#okay in love with how i edited everything

[hyperions-light]

Okay so clearly the Lighthouse book club is kind of like movie night except those haven’t been invented yet

But hypothetically

Here’s movie night with the crew

Harding: you know it’s a complete gore fest. Every single Saw movie you’ve ever heard of, plus the ones you haven’t, Hostel, Terrifier, Texas Chainsaw Massacre, etc. you definitely lose some people before the night is over bc it’s just TOO bloody but at least Harding and Taash are having fun. Lucanis and Davrin sit there complaining about how that’s not what it looks like when you draw and quarter someone

Neve: It’s all noirs, murder mysteries and psychological thrillers. Maybe some Blade Runner for diversity. She solves the mystery 5 min into the movie but won’t tell you the answer. Bellara is taking notes on everything and Neve looks over occasionally and nudges her in the right direction. The tragic antagonists make Emmrich sad

Bellara: Think she’d do a little bit of everything? But there’s definitely at least four documentary feature films on wildly variable subjects. She’s going to put on like Planet Earth, and then an Elvhen history one, and then like How It’s Made for some number of hours and then you look up and you’re halfway through the extended edition of Lord of the Rings

Lucanis: oh man. You’re watching Atonement, The Notebook, 50 First Dates, When Harry Met Sally, Sleepless in Seattle; whatever corny romcom you can think of. And then he’s playing the entire catalogue of Hallmark movies. You thought this movie marathon was only one night? Ha! This guy is mainlining caffeine and hasn’t slept in four days, you’re going to exist in a haze of sleep deprivation interspersed by emotional confession scenes. Have fun

Davrin and Taash: they are teaming up to make you watch the entire Fast and the Furious franchise, all the John Wicks, the Independence Days (I think it has sequels?), the Expendables, the Top Guns, I don’t know any more action movie franchises. Things are going to explode, preferably with a lot blood so that Harding is happy too. When everyone falls asleep Davrin puts on Marley and Me to watch with Assan

Emmrich: Mr Art House Cinema over here. I hope you love reading subtitles because at least 50% of it is in other languages and involves people soliloquizing for three minutes at a time and then staring at barren landscapes forlornly. Also at they’re all preoccupied with death in some way. What was that movie where Daniel Day Lewis was a clothing designer and his wife was poisoning him but he was into it? You watch that. You only watch a movie per week though because you have to have time to think about the artistic merit of each one

*I forgot Bellara would love Mythbusters

+ check reblogs for bonus features

[simphic]

First day of NYFW for Yas... #freemthem 🤷🏾‍♀️

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[deadpoets]

GEORGE HARRISON + SNOOPY

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[catastrxblues]

EVERMORE by taylor swift (feat. bon iver) — “and i was catching my breath, floors of a cabin creaking under my step. and i couldn’t be sure, i had a feeling so peculiar, this pain wouldn’t be forevermore.”

my #swiftiegiftexchange2024 for @lovesickallovermybed!!!! 🫶🏽🫶🏽

[retracexcviii]

Sunday Moon

Hi there dear fellows and Luna lovers. Sunday.

Don't edit this drawing and don't post it anywhere.

What to say about this masterpiece. Just that I love it and it is and will be my pc wallpaper for long time.

It was made by @/jazetallo on Instagram or Twitter.

[bernardellinewsagency]

short neuvifuri angst idea

"Oh, did you enjoy the script that she wrote? Did you like the role that you were cast as? I hope you were happy in those five hundred years, Neuvillette, because I never was!"

Furina storms off after pushing him, leaving him drenched to the bone and sitting awkwardly in the waters of the Fountain of Lucine with naught to do but contemplate his long lasting memories. Remembering the way she would smile is an easy endeavor. Furina always looked sincere when smiling; perhaps he wasn't looking hard enough, but surely even fleeting moments between just the two of them had to have brought her some amount of happiness, as small as it may be.

He thinks of one long ago night, during the third century of her reign. Actually, right on the cusp of the new milestone, he recalls the Palais had been eerily silent after wrapping up a week of festivities held in Furina's honor. The people of Fontaine were still celebrating, and would be doing so until the early hours of the morning, but all was still within the Palais. Except for them, that is. She had supposedly retired to her bedchambers, and him to his office, yet the two had bumped into each other within the kitchen.

"Let's go to the Opera," she had told him, in lieu of answering when he asked what she was doing. He supposes that the flecks of pastry crumbs on her clothes answered that, and he didn't ask other questions such as why she wanted to go to the Opera. He followed her as willingly as if she had simply asked for the time.

(Their whole relationship had been like that, hadn't it? A duty that extended beyond just an Archon and her Iudex. He once heard the Traveler mention a sea of flowers at the end of the world, and should Furina declare that she would like to see such a sight, he would tear down Celestia just to make it happen.)

Furina had packed a basket of food to bring, and two bottles of wine to go with. Then they partook perhaps more than they should've, and perhaps he should've questioned if Archons can get drunk, or if a Sovereign should be getting drunk with one. He definitely should have stopped her from going into the storerooms of the Epiclese and procuring even more for them. The memories start to get a little hazy after that, but he can vaguely recall a remark she made about the location not being the best choice, and that she wanted to get away from something. He can't recall who made the decision to go up, and have him help carry her as they climb to the roof, but suspects it was still her doing.

As clear as day, though, he can remember her smile, bathed in the light of the slowly rising sun as it crested over the waters of her dominion. Out of every beautiful sight in Fontaine, she is the one he gets to appreciate most often, but never before in a light like this. He could gaze at that moment for another hundred years and never tire of it. "Dragon of the waters," she had called him, "might you allow an Archon to call you theirs?"

Should she have asked him that at the start of her reign, should they have been in a similar situation, the answer would be clear. He might have even wondered, with the walls of the Court to block them from their peoples' sights, if an Archon so in love with her people would fall like one if he shoved her. But they were not in the past, and he already knew by then that he had come to love her, and thus his answer was "I was under the belief that I already was yours, Lady Furina, both within my capacity as your Chief Justice and without. The people of Fontaine adore you, yet it is my love for you that truly knows no bounds. Nothing would make me happier than to be yours."

"They do, don't they," she had whispered, a note he almost lost to time with how he just barely could hear her. "Promise me this, Neuvillette, if you wish to be mine- promise you will never stray from your duties to Fontaine, and you will always, always, do what is best for her people."

"I will."

"And promise that you will stay by my side forever, then, for another three centuries and beyond that, even if you grow tired of me!"

"Of course, Furina, is... is something the matter?"

It was the first time he had seen her come close to crying, droplets of tears clumping her eyelashes together yet disappearing as she blinked, "Oh, you silly dragon, only the fact that you make me ever so happy."

Leaving the warmth of the memory behind, Neuvillette returns to the cold of an overcast sky dripping with sleet, as a blue silhouette leaves him behind and disappears into the cloudy distance.

[rosewheresheshouldntbe]

> Rose: Confess to Kanaya!

Rose: I love you.

Kanaya: Y Yo Ati, Rose.

> Rose: Get swallowed by something that looks like Venom.

> Rose: Get sent to super hell!

> Kanaya: Have something very gay and homophobic happen to you.

Kanaya: ...

What an absolute diversity loss. You find yourself thinking "love loses!"

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[saltpepperbeard]

stepping through scenes™ as i do and

...there was another shoulder touch?

THERE HAD BEEN ANOTHER SHOULDER TOUCH?????

[moe-broey]

Alfonse calling Lif a Bastard in the same way a sibling who holds an extreme level of resentment towards another sibling might

NOT a sibling coded interaction between them, despite the example. It's more about one denying the other of that shared family of origin due to feeling personally slighted and as a consequence of the other's personal failures. Your stupid ass ways have hurt both the family I feel a level of responsibility for (no matter how conflicted I am about that it's MY burden to bear ESPECIALLY because you fucked up as severely as you did) AND ME. Bonus points when directed at a full blooded sibling, legitimacy REVOKED you are NOTHING to me

... Writing all that out, initially starting out as an elaborate self-hatred bit (will never NOT be hilarious to me as a concept, and this one in particular has LAYERS to it) and having the dawning Realization. The core feeling this is coming from, maybe would be WAY more effective as a concept between SHARENA and Lif. Then getting achingly conflicted because that's just. NEVER the angle I take with them. I think she ABSOLUTELY has valid reasons to potentially get to that point but I. I want her to love him no matter what. Plus the unmatched comedy of her just accepting she has two older brothers now and she's going to subject BOTH of them to immense psychic damage through The Power of Love. Then I run a tumblr discourse simulation through my head like okay Misogynistic???? To expect the girl to "fix" a broken man through 💖 Love 💖 no matter what?????? A sentiment you do ideologically agree with (to specify -- it is a misogynistic trope and absolute fucking bullshit dogshit in real life), it should never be a woman's job to "fix" a man. You acknowledge the cisnormativity of that statement and take shrimp color damage from the fact that you're a trans man. Someone who was raised with this sentiment being a widely understood way of life especially from your mom's side in particular, and someone who, despite the epic new (not at all new at this point) gender identity, is often still bound by the expectations enforced upon you. Also what are you, still Christian???? You hear your mother's voice. "Family Forgiveness is Important -- I hope that one day you can see that. Like I Did 😇💖"

You have died. Badly.

[carnelianwings]

Went and saw Gundam Seed Freedom in theatre last night, I have so many thoughts about it (as you'd expect for a long time fan - I've been waiting for this movie ever since they announced it), there will be spoilers behind the cut, but the spoiler free highlights:

This movie is everything I ever wanted out of a Gundam Seed movie - the characters, the mecha, the OST, the cast, everything. It is as much a continuation of Cosmic Era as it is a celebration of Cosmic Era at its best, there's so much love put into this movie I can genuinely say I enjoyed every minute of it from the beginning to the end. My one and only nitpick is that they recasted Cagalli, but Mori Nanako does a fantastic job, so much so I don't have anything negative to say about her performance. (More on this behind the cut below, as I will delve into spoilers.)

Story pacing was actually really good here, in that there's no true retread/recap of both Seed and Seed Destiny. The movie assumes you've seen both, and while you could arguably get away with a cliff's notes version of Seed Destiny (even I know how much of a Base Breaker it is from watching it as it aired in Japan), if you sat through it you're rewarded between the shout outs and extra emotional impact from some of the scenes. There's a few brief clips of flashbacks to the prior series, but to me they feel like they're providing context (as you don't get to hear the characters' inner thoughts the same way you would out of a manga or a novel of the same story).

The animation just looked so good on the big screen, even the CGI used for the Gundams (like they've been doing in the newer Gundam series) looked fantastic. So smooth, no stock footage, you can tell where they made obvious homage shots to the original, but they're clearly redone for the movie. It was a feast for the eyes, in more ways than one.

The OST is fantastic, the way Sahashi wove the various melodies from songs past and present were a delight to the ears. I particularly love how he kept using various melody lines from Shizuka na Yoru ni as a way to musically reflect Lacus's journey and arc through the movie - just a line or two of the main melody, sometimes shifted into minor key, sometimes intertwined with another character's theme (usually whoever she's interacting with at that moment). There's also some glorious reprisals from both Seed and Seed Destiny, all rearranged to give it a grander, more spectacular sound to match the on-screen spectacle. Definitely one of Sahashi's best works, and I'm really happy they brought him back for it. Also, if at all possible - don't listen to the OST before seeing the movie. It will spoil key moments for the final battle, especially if you know which themes are used where.

Now, onto spoiler territory.

First and foremost, I really feel like Seed Freedom manages to redeem Seed Destiny as a whole. My biggest complaint in Seed Destiny is and always has been that Shinn's redemption happens in 5 minutes in an epilogue that was added on in an extended cut - I loved the idea and potential of Shinn as something of a Villain Protagonist early on, and even as we watched him spiral further and further into his grief and anger throughout Seed Destiny, the fact we never got to see what redemption and atonement meant for him was something of a sore point. One of the things I love is a good redemption arc, where the character learns from mistakes they made and improves themselves as a person, as an individual, and we finally get to see that here in Seed Freedom.

Shinn finally gets to do what he really wanted to when he enrolled into the academy, and under Kira's command he shines. For a character that was so heavily defined by his grief and anger for 50 episodes, he's done a 180 here, putting in the work and effort to turn his life around - we get more scenes of him smiling and eagerly working to help Kira as part of the team in COMPASS than angrily scowling or yelling at someone. He's finally found someone he can look up to and work towards being; it's clear he looks up to Kira as something of a role model, both as a goal and commanding officer, and has been rewarded accordingly as the pilot of the Immortal Justice. He's a lot calmer now, long gone are his days fighting for glory on the battlefield, he puts a priority on COMPASS's main mission of intervention and protecting civilians (so much so he'll voluntarily use Immortal Justice's shield to protect them over keeping it to defend himself). But it's not to say his past is completely forgotten or even retconned away - he gets called the Freedom Killer multiple times here (largely as a way to get at Kira too) and while Shinn never denies having been that person, his reaction shows he treats it as Old Shame, something he did but is no longer proud of.

And the true pay off to his arc comes in the end, when he gets reunited with the Destiny thanks to Cagalli upgrading it to the Spec II in the final stretch of the movie. He greets it like someone would greet an old friend, proudly and triumphantly launching this time to the fanfare of Seed Destiny's next episode preview bgm - it's hands down Shinn at his most heroic, and it's a moment he's earned. He's finally become the person he wanted to be at the beginning of Seed Destiny, before he let his grief and anger cloud his mind, before he was manipulated by Durandal. And in the end, his journey through the darkness that was his time under Durandal's command become his strength, granting him a spectacular flawless victory over the Black Knights achieved through his own skills - Stella protects him from the Black Knights' Mind Control, and his instinctual berserker Seed Mode keeps them from reading his mind to predict his moves. It's after all the trials and pain he went through that he comes out at his absolute best, and the Seed Freedom version of Shinn is hands down the best version of him.

Character development aside, it's genuinely heartwarming to see a character that was so narrowly defined by his grief and anger to be the one who brings a lot of the light and levity in what's otherwise a fairly heavy movie. Seeing him as a Big Eater during the ball at Foundation, his entire reunion with Lunamaria after she thought he'd been KIA'ed in the joint operation on the Blue Cosmos base, him getting hit by both Kira and Athrun during their brawl (with neither of them noticing ^^;;) - he's come so far since his Seed Destiny days he's (and I can't believe I'm actually saying this) one of the major highlights of the movie. And then there's his smile at the end when Kira finally relies on him and his cheerful response.

And of course, I can't talk about Shinn without mentioning Lunamaria - they've both come a long way from their days at the ZAFT military academy (if you go off the prequel novel Moonlight Valkyrie) and even from their time on board the Minerva. You can tell there's genuine love and affection between them, mutually supporting each other both on and off the battlefield, between them sharing a room onboard the Millennium and the energy transfer moment between the Impulse and Destiny. There's even a clear moment of redemption for Lunamaria's shooting skills when she shoots down a tactical nuke in her Gelgoog. And while she's definitely not one of the main focus characters in the movie, she still gets her moment of triumph, launching in the Impulse once more after Shinn's Destiny. Even though she's relegated to the Designated Chick Fight, it's a moment of personal triumph for her - she's grown as a person since her academy days, her time on the Minerva and with Shinn and Rey has changed her, and she's a better person for it. Even her time pursuing Athrun (even though he doesn't return her affection at all) comes back as a Meaningful Echo in how she ultimately deals with Agnes. Instead of choosing to kill Agnes in her GYAN, Lunamaria does something of a "pay it forward", disabling the GYAN and returning to pick her up from the moon after the fighting is over. Like Shinn, it's clear Lunamaria's in a better place than she was during the finale of Seed Destiny, and she also gets to join in on some of the lighter moments of the movie next to Shinn.

Onto Kira (because I'm saving my favorites for last), who is most definitely the main focus of the movie, along with Lacus and his relationship with her. Is his story arc a rehash of Seed? In many ways yes, and in so many ways, no. On a surface level, sure - we once again have Kira trying to shoulder the entire burden of the team on himself, of trying to do everything without relying on anyone else, of pushing himself to his limits, and as icing on the retread cake, we're even treated to a CV Kuwashima Houko girl (Agnes) trying to get his attention and affections. And that's about where it ends, because Agnes' motivations are vastly different from Flay's, Kira's circumstances this time around are entirely different from when he was in Seed - this is more about Kira realizing he really doesn't have to shoulder everything by himself, that even if Lacus is a non-combatant, she's there to walk next to him side by side, that Lacus's love for him is completely different from Flay's (initial) love for him. For Kira, it's The Power of Love while also echoing Seed's earlier themes of how easy it is to fall into old habits and make the same mistakes again. It's about Kira finally breaking past his remaining trauma with his relationship with Flay - he finally realizes that Lacus wants to be with him for him, that she never expected him to hand her everything she wanted on a silver platter, that she's willing and ready to work and walk with him to their final goal and destination, wherever that may take them. His relationship with Lacus was never a transactional one like it was with Flay - even if Flay genuinely grew to love Kira in the end, her true feelings for him never managed to reach him before she dies. And in the end, once he realizes what he has with Lacus, once he gets a chance to talk to her and clear the air, he's rewarded with a shiny new upgrade to the Strike Freedom, Lacus voluntarily joining him in the battlefield, and of course, that ending on the beach.

As for the whole "Is Kira Yamato a failure because he was a failed Accord or just Orphee insisting that he is superior to even Coordinators as an Accord" debate, ultimately it doesn't matter (at least in terms of Kira's arc - on a meta level, yes I absolutely want to know lol). He's got the one thing Orphee will never have (Lacus's love) and with that behind him he can overcome anything.

Honestly, if this is where we end Kira's story, where he gets to go off into the sunset with Lacus, to live quietly in the middle of nowhere (or even return to Marshall Islands to stay with Reverend Malchio) where he doesn't have to fight anymore, where he can just spend his days with Lacus until there's some world-ending reason to step back into the cockpit, I'm good with that. Kira never wanted to be a mobile suit pilot to begin with, he only ever did it to defend the people he cares about, and if this is where we part ways with him, because in learning to rely on other people, he also realizes he can hand things off to Cagalli, Athrun, and Shinn (and by extension, Lunamaria), I'm good with that. (I'll get to Cagalli and Athrun after Lacus, I want to save my favorites for last lol)

Lacus always came off as a little too perfect, a little too good with her words, and with a Seed Mode that ... didn't activate like your traditional Seed Mode (for one thing, she never gets the Seed burst animation on screen when she goes into it; she almost always monologues her way in). And I have to say it was satisfying to see that crack some more this time around, where her decisions are a bit more questionable, where she's finally having to deal with some of the consequences of her actions (and by extension Kira's as he answers to her and only her within COMPASS). But ultimately in the end, she's still the same Lacus as ever - Silk Hiding (nerves of) Steel, steadfast in her love and support for Kira, something that nothing can change, not even meeting her genetically destined partner in Orphee. And yes, while even she gets in on the action this time, quite literally delivering the Proud Defender to Strike Freedom to upgrade it into the Mighty Strike Freedom, I don't really have much to say about her.

I will say this though (because it gets very indirectly touched on by Athrun) - if Lacus hadn't fallen in love with Kira, and had continued with her engagement to Athrun as set up by their parents, would she have gone with Orphee? Would that alone have changed events enough so that Athrun might've been conveniently KIA'ed so Orphee would've been able to sweep in?

Now, onto my personal favorites (and complete show stealers this time around): Athrun and Cagalli.

Where do I even begin? Athrun being a Big Damn Hero for Kira not once, but twice? Cagalli taking over Lacus's role for being Crazy Prepared, Bearer of (Gundam) Gifts this time around?? The complete insanity that is the Z'Gok hiding the Infinite Justice Type II??? The (remote) Battle Couple fight????

Cagalli's just pure Crazy Prepared this time. She's learned from the painful lessons of the past 4 years, ensuring there's a plan in place to get her people to safety, immediately issuing evacuation orders for the civilians to avoid direct orbital laser bombardment from Requiem. She's made peace with the fact that sometimes, you really do just need to hop into a Gundam to get shit done, so she's seen to it that the Gundams for the top COMPASS pilots are available should they ever need it. She's the one who came up with COMPASS in the first place, providing some much-needed legitimacy for what Kira and Lacus want to do. She's also very clearly been training with Athrun for mobile suit training - where she once Could Not Keep Up, she's able to seamlessly pilot the Infinite Justice Mark II remotely, a less advanced unit than Shura's Shi-ve.A, without Shura ever realizing it was someone else piloting it. She's back as the Goddess of Victory, now older and wiser and all the better for it.

For all that she hardly showed up on screen, her presence was felt everywhere, most especially whenever Athrun's on screen. Really, I wouldn't even be surprised if the next time we see Orb get threatened by Orbital (Laser) Bombardment, she tells her people to get inside to safety before turning on a shield to protect the cities and then taking the field again.

And as for Athrun - it makes sense he didn't join COMPASS, even though the fact he has a custom COMPASS pilot suit and the Immortal Justice was clearly designed with him in mind. He's found his place in Orb, staying by Cagalli's side as her personal knight. He's even got his own custom suit with the Z'Gok-hiding-the-Infinite-Justice-Mark-II - he's got everything he could ask for while still being able to do his part to maintain peace. And in a double redemption moment - Athrun's the first one to throw the punch this time when Kira starts wallowing in his self doubt and lets his insecurities get the better of him, repaying the favor Kira did back in Seed Destiny when he, well, Saviour'ed the Saviour. Athrun's the one to remind Kira that as a close friend of Lacus's that her actions this time don't sound like the Lacus that he knows, and this time (unlike when he did something similar with Shinn) it works and gets Kira back on track. Poor Shinn - he thinks Athrun's about to do the same thing to Kira that Athrun did to him during his time on the Minerva, but while Shinn's not entirely wrong, he's also misreading the room a bit, not realizing this is a "They're really good friends, and sometimes they just gotta throw some punches to work shit out" moment.

Because in overcoming everything that happened in Seed Destiny, Athrun and Cagalli have finally grown into the people they both want to be. They've found their way, fighting for what they both believe in. Their time apart in Seed Destiny forced them both grow as individuals, so that when we get to see them working together again it's in perfect sync. In so many ways, Athrun and Cagalli (and not Kira and Lacus) are the ideal the Cosmic Era wants to push - two people working together side by side, regardless of genetics, as partners and equals. The dream of Coordinators and Naturals, living and working side by side in harmony - that's them. And ultimately, it is what they do that brings the heroes victory and lets everyone fly off into the (metaphorical) sunset together. They played the long gambit - creating COMPASS (giving Shinn and Lunamaria a means to atone for the things they did, giving Lacus and Kira a legitimate way to stop skirmishes), upgrading the Gundams, being there for their friends and allies when they needed it (Athrun literally knocking sense back into Kira, Cagalli coming in with the equipment upgrades) - all while keeping their priorities in order (first the civilians, then reequipping allies, and then finally going into combat together to take down Shura), and it all pays off in the end.

Really, is it any wonder, then, when Shura tries to read Athrun's mind in the final battle he's just thinking of hot (naked) Cagalli?

[chiprewington]

i'm in my "i want to hold him" phase

[payasita]

I just want to say you were my first introduction to slay the princess so I partially blame you for my current hyperfixation/j thank you I am deranged over eldritch horror princess and Just Some Guy eldritch horror bird (they are everything to me)

OH I will ask: who is your favourite princess/voice and why? Mine is voice of the contrarian bc he just like me fr, and thorn bc 🫶🫶

WOO glad you're into it! Definitely up there with my favorite games of all time

god I'm gonna have to give you a list. this was a much much longer answer because I have several paragraphs to say for Many Of My Favorites but I'll spare this blog the vomit for now until I can structure parts of it better

fave princesses: Witch and all its routes, Specter and all its routes, Nightmare and all its routes

Fave voices: Stubborn, Skeptic, Smitten. special shout-out to Opportunist for consistently having the best dialogue in the game tho, he sucks and I love him so much

Favorite routes: Razor, Thorn, Damsel

LEGITIMATELY it's so hard to pick but for the sake of giving Some explanation, the razor has to be my favorite for how it exists as the purest subversion of both the story the game is telling (which is itself a subversion of classic monsterslaying fairy tales) and it sort of has to get kind of meta, but it leans into it SO joyously. you as the protagonist being constantly split because the story plot twisted itself so fucking hard that it just. Broke Everything

and the result is absurd and horrifying and slips away from any kind of growth or cogency until both protagonists are stripped completely bare, and it's weird and it's hilarious and no one is having a good time except for the very AGENT of shifting perspectives, no longer constrained by any world or singular force that matters!

and also. How could I not pick the route that gave us The Look™.

[rocker-socks]

not to be insane but Stephanie Brown is so underrated and i really do hate to say its misogyny but. well. It is.