#oh GET A ROOM u two

[payidaresque]

help, mom and dad are fighting. it's their way to dirty talk idc

[biblically-accurate-dca]

first meetings (bonus panel under the cut!!)

i didnt wanna add it to the main post bc it's a different size and it would mess up the format lmaooo

i think about these two a lot i think they could be really fun together in several ways. monty golf is right next to the daycare after all!!

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[tequiilasunriise]

bitches really be out here publicly divorcing as if they weren’t in a secret relationship

[heartual]

had such a good experience with surgery today i can’t even fully explain

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[villainsidestep]

'stop updating us on ur random thoughts every night' no

[yuukei-yikes]

mca ep 7 when ene's talking about shintaro and says he has nightmares every night and it shows him crying in his room with ene just watching him in the background. im so normal

[pillowenvelopchair]

Hey guys!! this is just my insane ramble on Still Waters Run Deep that's made by the lovely @un-local. I've had so so sooooo many thoughts about this fic and I decided to try and put it all coherently in a post :)

Probably not a lot of new insights, just many, many rambles

Magdalene analysis and her view on Rogier + some other stuff

Magdalene, at the start of the story, is aimless and refuses to follow any line of Grace, putting off whatever it leads to and going in the opposite direction. Yet Grace is fickle, and it all eventually converges, so she gives in. (aaaand a life-changing partnership ensues)

She wants out of the competition of becoming Elden Lord, and she wants nothing to do with it. Someone else to take lordship is what she wants. Magdalene, in her eyes, is not worthy to take the throne. But Rogier on the other hand…

Rogier is, quite literally, built different. He thinks differently compared to Magdalene (a STR vs INT user difference lol). He’s able to pick out all the details that she would miss. Be able to extrapolate and examine it all and be able to learn from it. Magdalene can't do that.

It's basically:

Rogier: says some fun facts about the most random thing in the room, saying all the history behind it, and what the tiny details could mean Magdalene: yeah, that's a rock.

So instead, she becomes a tool for Rogier to be able to use, because that's the least she can do for him.

“She can already feel the faint grin forming on her lips at the thought. She never wanted to be Elden Lord. She’d finally picked up and followed grace to... to get away, with no idea what it called her to do. When Melina told her where it led her, she felt only dread. But Rogier... To save Those Who Live in Death... Two birds, one stone. She meets his eyes, and doesn’t look away. In them, she doesn’t see pride, or avarice. She doesn't see a man who wants to rule the world. Not at all. The path forward is clear now.” -Chapter 22

For once, she really sees a light from the dark future she sees. She's hopeful that she won't have to take the throne, that Rogier can burden it instead of her. He's worthy in her eyes and because of that, she devotes herself to him with all she can do. (Ah but… I believe Rogier wants her to be Elden Lord? Not sure but her not wanting to be Elden Lord doesn’t quite fit with what he has planned)

Magdalene really holds onto Rogier, and his guidance (a comfort wizard, if you will). And so the idea that he won’t make it… that she’ll be left alone with Grace again, forced to join back into the competition for lordship... It's sickening to her. So she really clings to him, desperate to not be left alone with a destiny that she despises.

Magdalene is always pulled into different directions. Grace pulls her to one but she pulls herself to the opposite one. Fia and D are both on extreme sides of the spectrum on Rogier's survival, and Magdalene is caught right in the middle of it.

But for her, Rogier will survive, he has to survive otherwise... that light, that small hope she has will all fade into obscurity.

Ghosts from the past (Lorens and Ida)

I absolutely love how something, or rather, someone haunts both of them.

Lorens had been the catalyst of all of what Rogier does now. Why he’s so desperate to save those who live in death. He's literally devoted his body and mind to Lorens just to see him alive (maybe Rogier's devoting all of himself to finding a solution to death because he wants it to come back to the old times when it was just him and Lorens in the Rise, or maybe not!! I'm just rambling lol).

Every thought of Lorens is painted with a sort of bittersweetness to it. From Rogier's perspective, at the very least (I'm super curious as to how Lorens would view Rogier but we'll probably never get it because... you know...). He's almost obsessed with him, and it's all pretty unhealthy lol.

Magdalene, who’s haunted by Ida who's probably a sort of lover that hadn't been fully brought to fruition. Different opinions on what they have had made Magdalene leave with (from what I have seen at least, we have scrapes of her, people! I can't wait to see more of Ida though)

Now with Ida... Magdalene absolutely shakes herself out of every thought she has about Ida. Spurning every single thought or imagination she has of that woman.

"Nausea comes in waves. Fever. She can feel delirium taking her—she’s convinced she’s submerged in the very waters of creation, for a while. She vividly feels herself sinking deeper and deeper into a current; cold and dark and inescapable. As it pulls her down, she’s overcome with the instinct to breathe it in— Against her temple she feels a hand, with gentle fingers dragging softly through her hair. Suddenly, every layer of the dream collapses in on itself, and she jolts awake with a gasp.  Here, in Liurnia, she hauls herself up, rubbing at her face. Even the memory is a shock of cold water to her. She’s a woman haunted." -Chapter 23

(I just really love this part- I can't help it)

I think it's also really interesting how Magdalene leaves Ida due to their differences in what they have (?) while Rogier just absolutely hangs onto Lorens no matter what, despite him being... er... him. Not so sure about his personality with the small flashbacks we get of him but he’s probably not good for Rogier.

In short, Rogier venerates Lorens, while Magdalene absolutely rejects Ida. (Opposites!)

Rogier’s overthinking

Also found it interesting that when Rogier thinks he really thinks. He's a professional overthinker, even in the past

"He thinks of the labyrinthian etiquette, the way he’d triple-check every sentence for a double meaning. The secrets, the ruthless political schemes. It all felt like a spider’s web to him. He’d learned the game, and he played it well, but it had been nothing but paranoia and misery for him. Just like it was for everyone else." -Chapter 17

It's what's kept him alive (Ch. 17), and what's been able to pave the way for his findings Yet, it’s also his curse. He tries to pick out every detail that he can and think of every possible reason or motivation. Every single outcome he just needs to know so that he won't get caught by surprise again. He needs to be in control of the situation, he needs to be the master of the chessboard.

Oh and once this guy spirals, he really spirals. He starts thinking and looking at details, rewinding every single thing, every interaction, and trying to label a reason for every little thing. Yet... something emotional seems to break the surface of the water.

I personally think that he was raised to overthink. He was a noble after all, and he dealt with politics. He truly needed to check, double check, triple check, every single sentence and word in case it would have a double meaning. "He’d learned the game, and he played it well" (Ch. 17) . Getting worse after Lorens' death, being fooled by "Only a cut." (Ch. 25) and seeing the aftermath of it.

He can't not do it because if he doesn't, and he gets surprised it would break him (or at the very least, freak him out).

ALSO!! Rogier hating on "saccharine conversations" (Ch. 17) good lord. This guy cannot be real with anyone. Rogier refuses to show vulnerability because:

1. He was raised like that (the whole attachment theory thing) 2. He will absolutely break if he does

Do you guys remember when Fia tells Magdalene that "dear Rogier began to weep as he spoke" (Ch.14)? Fia saw through Rogier's walls through the cracks and he just absolutely breaks down. (Get yourself a man who, after "embracing" tells you all about this thing he's obsessed about and then cries because of it)

It's a mortifying ordeal, that someone's able to see through the walls you've meticulously put up. It hits something deep within that he’s tried to bury.

Despite the walls he puts up people other than Fia see through them. Magdalene (Ch.7) was able to see through the small cracks that have broken, and Roderika... hoo she really hit a nerve didn’t she? (But it also hit one of her nerves too, Rogier vs Roderika am I right?)

Chapter 17 analysis

Also, while we’re on the topic of Roderika, let's talk about chapter 17! Seems I have a lot to talk about.

I absolutely love this chapter so much, it gives us so much insight into Rogier's backstory and the way he thinks. His noble background really shines through here, with how he acts with Roderika who is a fellow ex-noble too.

"His grin is wide and carefree, but it rather feels like he's baring his teeth.  There’s no room for your pity here." -Chapter 17

This guy cannot accept any sign of sympathy/compassion with anyone. It's all pity to him, and he absolutely hates pity. Once Roderika starts to console him too it sickens him and it makes him bare his teeth like an animal, his baser instinct showing just a little bit.

He’s probably bore his teeth to other nobles in the court, or whatever meetings they have with one another. Small threats that get the message across by a vicious smile, is something he is all too familiar with.

I also think that it's a little bit funny how he gives advice to Roderika but then is also a little bit of a hypocrite about it

“It’s hard, to leave it behind. But the old world will keep its claws in you, if you let it.” -Chapter 17

Rogier while it's not his past life that he's stuck but rather, he is stuck on Lorens. Even though Rogier is no longer Lorens' student, even though Lorens is dead, he still has his claws on Rogier. It's his entire motivation, why he's in a "pathetic" state now. He isn't letting those claws go, he lets them dig deeper within him, and they dig in deep.

“You already have it within you," he says. "They were only trying to bury it.” -Chapter 17

Rogier immediately buries his own emotions in this interaction when Roderika tries to console him lol. Just based off of him being an ex-noble and his whole family thing, it's well established that he is very much used to burying it all down his gullet. I mean, is it really Rogier without emotional suppression?

Also Rogier tends to close off all the matters that relate to what he feels in his dialogue both in game and in SWRD. This guy cannot let out just a slight moment of vulnerability

A Color Theory Thing on my read on Rogier's garb:

Rogier, with his background being grounded in nobility has suppressed his baser desires in exchange for meaningless political schemes that have only brought him misery. Yet after coming to these lands, he finds himself with Lorens.

He wears a Raya Lucarian Robe and it has red on it. It's a sign of baser instincts being shown for once. He has grown an infatuation with Lorens despite being his student.

Yet, Rogier is still mostly blue, and he still suppresses that baser desire that he’s developed, that infatuation for Lorens. He never once builds up the courage to be able to tell Lorens what he feels. He would always bury those feelings down, and as a result he can't let go of it. It's far too deep to be buried back up.

But once Lorens has died, Rogier changes too.

He exchanges those garbs for yellow and turquoise (I think?). He's a mix of colors and beliefs.

He still has the blue in the turquoise, which symbolizes calm, intelligence, and emotional control (you can’t spell Rogier without emotional control) But turquoise isn't just blue, it also has green.

Green represents growth, life, and new beginnings. This is a new beginning for Rogier, who's set out for a new goal, to be able to save those who live in death (and perhaps give them life? Not so sure on that but in SWRD that seems to be the case with Lorens).

It's balanced by yellow. Creativity and originality, he's almost the only person we meet who wants to save TWLID. Not only that but yellow also symbolizes illness, which could be a foreshadowing of what happens to him later in his life.

It's not just sickness though, yellow also symbolizes deception. Rogier lies, but I necessarily think he's someone who is always deceptive. He's more like the type of guy who would lie so that an encounter would go well or not hurt someone else's feelings. I think he's like that from that whole ex-nobility thing he's got going on. Political schemes and lying through a smile is something that he's familiar with. (It also doesn't help that he keeps being emotionally suppressed too lol)

Cowardice is another. Rogier is scared to tell anyone about his emotions, to take that risk of being honest with someone. His background in nobility and his family definitely doesn't help either.

Rogier had been too scared to be true to Lorens and tell him his feelings, and because of that, he would never be able to. I feel like he's avoided it even more afterward. He refuses to take that jump of being honest with someone, whether it's about his emotions or his ideals, he doesn't let them go.

But when he does? With D, it completely breaks off everything they've had. Everything that they could have been.

"Beguiled fool. A rotten, sick bastard. Fouled by them. A wicked, two-faced user. Heartless. Loathsome parasite. How could he? Were they not supposed to set this crooked world straight? Profane. A perversion of honor. A madman." -Chapter 5

“Get out of my sight.” “I’m sorry.” He’d said, and he was. But Darian’s lips curled back, and he jerked his head away and locked his eyes on the horizon. His jaw twitched, in the moment he took to reply.  “Don’t talk to me.” There was nothing he could do to fix this. To undo his mistakes, to spare Darian his intentions." -Chapter 5

It's all gone because he had been honest about his goals (presumably). This experience probably strengthened that emotional suppression so as to not be hurt/caught by surprise.

So when Magdalene, someone who wholeheartedly accepts his ideals and sees his side for once, he's cautious. He can't believe that someone can genuinely agree with him because all the times that he has been honest, he's been punished for it. (though, he reminds himself that she's not like that)

In short, this guy's a mixed bag. A mixed bag with problems

(basing this off of the Elden Ring color theory video, it was an absolute joy to watch)

[EDIT]: idk what to call this section but he seems to seek out some form of approval. Lets see how that ties in with his grief!

"He still doesn’t understand why. What did he do, specifically? Or was he just past his usefulness? Deemed unfit to rule? He never truly wanted to rule as Lord, but to be cast aside so indifferently—it had shaken him.  Every now and then he fumbles with this, again and again, but he knows. He does. He knows that grace has forsaken him for good reason. He’s a heretic. An apostate. He who does not obediently bow before a faltering, decrepit Order, so ill-equipped to handle the world as it is. " -Chapter 5

"All these years. Couldn’t change a thing. Rather pathetic, I’d say—what a fool, thinking that this crooked world could be made right by mortal hands. Sure, deathblight. Truly, a fitting end for a worthless, rotten bastard." -Chapter 12

Now, speaking from some personal experience, being raised in a family that's of nobility and expects so much out of you from a young age definitely breeds some kind of self-worth issues that really stick with you. Especially if you haven't had anyone to truly support you.

Because of that, I believe that Rogier, in a way, is trying to prove his worth. But not to the Order, I think that he's in some way trying to please Lorens. Even in death.

He puts everything into his studies of Death, searching and scouring for scraps of information just to give him a single lead on anything, and for what?

"Its fulfillment will be a selfish act of altruism. These crooked lands will set right, by his hands, for a reward of nothing at all. But make no mistake: he needs another day. And another after that, and another after that. He needs his questions answered with questions, he needs his notes corrected in an unreadable hand, he needs to hear one more “Well—” followed by the most opaque, convoluted tangle of sentences ever constructed. There’s no reward he seeks, but the warm smile of cold gray eyes and a scoff about just what he’s wearing nowadays. " -Chapter 19

Rogier devotes himself to saving TWLID (saving Lorens, in reality), but it's not because it's all for selfless reasons, he seems to want things to go back to the way things used to be. Back at the Rise, with just him and Lorens once more.

I don't think Rogier ever accepted Lorens' death. He's determined to bring back Lorens, desperately trying to find a solution to bring him back no matter what.

And it’s quite hypocritical isnt it? That Rogier wants to change the Order to be able to sort of… revive Lorens from Death. To go back to the old times that they both had had.

This guy refuses to grieve and is searching (desperately) for a solution for a dead man who's probably not even good for him. Get this man some therapy

This entire post's summary is just me going:

Anyway, that's all for my crazy rambles! I can't wait to see how SWRD will progress, and how everyone will intermingle and grow with one another (Rogier and Mags)!!!! :0)

Have some doodles + a WIP that I'll probably never finish as a treat for reading this! (Mag's torso was wayyy too long on the second one oops)

(bonus boggart because I love him)

[rationalisms]

been thinking a lot about this specific phenomenon that's hard to put into words (so bear with me) where the technological limitations of the medium at the time a work of art was created are sometimes exactly the thing that helps lend it the atmosphere that makes it so compelling. and how sometimes superior technology is, despite the progress that's been made in so many ways, entirely unable to capture that same atmosphere for a multitude of reasons.

like, there's that brian eno quote ("whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature") that gets at some of what i mean, but not all of it.

i'm thinking about video games in particular, the way the forward march of technology does open new avenues but at the same time it inherently disappears older technologies and their aesthetics in the process, which is so tragic to me. and of course there's always nostalgia-driven attempts to recreate them, but those recreations inherently can't ever be entirely faithful to the specific charm of those older technologies and their drawbacks. (pixel art is a good example because sure, there's pixel art games being made now, but on modern LCDs they just won't ever look the same as they did on fuzzy CRTs; the fuzziness of the image made the pixel art come alive in a way modern TVs just can't.)

and this is extra amplified if games are set in a specific real world period or trying to emulate a specific real world aesthetic. because there's a little golden window of time where a game's technical limitations and the resulting art direction, and the period of time the game is meant to be set in, can perfectly compliment each other, like some sort of time prism. and any games made after that point can still do a good job at capturing the aesthetic of the era, but they won't ever be able to harness the inherent authenticity and atmosphere that e.g. noughties games and their 5 polygons can lend to a game set in the noughties.

there's no real solution to this and i'm obviously not advocating that we should be stopping any and all technological progress in favour of preserving certain aesthetics in amber, but it's still really melancholy that this is all so transitory. but i guess on the other hand we do get to enjoy those moments when technology and art/narrative can converge in the exact way they need to.

anyway, this was all just a really longwinded way to say that persona 4 is actually the best video game of all time. sorry if you thought this was about literally anything else

[dhmis-autism]

rewatched the family ep with my baby sis and my god i feel like i need to make a comp of how often in that ep duck gets totally shut down by the other two it happens SO much in that ep sugdkdvsk

[selfawxre]

posting separately as to not hijack flowers' post but realising that some of you guys may also not be as into ddlc and not know all the nuances and random tidbits about it and specifically monika. like, for example, the fact that monika's piano playing is a metaphor for her hacking the game/changing the code, the fact that every time one of the girls is acting particularly out of character she isn't present in the room, only to rush back in like "oh what happened? i had nothing to do with this!!", the times where she gets absolutely steamrolled in act 2 by yuri and natsuki and is so clearly taken aback despite the fact she's the one fucking with their codes to make them aggressive enough to do that, etc.

also just, all the lines in act 1 where she's so blatantly talking about her sentience but that you wouldn't pick up on unless you already knew she was sentient. like she is not even trying to hide it from the beginning, you just know when she talks about her "epiphany" she's giggling to herself like "oh they're never gonna believe what i mean by that"

[kurthorton-moving]

.

[evilkaeya]

No it's okay I'm not mad (visibly shaking with rage)

[this-doesnt-endd]

I still find it kinda wild that after 1 psych eval they immediently put me on antipsychotics

[kalashtars]