#oh god my keyboard aint keyboarding
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eliduck · 1 month ago
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can we get some uhh umm uhhh
rainworld :3?
Oleajs. :3?
slugcar
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okay I kinda wanna give Rainworld a try ngl I'm a bit tempted
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scentofhydrangea · 7 days ago
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reverting back to my frat president luigi and frat sweetheart reader thoughts today, oh god😅😅
warnings cheating (from both parties), SMUT, luigi is mouthy, AND AN ASSHOLE, reader is kinda mean, praise, luigi is the pussy eating king™️!, only going as far as fingering + head cuz he and reader are a little drunk…
a/n initially started to distract myself from today but then got carried away and kept going :) i was listening to draco by future when i got inspo for this! you aint neva eva gettin yo bitch back 😋 not 100% lore accurate obviously
with one week before spring break, students at upenn are on a collective bender — barhopping, each frat taking turns hosting parties, and professors sending angry emails to the dean of students. tonight, phi psi was in charge of hosting.
you and the other phi psi sweethearts, emilia and halley, were up and at the house by noon to start preparing! with some light conversation, boys started to make their way downstairs for afternoon classes or brunch. you three had already told them you weren’t cooking this week, so they can fend for themselves!
as the night approached, you had made around 200 jello shots and rounded up various types of cheap beer for the night. halley and emilia went to their own dorms to get ready; you stayed at the house to do your hair and makeup there.
brothers started making their way back to the house with takeout and more alcohol, some of the more helpful brothers bought decorations. one person you hadn’t seen at all that day was luigi — which didn’t shock you at all. he had gotten into a nasty fight with his girlfriend at sigma chi’s party last night, and you heard all about it from his best friend patrick earlier today.
“yeah, i mean he was trying to get her to go home without him and she knew what that meant. he got really mad at her and was telling her that she’s not his mom and that he’s a, and i quote, ‘grown ass man’ who can ‘do what he wants’. she was so fucking mad. she left him there anyway so i don’t really see why they argued,” he recounted with all the right gestures and mannerisms luigi would use.
he surely had to make some kind of appearance tonight, though, he was the president of the frat. the pledge master had already been bothering him today and by the time you came out of the bathroom from getting yourself ready he was the talk of the house.
“yo, where’s luigi?” brendan called out to you when you walked through the living room to sort through the bag of decorations that others had brought.
you shrugged and wrinkled your face up. “i know as much as you do,” you lie. you know he’s in his room.
“you guys are kinda,” he raises his right hand to show crossed fingers, “like, tight?”
you scoffed vehemently. “he wishes.”
three or four brothers set up the big standing speakers around corners of the house. people weren’t going to start showing up until around 10-11pm, so you have about an hour before girls trickle in.
your boyfriend was pissed that you were required to attend this, although it confused you since you had been to other parties this week. a feisty text notification buzzes in your pocket:
Don’t call me later tonight and ask me for a ride to your apartment. I’m not attempting to get through the storm of sweaty tech assholes to pull you out of that slut house.
Go ahead and make plans to stay somewhere else.
scoffing again, your thumbs fired across the keyboard.
i wasn’t going to ask you to, i’m gonna crash at halley’s. i already told you that
have fun alone tonight miss you love you
you end the short string of texts peacefully, though you really didn’t feel like being nice and pleasing him with a ‘love you’. the phone falls back into your jean miniskirt pocket and within minutes, your boyfriend is completely off your mind.
it’s a little silly that you’re still together even if he’s mean to you and so easy for you to forget about. you think about breaking up with him a lot, but you don’t want to have to embarrass yourself by telling people that you put up with it. you hope he just breaks up with you instead.
as you added finishing touches to the downstairs, familiar large footsteps thump down the steps. various ‘ayyyyy’’s and ‘there he is!’’s erupt from a crowd of fifteen or so boys clapping. you turn your head to see luigi, wearing an unzipped pullover on top of a white golf polo — he doesn’t even golf! — and khakis. he’s not one for fashion.
he says hello and apologizes for his disappearance, then makes his way into the kitchen, devouring a chipotle bowl that someone got and saved for him. luigi saunters back up the steps and goes into his room with a not-so-gentle closing of the door.
that tells you all you need to know — he’s moody and likely will be for the rest of the night.
an hour or two later, you manage to see him again! he’s drinking and talking to a few girls with two brothers around him. bodies are packed tightly in here; phi psi is known for the second-best parties in all of upenn greek life. his girlfriend was apparently denied at the door. you thought it was bold she even decided to show up.
as you’re having a drink and chatting with your friend, you smell the prominent cologne envelope your senses. you know that scent anywhere. you whip your head around and meet luigi’s gaze, and he must have been trying to speak into your ear over the bumping music because he’s leaned down, only a few inches from your face.
he seems shocked for a second, like a deer in headlights, like a toddler getting caught with the candy jar. luigi scans around your face as well, mentally noticing that the dark pink lipgloss you were wearing earlier was fading.
“where’s your boyfriend?” he asks, speaking loudly through the music.
“where’s your girlfriend?” you tease back with an easy smile.
he looks around, hesitating before speaking. “i don’t really wanna talk about her. i’m guessing you heard what happened last night?”
“everyone’s talking about it, gi,” you turn around, initially to introduce your friend to him, but your friend is gone. she’s teetered away across the room, talking to another brother. you turn back to luigi.
“what are you drinking?” he asks, looking down at your cup as if you didn’t know what he was talking about.
“i don’t know. my friend fixed it for me. whoever bought liquor is my new best friend,” you joke, placing your hand on his bicep.
oh god. he really is as buff as he looks.
“i may or may not have sent out an order for real liquor,” luigi chuckles with a faux sheepishness. “i can’t stand all the warm beer sometimes. shots just get the job done, and some people like cocktails.”
“have you ever had jungle juice?”
a confused look takes over his previously calm expression. “is that some sort of fruity concoction that’ll put you in the hospital?”
“you’re overestimating my tolerance entirely,” you giggle. “if you make it right, it’s not bad.”
“that still doesn’t tell me what it is,” he speaks before you can get another sentence out.
“probably because i wasn’t done talking!” you fake scold. “it’s like orange juice and pineapple juice and hawaiian punch with everclear or vodka. you just have to be careful with it. it’s kinda famous for being roofied, but i’ve never been roofied and i used to drink it at frat parties.”
“why would i want to drink something that’s famous for being roofied?”
“it’s just a thing! i don’t know!”
you both chuckle and a song that you both like comes on. almost instantaneously, you both start singing loudly and off key right in each others faces. warmth spreads through your body and you’re sure it’s the alcohol, but his smile is just so wholesome and the way the only lights are from laser projectors and an led light strip on the ceiling just makes him look so different in some weird way.
you keep singing and dancing with him, both of your bodies getting sweaty and migrating closer and closer. soon, you’re chest to chest, and you already know that if you come back to the house tomorrow you’re going to be tortured by the rest of the brothers. by now it really doesn’t matter, you’re having a good time with the president of the frat!
“you’re beautiful,” luigi says just loudly enough for you to hear.
your heart sinks. “what?”
“you’re beautiful, [___]. i mean it.”
“you know i have a boyfriend,” you correct him.
“yeah, and i have a girlfriend. she’s a bitch, and your boyfriend is a fucking dick.”
you’re silent for a moment. “he’s just protec-”
“don’t fucking defend him, [___], he doesn’t deserve your attention and support. if you don’t like him, break up with him.”
“you’re so drunk, gi.”
“only a little,” he shrugs, his hand finding your waist again and roughly pressing his lips to yours.
you can’t even pull away, you just feel paralyzed. then your lips start to move against his and before you know it you’re nearly tongue kissing. you feel your panties dampen with need almost immediately. he whines deeply onto your lips and you pull away to breathe.
“people are going to notice,” you look around hastily.
“do you wanna go to the main floor?” he asks, knowing that his reputation as well as yours can be tarnished by a too big of a slip up.
you nod and he grabs your hand, leading you through the crowd as if you’re a frat virgin. he grunts a few rude “move”s and “‘scuse me”s. by the time he’s trudging up the steps with you, your heart starts to thump in your chest. you’re not going to the main floor, you’re going to his bedroom.
back up in luigi’s room, you’re realizing how drunk you are by the way there are no moving lasers to make you feel steady. you’re swaying a little and fall down onto his bed. you’ve been in this bedroom so many times, but it feels different being in here now.
he sits down next to you after locking the doors and windows — roof walkers are strangely common here. his lips smash against yours again, this time overpowering you with wet kisses. one of his hands is on the back of your head and the other is on your cheek, gingerly pulling you in.
“you smell so good,” he whispers, trailing his kisses down your neck and onto your collarbones. he inhales your perfume on your collarbones and nibbles at the soft skin of your upper chest, leaving little purplish-red marks to blossom. luigi works his way down and looks up at you to ask for consent with his eyes.
you nod approvingly, not knowing what you’re approving, just that you want him. he pushes your halter top up a bit, looking at you again for approval, and continues to pull your shirt off with your nod.
luigi’s mouth immediately attaches to your peaked nipple, swirling around it and suckling at the skin around your breasts to leave hickeys.
“not like your boyfriend’s gonna see. i know your sex life isn’t the best.”
you look at him, confused on how he’d know. you were friends, but you’ve never mentioned anything of the sort.
“girls don’t hang out with frat brothers that they aren’t dating every weekend if they have a happy sex life,” he states matter-of-factly, and it pisses you off in a way.
“she must not suck you off very well, then,” you retaliate.
“she doesn’t,” he shuts down your attempt at getting him back. “you just look like you could suck a dent out of a car door.”
“excuse you,” you roll your eyes, getting turned on by how he’s being mean. arousal and wetness seems to snap loose, rushing to your heat. you squirm in place and he notices.
“are you getting wet? poor girl,” he pulls you over onto his thigh by your waist with no strain, his biceps flexing. the only thing you can think of is getting put into a headlock. as soon as your bikini underwear meet his khaki pants, you’re pathetically grinding against his buff thigh.
“s’at feel good, hm? feels good to use my thigh?”
“mhm,” you whine, lying your forehead onto his shoulder.
“you wanna take your skirt off for me, baby?”
nodding, you pause for a moment to shimmy out of the jean miniskirt. as soon as you toss it onto the floor where your shirt lays crumpled to the ground, you go right back to riding his thigh.
the tent in his pants looks huge when you glance down, and you whine again. “lu…”
“hm? y’okay?”
“wanna fuck you..”
“oh, sweet girl,” he mutters, flipping you around and lying you down properly. he places his head at your thighs and gently kisses them. luigi looks to you for approval again, and with your impatient nod he pulls your underwear to the side, delving his tongue into your wet folds.
your hands knead his scalp with a gasp, almost like you’re guiding him through what he should be doing. “fuck, gigi, that’s so good!”
he lifts your thighs onto his shoulders, allowing his tongue to work through your folds with a rough gentleness. “you taste so good, sweetheart,” he huffs.
one of your hands releases from his hair and grips onto the bedsheets, pulling onto them for dear life as he relentlessly eats your pussy like a starved man. you’re quickly orgasming, gasping out his name like a prayer.
he doesn’t stop to let you catch your breath, though, he just keeps going.
“lu, stop, s’too good…”
“i bet he doesn’t eat you out like this, does he? does he know what he’s missing out on? hmm?” he replaces his tongue this time with his middle finger, sliding it up and down your folds to gather his own spit before plunging into your warm, soaked cunt.
he then adds another before attaching his wet lips to your clit, making out with your pussy like a long distance relationship reunion. “shit, luigi, i’m gonna cum again! j’st like that, yes!” you moan pornographically, grinding your clit down onto his mouth fervently.
“you’re so tight, pretty girl, squeezin’ my fingers so good. can he fuck you like this with just his fingers?” he prompts again with a hateful tone, getting angry at the thought that another guy can’t make you cum — it’s not like it’s even hard for luigi to get you to cum.
you shake your head. “no, he can’t. he barely ever fingers me — fuck!” you admit before he hits that spongy spot with his fingers, and immediately his assault on your cunt becomes absolutely relentless.
“just like that, please! fuck, oh my god, you’re the best!” you plead to him, feeling that cocky smirk against your clit.
“yeah? you’re so much better than her. fuck, i love this pussy.” he grumbles, shaking his head so his nose brushes against your clit over and over.
your hand grips at his scalp again, pulling his big nose to your clit harshly. “i’m gonna fucking cum, lu, you’re so good…” you trail off breathlessly, thighs beginning to shake.
“you got it, baby girl. go ahead and cum on my face. you deserve that, yeah? go ahead n’cum,” he instructs, fucking his clothed bulge into the mattress below him.
you follow his order with a loud yelp followed by a high pitched, drawn out moan and bucking your hips to his face. he groans deeply as you clamp onto his fingers, legs shaking violently against his head and thighs squeezing together to almost suffocate him in your pussy.
as you come down from the high, you’re embarrassed that he made you cum so easily. you look at him and realize once he sits back up to catch his breath that he came into his own pants.
he lays his head down onto your naked chest, comfortable in the domestic position. he can still smell your pretty perfume on your neck. after five or so minutes of cooling down and catching your breath, he looks at you softly — some kind of way you haven’t seen on him.
“what do you say we get you cleaned up, hm? you can stay right here in this bed with me if you don’t wanna go home after.”
you nod your head with a gentle smile. “yes, please!”
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chaos-chloe · 4 months ago
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The Great Gaming Fiasco
Summary: Grizzy rage, I think you already know this<3
TW: Established relationship, rage. anger, warzone moment, kissing, cursing and screaming, lmk if I missed anything
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This fateful night started like any other, with the trio gathering their keyboards, their spirits high and laughter echoing through the room. “Ready to beat some noobs?” Grizzy hollered as he loaded up the game, the anticipation crackling in the air like static electricity. The familiar battle sounds filled the room, and they dove into the chaos.
“Why doesn’t that work?!” Smii7y bellowed, fierce frustration spilling from his lips like a dragon's fire, slumping dramatically in his chair as his avatar met an untimely demise. He banged his hand on the desk with a sound akin to thunder.
“Ello Grizzy!” Puffer sang with a comedic flair as Grizzy was unexpectedly reincarnated, flinging his parachute in a desperate bid to return to the sky. But alas, the parachute refused to open—like a deflated balloon. Grizzy’s frustration spiraled as he began to rain blows on his keyboard, resulting in a dramatic self-kill that could only be described as tragicomic.
“WHY WOULD YOU KILL YOURSELF?” Puffer cried out, the desperation lacing his voice as if they were in a high-stakes war council. “I COULD’VE REZZED YOU! WHY?!” 
With a dramatic flourish, the keys rained down like confetti, creating a chaotic storm of letters and symbols — a keyboard glitter bomb exploded across his desk! Each key had its own story, its own mission to fulfill in the kingdom of Warzone, and now they lay shattered in despair.
The keyboard chaos continued, keycaps flying around Grizzy’s desk like tiny meteors in a galactic explosion of rage. The comical scene escalated, with Smii7y unable to stifle his laughter. “I think I need a new keyboard,” Grizzy declared with a resigned sigh echoing through the room, a solemn testament to his fiery spirit, as if he had just climbed Mount Doom only to find it was a mere hill.
“He just lost all his keycaps.” Smii7y said with a smirk growing on his face, while Grizzy fumed, the air tinged with both laughter and despair. “Oh my god” Puffer moans in emotional pain in the background. “Bro it aint working today.” Smii7y responded to Puffer's distress. “Nothing’s working.” Smii7y joked about how each bug felt like a monster stalking them in the night, ready to pounce at any awakening moment.
“I’m kicking over the key caps, I’ll clean that mess later.” Grizzy growled, “It's a problem for another day.
 “What do you mean mess?’ Puffer aspirated at Grizzy
“Wait, can you even use your keyboard? Did you go get a new one?” Puffer asked for content
“I got a new one- well i stole __’s” Grizzy responded “Ugh-let me straighten my desk” Puffer laughed at Grizzy’s misery. 
“Yeaahh” “What the fuck happend?” “What happened to you?” Smii7y and Puffer asked.
“The situation where you're gonna pull your parachute and it says “NO”” Grizzy explained as annoyance seeped through his voice. “Yeah! That literally just happened to me as well.” Smii7y agrees with Grizzy’s annoyance at the game with their bugs. They exchanged stories of their own gaming disasters, an unwritten pact of camaraderie knitting them closer amidst the chaos.
“Yeah so then I decided to slam my keyboard, which killed me, which made me even more angry. So I just clapped my keyboard together, ‘til everything came off.” Grizzy tells the replay of what just happened.
“Were you doing a last second one?” Smii7y asked. “Uhh-no i pressed it like 3 times before landing, it just didn't pull.” Grizzy answered with a slight tone. 
“Like right now.” Grizzy placed ___’s keyboard down with some force, as he was clenching and unclenching his fist, storming off, as the trio couldn't help but spiral into a cyclone of banter, laughing yet again at Grizzy’s misfortune. Grizzy stormed off out of frame towards his right office door which was left open. 
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In the midst of the laughter, the mood shifted. A loud crash resonated from Grizzy’s office, while I was in the kitchen. Quickly followed by a blood-curdling scream that sent shivers down their spines. 
“FUCK!!!”  Grizzy’s roar thundered through the house, slicing through the laughter like a lightning bolt, a haunting call of despair that made everyone freeze. After that there was an eerie unusual stillness lurking in the house. 
My skin jumped as his scream blared to life, roaring like a thousand ghosts at once, sending ice down my spine. I gasped in shock, my eyes popped open like saucers, my adrenaline rushing through my veins. In a flurry, I leapt out of my statue like a state.
With curiosity piqued, I tiptoed towards the scene, every step echoing with anticipation. Approaching cautiously, I soon found myself colliding with Grizzy, his frustration evident and his door hanging askew like a battle-worn shield, leaning on the doorframe. “Let me guess... warzone moment?” I quipped with a smirk, but concern laced my words like a thick fog that hung in the air.
“Yeah, I didn't know how else to take my rage out of my body, since I already broke my keyboard. I was most certainly not breaking your keyboard, yes I stole it after I broke mine. I knew how much time and money you spent on that keyboard.” Grizzy explained while I was giving him the “mom” look. As we stood there, I couldn’t help but chuckle. The chaos of gaming had turned into a comedic rendezvous, where gaming mishaps became fodder for laughter and camaraderie.
 “Well I appreciate  you not breaking mine, but now I have to fix your office door babe.” I say walking out his arms towards the closet of tools/storage that they have. 
As I set to fixing his door, the banter resumed. “Is it possible to rage hard enough to break a door?” I teased while wielding my tools. Grizzy sheepishly scratched his head, his triumph of rage slowly fading into recollection of the bond we all had. 
I heard Grizzy walk back into his office, as my hands were full of tools and glue so I could repair the holes in the wall. “I’m done, shut the fuck up. SHUT THE FUCK UP! I’m done, I’m done.” Grizzy repeated. “I just broke my door with my hands, now ___ is fixing it. I’m FUCKING DONE.” He screams in anger and slaps his hand on his desk.
“Sorry, baby, I'm not mad at you.” Grizzy apologized to me, as I was trying to make myself as small as possible. I was putting toothpicks and wood glue together in the holes, where the screws used to be. Grizzy ended the stream right after he apologized to me. 
“You’re fine babe, is there anyway you can get the sandpaper that i left on the counter. Also maybe the wirecutter in the tool box?” I asked him a favor, I felt my phone buzz in my butt pocket.
Hey ___ you okay? Grizzy okay? -Puffer
Yes we are both okay, he is calming down now as we are both putting the door back together. Try to tell, chat that too. You know how shit can spiral out of control. 
Will do, and okay we were just making sure
Its all good! I’m probably gonna make him, go get us food in a min
(read)
Moments passed as I tuckered away at the door, awaiting Grizzy’s emotional cooldown. “After all this fixing, how about a nice dinner?” I suggested with a smile, already picturing a delightful feast to reward ourselves after the wild night.
“C’mon babe, let's get your fine ass off the dirty floor and go find a nice restaurant.” Grizzy nodded enthusiastically, offering his hand to help me up, grinning ear-to-ear. As I stood up with his help, I gave him a kiss on the lips and started tugging him to the door, laughing together. 
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catz-dagger · 1 month ago
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Finnaly fucking got to Minos. Havent beaten him yet. Still shaking cause I just got off. The fog is coming...
Heres a list of things i said and thought!
-WHERE AM I
-WHERE IS HE
-WHY ARE WE SPINNING??
-STIP YELLING AT ME
-WHAT THE FUUUCJJJ
-MERCY MERCY MERCY- PLASE IM ON 1 HEAlT- FUUUCKK!!!
-HOLY SHIT THE FANDOM WAS NOT FUCKING KIDDING WHEN THEY SAID HE WAS H- IF YOU DONT SIT DTILL.
-this mf got adhd cause he cant NOT stay still
-sHIVER ME FUCKING TIMBERS!!!
-I CANT FEEL MY KEYBOARD-
-fucker made me forget how to weapon
-SCROLL FUCKING FASTER I NEED THE RAILCANNON
-DHIT WAIT THE RAILCANNON AINT EVEN DONT CHARGING
-this is fine.
-ghost vs robot, who wins.
-So im just permanently below 10 health, okay.
-I NEED YOUR BLOOD, COME HERE PLEASE-
-It just getss FuCKING WORSE!
-weakk. Thy end is now... judgemengfm...
-PLEASE. PLEASE STAY IN MY LINE OF SIGHT. PLEASE!
-can we go back to the flesh prison? At least I can see that one.
-YOU CAN DRAG ME IN THE AIR?!
-"fucker changed my zipcode" can apply here.
-AHAHA!!! LOW HEALTH FOR Y- whered you go.
-this has to be atleast 39 restarts jesus.
-i thought his prison was hard. This guy cant heal but his health bar is NOT going down.
-did the nerves in myfingers die yet?
-WHERES MY STAMINA WHSN I GOD DAMN NEED IT
-oh ahaha i always need it.right.
-its 12 am. I started this at 11. Its been almost 2 hours.
-should i go to sleep?
-PUSSY. dONT BACK DOWN NOW!!!!
-where is my REFUELING!?!?!?!?
-"go play christians things on sunday" me playing ultrakill gehehehehee
-and getting my ass beat.
-(and some more shit i was either paying too much attention to remember or my brain was just blank and full of hhhhhHHhhhHHhHHHGHHHhssbfbd)
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spotsupstuff · 2 years ago
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its in reference to the fact that eastern European languages are pretty much incomprehensible to American (latin or otherwise)
bc with western European languages that are still a lot of overlap due to the romans, i don't speak a lick of italian but i can get a few words here and there.
but with eastern europe? you could make a cohesive sentence or literally mash your keyboard and i wouldn't know the difference
OH! VLKMSDKLGMSDLKCMSDLGMKL YEAH I GUESS THATS A THING FOR YALL AINT IT
dude but legit listen, aight? as a slovak, i still use latin alphabet, yeah. but personally??? i feel Cheated out of my culture a tad cuz i'd dare to say that the proper slavic alphabet should be cyrilic (like yanno. azbuka. the thing Proper eastern slavs use. slovakia, czechia n poland classify as central EU places!!). i did learn cyrilic in school since we had three mandatory languages (slovak, english and russian/german- i went with russian) and it... idk, feels nice reading it. oh boy, if i pulled out Cyrilic on ya guys JLSDMKLSDMKMKLS now THOSE would be runes, alright, hah! CYrilic is our runes and i'm a sad bitter little gal.
i'm quite confident in that you could understand some of what i'd say in slovak, actually! especially since there's quite a few loanwords from english in the language nowadays. like. "kompletný", you could prolly guess it means "complete". oh but if i took out the cyrilic.........
dear god, but honestly just taking out whatever the living fuck Poland has going on is already some rune bullshit even to me. have you SEEN those nonsense letters, literally NO other slavic branch uses those, i have ABSOLUTELY no idea what the fuck happened to them to be Like That. Poland is built differently and i will respectfully driNK MY PIVO WITH NO DUMBASS WESTERN "W" IN IT THANK YOU VERY MUCH
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bluexiao · 3 years ago
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So i was recruited for a production and that basically means i’m probably gonna be busy til august 😌😷 full load courses/sched and a production amen to that
i’m still gonna be posting here tho but expect me to pop up pop out :) blue is going through aer college so pardon aer
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martysgachaworld · 3 years ago
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Ideas for The Mewtwo gang ad Vines :P
Ace: What was that noise outside?
Sapphire: There's a shooter outside, lock the door
Ace: A shooter?! *goes outside* I'M RIGHT HERE YOU MISSED!!!
Ocunan: Come in you idiot!!!
Ace: I'M RIGHT HERE YOU MISSED!!!
.
Martin: Look at the buns on that guy(Project) uvu
Ocunan: This is the comedy police, get in here-
Martin: I'M NOT GOING BACK TO JAIL!!! >:D
.
Ace(mental breakdown): Wow it's been a great day today...can't wait for tomorrow- *cries harder*
.
Ace: *sigh* I have no friends...
The others: He hem? B*tch what am I? A roach?
.
Martin: Hey bro, what do you want to eat?
Ocunan(One of his personalities): The souls of the innocents
Ocunan: A bagel :>
Ocunan(still one of his personalities): No!!!
Ocunan: 2 bagels uvu
.
Martin: Ladies and gentlemen welcome to T-T-T-T-T-T-T-T-Target~
.
Ace: how many cents do you have?
Sapphire: Erm...69 cents?
Ace: Oh, you know what that means? uvu
Sapphire: ...I don't have enough money for chicken nuggets T^T
.
Martin: Hurricane Katrina? More like Hurricane Tortilla uvu✨
.
Ace(that has been in the mental breakdown phase for 5 hours): Oh hi, thanks for checking in. I'm still a piece of garbage~
.
Sapphire: Why the dishes aren't in alphabetical order?!
Ocunan: ...what does that even mean?
.
Sapphire: Ace...please wake up...T^T
Ace: Five more minutes please... -^-
Sapphire: You passed out for 4 hours •,^,•
Ace: ...ok...two more minutes- •-•
.
Ocunan: I should have left you on the corner of that street where you were standing...
Martin: But you didn't uvu✨
.
Ace: I have no soul...have a nice day ^^
Project: I don't have one either -_-
Ace: XD
.
Ace(to Sapphire): I love you bitch, I aint stop loving you, bitch uvu💜✨
.
Project: Ocunan is so annoying (눈‸눈)
Ocunan: I heard you talking shit about me?
Project: WHAT THE FU-
.
Project: Ace has 19 bottles of dishsoap and he-
Martin: Wait- why does Ace have so many soap?
Ace: MIND YOUR BUISNESS BABY
.
Sapphire: DON'T F*CK WITH ME!!! I HAVE THE POWER OF GOD AND ANIME ON MY SIDE...AAAAAAAAAAAAAA
.
Sapphire: Hey let me see what you have
Ace: A KNIFE >:D
Ocunan: NO
.
Sapphire and Ace: *sitting in front of each other touching faces*
Martin: What the fuck? Is this allowed? WhAt ThE fAwK?
Sapphire: Stop ^^...
.
Ace(he is Asexual): is there anything better than pussy? yes a really good book *plays keyboard)
.
Ocunan: *shots on the celing*
Ace: ...THIS IS WHY PROJECT DOESN'T F**KING LOVE YOU
Ocunan: XD
.
.
All of the ocs are from different people :)
Ocunan and Martin are from @paradoxiusblack
Project is from @blueboymat
Sapphire is from @sapphirethefluffymewtwo
And then Ace is from me :)
P.S. I'm gonna add other vines in the future -v-👍🏼
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kittenwithaquirk · 5 years ago
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right, so the new bnha OVA. i was crying, laughing hysterically, and screeching with the volume of a deranged psycopath.
these children are innocent and deserve nothing less then the world.
and now that that’s out of the way, time to start the inhuman screeching over my favorite scenes. spoilers ahead, you’ve been warned.
first of all- denki kaminari is my all time favorite character and i would literally die for him. seeing said small child grab bakugo’s arm when scared is the one thing i’ve always wanted in life, but never knew until i saw it.
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peekaboo kami’s alive
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kiri protecc
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secondly, kaminari- panicking, in water? doesn’t sound like a good idea
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a l s o, bakugo staying behind to save todoroki? character development? nani?
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and then was the start of my inability to form a single coherent string of words. i chose instead to scream and make undecipherable keyboard smashes. 
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why does simply seeing this makes my heart rate accelerate to unhealthy proportions. 
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oops, my heart went 
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someone stop me before i give my heart to these fictional characters
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wait a second, holdup
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👏 Todoroki  👏 is  👏 holding  👏 Izuku  👏. i’ll be right back, i have to go scream into my pillow until my voicebox inevitably departs from me and my current state of giddy hysteria
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i swear to god when kaminari fell, the horror filled demonic yelling that escaped my soul was loud enough to cause a several dozen books be thrown at my paper thin skull.  
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👏 tsu  👏 best  👏 girl  👏
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poor traumatized child. someone hug him. he could have died.
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petition to stop traumatizing these innocent children
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can i make it clear that panicked todoroki hurts my soul
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fuck it. take my heart. add it to the collection of never ending love for these two.
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i stopped breathing oh so quickly. had i been drinking tea, it’d have been spewed halfway across the world. but i was not. nor would i have had the mental capacity to consciously do anything other than stare at my screen in utter horror. 
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also can i just say- the only way bakugo could’ve gotten out of that situation is if izuku heifted that whole freaking slab of debris while todoroki dragged him out from under it? right? am- am i wrong?
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breaking news: green haired broccoli child freaks out after childhood friend is crushed by debris. next up, number one school for heroics being sued for making it’s students fear their lives on a daily basis
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am i the only one that saw that coming? also, i fear for the condition of izuku’s face. bakugo seems to me to be a very hard headed person and he hit izuku’s nose hard.
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i worry about bakugo’s pain tolerance levels. the fact that he’s willing to w a l k despite his leg’s condition is just the slightest bit horrifying.
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his ‘feet just won’t do what he’s telling them to do’. don’t you think, considering this, bakugo, that you should try not to walk and aggravate your injury more so then you already have? 
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my neighbor requested the reason behind the sudden loud shattering of window panes that could be heard from across the street. my vocal chords are fucked.
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watch as i spend every remaining hour of my life rewatching this scene for the sake of my mental stability
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that moment when the two problem children begin to fight over bakugo’s arm-
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if it’s not one thing, it’s another. bakugo clearly has an inferiority complex, but there seems two people that are able to be able to talk him into ignoring it for the sake of his health. we all know who those two are, and i sure as hell aint gonna question it. 
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ah yes. be his cane. canes don’t talk. you had better be aware of that fact before attending your local cane convention.
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bakugo’s facial expressions are so hilarious i constantly find myself laughing manically whenever he is on the screen. am i the only one that does this?
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why were aizawa and recovery girl just watching and not h e l p i n g the bleeding child in front of them?! riddle me that, U.A.
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this two part episode summed up in one photo?
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sweatpeeee · 5 years ago
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Love potion AU
Part 1
Peter Parker x Reader
Words: 2k
Summary: Peter Parker, infatuated with an uninterested MJ, creates a liquid potion to have her fall in love with him, but what if the wrong person drinks it???
Warnings: lowkey angst, Peter is a desperate fool, Ned is a supportive friend and MJ is an absolute queen. 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
“Hey Pete-” You blush, books clutched between your arms. 
“Hey.” You notice Peter glancing behind you constantly, barely acknowledging your greeting. A forced thin tight smile replaces your shy smile, but soon recovers when you see Ned beside you, you give him a grin, readjusting your backpack strap, 
“Hey Ned, new hat?” You chuckle lightly at the boy with a red fedora sitting on top of his hair. 
“Why Hello, m’Lady, and yes- I do have a new hat in the collection.” He beamed, you laugh at his response, 
“Well it looks great on you-” 
“Hey, have you guys seen MJ? I haven’t seen her enter the school yet-” Peter interrupted your conversation with Ned, His eyes scanning the hallways and the entrance doors. 
“Peter, give it a rest- MJ made it quite obvious that she’s not interested in a relationship right now-” Ned seemed tired of constantly lecturing his friend about his crush on the girl, but that didn’t seem to stop him from ogling her from afar.
“Yeah- I know Ned, but maybe I can convince her to-” Ned was quick to shut that down, 
“Absolutely not- Peter, do you realize how insane that sounds?!” It sounded like Ned was about to patronize the boy some more before you decided you heard enough and walk away, sad and in a way- feeling a bit rejected. Although you did nothing that would cause you to become rejected, you felt like Peter rejected your presence in general. It’s not anything new, it’s not like it’s the first time either. You fell for Peter when you first met him, the boy was an absolute sweetheart, you had no idea why every girl wasn’t head over heels like you were. The kindest and most genuine smile you’ve ever seen resting upon his face with adoring puppy brown eyes. With a heavy heart you went to your first period class 10 minutes early. 
Ned finished his lesson with his friend, Peter grumbling under his breath- Ned spun around in your direction just to find that you weren't there, even glancing around hoping you haven’t left… again. Again and again, every day- you always left early and Ned noticed, he also noticed when Peter didn’t. Dejected, Ned sighs loudly before glaring at his best friend, 
“Well, are you happy?” He huffs
Peter cocks his head to the side, brows furrow, clearly puzzled, “About…?” 
Ned was getting frustrated, “Oh, you know- the fact that you’ve technically been a horrible friend and blatantly ignored Y/n’s existence.” 
“Y/n was here?” Ned reached over and slapped the back of Peter’s head. 
“Ow! What the hell Ned!” Peter rubbed the back of his head realising a groan. 
“You deserve that, and more-” Ned then turned on his heels and walked to his first period as soon as the bell rang, a slightly disoriented Peter ran after him, his curls bouncing along with his small jog,
“What? Why? Ned!... Wait- god, Ned! What does that mean?!” 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
*y/n*
“God, I don’t even know what to do anymore! It’s like- It’s like I don’t even exist! Not even as friends! He couldn’t even look me in the eyes! I’m not that ugly… am I? Maybe-” You lay on your bed with your legs up against the wall while a bit of your head peeks off the side. 
“Alright let me stop you right there.” Michelle interjected, looking up from her book and placing her book mark before shutting it closed, “You are not ugly- don’t ever second guess that, plus the fact that you question your value because of some boy is just plain stupid, I mean like, women have been subjected to a society where our beauty and our worth is determined by men, and that’s honestly disgusting, like who the hell do they think they are-”
“MJ~” you grumble, plopping a pillow on your face.
“Right right, my bad- point is, you’re a bad bitch- and no boy should make you feel like you’re less, I mean this is Peter we’re talking about right?” MJ reaches and nudges the pillow away from your grasp, hitting the ground with a soft thud, you nod in agreement, 
“That’s the thing MJ, like I understand I’m not supposed to let a boy make me feel less but when I look at him, it’s like the whole room lights up,” your hands flailing above you, occasionally tangling your fingers through your h/c hair, “and he has the most beaming smile and it just melts my heart, and I just can't keep that ‘I don’t give a fuck what you say’ attitude with him.” A smile creeps on your face a tthe thought of the adorable boy with the brown locks and puppy dog eyes, “I just wanna tell him that he’s the sweetest and he makes my knees go weak and my heart swoons and wants to jump out of my chest at the sight of his beautiful fucking face.” you finish with a sigh, as if you’d been holding that in all day, and you kind of were. 
“First of all, give me a second to hold back the urge to projectile vomit all over your room-” 
You let out a chuckle as you cover your face with your hands, your ears burning in embarrassment, “MJ, stoooop” Your hand’s muffling your words
“No seriously, that was the cheesiest thing I've ever heard in my life- did you rehearse that?” She laughs. You don’t reply to her question. 
“Y/n, tell me you don’t rehearse that in the mirror-” She gasps with a smile
“I mean sometimes-” Before you can finish, Michelle is bursting with laughter, your laugh shortly joins along. 
You adored these moments with your best friend, and you appreciated how forward and comfortable she got with you after a bit in your friendship, you guys were such great friends, anyone could see it. Not a lot of people saw this side of Michelle, the funny, goofy, and loving person you know now. You could understand why Peter fell in love with her, I mean not only does she have a great personality, but she is absolutely stunning as well without even trying, wearing no makeup and a simple jogger and t-shirt and she could be on the cover of Vogue. 
Michelle’s laughter died down, wiping her tears that were at the edge of her eyes, coughing a bit from the force her lungs gave out, “god, who is this girl Peter is so ‘In Love’ with, as you put it, anyways?” 
Your laughter died down, clearing your throat a bit, you sat up, your legs crossed beneath you, “um, well- it’s kinda hard to explain-” your eyes drop to your fingers that tug on your cuticles, a habit you had if you were nervous or anxious, Michelle notices, “Stop picking at your fingers, you know that they’ll bleed,” you jerk your fingers away and instead start playing with the loose strings from your socks, “and what's complicated about Peters crush?”  her eyes squint as if she’s trying to get into your head. 
“Well, i-it’s not that it’s complicated- it’s just, i dunno… I- “ your eyes are on your shirt, your teeth nibbling on your lower lip. 
“Y/n, would you quit stalling and just tell me?” MJ stands up and sits on the bed, shifting to lay her head on your lap, you softly chuckle at her antics and lightly slap her forehead, “God bless that forehead” you giggle as Michelle groans. 
“So?” her finger reaches up and boops your nose. Dejected you sigh. 
Might as well tell the truth, lying will just get me into more shit anyways. Besides, MJ’s my best friend, she deserves the truth. 
“Liz.” god, you felt like a dumbass. 
“Liz?” MJ cringes 
Alright, now’s your chance to come clean-
“Yup! I know right.” Your voice definitely went up a couple octaves, your palms instantly clamming up. 
“Huh, I guess that makes sense-” She shrugs
“Y-yeah, I definitely think so too... “ 
Makes sense?? What is that supposed to mean?? 
“No you don’t, listen- don’t stress about it. Liz has nothing on you, “ MJ smirks up at you, sitting up and placing her hands on her shoulders making you face her, “ You are stunning y/n, like genuinely- I’m not saying this because you’re my best friend- because you know that i’m brutally honest 24/7, i’m saying this because it’s true.” Your ears burn pink and you cast your gaze to the side, “Hey, look at me- I mean it. You are so beautiful, no matter what- all those imperfections? All those flaws? They are beautiful and they are real. They prove that you aren’t a fake ass bitch who replaced everything with plastic surgery, it means that you have flaws and that you love your own flaws. Ok? And if Peter can’t see your beauty while accepting your imperfections, then he's absolutely not worth your time.” Hearing MJ talk so highly of you made your eyes brim with tears, MJ smiles in adoration. 
You let out a choked up laugh “Thanks MJ” you sniffle
“Of course, y/n. And remember what I said about boys?” 
“Boys aint shit” You burst into giggles
“That’s right queen, and don’t you forget it-” She stands up and holds your hands in hers, dragging you to your feet, “Now let’s go get pizza or something- I’m starving.” she begins pulling you towards the door, You laugh once again and follow her out. 
*Peter* 
“It’s honestly incredible how he just suddenly comes back to life, I mean what a plot twist-” Ned was ranting about the End of Skywalker, Peter couldn’t bring himself to care honestly so focused on finding a way to make the girl of his dreams fall for him. Was he looking it up? Yes. Every wikipedia article, witchy craft site, fuckboy sites, everything. 
“Peter, are you even listening to me?” Ned sighs and puts on the spiderman mask.
“Sounds fantastic, ned.” a mumble leaves Peters lips as his fingers mindlessly tap at the keyboard for more results to his search. 
“See, that response right there doesn’t make sense. I mean I asked a yes or no question and you replied with ‘fantastic’-” 
“Woah. no way” Peter once again mindlessly interrupted his friend. 
“Oh for the love of god, Peter! Give it a rest bro! This is deadass everyday, like all you talk about is having her fall for you! Besides all those sites won't help, to make MJ fall for you would take some magical miracle!” Ned burst, feeling lightheaded. 
Finally Peter stops his rapid typing and spins to look at Ned, eye’s wide and his jaw to the floor, “Ned! You absolute genius!” Peter shoots up from his seat, grasping his coat and wallet as well as his house keys. 
“I’m- what is going on-” Ned removes the mask, confusion written all over his face. 
“Magic, Ned! Magic! I’ll be right back, dude- Bye!” and with that Peter left in search of a magical wizard. 
-----------------------------------------------------------------------------------
“No absolutely not.” Dr. Strange muttered as he read his book, probably a spiritual thing.
“Oh come on, Mr. Strange-” Peter pleaded, nearly pouting. 
“It’s Doctor Strange, and my answer is still no.” Dr. Strange stood up, his eyes glued to the book as he swirled his hands in a graceful motion to create a small table with more books and a glass of tea of which Dr. Strange takes a sip of before walking around some more. Peter right on his heels. 
“Look, all I’m asking is to have a small enchanting spell of some kind, or even a potion-” 
Finally Dr.Strange finally looks up from his book and turns towards the young spiderboy, “Peter, you do realize that you are asking me to enchant a human-” 
“Of course I know-” 
“No you don’t, you are tampering with the emotions of a human being. This could cause some real trauma to the one being enchanted. Are you aware of that?” Strange seemed to become frustrated with Peter’s persistence. 
“Well… I am now-” Peter’s gaze fell at his feet, fidgeting with his fingers, a habit he had when he was nervous, “Listen- I understand if you don’t want to help me, but all I want is some time. Just.. I dunno, a week- to prove that I can be the perfect boyfriend for her. I just want time to show her, and when the time runs out, if she’s still not interested, then I won’t insist. Please.” Peter’s soft brown eyes gazed up at the wizard, his pout showing itself. 
“Oh no… not the pout.” Dr.Strange groans, he rubs his eyes in frustration, inhaling deeply before muttering, “One week. No more than one week.” 
-----------------------------------------------------------------
And that concludes part one of my Love Potion AU series! thanks so much for reading- and i’m so sorry it took so long, like I said, I’m a HUGE procrastinator. Let me know if you’d like to be tagged or have any suggestions on how to improve my writing! Thanks Again and I hope you enjoy! 
@puremusicbeat-blog @halparkebitch @missmulti @everyoneyoulovedies @le-yona @universeoffandoms1 @writeroutoftime @bluelida
Ok just an FYI I tagged people who asked to be tagged AND people who voted on it, if you don’t want to be tagged, message me and I will remove you from the list! 
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sleepintro · 4 years ago
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16. What song did you last listen to?
34. What was the last dream you had?
36. Have you ever been admitted to a hospital?
(I might have messed up the numbers my keyboard's not working at all today so the copy paste thing aint working)
16. Ale Ale from the movie Boys (it's a pretty good song go check it your if you want to)
34. Um that would be the one where I was in a train with like a dozen family friends. We were all have food, a couple jokes were being cracked but there was also some kind of somber feeling and then suddenly the earth just.............. fell out of its axis? A lot of us were like "Oh my God, it's happening" and I was like "Finally. About time this happened" (look I had a feeling that this was gonna be to happen or something but I was also screaming so idek). After a couple minutes, the train just crashed and I got out it. For some reason, the train was rusted on the outside and the trees were all brown (as in not a single green leaf in sight) and it had vines(???). After a few minutes, I started crying?? because I'll never get to go to house again???? And then I woke up.
Idek okay? I have a history of weird dreams.
36. Nope, never
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nobody-knose--archive · 4 years ago
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well, today i figured i didn’t have anything better to do & liveblogged the pingry ep. it’s probably a better stepping stone further into the tally void than incomplete demos, coming right off of complete demos, at least.
-from what i know this one basically includes all the mmmm songs that weren't on complete demos (andrew singing ones wahoo) & the expected demos that didn't end up anywhere else + just a friend. i also believe this one was recorded similarly to complete demos so i really have no clue what to expect for taken for a ride's vocals. anyway here i go
-the bidding sounds impressively professional to start things off, but i suppose humming isn't a terribly complex technique anyway. the intro feels a little longer th
-whoah there if that aint a marked difference in audio quality here we go
-guitars also sound different & i don't remember if this album has steve or ross on it i now realize
-goodness the mixing is wonky for rob's segment. the backing vocals do not need to bounce between channels
-why do they have kinda weird voices for the chorus. sounds like they're trying an accent or something. i can barely recognize who's singing
-the keyboard backing in zubin's segment sounds the same as usual, as in, it sounds so stupidly similar to the questions answered backing music that i'm offended i couldn't pick up they're the same for so long
-less echo on disappear actually. at least they still had the brass section
-still a weird sound on the chorus but maybe i can chalk that up to different mixing & more red
-outro sounds not super different. still very good drumming on display which will give me the push i need to decide it's ross drumming
-however i don't hear him shouting out the auctioneer stuff, and given that it was presented as a video during the mmmm recording, i might assume it was done specially for the mmmm releases, so maybe he didn't drum for this album after all
-it does have a greater similarity to the live performances even if the keyboarding is using a different synth
-well now. that's a real piano
-and as any piano will be when played that low, it's out of tune. very
-and everyone's singing? i can't hear andy in the slightest. this is interesting
-i mean i can certainly hear him doing plenty on the piano. but. it's interesting
-i suppose given the ep's hallmanac description, as a compilation of acoustic/one-take recordings i shouldn't be surprised taken for a ride is this different. but boy is it jarring. sounds incredibly different without the heavy synthesizing and complementary instruments
-barebones certainly. not much more of a way to describe it. that's what i expected just not in this way. i like the sound of this bridge though
-do very much wish i could hear andrew's actual voice. even at acoustic live performances he would sing at the very least. then again, that was years later i suppose.
-and it's only now at the final chorus that i realize, somehow, this is a piano-only song. no guitar, no drums even. that's really interesting. even the album version had some drums & bass
-red's singing isn't as impressive here. not as many high notes. understandable. bitch
-different rhythm on the quick part! bet steve feels lucky he didn't have to drum this part although i am hearing some sort of. pants-slapping? now that would be a sight to behold irl
-and that's the end
-goodness. be born. considering how this song was always & every time performed acoustic live i really expect to hear nothing here i haven't from concert recordings
-we're missing whatever the hell that skittery little shaker is called. alas i am not a percussionist & do not know the name of every auxilliary instrument ever
-rippin it up on the melodica bay be. a suitable replacement for whistling considering that never was all that good live. nobody can compare to bora karaca at whistling
-there's extra bass harmonies on display here. swell
-also no percussion i'm realizing
-da-da-da!
-but yeah normally ross uses brushes on a box/seat drum (also don't know what that's called!) for some good gentle percussion & it's not here. really hoping this won't be a trend because i'm fond of drumming even if it's from stebev himself
-bah (chorus) bah
-wait a minute that's not a bah! that's a doo! big difference! what are you doing rob
-i can tell it's one-take because rob has to take a breath in the middle of that final long bah there
-ooh dropping off the guitar there real quick are you? and not even doing the full outro too. good way to spice things up at the end.
-honestly maybe the reason i & so many other th fans dislike be born so much isn't even the country sound and weird subject matter, it's the fact that this song lacks a whole lot of the variability that might separate it from other music. in the album versions there are violins/fiddles, and the live versions... don't have that. maybe some halfway decent whistling at best. it just is what it is. especially compared to the rest of mmmm- g&e could often be more faithfully recreated on stage, but mmmm got to mix things up most of the time, except for be born. food for thought
-anyway. of all the songs i would expect to be absolutely completely identical (other than be born) the whole world and you definitely takes the cake. a delightful song. i should listen to it more.
-but yeah it was a toy orchestra piece long before a tally hall piece, and toy orchestra was & is nothing but silly little live performances. how on earth could they make this one completely different
-other than. the "punk rehearsal" i've heard of from incomplete demos. that's just. a thing i think
-oh hold on i didn't even listen to the end of be born there was a tiny outro with chat at the end oh that's adorable
-hey i can hear andrew's voice! nice!
-starting off with a full ensemble vocals, all sorts of harmonies in action, and a normal piano instead of a toy piano, so already i'm being proven decently wrong on this song's inability to be greatly altered
-other than that. i kinda like how it sounds as if they're stumbling over their words at points
-boy has andrew's voice changed hasn't it. i know i haven't listened to the solo albums so i'm not exactly one to speak but he really developed his singing a lot over time
-clapping live & not in a studio sure sounds a lot worse, especially when it's like 4 people max doing it and not a whole crowd
-zubin (i'm pretty sure) flexing on us all at the end there. good for him
-ayyyyyyy
-it's the song that's sure to invoke an emotional response out of me >:}
-it's also the song i was convinced had andrew vocals in the background (the badadum's between verses) for a good while. still not 100% certain it's rob instead but it's not like i can ask them themselves
-yeah i'll admit it right here this is the song i listen to when i'm going through emotional turmoil. not this version of the song, and no, i don't mean i listen to i'm gonna win or even the tally hall rock version of this one. i mean i listen to the cover of it from we think we're playing in a band. and that's enough on this subject!
-however given the above information yeah i am pretty familiar with this song already. not a new experience right here
-i greatly appreciate the heavy piano work. it's one of my favorite parts about the song
-oh and i should stop talking about that subject right there as well. actually i think i should just say nothing about this song in general. you'll see why in about uhh pauses video
-this friday or so? damn that's sooner than i thought lucky me
-everything will be fine! i'll be making it through!
-oh hello there. "ALBUM" is not a word beamed directly into my brain with great volume thank you very much
-so. it's the outro to good day done with weird haste. looping. no actual chord pro-
-this is. is this some sort of radio performance? what the hell is going on
-steven!!! hello there thanks for the confirmation & god is it surreal to hear his name truly uttered in the context of red rob zubin andrew. wow
-pingry school spring fling. how the hell have i never heard about whatever the hell this track is before
-wait- is it over? song listed as good day but it's in fact the outro to good day done on. a radio program maybe. and now it's a really strange sounding performance of yearbook
-i genuinely can't tell if there's a filter on rob's voice or if the micro- shit that's loud
-what in the hell is going on is this another radio performance or something? like ok yearbook at least was on songs about girls by listedblack but i really want this to be made clear soon
-all i really think i need to know about yearbook is that it's another rob "heterophobic homophonic" cantor angsty boy band song and. listening to it for the first time her. that impression sure isn't going away
-at least i get to hear andrew twinkling those ivories in the back. got a good sound. even if the mixing here is all sorts of wack. a song this complex should not be performed live with only like one microphone
-alright rob i get it you were in love with a girl- and it's over? ok
-live performance of just a friend holy shit hell yes hell yes hell yes for some reason i thought this would be the studio version but no
-i cannot imagine what this song will sound like with steve on the drums hell yes oh will there be banter will rob forget his lines will red say some random 4-syllable phrase will zubin be the best singer in the whole damn band give me an answer now
-already hearing some banter :}
-they're moving weirdly fast and andrew's already got the piano playing even in the beatboxing part. wowie
-ooh kick it andy do those riffs hell yeah
-"that sounded fishy... zubin sedghi!" i'm in love
-KICK IT ANDY
-AND ZUBIN
-and there's the drums! go stevie. go stevie
-good ness andrew just will not let up on the sick as hell keyboarding will he fukc yeah bro kill it
-rob sounds unbelievably tired for this i'm half expecting him to trip up the lyrics at any moment
-"i don't buy it" "don't gimmie that!" you say it boys. oh classic zubin line right there preserved on an official tally hall recording for all eternity, what a treasure this is
-hm isn't this a bit early to go into the pseudo-breakdown chorus? no it works. andrew still rippin it up of course
-and there's the tambourine bay be!
-buildup to the "oh snap" isn't as intense as it could get in later performances which i will gladly blame in its entirety on steve <3
-boy oh boy does rob's voice just sound generally different here. so young so so young
-shooby-doo-wah. well i had low expectations which were not quite fulfilled but it's technically more than what we got on the studio recording so. i won't complain
-THERE IT IS
-BARBEQUE SAUCE BAY BE
-what a fool i was to pause the moment he said it. silly old me <3
-no, no, thank you for coming! but hold on one second. is there not... one more track? technically not a song, technically something i think i've heard before, but if i take a step over to the tally archive...
-cell phone call.
-circus you say? if i had to guess it's the whole world & you given the 08 version of the song but that's a vague guess. can't think of anything better but my current answer isn't that good on its own
-ah! it's joey jo joseph. this wouldn't happen to be that phone call spoken of that, like, invited joe into the band in the first place, would it? i remember that story from an old bio or something, but it doesn't seem like the type of thing that'd be recorded & put on an album. hard to say
-pj? like a certain rob cator frat dude voice JP!?
-well well well now. i'm not sure what to say. i don't recognize that song they're playing as the outro. it could either be some vague listedblack or miscellaneous early tally hall song lost to the void or a demo. i wouldn't exactly know. anyway that ends the pingry ep. shorter than i thought it be, lucky old me. hope you enjoyed!
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flowerymoonlight · 5 years ago
Text
your company
pairing: Clint x Bucky
genre: fluffy fluffity fluff i aint hurting my boys any time soon
word count: 2,253
summary: James turns Clint’s evening around.
warnings: unhealthy times to drink coffee, don't do it kids
author’s note: another one for @stuckonjbbarnes‘ challenge!! and @piper-koko-barnes-rogers i know we talked about this ages ago but its here
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Clint was stupid. A world-class idiot. How could he even consider the possibility that Barney had changed? Too much wishful thinking was his guess.
When Barney had invited him to his new apartment for beers all the parts of Clint’s brain were flaring red. But he said yes anyway. It wasn’t that Barney wasn’t terrible to him, because he was, but Clint could never really write him off. There must be something wrong with his brain.
He got to Barney’s place alright, just in time to be there and catch the no-filter slurring. Yeah, he was expecting it from Barney honestly, but he wasn’t counting on Jesse and Ray to be there with him.
Jesse and Ray were like cereal and milk, always around each other, and they had quickly befriended Barney in middle school with their one common goal of making fun of Clint for breathing. No, he definitely did not still have bottled up rage for these two.
And, of course, as they were all drunk off their asses – probably a little high too – the insults just started pouring like rain. The worst part wasn’t even when Barney laughed at what they said as if it was a joke, or when he joined them. The worst part was the Clint was so used to it that he couldn’t even find the strength to react to it.
He could only handle two hours before taking the opportunity of Barney going to the bathroom to flee out of there as fast as possible. Clint was stupid for accepting but he had just enough self-respect to not stay and torture himself for too long.
It was still close to 3 am when he was leaving and the only company he had were the street lights casting light every few feet and the lone grocery store that run till the early hours of the morning. It wasn’t exactly freezing but there was a nice chill reminding him that he was alive.
He was lost in thoughts of naps, warm blankets, and hot coffee in a few hours when he passed by a coffee shop. He couldn’t say exactly what made him do it but he stopped to look inside and when his eyes caught the employee behind the counter his heart jumped in his chest.
Positively the most beautiful man Clint had ever seen.
His hair was in a bun and looked like they would feel like clouds under his fingertips, his jaw was adorned with probably a day’s scruff and Clint’s brain provided a millisecond fantasy of feeling it under Clint’s lips. And Clint could just barely keep his eyes from staring holes into the guy’s shoulders.
He realized he must’ve looked like a creep when the guy stopped wiping down the counter and went to fix something else. And Clint only got a glimpse of his ass but damn, could he even handle the rest?
Before he knew it Clint was opening the door to the cafe, getting the attention of the guy and having his eyes land on Clint’s – god they were the most beautiful blue he’d ever seen, this was not right, – and having his brain short-circuit.
Which, was extremely rude because he was not the one to make the decision to go in in the first place and now his brain was leaving him alone in the deep end.
Just my luck.
Then his legs were taking him over to the counter – because it’s weird to just stand in front of the door Clint, shut up – and the guy was smiling at him, wow he could get more beautiful, Clint wouldn’t have guessed it.
“What can I get for you?” He said and, oh, his voice. Why did Clint have to get tortured like this? Clint had been trying to stare at the counter in order not to ogle too openly at a stranger but when he glanced up he saw amusement in the guy’s eyes. Okay, maybe he’s not a total lost cause.
“Uh, french roast, black,” could have gone without the stuttering but he wasn’t written off yet ‘cause the guy’s smile got a little bigger as he started preparing it. He should probably find a better name for him than ‘the guy’. Just then Clint’s eyes caught his name tag. James. He could already hear himself say it over and over again.
Okay, getting out of that daydream. Still in public.
“Can I get ya anything else?” James’s voice brought him back to look at those blue eyes and it was like a spell took over his mouth because he was sure he was meant to answer ‘No, thank you.’ but what came out, oh boy. Clint changed from human to tomato in seconds.
“A couple hours with you would be great, doll.” And while Clint was trying to find his footing again with his face still burning hot his eyes did catch the faintest dust of pink on James’s cheeks and Clint felt a greater sense of satisfaction at his accomplishment – and even slightly less embarrassed.
“Well, that can be arranged,” what did Clint just hear? That was not his brain, right? The shy smile James had on his lips says it wasn’t and Clint feels a rush go through his body before he’s leaning on the counter, getting just a few inches closer to where James was working.
“If you can tell me your name,” James raised his eyebrows and Clint wasn’t about to back down from that challenge and lose a chance of hearing his name on James’s lips.
“I’m Clint.” He said and let a shy smile rest on his lips because nothing was thrown on his face yet, and that was a success in Clint’s book.
“Well hello, Clint,” James smiled at him again, all teeth and sunshine and everything, and placed his cup in front of him.
Clint’s hand instinctively moved to take it and his fingers brushed James’s before he could let go. It gave him a little tingling on the ends of his fingers and judging by the blush and the ever-present smile on James’s lips, Clint was willing to bet he felt something too.
“Thanks, doll,” what was Clint’s deal with that again? Seriously, did his brain and mouth connection had no filter? He was just walking around saying things like that? Well, no, it just seemed to have malfunctioned in the presence of a gorgeous, blue-eyed, with the sun in his smile, barista. He wasn’t like that all the time.
“So, what brings you here in the dead of night, Clint?” Okay, maybe Clint enjoyed hearing his name in James’s voice a little too much, but that was nobody’s business since it would stay in his head forever. And now onto the more unpleasant parts of his question, Clint took a sip of his coffee and just about held himself from proposing right then and there.
“Escaping the harsh reality of my social life, I’m afraid.” Clint settled on something awfully vague and awfully true at the same time. He didn’t want to lie at his first meeting with James but he also didn’t want to unload on a stranger that he wanted to see again – many, many times.
“What about you? The graveyard shift can’t be as fun as everyone says,” Clint tipped his cup to James before he took another sip – Jesus, what did he put in this thing? It’s heavenly. James in return smiled at his poor attempt at a joke and lent against the counter, folding his arms over his chest and Clint’s coffee almost went down the wrong pipe.
“It got me talking to you, didn’t it?” James said it with a smirk on his lips and, okay look, Clint was not a blusher but he had to admit; James had game and it maybe landed a soft pink on his cheeks – but just maybe.
From then on it was pretty easy to flirt with him – and by pretty easy Clint means his brain never gave a filter to his mouth and he kept blurting things he wasn’t meant to. The unexpected and certainly not unwelcome response though was James’s soft chuckles and warm eyes.
And, okay, maybe Clint was a little smitten when he left at an hour when he could see the sun and his eyes were burning just a tiny bit. And maybe he was biting his lip trying to conceal the smile from all the giddy things he was feeling about his talk with James. And he was definitely going back.
The next time Clint walked into the coffee shop during the graveyard shift there were a couple of college students in a corner with their laptops out, headphones on and fingers jamming down on the keyboards. And, yeah, Clint was a little disappointed that he wouldn’t be alone with James but he guessed they would only bother them for refills.
James greeted him with a familiar smile and before he could even think straight a ‘Hello, doll,’ was coming out of Clint’s mouth like it was meant to be there. And, okay, James’s blush made up for the burn of embarrassment on his face but he needed to get back in touch with his filter and not ruin something before it could even start.
Turns out James really enjoyed the nickname, as he had admitted shyly when they were all alone and into each other’s personal space. He said no one had ever called him that and Clint had just preened at him before trying to use it in every sentence after that.
It got him a smack in the shoulder but he got to hold that same hand later and intertwine his fingers with James’s so it all worked out.
It took four dates – and yes Clint was calling them dates, even if James was supposed to be working and he was supposed to be sleeping – for Clint to just go for it and place a soft kiss on James’s lips. He really hadn’t been settle with going for the back of his hand or his cheek on previous dates but Clint still felt an uncertainty that he had a 50-50 chance of getting punched in the face.
He didn’t. But he did get kissed back by James and it was very hard to do anything else than brush their mouths together after that. And if the next time Clint went over to the coffee shop he greeted James with a kiss on the lips no one was around to see it.
And he didn’t hesitate to ask James out on a real date, because as much as he enjoyed their time together at the coffee shop he also understood that only he was calling them dates – in his head. So, when James said yes, Clint preened and held his hand and refuse to leave until his shift was over.
Seeing James in casual but dressy clothes for the first time had Clint with both a desire to take them off and see them being put on and as much as he realized his brain was moving too fast with those daydreams it was just too easy – too right – to not let his mind wander.
He didn’t have to wander much as for the next four months they spent almost every night of the week sleeping in the same bed – and doing other things. But Clint was still a lot of nervous when he finally got the courage to ask James to move in with him – even if it was early – over dinner – he tried to cook but miserly failed and had to order take-out.
James had just smiled at him and took his hand and Clint let out a relieved breath when he said yes.
Five years later and he was sitting at their couch staring out the window the purple sky that the lights of the city wouldn’t let the stars shine through and remembering that first day that got him into that coffee shop and he met his husband.
Clint got out of his daydream by the cushions dipping next to him and a small smile was on his lips before he could even turn his head to look at James. He placed two mugs with hot coffee on the table in front of them before leaning back and snuggling under Clint’s raised arm, draped over the back of the couch.
“I would ask, but I know that look,” James mumbles sheepishly in Clint’s shoulder. He just chuckles softly and turns his head to bury his nose in James’s hair.
“Still haven’t talked to Barney,” Clint tries to joke about that night
“Good riddance,” James replies instantly and curls even more around Clint. “So, are we just reminiscing or should I be worried your head is saying silly things again?” James asks next and honestly, how did Clint get so lucky? He seems to be asking himself that question every day now but he can never find an answer, only be grateful that the universe decided to give him James.
“Just reminiscing, doll,” Clint can feel the shiver the moment it goes through James’s body and smiles at the memory of him first saying it. He leaves a soft kiss on the top of James’s head before going for his mug on the table. Ah, coffee. Always helping me, one way or another.
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hmel78 · 5 years ago
Text
In conversation with Keith Emerson ...
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Keith Emerson (02.11.44  – 11.03.16)
The Father of progressive rock; the man responsible for the introduction of the Moog synthesiser to the ears of the unsuspecting music lover in the 1960’s; and without a doubt one of the 20th and 21st Centuries (to date) most prolific and talented composers of modern classical music.   In a career spanning 6 decades, which has earned him notability as a pianist and keyboard player, a composer, performer, and conductor of his own music alongside the World’s finest orchestras; as well as achieving super success with “Emerson, Lake, and Palmer” - 2014 has been no less eventful for Keith Emerson! With his 70th Birthday approaching, Helen Robinson caught up with him for a very ‘up-beat’ chat about (amongst other things) the re-releases of his solo records, a brand new album with Greg Lake “Live at Manticore Hall”, his favourite solo works, and his memories of the times spent writing and recording with ‘The Nice’, and ‘ELP’.
HR : This has been a busy year for you so far Keith!   KE : Yes! I’ve been up to allsorts! [laughs]
Music wise – what can I tell you?   Cherry Red , Esoteric, have re-mastered and re-released 3 of my solo albums – “Changing States”,  another which I recorded in the Bahamas called “Honky”, and a compilation of my film scores which consisted of  "Nighthawks”, “Best Revenge”, "Inferno”,  “La Chiesa (The Church)”, "Murderock”, "Harmagedon” and "Godzilla Final Wars”.
HR : That must have been a difficult selection to make based on the number of scores you’ve written! Do you have a particular favourite genre of film to write a score for?
KE : Favourite genre?  Boy, well, I just love film score composition, you know? When I first started I had been touring with ELP for some years, and we’d toured with a full 80 piece orchestra but it was just too expensive – we had to drop the orchestra and continue as a trio, which was very upsetting for me.   I was entranced by what an orchestra could actually do, and found that with doing film music I could work under a commission and have the orchestra paid for by the film company!
It’s always a challenge. I think a lot of composers like to write dramatic music. I like writing romantic music as well – I’ve also written for science fiction where you can let your musical imagination go pretty much where you want, but generally you have to cater specifically to the film. First of all I like to get a good idea of who the producer and director is, and who is likely to be cast as playing the lead roles.  I like to read the script – which helps prior to meeting up with the director and producer. When I wrote the music to Night Hawks I was sent, by Universal films, news of a new film to be made by Sylvester Stallone, a new guy at the time called Rutger Hauer, and Billy Dee Williams, also Lindsay Wagner.   It was basically a terrorist film – not the terrorism that we shockingly see today – but back then it was the beginning of terrorism and was quite mild by today’s standards, however it was still sort of ground breaking as far as writing the score was concerned.  
It’s about vision with film score work.
Although really it’s all about vision with anything you’re writing, and I suppose many of the disagreements that ELP had during their time – of course a lot of it came to wonderful fruition – were not seeing eye to eye because we had such different tastes in music. Ubiquitous I would say – we bounded from one thing to another. Just when you thought it was getting serious we’d want to have some fun and do something light hearted but I’ve always maintained that variation is essential.
I think that’s what helped ELP quite a lot – especially live - in any particular set you had the heavy stuff like “Tarkus” and “Pictures At an Exhibition”, for the guys in the audience, and for the females who attended reluctantly - dragged along by their boyfriend or husbands and just sit there -  I mean, I didn’t sit, I was standing and leaping around [laughs] but you couldn’t help notice the glum looking females in the audience wondering when all this was going to be over.
I think when ELP were together as a unit, we managed to meet everybody’s needs. Greg came up with some really great ballads which sort of got home to the feminine heart, like “From The Beginning” – the feminine heart goes “aaah aint that nice” [laughs] and then suddenly you get the bombardment of something like “Karn Evil 9” and it’s like “Oh GOD”!!
HR : I’d like to talk more about ELP, of course, however there’s so much more outside of that unit , which you have been involved with, that has had quite an influence on modern music.   You’ve got an extraordinary and fairly extensive discography, which we can pick whatever you’d like to talk about, but I’d like to start with ‘The Nice’  -  “Ars Longa Vita Brevis” ...
KE : Ah Yes ‘’Art is long, life is short” - Lee Jackson came up with that title - he’d studied a bit of Latin ... [laughs]
Going back to the 1960’s then – I suppose it was ‘66 when ‘The Nice’ formed – originally as a quartet. Drums, bass, Hammond organ or keyboards, and guitar player.  After the first album we decided to move on as a trio, although I did try to find another guitar player.   I actually auditioned a guy called Steve Howe, who was considering getting together with Jon Anderson, and Chris Squire and forming a band called “Yes”.  Steve was much more interested in getting with the “Yes” guys, so meanwhile ‘The Nice’ continued as a trio with Lee Jackson on bass, Brian Davison on Drums, and myself on Hammond and keys.   It was during this time that I was introduced to a new invention designed by Dr Robert Moog, which became the moog synthesiser, so I was the first to introduce that into live performance.  
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With ‘The Nice’ we had come out of an era called the underground / Psychedelia.  
I was very friendly with Frank Zappa and the mothers of invention, and they were really far ahead of their time.
Frank approached me one day, because I was composing and playing with the London orchestras even then, and said ‘’Keith - how do you deal with English orchestras? They’re hopeless!”
And I said ‘’Well, they’re very conservative Frank. If you really want to make it with the London Symphony, or the London Philharmonic - if you really want my advice, I think you should try and change some of the lyrics of your songs. If you’re going to get in front of the London Philharmonic and sing stuff like ‘’Why does it hurt when I pee?’’ obviously these guys are not going to take very kindly to it!” [laughs]
I’d actually done Bachs Brandenburg concerto #3 with a chamber orchestra and had a degree of success in the English charts-  around about the same time ,  Jon Lord  [Deep Purple, Whitesnake] was writing his concerto for orchestra too. I’d already written the “5 bridges suite” which I had recorded with ‘The Nice’ at Fairfield hall in London. So basically Jon Lord and I were kind of both struggling with Orchestras and moving along into what came next musically for the both of us –   Jon was a very good friend.
I think round about the turn of 1970, I had noticed what Steve Howe was doing and it was very harmonic, whereas ‘The Nice’ - well we were a bit more bizarre, and I listen back to it now and I suppose I have a slight bit of embarrassment about how ‘The Nice’ were presenting themselves.
And back then I’d started looking at bands like ‘Yes’, and there were a lot of other bands too, who were really concentrating on the tunes and the vocal element, so that’s when and why I formed ‘Emerson Lake and Palmer’ - in 1970 - and endorsed the whole sound with the moog synthesiser. It sort of took off, and became known as what we know today as “Prog Rock”.  We didn’t have a name for it at that time, we just thought it was contemporary rock. I mean it wasn’t the blues, it wasn’t jazz, but it was a mixture of all of these things, and that’s when we went through.
The first album of ELP, [Emerson, Lake, & Palmer] recorded in 1970; we were still learning how to write together as a unit, so consequently when you listen to it, you’ll hear a lot of instrumentals; mainly because there were no lyrics and there was a pressure on the band to get an album out. For some reason there was an extreme interest in the band - We were to be considered as the next super group after ‘Crosby Stills & Nash’, which we certainly didn’t like the idea of.   That album went very well.   Unfortunately the record company decided to release “Lucky Man” - which was a last minute thought – as a single, and it took off. My concern was the fact that, OK yeah the ending has the big moog sweeps and everything like that going on – but how on earth  do we do all the vocals live? Thousands of vocal overdubs over the top and neither Carl nor I sang.   You know - I sing so bad that a lot of people refuse to even read my lips!   And as far as Carl Palmer was concerned he had “Athletes Voice” and people just ran away when he sang! It was a hopeless task of actually being able to recreate “Lucky Man” on stage, so eventually Greg just did it as an acoustic guitar solo.   It was that one sort of Oasis, in a storm of very macho guy stuff, where the women just went [in a girly voice] “Oh I like that, that’s nice”.  [laughs]
So, inspired by that we got more grandiose and put out ‘’Pictures At An Exhibition” – another bombastic piece based upon Mussorgsky’s epic work. For some reason Greg wanted it released at a reduced price because he said it wasn’t the right direction for ELP to go. So we released it for about £1 and it went straight to number 1!  Then the record company called up and said ‘’what are you doing? This is a hit record and you’re just selling it for £1??!!’’, so I said ‘’well yeah it’s a bit stupid isn’t it?” – so when it was released in America it was at its full price and ended up nominated for a Grammy award! ELP had a lot to do to create the piece you know?   We disagreed on lots of issues but in order to keep the ball rolling we just moved on with the next one, which was in fact “Trilogy”.
I thought it was about this time in ELPs life that we had learned how to tolerate each other, how to write together, and how to be very constructive. “Trilogy” is a complete mish-mash, you go from one thing to another; there’s a Bolero, and then ‘Sherriff’ – which is kind of western bar jangly piano playing on it.   I don’t think you could find such a complete diversity buying a record like that these days. We were very much inspired by our audience accepting that.  
Actually Sony Records are going to re release it in 5.1 – they’re doing a wonderful package with out-takes and everything – I’ve just competed doing the liner notes.
We moved on again then, and started the makings of “Brain Salad Surgery” which was a step further.  
After that I worked on my piano concerto played by the London Philharmonic Orchestra, and actually it’s still being performed all over the world - Australia, Poland, and in October I’m going to East Coast America to do some conducting – Jeffrey Beagle, who’s a great classical pianist, is going to perform it then, and I’m going to perform some other new works of mine.  
HR : Are you likely to release a recording of it?
KE : Yes I guess it might be ... I’ll let you know. It’s a dauntless compelling challenge. I have conducted and played with orchestras before and I’m very thankful to have classical guys around me who are able to point me in the right direction.   I was never classically trained. I started off playing by ear and then having private piano lessons, and then basically teaching myself how to orchestrate. I’m still taking lessons in conducting and I don’t think I’ll ever get to the standard of the greats like Dudamel or Bernstein – I don’t think I’ll ever be able to conduct Wagner, but so long as I’ve written the piece of music I think I’ve got an idea of roughly how it goes!  [laughs] Thankfully I’ve worked with Orchestras who are very kind to me.
HR : Do you enjoy the performance as much as the writing?
KE : Actually I enjoy the writing more than the performance. I know I wrote an Autobiography called ‘’Pictures Of An Exhibitionist” but that’s the last thing that I am really.   I’m pretty much a recluse. I’ve got my Norton 850 and I’m happy ...
HR : I was going to ask you about the Theatrics on stage – Why Knives and swords? Was there something which influenced the decision to include that as a part of your performance, or was it purely born out of frustration from working with Carl and Greg?
KE : [laughs]  Well you see in the 60s, I toured with bands like The Who, and I watched Pete Townshend; I toured with Jimi Hendrix too, and I thought that if the piano is going to take off then the best thing to do is like really learn to become a great piano or and keyboard player, but I also thought “that aint gonna last with a Rock audience in a Rock situation”, mainly because the piano or Hammond organ  - well from the audience you look up on stage and it’s just a piece of furniture! Whereas the guitar player can come on stage and he’s got this thing strapped around his neck, he can wander up and down the sage, check out the chicks, and he’s the guy that has all the fun.   The organ player meanwhile is just seated there at a piece of furniture like he’s sat at a table.   So a lot of what I did was for the excitement of it, and I suppose to exemplify the fact that I could play it back to front. A lot of my comic heroes like Victor Borg, Dudley Moore – they all came into the whole issue too.
I’ll tell you this ok? I once went to see a band at the Marquee club when it was in Wardour Street in London, and I can’t remember this guys name now, but he played Hammond organ - he was a very narky looking fellow, and went on stage wearing a schoolboys outfit which caused a lot of the girls in the audience to chuckle.   I stood at the back of the Marquee club and watched his performance - a lot of the stops and things were falling off his organ, so he had a screwdriver to keep holding certain keys down, and then suddenly the back of his Hammond fell off – and I don’t think it was intentional, because he looked really quite distraught, but he caused so much laughter from the audience. I went away thinking “there is something there, I’m going to use that” ... I actually thought it would be a great idea to stick a knife into the organ, rather than a screw driver -the reason for this was to hold down a 4th and a 5th , or maybe any 5th, or say a ‘C’ and an ‘F’ or a ‘G’, whatever, and then be able to go off stage, take the power off the Hammond, so that it would just die away -  it would go ‘’whoooaaaaaaaoooooh’’; and  then I’d plug it back in and it would  power back up and create like the noise of an air-raid siren, and of course the drummer and bass player would react to that.  It got really interesting. We actually had a road manager at the time by the name of ‘’Lemmy’’ who went on to be with Motorhead.   He gave me 2 Hitler Youth Daggers and said [best Lemmy impression] “here! If you’re going to use a knife, use a real one!”
So that was the start of all that, and people loved it, and actually Hendrix loved it too –  somewhere in his archive collection there must be some footage of me almost throwing a knife at him [laughs] .
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The phase for it was my objection to the 3 assassinations they had in the USA -  JFK, Robert Kennedy, Martin Luther King -   I’d been to America once and seen how quick the Police were to pull out their guns to a woman parking her car illegally – so bizarre.  The 2nd amendment will not go away, as much as they want it to. I’ll reserve further comments on that but that was really the whole objective. I was banned from the Albert Hall for burning a painting of the Stars and Stripes, which took some time to get over, but everything worked and they allowed me live in California now. [laughs]
HR : What about the Manticore Hall show, also released this year, presumably you kept burning paintings off the agenda there? Was it good to work with Greg again? and then the complete ELP line up with Carl at High Voltage?
KE : No! [laughs], and Yes ... Actually that was recorded in 2010 and was an idea set up by a manager associate of mine, and an agent in California. I met up with them and they asked how I felt about doing a Duo tour to lead up to the High Voltage Festival in London.   They convinced me that it was a big festival ... and the idea was to have ELP on the Sunday night there. So the lead up was a duo tour with myself and Greg because Carl was off with Asia at the time.   It had its ups and downs, but it did eventually work very well and it was a very good warm up to doing that Festival date as the 3 of us.   I don’t think there was any intention of us going any further with it. I think the resulting “ELP at High Voltage” was good and also I think the album ‘’Live At Manticore Hall’’ - although it wasn’t released until this year, because Greg initially didn’t want it to be released at all - is good stuff too.   These things happen with bands, it takes a while for us to appreciate how good what we do is, sometimes.
HR : You’d had quite a break from ELP at that point, KE : [interrupts] I wouldn’t say that I ever take a break, if I can put it so lightly, and it’s not lightly, as to say that it’s kind of like a hobby – if I feel so inclined I will go to the piano and will write a piece of music. If that piece of music seems to warrant being augmented by anyone then I find the right people to do it.  I had a great experience last year of going to Japan and hearing the Tokyo Philharmonic play the whole of “Tarkus” – a 90 piece orchestra – I’ve never been so blown away. I worked with a Japanese arranger on the orchestration, and actually used it on an album which I recorded with Marc Bonilla, and Terje Mikkelsen called “Three Fates Project”,  which actually didn’t make it anywhere and I don’t know why. It’s a great album, very orchestral – I did the version of “Tarkus” on that complete with the Munich symphony orchestra. I changed it around slightly – I had Irish fiddle players coming in – I suppose, really you could refer to it as being World Music – it’s probably a great example of that.   It’s not based upon the ELP solo piano composition that we did on ELPs first album. I don’t think the record companies knew how to market it you know? Was it classical? was it rock? It has the complete amalgamation of group and orchestra. Wonderfully recorded. It really is quite mind blowing. Not that I want to blow my own trumpet!   Maybe if the art work had been a little more dynamic then it would have caught people’s attention. I agreed on it, but you see our names and they’re really small - I don’t think people realised who’s album it was.
HR : Have you any plans to perform it in the UK, or other parts of Europe? Scandanavia, for Blackmoon fans? Any tour plans at all?
KE : The thing is, first of all, that the direction that I am going at the moment is very orchestral. And that does take an awful lot of planning. As I say I’m going to play with the South Shore Symphony on the East Coast of America, but touring with an orchestra, as I learnt back in the late 70s with ELP, is very expensive.  It doesn’t make any money if I’m perfectly honest. If someone was to come up with the cost of shipping the instruments about then ...  but it’s not like dishing out the orchestral charts to an orchestra and then have The Moody Blues come on and play, and the strings do all the backing stuff, you know! This music is the music which I’ve written and really demands quite a lot of practicing.
For instance when I was recording “Three Fates” with the Munich Symphony, in Munich, I was interviewed during the break after the first day by a radio station, and they asked ‘’how do you think its going?’’ and I said “well if the orchestra are still here with me in 5 days time, I should be very surprised” [laughs] .   I remember on about the 4th day , one of the members of the orchestra had obviously heard the radio broadcast.   As and I walked out into the garden at break time, I passed one of the Trombonists who was smoking a cigarette and he said ‘’well we’re still here”...
There is an awful lot that can go wrong, of course, especially with orchestras. The copyist can sometimes write a b natural rather than a b flat, or they can get a whole load of other things wrong – and that’s what happened this particular recording.  
Marc Bonilla actually came up to me on a break and said “I think you should go up to the control room, and look at the score mate, something doesn’t sound right”, so you can imagine the look on my face! So off I go I’m up in the control room; radio through to the rehearsal room and start going through the score and sure enough it was wrong. I don’t know why I hadn’t heard that before, but it was down to the copyists – its the same with writing a book and you give it away to the editor – they can still mess it up – as copyists do with music. And sometimes you’ll get the orchestra, and they’ll just play what’s written rather than put their hands up and say “that doesn’t sound right”, for fear of retribution I suppose – so it is frustrating, but it’s very rewarding.
The Mourning Sun, taken from “Three Fates” 
https://www.youtube.com/watch?v=4PcOI8nDDeU
It’s been quite funny with some of these albums that Cherry Red are rereleasing. I happened to give one to my eldest son. I gave him ‘’Honky’’ and he came up to me and he said ‘’here Dad I’ve been listening to the Honky album and it’s really really good!’’  He and his friends are in their 40s now and they’ve all complimented me on it, so that’s the biggest compliment I could have really.
I was recording that album when he was about 4 years old. [laughs]
HR : Is that your favourite then? Honky?
KE : Oh yeah – I had so much fun making that album and I think it shows in it’s humour. It was great. The objective behind it was that I wanted to record with all the local bohemian people - I was living at the time in Nassau in the Bahamas. I didn’t really experience a lot of problems with the black bohemians –  I got on great with them all. There were some great musicians, and I wanted to do a very ethnic album to bring to the attention of the world that we can all get on! I used to drive around Nassau in a limited edition Jeep and kids would run out and yell at me ‘’Honky!’’ and I’d wave thinking ‘that’s kind of fun’.  Then, when I worked in the studio I noticed that the black musicians would all greet themselves with the ‘’N’’ word – we can’t say that now - says in an accent “Yo N ...” – so I thought ‘well if they can do that I am going to call myself a Honky!’ And they were horrified!!  [laughs] So I bluntly spoke to them and I said “listen you guys call yourselves ‘’Ns’’ so I’m calling myself a Honky, and damn it I’m going to call the album that too!” [laughs].  It was a lot of fun.
*** Honky - a derogatory term for a Caucasian person.
HR : We must get something down about Blackmoon – given that this is the title of the Magazine!
KE : [laughs] ELP, Blackmoon.  *sighs* Well  ... I remember from this time that Carl Palmer and myself wanted to have a different producer.
It was all well and good that Greg produced all the other albums but – I don’t think it’s a very good idea for any band ; if they’re involved in the writing and the playing, and then one band member decides he’s going to be a producer too.   You need someone objective to come in and say that they think it’s too long, or whatever ... whereas if you have a part in writing and playing, its obvious that you’re going to pay more attention to it, and Carl and myself really wanted an objective opinion about how to make it work. The producers that we auditioned were very familiar with ELPs work and were really considerate in how they constructed it.  The main consideration - and I think really it was a difficult time because Greg could see that his role as being a former producer of ELP was going to be taken away from him. Whereas for me I felt that Greg’s attention should be more on the writing and the lyrics and other aspects. There is so much that one had to pay attention to when running a band. There are the legal, accounting, and everything else – and above all you have the creative aspect and you really cannot go into a studio and become the producer and wear all these different hats. It doesn’t work, I don’t allow that even on my own music writing.  I’m quite happy to go in and play my music as long as I trust that the guy behind the music desk, and the mixing desk,  are on the same page, know who I am, and what I’ve done before – so at least there is a rapport where the engineer can see what you are trying to do and he will say – “ah you know what, why don’t we try and go for that you did on Trilogy - lets try it!” You have to work with people who understand you and then you can just sit back and work on it , accept a good idea, be pushed to your limits. The thing is with Greg - he felt that he had been removed from the situation which he had most power and pride in. Whereas I think most pride he should keep as the fact that he s a damn good singer and has written some great music. If you want a great team you have to designate to the right person.
That’s why I had Lemmy as my roadie.  If I hadn’t had Lemmy the knives wouldn’t have come out [laughs]. We owe Lemmy a lot! HR : Absolutely.  You two should record a duet!   Which Instrument would you choose? Moog, Melotron, Hammond?
KE : Hmmmmmmmm.  Piano. I’ve always written on the piano. I do have a mandolin hanging on the wall here, which is out of tune at the moment. You wouldn’t want to hear me play this mandolin ...
HR : Because it’s out of tune, or just in general?
KE : [laughs] because it’s out of tune but even if it was in tune I don’t know if it would work. It looks great hanging on the wall though ...
© Helen Robinson -  June 2015 Originally published in Blackmoon Magazine.
[Keith and I were great pals - I miss him <3]
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mingi-bubu · 5 years ago
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Watch “Love O2O” with Me!
Episode 7
i am watching these episodes the way that i eat m&ms
one after the other xp
my phone has cooled off v much but is not yet fully charged so shes still plugged in
i have my water, i have some ramen ^-^, the flix of net is up
as mark lee would say, lezgeddit
so we left off with september and mirror fish duking it out for who should be considered the woman in the faux relationship tht theyre only doing so that xiao nai and wei2 can practice dueling before the big event
and we open with them figting in game
wei2 and nai are just watching them off to the side lmao
THEY JSUT TOOK EACH OTHER OUT ADKJFALKSDJ
wait did nai take them out?
oh damn
they at the hard level couple shit huh
aldkfjalskdjf drag your friends lovingly
maybe not so lovingly
hes too fuking head over heels for her imHAND HOLDING
IN MY GOOD CHRISTIAN SERVER
DISGUSTING
i want it
oooh this npc’s outfit fucking sLAPS
no other in game couple has completed the quest before
damn she just got stuck in a dungeon and the disembodied voice said y’all ain’t got shit but also only have 16 hours to find each other
oh they can still chat
thats nice
why is she acting so dramatic smh
shes so upset she cant do anything
oh no instead shes gonna try to find out information for him
also i LOVE HER SWEATSHIRT
oooh rainbow
he really gonna YEET himself off that cliff aint he
~telepathy~
he’s confident apparently
i
she’s cleaning her keyboard
akdlfjak;ldsj
she said its STUDYING TIME COWARDS
love this man’s headpiece
i cant help but think about the one vine where the guy kept skipping the in game diaogue alkdfaskl
ohhhh
the game is called go
the one that we saw nai playing when we were first introduced to him
oh ok
the game disappeared
yearning formation
me while watching this fuckign show
take the scroll
smh
Y E E T
oh
booooooo
OH I TAKE IT BACK THEYRE STAIRS
THATS PRETTY DOPE
STONE DRAGONS
STONE DRAGONS
HOLY SHIT
well thats unfortunate
shut up i hate this part so muchh
oh he just killed the stone dragons
god this guy is so fucking overdramatic
the naihands again
not at how the fucking music popped off
damn this npc guy is cope
dope
not to be like harry potter but harry potter battle
oh jesus thats wht it takes
really
showing him the pendant
man got his heart broken 1 time by his master and said fuck it i hate everyone
nevermind he texted back
oh wowowowow oHES RIDING THE BIG FUCKING BIRD
Jesus she really said he looks like an angel huh
me too
wowowwowowowwoOWOWOW
ultimate fucking team
they really said we are the best huh
ia;lkdfja;lksdj
it’s not that deep
I LOVE HIM
HE REALLY SAID BITCH I SCREENSHOT THAT SHIT
KING SHIT
oh she left her clan?
damn she is bringing in everything
all the shade
all the tea
this is very awkward
he really backtracked faster than i could blink
oooohhhhhhh
this is tea
DAMN WEIWEI REALLY OUT HERE TO SAY THINGS
these girls again
oh she really do be leaving the clan
oh wowowowow
eww thats so gross and mushy
we were formally married
shut the fuck
marital status is important
SHTU THD UVLK
how long did that quest take them tho
did
did she just do what i think she did
ugh gross theses and exams
not excited to go back to that
xiaoling i want more of her shes so funny
oh so it’s septembers meeting with mr. li
e.e
me and september rolling our eyes internally
hmmmmm
mr li is gonna kill him
wHy DoNt YoU dEvElOp ThE gAmE wItH uS
stop pitting two bad bitches against each other
aaaannnnd now hes being more obviuosly snakey
monthly wage of 120k
god i wish that were me
smart kid tho
said he needs to think about it
raise that by 30%???
156,000
a month
before bonuses
and the game launching
god i need to marry rich
sorry
anyways
yiran uncle is like we need to get him on board bc then everyone else will come
snake man
yiran heard all of that
*eyes emoji*
maybe she do have a heart
she really needs to have better people in her life
her uncle is skeezy
i’d spill hot tea on him
i absolutely don’t believe in nor trust him
go and tell him
be a moral person
her hair style is cute
TELL HIM
ugh
this is why aint nobody know anything
nana that is not how this should work
stop it
stop that nana
THATS NOT HOW THAT WORKS
SOMETIMES PEOPLE HAVE OTHER INTERESTS
i will say tho that her underlying message of taking initiative and doing things to help you is good
also the background is so green screen aldkjfs
september i would marry you in that outfit rigt how
nai’s apartment i want to know more aobutFISHHH
THERE ARE SO MANY FISHHH
why does he have a phonograph im so weak
all of these guys need lkasdjfa;lksdjf;laksjd
nai is the love of my life
but anyways the other 3 guys need to think with their upstairs brain
gynophobic
jjaiskldfjwe just say gay
i know they probably have censorship laws that are different
but still
i desire kodak’s hoodie
theres a lil bear in a cap on it
cute cute cute
oh damn he really do be saying things
oh so they visited SEPTEMBER EREALLY  DID THE FINGER HEARTS IM IN LOVE IWTH HIM
damn HE IS
RIDE
OR
DIE
FOR HIS FRIENDS
alkdsfjalskdjfasl;dk not at how he was really cute looking all dorky when he was being all sweet to them
awww weiwei’s relationship with xiaoyang is adrable
al;kdsjfalsd don’t steal unless youve been falsely accused
oooh it was a bear with wings
xiaoyang is my favorite character every episode he’s in is improved tenfold
i have a similar knife as the one in this show love that for me
wh
what did she put in the bowl and why did the yakult have to go in it too
xiaoyang i would die for you
the #Squad
love them
SPARKLY SHIRT ON HIM
SARPIOEAPOIWEHFIO
ASPAEIHFALKLY SHRIT
IM LLIVOE HIM
D A M N
HE REALLY BE BUYING SHIT FO RHER
PELASE
september in clgaseselkew;jrfawioh
and dark oragne
im falignaeapowifha
i love them
jadlskfjasldkj ha;weijak
I LOVE THAT
she really changed her mf tune as soon as she found out nai put them up to it
ugh
WHEN DO WE GET TO SEE IRL INTERACIONS IM SICK OF THIS SHIT
not really i depely love it obviously
BUT IM SICK OF THIS SHIT
ok that’s the end of episode 7
ugh
truly they are otp
anyways
thank you for readign!!!
stay safe and stay healthy <333
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bedpissercastiel · 5 years ago
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ok i have absolutely no explanation for what the fuck. i had never once in my life put my alt key in my mouth before last night and i think i just shouldnt be allowed to listen to mcr until 7am because that definitely helped me go kinda unhinged.
that being said im taking an alcohol wipe to every key on my keyboard because why the hell did i put the alt key in my mouth
no one:
me: takes the keys off my computer keyboard and puts them in my mouth
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haddonfieldproject · 5 years ago
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1️⃣7️⃣
<<PREVIOUS⏺<<CONTENTS>>
1.1.17 HALLOWEEN NIGHT 12:24 AM
Haddonfield, Illinois
Samantha yawned as she pulled the keys from the ignition. More lightning flashed in the sky as she behind her, through her rear windshield, at the square building in front of which she was parked. A white triangularly shaped sign with blue lettering designated this as THE PYRAMID INN. The property was perched on a flat hill, overlooking what the locals called “Dysfunction Junction”. Interstate 57, US Route 31, and Illinois 395 all came together in a tangled mess of off ramps and on ramps that sprawled like spaghetti noodles over the northern running section of Lost River, which in this part of town had been diverted into a concrete culvert in the early 40s as part of one of Roosevelt's “Work's Projects”.
Samantha had parked at the end of the mostly empty parking lot, which was her custom, and from her vantage point she could see down into the nest of intersections. She saw the lighted signs of big box stores off to the east on her right. Straight ahead she saw the gas station from which she had come, and to her left, off to the west, she saw a strip club that very obviously used to be a Howard Johnsons, it's parking lot completely full with some cars spilling out along the side of the road in front.
Lovely, she thought sarcastically as she opened her car door. Just my kind of town.
The sweltering humid air hit her in the face like a tennis racket.
“Jesus, it feels like Miami.” She said to herself, and then smiled as she clicked the button on the fob in her hand to open the hatchback on the Murano. “I wish it were Miami.”
Nyguen pulled her rolling suitcase from the back of the car, placed it on the asphault, and extended the handle. “We'll just pretend it's Miami.” She decided as she closed the hatch and turned toward the motel.
The Pyramid Inn seemed to want to help her with the fantasy. For one, it was sweltering hot, almost as bad as outside, and as Ngyuen walked through the automatic glass doors, she felt like she had been magically transported back in time twenty-five years. The lobby was painted a pale teal color, with mauve indoor outdoor carpeting, and popcorn ceilings flecked with glitter....this Sam noticed right away. The yellowish light from pineapple shaped fixtures along the walls was defracted by the glitter, creating the sensation of moving sparkles above her as Samantha strolled through a lobby furnished with wood and wicker tables and chairs, painted white, the chairs padded with brightly colored cushions patterned with tropical motifs. There was abundant wall art too---strange scenes of Egyptian landmarks like the pyramids at Giza and the Sphinx, except...done in a weird art deco style that seemed wrong somehow.
An large old fashioned square CRT television was affixed to a hanging mount in each corner, below each was a potted palm tree. One of the TVs was displaying The Weather Channel although the sound was turned all the way down. A pretty blonde woman was standing in front of a map of the Midwest, sweeping her hand across thick line of red, orange, yellow, and green splotches. The other TV had the volume on and was showing an aerial view of a baseball stadium even the most casual of fans would know.
“We're in the top of the 10th here at Wrigley Field in Chicago. The Cubs have gone to the bullpen yet again for another pitching change as the White Sox have just taken 3-2 game lead in this decisive Game Seven of the World Series.”
Nguyen rolled her luggage around a coffee bar, and approached the desk, bumping into a cheap looking display rack featuring brochures with picturesque views and colorful headings. SEE CHICAGO! THINGS TO DO IN CENTRAL ILLINOIS! PEORIA CALLS YOU! And SEE THE CAVERNS OF LITTLE EGYPT!
A morbidly obese woman sat behind the counter fanning herself with one of the brochures: LOST RIVER KAYACKING!
She wore a white t-shirt with red letters that read: I SURVIVED ARKANSAS' LARGEST SLINGSHOT AT THE CRITTENEDEN COUNTY FAIR 2003. The shirt had either been shrunk so many times by frequent washing or the woman who wore it had ballooned up in weight considerably because now it hugged the contours of her bulbous body, giving her a look of the Michelin Man. Her mouth hung open revealing two sets of badly yellowing teeth, and a large dime-sized mole protruded from the left side of her neck. Sam could see the light from the pineapple lamps reflecting off hairs near the tip of the mole.
Not quite Miami, Nguyen thought as she cleared her throat.
“Excuse me?”
The woman did not stir.
“Curveball from Bellamy drops inside, it's one and one on Franklin.”
Nguyen rolled her eyes.
“Ma'am!” She exclaimed and plopped her car keys loudly on the desk.
The woman jumped and her eyes snapped open. The brochure fluttered aimlessly to the gound as she leaned forward in the seat, blinking rapidly for a moment before fixing her gaze on Samantha.
“Jesus Lord Almighty!”She exclaimed, breaking out into a haughty laugh that seemed to come from the depths of her enormous stomach. “You scared the everliving tar out of me!”
“I'm sorry.” Samantha smiled warmly.
“Don't be, don't be.” The woman groaned as she stood up from the chair. She wiped the beaded sweat off her forehead. “Jesus God is it hot in here!”
“Yeah it is.” Samantha agreed, withdrawing her phone from her pantsuit pocket and checking the time, mentally calculating the precious few hours of sleep she was going to get that night.
“It's not our fault.” The woman exclaimed, reaching the desk and panting as if she had just climbed a mountain. “Corporate has the damn thing programmed. This time of year the AC never comes on in here. We're supposed to run the ceiling fans, but that's been broke for two years.”
She motioned to the ceiling behind Sam who turned around and saw two wires protruding from a hole in the ceiling in the center of the room, as well a slight discoloration in the form of a circle where a fan obviously used to be.
“And then they tell me if it gets too hot to open a damn window. I said Christ!, it's just as damn hot out there! And the wind aint blowin for nothing.”
Samantha replaced her phone in her pocket. “Yes, it sure is strange.”
“It's NEVER like this in October...hell..now it's the first of November! NEVER like this! I mean...we've had a hot day or two at the beginning of September but NEVER this hot on Halloween!”
Samantha nodded, not knowing what else to say.
The woman moved a computer mouse across the desk and began typing on the keyboard.
“I tell you what,” she said, “I don't understand all of the mess that they talk about on the TV.”
As she said this, she pointed to the television in the corner that was displaying The Weather Channel, which right now was showing a commercial for Flex Seal. “But this type of weather will make you a believer in that Global Warming stuff.”
“Yeah,” Nguyen forced a laugh.
The woman looked up at her and waved her hand. “But you don't gotta worry about it, there's a window unit in your room. The rooms are nice and comfortable.”
“That's good.” Nguyen replied.
“Just you tonight sweetie?”
“Just me.”
“I just need a drivers license.”
Samantha presented it.
“Just passing through?” The woman asked as she entered Sam's information into the decade old computer.
“No, I think I'll be town for a few days.”
The woman looked up in disbelief. “In town? What town? This town?”
Samantha didn't know what to say.
“No one comes and visits Haddonfield!” The woman laughed another belly laugh. This one devolved into coughing which she stifled with her hand....the same hand she handed Samantha back her driver's license with.
Not Miami at all. Sam thought, placing the card into her wallet.
“That will be $38.96 sweetie.”
Sam couldn't hide her surprise. This was the cheapest motel room she had gotten since...well...ever. She passed over her Bureau issued AMEX card.
“Oh I'm sorry honey, we don't take American Express.”
“Oh.” Samantha shrugged. Ordinarily this might have been an issue but she was pretty sure she could handle a $40 motel room from her personal checking. Besides, the department would reimburse her later. She passed over her VISA.
“I'm gonna need a receipt then.” She said.
“You got it.” The woman replied and opened a drawer in front of her, pulling out a large bronze key on a white triangular shaped keychain emblazoned with the motel's name and logo.
Actual keys, Samantha marveled, not those plastic keycards. She wracked her brain for the last time she had seen that and decided on..never.
Five minutes later she had rolled her suitcase into room 113 and had turned the key in the lock. The room was furnished very much like the lobby: light teal walls, mauve indoor/outdoor carpeting, popcorn cielings flecked with glitter set to sparkle by another pineapple shaped light fixture. She was almost positive the bedspread and pillow case mached the pattern in the chair cushions in the lobby as well. Samantha paused briefly to look at a picture on the wall, another strange Art-Deco Egyptian painting, this one featuring Cleopatra flanked on both sides by lions. The paintings were so bizzare and striking. Sam looked in the bottom corner: Rose Gauge 2019.
I'm gonna have to google more art by this Rose Gauge person. She thought, kicking off her shoes into a corner. She walked over the window unit as she pulled at the buttons of her pantsuit. There she turned the knob all the way toward the thickest part of the blue semi-circle and felt a refreshingly invorating blast of cold air hit her face from the dusty looking window air conditioner.
She laid down on the bed, and still with her bra and spanx on, she fell asleep almost immediately.
NEXT>>
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