a shaky, uneven breath, his forehead dropping against the curve of your shoulder exposed by the half-buttoned shirt. Part of him wants to tell you everything, how much he cherishes moments like these, how much your words mean to himâhow much you mean to him.
But he's never been as eloquent as you are, even with a litany of poems under his belt. There's a difference between speaking them out loud and confessing them onto a page. So the words die on his lips. Something about the comfort of your touch silences any protest he has, even when it's only in his head. His fingers tighten around yours, and he places a brief kiss to your collarbone.
"Stay the night?"
"Mhm, okay," you hum in confirmation. You place your own kiss to the side of his head, directly into the dark chocolate strands of hair. The smell of sweat and sex still lingers between you, a welcome reprieve from the subtle tension a few moments before.
He allows himself to take some comfort in it, the knowledge that you will stay, that you will remain here with him. Patrick knows that it's not so simple, that you may yet disappear again, return to being that detached girl who could not care less about himâbut for now, you are here. Warm and soft against his body.
One of his hands trails up to tangle in your soft hair, guiding your chin up to meet his eyes. And then he leans closer, his lips finding yours in a slow, unhurried kiss. His mouth moves over yours gently; he can still taste a hint of your lipstick underneath his tongue, a faded berry stain that smears between you.
And he takes a moment to just relish in it, the soft press of your lips together, before pulling away to speak into the scant air between you. "Sometimes I wish you'd be more demonstrative with me," he murmurs, entirely without thinking, his eyes fixed on your full, bitten-red lips. You don't even need lipstick like this, he thinks. Not when he can stain them red for you.
Patrick sighs, when his words are repeated in his mindânot that he has any intentions of taking it back. He's been craving your attention ever since you started this whole thing, ever since that night back in September, an entire season ago, but he hasn't ever been bold enough to ask for it. Not until now.
It was supposed to be a thoughtless confession, a passing remark, but the second the words leave his lips, he realises he meant them. Deeply. He wants your affection, your attention. Your love. Not this aloof, indifferent version of you that is always slightly removed and out-of-reach. He wants you to care.
"Demonstrative..?" You prompt after a moment of subdued silence. You release his hand, only to loop your arms around his neck in a loose embrace.
"Mhm."
His voice is low, the sound of it muffled by the way his mouth is pressed against your skin, his breath warm and uneven against your exposed collarbone. But there is an edge to his wordsâa hint of something more vulnerable than what either of you are used to.
"More affectionate," he clarifies after a moment, the words rushed. As if getting them out fast enough will lessen the inevitable blow of your scorn for being so weak. "More loving."
He feels almost like a child, begging for attention. Maybe he's searching for what his mother never gave him in you. That thought is a little too much to unpack right now, though. Especially when just your close proximity is making his head spin, his longing for you overwhelming any hesitation about voicing his thoughts. He knows that he's pushing further than usual, the words tumbling out as if he's physically compelled to say them.
But he can't help it.
The need for affection, devotion, is suffocating. He's not used to asking for more, to actually having to put his thoughts in words. Everyone else just gives him what he needs. The challenge is what drew you to him in the first place, but he is beginning to realise that he may have taken a bite of something more than he can chew.
His face is buried against the crook of your neck, lips grazing slowly over your pulse point. It isn't even fluttering, as if this doesn't have the same effect on you that it does on him. Truly maddening.
It is too much, perhaps. Too much honesty, too much neediness. But he cannot help the way his heart aches at the thought of your indifference, the way his soul cries for your love. His hands slide slowly up your back, tracing the warm skin just under the edge of your borrowed shirt. They don't stop until they reach the nape of your neck, his fingertips playing with the smooth skin and hairs there.
"Please?" He whispers against the shell of your ear. The quiet plea hangs heavily in the air, and for a moment, Patrick is tempted to just blurt it all out. To put all his cards on the table and let the pieces fall where they may. But he pushes the words down, locking them away in the depths of his heart.
"I love you," you say, tilting your head to catch his mouth in another languid, gentle kiss. A thousand words that you wouldn't dare speak aloud poured into the tender gesture, before you break free. But Patrick can't help but wonder whether it's a genuine confession or merely something to placate his aching soul. "I'm not good at this whole... romance thing, you know."
He shuts his eyes briefly at the sound of your words, his mouth opening and closing soundlessly. He does not trust himself to speak, his heart stuck in his throat.
I know, he wants to say. I know you're bad at this. You're bad at love and affection and vulnerability and relationships. But I need you to try. For me.
But he doesnât say any of that. Instead he lets out the breath he's been holding and tugs you that little bit closer, fingers trailing slowly over the smooth curve of your spine.
"Yes, I know," he mutters. His tone is that of a sad, resigned acceptance of the fact that you have walls around your heart.
That this is it.
No tenderness, no declarations, no loving words other than those to appease him. You are fond of him, perhaps even fond of him too much, but he cannot expect you to love him in the way he does. He cannot have the love he desperately craves, and he is beginning to realise that there's absolutely nothing he can do about it.
He's not used to feeling so powerless.
A hint of bitterness creeps into his chest at the thought, and a part of him wants to pull away. He wants to put some distance between you, to distance his heart from this girl who does not love him but whom he loves with his entire being.
But it's impossible to resist the warm press of your skin, the soft brush of your fingers against his hair. He cannot push you away, and instead holds you even tighter against his chest. Some form of affection is better than nothing. Anything is better than nothing.
And that is when Patrick realises that no matter how much he loves you, no matter how much he craves more affection, he will take anything that you are willing to give him.
His mouth trails along your jawline, planting gentle kisses there; he's lost in the warm, familiar scent of your skin against his lips, the feeling of your soft body against his. There is a certain resignation in his touch, a bittersweet acceptance that this will be enough.
His mind is still spinning, his thoughts muddled, but his body responds easily where his brain cannot. The touch of his lips against your skin grows more urgent. Despite his realisation, he craves you, and if this is all he can get, he'll take full advantage of that.
His lips return to your mouth in a hungrier kiss, the desperate need for you seeping into the way his tongue presses at the seam of your lips. His hands begin to roam the length of your body, tracing against the dip of your waist and the curve of your hips. He needs this, he needs this, and his touch grows more frantic with each passing moment. He can feel the bitterness begin to wash away, replaced with something else.
Something familiar. Desire.
Despite his earlier realisation, his need for you does not subside. No, it does not subside, instead replaced by a different need. His fingers move to the buttons of the shirt, a gentle tug in a silent plea for moreâfor your clothes to come entirely back off, for more skin against skin.
"Tired," comes your protest against his mouth. But you don't break away from him, hands still threaded into his hair. "I mean, we've already fucked, Pat."
His breath stutters in his chest at that, because he's not sure if it's an excuse for you to stop here, end this, stop them, or if you're simply tired.
It's not that different, he can't help but think. Not that different.
His lips trail over your neck, planting a line of hot, slow kisses down the side, but there is a hint of resignation in the way he touches you now. "You sure?"
"Mhm," you mumble. Your hand cards gently through his curls, the touch almost apologetic in nature. "We can cuddle, though."
Patrick almost lets out a sigh, his lips pausing against your throat. He's trying to push down any disappointment that threatens to break past the surface.
You do not want more. You're tired, you're done with him for the night.
It's fine. It's okay.
He presses one last kiss to the place where your neck meets your shoulder, the sigh that follows almost inaudible even in the silence of his room. "Yeah. Cuddle."
His arms loosen their grip around you to give you room to pull away, although a part of him doesn't want to. A part of him wants to hold onto you, to keep you close forever. But he does not want to come off as even more pathetic than he already has tonight.
Instead he settles for slowly sitting back against the headboard, opening his arms in a silent invitation. You shift back up the bed to join him, tucking in against him, head pressed against his shoulder. He wraps his arms around you again, holding you close to his chest. A kiss is pressed to the top of your head, and he tries to find comfort in the sense of closeness.
But your words from earlier keep coming back to his mind.
I'm not good at this whole romance thing, you know.
He swallows past the lump in his throat and tries to settle against the pillow. Despite having you in his arms and the solace it should give him, he can't help the way he feels a pang of discomfort at your words. He's not asking for romance, necessarily. Not for flowers and poetry (ironically) and grand demonstrations of love.
He just wants your affection. He just wants to be wanted. He just wants to feel loved.
"Does it hurt?" Your voice cuts through the silence after a while, reaching up with a hand to trace the tender skin at the back of his shoulder. He lets out a soft, somewhat strained breath at the feeling of your fingertips over the sensitive skin there. It's not pain, exactly. More of a warm, almost aching sting around the scratches.
"it's fine," he mutters, and he's not entirely sure if the answer is referring to the physical wound or the emotional one. It's hardly much different at this point. No matter what happens, you always inflict him with something.
A beat passes, then another.
He keeps his eyes closed, listening to the silence, to the sound of your intermingled soft breaths. He can feel his own heartbeat, the steady thump against his ribs, but it's almost as if his chest is cold. As if there's something missing.
That familiar lump rises again in his throat, and when he speaks, his voice feels strained. As if it's been a week of not using it, rather than just two minutes.
"You're not falling in love with me, are you?"
"I told you I loved you five minutes ago, Pat. Sometimes it is a marvel that you are a scholar at all with that memory of yours," you say, your tone light as the hand on his shoulder trails down until your palm is flat against his heart, right next to your head.
And his heart, which had been thumping steadily against his chest, stutters at the sound of your words. He opens his eyes and looks down at the top of your head, his fingers tracing absent little circles against the skin of your forearm.
You had said the wordsâI love youâback in January, and now again tonight. Does that not mean you love him?
"That's not what I meant," he says, quiet and gentle, almost fragile.
"Then what did you mean?" You ask. You can feel the way his heart is picking up, the steady thump thump thump picking up into something more erratic.
Patrick swallows, his throat tight and dry, and another shaky breath escapes his parted lips as he grapples for words. "Like... emotionally. Emotionally in love."
The words leave a bitter taste in his mouth.
"You love me, you've said that. But you're not in love with me. Not the way I'm in love with you," he goes on, his words quiet and faltering. He just wants you to need him in the same way that he needs you. Like water in a desert, or the way a body needs a heart. You are his heart, or at the very least you're in possession of his own.
"Pat, I'm your girlfriend," you say, tilting your chin to look up at him. "I wouldn't have accepted such a title if I wasn't smitten with you, you know."
He has to bite back something between a scoff and a sigh. That's the thing. That's the difference. This isn't about the title you give it, it's about what's under the title. About the true emotional depth behind the world girlfriend.
"Yeah," he says, softly and bitterly. "My girlfriend."
His fingers tighten reflexively around your arm, and he has to force himself to relax. "I see the way you look at me, you know," he continues, his words low but laced with an unmistaken hint of vulnerability. One that surprises even himself. "I know you care about me, that you like me in some way. Love me, even. But I'm not what you need. And I'm certainly not your first choice."
"Then who is my first choice?" There's almost a challenge in the way you ask it, despite the tenderness of your hand against his heart. And he almost laughs at the question. Are you really that oblivious? He shakes his head, even if you can't see it, and answers with a single word.
"Art."
You actually jerk up at that. The way you look at him is somewhat incredulous, or perhaps even disgusted that he could say such a thing out loud.
"Don't be so ridiculous," you say, your words coming out a tad bit harsher than expected. And his chest aches at the way you move with such speed, the harshness of your voice and the hardness in your eyes at his words.
"Why? Because it's a little too true?" He says, his words tight and bitter. "C'mon. You and I both know you've got a thing for him." He props himself up on his forearms, shifting to match your upright position. "I'm not trying to be ridiculous," Patrick continues, a hint of frustration injected into his flurry of words. "I'm just trying to get you to see it. To see how you really feel, about him, about us... about me."
He knows how the words sound, and that you will undoubtedly take them as some sort of criticism or rejection, as if he hadn't wanted you there. But you both know the truth, he thinks. Patrick swallows, and his heart feels lodged in his throat. "You only chose me because he turned you down."
"Oh, piss off, Patrick," you say, the wordsâhis given name, as opposed to the Pat you've always called himâpractically sneered at him. "That's not what happened at all. I don't know how you've managed to jump to that conclusion."
He scoffs, and his heart twists painfully in his chest. It's hard not to grow frustrated, the bitter hurt at both your words and the situation he's fabricated in his head bordering on anger.
"It's not that much of an exaggeration, and you know it," he shoots back, his voice increasingly tight and strained. "You were desperate that night. You only came back to me because you knew I'd get on my knees and worship the ground you walk on, no questions asked."
The words are like acid in his mouth, but he can't help but feel a sense of bitter satisfactionâof victoryâseeing the way you react. And he knows it's unfair, but he's too riled up right now (a problem of his own making, naturally) to care.
âYou knew Iâd come running the moment you called. You wanted that, you wanted me to drop everything and come crawling to you again, begging at your feet.â
"I've never wanted Art, you delusional prick," you scowl. And then you withdraw yourself suddenly, the movement almost violent in the way you disappear from his arms so quickly it's like you were almost never there.
You sit at the edge of the bed, legs draped over the edge as you card a frustrated hand through your messy hair. And at that sudden withdrawal, Patrick almost feels like something has been wrenched out of him, his hands clenching around empty air as you move away. He sits back against the headboard, his eyes fixed on your slumped figure at the edge of the bed, the sudden distance in the room almost palpable.Â
He wants to reach out and pull you back to him, to bury his face in your neck and kiss you until he canât remember why heâs angry. But he doesnât. Instead he swallows the words bubbling in his throat and lets the silence fall.
Thereâs a sense of resignation in the quiet that envelops the room. Patrick can feel the tension between you, the weight of all the things youâre refusing to say, while you stew at the edge of the bed.
He watches you, taking in the slope of your shoulders and the way your fingers are tangled in your hair (a nervous habit of yours, he's come to learn, but it seems more aggrieved than anxious at the moment), and his own heart aches with the need to bridge the distance between you.Â
But he doesnât. Not yet. Thereâs something he has to say first.
âYouâve never wanted Art?â His voice is quiet, and he can feel the resentment brewing at the back of his throat. âYouâve never even thought about it?âÂ
Heâs grasping for something, anything, anything at all to convince himself that heâs wrong.Â
âAnswer me honestly, and donât you dare lie.â
"I can't believe you would even say that," you say, shaking your head. Your gaze burns into the ground beneath your bare feet, your knee bouncing. You're itching for a cigarette, but you can't bring yourself to move to get one right now.
"No, Patrick. Art's a friend, at most."
He almost scoffs at the words, his heart twisting painfully in his chest. Itâs not that he doesnât trust you, really. And itâs not that he doesnât believe you, either.Â
Itâs just that he wants to. He needs to.Â
âBullshit,â he mutters. âI see the way you look at him, the way you act around him. Iâm not stupid.â
God, heâs grasping, and he knows it.
âYou keep coming back to me because you know itâs safe, you know thereâs no risk,â He scoffs, bitter with self-pity. Or maybe self-sabotage. âYou know Iâll always be here, at your beck and call, because Iâm in love with you, and you know how much that hurts me. But God forbid you ever let yourself fall for me too. That might actually be a challenge. That might actually need effort from you.â
"Patrick Zweig, if you're going to sit here and accuse me of being in love with your best friend and not you, my fucking boyfriend," you snap, turning your head back towards him. "I'm going to walk out that door right now. I'm not doing this with you."
His chest tightens uncomfortably at those words, at the threat of you leaving, of you walking out the door and never looking back. But he canât back down, not now. Not when heâs so sure of this. He needs to know. He has to know.Â
He takes a breath, and ploughs on. Might as well dig his own grave at this point.
âI wish you would,â he scoffs, his eyes fixed on you in challenge. âI wish you would have walked out a long time ago.â
His heart aches as the words leave his mouth, the bitter irony not lost on him. He can see that they cut you, the way your shoulders sag and your expression clouds, and a small part of him hates himself for doing it. But thereâs something else, some twisted, masochistic part of him that relishes the hurt heâs causing. Because at least you feel something.Â
He laughs, a harsh, hollow sound, even to his own ears. âMaybe you should leave this time, for good.â
"Maybe I should, Patrick," you snap in reply, your words nothing short of biting. The only thing that's stopping you from getting up and storming out right now is the anchor of the regret you know you'd feel as soon as the door was shut. "Run off into the sunset with Art, shall I? And you can go off and find a girl willing to write you the little sonnets and love poems you so clearly need."
A volatile mixture of hurt and anger and resentment wells up in his chest at that. Mocking his adoration for poetry is a low blow, and you both know it. He's never asked that of youâthatâs not your way of showing affection. Itâs his. A way of expressing his love, and you act like it's some inconvenience?
âOh, Iâll find one. You donât have to worry about that,â he says. âIâll find someone who actually wants me, instead of someone who just keeps me around because Iâm convenient.â
He knows heâs treading dangerous waters now, that one wrong word might set you off like a powder keg. But he canât seem to stop himself, the words tumbling out of his mouth like a flood he has no hopes of containing. At this point, he doesnât even want to.
âIâll find someone who sees me as something more than just a fallback, someone who actually cares about me, not just about what I can do for her.â
"And what can you do for me, huh? Except sit there and whine about the fact I'm supposedly in love with your dear old pal?" You fire back.
His heart aches at those words, the accusation like a knife to his chest.Â
Patrick swallows, his voice tight. âI have been nothing but devoted to you. All these years, everything I ever do is for you. I would drop anything, anyone, at your command.â
He scoffs. âI would literally take a bullet for you,â he says, the words practically spat out.
âAnd all youâve ever given me is your scraps of attention,â He continues. âYou come and go as you please, taking whatever you want from me with no regard for my feelings, and you have the audacity to act like Iâm asking for too much?â
"I have never once told you that you were asking for too much, Patrick. What I am saying, is that it's absolutely ridiculous that you could accuse me of... of what? Wanting to be unfaithful to you, with Art, no less? Am I supposed to just take that in my stride and not act as if it doesn't make me sick to my stomach to hear that?" You say, the words pouring out of you, laced with derision and perhaps just a little bit of... anguish? as you rise to your feet. Or perhaps that's just wishful thinking on his part.
He knows heâs crossed a line, that heâs gone too far this time. But he canât stop himself from doubling down.Â
âWhy?â he says, his voice low. âWhy does it make you sick, hmm? Because Iâm wrong, or because Iâm right?â
"Because you're wrong, Patrick. And it disgusts me that it could even cross your mind that I would ever do such a thing to you," you sneer in reply. "I mean, do you really think that little of me?" A dry, humourless laugh punctuates your words.
His heart aches to hear it, the disdain and indignation in your voice like a punch to the gut. He swallows down the retort that rises in his throat, the urge to hurt you back growing stronger with every moment you refuse to admit what he believes to be the truth.Â
But he bites his tongue, his voice a quiet confession as he says, âSometimes? Yes, I do.â
You scoff.
âI think you could tear my heart out, smash it to pieces, and not even bat an eye,â he continues, his voice dropping into a quiet confession. âI think youâll ruin me without a second thought if it meant you got what you wanted in the end.â
He takes a breath, his voice strained with the weight of his admission. The same words have adorned a page a thousand times, but speaking them aloud is something else entirely. He's not sure whether it's making him feel worse or better.
God, he feels pathetic.
âAnd that kills me. It kills me to know that youâve got me wrapped so tight around your finger that Iâm just willing to follow you around like a lost puppy, waiting for the scraps of attention you deign to give me.â
He laughs, a dark, humourless sound. âI must look pathetic to you, yeah?â
He hates himself for it, but he continues. Thereâs no point in stopping now, right?
âTell me, do you laugh about me behind my back with Art when weâre not together? Does he tell you how Iâll do practically anything you want, that Iâll bend over backwards just for the thrill of being the one who gets a scrap of your precious time? I bet he does,â he says, his voice laced with animosity at just the thought. âI bet he gets off on watching me trip all over myself just for your attention. It probably amuses him, Iâm sure itâs very funny to watch me suffer. A big difference from the Patrick Zweig everyone else knows, right? How delightful.â
"Stop it," you interject, the words a harsh demand. But there's a hint of desperation in your gaze, as if you cannot stand to hear such vile accusations. "I don't do that, Pat. Nor does he."
And his chest tightens at the hurt in your eyes, at the raw emotion thatâs there. But he doesnât let up, he canât let up.Â
âWhy should I believe you, hmm?â he says, his voice dripping with derision. âWhy should I just take your word for it, just like that, when I know the truth?â Patrick scoffs, his eyes meeting yours in a defiant stare as he watches you tug your trousers back on.Â
âBecause youâre supposed to treat your boyfriend with faithfulness and respect,â he retorts, voice flat with accusation. âBut I guess weâre both falling short, arenât we?â
"I do treat you with faithfulness, you absolute tosser," you bite in reply. You cross his room to retrieve your shoes, your face contorted into a scowl. His stomach churns as he watches, at your clear intention to leave.Â
âWhere are you going?" he demands, his voice rising as panic floods through him. "You can't just walk out every time we argue like this, you can'tâ"
"I can't what? The only thing I cannot do, is sit there and listen to you accuse me of being unfaithful to you. I won't do it," you say, shaking your head vehemently as you drop down to the floor. Damn your stupid laced boots.
He lets out a frustrated huff, his mind reeling with the panic and hurt thatâs swirling inside him.Â
âBut itâs true!" he says, the words almost involuntary as they tear themselves from his chest. He's desperate at this point. To continue or resolve this fight, he does not know. But he can't have you leave. âYou are unfaithful to meâmaybe not in body, but at least in heart!â
"You are so... so stupid sometimes, Patrick, I cannot even fathom it. It hurts my fucking brain that you could even... you could even conjure up such a thing in your own," you say, as you fumble with the laces. He's the most intelligent person you know, sure, but that big brain of his is rendered utterly useless when it comes to matters of the heart.
Not that you're much better, really.
He lets out a humourless laugh, the sound both rough and bitter. âYeah, Iâm stupid,â he returns, his voice harsh. âIâm just the idiot whoâs completely in love with you, who canât see that youâre completely, utterly enchanted with my best friend instead.â
Another laugh, the sound hollow in the air. âIâm the fool whoâs just willing to look the other way while you sit there and make a joke out of me, while you string me along while you decide whether you want me or him.â
"I don't want him," you snap. You're all but yelling at him now, the level of volume certainly enough to raise some questions on the floor of the dorm. But given your entire conversation, propriety is not on the table right now, as you finally do up your laces and rise to your feet.
"I want you, Pat."
The words cut through him like a knife, slicing deep into his heart. His chest tightens painfully at the admission, the air leaving his lungs in a harsh exhale. Because, unlike all those other placating whispers, the vehemence in your voice now feels real to him. Heâs silent for a moment, the only sound in the room his breaths. All he can feel is the rapid, heavy pounding of his heart.
Finally, he speaks hoarsely. âThen prove it, for once in your life. Show me that you mean it, and it's not just... just some bullshit to placate me."
"What do you want me to do, huh?" You say, throwing your hands up in exasperation. "Declare my undying love for you? Run off and elope with you in the night?"
He shakes his head, the motion sharp and frustrated. âNo, not any of that soppy nonsense,â he says, his voice still roughened by emotion. âJust look me in the eyes and tell me, honestly, that Iâm the only one you care about. That thereâs nothing between you and Art Donaldson.â
"There is nothing going on between us," you tell him, crossing the distance back towards the bed. Your eyes are dark and steely as you look at him, unyielding. "Not a single thing."
His heart thumps in his chest, the palpable battle between hope and lingering doubt sending a shudder through his body. It takes a moment for your words sink in, the sound of his own harsh breathing filling the silence between them.Â
Finally, his voice comes out in a raspy whisper. âYou swear it on your life?â
"Do you want me to pull out a fucking Bible, too?" You snap back. And then the tension in your body seeps out a little, and you drag a hand through your hair. A moment's pause, and then your continuation is a lot softer, "I swear."
Patrick nods, swallowing hard. He's half-tempted to ask for a pinky promise, but that seems so ridiculously juvenile right now and would only lead to further embarrassment. But he needs to be sure. He has to be sure.
"Swear it on your family," he continues, his voice still choked. "On your father, your mother, your brothers. Swear it on everything you hold dear."
You let out a scoff at that; you're half-tempted to call him pathetic, to laugh at him for demanding such a thing. But you don't, tugging on the roots of your hair as you try to force the words out.
âYouâre ridiculous,â you say. But the moment of hesitation passes. âI swear it. On everything.â
He feels the tension drain out of him, his heart easing at that response. He lets out a long, ragged exhale, the pain in his chest slowly lessening.Â
He believes you. He has to believe you. Because you are the substance he craves, and he is nothing but a lowly acolyte, ever at the mercy of his deity.
So in that moment, he just canât bring himself to care if he looks ridiculous. He's already been enough of a twat tonight.
Without another word, he pushes himself off the bed and closes the gap between you, taking you in his arms and pulling you flush against him. He feels cold, standing up naked like this. But heâd face the harshest winds of the Arctic to feel you against him right now. A part of you wants to push him away, tell him that you want nothing to do with him right now. That you need time to process the fact that he had so little faith in you. Because fuck, that had hurt.
But the warmth of his embrace drains the fight in you. You melt into him, and you're almost tempted to cry as your arms loop around him. He buries his face in your hair, inhaling the familiar scent of youâjasmine, cigarettes and lingering sweat from your earlier endeavours. God, that feels like a lifetime ago now.
The thought of you wanting to leave had terrified him, and itâs only now, with you safe in his arms, the reassurance you had given him settling in his chest, that the full force of the fear hits him.Â
His voice is a hoarse murmur when he speaks into your soft hair, the words thick with emotion. âIâm an idiot. A total knobhead.â
He laughs, the sound dry and humourless. âIâm so stupid itâs a wonder I havenât dropped dead yet from pure idiocy.â He takes another shaky breath, holding you tighter. âIâm sorry. I was wrong, I was⊠I was utterly wrong, and I didnâtââ
He cuts himself off, exhaling into your hair as he searches for the words his brain provides but his mouth refutes. âI just donât know what I would do if I lost you. I love you so much, itâs unbearable. I think Iâd go fucking mad. Youâre it for me." The words are whispered with a fierce desperation. âI know I act like a selfish idiot most of the time, but you have to believe me, I just⊠I just canât lose you. I love you. I love you so much, and I would do anything, anything to keep you. So just⊠please,â he murmurs, his voice barely audible in the quiet room. âJust please donât ever leave me, my beloved. Please.â
âDonât call me my beloved right now, you absolute arse. You don't deserve it,â you huff out in reply. But the words are tinged with something lighter again, even if it feels like you might burst into tears at the familiar term.
Patrick lets out a laugh, his voice rough and ragged but tinged with genuine mirth. He can practically feel the weight lifted off his shoulders at your tease.
âBloody hell, I just bared my bleeding heart to you, woman, and youâre more concerned with my choice of endearment. I mean, whereâs your romantic spirit, hmm?â he murmurs, his voice a low vibration against your ear. âHere I am baring my soul to you, and you canât even muster up a single I love you, my darling Pat?â
âI hate you too much right now to muster up such a horrible thing,â you whisper in reply, words muffled against his chest. The way you're clinging to him right now shows quite the opposite of disdain, though.
He gives another huff of laughter, the sound tinged with relief; he can see right through your facade. For once, it feels like youâre letting him in. He lifts a hand to your head and threads it through your hair, his voice softer and more affectionate now. âYou donât hate me, and you know it. You just like to act all blasĂ© and casual, to keep me on my toes. Nothing is ever simple with you.â
âYouâre such a bloody prick sometimes, Pat,â you breathe out in reply. âHonestly, I just⊠god.â
You shake your head against him. You aren't entirely sure whether you want to take off your boots again or just collapse into the sheets with him and hold each other, whispering nonsense to each other into the dark hours of the night. Or, the complete opposite, and allow that lingering hurt to take precedence and drive you to bid him goodnight and spend the night in your own quarters. Patrick is thinking the same, his mind torn in two. Part of him is desperate to bury his fear, his doubt, in a night of love and tenderness. To drown it in the comfort of your body, in the taste of your skin.
The other part wants to cling to you, begging forgiveness over and over and over until it sinks in that you're not leaving, not now, not ever. That you're his, that heâs yours. And heâll never, ever doubt you again.
But he knows you, he knows you, and he knows that you're still hurt, still angry, still upset by the accusations that heâd made. And while his instincts urge him to take you in his arms, his chest tight with the need for touch, for comfort, he canât bring himself to do it. Not when it might piss you off even more than he already has. Because sure, the basis of his argument had been solid. The need for affection, for something more than just tender touches late at night...
The accusations, though? Far too much.
So instead, he just pulls you impossibly closer against him, holding you tight to keep you both anchored together, his voice rasping against your ear. âIâm sorry. Iâm so, so sorry.â
And you allow him.
âI was an idiot,â he continues, his voice hoarse. âA blind, selfish, stupid idiot. I let myself believe a load of bollocks when I shouldâve trusted you. Youâre the most faithful, the most wonderful, the most⊠the most goddamn perfect personââ
He cuts himself off, his voice catching in his throat. âYouâre everything. Youâre everything to me.â
He pulls back just enough to look down at you, his heart thrumming in his chest. His eyes are shining with earnestness as he tells you, âIâll never doubt you again. I promise. I swear on my dead grandmother, Iâll never doubt you again.â
âOh, donât bring your fucking grandmother into this,â you groan, shutting your eyes. âItâs so terribly morbid. I canât have that on my conscience.â
Patrick lets out a shaky bark of laughter. He cups your chin, gently tilting your head up with the press of his fingers. âCanât have my very serious and sincere promise to never doubt you again being tainted by the mention of a long-dead old woman in my family?â He shakes his head, his voice tinged with fond exasperation. âYou are the strangest girl Iâve ever known, did you know that? Any other girl Iâve had a tiff with, theyâdâve swooned at the mention of my undying devotion. But you just worry about the deceased.â
âIs it so hard to believe I hold respect for the dead?â You reply, with a tiny little smile that tells him some of your anger towards him has melted away. âBesides, Iâm not any other girl, you know. Thereâs a reason youâre so hung up on me.â
He lets out a huff of laughter, his eyes dancing with affection. âNo, youâre not any other girl,â he agrees, giving your chin a playful pinch between his thumb and forefinger. âWhich is why Iâm so hopelessly in love with you, even when youâre being difficult and contrary and obstinate.â
He sighs, his tone affectionate rather than exasperated. âAnd when youâre not letting me take responsibility and properly apologize for my idiocy, which, might I add, is an absolute crime against chivalry and romance.â
âJust shut your mouth and take my boots off, after making me go through such trouble to put them back on,â you sigh. You pull free from his grasp to take a seat on the edge of the bed, watching him expectantly.
He lets out his own long-suffering sigh, though the corner of his mouth is quirked up in a smile. âMy my, my stubborn girl has some demands tonight, does she?â he says, slowly lowering himself onto his knees in front of you.
âYouâre very lucky Iâm in a forgiving mood,â he adds as his fingers find the laces of your boot. A bold statement to make, judging by the argument he had started. But at least he's being a little more himself. âI donât think anyone else would be so eager to give into such an entitled little princess.â
But he tugs the first boot off, gently setting it aside before moving on to the second, his hands moving with practiced ease. Despite the teasing edge in his voice, thereâs undeniable care in his movements, a tenderness in the way he works. Fingers grazing over your ankles, working your shoe free and giving a teasing little tug to your frilled lace sock to watch it snap back against your skin.
âHonestly, youâre like a cat,â he teases as he tosses the second boot aside. âSpend all day lounging about and lazing in the sun, then expect me to come along and pamper you as soon as the sun goes down.â
He places a kiss to your knee, and then rises to his feet, settling back on the bed and leaning against the headboard. Patrick beckons to you, patting the space beside him. âCome here,â he says, his voice soft and coaxing; itâs not the first time heâs started an argument, and it probably wonât be the last. But he always knows how to ease the tension afterwards. âIâm not done pampering you yet.â
He gives a quiet hum of satisfaction as you settle in beside him, his arm coming to wrap around your shoulders. He tugs you as close as physics will allow, right against his chest, his other hand coming up to idly toy with your hair.Â
Heâs quiet for a moment, simply basking in the feel of you against him, your bodies pressed together. Then, he finally breaks the silence.Â
âI really am an idiot, you know.â
His voice is soft, tinged with just a hint of self-deprecation, a contrast to his normal bravado. He shakes his head, his fingers twisting in your hair unconsciously. âI mean⊠I honestly, honestly believed youâd cheat on me, with fucking Art of all people, just because I⊠because I had a terrible day. Like all the work youâve done to prove your loyalty is rendered null and void just because I let my insecurities get the best of me. Art,â he repeats, as if the very idea is ridiculous. âI mean, come on. I know heâs handsome and all that, but heâs one of the most awkward men I know. Iâm honestly not sure he even knows how to flirt, let alone have an affair with someone.â
Patrick shakes his head.
âAnd you,â he continues, his voice gentling once more. âYouâre like the picture of loyalty. Itâs one of the things I love most about you. Youâre fierce and passionate, but you give that loyalty to people you care about, and once itâs given, itâs as good as cemented in stone. You donât go back on it. Youâd never betray someone you loved, not like that, even if you were offered the sun and the moon on a silver platter.â
He lets out a sigh, tightening his arm around your shoulder. âAnd I know that. I do. But sometimes I get so⊠scared that youâll realize how much better you deserve and just⊠leave me. For someone else whoâs better at this relationship thing, or less insecure and angry and just⊠better than me.â
âPat, I literally could not care less about finding anyone other than youââ
âAnd for the thousandth time,â he counters, his voice tinged with feigned annoyance at your stubbornness. âI know that. But my stupid brain still tries to convince me youâre going to realize Iâm just too rough around the edges for you to deal with.â He huffs out a bitter laugh. âHonestly, I donât know how youâve managed to put up with me as long as you have. Iâm lucky to have a girl who doesnât care about how incapable I am at everything outside of literature, and I go and accuse her of being in love with my best friend like a wanker.â
He shakes his head. âYouâre a saint, is what you are, for putting up with me. I donât know what I did to deserve you, but I thank whatever gods are watching that you put up with my idiocy on a daily basis.â
He gives one of the locks of your hair a little playful tug. âAnd if you ever do decide to leave me, just⊠make sure you have the decency to take pity on me and warn me in advance, hmm? Iâd like the chance to at least grovel and beg for your forgiveness, before you walk out the door.â
You laugh, shaking your head. âYes, yes. Iâll be sure to give you a few days notice.â
âGood,â he says with a nod, his tone serious in spite of the mirth dancing in his eyes. âI think thatâs reasonable. A few days notice, a good bottle of gin, and a chance to make an absolute fool of myself before you walk away. I doubt Iâd be able to change your mind, but Iâd at least like to go through the motions before you leave me to wallow in my own self-pity and grief.â
Patrick sighs.
"Probably find a new favorite bar to wallow in, too,â he adds. âIâd have to give up every spot weâve been to together, especially the ones you like. Canât go there anymore, since theyâd remind me too much of you.â
He pauses for a moment, his fingers idly tracing the curve of your shoulder, your collarbone, anywhere exposed by the half-buttoned linen. âI donât think Iâd ever find another bottle of gin Iâd like as much, either. The one from the store down the street would be too sweet, the one from the high-end bar over on the main road would taste too tart⊠nothing would compare to the one we share.â
Thereâs a contemplative pause, where he taps his finger against you a few times.
âAnd Iâd have to find an entirely new wardrobe,â he laments. âI could never wear these fucking argyle sweaters again. Theyâd remind me too much of you and how lovely you look in them when I loan them out to you.â
And oh, how beautiful he thinks you look in his clothes.
âIâd have to sell all my records, too,â he continues, his words tinged with a melodramatic amount of despair for the sake of comedy in an attempt to lighten the mood. âAll of our favorites. Never listen to my Beatles records again, because every song I play would remind me of the hundred times weâve bloody well sung along together and get all sad and pathetic about it. And donât even get me started on all the poems Iâve written for you,â he says, shaking his head. âIâd have to throw out every single scrap of paper theyâre written on. Or better yet, burn the manuscripts of my work as an offering to purge the memories. That would probably be more poetic. Much more fitting, I feel.â
He can practically feel you rolling your eyes against him, and he knows youâre moments away from telling him to shut up for the rest of the night.
âAnd Iâd have never enjoy a cup of tea ever again,â he says, his voice dropping into a low, exaggerated whisper. âWouldnât even touch the stuff. And God, the movies weâve seen together. Iâd have to steer clear of every theatre for the rest of my life, at risk of remembering how you look in the dark with the film playing across your face.â
He takes a deep breath (because heâs been running his mouth for so long his lungs are in dire need of oxygen), his hand (which seems to be permanently stained with ink) coming up to cradle your cheek. âAnd the places weâve gone together. The restaurant with the good pizza, the one you like, Iâd never be able to eat from again. The park down the road where we like to go for a quiet walk sometimes. The museum we like with the beautiful pieces you love to stare at for hours. The bookstore where we pick out the ones with the stupid titles so we can read them aloud to each other. The coffee shop with your favourite drink, the art store you like to go to that always makes me drag you out after you spend an outrageous amount on suppliesâŠâ he trails off, shaking his head. âEverything would remind me of you. Fucking everything.â
And as playful as heâs being, he knows that part isnât an exaggeration.
âHonestly, I donât know how Iâd even survive.â He says with a melodramatic sigh, shaking his head dejectedly, the very pinnacle of a pitiful boyfriend. âIâd probably wither and die in my own self-pity and despair, wallowing away like the pathetic and miserable creature I am until someone found me, stiff as a board and dried up like a mummified corpse.â
âJesus, Pat, stop being so dramatic. Youâre like a broken record. Giving me a headache,â you groan.
âItâs not my fault Iâm so maudlin when Iâm thinking about your hypothetical exit from my life,â he defends himself with an indignant huff of protest, rolling his eyes dramatically. âNot many things get me all pathetic and poetic and melodramatic, my girl, but the idea of you leaving me is absolutely one of them.â
Thereâs a brief pause, and you can just tell whatever he says next is going to drive you mad.
âButâŠâ he adds, with a hint of mischievousness in his voice, âI suppose your beautiful, angelic, radiant presence just inspires me with such overwhelming despair that I have to write a tragic Shakespearean sonnet to lament your absence in my life, for my heart is heavy and my spirit broken after your cruel, heartless abandonment.â
He gives another melodramatic sigh, one hand pressed dramatically to his heart next to your head. âOh, the agony, the pain of it all. How I shall ever survive without you, my sweet, sweet darling⊠I can think of no other woman, no other soul on this earth, who can inspire such passionate misery and sorrow within me. Why, without you, Iâm but a mere shell of my former self. A man wandering through lifeâs garden, stumbling and blind without the glorious sunshine, without the warmth and brightness that you so beautifully provide. Oh, you must find it within your heart of hearts to take pity on me, and spare me the endless abyss that would be my life without your light and love.â
He goes silent as your hand presses against his mouth, his lips parting beneath your touch. He meets your gaze with an equal mixture of amusement and mock despair, his eyebrows arching in a comically dramatic display of desperation. It's a testament to his theatrics that the expression he manages to maintain is just believable enough to look genuine, with his wide, puppy-dog eyes that convey nothing less than a hopeless devotion.
What an absolute fucking idiot. Unfortunately, heâs your absolute fucking idiot.
He sighs against your palm, the sound coming out more like a low, resigned whimper (that heâll absolutely deny outside of this interaction), his eyes pleading with you to show mercy on his poor, wretched soul. He lets his lower lip jut out in the slightest of pouts, as if that will do the trick in persuading you to remove your hand from its place against his face and spare him a kiss in its place.
You canât help but scoff, even as you acquiesce, rolling your eyes as you withdraw your hand. "You are utterly ridiculous, you know."
âCanât fault a man for pouring his heart out,â he counters with a dramatic sigh, his hand coming up to dramatically clutch at his chest in a gesture of mock grief. âI canât help that youâre my muse, the source of all my inspiration. I mean, look at you,â he says, gesturing towards you as you sit up and fix him with a flat look. âYouâre so beautiful, it leaves me weak and helpless to the machinations of my own mind.â
You move to cover his mouth again, but he catches your wrist.
âHow can I be expected to contain myself in the presence of true, unparalleled beauty such as yourself, my love?â He adds, lowering his other hand to reach for you, gently taking hold of your chin again.
He studies your face, his eyes tracing the shape, the curve of your lips, the flare of your nose, with an intensity that borders on obsessive. The look on his face could only be described as one of utter adoration. âYouâre the very definition of an Aphrodite, you know. The living embodiment of divine grace and heavenly radiance.â
Patrick ignores your scoff in pursuit of maintaining his theatrical display of affection.
âItâs enough to drive an ordinary man mad, with your flawless skin, your sparkling eyes, the beautiful curve of your mouth. I swear, the heavens themselves would weep at the sheer injustice of it all,â he continues, his thumb gently tracing the line of your lips. He gives a dramatic, shuddering sigh. âTo have a goddess of beauty on the arm of a mere mortal⊠the gods would be furious, donât you think?â
âYou disgust me sometimes, Pat,â you say, fixing him with a pointed look. âI ought to tell Tashi about how much of a snivelling fool you become when youâre laying it on thick for forgiveness.â
"No, no, you mustn't," he returns quickly, releasing your chin to clutch desperately at your wrist with both hands. "I'd quite literally die if she knew that I'm such a snivelling, pathetic, lovesick fool around you. She'd never let me live it down, I swear it. I'd never hear the end of it."
"Then stop it with your flowery words," you huff, rolling your eyes softly. (Although, you both know you secretly love it. Except itâs much preferred in the form of the poems you can pocket, not this ridiculous display following an argument.)
"I can't help it, my darling," he groans, the perfect picture of despair and melodramatic pleading. "It's like a disease, a sickness that courses through my veins and fills me with the most desperate, pathetic, romantic nonsense. You're like my own personal muse, you know. My inspiration. My entire world wrapped up in one beautiful, flawless goddess of a woman."
âStop it.â
"And if I didn't take every spare moment to worship the ground you walk on, the stars you shine amongst, the very sun and moon themselves that pale in comparison to your radiant brilliance," he sighs. "I might spontaneously combust. Or drop dead from the pure intensity of the love you've inspired in me."
"No more talking," you declare.
Patrick pouts as you (heartlessly) cut off his dramatic ramble, falling silent for a moment. "But Iâ" he starts to protest, before thinking better of it and stopping himself with a huff. "Fine. No more talking."
"Good," you say, placing a chaste little kiss to the corner of his mouth to placate him. "I cannot stand it when you become such a sap."
Despite his earlier protest, he softens at the feeling of your kiss, the subtle pout on his face softening into a fond, almost boyish smile. His hand comes up to touch his mouth, as if to capture the lingering sensation of your lips against his skin.
"Can't blame a man for his poetic tendencies, my love," he quips, his voice dropping into a soft, mock-offended tone as he lowers his hand to admire the rouge lipstick stain on his finger. "Especially in the presence of such an inspiring, radiant woman."
âNo more talking,â you repeat, fixing him with a warning look.
Patrickâs smirk widens into a teasing grin, his eyes sparkling with a playful defiance. He parts his lips as if to protest once more, but a raised eyebrow from you has him pausing, his words dying on his tongue. Instead, he simply gives his thousandth sigh, his expression a perfect picture of mock-forlorn obedience. "Fine, not a word. My lips are sealed, sealed tighter than a safe from Fort Knox itself."
âYouâre like a fucking thesaurus sometimes,â you sigh. âOr Shakespeare himself. It drives me insane.â
Patrick just grins. âI prefer to think of myself as a modern-day Shakespeare,â he says. âJust replace all the swords and daggers with cocktails and cigarettes, and voila! A modern bard of the highest order.â
And, just like that, the pair of you laugh, your earlier transgressions melting away in the light of the familiar banter settling between you. A warm blanket to ease the tension until only a puddle of young, imperfect, stupid love remains.
#jo writes âËàż#jordiemeow#patrick zweig#challengers#challengers 2024#patrick zweig x reader#patrick zweig x you#patrick zweig x fem!reader#josh o'connor#patrick zweig fic#patrick zweig moodboard#challengers fic#olivie blake#late night proofread mistakes are not my fault#poet patrick my beloved#wanted to just be a bitch to him but. he deserves love im sorry#rare good ending to a jo fic??
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Book Review: Januaries by Olivie Blake
â
ââââ [1/5 stars]
DNF at 34% / after 4 stories / on page 133
This was a slog, with juvenile writing, flimsy storytelling, and nothing particularly interesting to say.
I tried. I really tried. But after thinking, "I'm not enjoying this. Maybe I'll try one more?" after every single story, I can't do it. I can't try just one more. I'm not strong enough.
The writing style was unimpressive. It alternated between unsuccessfully attempting a lyrical voice and (much more often) writing in what I've now termed "meme voice"âa quippy, modern-slangy, overly casual tone that often jarred with the fantastical fairytale setting. The two styles together clashed, and neither was wielded with much success.
The short stories themselves seemed to take a very long time to accomplish very little. There was a lot of needlessly convoluted setup, where the only payoff was the exact same cookie-cutter couple falling in love. Again. Seemed extremely roundabout. None of these stories are really "doing anything."
I picked this up because the cover is gorgeous and I thought the seasonal framing would make it a good pick for the start of the year. While the cover remains gorgeous and has thankfully not decayed Dorian Gray-style, even the seasonal framing seems arbitrary. Maybe it becomes clearer with later stories in the collection, but so far there hasn't been anything to tie these stories to their particular season thematically. There's no sense of temporality at all, which seems careless given this collection is structured around time.
I try really hard to finish everything that I pick up by choice. I don't DNF lightly. I can't even remember the last time I outright gave up. But my good will as a reader has been completely squandered and I don't think there's any benefit to continuingâeither for myself or for this review, which would probably devolve into angry swearing if I tried to force myself through an insurmountable 200 more pages.
I haven't read any Olivie Blake before, though I know of her. Maybe her novels are stronger (short stories are their own unique skill set), but unfortunately I'm not very motivated to find out, as this was a poor first impression.
Below are my notes that I jotted while reading each story:
The Wish Bridge: 2.5 stars Writing is very juvenile. Alternates between attempting a lyrical fairytale voice (itself meh) and extremely modern slang-y phrasing, which is jarring. Feels like flash fiction on tumblr, but not in a good way (aka trying too hard to rules-lawyer a trope or genre convention, instead of telling an actual story). Not a strong start for a collection.
The Audit: 1 star Took a long time to do not very much, which is not a great quality in a short story. The whole setup seemed like a needlessly roundabout way to achieve what it wanted to achieve; I was expecting it to do More based on the premise. The meme-y voice still isn't my favorite, but it fit better for this story and this character. I'm still trying to wrap my mind around someone unironically writing and publishing this story In This Economy. It truly boggles my mind that this story has NOTHING to say about labor OR free will vs destiny. Truly taking the speculative out of spec fic.
TUMBLR EXCLUSIVE: I hated this short story so much that I had to text @opheliaintherushes venting about the bizarre pointless premise, and I think you'll all hate it too, so I'm transcribing my annoyed texts below so you know that I am Justified In My Ire once you understand the plot [editor's note: annoyed texts have been condensed for clarity]: so it's set in what I'm ASSUMING is a near-future sci-fi setting where using ~technology, they have this new pilot program where people in their 20s can find out how much money they're going to earn in their entire life, get the whole lump sum upfront as a loan, go enjoy their youth, and then when they're like 35 they go do whatever job they're "meant to do" that earns them all that money in the first place You might think the point of this setup is to explore something about work or wealth or youth or capitalism. You would be wrong. Our annoying 20-something protagonist finds out the ~terrible news that she now has 40 MILLION DOLLARS IN HER BANK ACCOUNT. She has to go to grad school when she's 30 so she can get the qualifications for her job at age 35, but otherwise she has a decade to enjoy HAVING 40 MILLION DOLLARS Also did the question of free will or fate factor into this ever? No. It did not. She spends the entire short story doing absolutely nothing. She said she was going to quit her job to travel. She doesn't do this. She repeatedly GOES TO WORK. (She works in, wait for it, a bookstore because of course she does of COURSE she fucking does. and it's a ~chill bookstore that makes all its money selling rare books so she doesn't have to do like, any work). It is so many pages of her just like, considering buying Nice Chocolate and then getting stressed and not buying it. And then continuing to go to work The thing that she DOES do is repeatedly hang out with her downstairs neighbor in his apartment that he never leaves ever. He only got several hundred-thousand dollars, because he's going to die young, which is why he's stopped leaving the apartment (again: do questions of fate come into play here? No) They fall in love, which apparently was the actual point of this short story. Seems like a whole lot of unnecessary setup to me just to write a story about falling in love with your weird neighbor So anyway, after doing absolutely nothing with her 40 MILLION DOLLARS for like twenty pages except think about how she doesn't really know what to do with it, it ends with her renting a bunch of famous paintings from museums and bringing them to this guy's apartment so that he can enjoy them without leaving his apartment. The end. hold onto your blood pressure, but her roommate is in law school (she chose not to find out her ~destiny) and the protagonist is like "do you want me to like, pay for law school" and the roommate says no (??) and the protagonist is like "I just want to make things easier on you" and the roommate says AND I QUOTE "things being easy isn't the point." which like WHAT. in this economy????? Why are you setting up a story about WEALTH AND FATE AND PREDESTINATION AND WORK to literally just bone your neighbor I'm literally staring at the wall of my cubicle and thinking "I don't know if I can do it. I'm not strong enough." Usually books that I hate take longer than this to go off the rails. It's been 51 pages. There's 300 more.
this was also the point when I came on tumblr and complained to you all about my suffering, but then I continued to read two more stories "just in case it got better." It didn't.
Sucker for Pain: 3.5 stars On a style level, the writing was worlds better than the first two. But in terms of plot and character, it was basically every YA paranormal fantasy that's ever been written condensed into 40 pages, so it wasn't really for me. At least that there was some degree of prose.
My feeling is again that we just sort of meandered around for 40 pages. There isn't a strong sense of purpose here, or that real kick that short stories are meant to have. So far none of these have been Doing Anything in a storytelling sense
The Animation Games: 2 stars Well, this one went in directions I did not expect, which is not the same as Doing Something. Again took too long to do very little of substance and unfortunately it devolved into meme-y-ness and a very typical couple dynamic that's been done to (ha) death. I kept looking at the number of pages and feeling deeply frustrated that there were more of them. Romantically murdering each other with weird antics like somebody decided they wanted Tom/Jerry instead of Tom & Jerry went on for an excruciating number of pages.
Shoutout to one of the worst sentences I've ever read: "He let the water coat his lips, seeping coolly onto his tongue, before it slithered gradually down his throat and settled conclusively in his stomach." Slithered? Settled conclusively?? Maybe I shouldn't have complained about the meme voice if this is what her attempts at being lyrical are like. But unfortunately this sentence lives in the same story as meme-voice dialogue such as "I sort of assumed you were the regular kind of dead." It's painful.
The only thing I felt after this story was exhausted relief that it was over.
In conclusion:Â I would recommend this book to people who want to look at the cover without ever opening it.
#ARE YOU READY FOR MY HATERISM#this is the book I was angsting about whether to DNF or not#I also had to add in the annoyed texts I sent to @opheliaintherushes#because my god who unironically writes a short story like that in this economy??#book review#januaries#olivie blake#the wish bridge#the audit#sucker for pain#the animation games
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NOOOOOOOOO FUCKFUCKFUCK FUCK FUCK FUCK NOOOOOOOOO GOD WHY WHY WHY WHY WHY FUCKKK GODDAMNIT SHIT FUCK WHY WHY NOOOOOOO NO NO NO NO FUCKKKK FUCK FUCK FUCK WHY WHY WHYYYY NOOOOOOOO
#nicolibby#the atlas complex#the atlas six#the atlas paradox#the atlas trilogy#olivie blake#nico de varona#libby rhodes#olivie blake how dare u write a character exactly like me#and then end it like that#this is my last straw#novacaine#which like i saw coming but fucking fuck fuck
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This was just the world. You trusted people, you loved them, you offered them the dignity of your time and the intimacy of your thoughts and the fraility of your hope and they either accepted it and cared for it or they rejected it and destroyed it and in the end, none of it was up to you. This was just what you got. Heartbreak was inevitable. Disappointment assured.
â Olivie Blake, The Atlas Paradox
#the atlas paradox#olivie blake#quotes#literary quotes#literature#writing#books#spilled ink#thoughts#lit#pretty quotes#quote of the day#reverie#reverie quotes#quote#book quote#book quotes#inspiring quote#inspiring quotes#beautiful quote#beautiful quotes
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đ The Atlas Six Characters
I put together little mood boards of all the major Atlas Six characters. This is how I personally imagined each one of them. I also included brief descriptions of their respective powers.
Libby Rhodes
A morally righteous, anxious, and intelligent physicist with the tendency to light things on fire when angry. She controls the various forces of physics and loves learning about space and various physical principles. She also wants to research neurodegenerative conditions as her sister died from one. She has a long standing academic rivalry with Nico De Varona, whom she possibly admires. She may also have feelings for Tristan Caine. Ezra is her ex-boyfriend.
Tristan Caine
A venture capitalist working in a major company called Wessex corp. He has the ability to see atomic structures. Tristan has several dormant powers that he later learns to activate with the help of Nico. He has the most powerful and promising powers of the group as his powers edge on both illusionary and physical. He can manipulate quanta itself and in theory can bend the rules of the universe. He used to be friends with Callum and has a budding love for Libby.
Parisa Kamali
Parisa is a seasoned telepath who can both read minds and communicate mentally. She can dive into the depths of people's minds, even their subconscious. She is known to be very seductive, her past, and future motives remain unclear. She has taken interest in Dalton and often challenges Atlas, who is also a fellow telepath. She sees and hears all. But her mind remains a mystery.
Callum Nova
Sneaky, clever, and detached, Callum sticks out of the group. He is the least liked among his members. Callum can alter and manipulate people's emotional states to make them do his bidding. He has a formidable power in which he can end someone's life without even lifting a finger. Callum is arrogant, self-centered, and sly. But, he is dually complexed and shuts out his feelings in an effort to not feel others' emotions. His motives remain unclear. However, he does lend a hand when his friends are in need.
Nico De Varona
Nico is boyish, playful, and ambitious. He likes to be first. He likes to be a winner. He is likeable and friendly. He is a physicist like Libby. He can also control physical forces. However, he has a proclivity for causing earthquakes in emotional duress. He has a long standing academic rivalry with Libby, possibly some feelings too. However, he also seems to harbor feelings for his best friend Gideon. Nico loves competing and learning.
Reina Mori
Reina is the social recluse. She simply wants to learn and expand her powers. She has nature powers. Reina can hear and talk to plants. She can also manipulate nature into doing her bidding. She has a tremendous amount of energy and often gets used as a battery pack for her peers' magic. Reina is fascinated by Gods and the origins of the universe. She is determined to become a God herself. Reina seems to harbor feelings for Nico, though she has a friendly relationship with Callum. She holds a specific resentment for Parisa.
Atlas Blakely
The elusive and mysterious caretake of the Alexandrian Library and it's society. He used to be friends with Ezra and was a former Alexandrian intiate. Atlas is a powerful telepath on a mission to curate a new world. He harbors many secrets and somehow seems to know everything. Atlas's motives remain unclear.
Ezra Fowler
Ezra is a powerful time traveler and former Alexandrian initiate. He used to be friends with Atlas. Ezra began a resistance group against the Alexandrian Society. He is on a mission to stop Atlas's master plan. Ezra loves Libby, but crosses limits in order to protect her and foil Atlas's grand plan. Ezra is secretive, cunning, and unpredictable. His motives also remain unclear.
Gideon Drake
Gideon is Nico's best friend. He also is in love with Nico. Gideon can travel through people's dreams. He can also communicate through dreams. Gideon is a unique species as he was born from a Mermaid. Gideon is kind, compassionate, friendly, and is a gentle ball of sunshine.
Dalton Ellery
Researcher and assistant to Atlas, Dalton is his wing man. He is privy to many of Atlas's secrets but it careful to keep things under wraps. Dalton is quiet, evasive, and secretive. He is an animator. He can create human-like projections with primitive consciousness. He is currently researching how to create life in it's entirety, complete with a full conscious. He is romantically interested in Parisa. Dalton also harbors a second split identity that is ambitious, sinister, and sly, in his subconscious. He is essentially like Mr. Jekyll and Mr. Hyde
Well, that is it! I hope you enjoyed this little run down of the Atlas Six characters! @olivieblake
#writerscommunity#blogger#coquette#self improvement#studyblr#writing#dark academia#the atlas six#olivie blake#the atlas paradox#the secret history#dark acadamia aesthetic#dark aesthetic#bookish#books#booktok
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treating my goodreads reviews like letterboxd part 2
#some books i'm like ah. yes i know exactly what i will write about this#rose shut up#goodreads#melissa broder#tessa bailey#eric larocca#ruby dixon#olivie blake#tamsyn muir#blythe roberson
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OH MY GOD DID YOU ALSO NOT LIKE THE ATLAS COMPLEX
no i really REALLY did not djfjgjghfb i had many issues with it; some of them structural and others personal. it just didnât do what i wanted it or even expected it to do. and reaching the end felt like âwhat was that?!?!â. when the only emotions a book evokes are frustration and annoyance there is something majorly wrong with it in my opinion. and donât even get me started on how bored i was. thatâs probably the biggest crime of them all.
how about you??? i would love to hear your thoughts!!
#my goodreads review is also vague but maybe includes a little more of my feelings fjghgh i wrote it pretty annoyed#tac was definitely olivie blake at her worst (for me).#itâs a culmination of her weakness as a writer. or at least her strengths do not get to shine.#and itâs so weird because i know she can write emotionally satisfying endings. she did it in other books.#and for ta6 series i didnât expect a happy ending but one that has a payoff for the tensions and dynamics built.#and thatâs not what the tac delivered in my opinion#there are some things here and there i enjoyed but as a whole experience it was quite bad. i suffered through it fr.#anyway djjjddjd thank you sm for the ask!!#answer
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i actually do not support the nicolibbygideon throuple solution
#nicolibby#atlassix#libby rhodes#nico de varona#the atlas six#the atlas paradox#ta6#the atlas complex#olivie blake you can't just write the best ship in history and not make them endgame#nicolibbytruther
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Hey Olivie!
First off, I just wanted to say that I sincerely adored the Atlas Complex and got through it in a single sitting. It had me gripped like no other book ever has, and I absolutely did need a good week to get over that ending. But I actually was wondering, in general what is your daily writing routine as a full time author? If you do end up answering this, thanks so much and I hope you're doing well!
I'm pretty sure I answered this in the previous video but basically the answer is I don't really have a routine/it depends what I'm working on. I think at the time I answered I was still structurally revising one manuscript (gothic/romantic suspense: KISS YOUR DEVILS IN LOS ANGELES) while drafting another (sci-fi far future: NEWPHORIA) and then I also got the first pass of GIRL DINNER, so for a couple of weeks there I had my workday broken down into like 15 minute intervals to try to get everything done. but I just turned in a bunch of things so now I just have the new manuscript on my plate to draft, and so things will return to 3-6k writing days depending on whether it's a half day or a full day for my son at preschool. I'm somewhere around 30k into the book, which will probably be long, maybe 125k first draft. so at this point my goal is to finish the rough first draft before I leave for the GIFTED & TALENTED tour, at which point I will probably again be revising the gothic, sitting down to revise the new ms, and drafting the new thing, which will likely fall under the romantic category (it's all very sisyphean that way although don't let my tone fool you, I do love it)
#olivie blake is not writing#oh and thank you for saying that about the atlas complex#I am very grateful and happy to hear it
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Sasha 'She leaned forward, lips against his cheek" Write me a tragedy, Lev Fedorov" she wispered to him. " Write me litany of sins. Write me plague of devastation. Write me lonely, write me wanting, write me shattered and fearful and lost. Then write me finding myself in your arms, if only for a night, then write it again. Write it over and over, Lev, until we both know the pages by heart. Isn't that a story too?" ' Antanova
and Lev ' this isn't the story I wanted for us' Fedorov
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Alone with you in the ether violently slips from verbose but excellent prose to condescending attempts at pretentiousness that are exhausting.
#alone with you in the ether#olivie blake#Itâs hard to write geniuses but sometimes it ends up being so bad the character kinda ends up as dumb to the audience
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#this is his character in a nutshell#guess who never got a drawing so I had to improvise#and also completely write his entire wiki from almost-scratch 'cause I got distracted by a side quest as I went searching for one#ANYWAY#max wolfe#the atlas six#the atlas paradox#the atlas complex#the atlas trilogy#the atlas series#ta6#olivie blake
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âDo you think they know what it means to love?" his projection-self mused aloud to him. "That it isn't the simple joy of fondness, I mean. In fact it's violent, destructive. It means to cut the heart out of your chest and give it to someone else.â
â Olivie Blake, The Atlas Paradox
#the atlas paradox#olivie blake#quotes#literary quotes#literature#writing#books#spilled ink#thoughts#lit#pretty quotes#quote of the day#reverie#reverie quotes#quote#book quote#book quotes#inspiring quote#inspiring quotes#beautiful quote#beautiful quotes
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The Atlas Paradox - Olivie Blake
2/5 - better than I remember, no real character arcs to speak of, odd character decisions, weak worldbuilding, major second book syndrome
If I had been reviewing this after I read it the first time, this review would have been more harshly critical than this one is about to be. With that in mind, let's begin!
This book feels like it exists to fill time between the first and the third books of the trilogy. And while, in one sense, that's what all second books do, this is by no means a Catching Fire of second books if you catch my drift. A year goes by over the course of this book with an extremely questionable timeline and essentially nothing of note happening. It's not that there isn't plot happening, it's just that the plot is minimal in comparison to the amount of writing.
Some of this problem is due to the way the characters act. It feels as though every character is making decisions out of left field and none of them undergo any significant character arc, with the exception maybe of Reina, who begins to believe in her own divinity. Each character makes choices with no apparent justification or an incredibly overwrought emotional reaction. Reina storms out of a room or scene at least once every time she has a POV chapter. I also did not appreciate Nico and Parisa's hook-up, which appeared to happen just for the sake of something happening between them.
Each of the characters is in their own heads and not really interacting with each other, despite living in the same house, and, frankly, it makes it seems like six small novellas are taking place, rather than one cohesive plot. Characters are cryptic for the sake of being cryptic and wildly dismissive of everyone's abilities as though the entire first book hadn't been spent establishing that each of them are exceptional.
The biggest point of confusion for me was the worldbuilding. I was under the impression this was a magical realism story - a magic world within and alongside an ignorant mortal world. This idea is disproven in this book, with the knowledge of government contracts, but at no point is this every expanded upon. The sudden presence of characters and institutions beyond the Society also throws into sharp relief how little we actually know about the characters. We know them in a setting that places each of them under duress, emotional or physical, and as anyone who has ever functioned under extreme stress can tell you, that is not an accurate depiction of people's actual personalities and behaviors.
Overall, the novel is just lacking. The one character I did want to see more of was Libby, and we only got the barebones of her self-confidence arc. They also basically sacrificed Belen at the altar of ?? something, which to me was a disservice to her character,
#like i have been known to have crises of self worth while writing essays at 3am during finals but that is not reflective#of the way i usually carry myself#thus i feel that we only know a specific version of these characters which may be the point (that they have changed) but we don't have#a point of reference for those changes#the atlas paradox#olivie blake#nico de varona#parisa kamali#reina mori#libby rhodes#belen jimenez#book review#fantasy#magical realism#dark academia
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Finished my daily writing exercise. In other news, I'm reading HTWF and it's sooo good. I'm obsessed with how Olivie Blake makes every dialogue exchange snarky af.
#writeblr#writerscommunity#creative writing#fanfic writer#draco malfoy#writersociety#dramione fanfic#writers and poets#writing challenge#dramione#htwf#olivie blake
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