#oil on velvet
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J. Louis, “Niagara”, 2020, oil on cradled panel. American, b. 1992.
#j. louis#niagara#2020#oil on cradled panel#american artist#oil painting#painting#art#black#long#wavy hair#hair#woman#portrait#red#velvet#background#realism#figurative art#contemporary art#american art
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Charlotte Vignon (French, c.1639-c.1685) Peaches and grapes on a table draped with a red velvet cloth, n.d.
#Charlotte Vignon#French art#French#France#1600s#peaches and grapes on a table draped with a red velvet cloth#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#still life#peaches
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Grand Duke Leopold II of Tuscany (1797-1870)
Artist: Ferdinand Georg Waldmüller (Austrian, 1793-1865)
Date: 1833
Medium: Oil on canvas
Collection: Kunsthistorisches Museum Vienna, Austria
Leopold II, Grand Duke of Tuscany
Leopold II[nb 1] (3 October 1797 – 29 January 1870) was Grand Duke of Tuscany from 1824 to 1859. He married twice; first to Maria Anna of Saxony, and after her death in 1832, to Maria Antonia of the Two-Sicilies. By the latter, he begat his eventual successor, Ferdinand. Leopold was recognised contemporarily as a liberal monarch, authorising the Tuscan Constitution of 1848, and allowing a degree of press freedom.
The Grand Duke was deposed briefly by a provisional government in 1849, only to be restored the same year with the assistance of Austrian troops, who occupied the state until 1855. Leopold attempted a policy of neutrality with regard to the Second Italian War of Independence but was expelled by a bloodless coup on 27 April 1859, just before the beginning of the war. The Grand Ducal family left for Bologna, papal territory since the Congress of Vienna.
Tuscany was occupied by soldiers of Victor Emmanuel II of Sardinia for the duration of the conflict. The Armistice of Villafranca, agreed to between Napoleon III of France and Franz Joseph I of Austria on 11 July, provided for the return of the Lorraines to Florence, but Leopold himself was considered too unpopular to be accepted, and on 21 July 1859, he abdicated the throne in favour of his son, Ferdinand. Ferdinand was not, however, any more acceptable to the revolutionaries in control of Florence, and his accession was not proclaimed. Instead, the provisional government proclaimed the deposition of the House of Habsburg (16 August).
#portrait#painting#oil on canvas#man#standing#full length#armour#leopold ii of tuscany#italian culture#velvet cape#royal crown#table#sword#helmet#velvet#italian history#grand duke leopold ii#ferdinand georg waldmüller#austrian painter#fine art#19th century painting#european art#artwork
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okay his outfit has really been bothering me for absolutely ages so here. bastard man.
#warhammer rogue trader#pasqal haneumann#pasqal rogue trader#when i say its been bothering me. know i am too well informed about fabrics and sewing#so i need it to make sense. it cannot be one layer it just doesnt make sense#and [youre seeing my madness now] it SEVERELY bothers me when tech priests dont wear canvas or leather#i am sorry they are NOT going around in lightweight cotton. and have you seen how much oil stains they do not wear velvet or silk either#most insane hc ever: i dont think theyve reinvented polyester yet in 40k. i just cant see it#its like any other oddly specific fabric lost through time#archaeotech yet to be figured out..........#anyway pasqal wears thick leather abel wears stiff canvas thats worn out through the years to be softer
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Lady Playing a Lute in an Interior
Artist: Eglon van der Neer (Dutch, 1634/36-1703)
Date: 1675
Medium: Oil on panel
Collection: The Leiden Collection, New York City, NY, United States
Description
Eglon van der Neer’s musician presents an elegant figure as she sits before stately architecture touched with gilt and partly masked by a swag of heavy curtain. She rests her elbow on a velvet-draped table crammed with costly objects, including a book of tablature, a flute, a rumpled satin cloth, a silver ewer, a marble (?) statue of a putto, and an open jewel casket. The woman herself is no less opulently packaged: she wears a fur-trimmed crimson house jacket over a shimmering white satin skirt and a bodice stiff with gold brocade. Emerging from the garments like Venus rising from the surf, the iridescent flesh of her plump arms and inviting décolletage is accentuated by the delicate frill of a white chemise. The young musician’s downcast gaze as she quietly listens to the sounds of her instrument help create the painting’s reflective mood and engaging character.
Taking full advantage of his meticulous technique, Van der Neer has carefully calculated every aspect of the painting to entice the senses of touch, sight and sound, and in so doing, to emphasize the inherent sensuality of the image itself. The deliberate juxtaposition of so many luxurious surface textures prompts admiration of the artist’s skill, and the accuracy of the illusion allows the viewer to dwell on the pleasurable aesthetic and sensorial qualities of the actual objects.5 Nowhere is this more seductively presented than in Van der Neer’s rendering of the woman’s soft flesh: in visually “touching” her flesh (as well as the other objects in the painting), we are led to consider the touch of her fingers upon the strings of the lute. We imagine the sweet sounds produced by her playing, which prompts us to summon pleasant recollections of our own musical experiences. The reverse is also true, of course: seeing her fingers dance across the lute strings prompts us to imagine our own fingers testing surfaces and textures so meticulously and sensually presented.
#painting#genre art#lute player#woman#music#musician#sitting#curtain#interior#statue#velvet draped table#book#flute#satin cloth#jewel casket#oil on canvas#fine art#eglon van der neer#dutch painter#dutch art#artwork#17th century painting#european art#dutch culture
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Woks of Life Spicy Beef Salad with garlic fried rice, sautéed sweet peppers, and fresh cherry tomatoes
#didn’t have time to partially freeze the steak so it wasn’t sliced as thin as the recipe but still great#loved the velveting + blanch method. usually i need some crisp in my meat but it was sooo tender i really liked it#doubled the marinade and sauce and served with a friend’s homemade chili oil#definitely a do again#food
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She Wore Blue Velvet...Bluer than velvet was the night...Softer than satin was the light...
Visiting dress • c. 1883
Navy blue velvet two-piece dress • Velvet and silk satin bodice • Pearl buttons and hooks and eyes • Decorative bead-work • Swagged fabric in the front • Interior bustle • 1881
Auguste Toulmouche (French, 1829-1890) • La Robe Bleu • c. 1870
#fashion history#antique dresses#1880s fashion#victorian women's fashion#blue velvet#silk velvet#beautiful old dresses#the resplendent outfit#auguste toulmouche#art history#19th century european art#19th century fashion#french artist#oil painting#painting
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oil painting wip
of my girl yeri
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I would like this
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In case you didn’t know I really love “Cemetery Man” aka “Dellamorte Dellamore” (1994)🪦Shoes New Rock, dress & blouse thrifted, coffin earrings by The Deadly Stake, oil painted pendant of She and digitally painted back patches by me ⚰️ Haven’t modded a vest in a while but these gorgeous pins on the lapels from Severin’s fancy new release inspired me.
#ootd#punk vest#cemetery man#dellamorte dellamore#michele soavi#diy projects#velvet dress#new rock#the deadly stake#bone rosary#Italian horror#oil painted pendant
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european divorce by josey kidd-crowe, 2019, oil & acrylic on linen + cotton + canvas & flocking velvet, 129 × 159 centimeters
#josey kidd-crowe#australian art#painting#oil painting#acrylic painting#velvet#flocking velvet#city#2010s
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The Coronation of Quintana
Artist: Louis Lopez Piquer (Spanish, 1802-1865)
Date: 1859
Medium: Oil on canvas
Collection: Museo del Prado, Madrid, Spain
Description
The work represents Manuel José Quintana (Madrid, 11.4.1772-Madrid, 11.3.1857), politician, poet, playwright and tutor of Queen Isabel II, on the day of his coronation as an illustrious poet (25.3.1855) in the Senate chamber.
#painting#spanish history#coronation#manuel jose quintana#oil on canvas#fine art#spanish politician#spanish poet#queen isabel ii#senate chamber#illustrious poet#royal throne#men#women#steps#velvet#drapery#balcony#louis lopez piquer#spanish painter#spanish culture#19th century painting#artwork#european art#museo del praod
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Fabric Details from The Execution of Lady Jane Grey (1833, oil on canvas) | Paul Delaroche
#art#oil painting#fine art#19th century#detail#fabric#the execution of lady jane grey#paul delaroche#painting#aesthetic#dark#silk#fur#velvet
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Pot Pourri
Artist: John Everett Millais (English, 1829-1896)
Date: 19th century
Medium: Oil on canvas
#painting#oil on canvas#girls#costume#flowers#potpourri#genre art#pre raphaelite brotherhood#john everett millais#english painter#english art#19th century painting#european art#artwork#velvet#couch#lace#pearls#velvet dress#basket#aesthetic#european
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Oil on black velvet painting test based on this digital illustration!
I've been fascinated with black velvet painting since playing through the level inspired by this artform in Psychonauts. As a video game artist I think its status as "not-art" or "lowbrow" or "kitschy" speak to me, also, but those thoughts are very big and unsexy and i have no braincells left from sniffing too much paint solvent
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New piece finished ! Purple velvet plant. This was not easy lol.
#digital art#oil painting#purple velvet plant#botanical art#nature inspired#artistic expression#canadian artist#ottawa art#artistic journey#creative process#artistic challenges#artistic inspiration#art community
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