#ok now i can fully plot with everyone !

[killerpancakeburger]

Breaking point (2/2)

SUMMARY: Civilian!Reader, who works as Price's assistant, has a breakdown at work. Soap+Ghost help the best they can. Hurt/comfort. Can be read as platonic or romantic. Gender Neutral Reader.

PAIRINGS: Soap x GN!Reader

Ghost's version (1/2) Soap's part 2. Soap's part 3.

TAGS: Hurt/comfort. Military inaccuracies (I make shit up for the sake of the plot). Soap is tooth-rotting sweet.

WARNINGS: Mention of relative in the hospital, suicide ideation, depressive thoughts, swearing.

WORD COUNT: 4.3k

A/N: Very self-indulgent, Reader is going through it and so am I. 🙃Soap is Prince Fucking Charming (very cliché romance tropes). Yours truly suggest to listen to "Strong For Somebody Else" by Citizen Soldier to set the mood. (Song includes suicide ideation and depressive thoughts too, so listen at your own risk).

This bad good boy gave me a harder time than expected lol.

After ending the call, you put down your phone on your desk in a daze, hand shaking.

The news you’ve just been told cannot be real. Life could not possibly be that cruel. What did I do to deserve this? you wonder helplessly. It’s like every time you get back up, life knocks you down again, sending you tumbling on the cold, hard ground.

Clenching your fists, you stare into space, a thousand thoughts disorderly swirling inside your brain, all bursting with anguish, until a burning tear running down your cheek brings you back to the present. You’re at work, your boss is in the next room; a breakdown is a luxury you cannot afford right now. Better bite your tongue hard enough to draw blood than be caught sobbing. 

Inhaling a shaky breath, you take your head between your hands, shoving your fingers into your hair, trying to convince yourself to postpone your nervous collapse. Only one hour left, and you’ll be free to cry your eyes out at your flat. Or on the way home, even. It’s not like the other passengers ever paid you attention the other times you’ve cried on the bus.

But somehow your attempts have the opposite effect, and more tears roll down your face, staining the papers beneath it. As you furiously wipe your face with your sleeve, with a blend of frustration and despair, pissed at yourself, and wanting to get rid of the evidence of your fragile state as fast as possible, the unmistakable sound of your office’s door opening makes you look up.

Of freaking course of all bloody people that could have walked in on you, it had to be Soap fucking Mactavish. Only the most gorgeous man on base - according to you, that is.

You weren't proud of it, but you had a crush on him since you arrived, six months ago. His piercing cerulean eyes, rugged good looks and outgoing personality wouldn’t let you know peace. The mere sight of him was enough to bring a goofy smile to your face, and every conversation between the two of you left you blushing and elated.

You initially thought that this silly, juvenile infatuation would fade away soon enough. Ok, he was beautiful, and he had eyes to damn yourself for, so what? Surely with enough time and exposure, he'd feel mundane. But things didn’t go that way at all.

On top of looking stunning, he just had to be friendly. He made you feel welcome when you arrived. He made efforts to include you in conversations, asking questions to get to know you. He relieved you of the burden of small talk, appeasing your social anxiety, by happily keeping the conversation going on his own, never taking offense when you had nothing to say. He chose to spend some of his free time with you, escorting you back from the archives or dropping by your office.

He was even flirty at times. Flirty. With you.

You could have still disregarded all this; tell yourself he was like this with everyone, that it was just his personality; imagining things would only end up with you hurt in the end.

But then, during a meeting, you witnessed his sincere concern for civilian lives. His righteous anger against unjust orders, when you had fully expected a soldier to obey mindlessly.

This had been your undoing; the moment you knew you were a goner. A severe fondness for him had sunk its claws deep inside your chest and had no intent to let go. It didn’t mean you had any intention to declare your feelings though; you never entertained the thought that he could return them, therefore there was no need for any confession.

For him to be the one to have caught you in this state, it was downright humiliating. Especially since his good heart would make him feel obligated to care.

He was still wearing his leather, fingerless gloves, and some dirt lingered on the contour of his face, like he tossed his weapons and his flak jacket to the side right out of the heli bringing him back to base, and rushed here.

“Hiya hen, brought you the- Shite, what happened?”

His booming voice and cheerful tone fade away as his eyes widen with concern. He briefly freezes at the door in shock before closing the distance to your desk with great strides. You lower your eyes in shame, avoiding his gaze.

“Nothing. Nothing happened. Everything's fine.”

“No offense, bonnie, but yer not very good at lying.”

You bit your lip, forcing yourself to look at him. Staring at your own lap is only going to make you seem more suspicious.

You grit your teeth and lie some more, trying to sound carefree.

“It's nothing, really. I'm just being a crybaby.”

Crybaby.

Soap turns the word over in his mind, unconvinced.

He still remembers that one time when you showed up thirty minutes late to a meeting with the Task Force, panting, leaning on the threshold, the front of your clothes soaked in blood.

 “Sorry I’m late,” you started.

“‘Sorry’ isn’t going to cut it,” Price interrupted before laying eyes on you. “Bloody hell, what happened to you?”

You explained how Private what's-his-name bled out in the break room after carelessly reopening his stitches and you had to stop the hemorrhage with your bare hands and a bunch of paper towels while shouting yourself hoarse for help. Yet when Price ordered you to take the rest of the day off, you insisted on going on as usual, forcing their captain to make it clear that it wasn’t a mere suggestion.

You and him had a different definition of “crybaby”.

Clinging to what's familiar, you focus on the stack of papers under his arm.

“You have the latest reports? Give it here.”

You hold out your hand expectantly. Instead of giving them to you, he sets them down on the opposite side of your desk, out of your reach.

“Paperwork can wait.”

You blink in astonishment at him.

“No it cannot…?”

You roll your eyes at his behavior and get up to seize the reports, but he snatches them from you. You can feel your composure snap like a twig.

“Johnny, what the hell?!” you yell, throwing your hands in the air.

You could remember exactly the first time you called him Johnny, only because it had been such an embarrassment. You couldn’t get used to his alias; sure you had been warned beforehand that some of them were… original, but somehow "Soap" was the one that stood out as the most ridiculous. You briefly entertained the idea of using his first name, except that for you “John” already referred to Captain Price. Only once you tried to call him Mr Mactavish, and as a result Gaz and him guffawed so hard they almost fell off their chairs. Even Ghost let out a cough that was most definitely a concealed laugh. You were running out of options until you heard the lieutenant call him Johnny; you instantly liked it. It just… fitted him. 

From that moment on you used the nickname, but only in your mind. You didn’t have any of the liberties Ghost had and you wouldn’t take them, out of respect, and shyness. Or at least this had been the plan until you fumbled and called him that to his face. The ensuing silence felt deafening as you were realizing what you’ve just done, and you apologized immediately, mortified. 

He just laughed it off; said you could keep calling him that. True, he had appeared more surprised than irritated, but you didn’t want to take the risk of him simply being polite. This too, had been your plan, until he ruined it merily. 

Somehow he must have noticed your efforts to not slip up again because he teased you about it. 

“Not Johnny today? Did ah dae something wrong?”

You went back to “Johnny” quickly - anything to put an end to the mischievous glint in his eye and the rascally smirk on his lips aimed at you. Being the target of his undivided attention sent a pang in your chest and knots in your stomach. Those sensations weren't exactly unpleasant, but it led to an ominous feeling that this was too good to be true, and that at any second this vision would shatter to reveal the cruel reality; so you'd just grant him a timid smile to confirm he did amuse you, but then proceed to look away.

It's the first time you’re pronouncing “Johnny” with anger; real, raw annoyance, as well as animosity, instead of the fond frustration you usually display when he messes around.

To your utter disbelief, he smiles in response to your outburst. 

“There we go, talk tae me. Even if it’s just tae scream at me.”

The remark pacifies you instantly; you lower your arms, defeated.

“I'm not gonna… I don't want to scream at you.”

You sigh and sit back, setting down your elbows on your desk to take your head between your hands, overburdened.

“The hell you want me to tell you? That my mom's on the brink of death out of nowhere? That when she's gone I'll be all alone in this world?”

You swear, aggravated, as tears sting your eyes again, and this time you ignore if you'll be capable of holding back the flood.

Nevertheless you can still hear Soap curse under his breath, Scottish accent growing thicker, before moving to get on your side of the desk, to reach you, dispensing soft-spoken, soothing words along the way. You pivot to face him, your burning eyes and the sensation of dried tears on your face making you painfully aware that you must look as pathetic as you feel.

Your eyes widen in surprise when you see him kneeling at your feet. His hands reach for your face, slowly enough to give you time to back away if you wanted to.

“A'm sorry, ah didnae mean tae mak' ye cry, a'm a bloody eejit. …Can I?”

His fingers stopped a breath away from your tear-stained cheeks. 

At that exact moment you can’t quite believe what he's about to do, yet you nod your head in agreement - not trusting your voice to not break - all the same, the gaping void in your chest aching for any kind of contact he'd be willing to provide.

His warm fingers cup your cheeks as the pad of his thumbs gently, almost reverently, wipe the underside of your eyes.

“There we go,” he cajoles, meticulously drying any wet spot on your skin.

“A'm ‘ere whether ye want tae talk or not, aye? A'm not going anywhere.”

You stare at him in silence, thunderstruck by the scene unfolding in front of you. Never in your wildest dreams you would have expected to have this man at your feet. He sets his hands down on your knees, squeezing them softly, and is looking right at you, encouraging smile and tender gaze, reassurance radiating from his expression. The position allows you to greedily take in every little detail: the white line of the scar on his chin, the breathtaking shades of blue in his eyes, the gap in his left eyebrow.

As you lose yourself into the work of art that are his features, he keeps conversing.

“We should take yer mind aff things. We could play board games in tha rec room. Or ye could let aff some steam wi’ tha punching bag in tha training room! Ah could teach ye how tae shoot on tha shooting range-”

You open your eyes wide as his suggestions turn progressively more violent.

“I have a bus to catch, and that's overlooking the fact that I haven't done anything in my last hour of work today…”

“If anyone gives you trouble, just say ah forced you.”

You chuckle at the idea.

“You'd never compel me to do anything.”

You can’t repress a loving smile. Johnny just feels that safe to you.

He smirks mischievously at that.

“Na, but they'll believe ah dragged ye intae mah evil schemes.”

He punctuates his statement by a roguish wink that wrests a laughter from you.

“You should take my bed,” he declares suddenly, serious again.

As the silence between you two stretches and your smile is replaced by a mix of shock, confusion, and worry, he realizes how this may sound. Flustered, he starts rambling to defuse the situation.

“Wait, no- steamin’ jesus - Ah didnae mean it like that! I’d take the couch in the rec room, ‘f course. Ye shouldn't go through tonight alone.” 

“Oh my god, Johnny, I could never take your bed from you. You must already sleep on the floor so often for missions…” 

“Exactly, hen. This is nothing for me. The couch is a hotel compared to that.”

You open your mouth to argue more, but then he makes an expression that can only be described as sad puppy eyes, even going as far as slightly tilting his head to the side to perfect the impression. You gulp in response, stricken straight through the heart, and knowing pertinently that you could already hardly refuse him anything, so if he begins to gaze at you like that… 

“Pretty please?” 

Oh no. Not that line.

He's now excessively batting his eyelashes at you, which, while not exactly alluring, is both comical and endearing. Hell, who are you even kidding? You’re so smitten with this blue-eyed creature, is there any act from him you wouldn’t find endearing?

“Are you… pouting?” 

“Depends. Is it working?”

You sigh, aware it's a losing battle, and look away, a futile attempt to hide the ridiculously potent effect he has on you, or to at least shield yourself from his influence, if only momentarily.

“I think you know the answer to that.”

“Maybe ah just wantae hear ye say aye tae me.”

Your cheeks catch fire at the suggestiveness of the words. As if the regular rasp of his voice, that felt like an exquisite caress along your spine, wasn’t already making it incredibly difficult to keep your face at a reasonnable temperature.

“You're gonna get me fired, Johnny.”

“Over my dead body,” he retorted with surprising determination, solemnly pressing a hand over his heart.

You scoff indulgently. Coming from anyone else, the hastily taken oath would be preposterous, but Soap has always proved himself trustworthy.

“Let's go. Your knees must be sore,” you mumble, trying to sound casual.

“Wanna make a joke aboot mah stamina when kneeling but ah will keep it fur next time,” he slips as he stands up, way too smugly for your own good, so you pretend you didn’t hear anything. As if you needed any more incitement into picturing him on his knees in a different context. 

You get up quickly after, but he does not get out of your way. You rise a quizzical eyebrow, his close proximity triggering alarm bells inside your head. If he remains near enough for you to feel his body heat, you’re going to get dizzy.

He simply grins.

“Want a hug?”

You blink at the unexpected question. Yes, implores your touchstarved mind. YES, cries out your sensitive, enamored heart. 

No way, rebuffs your cautious brain. It will only hurt more knowing what you  can’t have.

He opens his muscled arms, smile genuine, almost blinding, like a tacit invitation, and all your reluctance seems to evaporate with that simple gesture. Before you can linger any more on the harmful consequences this lack of restraint will eventually cause, you throw yourself into his embrace. It feels like falling and flying all at once.

Your hands close on the back of his shirt, near his shoulder blades, and, pressing your face into his shoulder to make the world disappear for a moment, you cling to him like he could rescue you from the sinking ship that was your sick mind. One of his arms close around your waist while his free hand rubs your back, leaving trails of fire in its wake, but bringing you much-appreciated comfort nonetheless.

“You're too nice to me. I feel like I'm taking advantage of your kindness.”

He remains silent a drawn-out second, and you're terrified you just screwed everything up.

“Yer givin me too much credit, lass “ he finally says. “Ah don't go ‘round base comforting every person I find.”

His tone isn’t angry, per se, but it lacks its previous joviality.

Soap tilts his head back, biting his lips, thanking the universe that with your face laying against his chest, you can’t perceive his embarrassment.

He can’t tell you. Not yet. Not now.

He can’t tell you that he used to consider writing reports as the worst part of the job until you came along; until you awarded him a heartfelt, radiant smile when he gave you his; that he noticed how little you smiled outside of artificial ones you fabricate for work purposes; that when he manages to make you smile or laugh genuinely, it feels like a prize, that only he is privy to.

Months ago, he took the resolve to make you smile more; for a while now he started doing his reports more seriously, or even did the ones of Gaz and Ghost, just to have an excuse to see you, to behold the way your face lightens up when he brings you necessary paperwork before you even demand it.

And he certainly can’t tell you about that one time where he handed over his reports in advance, but you weren't there, so he left, heart heavy with disappointment, dragging his feet, until he heard your voice coming from the room he just left.

“What are those?” you questionned your coworker.

“Soap just dropped them.”

“But… I didn't even ask him to yet?”

Perplexity combines with glee in your voice.

“He's a good boy, isn’t he?” prompted your colleague.

You let out a fond, wistful sigh, before responding, half-joking.

“I know! Such a good boy for me.”

Getting to hear you beaming over his benevolent action was already a treat, but witnessing that compromising exchange? To be called a “good boy” by you short-circuited him. He swore - “Steamin jesus” -, ears burning, face on fire, covering it with one hand. He needed to leave badly. Seek refuge in his room, where he could be free to replay that tantalizing line on loop in his mind. “Such a good boy for me.”

Your heart beats a bit faster than usual as you obediently follow Soap through corridors you’ve never been in before. You trust him with all your heart, but that doesn't change the fact that what you’re doing is against the rules; and those rules aren't high school's, but the ones of a military base.

You flinch hard as a familiar voice screams in your direction.

“SERGEANT MACTAVISH!”

Oops, you think. That's Captain Price, your supervisor, and he sounds pissed. You never witnessed him calling Soap by his last name before, but that being said, you never saw him deal with a kidnapped assistant either.

You've been caught red-handed. 

Your mind begins to come up with plans to lessen the punishments that are without doubt about to descend upon you two, but Johnny grabbing your hand brings you back to reality. 

You lift your gaze to him. He doesn't seem worried at all, if anything… is that a spark of delight in his eye?

He only pronounces one word.

“Run.”

So you run, carried away half by adrenaline, and half by the sergeant dragging you. Thankfully Soap is aware that there's no way you can keep up with him and his training, so he comes to a halt a minute later.

Panting hard, you double over, hands clenching your knees for support, heart thumping in your chest, blood throbbing in your ears.

“Why… are we… running…!?” you manage to exhale. “It's only… gonna make… things worse…”

By your side, he's standing fresh as a daisy, barely ruffled by your flight. The sight would be infuriating if his eyes weren't glinting with amusement and he wasn’t offering you a dazzling smile.

“Because it's fun,” he affirms like it's evident.

Little by little, you catch your breath, throwing Johnny a look that's half in earnest, half in jest.

“More fun for you than for me.”

He doesn't get flustered by your moderate reprimand.

“Is it selfish o' me tae wantae spend more time wi' ye? Didnae want us tae git interrupted yet.”

The line feels like a punch to the chest, stealing the breath you just recovered and leaving you agape.

He takes your hand again with the natural of a well earned habit.

“C'm'on, ah have more than one trick up mah sleeve.”

You're unsure which of the views unfurling under your eyes is the most magnificent; the sunset in front of you that's painting the sky in shades of pink and orange, or the striking man by your side whose eyes could rival the most astounding sights.

Nibbling on the dinner Soap smuggled out of the cafeteria with too much ease for it to be his first time, you regularly sneak glances at him as he fills the silence with tales of his adventures - the parts that aren't top secret, at least. You two totally did not break onto the roof moments ago, no sir.

Goosebumps travel along your arms and any exposed skin as the night falls and the sun takes away the warmth with him. You furiously brush the outside of your arms for heat, and you're about to suggest finishing this inside, when a jacket lands on your shoulders.

It is still warm with his owner's bodyheat, deliciously so. You curl up and drag it closer, your face on fire. Realizing that Soap gave you his jacket without you even having to ask or complain about the cold… you’re conflicted between obsessing over this like a giggling schoolgirl, and feeling apologetic.

Once you more or less got your blushing under control, you turn to him, displaying a contrite expression.

“I don't want to take your jacket on top of your bed, Johnny.” you pout.

“A'm a bloody furnace. Wanna check?”

He asks, cheekily, even adding a wink for good measure. As if there was any more artifice needed to make you putty in his hands.

He presents you his bare arm for the taking, all golden skin, bulging muscles and a constellation of white scars.

You indulge him and lay a hand on his bicep, knowing he won't relent otherwise; that is definitly the only reason; it has absolutely nothing to do with your own desires.

Indeed, he's burning. As you envy and bask in the heat provided by his body, forgetting that your touch is lingering too long for someone who is just a coworker, he chooses that moment to flex shamelessly, showing off the impressive circumference of his muscle. You feel obligated to squeeze it in response, a way to finally meet him head-on instead of passively enduring his quips, and it feels like reinforced concrete under your fingers.

You fail to hold back your laughter at his facetious demeanor. 

“You're ridiculous.”

The comment holds no bite, a smile brimming with tenderness stretching your lips.

“I'll be the most ridiculous man on the planet if it makes you laugh.”

He's leaning back, hands propped on the ground behind him, head slightly tilted to gaze at you, and the earnestness on his face could almost make you believe his words.

Almost.

But instead a sharp pang pierces your chest, right between your lungs, at heart's level. The smile you return him in spite of yourself oscillates between content and heartbroken, before opting for the latter. 

Tomorrow you will ask him, maybe even plead; tomorrow you'll ask him to put an end to the flirting. You cannot bear it. 

But just tonight, you'll indulge it. You'll pretend to be normal, a well-adjusted human being, instead of a broken shell; you'll act like an adult for who flirting is a regular event and not the mental equivalent of a nuclear bomb.

You abruptly stand up, dusting yourself off, purposely ignoring the newfound lack of understanding on Soap's face and how his mouth opened for a question.

“It's getting late,” you state, not nearly as casually as you'd like. “I'm beat!”

You're running away and you know it; but you never claimed to be brave. Really, it is the best solution for everyone involved, or at least it's how it has always seemed to be your whole life.

He escorts you to his room - of course he does. Even if he already picked up his things earlier to crash on the couch, already showed the place to you.

As you awkwardly face him on the doorstep after saying your goodbyes and your thanks, unable to look away yet incapable of making eye contact, pain flares in your torso thinking of him, somehow intertwined with joy and gratefulness for his existence. Maybe your inner struggle shows on your face because next thing you know, he cups your cheek, forcing you to look up, but as the deranged idea that he's about to kiss you manifests in a remote corner of your mind, your brain swiftly shuts off as his lips make contact with your forehead.

The touch is light yet your entire being seems gathered on that point of contact.

“G'night, bonnie,” he half-whispers, as if to make sure his words exist only for you.

He grants you one last smile, small but so sweet you feel your heart tightens.

“Good night, Johnny,” you manage to articulate before sheltering in his bedroom. The room smells like him.

The moment the door shuts behind you, you rest against it, tilting your head back, letting out a deep sigh. Morbid curiosity pushes you to glance in the adjacent bathroom's mirror, if only to see what you look after this evening. A flustered mess? A sorrowful wreck?

Catching your reflection's eye makes you grimace as you realize an incriminating detail.

You forgot to give Soap his jacket back.

[astoldbysteph]

i feel like people aren't gonna like what i am gonna say but after numerous talks with rp friends, i think it's important to at least yap a little about this.

i know this you don't owe anyone anything girlypop coochie queef purrrrrrr 💅 attitude is seen as the standard to follow not only in rp spaces but pretty much anywhere (especially online) and idk guys, i think this is doing more damage than good. rping is a hobby, yes, but it's a hobby that involves us collaborating with people in order to have fun and sometimes i feel like there's some inherent selfishness and carelessness that along with a severe lack of communication, is slowly eroding the rpc as a whole.

every day i hear a new anecdote about admins failing to take their group off the ground because of flakey members. or people retreating into their shells and not being able to fully enjoy writing with others due to people ghosting them after three hours. i feel like every single person that does the 1x1/indie thing has a story where they plot someone, make a discord server or set up an established thread, and then they never hear from their writing partner ever again. and this ain't cool, guys.

stuff happens! we all got lives and responsibilities like work and school and family life that sometimes prevent us from being as active as we would've like. or some days we just don't feel like writing for whatever reason and that's valid. this ain't a job, but it is a collaborative hobby so i am sorry to tell y'all this, but we do owe at least a lil bit of common courtesy to people who take the time to collab with us.

chats with friends and fellow rpers have me feeling like the rpc as a whole, in my opinion, has a communication problem. group people don't talk to their admins or don't like plotting with other members. 1x1/indie people are used to dropping stuff unannounced and talk even less between each other. roleplayers in general avoid making the first move and prefer letting the other party do the work. like dang y'all, not to be a hag on main but back in my day!!!! there was more of a willingness to talk to others. now everyone is more 'secluded' which i think stems from bad past experiences so we kinda end up stuck in a cycle that messes with everything as a whole.

idk where i am going this but i keep seeing people posting stuff talking about this or sharing similar sentiments or stuff happens to me and i end up making my brain work overtime to try and figure out what happened and what i can do on a personal level to change things and help others stop feeling discouraged and have a better time writing and chilling with people

and also before i forget because my wife reminded me!! it's ok to drop stuff or plots or people and its ok to take ur time to reply. we all got stuff to do or we are tired or sad or obsessively rewatching degrassi or just dont feel like writing and that's so valid. all sane people get it and would be understanding if you hit them up like hey! idt i have muse for this or sorry i took forever! but people don't even do that nowadays and it leads to people quitting, feeling discouraged, OR WORSE, adopting the same mindset. talk to ppl!! rpers are super nice and if you run into a weirdo i will beat them up for u

[mamawasatesttube]

ok i put a longer post abt tim's Emotional State in drafts for when my brain is less melted but re: tim and going to college im just gonna get a lil silly with it. hear me out.

i have this whole vague story in my mind for tim's college days moonlighting as red robin as he tries and figures out what he wants out of life. (it's a while after rr leaves off and all because he's like. Super Depressed for a hot minute and then has to drag himself through actually bothering to get his GED and applying to college, etc., but eventually lucius is like hey. you're great with gadgets, and you clearly love tinkering. i'd hire you for r&d in a heartbeat but you need at the least a bachelor's of engineering. i know you have a lot of the technical skills, but you need a degree. so tim goes ugh fine i'll get a goddamn engineering degree how hard can it possibly be.)

anyways. i think it's a universal experience that if you go to college and you hang with the STEM crowd, you will unfortunately get to know at least one Fucking Guy. it's like brentwood arc; tim does make friends, but there is just this One Fucking Guy he cannot stand and will never stand. this Fucking Guy is in the common room playing his guitar at midnight. he's drunk and yelling and laughing really loud when people have exams coming up. he's convinced everyone adores him. there's also a detective/supernatural plot going on. the subplot is just that tim hates This Fucking Guy.

at some point, there's a story beat where he as red robin has to rescue That Fucking Guy from a real dicey situation, and That Fucking Guy is really shaken and grateful to him, and he's like okay. maybe. maybe we are making progress. but then the next time he encounters This Fucking Guy as tim drake, the guy is just like. "ohhhh hey drake you missed it last night, it was AWESOME!!! i had to save red robin from a KILLER ROBOT. he's pretty cool though i guess. i bet you wish you could be more like him huh??" and tim is just. I Will Not Grind My Teeth About This. I Will Not. his life is a fucking joke. he dismantles the toaster oven in the common room kitchen to cope. it's definitely to cope and not just so that That Fucking Guy won't be able to heat up his pop tarts in the morning.

at another point, This Fucking Guy looks at street mode, lowkey, unremarkable Normal Car-looking redbird and goes, aw, dude, i thought your dad is loaded?? he only got you a generic-ass sedan?? that sucks lol, if you want we can take my car down to the game instead. and tim is just Say One More Fucking Word About My Baby I Dare You I Fucking Dare You One More Fucking Word.

(also i like to toy with the idea of this being a university in metropolis - he's out of gotham, but not too far. keeps him from getting antsy about what if he's needed because he can get right back over there. and in the meantime, he can hang out with kon and kara a lot, and occasionally enable and be enabled by lois lane and her snooping habits. there's another subplot in which tim and lois get up to shenanigans. at least once.)

it's sort of an introspective thing of him trying to come to terms with the way he no longer wants a fully normal life the way he always used to assume he would - he has the option to walk away from the cape now, like he always thought he would one day, but he just can't give it up anymore. he's fallen into the same black hole he watched dick and bruce dive headlong into. it's also about him finding joy in tinkering and working with his hands and getting to spend more time as tim drake first and foremost. and it's about him venting to kon about That Fucking Guy while they have a lil picnic on the green while kon loses his absolute shit laughing. all against the backdrop of a little mystery or something. <3

OH and also, most importantly. zoanne wilkins is there and laughing at him for assuming college would be easy. and kon gets her into wendy the werewolf stalker. My City Now.

[erinwantstowrite]

Let me just quickly say, cross-overs can sometimes get REALLY difficult to map out and write in a cohesive way but you have absolutely NAILED IT!! I absolutely ADORE LoF!!! I usually don’t even bother reading fics with the ‘Richard Grayson is Richard Parker’ premise cause I felt like they were super confusing and overcomplicated but this fic?? SUPERB. ABSOLUTELY INCREDIBLE. OH MY GOD I ADORE IT. Everyone’s characterizations are so nice and wonderful aaaaaaah!!!! <33333

Ok ok I did actually have a question as well: would you be willing to share what your writing process looks like in terms of a chapter you’ve already posted? I was just wondering since I’m also currently working on my own fic (it’s been a few years but I managed to get fixated on an idea and it grew legs lol) and I’m currently fighting the organization of it haha.

How do you keep track of the plot points and/or foreshadowing you want to get a ‘lightbulb!’ moment for later? Do you have any tips?

Thank you so much! I absolutely adore your writing AND your art is so gorgeous omg it adds so much to the incredible story :DDD I hope you have a good day!!

I have a secret: I actually didn't like "Richard Grayson is Richard Parker' tag for a while for the same reason. Sometimes they felt like they missed the mark or it's just. A thing that's there? I almost didn't include it for LoF, but I'm glad I did because it changed the direction in such a big way.

Another secret: this made me incredibly happy because I have read so many wikis and scoured the internet to make sure that I had enough info on both fandoms so LoF could make sense to anyone who's reading it, whether they know Spider-Man, Batfam, or neither at all. Sometimes I worry a lot before I post that I'll miss a mark and will confuse people.

As for the question: I definitely am willing to share what my writing process looks like!

Be prepared for under the cut, I love to yap. It's in my blood to yap. And that's why it took a minute to get to this ask haha

(Spoilers for Leap of Faith!! Everything mentioned has already been published ((Chapters 1-11))

I had to go and find out which chapter I wanted to use as an example and I think we're gonna go with Chapter 5 for the most part :)

My writing process is, as described by alighterwood:

I think the description fits because while I'm all over the place, I have to be very detail oriented and I store everything in one spot.

Starting with the overall process, what I find is most helpful for me, when organizing, is having a notebook rather than doing it all digitally. I've been using a 70 sheet notebook that I had lying around waiting to be used, and as of yesterday, I officially filled the entire thing front to back. It's been an incredible help, for a lot of reasons, but mostly because it's a lot easier to remember something I physically wrote down than it is to remember something I typed. I'm now on to my second notebook for LoF, and I might even have to get a third.

In another ask, startupkat asked me this:

And I shared a little about my outline process there, but I'll try to go into a little more depth here. Emphasis on little because this is so long.

I write a truly insane amount of outlines in this notebook.

This is just what I can show you, but a good chunk of the notebook is just outlines. Over and over and over again. That's because they're always changing/adapting based on so many different factors. Sometimes I get to a chapter I thought I had fully planned out and then realize it just doesn't work anymore. Other times, I get to the chapter and realize I don't want to write that anymore/isn't as interesting as I thought it would be. A few times I got halfway through a POV of a scene I was struggling on and decided to switch POV's, which will change up the outline for a chapter every now and then.

Which is why I don't write incredibly detailed outlines and try to keep it vague until I actually get to that chapter. It's a lot less daunting to rewrite a chapter outline than it is to rewrite the entire outline.

Fic outlines and Chapter outlines look a lot alike.

This is what I said in the other ask, but I didn't elaborate on it all the way.

I make a list just like that, and then I try to put it in chronological order/in an order that makes sense. I keep the Fic outline vague by writing down "Goals" for a chapter rather than scenes. But I also keep notes to myself if I really think something is important. The more important I think a scene needs to be, the more details I write down to make sure my future self recalls what I had in mind when I thought it up.

Really simple example:

Chap 1 Goal: Peter gets to Gotham and meets Babs while running around. Meet Nightwing too? Get shelter.

Chapter 2 Goal: Bats are like "???" about Peter. Batfam dynamic important... Peter stalking Batfam back? Peter meet Batman >:)

When I get to a chapter, that's when I make a far more detailed list of wants/needs/goals. It's the Step 2 from the Step 1. Here are some examples from Chapter 5:

Needed to have:

More POV's from universe 1299 (Peter's home universe)

Tony's POV more specifically, how he's doing/feeling, what he's figured out

What they've figured out on 1299 side vs what's going on in 1300 (Gotham)

Explaining more about Peter's trauma/his past

Dick learning more about Peter, and vise versa

Wanted to have:

Ned being a more central character

Natasha :)

Loki being a little shit

Tony and Cap bickering

Peter talking to Nightwing again

The last name Grayson

Gymnastics!!

(This is the shortened list, because the chapters are so long)

When I looked at this list before writing my outline, I had to figure out how I could incorporate everything. If I needed more 1299 POV's, and I wanted Ned, Natasha, and Loki, there's one scene accounted for. I had to get their side of things and wanted that trio together. I needed a Tony POV, and I wanted Tony and Cap bickering, so those went together, plus I got 1299's POV of Ohnn and his plans explained.

I needed to have Peter explaining more about his trauma, and Dick and Peter to talk/get closer. I wanted a Nightwing POV, to have Peter say his last name, and them doing gymnastics. I knew Peter wouldn't willingly talk about that, so I had him have a nightmare. Not only did it give readers perspective but it made Peter more susceptible to talking to Nightwing because he was more emotionally vulnerable/lonely, and that's how that scene came together.

That's when I would write down the chronological order of these events by writing out "Scene Blocks." (This is what I wrote down but my handwriting was so bad I can't subject y'all to it):

scene 1- Ned talking to Loki. Natasha should be nearby and observing Loki's behavior. They are not on friendly terms. Ned is more worried about Peter than he is as to what Loki could be up to, so Natasha takes on that role.

scene 2- Tony is freaking out about Peter being in an alt dimension. He should attack Ohnn when he's not prepared for it. Beat his ass? Beat his ass. Cap there too.

scene 3- Peter's nightmare. "Ben, where do you go when you die?" "Where do you think?" "With you. Where you went."

scene 4- Nightwing and Peter.

Of course, things come to attention when writing. Like originally, Tony and Cap were arguing in the Tower. But it was a little too much like his and Natasha's argument, and I kept in mind that Tony is smart. Sometimes I forget that the characters are smarter than I am, so I have to account for what they would figure out. So Tony would have picked up the puzzle pieces and come to more conclusions than I originally thought about, and I figured he'd be way more proactive about it than just. Being in the Tower and waiting.

Which means that that scene ended up being as listed above: having a squabble with Cap, learning more about Peter's dynamic with the Avengers in this universe, and seeing how Tony is reacting to it by throwing himself head first into trying to capture Ohnn.

I'll realize I need something else to be mentioned or put in and I'll have to shimmy things around, but that's basically how it goes.

As for other forms of organization:

Keeping a timeline is so important because it tells you a lot about the environment your characters are in. It's also important to remember what a character has on them, what money they've spent, who they've met/who you have mentioned, every alias that is being used, to read your work and write down edits you want to make before you make them, to write down ideas beforehand of situations you can use, and, most importantly: MAKE A MAP!! This has saved me so many times. Sometimes your brain WILL trick you or make it harder on you to envision a scene. Make a map of where your characters are physically!! It will save you too!!

As for foreshadowing and plot points, I'll let you in on yet another secret:

Your subconscious is doing a lot more than you think it is.

Sometimes when I foreshadow something, I didn't even know I was until I got to it. I very often go back to read chapters that came before this to see what I've mentioned and what I haven't, and when I do, I'll see something and go "I have to bring this back" or "I almost forgot about that!"

Other times, I am very aware of what I'm foreshadowing, and that's because I follow a mystery plot formula. You have to keep in mind everyone's intentions, all the time. How are they feeling? What are their motivations? And: what are they doing right now, while this character is doing this?

Like Beck and Ohnn. From the very beginning, I knew I had to make sure that it was obvious Ohnn wasn't working alone. From there, I had to weave through the story and slowly build him up as someone who's working behind the scenes. Even from Ned's first POV, I made sure to mention that this person knows Tony and is tech savvy.

My biggest tip is to make sure you reread your work or at least skip through it, because sometimes you don't even know that you placed something there.

And sometimes, it's very purposeful. :)

I hope this helped! I really tried to keep it short but I am insane and the process is sooooo long. It sounds complicated but it really is simple when you're actually doing it I swear

[novaursa]

Ok I have a thought and everything turn around this song

https://open.spotify.com/track/3gS0VrWH2NyPGXYiFmcagd?si=GyNvN-TlRdK8WaKeFUi8zw

Fem! Reader is supposed to be the daughter of Leanor but she had the strong’s look. She never had a doubt about who her real father is, she always loved Harwin cause he was very closed to her behind closed door obviously.

Growing up she ask her mother to come back to King’s Landing, she might be engaged to Aemond. But everything she had in mind is to kill Larys Strong, the anger she had is that strong that she might even died or get captured but when it’s happens her dragon goes back to harenhal and Daemon and the Strong’s family understand what happened

Blood For Blood

Requests are closed!

- Summary: Sheepstealer lands upon Harrenhal, alone.

- Pairing: None, can be assumed to be a daughter!reader/(father) Harwin Strong (platonic), as reader attempts to avenge her father.

- Note: The reader is bonded with Sheepstealer. I hope this is what you had in mind. Some information had to be left out, so the plot can come together in this short story.

- Rating: Mature 16+ (just to be safe)

- Tag(s): @sachaa-ff @alyssa-dayne

Smoke rises above the blackened stones of Harrenhal as the air thrums with the sound of wings. A massive shadow crosses over the crumbled towers and battlements, casting a darkness so deep it feels like the sun has vanished from the world. The creature circling the castle is unmistakable. Sheepstealer.

Daemon Targaryen, atop Caraxes, looks up from his perch on the scorched ramparts, brow furrowed. His silver hair shimmers in the dim light, an almost ethereal contrast to the beast circling above. Beside him, Simon Strong, one of the last of his bloodline, tightens his grip on the pommel of his sword. The weight of realization settles between them, heavy and oppressive.

“She’s not with him,” Daemon murmurs, his voice low but tinged with that ever-present edge of amusement that he never fully abandons, even in the face of tragedy. His eyes remain fixed on the dragon, the massive beast known for its temperament, who now glides through the sky riderless.

Simon glances at Daemon, lips pressed into a thin line. "It is as we feared, then." His voice is rough, aged and worn from years of bitter experience. His face, weathered by both time and the weight of his family’s cursed legacy, holds no surprise, only resignation.

“She went after him,” Daemon says with a certainty that causes Simon’s breath to hitch for a moment. He doesn't look at Simon, his gaze still held by the dragon. "After Larys."

There’s a stillness between the two men, a tension in the silence, as Sheepstealer lets out a deep, rumbling growl. The sound reverberates through the courtyard below, shaking the very earth. The dragon lowers itself to the ground with a grace that defies its monstrous size, its claws digging into the charred earth as it lets out a shuddering snort.

Daemon watches closely as the dragon’s head swivels, searching, waiting. There is no rider upon his back. No proud figure, no fierce expression to match the storm of fury that had been brewing ever since you left King’s Landing. And in that absence, Daemon knows. They both know.

“She’s dead.”

Simon speaks the words that hang between them, his voice barely more than a whisper. Daemon doesn't reply immediately. He doesn’t need to. They can both see it—the truth laid bare in the arrival of the beast without its mistress. You are gone, as surely as your father before you, lost in the flames of vengeance that have consumed your bloodline.

"Y/N..." Daemon finally speaks your name, voice barely louder than a breath, almost reverent. He had never truly known you, not as he had known your mother, Rhaenyra, or even your father, Harwin, but there was always a bond, an understanding. You were fire, like all Targaryens, but a different kind—quieter, colder. Until the day Harwin Strong died.

Since that day, your flame had burned hotter, more dangerously, and everyone knew where it would lead. Even your dragon, fierce and independent as he was, had bent to your will. You wanted vengeance for the father taken from you in the blackened ruins of Harrenhal. You had sworn to see Larys Strong dead for the part he had played in your family’s destruction.

Daemon steps forward, descending from the ramparts toward the courtyard where Sheepstealer waits. The dragon's great amber eyes follow him, unblinking. There's an intelligence there, a knowing that cuts through the air like a dagger.

"She fought bravely," Simon says, though his tone is hollow, lacking any conviction.

Daemon scoffs, the sound bitter. "Bravery? It was madness. The girl was bound to die the moment she swore that oath."

"You are one to speak of madness, prince." Simon’s voice hardens, a rare defiance in it, but Daemon only grins, a twisted, humorless smile.

"And yet, I still stand."

The words hang in the air between them, as heavy as the clouds of smoke rising from Harrenhal’s ruins. Daemon stops just short of Sheepstealer, his eyes locking with the dragon’s once more. He can feel the raw power of the creature, the pain that mirrors his own. Sheepstealer had been with you through it all—the fierce bond you shared had been envied, even among your own kin. And now, with your death, the dragon stands alone.

"She died trying to kill him, didn’t she?" Simon asks, though he already knows the answer.

Daemon gives a curt nod. "Larys Strong will not be easy to find now. He’s as slippery as a shadow in the night."

"That worm," Simon growls. His hand tightens once more on the pommel of his sword, though it’s more out of frustration than any desire for action. There’s nothing to be done now. It’s over. "She would have made a fine queen... had things been different."

Daemon’s eyes flicker with something dark and unreadable. "She was never meant for a crown. Too much of her father in her."

Silence falls again, the weight of the castle pressing down upon them both. Sheepstealer growls low, sensing the tension in the air, the grief that lingers in the stone itself. The dragon looks toward the entrance of the keep, as if expecting someone to walk out and take command, but no one comes.

"Will you tell him?" Simon asks quietly.

Daemon’s smile fades completely, and for a moment, he looks weary—older, burdened by the countless losses that have marked his long life. "No. Let the dragon keep his illusions for a little longer. He’ll find out soon enough."

With that, Daemon turns his back on the dragon, the courtyard, and the weight of yet another death added to the blood-soaked history of his family. Simon watches him go, feeling the same heavy resignation settle in his bones.

Sheepstealer lets out one last mournful cry, the sound echoing through the empty halls of Harrenhal. The dragon knows too now. You are gone, taken by fire, just as your father before you. The Strong bloodline is broken, and vengeance has consumed yet another soul.

[shutupineedtothink]

AAA final thoughts + praise 🙌🏼

Ok now that I’ve had a few days to sit with the finale and let go of my preconceived ideas of what it should be, yeah it really was brilliant. I still don’t Iove ghost Agatha, but I get it. And now I’m really pulling for Wanda to come back so that she can bring Agatha back (this happens in the comics apparently) and we can do a MCU witch movie. Sign Jac Schaeffer IMMEDIATELY, Feige. Lock her down, we all want more of this shit.

As to where the show ranks overall in the MCU, I feel like at this point it has to be #1. Even above WandaVision, and certainly above Loki, as much as I love both of them. This show just does… more. Like I can’t believe how much they packed into these 9 episodes. This is what… a true six hander? Six fully defined characters with fully developed arcs and satisfying journeys? With the possible exception of Agatha and Billy’s journey not being over yet, which doesn’t take away from their arcs and development along the show. (Again, had to let go of my own theories there.) WandaVision at most had 3… Wanda, Vision, and Monica, and I don’t feel like Vision had much of an arc tbh.

And then all the little witchy horror movie references throughout, the incredible seeding of the Billy’s Road reveal, building up and breaking down the coven, Agatha’s incredible complexity as a character and not being able to neatly put her in any category, hero, villain, anti-hero, whatever. You really can’t pin her down and I don’t think I’ve seen that in the MCU ever. I guess the last character like that was sort of Loki, but he had more of a true redemption arc. Agatha just… exists in the gray at all times. You just never know what she’s gonna do. And it’s amazing.

Then there’s the Ballad and truly weaving that throughout the whole show in such a way that it’s instrumental (pun intended) to the plot… who does that? Plus the amazing score that feels just as present throughout. The only comp I can kind of make is Clara’s theme in DW, but the Ballad is way more intentional throughout.

I can’t possibly go into it all but the sheer amount of setup and pay off is incredible. And yet we leave with more mysteries to solve and more questions to ask, which is also incredible!

Not to mention the production design, the practical effects, costumes, makeup — every visual was stunning.

And I’m not even going to get into AgathaRio (and Nicky) and all the tragic complexity there. I get wanting a happy ending but… also what ever made you think this would be as simple as a happy ending? They are a. Capital S. STORY. They’re practically mythological. Who cares about happily ever after when you can have Epic, Fated, Complex Romance that literally transcends this Earth. Like what more do you want?? That is the top echelon of epic romance. Disconnect the “happy ever after” = “good romance” link in your brain, you know? Judge by complexity and emotionality and dynamic range rather than something as simple and boring as do they end up together or not. They’re so wildly interesting and I’m so glad we could get more of them in the future. (Ok I did get into it oops)

And the humor?? I don’t think I even need to say anything. But what comedic excellence from everyone across the board, with Kathryn Hahn leading the charge of course. And to balance that with the drama without undercutting either of them is not easy, but they all did it flawlessly.

I could go on and on but I just hope this show, and Jac, and Kathryn, and everyone involved gets their flowers for this work of art. There’s just so much love and care and intentionality here. It really feels like a standout not just in the MCU but in contemporary TV in general. Easily my top show of 2024, it’s not even a contest. ⭐️⭐️⭐️⭐️⭐️

[romantichopelessly]

invitation to speak more about the secret good td3 in your head, if you so desire!

Ok so I sat on this ask for DAYS because I wanted to have some cohesive, great answer, but the thing about The Dreamer Trilogy that haunts me is that I can never come up with good concrete thoughts about how to fix the issues I have with it, which is why I reference the “secret good td3 in my head” because it can never fully leave my head in any real way. That being said here’s a list of some elements I would change to make my secret good td3, in no particular order.

The visionaries don’t exist. Liliana, Persifal, etc. are just psychics that keep getting visions of the end, and die for reasons other than their power. Explaining what Visionaries are and subsequently over explaining the magic system of td3 is part of what made the trilogy so confusing and ruined a lot of the magic that the TRC universe already had for me. We don’t need concrete explanations, and psychics can still fill this role. The changing age and exploding added nothing?? to the narrative?? that I can think of?? We can even keep the age gap for Carliana if we want to, just make Liliana an older psychic like Maura/Persephone/Calla. It will even add to the excellent Carmen-Mr. Gray parallels.

Lean more into the themes of the age group. TRC is a coming of age story. It’s about being 17/18. It’s about learning your inner self and getting others to see the true you. TD3 should be more about being 19/20/21. To me, TD3 at its peak is like Buffy the Vampire Slayer Season 6. Which is uniquely about the horror of being in your early 20s, losing support systems, having to learn to be a full self-reliant person, grappling with what your parents did to you, and the crushing loneliness of not being around Your People anymore. TD3 has all of these themes, but I really think they need to be fleshed out more, and given proper conclusion that isn’t just “yippee everything is fine now!”

Greywaren is longer. I think almost everyone agrees that Greywaren, as a book was just too short to wrap up all the plot lines set up, and does almost none of them justice. That book needed a whole rewrite. In theory, I’m completely fine with how it opens—Ronan being in a dream coma was foreshadowed from CDTH, and is an idea that I’d actually thought of as interesting before even reading the book. Other elements of this book like Declan’s rampage, Matthew going rogue, etc are great directions for the characters, I’d just want to rework them. I could make solo posts about any of these.

The Pynch breakup either doesn’t happen, or is set up further in advance and lasts longer. Personally, I lean towards the latter. Adam and Ronan’s conflict is set up from the very beginning of CDTH, or even from Opal (Adam warring between wanting to stay with Ronan and needing to follow through with his lifelong plans, and being frustrated that Ronan never asks for anything from Adam (specifically, to stay) ((side note: perhaps Adam’s insecurity here about Ronan respecting his boundaries so thoroughly stems from both having a family that never would respect his wishes, and Gansey (Adam’s model of love, Adam’s model of everything) having to learn not to ask things like that of Adam. What does it mean that Ronan never even tries?)) AND Ronan dealing with the crushing loneliness of being left and dealing with the consequences of having a long distance bf who is more successful than him). So they needed to have an argument about this. It’s also just in character that these two would not be perfect communicators. So. My idea: In CDTH we get no Adam POVs, just Ronan’s side of the story. We see, rather than Ronan just getting upset over one missed text, that Adam begins to pull away after the murder crab incident. We the audience don’t know why, other than Ronan’s unreliable narration and insecurity. So when Adam doesn’t respond to that one text at a vital fraught time, Ronan does what he does best, shuts down, pulls away and self destructs. Then MI rolls around and we start getting Adam POVs. We learn that after the murder crabs, Adam was throwing himself into trying to fix the nightwash situation for Ronan (Adam is not in contact with Declan here, unfortunately). After visiting for Ronan’s birthday and seeing the Lace, Adam starts to have dreams/premonitions about the end of the world (no visionaries in this universe, just psychics who are/were close to dreamers getting the visions!!). So he obviously sets out to fix this alone too. He calls his best approximations to contacts in this underground world that aren’t Declan. Henry and Mr. Gray. (+ maybe also Maura & Calla) ((Also don’t worry Henry doesn’t leave the Sarchengsey trip, just advises Adam on where to start)). Now that Adam has lost contact with Ronan (he was busy and missed the message and Ronan went off the grid like in canon), he goes full throttle into trying to solve everything while managing being his perfect Harvard persona (this gets him close to a breakdown, very reminiscent to Dream Thieves). Perhaps we get to see Adam and Declan working together to acquire sweet metals and understand the underworld of magic together. He and Ronan fight the one time they get to talk over the phone, Adam because he is truly scared Ronan will be the one to end the world, Ronan because he feels like this is another person perceiving him as a failure and wanting to control/baby him (+ he hates Adam hanging with Mr Gray and Declan of all people). By the time Greywaren starts, Adam is wrung out and hurting and Ronan is dead to the world, so yeah. He doesn’t think he can spend emotional energy playing safeguard to his boyfriend’s coma corpse. And then by the end of the book they have an actual argument/discussion no “they didn’t need words” cop out.

The number of Dreamers/Dreams has to be reduced. It’s cool to say that dreams were always integrated into this world, but it creates so many plot holes it isn’t even funny. There is no way Niall could have passed off the Greywaren being a box that brings dreams to life if Dreamers were such a common occurrence. No secret can be kept that well, someone in the black market would have known, and thus Greenmantle/Mr. Gray/Laumonier/ect WOULD HAVE KNOWN !!!

Declan does not have all his character erased by suddenly loving his mommy and daddy. Seriously what the fuck was that. Declan suddenly deciding to forgive his father because actually Declan was secretly the favorite child first is INSANE. Especially after seeing that that changed because Niall and Mor WANTED TO KILL HIS BROTHER!!! The two tenants of Declan Lynch in TRC were protecting his remaining family and fucking hating that Ronan idolized Niall just because Niall loved him best. So why make Declan turn around and do the same??? Suddenly Niall wasn’t so bad because actually he let Declan be shoved into a car trunk during a shootout out of love. I hate this plot line. Family doesn’t have to be forgiven. Understood, that’s one thing. Forgiven?? Not always. Sick of it. The real takeaway from seeing those memories should have been closure to Declan’s arc of learning that dreams should be viewed as people completely.

I definitely have other points but I cannot think of them right now. And I want to post this so I will. But TD3, as you can see, makes me an insane person.

[class1akids]

BNHA 426 - First thoughts

I have mixed feelings:

My No 1 wish was Toya being able to talk, so I'm glad we got that. Though super-sad about the "slowly dying" thing. But he's not dead yet - so I'll consider that "open ending" for now.

Way too much focus again on Enji feeling bad - I'm glad Toya called him out for doing everything only when it's too late / doesn't matter anymore

I’m also glad that Touya reached his goal - he destroyed Endeavor, the hero fully. His body, his reputation, his legacy. Everything Touya was created for, he burnt to ash. (But at what price 😭)

it's also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

What a contrast between Bakugou and Deku getting thanks from All Might and being called greatest heroes - while not a single person in this family thanks Shoto for the extraordinary efforts he made for them (not only in this war, but since his first visit to Rei) -> they never deserved my boy tbh...

The Shoto - Toya scene was easily the highlight of the chapter for me. I really wanted this for both of them. Everyone in the family is talking about how they will talk, but Shoto is the one actually asking a question to Toya; he still wants to know his brother after everything.

And I love how that's the final breakthrough for Toya -words supported by actions - to start crying and to say sorry. I think his inability to cry was one of the big reasons he could never move on, so I hope in whatever time he has left, he can get the emotional closure he needs. And I'm glad Shoto got at least one person in the family acknowledge his efforts, even if with just a "sorry".

It makes me super-sad though because you can see that Toya and Shoto's relationship had so much potential!!! They would have been the best of brothers.

Natsuo cutting off Endeavor is fine for me. I didn't expect a big group hug - all the kids are grown up with their own lives - like Toya said "why not sooner". Them becoming a big happy family was never on the cards. Though I'm more disappointed Natsuo had nothing to say to Toya. He's a lot like his father.

Is Rei sticking with Endeavor? I hope she's just escorting him to the agency car and not like moving back to the house with him.

I'm super disappointed that Shoto got no hug from his mom or even a line of direct dialogue. In 426 chapters, they never spoke directly!!!!! - Shoto is the only kid in the family Rei never had a dialogue with as a grown up. Hori really fumbled her too.

So Shoto - just like Izuku to Bakugou - never gets to respond properly to Endeavor's apology. Still, I interpret his line to Enji and Rei that even if the family doesn't get a dream ending, he's going to be ok because he has friends who support him and he's strong enough to shape his own identity. I'm glad we didn't get like a "it's water under the bridge" or an even worse "I'll restore the family's honor" kind of plot for Shoto. He did everything he could, he did the heavy lifting for every single relationship - he's more than earned his freedom (though I doubt that the public will easily forget that he's "Endeavor's son and Dabi's brother").

It's really bittersweet, but Shoto is still better off compared to where he started - he built some kind of relationship (however distant) with every person in his family and I guess he'll stay in touch without feeling like he has to carry all of them.

And more importantly has a safety net of friends, and he got out from under his father's thumb, away from the toxicity of his birth, forged a positive self-image, has clear goals, etc. He's an amazingly strong person, with a great mental fortitude and I hope in the 4 remaining chapters we'll see him smile at least once. He deserves it.

I'm glad Kiddo and Onima are alive. I would have hated it if they died from the copied Phosphor. I guess Burnin' is running the agency now? Though probably it gets closed down after Endeavor's retirement.

Hawks being the new prez of the HPSC was expected. Let's see what he can do.

Nagant "I want to stay in prison" is super-weird, but whatever. Hers always felt like a half-baked plot.

Gentle/La Brava is the first canon ship confirmed. I don't like them, but good for them I guess.

So next up: Spinner - Deku talk?

I need some processing time and some translations and the missing pages, but it's not the best or the worst. It delivered the thing I wanted most, though less talking from Enji and more talking from Touya and Shouto would have been better.

[optimus-faked-his-own-death]

OK, so this is definitely gonna be like nonsensical due to the fact of the fact well that was bad dictating this through my iPhone at midnight

so OK so the starratchop is like there is the martyr Optimus prime, and that he continuously dies and tries and tries and tries and then Starscream, the immortal spark who cannot die physically and gets by only on the scrap metal of his neck, and then the Doctor who has to like both catch up to them both every single turn, and yet is only one who is mortal so he can die so there’s always a weird cycle of death that goes around where it’s like reanimation of forced immortality and so it just creates a really interesting dynamic,

especially since like I’m going with Starscream having defected over to the autobots or this is post waror whatever I’m not sure but nonetheless there is Optimus who is thought of as both the most compassionate hero figure (and he still is,, it’s also just weary to not rest for four million years after having responsibility being his shoulder to bear so he is burnt out and still in war time mode) and the bleeding heart but the heart has been mostly bled dry and so he struggles to keep up with the pain of recreating a life, especially when in truth he didn’t really have one before.

Ratchet has had to mask on a gruff and stoic face for the entirety of his career and so now when there is the chance to unmask and rifle through the eons of stress and fear and caring, he is almost unraveling as well.

Starscream has finally been released from needing to hide or scheme and plot and so having people being worried but also distrustful of him creates a guilt and shame over his existing considering a lot of his confidence is just bolstering even though he is capable.

I’m not fully solid on the full characterizations that i have of them but just like having them all having different priorities of keeping everyone else alive in contrast to themself and vice versa and putting them in the context of having to deal with these identity issues seems to be really interesting when they interact with each other

[lopposting]

The major question of the story that we are now asking:

Why, exactly, does Carlo never "wake up"?

[long post]

[Spoilers ahead]

Well, simply put - Because he is dead.

OK, that seems like too obvious an answer, but I'll elaborate, and bear with me here. I want to recap some elements first so you know where I'm coming from, but I'm also trying not to completely explain everything because that's way too hard and would be too long.

[Currently, we don't understand everything about the story or its meaning. Because of some of the shrouded nature of the lore and narrative, it leaves much mystery. But from viewing these questions and the story from a thematic standpoint, something unexpected and really cool happened. I found that the story and the lore opened up in reverse.]

The easiest way to explain the plot (in my opinion):

It was my impression that Geppetto never “started” the puppet frenzy. The puppets were NEVER breaking the grand covenant, interpretably they are protecting humans by stopping the spread of the petrification disease, it’s just that everyone in the city was infected by that point. 

Now with the puppets killing everybody in a city where everyone was infected (ergo being the result of the disease) Simon can go around harvesting all that ergo and Geppetto presumably plays him by letting Simon collect the Ergo first, and then sending P to kill him. [again, these details may not be completely accurate, but bear with me here]

Why create P in the first place?

He's made in Carlo's image so to speak because Geppetto hopes that Carlo's spirit will awaken. This is also why P is never bound to the covenant (it seems that not being bound to robot laws makes puppet egos awaken faster, since awakened puppets can break the grand covenant). So that is the two functions of P, to destroy puppets for ergo to harvest and so Carlo's consciousness can restore. I was just guessing that the arm of god was enough to get Carlo to revive, and Carlo's mental spirit reviving would be helpful but not entirely necessary. But for reasons we don't understand, Carlo never does regain consciousness.

Geppetto bitterly tells us that we don't seem to have inherited Carlo's memories. There is no big moment where Pinocchio or Pino or P reawakens, fully, as Carlo. He isn’t treated by the story as him. During the course of the game, P struggles to forge his own identity, to become a real boy, despite starting as a copy of the original. It’s a very fitting parable for the genre identity of a soulslike.

However, there are other successful re-incarnations of people through puppets, namely Sophia at the end of the Rise ending. We ask, for consistency's sake, why are puppet-form Romeo and puppet-form Sophia assumed to have retained their original identities, but not Pino? This is just my personal interpretation of why Carlo just couldn't or doesn't wake up. It isn't really based any lore or deduction from story details, this is from more of a philosophical point of view. And it isn't just the luck of the draw.

I had some initial thoughts about Carlo's failure. Romeo was made with intention of continuing to fight against the disease, as it's told that he "made a deal with the devil". Sophia may have been a special case, as she is a listener (Arlecchino even refers to her as the goddess in the tower), she may have had an ergo identity so strong that her essential self could retain this process. But either way, the implication is that Pino may have been able to recover her not long after that final fight. Look at the nameless puppet. The state of Carlo's body is so poor, that more than not his body seems to have been replaced with puppet parts. I think the implication was that Geppetto had been replacing parts as they rotted away. Maybe he had simply been dead for too long. But again, this isn't exactly why I think he couldn't awaken.

Simon and Geppetto

Lies has two main antagonists, although one isn't completely revealed until the last section. Both Simon and Geppetto are the perpetrators of Krat's destruction, but for what seems like different reasons. Simon is trying to be reborn, and Geppetto is trying to revive his dead son, Carlo. Interpretably, they are both trying to become Gods. Simon by grasping the supernatural, cosmic power of one, and Geppetto by raising the dead. They have destroyed Krat in their attempt to become a god, or more succinctly put, attempting to become God, singular. Geppetto's goal is, in essence, the same as Simon's goal - Because bringing back the dead would make him God.

That's why it seemed all so confusing. Haven't Geppetto and the alchemists already raised the dead, as Pino does at the end of the Rise ending with Sophia? Sophia, Romeo, and Carlo were all afflicted with the disease. Their Ergo were all made into puppets, but there's a minor but important distinction here. Sophia is still alive in her condition and actively suffering, this is the reason why she asks us to end her life. It seems as though Romeo lost his friend to the disease, and then made a "deal with the devil" to continue fighting, this implies being made into the king of puppets. We collected Sophia's ergo while she was alive, which we then used to animate the puppet. So the three of them were afflicted with the petrification disease. Sophia perished, Romeo perished, but Carlo died.

Now if we see the sand memories section of the beach, the stalker's words start to gain some clarity. If Carlo died from an incurable disease that the stalker couldn't prevent, why is she too late? Perhaps the goal was never to "save" Carlo's life. She laments; That she was too late, NOT to "save" him, but for him to be able to be restored. The stalker seemed to understand that whatever procedure needed to be done would be useless past the point of death.

I have to admit that there was something that I thought could override my theory. It seems as though the alchemists already were able to bring back both Champion Victor and The Eldest of the BRB, and from the dead no less. We read from notes in the Grand Exhibition that Victor had caught the disease, died to the despair of his adoring fans, but then miraculously made a comeback somehow stronger than ever. But maybe - he had only appeared to be brought back from the dead to the public, as Victor sought the help of the alchemists. And when it comes to the Eldest in the coffin, I'm wondering if he was actually only mortally wounded, leading the brotherhood to consult with the alchemists. [The way he was carried out by his brothers too (shouldered on either side) isn't typically the way you would expect people would handle a dead person]

Mirroring Sophia, Romeo, and Pinocchio, who were made into puppets: There is Champion Victor, The Eldest, and Nameless Puppet. We can see the former three as Geppetto's method of "cheating" God (cheating Death), and the latter three as alchemists' method. Only "Carlo" has a form in either one - The Nameless Puppet and the player, P. The Nameless puppet appears to share a similar undead quality with Victor and The Eldest of the BRB (including the tubes). We know that the collected Ergo can animate puppets, They are puppeting around their own dead bodies.

I feel like the Nameless Puppet tells us in a poetic way that Carlo is gone. My thoughts on this are more abstract. Again, this isn't from a factual analysis, but more of from viewing the Nameless Puppet itself as a metaphor. The Nameless puppet has qualities similar to the other undead bosses, yet the game doesn't describe it like it does Victor and the Eldest. It's not a body. It is a puppet [Human on the outside, mechanical on the inside - the inverse of our protagonist]. And straight in the text, we are told this is "The Nameless Puppet". But we know who Carlo was. His name was Carlo. We split open its head, and there are only cold, mechanical parts, instead of what we in the modern world now regard as the very most essential self (the brain). Because there was nothing to recover, there is no one there. Carlo's spirit had long, long since departed the world.

We are also told through one of the game's narrative devices that the Nameless puppet was the first puppet fitted with the organ. Ostensibly, Carlo's body was being prepared for whatever procedure that needed to take place, but Carlo died before that could happen (perhaps thankfully), and Geppetto pushed forward with his plans anyway, perhaps past the point of no return.

There are two forms of revival and we represent one of them, as in, there was the puppet form of Carlo and the undead form of Carlo. Presumably, the undead form was incredibly destructive, and thus stored away; We are the second try for Carlo's rebirth, this time in the puppet form, but we cannot even wake up without the aid of Sophia.

Lies, God, and the Finality of Death

But doesn't Geppetto actually succeed in one of the endings? Simon fails to become a god, (well, presumably only because we kill him in the process of doing so) and then we confront Geppetto. If we hand over our heart, Geppetto actually does revive Carlo. We see the resurrected Carlo, but with one simple smile we realize this isn't the Carlo the game has been leading us to believe existed. This ending leaves us with distrust and unease rather than a sense of peace and resolution. Simon fails to become a god, and at the bad ending - even if he "wins" - the game makes us wonder if So does Geppetto. No matter what, Carlo could NEVER be truly, and in both senses of the word, honestly, be revived.

[Simon Manus - like Simon Magus, the biblical figure who tries to buy into the supernatural power of God. And Geppetto, of course alluding to the 1883 italian novel The Adventures of Pinocchio - a puppet master, a creator indeed, but of wooden imitations of life, and a poor imitation of God]

So, why I think Carlo could not wake up? Because whatever needed to happen could not be done after the actual point of death, and Sophia and Romeo's hearts were both transferred before they actually died. His spirit had long gone from this world. Krat has methods of eternal life, but these transfers happened while they were still alive. While the alchemists and Geppetto could certainly cheat death (as we maybe even would with modern day medicine), they could not defeat it. Carlo can no longer wake up, Carlo can never wake up again, because he is dead.

[dailynoodlezz24]

Ok, i had the thought (since i love werewolves and vampire stuff, liches, all that-- I blame Skyrim and its unhealthy amount of beautiful mods-- and Dungeon Meshi just seems so perfect about it with its races and stuff) what if Marcille's a dhampir, basically a human vampire crossbreed, who seeks to become fully vampiric in order to be able to sire in lieu of the dungeon lord/universal longevity plot. (Spoilers: she still doesn't get it in the end lmao) Falin is a longtime friend of hers through a backstory I still haven't made up yet, and Marcille's introduced as a new addition to the main cast, who are a party of hikers (or for some sort of venturing activity). Month in, Falin's gone and had herself eaten by some weird dog described in only folklore, which Laios would later excitedly incite as a "lycanthrope". (They tried to call emergencies for a missing person, but they came up with nothing. Everyone thinks Laios is going insane when he concludes that the sight they saw after Falin became officially missing, blood trails and offly wolfish tracks fading off to somewhere, was the work of a wolfman, or a werewolf, and suggested going to search for Falin themselves. Namari and Toshiro leave promptly) Chillchuck and Marcille stay with him, one determined with his navigational skills and the other fully believing in this supernatural theory. They decide it's best they start camping in the forest, deeper and closer to the wilderness, prompting them the idea: hunt for their share. Which may or may not be illegal :shrug They meet Senshi, one hell of a wildchef man. (Marcille's total disgust with the idea of eating out in the wild stems from the fact she doesn't want to survive off of squirrels again. But this food is pretty good, and she's eating other animals than small rodents this time. Chillchuck just doesn't want to hear about the weird ass facts about how skinwalkers might be related to humans and their horrific hunting tendencies while eating.) The deeper they go, the more strange and bizarre this forest becomes. First normal, unassuming, then the ravens start speaking and the rabbits have horns. And if you peer into it close enough, your eyes might just find company in where the campfire doesn't reach. So on and so on, they find Falin's bones in the corpse of the creature, and suddenly there's a little guy with white hair and crazed, purple eyes(thistle), who beats them all off with a stick(not actually lmao). Last they see is Falin's remains being reanimated with the dripping blood of the stranger. (Marcille had tried in desperate attempt to revive Falin with her own blood/bite, but to no avail, revealing herself in the process. The only thing she can note is the awful taste of something doglike, aka the lycanthrope disease circulating in Falin's bones-- since they were chomped before she died RIP.) Now they're against a highly aggressive abomination under the servitude of someone out to get them. And the opps are on them(canaries) Now I'm just thinking abt whether or not to make Marcille also a werepyre? Considering it would make sense for her to also get her human-half infected into something "full-fledged" in the way she hadn't intended, and still come up without the ability to sire(she wants to make a cauldron for company, a cauldron being like a vampire made family, due to the same motives of keeping her loved ones). Thank you for reading my ramblings, I am brimming with ideas for this AU.

[somanyratsinthewalls]

Congrats on 300 folower 🎉🎉🎉 can I request caramel lily it's totally ok if you can't lol btw love the way you write

Thanks so much for the req! This is SO much plot with a bit of porn, I'm not sure what got into me here! Hope you enjoy!

Pairing: Sanji x Afab!Reader

WC: 2100 LOL

Prompt: “I’d eat 10 devil fruits if it meant I could see you naked.” 

— — 

It was Robin’s birthday, so you and the rest of the Straw Hats were enjoying an evening of drinking and celebrating. Empty bottles littered the dining room table and your captain was asleep and snoring on the deck, distended belly evident of his overindulgence. A few of your crew mates had returned to their quarters, the hour having grown late. You sat at the wooden table with Nami, Zoro, Franky and Robin playing cards while Sanji finished up dishes at the sink. You were all a bit tipsy, some more than others *cough* Zoro *cough* but it was clear the party was winding down. 

“I’m not tired yet. What if we made this game more interesting?” Robin made a suggestion and set her hand of cards down on the table. 

“*yawn* like a drinking game? I’m in.” Zoro takes another swig from his bottle of sake. 

“How about we put real money on the table? I know I’d kick your asses if there was actually something at stake.” Nami suggests. 

“I was actually thinking we could play strip poker.” Robin smirks as she makes the lewd proposal. 

*WOOOSH* 

In what seemed like the blink of an eye, Sanji was somehow squeezed in between Nami and Robin on the dining room bench when he was all the way across the room at the sink not a second ago. 

“What an incredible idea, Robin! And it is your birthday after all, so we should all do whatever Robin suggests!” Sanji hurriedly spits out with hearts in his eyes, seemingly out of breath from rushing over. 

“Absolutely not. If you think for a second that I’m going to-“ Nami protests. 

“Sure, I’m in.” Zoro interrupts her. 

“Yeah I’m down I guess.” You chime in, wanting to keep the party going. You had known these people for years now, they were your best friends. Everyone has a body, who cares if they see you naked? What’s the worst that could happen. 

“Aww come on, bros! That’s like super unfair! I’ll obviously lose first! This game is rigged!” Franky exclaims while gesturing to his lack of clothing. 

“Rigged against who? Perverts?” Zoro cocks his head and smirks. 

“Whatever, I’m out. I have maintenance to do on the engine anyway.” Franky excuses himself and heads down into the belly of the ship to finish his tasks. 

“Come on, Nami. We can still put real money on it. Well… most of us could, anyway…” Robin smirks as she looks at Zoro hunched over his drink at the other end of the table. “Hey! I have… some.. cash.. somewhere…” Zoro looks in his pockets and inside his sash trying to find some semblance of money. 

Nami sighed. She pulls a small stack of berries out of her pocket and puts it on the table in front of Zoro. 

“I’ll add this to your tab. I’m going to bed, goodnight guys.” She turns back to Zoro. “Don’t lose it all at once, idiot.” 

After Nami exits, the four of you that remained settled your first bets and started the first round of cards. 

Much to Sanji’s dismay, he lost the first three hands and has already removed his tie, sport coat and belt while the two beautiful women before him were still fully clothed. Zoro lost the next few, casually shedding his shirt and boots. Eventually, after many more hands of cards and many more bottles of booze, the four of you are all minimally clothed. Robin was winning, still in her bra and skirt. You were sat in your bra and panties, happy that you chose a nicer looking pair to wear today. The boys were both left in their pants. 

“Alright, guesshh I’m out…” a very drunk Zoro sighs out as he puts his losing hand down on the table. Wordlessly he stands up and pulls his pants down to his ankles. 

“OH MY GOD MY EYES-“ Sanji throws his head down on the table to shield himself from the now fully nude swordsman. “ROBIN? Y/N? AM I BLIND?” Sanji continues to scream towards the floor.

“WHY don’t you wear underwear! That’s gross! I do our laundry!” You exclaim with wide eyes. 

“Hmm.” Robin hums. “Carpet does match the drapes.” She raises an eyebrow.

“Screw you guyshhh… I.. I’m going to… to lie downshh…” Zoro stumbles fully naked out of the dining room. 

“I’m going to make sure he makes it back to his room…” Robin stands up and dresses herself. Hands sprout from the floor and gather Zoro’s shed clothing and neatly folds it into a pile. Robin grabs the pile and heads towards the door. “… and make sure he doesn’t permanently traumatize Chopper in the process.” 

The door slammed closed and you and Sanji were left alone at opposite sides of the table. 

Sanji cleared his throat. 

“Shall we play on, angel?” 

You roll your eyes. You were up tons of berries, there was no reason for you to keep playing, but something urged you to keep going. 

“Bring it on, Mr. Cook.” You give him a wink and you could swear your saw a drop of blood spill from his nose. 

Perhaps distracted by your tipsy flirting, Sanji loses the next hand and stands up from the table to remove his slacks. He returns to his seat quickly but not quick enough for the large bulge in his briefs to go unnoticed. You smirk. You spot his hands trembling as Sanji pushes his money into the center of the table for the next hand. 

“Wow, Sanji, that’s the last of your berries! What if you lose? How are you going to afford cigarettes this week? It’s worth that much to you?” You laugh and take a sip of your drink. 

“It’s not the money, angel.” Sanji looks across the table at you with sparkling eyes. “I’d pay any cost. I’d eat 10 devil fruits if it meant I could see you naked.” You couldn’t help but smile at his desperation. 

“Well…” You say teasingly. “Let’s play then.” 

Your confidence betrays you. You lose the hand. 

“Shit!” You throw your losing hand on the table. You rub your eyes with your hand, realizing that you have very little left to remove. The air in the room is different from before. Earlier it had been four crew mates laughing and goofing around, now the air was heavy with tension. It was just you and Sanji, sitting across from each other in your underwear. He was handsome and you found yourself admiring his lithe, slim body. You couldn’t help yourself from becoming aroused. 

“Well, fair is fair.” You push the money back towards Sanji and move your hand behind your back to unhook your bra. Your other arm held the cups of your bra in place over your chest as you undid the clasp. You look across the table at Sanji and his mouth was hanging open in anticipation. You aren’t sure why, but you decide to tease him a bit. You use your arm holding your breasts to push them up and together before you let them fall out of your bra, bouncing dramatically. 

“Merde, y/n…” Sanji couldn’t pry his gaze from your bare tits. 

“We still have one more round to play, don’t we?” You pick up a new hand of cards and hold it with both hands. Doing this, you push your naked breasts together with your elbows, teasing the poor cook further. 

“I… Y-yes…” Sanji grabs another hand while shaking himself out of his stupor. 

You had four of a kind, there was no way you could lose. You were going to make off with all the money and Sanji’s dignity. 

“Royal Flush.” 

“What?!” You balk at the cards Sanji had laid on the table. It was his turn to lean back in his seat and smirk. You were speechless. You stared blankly at the table for a few moments before you slide out from your seat on the bench. Sanji watched you intently. 

You turn around so that your back is towards him. You hook both of your thumbs into the sides of your light pink panties. You bent forward at the hip, poking your ass closer to Sanji’s face. You slowly, dramatically peel your panties down your bottom, revealing your supple skin inch by inch. Sanji groans as your glistening cunt is revealed to him. You straighten your back and step out of your panties. You turn around. 

“Well, Sanji. Looks like you won. I guess you could take the money…” You slink towards him and swiftly hop onto his lap, straddling his trapped erection. You place both your hands on the side of his face to make him look up at you. You gently grind your bare pussy onto his throbbing crotch. 

“Or you could have me…” You purr at him, lips almost touching. 

Sanji takes no time to weigh his options before slamming his mouth onto yours. His hands fly into your hair, trying to force your lips impossibly closer to his. His tongue forces its needy way into your mouth. You kiss wildly for several minutes before you snake your hand down Sanji’s slender torso and lift your pelvis up so you can free his aching cock from its confines in his silk briefs. You give his member a few slow strokes before Sanji whimpers into your mouth desperately. 

“Mmm… Y/n.. please…” Sanji mutters. 

You pull away and kiss down his neck. 

“Please what, Mr. Cook? I can’t quite understand…” You seductively whisper out. You lick and suck his collarbone as you continue to pump his cock. 

“Need you…” Sanji is panting like he ran a marathon, he can’t handle your teasing anymore.

“Need me what, Sanji? Come on… tell me what you need…” You bring your hand that isn’t wrapped around his member up to his chest to tweak and squeeze at his nipple. Sanji lets out a high pitched moan. 

“Need to be inside you, please angel, let me feel you…” Sanji grips your hips suddenly and firmly. He could barely form a coherent sentence. You giggled. 

“Hm…. Fair is fair…” You smiled as you lifted your pelvis and aligned Sanji’s cock up with your hole before slowly sinking down him. The stretch overwhelmed you at first as you moved your hands up to grip at his shoulders tightly. 

“Shit, angel… so tight and wet…” Sanji buries his face in your breasts as you adjust your body to his length. 

“Fuck…” You moan softly as you begin to bounce softly on Sanji’s cock. He was thicker than expected, and the anticipation had your body alight with sensation. 

“Does it feel nice, my love? Is my cock good for you? Please tell me…” Sanji breaths out as you use him for your pleasure, trying to contain his own release. 

“Mmmh…” You let out a moan as you switch from bouncing to grinding yourself onto the blonde’s slim hips. “You feel so good inside me, baby… you’re doing so good for me…” You rub your clit into the base of his shaft as Sanji hits that sweet spot inside of you. You bring your gaze to look into his eyes. Those gorgeous ice-blue eyes stared up at you with what could only be described as adoration and amazement. You saw tears well in his glazed eyes, he was clearly so lost inside the pleasure that was your warm cunt. 

“So good…” You continued to praise him. “Gonna cum…” You throw your head back and grip Sanji’s shoulders tighter. 

“Please cum on me, angel, want to feel your pussy when you cum, please…” You hear Sanji’s muttering but you were too focused on reaching your peak. 

You shriek out a loud moan as your orgasm rolls through your body. You fall forward into Sanji’s neck and stop your movements as the spasms slow down. Sanji picks up the slack and pumps his hips upwards into yours, finally able to let go. 

“Fuck, love, I’m cumming!” Sanji slams your hips down onto his and works his load deep into your cunt with a loud groan. 

After you both catch your breath from the intense love-making session you had just experienced in the dining room, you slide yourself off of Sanji’s cock and sit onto the seat next to him. You put your head on his shoulder, feeling exhausted. 

Sanji reached for his pack of cigarettes, desperately needing one after his climax. He finds the pack empty. He looks at all the money that is now rightfully yours on the table. 

“So…. I might need to borrow a little cash this week…” 

[fayesia]

haii >_< i just finished future man and i NEED an angry josh smut, any plot— doesnt matter, just a GOOD angst fuck!

a/n: Hello everyone!!! Just wanted to wish you all a happy new years✰. Lots more works to be written and posted in 2024. Thank you to everyone for all the support i’ve gotten after a few months of having this account and i can’t wait for you all to read and support my future works so thank u all again i love each and every one of you for the kindness and love i receive. Wishing you all the best for this year. ★Faye★

warnings: nsfw 18+, unprotected sex, creampie, pussy licking (josh is a munch), breast play?, rough sex, lmk if i missed anything!

Josh continuing button mashing away at his controller, you laid across his bed bored out of your mind with your head hanging off the edge watching him play. His focus fully set on the screen in front of him as he once again got beaten by the game.

A heavy sigh of annoyance came from his mouth, followed by a deep loud groan that left you rubbing your thighs together.

“Joshhh I’m bored, let’s do something fun”

“not right now ok, i’m not in the mood”

“pleaseeeee please please”

you whined again and again and in all fairness he had been playing for three hours straight, not even your phone could keep your attention as long as his game did.

Josh was like a bear and you were a human prodding him with a stick, the more you opened your mouth the more angry josh got. Until he finally had enough…a bear can only take so many pokes until it attacks.

Which is what he did, abruptly getting up from his gaming chair “you wanna have fun? fine let’s have fun” Josh took two strides towards his bed, halting in front of your head as you looked up at him. Paying close attention to his eyes roaming your body, coming to a quick halt at your thighs tightly crossed over one another. His once frowning mouth upturned into a slight smirk.

“so you want that kind of fun huh”

Leaning down over you Josh grabbed your face pulling you into a passionate kiss, his lips moulded perfectly with yours softly nipping your bottom one when pulling away. You brightly smiled up at him, pawing at the sides of his hips. “alright alright give me a second”

Unbuckling his belt he pulled down his pants along with his boxers, tugging up and down at his dick with his head titled back up to the ceiling, letting out another deep groan. He grabbed onto your chin, his fingers moved towards your lips entering your mouth as you stared up at him. Soon after Josh pushed his dick into your mouth, not even waiting for you to work your way around him but rather shoving himself in and out, his rage blocking that caring side of him.

Spit gathered around the sides of your mouth, a shiny layer coating his dick, the head of it rubbing against the back of your throat the deeper he forced his cock. The noises of Josh face fucking you along with his moans reverberated off the walls and the both of you were thankful that his parents had gone out for a date.

You felt your wetness pool in your panties and you could feel it between your thighs, Josh pulled up your shirt grabbing onto your breasts through your bra, the half lace cups barely surviving his aggressiveness revealing your breast in all their glory to him. He marvelled at the sight as it only spurred him to thrust harder into your mouth, tears were pouring down your face but you weren’t even in pain or hurt, rather you were so needy to have him inside of you.

His hips stuttered and he pulled away leaning over to kiss your swollen lips overworked from being wrapped around his thick dick. Making his way onto the bed he pulls your ankles, hovering over you as he grabs onto your breasts, softly kissing each of them and sucking at your hardening nipples. you know he’s gonna leave marks that’ll last for days with the way he treats them.

His actions only have you getting wetter as your hips thrust up to form any contact with him, something that doesn’t go unnoticed by Josh. He pauses what he was doing to your tits, his hands reaching behind you to unclip your bra as well as remove your shirt, leaving you in your skirt and underwear.

Making his way lower he removes your shoes and socks kissing from your ankles towards you inner thighs, nipping at your soft skin until he’s reaching the spot you ache for him the most. Pulling down your skirt he can now clearly see your choice of underwear today.

A cute pair of pink lace panties adorned with a little white bow at the front right above your pussy. You shy away from him realising he’s dressed in twice as much clothing as you.

“oh no you can’t back away from me now, not after all the pleading you were doing before.”

Removing his shirt he says “no take backs” and you know you’re fucking in for it today.

He grabs your legs repositioning you to lay on your back with you legs hanging off, your ass just resting on the edge of the bed. He kneels in front of you on the carpet running his hands up and down your legs teasing you. He rips your panties in half having had enough with your neediness today and you’re smart enough to know nows not the time to complain and he’ll buy you more anyways.

Your thoughts of lingerie shopping with Josh are long gone once his mouth makes contact with your pussy, fully latching onto you, his tongue ravaging every crevice and fold of you. Lips moving to wrap around your clit leaving you grasping harder onto his hair as your whines only increase the more he’s moaning into your pussy. This increase of vibrations in return causing so much more wetness to gush from your hole and onto his face.

He lifts himself off the ground and before you can even complain he grabs you pushing your legs up so your thighs are pressed against your chest accentuating your breast as they’re squeezed together, with his cock pounding hard and fast into you. The pain is easily replaced with the large amount of pleasure you’re feeling and the wetness of your pussy made it easier for him to enter you.

You moan out feeling every part of his cock rubbing against somewhere inside of you, trying your best to accomodate to the sudden intrusion. He feels your pussy wrapped around him, the base of his cock feeling you pussy tighten every time he’s fully deep in you, but this only spurs him on more. The desire to have you completely dumb and broken on his dick so that you don’t annoy him after he’s just lost at his game.

So that you can learn a fucking lesson.

That’s exactly what he plans to do and you already know it. Prepared for the way his dick continuously pounds harder and deeper into, the way one of his hands rubs at your clit while the other plays with your nipples increasing all of your body’s sensations, no matter how much you try to stop this stimulation he’s too strong. Not to mention the way his mouth is glued to yours, your lips moving against each other as you’re moaning continuously giving him the chance to slip his tongue between your lips and french kiss you. He knows his parents aren’t home but he doesn’t need the prudish neighbours snitching to them about the exploits you two get into (which they have before).

You can’t take it anymore, all the added stimulation has you dumb, completely dumb on Josh’ dick. His balls slap against the flesh of your ass, heavy with his cum and he knows as he feels you tighten again around him that he’s getting close just like you. His hand on your breast moves to hold your wrist above your head which had begun to annoy him as they tried to push his hand off your clit.

“yeah just a bit more baby just like that, fuck your so fucking tight around my dick, tryna suffocate me huh”

“please mmnh please josh i’m gonna fuckin cum please let me cum”

and that he did.

“let go for me come on this dick, wanna fill you up have you dripping with my cum all night bet you’d like that ye baby”

You moan louder and louder until your mouth is open in a silent scream and you’re coming around his dick, liquid running down his cock and as your pussy keeps milking him he too lets go.

With a deep thrust he fills you up with his load, spurts of cum entering your pussy and as he pulls out he releases a bit more onto the outside of your pussy, painting a pretty picture with the tip of his dick and his cum.

~unedited~

[bluedragonfairy2000]

Wild life was something!

I’m going to do my own take on the celestial poem. I don’t fully expect anyone to take it seriously but feel free to read over if you want!

Spoilers ahead!

Ok so first off congrats to Joel for winning! I know it probably been spoiled to death by this point but I’m going to be courteous to the people on my blog who don’t already know.

Secondly my take on the celestial is that the later winner are no longer celestial bodies. They represent something else entirely.

The first five:

The Sun (grian), The Stars (Scott), The Moon (Pearl), and Mars (Martyn). Then their is our home the Earth (Scar)

After that we have the explorer (Cleo) and their vessel (Joel).

Now Joel’s is easy to explain, everyone is equating him to his Car since it was such a big part of his series and it feels disingenuous to separate them, hence the vessel, which could be a car or a spaceship, which is exactly how Tango described Joel’s car the first time he saw it.

As for Cleo this one is a bit more nuisances. It feels like most people just write her off or equate her celestial body to something small like Pluto. However, I think we can definitely do something more profound with her.

Due to how off the Real Life series was, what with it’s VR aspects, short run time, and big players like grian being out quickly (first in this case. It almost feels like Real Life is an outlier. Almost like it was the first attempt that Grian did to try and separate the life series from the watchers. First by removing all traces of their powers in real life, and then exerting his own control over the narrative in Wild Life.

For this he was punished, in real life he was killed off first, and in Wild Life he not only had his window curse reaffirmed but they kept the canary around just because they knew it would bug him (P.S this is a joke, Jimmy did real well and I am proud of him. He might have possibly won if he didn’t have grian plotting to kill him)

So for all of the watcher series their an air of finality and their winners get celestial body names. Third life: Sun, Last Life: Stars, Double Life: Moon, Limited Life: Moon.

The only one that feels like it doesn’t fit this trend is secret life, but I think it still counts because it was clearly the series that the watchers partook in a more active role. And the odd series name mixed with the celestial body contagions shows that it a turning point for the series. The watchers and Grian are battling for who has control over this series. As the watchers make the tasks but it Grian’s job to check them and implement them. This is when he realizes he can make the rules now and he no longer at the mere whim of the game.

Thus his games have strange titles Real life, and Wild life. And his winners had names befitting of those from the outside coming in and taking over the watchers galaxy. Joel is the spaceship (Car) and Cleo is the Astronaut (or wander or explorer, whichever you prefer)

They are an astronaut because they are sometimes that is gone in the blink of an eye, just like a human is to the universe, they feel and act out everything they do, and in the end while their life was short they made a major impact on the universe they were in, even if no one knows it yet.

That my take on it at least, if you guys prefer celestial bodies then Cleo can be a comet, here for a short time but going out in a blaze of glory, and Joel can be Pluto, because Pluto is a very memorable planet and I doubt any of us will forget Wild Life any time soon. It has a chaotic orbit, which fits the theme, and it small which both thematically matches his mane and he one of the few people who the crew makes short jokes about.

[oh-no-its-bird]

Dungeon Meshi Naruto founders AU

I want either Madara or Izuna as Falin. Thematically I think Izuna would fit best, but I kind of just wanna see chimera Madara more than Izuna. Also like, smthn smthn Madara's falcons smthn smthn bird boy,,,

Very torn between Tobirama being stand in for Marcille or for Thistle. Bc like, dungeon lord Tobirama with his chimera Madara goes so hard

Then again it's not like I have to do a 1 to 1 crossover, so. We can totally just work off of the setting and basic premise of "Oh no one of the party members got got by the dungeon and we have to go back for them" then do our own thing from there

OK SO DUNGEON MESHI AU WERE DOING THIS FR NOW LETS GO

(Note; Ive only watched the anime, so while I have seen a lot of different spoilers for the manga my knowledge plot wise p much ends w season 1)

The party;

Elf Hashirama as healer and plant magic guy

Half elf Tobirama as a heavy hitting mage

Tallman Madara on the physical front as their tank

Tallman Izuna as their secondary physical fighter who plays as a mixed support / dmg depending on the situation and what Madara needs most atm

Touka, undecided on race, similar dmg + support build to Izuna, also dabbles in rogue stuff

Hikaku, also undecided on race, party rogue / jack of all trades and armed with a crossbow

Ok so, Madara gets eaten by a red dragon right as one of the partys magic users (Hashi and Tobi) are using that return spell to go back to the surface

They wake up and Izuna is immediatley like "What the fuck happened to my brother"

Argument ensues! Hashirama and Izuna want to go back for Madara in the very rare case that he may be revivable. Tobirama and Touka thinks he's fucked and they should cut their losses here. Hikaku is somewhere between both parties but his loyalty to Madara wins out and he sides with Hashi and Izuna despite internally agreeing w Tobirama and Touka that it's probably too late.

They go back in and adventures happen!!

The whole time they're going down, Tobirama is grumbling about Madara and how this is doomed and the man is probably dead and blah blah blah. Finally Izuna snaps and yells at him ab why he's even here then, and Tobirama honestly doesn't even know why himself. He just goes dead quiet and has no real response, which satisfies Izuna

Queue internal conflict on Tobirama's part, who largley stops complaining ab their adventure from here on out as he asks himself that same question, then decides to fully commit to the party's goal.

Anyways, continuing on and !!! They find Madara !!! Only oh no he's a pile of fuckin bones!!

Tobirama, again, now fully committed to this shit, is like "I did NOT come this fucking far to turn back now" and breaks out the black magic.

P much everyone is on board with this except maybe Hashirama. Maybe we can have some fun plays with how he's like all about life and nature and ooo leafy elf man or whatever vs Tobirama's blasphemy against life itself necromancy jam

So they bring Madara back with the dragon meet and the power of Tobirama's undying spite, yay !!!

Madara is very confused at all of this, and very out of it. By the time he's started to really come back to himself dinner is over and they're all quietly laying in their bedrolls

I want a quiet confrontation between Madara and Tobirama when everyone's gone to bed. Madara needs some air and finds Tobirama by the seals used to bring him back to life. Madara says that it's not that he's ungrateful, but he is very, very confused at why Tobirama did this. Not only breaking several taboos and laws but doing it for him. Madara didn't even think Tobirama liked him, so why...?

Tobirama scoffs and says not to flatter himself, this was a choice he made for himself, not Madara

They hold very prolonged, silent eye contact surrounded by the blood and bones of the dragon. It's kind of gay.

Izuna appears to break up the staring competition with a well timed "What the fuck are you guys doing" (they'll just have to resume the staring contest later)

They go back to bed fr this time but just like in canon, Madara is woken up by the call of the dungeon master

Enter the mad mage; Mito

Instead of being the brother of the king of the golden kingdom she was instead the wife.

Oh right and the king was a little guy you may know of by the name Ashura. Which brings us a new oh no bc Hashirama is totally that guy's reincarnation and the second Mito lays eyes on him she loses it

But that's not for a little bit. Bc in this first confrontation, Hashirama gets to be conviniently absent till after Mito leaves (and Mito can only recognize him if she sees him in person bc I say so)

So Mito and Tobirama have a super cool mage battle as Izuna tries to shake a non responsive Madara back to himself. Good attempt, doesn't work tho sorry Izuna

Stuff happens, Madara and Mito fuck off, and the party is left back at square 1.

Madaraless :(

So the adventure continues!!

We get Kagami as Izutsumi to be our parties ninja cat boy (Kagami my beloved son,,) which is also extra fun if we wanna play into the parallels of Marcille trying to mom/big sister Izutsumi and Tobirama doing the same to Kagami (Kagami is soaking in the attention he is having a great time rn)

Stuff happens, chimera Madara appears, more adventures happen blah blah blah

Tobirama becomes new dungeon lord and bc I have no idea what goes on from dungeon meshi canon from there I'm just gonna leave that here.

Dungeon lord Tobirama and his pet chimera Madara he's trying to return human tho, that fucks so hard. Even once Madara is human again he still has all those cute feathers like Falin which I think suits him. When he gets all flaily and embaressaed now his feathers can fluff up with his hair too

Anyways, alternative kind of bad end where Izuna was the one who got turned into a chimera and we get definatley not brainwashed guys I promise toxic hashiizumito (Mito is living her best life with her reincarnated Not Kidnapped husband and Not Brainwashed pet chimera)

[spotsandsocks]

20 Questions for Fic Writers

Tagged by @tizniz @diazsdimples @wikiangela @hippolotamus @bi-buckrights @exhuastedpigeon Thank you lovelies 💖

How many works do you have on ao3?

89 that’s not too shabby is it. Three years of writing this summer.

What's your total ao3 word count?

902,255 that is quite a few words isn’t it.

What fandoms do you write for?

911

Top five fics by kudos:

If You Break It 3.2k Chris overhears a something and gets upset, then he tells Buck who gets upset too.

They say the Truth will set you free 2.3K Buck get a dose of something at work and gets emotional and chatty

Could Have Should Have Would Have 3.2k an unexpected“I love you” but it’s too late. Isn’t it?

Just Ask 1.7K Eddie's having thoughts, he wants to touch. Buck's ok with that, all Eddie has to do is ask.

Looking from the outside 2.4K TWhat happens when everyone you meet thinks you’re married to your perfectly platonic best friend. Most of these are quite old now, I think I’ve written some just as good or even better but fics don’t seem to get as much kudos these days

Do you respond to comments?

yes everyone is really important to me

What is the fic you wrote with the angstiest ending?

No fics really end angsty round here but this one’s pretty emotional along the way.

Alone With Your Thoughts Buck gets very badly hurt (for plot reasons) and trying hard to stay alive he realises he’s not as alone as he thought.

What's the fic you wrote with the happiest ending?

See above! All happy can’t choose the happiest.

Do you get hate on fics?

Not yet- think I’m too small to get noticed maybe!

Do you write smut?

Um yes I certainly do 😏 and quite well I like to think 😉 in fact an example will be popping along in FIF shortly

Craziest crossover:

Nope - now AUs is a different story

Have you ever had a fic stolen?

Not that I know of! Can’t imagine anyone noticing my fics enough to steal them

Have you ever had a fic translate

Someone asked to once but who knows!

Have you ever cowritten a fic before?

Nope

All time favourite ship?

Gotta be buddie hasnt it. They just inspire me

What's a wip you want to finish but doubt you ever will?

All of my wips languish right now and are crying out for attention but I fully intend to finish them all. I do!

What are your writing strengths?

Not sure?! I think my more canon style fics are quite consistent with the characters in the show. Think that I’m pretty good with a complicated plot but you tell me?? I like the way I can wrap a bit of humor around the more tense bits too.

What are your writing weaknesses?

Long sentences? An over enthusiasm for the comma? Too long? Poor tagging?

Thoughts on dialogue in another language?

Maybe controversial but I’m not a huge fan of eddie using Spanish terms of endearment in fics. If he ever does it in show I’ll feel better about it, but it doesn’t actually feel very him, apart from that I don’t mind

First fandom you wrote in?

911

Favourite fic you've written?

How can I chose!! But these old chestnuts I’ve gone on about before but I, very proud of them actually

The Lost and The Found werewolf/shifter au

Good Knight Sweet Prince Prince/knight au

Tied To You From The Start smutty paranormal shenanigans

And obviously dragonriders au… see FIF post shortly

Thanks for tags you lovely lovely people you’re all so so talented I adore you you make my days so much brighter ☀️💜☀️

@rogerzsteven @hoodie-buck @thekristen999 @loserdiaz @weewootruck

@shipperqueen6 @stagefoureddiediaz @underwaterninja13 @steadfastsaturnsrings @daffi-990

@bidisasterevankinard @bekkachaos @elvensorceress @rainbow-nerdss @honestlydarkprincess

@saybiwithme @loveyouanyway @lover-of-mine @watchyourbuck @jesuisici33

@monsterrae1 @eddiebabygirldiaz @shortsighted-owl @fiona-fififi @the-likesofus