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Rachel & Luce's first meeting
IMAGINE ME & YOU (2005) â directed by Ol Parker
#one my comfort movies <3#imagine me & you#imagine me and you#imayedit#ol parker#piper perabo#lena headey#rachel x luce#wlw#wlw romance#wlw love#sapphic#sapphic romance#sapphic love#sapphics#lesbian#wlwsource#lgbt#lgbtq#lgbtqia#lgbtqia+#tvedit#tvgifs#tvsource#tvarchive#dailytvfilmgifs#dailytvwomen#filmtvcentral#cinemapix#2000s
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#Imagine Me & You#Imagine Me and You#moviedit#moviegifs#filmgifs#movie#filmedit#Ol Parker#2005#kiss#meme#reaction gif#*gif#*mine
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#imagine me and you#einr hochzeit zu dritt#piper perabo#lena headey#matthew goode#darren boyd#anthony head#celia imrie#sharon horgan#ben miles#eva birthistle#ol parker
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Title:Â Imagine Me & You
Rating:Â R
Director:Â Ol Parker
Cast:Â Piper Perabo, Lena Headey, Matthew Goode, Celia Imrie, Anthony Stewart Head, Darren Boyd, Sue Johnston, Boo Jackson, Sharon Horgan, Eva Birthistle, Vinette Robinson, Ben Miles, Mona Hammond, Rick Warden, Ruth Sheen, Justine Mitchell, Gerard Horan
Release year:Â 2005
Genres:Â drama, comedy, romance
Blurb:Â During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends. When Rachel learns that Luce is a lesbian, she realises that despite her happy marriage to Heck, she is falling in love. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck, and her exhilarating new romance with Luce.
#imagine me & you#imagine me and you#r#ol parker#piper perabo#lena headey#matthew goode#celia imrie#anthony stewart head#2005#drama#comedy#romance
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#submitted#movies#polls#imagine me and you#piper perabo#lena headey#lgbtq+#ol parker#ended#result: unseen
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Carol (2015) x Imagine Me & You (2005)
#2005#2015#lgbtq+#Carol#Imagine Me & You#Piper Perabo#Lena Headey#Cate Blanchett#Rooney Mara#Todd Haynes#Ol Parker
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233 - The Best Exotic Marigold Hotel
From Shakespeare in Love director John Madden and with a bursting prestige-y ensemble, The Best Exotic Marigold Hotel is one we have been saving. Led by Dames Judi Dench and Maggie Smith, who both had other films in the race in this season, the film follows several seniors who seek fulfillment and romance in India, including Tom Wilkenson as a man seeking reconciliation with a former gay lover. With Dev Patel as a young hotelier, the film was a global box office success that showed up throughout the precursor season, but Oscar did not come calling.
This episode, we take a look at the 2012âČs wide-spread acting races, with all previous winners in Supporting Actor and Jennifer Lawrence winning Best Actress. We also talk about Smithâs two Oscar wins, Denchâs near nomination this year for Skyfall, and the Ol Parker franchise ethos.
Topics also include our winner predictions for this year, âThe Quartet,â and Dev Patel going from twink to hunk.
Links:
The 2011 Oscar nominations
Vulture Movies Fantasy League
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#John Madden#Ol Parker#Judi Dench#Maggie Smith#Tom Wilkenson#Bill Nighy#Dev Patel#Penelope Wilton#Celia Imrie#Tina Desai#AARP Movies for Grownups#Golden Globes#Academy Awards#Oscars#movies
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Theyâre in this together for better or worse.
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MAMMA MIA 3 IS IN THE WORKS! đ€©
Rejoice! Both co-creator and producer Judy Craymer, and director of "Mamma Mia: Here We Go Again" Ol Parker have now confirmed that there are plans for Mamma Mia 3 to happen. Meryl Streep has also teased her return in the beloved franchise.
Curious? Read the full article below!
Get the latest by visiting republicasiamedia.com and by following our socials!
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Mamma Mia! Here We Go Again (2018)
My rating: 6/10
I mean, even scraping the bottom of the ABBA barrel you're bound to find some bops, but man is that plot (or both of them, rather) all over the place.
#Mamma Mia! Here We Go Again#Ol Parker#Richard Curtis#Catherine Johnson#Lily James#Amanda Seyfried#Meryl Streep#rewatch#Youtube
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Mamma Mia 2: Here We Go Again Movie Ending Explained (In Detail)
Spoilers Alert: The sequel to the surprise hit âMamma Mia!â noticeably struggles to get to its vocals. That reduces the fun factor and the fans get excited MAMMA MIA 2: HERE WE GO AGAIN probably still have fun. We reveal more about this in our review. The Plot Summary Sophie (Amanda Seyfried) is emotionally upset: the hotel on a dream Greek island that was once run by her mother is about toâŠ
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#Amanda Seyfried#Colin Firth#Comedy#Dominic Cooper#Hugh Skinner#Jeremy Irvine#Lily James#Meryl Streep#Musical#Ol Parker#Pierce Brosnan
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*Mamma Mia! Here We Go Again (2018, dir. by Ol Parker)
#mamma mia! here we go again#movies of 2023#movie poster#ol parker#you go girl pass that bechdel test#richard curtis#catherine johnson#female screenwriters#women screenwriters
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Julia Roberts y George Clooney personifican a una pareja separada hace mås de 20 años, no se llevan bien, pero ahora unirån fuerzas para romper el compromiso de su hija que ha decidido casarse en Bali.
Una comedia entretenida que invita a romper las ideologĂas matrimoniales de los padres, y se asoma a los compromisos conyugales mĂĄs alla del mundo occidentalizado. EstĂĄ disponible en #HBOMax
#george clooney#julia roberts#comedia#cine#cinefilia#cinemetography#cinema#Ol parker#kaitlyn dever#bali
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#movies#polls#mamma mia here we go again#meryl streep#lily james#ol parker#musical#ended#result: seen
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The Bushwhack Job: Updated Chapter Thirteen (New Ending)
Note: This is the newly revised ending, which I changed after deciding to add 2 more chapters like a maniac. The beginning of the chapter is the sameâonly about the last 1,000 words have changed.
Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve
(Disclaimer: This is a relatively rough draft and subject to change when I post to AO3. I'm just overly excited and want to share what I have.)
If this had been a normal job, Parker would have been insulted by how easy it was to evade security. After all, they were clearly looking for herâthey mentioned finding âthe thiefâ several times, loudly, over their radios while clomping down the hall in their clunky bad guy shoes. She could have avoided them blindfolded, if sheâd had the time to play.
But this wasnât a normal job, and she wasnât in the mood for playing.
Actually, the guards had been more of a help than a hinderance. Their patrol patterns had showed her where the safe was, so sheâd known exactly what to avoid, and theyâd confirmed that Lancaster was in his top-floor office.
And theyâd given her a gun.
Well, not given, exactly, but as good as. It wasnât her fault that the guard on the top floor didnât have the stamina to stay conscious after being tased. And if they didnât want people to take their guns after knocking them out, then they should have more than one guard patrolling together.
Lancaster had practically invited her in.
She stole down the hallway on silent feet, the guardâs Glock in one hand. According to the men sheâd overheard, the next security sweep of this floor wouldnât be for another six minutes. Plenty of time to find and take care of Lancaster.
Follow the plan, said the voice in her head. We donât hurt people.
âMaybe you donât,â Parker said. âDidnât. Whatever. But youâre not here, so Iâm going to make sure Lancaster never hurts anyone else, ever again.â
Nate will keep that from happening.
âObviously not.â
She was at the door now, and she reached out with her left hand to open it while the voice went on not being helpful. You should call him, he said. You should tell him whatâs happening. Go back and find the safe. Stick with the plan.
She waved a dismissive hand and focused on the office. Lancaster had his back to the door, sitting in his chair against one wall, but he spun when he heard her enter. âFinally,â he snapped. âYouâre late. Hurry up and get thisââ
He frowned when he saw Parker, and scooted his chair back when he saw her gun. âHow did you get in here?â
She gave him an annoyed look. âThe door.â
âListen,â he said. âThis has all been just a big misunderstanding. Youâre a thief, right? You want money? I can give you money.â
âI can take money,â Parker said.
âI can get you more.â
Parker stepped into the room, leaving the door open. She didnât want it to slow her down later.
Donât do this.
She ignored the voice and addressed Lancaster instead. âYou tried to kill me. I could get over thatâI know it was nothing personal. But what you did to Eliot...â She cocked the gun. âThat, I canât forgive.â
âIt was a mistake,â Lancaster said. He pressed back into his chair, his eyes wide. âI didnât mean forââ
She lifted the gun. âI donât care what you meant. Right now, I just want you to beg.â
âBeg?â he squeaked.
Parker added her left hand to the gun, and Lancaster scrambled back until his chair hit the wall. âOkay,â he said. âOkayâPlease. Please donât kill me. Iâll do anythingâpay anything. Please, anything. Anything you want.â
Donât.
âThat wasnât as satisfying as I thought it would be,â Parker admitted. âMaybe you werenât sincere enough. Maybe you should cry.â
âPlease,â Lancaster whispered.
Parker.
âNo,â she said. âI think he should cry. I think that would help.â
âParker.â
âStop!â she shouted. Across the room, Lancaster flinched, but even that didnât make her feel better. âStop telling me not to do this. He deserves it.â
âYou donât.â
âYeah, well, neither did you,â Parker said. âIt still happened.â
Lancasterâs eyes were fixed over her shoulder. The gun trembled in her hands.Â
âParker. Look at me.â
She squeezed her eyes shut. Because yes, okay, she knew the voice wasnât inside her head, but if she was wrongâif she looked and he wasnât there, it would mean she was crazy, for real, and it would mean he was gone gone, and she couldnât handle that. She couldnât. So she would just stand here and wait, and eventually the voice would go back into her brain where it belonged, and she could get on with killing Lancaster and everything would be fine. It would be fine.
A hand touched hers. Her eyes flew open against her will, and it was Eliotâs hand, and it was Eliotâs face moving in front of her, and Eliotâs voice telling her to give him the gun. She let it go, and he took it and disarmed it and tossed the magazine away while her heart made sick, limping stutters in her chest. She reached out to touch his shoulder, because maybe his hands had been imaginary, but his shoulder would have to be real. It made no sense. She didnât question it.
Her fingers brushed his upper armâhis very solid, very real armâand she took a breath.
âOkay?â he asked.
She nodded.
Eliot turned to Lancaster. âWhere are the other bombs?â
âThe otherââ Parker stared at Eliot, then at Lancaster, wondering if she could get to the discarded magazine before Eliot stopped her.
âI donât know what youâre talking about,â Lancaster said.
âReally?â Eliot folded his arms, shifting his stance so his shoulder bumped against Parkerâs. âBecause if they go off while youâre still inside the building, that could go poorly for you.â
âI wouldnâtââ
The blare of a fire alarm cut him off, and Eliot raised his eyebrows. âThatâs Hardison. Nate and Sophie are already outside, along with the evidence that you planned to destroy your own property again. The rest of the buildingâs being evacuated now. Itâs over. Tell me where the other bombs are, and weâll bring you out with us.â
âDo we have to?â Parker hissed.
Eliot didnât look at her, but the ghost of a smile lifted one corner of his mouth.
Lancaster glanced between her and Eliot and licked his lips, his chest heaving. âOkay,â he said at last. âLet me go and Iâll tell you where they are.â
âTell us where they are and weâll let you go,â Eliot countered.
âOkay,â Lancaster said. âOkay. Untie me. Iâll show you.â
Eliot frowned, drawing out the decision, making Lancaster sweatâParker would have made him wait longer, but apparently Eliot was more worried about the bombs. He nodded once and moved across the room, kneeling beside the chair to remove the phone cord from Lancasterâs ankles.
âAll right,â he said. âLead the way.â
Lancaster spun on the chair. âBut you have to untie my hands!â
âYou can walk without your hands,â Eliot said.
âBut Iââ
Eliot grabbed him by the elbow and hauled him to his feet. âGo.â
Lancaster stumbled, turning, and Parker watched the way his hands scrambled for something to hold onto. They were bound behind his back with a beltâhis belt, by the looks of itâbut heâd worked part of it loose. He twisted as Eliot let him go, bending his arms at an awkward angle, leaning forward at the waistâ
âEliotââÂ
Parker saw it an instant after he did. The gun up Lancasterâs sleeve went off with a sharp crack, but Eliot was already moving forward, putting himself between it and Parker. He grunted, his body jerking as the bullet hit, and Parker threw herself forward to catch him as he fell to one knee.
She screamed. Lancaster fled, and she let him go, running her hand down Eliotâs chest, searching for the wound while trying to hold him up. This wasnât happening. Eliot hadnât come back from the dead just to be shot nowâhe couldnâtâhe couldnâtâ
âParker,â Eliot said, loudly, like it wasnât the first time heâd spoken. He took her hand, holding it still over his heart where she could feel it beating. âIâm okay. He got me in the leg.â
He was still upright, leaning against her with one hand over hers and the other pressed against his thigh. âSee?â he said, easing his fingers back to expose the tiny hole above his knee. âSmall caliber,â he said, his teeth gritting over the words. âIn and outânothing serious. What the hell kind of fake cowboy dork carries an actual freaking derringer in his sleeve?â
âYouâre notââ Parker panted. âYouâre notâ?â
âIâm fine,â he said firmly. âSomething that small is single-shot, low accuracy, low damage. Okay? Come on, we gottaâŠâ He started to stand, biting down on a curse, and Parker eased under his arm to help him to his feet. With a groan, he reached for his belt and unclipped a walkie-talkie. âNate?â he said. âJ.B.? You there?â
âWeâre here,â Nate answered. âSpeak upâcanât hear you over the alarm.â
Eliot cleared his throat and raised his voice. âIs Hardison out?â
âYeah, heâs right here.â
âIâve got Parker,â Eliot said. âOr⊠sheâs got me. Lancasterâs on his way downstairs.â
A new voice came over the radioâJ.B., whoever that was. âWhat happened?â
âHe had a derringer,â Eliot growled. âGot me in the leg. Iâll be slow getting out. The bombs in the basement had cellphone detonators; Lancaster will call to set them off as soon as he gets out of the building.â
âWeâll cover the exits,â Nate said. âYou and Parker get out of there.â
âRoger.â
Eliot handed her the walkie-talkie and pushed her gently toward the door. âGo. Iâll catch up.â
Parker moved back against his side. âIâm not leaving without you.â
âIâm right behind you,â Eliot said. âBut Iâll slow you down. You have toââ
Parker stopped, standing still when he tried to nudge her ahead again. âEither we both go, or we both stay.â
Eliot looked at her, his eyes serious and tired beneath the bruises on his face, and her heart broke all over again at the distress in them. It didnât make any sense. He was here now, he was safe, and they were getting out together. Why did he want her to leave?
âPlease,â he said. Begged. âPlease, go. If Lancaster detonates the bombsâŠâ
âIâm not leaving you,â Parker said.
His expression shattered. âI left you.â
âWhat are you talking about?â she asked, her brows furrowing. âYou didnâtââ
âI left you,â he repeated, his voice harsh and raw. âOr IâI left the place I thought you were. I would have left you behind.â
âYou mean the LanCast building?â Parker asked. Eliot closed his eyes, and she took advantage of his distraction and eased them forward a step.
He went with her, breathing heavily through his nose. âI thought you were inside,â he said. âAnd after the explosion, I ran off without you. Okay? I abandoned you, and you shouldâyou should do the same to me. Iâm slowing you down.â
âI wasnât inside,â Parker said.
âBut I thoughtââ
âI wasnât inside.â Parker clipped the walkie-talkie to her waistband with one hand and glared at him from under her bangs. âI donât care what you thought. I wasnât inside. It would have been stupid to go back in, and you probably would have died for real if you had. So Iâm glad you left.â
âParkerââ
âNo,â she snapped. âYouâre saying I should just leave you here because youâre feeling guilty about something that didnât happen? Thatâs stupid.â
âIâm notââ he sputtered. âIâm saying you canât trust me. I should haveââ
âStop it,â Parker said. Theyâd reached the elevator, but when she pressed the button, nothing happened. Eliot opened his mouth, and she turned them both toward the staircase to cut him off. âHe must have disabled the elevator. Come on, weâll take the stairs.â
âParker, pleaseââ
She kicked open the stairwell door. Eliot let out a pained grunt as he half-stepped, half-fell forward, but she was having a hard time feeling sorry for him. How could he think she would leave him behind? Especially now? She shifted to take more of his weight and spoke without looking at him. âI thought you were dead. Justâgone forever, no warning, no goodbye. And then you come back, and⊠Do you know what that feels like?â
âYes,â he whispered.Â
âThen why are you trying to get rid of me?â
She tried to say it casually, but it came out just as pathetic and broken as she feared it wouldâbecause this was Eliot, and he was supposed to understand her, andâ
And she was supposed to understand him, too. She turned her head, listening to his sharp, quiet breaths under the sound of the echoing alarm, taking in his pale face and the whites of his knuckles as he clenched the railing. This wasnât Eliot in pain.
It was Eliot afraid.
âWhy are you trying to get rid of me?â she asked again.Â
âI donât want to get rid of you.â He said it softly, breathlessly, like he was trying to hold the words in even as he let them out. âBut right now, I canâtâI canât protect you, and if anything happensââ He inhaled when she moved down a step, his fingers tightening on her sleeve. âYou have to get out,â he finished in a weak voice. âI canât lose you again.â
Parker gripped his arm. Sophie had told her once that Eliot was so good at what he did because he knew how to stay in control when everything around him fell apart. It was the thing that kept him safe⊠kept all of them safe. It gave him the clarity to do what needed to be doneâthe hard things, heâd told her once, that the others couldnât do. Those were the kinds of decisions they made.
The kind of decision he was asking her to make.
âEliot,â she said. She waited until he looked at her, his jaw clenched in preparation for her refusal, his mouth pressed flat. She stopped and shifted under his arm so she could face him. âIf it gets to the point that you need me to leave, Iâll go. But only if you promise that youâll make it out after me.â
His expression softened, his hold on her shoulder relaxing into something less desperate, and he nodded.
She eased him down another step. âDo you know Lancaster is after actual buried treasure?â
He snorted. âHe told me.â
âHardison found a bunch of audition tapes he made a few years ago,â Parker said. âWhen he was trying to get into different Westerns. His accent was even worse than it is now.â
Eliot gave a short laugh, and the sound made Parker beam in response.
Everything would be fine now. The certainty sank through her like melted gold after a successful heist-turned-laundering operationânot that she did those anymoreâand she let the warmth soothe away the last of her hurt. Lancaster, hidden treasure, bombs... none of it mattered.
Everything was going to be fine.
Eliotâs knee gave out on the last step, but Parker caught him and held him up while he straightened himself on the railing. âWhen this is over,â she said, readjusting her grip on his shirt. âWeâll watch all of Lancasterâs audition tapes. Hardison will put them up on the screens and you can make your fancy popcorn on the stove, and weâll mute it so Sophie can do the voices.â
Eliot huffed out a laugh. âThey were that bad, huh?â
âSophieâs a better actor than he is.â
She opened the door to the lobby, measuring the distance between them and the door. They were so close, and Lancaster was nowhere in sightânot in the lobby, and not outside. Floor-to-ceiling windows gave her a clear view of the sidewalk and street, and the only person she could see was a tallish man in a hoodie, with a walkie-talkie clenched in one hand. Eliotâs friend, probably, watching the front exit, which meant Lancaster had to be inside yet.
Eliot hesitated, his body going still as the door closed behind them. âWhat?â she asked, her attention on the window. She couldnât see any of the team, so they must be at the other exits around the building. They were so close now, and she wanted to be outside with them, celebrating with them, welcoming Eliot backâŠ
âI donât know,â he muttered, his eyes searching the room. âJust⊠something feels off.â
Parker glanced at the desks and cubicles lining the walls. She knew better than to ignore Eliotâs instincts, but they had to keep going. They didnât have time to backtrack and find a different exit. If they could just get across the floor, get outside, theyâd be safe.
She patted his arm. âCome on. Weâre almost there.â
She took a step, and he went with her, gaining momentum as they went. They were three-quarters of the way across⊠halfway⊠just a little bit moreâŠ
A glint of light flashed in her eyes, but she dismissed it as a reflection off a car outside. Then there was a crack, and she was on the ground with Eliotâs arms around her before she registered what had happened.
âAre you hit?â he gasped.
Hit. Bullet. Someone was shooting at them.
âAre you hit?â Eliot repeated, and she could hear the barely-contained panic shredding his words.
She shook her head. Then, because she was lying on her back with Eliot on top of her, and because he was looking back and forth between her and wherever the shot had come from, she said, âNo, Iâm okay.â
âBehind the desk,â he said. âGo!â
He shot to his feet, stumbling, and she ran in a crouch a step ahead of him. They dove behind the shelter of a thick wooden desk as the next shot shattered a lamp over Eliotâs shoulder.
âDammit,â he grunted, dropping to the floor with his back against the desk, breathing hard. âWe lost the radio.â
Parker felt for her waistbandâit must have come off when Eliot tackled her. âWhat now?â she asked.
Eliot made an effort to control his breathing, but there was a layer of sweat on his face, and his skin was pale. âLancaster,â he called, lifting his voice so it echoed through the lobby. âThe police are on their way by now. Itâs over.â
âYou think I donât know that?â Lancaster answered. Parker peeked around the side of the desk to find him, but Eliot pulled her back.
âWhat do you think theyâll do when they find you shooting at people inside your own building?â he yelled.
âIâm going to jail anyway,â Lancaster said. âMy life is over. So I figure Iâve got two choicesâwaste away in a cell, or go out in a blaze of glory. Butch Cassidy style, right? I couldnât have planned a better ending.â
Another shot hit the desk, sending file paper confetti raining down around them.Â
âWhat do we do?â Parker said. âWait for the police? If the bombsââ
Eliot looked at her, and she broke off when she read his plan in his eyes.
She almost shook her head. It would be so easy to say no, to pretend not to understand, to insist he find a different way. But it would only be easier for her, and that wasnât why sheâd come.
She took a breath, waiting until she was sure she could speak in an even voice. âYou promise?â
His eyes were clear, laying out more than the plan, more than the pain he had stopped trying to hideâand she knew he was reading the same things on her face: all the things they didnât say, that they didnât need to say, all right there in the open for anyone to see.
But it was only them, and it would always be them.
Lancaster couldnât take that away.
âOkay,â Parker whispered.
Eliot shifted to get his feet beneath him, putting his weight on his left leg. âSingle shot,â he said, all business again. âItâll take him five to seven seconds to reload. Youâll have to be quick.â
She smirked. âI can do it in three.â
An answering grin touched his lips, and he angled himself toward the edge of the desk. âYou shoulda spent more time at the range,â he said loudly. âAnd maybe think about using something with a longer barrel if you want to dry-gulch somebody.â
âHit you once, didnât I?â Lancaster answered.
âYeah,â Eliot laughed. âIn the leg. You were standing point blank and couldnât land a shot center mass. Butch Cassidy would be so proud.â
âWith my hands tied behind my back,â Lancaster said, an edge in his voice.
âOh, that explains it,â Eliot said. âThey must still be tied.â
He glanced at Parkerâone more time, his eyes bright and sharpâbefore launching himself across the space between them and the next desk. The gun went off.
She ran for the door.
#leverage#parker#eliot spencer#the bushwhack job#leverage fanfic#fanfiction#my fic#I decided I wanted an old west style showdown#and also threw in some more bushwhacking and dry gulching from the man called noon#good ol' louis l'amour standbys#including the âglint of light off the gun barrel warning the mc that someone's about to shoot at themâ#I'm leaning heavy on the western tropes here but I'm not sure anyone is going to notice
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