#of them being with other people. as part of a story especially

[14dayswithyou]

I literally have the most amazing and wonderful community in the entire world???? T_T In this essay, I will—

This is going to be raw and unedited because I want to get my initial thoughts out there before I forget n go back to crying /pos, but?? Yawl.... I can't even begin to find the words to express how appreciative and grateful I am for each and every one of you!! ;v;

I've spent the past few hours reading through everyone's personally written messages, then rereading them all again to let it all fully sink in. I'm being genuine when I say that I've never felt this loved or appreciated in any community before in my life.

Those in the Discord server might know about this already, but since the start of this year, I haven't really been enjoying myself (nor have I been as active) in the yandere VN community. There was far too much infighting between devs, parasocial communities, and toxic anons that ruined so much for me — so I withdrew from it all and remained in my own small bubble. Even then, I still got belittled, harassed, doxxed, and even became the target of Tall Poppy Syndrome by others; most of which nearly made me want to leave altogether, but the overflowing amount of support from everyone in the 14DWY community made me want to stay.

And even now, after reading all those heartfelt messages... I think it's permanently solidified the little space I occupy here on the internet :3

So... Yeah, long story short (and a story that will likely end up as its own separate Tumblr post gjskskjd), I wasn't enjoying myself at all in the yandere VN community... but I did have the time of my life in the 14DWY community. And it's all thanks to you guys.

I'm genuinely sooooo proud to have such an endlessly kind, social, and talented community; and I'm glad to have brought such an interactive and friendly group of people together over our shared interest in such a nice concept. 14DWY is essentially a labour of my love — and although I'm ultimately creating it for me and my silly interests — it's still something that I want to make worthy of you guys as well. All the love and support you've shown me and 14DWY motivates me to do my very best, and y'all deserve nothing less. So...

Thank you all for finding a comfort character in my Totally Normal Guy and his Totally Not Eccentric quirks. Thank you for all the insanely talented creations y'all make and share with me. Thank you for sending in your silly (/pos) questions and turning them into inside jokes and AUs for the rest of the community to enjoy. Thank you for talking with me and making this space a genuinely fun place for me to be in again.

From the bottom of my heart; thank you all so much. I really hope everyone has had an amazing year so far, and I hope 2025 will be as kind to you as you all were towards me.

I also want to give a big fat massive huuuuuuuge shout-out to Ashe / @flaneur001 my love (/p) for organising the 14DWY letter event on Discord, and for contributing so much of their time and dedication to the 14DWY community. You say you've only been part of the community for a year, but to me, that was a year well cherished and appreciated. The 14DWY community (and me especially) have all been so lucky to spend this past year with you, and I sincerely hope you've enjoyed it as much as we have. You've done so much for me, the community, and the 14DWY Discord server, so it's only fair that you get the recognition you deserve. So thank you, Ashe!! And a big thank you to everyone in the 14DWY Discord who participated in this event as well!

Now, if you'll excuse me, I have some cryin and sobbin to do <3 /silly /pos

[f1cflcfic]

The Prophecy (SMAU ft. Lando Norris)

pairing: lando norris x singer!reader (y/n)

summary: what happens after the break-up that noone saw coming? as Y/N L/N gears up to release her next album, each song reveals a little bit of the past, present and future of her relationship with Lando Norris. Inspired by a curated playlist built around "The Prophecy". note: this is RPF and is obviously in no way, shape, or form reflective of real persons. Also, this story is angsty with a happy ending - it does not contain any smut or suggestive themes. [A/N: This is my first SMAU and hooooooly shit did I totally underestimate how much work it is, and how things work within Tumblr to make it look alright. If you have any tips, let me know lol. I had to split it up in pieces, but i've got all the content written out already, so will be updated soon with the next part!]

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥

December, 2025

February, 2026

[Excerpt from red carpet interview at the Grammy's with Y/N]

How are you feeling tonight? You're up for 3 awards, one of them Album of the Year for All I Ever Needed - that's huge!

"It's so overwhelming, to be honest."

Even when you've gone through this experience before? This is your fourth time attending, second time as nominee.

"Yeah, maybe even more so! It's a great chance to hang out with friends and meet new people, but it's also really prestigious still. Being nominated - I try to act like it doesn't matter, because awards always involve politics too - but at the end of the day, you do want it."

And who're you most looking forward to seeing tonight?

"Honestly? I came alone tonight, so I can't wait to find Sabrina [Carpenter] and Jade. I'm gonna need my girls."

Your friend Miley is also up for an award tonight in the same category, what's that like?

"Ha, if the Grammy's do the right thing tonight she'll win it - I know I voted for her!"

You'll also be performing one of your songs - Ruin My Life, can you tell us a bit about what to expect?

"I really wanted this to be visually interesting, but it took me a while to get the right concept for it. I think it's because to me this album and song already feel sort of far removed, and lived in? I'm in a different phase of my life right now, so I had to find a new way to still connet to it. I was really grateful to work with a great art director to bring a different version to the stage."

March, 2026

July, 2026

[SkyNews excerpt]

Lando Norris wins Silverstone GP, dedicates his 20th podium win to his family

The man of the hour is none other than Lando Norris, who’s just gone on to claim his 20th victory at his home race. You’re reading that right, his home race! While he still owns his apartment in Monaco, Norris revealed today that he’s been living back in England for the past few months. “I just wasn’t in the right headspace anymore and wanted to live closer to my family. Especially now that my brother’s kids are growing up, I just like knowing I could drive over – rather than having to fly across countries.”

Speaking on the importance of his family being present, Norris shared that it means everything to him. “In this sport you need to have skill, talent, trust and investment from your team, but also you need that stable sense of safety from the people you love. If your mindset isn’t there, you can’t be competitive.”

Norris has been vocal about mental health in the past, and has advocated for more access to mental healthcare facilities and professionals across motorsport.

“Especially in tougher years where there’s just a lot of noise and turmoil, it’s nice to have a professional coach you to mental fitness as well.”

It was the only notable reference to Norris’ private life, which ended on a low note last year after splitting from long-time girlfriend y/n l/n. The two were originally thought to have had an amicable split, but recent reports hint at a different story, with Norris unfollowing his ex and her friends unfollowing him in return.

August, 2026

September, 2026

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥

Part II can be read here! likes, comments, reblogs are always very much appreciated ♥

[theshiftingworkshop]

So! Finally managing to post this major headworld between myself and @territorial-utopia, to which they have already alluded to here and here-

Consider this y'all's introduction post to Shaping Up!

In this nebulous network of stories and scenarios, there are giants and humans (and possibly others as well)

SD works for/is part of a sort of knight's reserve, and is a proper force to be reckoned with. Tall, even by giant's standards, strong, and a fan favorite amongst the patrons who come to watch and revel in the escapades and training that he and his fellow knights partake in.

Terri is a local human librarian and witch who loves to expand their knowledge of the arcane arts, potions and history, with one particular class of potions especially on their mind, despite the means to achieving them being nearly impossible, as far as they know...

Shop is a bartender who works in the building where people come to watch the knight's reserve display their prowess. Bubbly and outgoing, she always seems to know just how to handle things that would be rather difficult by giant's standards, like human sized equipment. Well known for her flare and service, some can't seem to shake the feeling that she shares an uncanny resemblance to a quiet human bartender who works the odd shift here and there...

[ladyloveandjustice]

Fall 2024 Anime Overview: Magilumiere Magical Girls Inc.

Premise: Monsters called Kai are threatening ordinary people, and only magical girls can stop them. However, being a magical girl is no longer the domain of teenagers, and has evolved into an actual career dominated by adult women. Companies employ magical girls and send them out to exterminate Kai. Kana is having a hard time getting her first job. But when she ends up helping out a magical girl, she’s invited to become one for a small, scrappy company. There’s a lot for Kana to learn…

This was my favorite magical girl show of the Fall 2024 season- and how amazing is it we had three new ones for once! There's a lot to love about Magilumiere! For one thing, it gave me something I always crave: Adult magical girls (or magical women, though they’re called magical girls in this show). Much like how classic mahou shoujo often explores the struggles adolescence and growing up, this show uses mahou shoujo as a way to explore what it’s like to be a young woman entering the working world. Kana struggles to grow her confidence and adjust to her new job, but with the encouragement of her boss and co-workers, she discovers her own talents.

All of the magical ladies are pretty fun, with my favorite being Hitomi Koshigaya, Kana’s senpai in the work place. She’s a brash and raucous woman who loves kicking ass with shit-eating grin, she only ever wears tracksuits when she’s not on the job, she talks like a delinquent, bursts with confidence, and she’s very protective and sweet towards Kana. Basically, she’s goals, everything I love about soft hearted delinquent girls only she’s actually a grown woman this time! Wow!

But we also get introductions to plenty of other cool magical ladies, all who approach their jobs in a different way where they can learn from each other.And the women are always treated respectfully, visually and by the narrative. No jarring objectification or anything like that.

The show has a bit more of a focus on men than you’d expect, since while the magical girls fight on the front lines, Magilumiere’s engineer/tech support team are men, and the boss and his mysterious backstory is a big part of the show. However, they’re all good characters! And the show does still put a big focus on women, exploring their relationships, their development, and all the cool magical girl fights they can get into. It is so nice to see some hype magical lady fights, and rather than the unfortunate animation poor Acro Trip got, this show does pretty well with its visuals and fight scenes. The story especially lot of fun with the transformation sequences, and I love to see it.

The show also has a lot to say about corporate world, and it feels like it’s only getting started on that. From the beginning, it makes sure to contrast the way Magilumiere operates from the more cutthroat business of larger companies. The company’s boss, Kouji Shigemoto, was previously a partner in a much larger business, but seems to have left because how they were doing things didn’t jive with his ideals, and now he’s in charge of start-up where he's very focused on the best possible experience for both his employees and customers. He’s contrasted to his previous partner, who’s gone on to grow a big company that only cares about efficiency and the bottom line. His old friend doesn’t care about property damage or the feelings of the people who need help, just getting it done quickly and going on to the next job. He fires his employees casually, and doesn’t seem to care about them.

Meanwhile, Shigemoto is a very encouraging presence in his company, who checks in with his employees, talks to them, supports  them, and really respects their input. Magilumiere makes a point of avoiding property damage and finding ways to help the customer, even if it’s a lot more trouble. He describes himself as wanting to “protect” peaceful moments where they can just hang out and have fun. It may come off as being a little too worshipful of start ups, but I don’t think it’s trying to say all startups are like this. Shigemoto started his with the specific goal of being kinder to his employees and being true to his ideals, and that’s not a thing that applies to all startups. 

It's not saying anything groundbreaking so far, like it’s definitely not deeply questioning the hellscape of capitalism right now, but the message is nice, and I’m interested in seeing where it goes. The fact magical girls are privatized despite providing a life saving service is interesting, and I wonder if the show’s going to touch on this too, since it’s been implied there’s a grim origin involved. And then there's lots of a little jokes about tech companies too. The fact the magical women suck monsters up into flash drives after defeating them is honestly so funny.

The story also gives some brief shout outs to struggles real women face in the workplace—it’s mentioned there’s people on not-Twitter who mock magical girls for being “old” and just seem to want to harass and criticize them. But this hadn't really been explored in depth so far, which I’d like to see from the show. It would also be nice to see exploration of gender on the tech side of things--- like in the real world, it’s really notably male dominated. We’ve gotten some focus on one woman CEO and one girl engineer, but the gender imbalance is very much there. 

 The show disappointed very slightly by briefly throwing out that men’s magic is “too aggressive” (whatever that means?) and that’s why it’s all magical girls, which is a too-common gender essentialist explanation for women dominating a fantasy action story (see: Claymore) that has weird implications. Why can’t a lot of girls just be really good at magic? Why can’t it just happen to be a female dominated career but there are some magical boys? (And the fact the the explanation has to be like, guys are just TOO strong, TOO cool, TOO manly is like. lmao okay.) But it is a throwaway line that doesn’t ever come up again (and it does at least frame it as a ‘mystery’ they might figure out someday).

That brings me to an issue that may be uncomfortable for some viewers- Shigemoto wears a magical girl outfit while he’s working, and when he’s introduced the angle and vibe is intimidating and Kana reacts in shock and possibly fear, possibly playing into transphobic stereotypes. The next episode, however, makes it clear she’s specifically be shocked that it’s a middle aged man wearing “cosplay” at work rather than ever saying it’s the dress, the other employees are chill about it, Kana gets used to it, and the narrative moves on pretty quickly.

However it comes up in a minor way a couple more times, with Kana saying she's surprised Koshigaya worked there after seeing the boss dressed like that (Koshigaya’s response being ‘hey you decided to too! People in this company are interesting, aren’t they?’). Another magical girl doesn’t seem put off by it at all, but immediately assumes it’s business related. It is implied there’s some sort of work related origin for his cosplay and it's possibly tragic, but he does definitely enjoys the clothing (and has a nice skincare routine) and the male characters are always 100% supportive, with one of them particular often discussing fashion with him, if there should be more ribbons etc.

So yeah, YMMV over whether it crosses over into transphobia (or edges into it) but I’ve definitely seen way worse. I feel the series is mostly supportive even if it’s like “hahaha it’s a little weird right!” it’s not outright mean to him about it (imo).

The pacing may be a little slow sometimes, really wanting to cover every moment of the manga, but it’s always a good time, and there’s plenty of hype moments. The concept is so interesting and has so much potential, and I feel like the show is running with it.

The show has been unfortunately been confined to Amazon Prime, where a lot of people probably missed it, but it seems to be doing well in Japan and a second seasons already been announced, to my delight!

Over all, if you’re a magical girl fan or are just interested in a good show that explores magi-tech, working adult issues, and has some cool ladies fighting and bonding, I really recommend this one.

[thisuserisgonesorry]

1,, im not a teenager . might be young but i have a pretty good grasp on adulthood atp , and i’m not the only person that thinks this specific take; ive asked a lot of mutuals/friends who are (young,,) adults and agree w/ me and many people in rbs agree so like .. bringing my age into this is so left field cos . idk . weird thing 2 say

2 in my experience from living in a very “redneck” (lack of a better term) area (though not america, so there could be a difference), ive met 20-25 year olds who look and act exactly like daryl in s1 because teenagers in redneck areas just look like that. thats where my estimate came from, due to my own experiences

3,, norman reedus literally just looks young in everything he plays . you cant deny that he has a bit of a baby face and doesnt ALWAYS look his age . (but also celebrity men do look like that cos they dont just start rotting away the second they hit 23 because blue collar / minimum wage jobs suck) and never did i say there was a problem w/ him being 40 , just that it didnt make sense in my mind,,, nd actors can play characters that are a different age than them. norman being 40 ≠ daryl having to be 40

4,, he wasnt embarrassed until around season 3-4 iirc , closer to when he was around more people and less isolated , closer to merles death , more so around when he found out carol would go to that community home to get away from ed and then more around beths whole arc (iirc? im a bit aways from s3 rn,,)

nd considering 25+ is around when the frontal lobe developed. yeah. he would act like an idiot in s1. like all young adults do. and he would helplessly follow his brother around for validation considering his childhood, and he’d do whatever he wanted. he would be a terrible drunk, with no job. young adults do that. especially ones w/ mental health / bad childhood

then he develops into a person who was willing to learn to deal with his trauma when around season 4 when (in hc) he’d be like 27 at the earliest (?) because we have to remember that we skip all of loris pregnancy and then the first year (?) of judiths life. making him on the closer side to 30 around the time the prison, when his character starts developing.

(and i never said 25 was the solid age, just that hes “like 25”, meaning im happy to account s1 daryl as 26,27,28, whatever, just that hes under 30 in s1 in my mind)

5 i agree that him being older plays a part in his story but i dont think being 25 suddenly makes him a little baby that makes his development void. his frontal lobe developed. that is a valid subtextual reason for him to mature. but that isnt the only thing that made him reflect and want to cope with his trauma. merles frontal lobe developed and he never tried to do what daryl did - therefor the age thing doesn’t exactly diminish his story or else merle wouldve changed before the outbreak, but he didnt, because some people dont. some people reach frontal lobe age and stay the same. its not “he just grew up” because then merle would have too, but he did grow up, and realised following merle was stupid. but he wouldnt have reached that outcome if there werent other factors so it can easily be both

6 i never said 40 looks old or that theres a problem w it, but how is he older than rick? than most of the other people there? being older than rick feels like it makes no sense (although rick didnt grow up like daryl did and they had carl young so blab yeah theres reasons) and merle being 35+ does make some sense though id somewhat agree 35 is young for merle. m not saying that ppl start decomposing when they hit 30 but god forbid i hc someone as not 40

+ trauma physically ages people so even if daryl did look the same age or older than rick, then it would still be plausible that hes younger. we see trauma age characters in this show. its not hard to assume it happened to him outside of the outbreak too

prob formatted this like a mess but ,, m tired

n e way other people in the rb say that they think daryl is different ages to all of them (varying from 20-40) and as i said in those rbs its interesting that no one can really “agree” on what age he should be cos hes an enigma like that and i think it suits him,, like we all can agree on certain things about certain character cos its a unanimous vibe but then his unanimous vibe is that no one truly knows him??? subtext of it all .

anyway /nm for all of this . im just a little guy . i respect ur opinion cos i love my pookie and i really do love that everyone interprets his story so differently ,,,, i just like talking about it

idgaf im sick of not saying it. s1 daryl dixon is not fucking 40 bro. hes like 25. there is no way in fucking hell.

[wolfsong-the-bloody-beast]

I'm kind of obsessed with Blackwall's idealized ideas about the Wardens. He was once picked up by a Warden and lulled by the promise of atoning for his crimes and turning his life around, only for that opportunity to slip away when the Warden not only saved him, but sacrificed his own life to do it. This whole experience makes our Blackwall become a Warden in heart, if not in blood, but with his own ideas of what a Grey Warden should be - noble, brave, inspiring, heroic, self-sacrificial. Everything he now wants to embody. He knows well that he's not there, but he wants nothing more than to start from scratch and be that.

In his beliefs, he reminds me a bit of Wynne in Origins who tells the Warden at some point that the Grey Wardens are supposed to be more than killing machines and weapons against the blight.

“There’s more to being a Grey Warden than killing darkspawn and saving the world from the Blight. Ultimately, being a Grey Warden is about serving others, about serving all people, whether elves or dwarves or men. As a Grey Warden, you are a guardian of men. And you guard them because their continued existence is more important than you are.”

However, we know that's not exactly how it works. That's what they want the Wardens to be. The light against darkness. The shield against monsters.

Although it's not entirely wrong, either, I suppose, all things considered. The more darkspawn they obliterate and push back, the more people are protected from them. Of course, sacrificing their lives to fight literal monsters, which means those same monsters don't eat everybody's kids, ultimately is heroic, and it's something that must have been born out of the need to protect the world and its inhabitants (from the Blight). But to have idealized opinions of the Wardens to this degree, you have to ignore all the other shady stuff and the mentality we, as players, also know the Wardens for. The fact that the Wardens are primarily weapons to slay darkspawn, prevent and end Blights, by any means necessary. The last part is important. After all, they are the Grey Wardens, not the White Wardens. They recruit from all walks of life and are famous for taking in criminals. Not to redeem themselves and get a second chance at life, but because they usually have nowhere to go and nothing left to lose. It's not a coincidence that each of the Origins gets chosen by Duncan, not only because he sees them as capable, but also because they are in a situation they can't escape from. Either they join the Wardens, or they're done for.

We know the Wardens from a few games now, but does the public in the setting even know? Does the average person have any idea how far the Wardens are willing to go? Besides grand stories of slaying monsters in the dark and preventing the end of the world? Probably not. The order is very secretive. And it explains a lot. The Wardens end up sounding almost romantic, when being a Warden is anything but. Is it ignorance talking out of these characters? Perhaps.

It once again shows us this aspect of Dragon Age where you can't take everything a character says as a fact, because the setting is full of people who have no idea what they're talking about, but who are absolutely convinced that they do.

And yet, I can't help but also like Wynne's and Blackwall's romantic ideas about what the Wardens are or should be, almost knights in shining armour and all that. They're fairy tales, but they're beautiful fairy tales. And I can't fault the characters for wanting to believe it or even live it. Especially in case of Blackwall, who sees it as a way to make up for the crimes he committed, somewhat. In the end, this might actually be a bigger draw to join the Wardens than, "Got nowhere to go? Come suffer horribly and probably die gruesomely with us!" It all sounds great on paper, though. I can't fault Davrin for trying to find purpose in life by becoming a monster hunter, either.

And maybe a little bit of idealism doesn't hurt. Not only it's good motivation, but in the end, doing things by "any means necessary" doesn't always pay off, either. It led the Wardens into all kinds of trouble, like getting tricked into employing dangerous forms of blood magic and demon summoning, basically into doing their enemy's work for them. In their determination to win at any cost, they helped trigger a cataclysmic event. Maybe having some principles isn't so bad after all.

In the end, I can appreciate that we get to see the clash of the old and new blood in Veilguard, where there's hope for the order to transform into an organization that's less secretive, less exclusive, and hopefully less prone to letting corruption spread through its ranks and make other devastating mistakes. Duncan once said that letting people join the Wardens isn't an "act of charity", and I like how Evka and Antoine go, "Yeah, you know what? Fuck that." And that likely inspires more loyalty. I imagine Blackwall would like that.

[arcane-ish]

Some thoughts on love, changing the world, co-dependency and commander Caitlyn

I watched this youtube video, “Understanding Vi”. I think it makes a pretty good case for why Vi falls for Caitlyn and what the appeal, the draw of the relationship is for her.

Looking at some of the other vids on the channel, I got the impression that there is focus a bit on ships that would actually be working and healthy in a real life way, couples whose personalities and goals and stage in life are a good match.

It made me look at CaitVi a bit under that light, and also what Amanda might have been thinking when she forged them.

I’m personally a big subscriber to the whole “shipping something doesn’t mean that the characters are perfect or that the relationship is perfect just that you think there’s a good story there”. And I vibe with that a lot. I can want to see characters interacting or just what the interactions would tell me about a character I like, even if I think the relationships might end in breakup or death and murder eventually. At the same time, not everybody ships like that or ships like that all the time.

It can be a particular type of comfort ship to look at your ship and just feel like things will be alright for them. That no matter what happens they’ll support each other and they’ll still be together when they are old and gray. And for that you do have to write the characters as just being very stable with each other.

[speaking of which, maybe that’s just the Zaundads shipper in me, I have seen quite a bit of hot CaitVi art of course and quite a bit of CaitVi if they met as kids, but are there any good arts of them growing old together/spending their life together? I know League means they will forever be frozen like that, but I think for a bit them with the first traces of gray hair could be lovely, especially if as part of a chain of arts with them also being younger]

I think CaitVi can work like that, two people who genuinely like each other, who want to make it work and who overall have enough self discipline that they can make it work despite any conflicts that might rise up.

Looking at the plot, I do feel like CaitVi got shafted a little bit in season 2, for my tastes, my priorities, because if you look around, it feels like with most of the other ships they have a measurable effect on the plot. Zaundad reuniting is the reason why the AU is like that according to the writer’s statements, Ekko stops Jinx’s suicide attempt, Jayce talks Viktor down from destroying the world, timetravel Viktor is the reason that Jayce became interested in magic.

And no, I’m not saying that CaitVi has no effect on the plot. In season 1 it is very clear, Caitlyn is Vi’s “bridge” to Piltover, their connection is why Vi and Caitlyn are standing in front of the council trying to make a case for Zaun, their connection is also the reason for a lot of conflict and misunderstandings between Vi and Jinx.

And even in season 2, her love for Cait is clearly the reason why Vi joins up with the enforcers or why she lets herself be handed over to Ambessa.

But now we get to the actual meat of what I want to talk about. I know there are a lot of jokes about “Vi calls Cait cupcake and fascism leaves Cait’s body”. And here it goes: I don’t think that that’s true because Cait was pretty half-hearted about fascism anyway.

And this is not to say Caitlyn is not to blame for the things she did as Commander Caitlyn or before. Heck, especially if you knew on some level that it was wrong makes it extra questionable in its own way. But that’s just genuinely how I read Caitlyn as a character. From her point of view there two big candidates for “for love” decisions:

turning on Ambessa

letting Jinx go

But both of these to me seem like they are in general alignment with what Caitlyn is feeling in this situation anyway. Which doesn’t mean that Vi isn’t a factor in the mix of Caitlyn’s motivations. But that she isn’t the only one and that I can picture worlds where Caitlyn makes roughly the same choices even if Vi wasn’t around.

Caitlyn doesn’t fight to become commander. It gets offered to her without any pushing on her side, it basically falls into her lap. We skip forward in time and she is already doubting that it’s a great idea in her scene with Maddie. I feel like her doubts grow in the scene with Singed. IMO Caitlyn was (1) never that gung-ho for commandering from an ideological point of view, she was willing to do it and ignore her own doubts for the big goal of “catching Jinx”. And yes maybe she was curious about Ambessa. (2) she was already out with half a foot when she meets Vi again and Vi gives her the opportunity to jump ship.

Similarly, letting Jinx go, I feel like Caitlyn understands that she needs to let go of her hate. That’s what her scene with Jinx is about. Maybe in a world without Vi Caitlyn wouldn’t have been able to bring herself to the point of actively letting Jinx go/unleashing her on the world again even as she understands that she needs to let go of Jinx/her hate for Jinx. But I think she at least heavily would have thought about it.

I think from a ship point of view? You want your ship to be powerful, you want it to have a ripple effect on the plot, you want it to shape the world. But from a relationship point of view? It’s probably better and saner if the people involved are put together enough that they can fix themselves before hooking up and are not co-dependent on each other for not going evil or not offing themselves.

From a relationship point of view, it’s probably better that Caitlyn doesn’t need Vi to develop doubts about Ambessa and that Vi doesn’t need Caitlyn to pull her out of her self destructive spiral from the beginning of s2a2. Because if they have the strength to pull themselves out of their dark places it makes them more ready to have a healthy and sane relationship and choose each other because this is what they want.

There’s a romantic appeal to co-dependent characters who absolutely need each other, but from a relationship POV? It’s probably better to … not be like that. That Vi and Cait do have things in their lives and parts of their personality they want to explore before they return to each other.

(that said, I do hope CaitVi fandom is full of “Commander Cait can’t live without Vi and decides to sneak into Zaun to watch Vi fight undercover, after having seen the posters, or just having heard the reputation, or runs into her accidentally while doing a raid on the club. Because while from an intellectual point of view I totally get why it’s probably better that Vi pulls herself out of her hole, for my shipper tastes, yeah I totally want Cait to see Vi at her lowest and it gals me that in canon Jinx is sneaking into Vi’s fights to check on her and not Cait)

[moonshinesonic-moonstarslight]

Paper Planes story notes:

Okay, so who else wants to see Shen Yuan trying his best to not get trapped in og!Shang Qinghua's web? While said character is casually sipping vinegar like it's fine wine because he's aware of the System, the fact that he has lived through many different versions of this story, that he is the vessel of the creator god, and that out of all the souls in this game "Peerless Cucumber" is the only one who has Airplane's favor so much.

Not even Mobei Jun has the same benefits for being the "favorite character" as Peerless Cucumber gets for being the favorite follower. Seeing that he gets happy endings, purposely left blind to the inevitable tragedy to come, the story warped to benefit his wims, and he's the only one who gets Airplane playing along personally with his story beyond the usual song and dance.

Yeah, for the possessive vessel who is in a love-hate relationship with his god... Peerless Cucumber is the one person he is willing to put up with the System in order to be able to pull him off his pedestal.

Lucky for him! The System has been getting bored with the usual storylines and decided that it wanted to see how User 002 would be able to handle a meta-knowing character and see if it can finally be free of giving said user Easy Mode. (It has to offer it and Shen Yuan keeps taking it...)

So it allowed Shang Qinghua to recall the past storylines and the things surrounding Airplane (Which is something that has been permitted before so no big deal), made sure that the traitor didn't go into his tried and true tactics of focusing on getting Mobei Jun to become king while doing everything to make the North the only true stable part of the demon world one Tianlang Jun gets sealed away. (Og Shang Qinghua has two people who are worth the heartbreak and suffering that ultimately is his fate: Mobei Jun and Airplane. Not that he would tell either of them, especially Airplane, but that doesn't mean he doesn't see them as the only people worth his effort.)

In order to get what it wants for this story, the System pushed for Shang Qinghua (still a lowly disciple and fighting against his need for human connection because he knows how it's going to end up) to make connections in the sect. Basically either make a friend with one of the other characters or find a lover with one of them.

And while Shang Qinghua isn't keen on facing the pain of connecting with another person only for it to crumble into tragedy... He has befriended Shen Jiu before. Mind you it never ends well. But he has.

While he always tries to keep a pessimistic view, Shang Qinghua actually has a lot of optimism regarding making changes in comparison to Airplane. So here he goes again attempting to have a relationship with Shen Jiu.

So Scumrat was a thing that had happened before Shen Yuan got transmigrated in. It ended pretty nastily but given that Shang Qinghua has a habit of leaving the past in the past while Shen Qingqiu has a habit of avoiding his actual feelings... Neither had brought their past up and have been moving on with a distant professional relationship.

However... Shen Jiu was in love. Still in love actually. There is one person he would lay with and that is his sneaky shidi who is too pretty for his own good. Shen Qingqiu had to fight to control his impulse to look at no other person when Shang Qinghua is in the same room. He was able to control it after a few years, but it is still a fight. (Shang Qinghua has a way of digging his way into people's hearts and just staying. Does he realize this? Nope! If he did it would be a thousand times worse.) He also has a weakness for Shang Qinghua's attention and touch. Thankfully, Shang Qinghua (who knows about this weakness) has never found a reason to use that weakness against him... Yet.

And while Shen Jiu is gone... his body is still present and the echoes of those memories are deeply engrained to where not even a soul transfer can change that fact.

Shen Yuan doesn't know this. And he doesn't have the training to ignore his body's need to watch and melt under the touch of Shang Qinghua.

Who is more than willing to use Shen Jiu's weaknesses against Peerless Cucumber. Especially once he notices that the transmigrator can't pull his eyes away when they first meet. Not even Luo Binghe can drag those eyes away and Peerless Cucumber has blatant favoritism to the little godling. (They meet before the IAC because Shang Qinghua is not dealing with shoddy paperwork thank you! Basically, he came back from a melon seed trade deal to an amnestic Shen Qingqiu and, while being completely aware of what happened, decided to be a 'good shidi' and assist his shixiong with relearning how to do the administrative side of Peak Lord work.)

The System is sitting back on Shang Qinghua's side and pushing on Shen Yuan's. If it could eat it would be popping back popcorn as it watched the showdown between the Author's Vessel and the Favorite Anti-Fan.

Still trying to figure out what happens after the sudden realization that the scum traitor is fully aware that you are not his shixiong and he has no reason not to use said shixiong's weaknesses against you.

Shen Yuan is desperately trying to remain standing and keep the protagonist from landing into the traitor's web. Because Luo Binghe likes his shishu for some reason.

[arcane-ish]

Btw here's Amanda saying exactly same of the "sins of the fathers" line 2 years ago/in a post s1 AMA, not just in a post s2 interview (idle is Alex Ye, Leeloo is Amanda Overton)

In the end, people cannot control how they react. It can be as simple as "that character wears the same kind of a shirt as the kid who bullied me in school and so I will always perceive them as bad regardless of what the text of the show says or the intent of the writers was".

Imo the text of the show was clear on them not being bio brothers ("old friend", "you were my brother", "he was like a brother to you", Silco describing his revolutionaries gang as brothers and sisters against the world).

To me the statements of the writers suggest pretty firmly they had other metaphors (fathers, partners, bizarro reflections of each other). That doesn't mean that "kinda like brothers" wasn't part of those metaphors but it just clearly wasn't the only one and it was still clearly still "kinda like brothers" and not "literally, biologically brothers".

And as you said, they don't vibe like brothers so it's not even like they accidentally wrote them interacting like bio brothers.

I also don't think they were trying to brotherzone them. I just genuinely think for them, yes despite the importance they have for the vibe of the setting, they just don't have enough high priority. So I don't think writing either as shippy or non shippy was that much of a priority. (See how in season 2 Warwick's character clearly exists mainly as a setup/stepping stone for the story of the sisters, which is not a complaint, it's just their hierarchy of importance)

And why should they? Zaundads despite the in jokes is still a relatively minor ship and fans aren't exactly known to flock old dudes with significantly less screentime in a show of conventionally hot people.

Imo the writers were saying plenty about the relationship (ie different aspects of Zaun, on opposite sides but same goal,

I dunno, League canon is just so full of literal brothers but also pseudo brothers, I just never struck me as odd that "brother" is used as a replacement for "really close relationship", especially within the context of both revolution and something really gritty and physical like mining.

(to me it actually seems a lot more odd for people in an intellectual setting like with Jayce and Viktor to use that word with each other, especially since Silco's speech makes it clear that brothers and sisters is used more broadly)

As for people mistaking them for brothers... I dunno? Again the show I think with terms like "old friend" and "like a brother to you" is quite clear that it is not literal biological brothers. If people don't pay attention to the dialogue of supporting characters I can't help them? Like with my "a shirt like my bully", you cannot account for everybody's experience?

Maybe for some it's a kneejerk reaction of "old dudes being gay romantic is icky so I'm gonna throw myself into brothers despite what the text has always said"? Maybe for some it's some sort of cultural issue where they genuinely have never heard of any brothers in arms, revolutionary brotherhood, brothers and sisters in Christ stories/speeches/lyrics?

Maybe in some cultures and/or social classes it is more or less frequent that you call a friend a brother/a bro?

But your original question was how it came about. I gave my best take: they never thought of them as bio brothers, their main theme was sind of the fathers, they didn't think of them that deeply and they can't account for every weird reaction or misinterpretation people have to their text? (See the vastly different takes on "dirt under your nails" and that was on their premiere canon OTP)

So like wtf even was zaundads.

I mean from the perspective of the writers room. Because S1 vander and silco were actually genuinely very sibling coded. In a weird uncomfortably homoerotic vibes way, yes, but a proper effort was made in the writing to parallel them strongly with vi and jinx, and they kept calling each other ‘brother’ instead of having it be one line said to a different character (cough jayvik cough).

Then s2 does the brokeback mine jackets thing and it’s like ok sure whatever. Then you get to episode 7 and. They are 1000% a couple. Like they are DADS and clearly wifing each other up HARD. And I would say maybe it’s a case of animators going rogue if it were just stuff like silco running his horny ass fingertip along vander’s bra strap or whatever:

But it’s in the writing too! Having Benzo do the chronic third wheel ‘ugh’ when silco and vander do their gay lil heart eyes toast… that felt LOUD.

Like I really just don’t know what to make of a show that sibling codes two dudes so successfully in s1 that a large chunk of the audience thought they were biological brothers, then does THAT in s2. I mean I love zaundads and I love s2e7!!! But these writers…..

I’m not sure the shippers are the ones who get confused between romantic and brotherly vibes tbh 😅

[alevolpe]

Hello! I plan on doing a Sailor Moon rewrite later on next year (bc i have a lot of shit to do in the entirety of my 3rd year of university) and I'd like to know what issues you have with each season of sailor moon. You don't have to name all of them, just name the biggest problem(s) you have with each season!! I hope I am not troubling you :3

Hi! You're no trouble at all! Thank you for asking, I'm humbled you're interested in hearing my opinion.

Ok, let's see. Before I start I wanna say, these are MY opinions based on also how I'm doing my own rewrite AU thingy, so don't take it personally if I don't want to include elements or characters you love. (Most fo the time it doesn't even mean I don't like those characters in canon, I just don't think they'd fit with the specific narrative I have in my mind)

I'll say for Season 1, my biggest issue is the amount of time it takes to get everyone in the cast. By the time we get Mina it's like what, over 3/4ths of the season in? I like that the show takes its time introducing everyone and giving the girls some organic bonding time in the filler, but there's better ways to do it imo. That's why I have Usagi be the last to awaken and meet an already tranformed Ami and Rei, so we don't totally break from Usagi being the center at first. We can use her as a vessel to get to know these new people and this crazy new identity at the same time she does, letting us know more about her too in the process, while not slowing the pace of the story to a crawl. As we get to know more, you can introduce the rest of the girls and break from the main group to catch glimpses of Mako and Mina, to later unite them. But that's my fix, there's other ways to fix the slow introductions, just.. don't maybe go manga style and spend only one ep per girl and immediately move on to the next, give them time to breathe.

My main issue with Season 2 is the time travel. The show does NOT know its own rules and that is a recipe for disaster, once you introduce an ally that is able to time travel, you got a LOT in your hands. Everything in the show could be solved with one travel through time, but they never do. Why? Cause otherwise the show wouldn’t exist. It leaves too many possibilities and questions that is not ready to answer. Idk how one could fix it, I'm sure there's many ways you could, I just have 0 interest in incorporating time travel in sm.

With Season 3 I'd say it's the introduction of the whole Pharaoh 90 or Mistress 9 thing. I don’t know, I know they are the main baddies, but like.. just make Saturn the main threat, she already basically is. That's my problem with it, I'm sure a ton of people disagree, but I'd rather the season just focus more on Saturn, Haruka, Michiru and Pluto, I don't need another "queen Nehellenia" type villain that gets introduced 2 seconds before the end. And I lovee Eudial and Mimete, but we don't need 5 of them. I'd just make those 2 Tomoe's assistants and that's that. Too many villains, especially if you're not going to do a motw format.

With Season 4.. uff where do I even begin. Tbh I scratch the whole season and do a ground up rebuilding project, but if I HAVE to stick with the canon structure I'll say make Nehellenia more present. She's THE BEST part of SuperS, make her more present and more threatening. Give her that mirror power from the get go, make her appear in mirrors, reflections, show her subtly , in the background, give the season a subtle but palpable atmosphere of unease, make her scary. I WANT TO BE SCARED of her! Also unrelated, but get RID of the S*A metaphor with the 3 eyes.

With Stars the whole pacing the season is a mess. The start is way too slow and the end is rushed as fuck. Introduce Galaxia as a present threat earlier, again idk how you'd do that exactly while keeping the episodic tempo of the show, but my solution is. Don't! Lol

[olderthannetfic]

since OTNF has a book and I assume some percentage of readers also are publishing original queer stories I wanted to ask people how do you market them practically?

My thing is that I already have a revised draft (for context it's a simple M/M contemporary romance). I didn't hire an editor to look through it but I'm considering it too. Getting the cover and things like that are also on to do list but the thing that keeps getting my skin to crawl is the "start a tiktok page and use ao3 tags to market your queer book" part that everyone keeps saying.

I assume because it works for them but I don't think I'm built for tiktok and being there as an author.

Now I know this sounds like a cop out. That I'm just complaining (maybe I am) and the reality of the matter is that I have to start doing something in that department given I have no social media presence at all (not on my personal accounts, and I don't wanna tie this down to my fandom accounts).

And every time I open advice youtube channels or blog posts it's all the same. Post on social media 10 times and week. Market yourself without actually marketing yourself. Be consistent etc etc.

I guess I wanna know how other people are doing it? Or do you have resources that help with this? Are there resources that help with this? That are not just parroting the same 5 advices and in the end try to sell you a marketing course?

--

I haven't tried advertising on tiktok. I don't know how much things have changed in the last few years, but it used to be that a lot of the paying customer base was older and hanging out in Facebook groups for "m/m romance".

I've been too busy in my personal life and with trying to get a few books under my belt to even really try to advertise. When I do (probably when I finally get this next book out), I don't think tiktok would be my choice.

One thing I'm more invested in is building a BL index so we can get away from amazon and especially from paying amazon to advertise. I think that kind of thing (not ratings, not reviews) is the future for us, both as writers and readers.

[getaandlucius]

A brief taste of honey (Geta love story)

Summary: Lucius has to go to war, Geta waits for him. Lots of angst and fluff and smut.

Previous parts: part 1, part 2, part 3, Part 4, Part 5, part 6, part 7

"You have been distracted, Lucius."

It was early morning, and they were on their way to Aequilum to witness the remnants of devastation left by the Phytians, who had since moved north. Lucius and Marcus rode at the back of the column, while general Mantius led the army ahead.

Lucius frowned. "What do you mean?"

Marcus was silent for a long moment before speaking again. "Listen. You are like family to me, and because of that, I will be honest with you—you're making dangerous choices." He slowed his horse. Lucius raised an eyebrow. Marcus had not spoken to him in such a manner ever and it took him by surprise.

"You know exactly what I’m talking about. I saw what happened back there." Marcus added.

"I’m not following, sir."

"Infatuation, Lucius."

"Are you referring to me and Geta?"

"I am."

Lucius shook his head in confusion. "I did what we agreed was best—keep him alive and present him as an olive branch to the empire."

"Precisely. But that’s not what you’re doing now, is it?"

Lucius grew increasingly frustrated. "I did what I had to do to keep him alive!"

"Yes! Keep him alive, not fall in love with him!" Marcus raised his voice, causing the soldiers ahead to glance back. He immediately lowered it. "Not only have you made yourself an easy target, but now you’ve ensured they have two."

"What are you talking about?" Lucius ordered his horse to a halt. "And who is 'they'?"

"Don’t play ignorant with me." Marcus ground out, his tone sharp. "Look at how they treated your mother and Acasius, knowing how they felt about each other. In the end, both were killed."

Lucius was taken aback by the coldness in Marcus's words, who was clearly not done with whatever he had on his heart.

"Affection is a liability. You simply cannot afford it."

Lucius didn’t know what to say. Pretending he didn’t care for Geta seemed foolish now. Everyone had seen them together. He knew Marcus was right—he had always known, deep down. But he didn’t want to admit it to himself. He had started to care for Geta to a point where there was no turning back.

"And don’t forget," Marcus added, "you yourself mentioned the power vacuum we’re facing now that the twins are off the throne. You’ve read the reports—at least some of them."

The distance between them and the column of soldiers was growing rapidly now they were both standing still. Marcus’s face grew harder, the lines between his brows deepening. "There are rumors of a growing group of supporters from Caracalla and Geta’s realm, people unhappy with the choices you’ve been making. You need to take this seriously, Lucius. You must."

To Lucius, the past weeks had been consumed by preparations for the battle against the Phytians, securing the trade routes—and, admittedly, worrying about Geta. Any additional threat had seemed distant, insignificant. The reports that mentioned such threats appeared to be little more than rebellious murmurs.

Now, Lucius feared Marcus might be right. His concern for Geta had clouded his judgment, causing him to overlook a growing danger.

"In politics, especially in your position, there is no place for adolescent infatuations." Marcus concluded.

Lucius opened his mouth to defend himself, feeling like a child being scolded by his father. But Marcus raised a hand to silence him. "I know you’re not solely to blame. I should have intervened much sooner."

Lucius swallowed hard. His throat felt dry. "Who’s leading this group of the opposition?" He asked, feeling like he should already know the answer.

"We don’t know yet. Most likely someone from the previous Senate," Marcus said. "There doesn’t seem to be a clear motive, which makes it difficult to assess the threat."

Lucius nodded, deep in thought now. "When we return, I’ll ensure a thorough investigation is conducted."

Marcus didn’t respond, clearly still unconvinced. They rode in silence for the rest of the morning. Then Marcus spoke again.

"I have one last question."

Lucius looked up, pulled from his thoughts. "Yes?"

"You must promise to be honest with me."

Lucius nodded.

"To what extent do you trust Geta? How much do you share with him?"

Lucius paused. Physically and emotionally, he was starting to trust Geta with his life. Politically, however, he kept his distance. Perhaps it was the delicate nature of their positions and the way they obtained them, or his doubts about Geta’s political judgment.

"He can be trusted. But I don’t share political matters with him."

"And he doesn’t mind?"

"No."

That was a lie. Geta did mind—especially the lack of freedom in his current position. He hated being treated like a puppet.

"Don’t you think it’s a bit naive to assume that he does not care much, considering he was an emperor of Rome less than half a year ago?"

Lucius sighed, not liking the condescending tone of his advisor. "He does mind. But it’s not what you think. He cares more about his autonomy than power."

Marcus gave him a long, searching look, clearly unconvinced. Lucius, growing frustrated and tired, asked, "Can we drop this for now and focus on the battle ahead?"

Marcus gave a curt nod. "Alright."

They camped that night in Silvanus, a small town nestled beside a dense forest. Soldiers and townsfolk mingled, sharing stories of Phytian raids and the hardships they had endured.

Lucius’s mind remained distracted.

Over the next three weeks, Lucius and Mantius led their troops through a grueling series of campaigns, steadily driving the Phytian forces out of the region. Marcus stayed behind most of the time but joined the strategic meetings every night, helping plan their next moves.

At night, Lucius often lay awake, thinking about Marcus's words—and about home. He missed the comfort of his bed, the luxury of good food, but mostly, he missed Geta’s scent and wakeful pressence. He thought about the softness of Geta’s lips, using those thoughts to smooth away the horrors of battle he’d witnessed that day.

The victories came at a cost—supply lines were stretched thin, and the soldiers endured harsh conditions and relentless skirmishes. But Roman discipline and strategy ultimately prevailed. The Phytians were decisively defeated, their forces scattered. The trade routes were secured, though the cost of victory weighed heavily on the army. It was time to return home and rest.

----

When Lucius finally returned and entered the main hall he noted delighted Geta looked much better. His cheeks were rosy, his skin regained a healthy glow, and the gauntness had almost entirely vanished. He wore a spring-green tunic that dipped low, revealing the top of his midriff still wrapped in white cloth. His movements were more agile now, fluid—closer to the grace he once possessed.

As soon as he saw Lucius, he immediately dropped his breakfast and rushed to him, flinging his arms around his neck.

He pressed his lips to Lucius’s cheek, then dropped his face against his shoulder. "I missed you," he murmured into the fabric.

"I missed you too." Lucius replied, lips against his hair. He was aware of the people around them, not having forgotten the words of Marcus at the start of their journey. Any displays of affection should be limited from now on.

After a long moment he broke the embrace and held Geta by his shoulders.

"You look good," Lucius said, then grinned. "But you definitely need a haircut."

Geta grinned back. "I know." Then his expression faltered as he stared at the bruise on Lucius’s forehead, mostly hidden by his hair.

"You’re hurt," Geta said, concern evident in his voice.

Lucius reached up and gently touched the bruise. "It’s nothing."

Geta pushed his curls back to get a better look at it and shook his head. Then his eyes scanned the entirety of Lucius's body. "And the rest? All intact?"

Lucius smiled. "No broken bones, just some scratches and bruises."

Geta narrowed his eyes, clearly not convinced. Lucius couldn’t help but laugh. He wasn’t used to seeing Geta fret over him. Lucius's absence must have weighed heavily on his mind.

"I’ll see Ravi now. Join me before dinner for the preparations?" Lucius asked.

Geta nodded. "I had some new outfits made for the both of us."

"Made friends with the seamstress, I see?" Lucius said, though not surprised. Geta had always had a knack for surrounding himself with beauty.

"Of course. It’s the most valuable of friendships to make at court." Geta replied, smoothing a hand over the lush fabric of his gown.

After being stitched up by Ravi and cleaned in the bathhouse, Lucius made his way to his private quarters.

Geta was standing in front of the bed, a few gowns spread out on the linen. He wasn’t wearing a shirt, and when he turned around, Lucius’s gaze immediately fixed on the scars. They were dark pink but didn’t look bad at all.

Lucius approached him. "They’re healing well," he said.

Geta nodded. "Pius says it’s quite remarkable how well my body is responding so far."

The words melted Lucius’s simmering worry, and he felt instantly lighter. "I’m glad to hear it," he said softly and reached out to trace the skin around the scars with his thumb. Geta’s throat bobbed as he swallowed.

Lucius’s eyes drifted to the gowns displayed on the bed. "So, do tell me, what did you have in mind for tonight?"

Geta pointed. "Gold and white embroidery on ocean blue. It’ll match your eyes."

"And you?"

"The same."

Lucius raised an eyebrow. Geta looked up at him. "It will match with you. That’s enough."

Lucius knew this was the moment to protest, to suggest something practical and unremarkable. But when he looked into Geta’s eyes, the warmth pouring out, he could only nod. He licked his bottom lip. "It’s beautiful."

When they were both dressed—with the help of two servants—Geta sat down on the bed.

"Come here," he said.

Lucius frowned and slowly walked over to the bed.

"Come lie here, lay your head in my lap," Geta ordered gently.

Lucius removed his sandals and climbed onto the bed, then lowered his head onto Geta’s thighs. He sighed deeply. Suddenly, he felt impossibly tired. The ride home had been long, and the emotional weight of the past month—the battles, the mind-games, the stress—came crashing down, pulling him into the bed. He closed his eyes.

Geta’s fingers skimmed over his features, almost as if mapping them. He brushed the pad of his index finger lightly over the bridge of Lucius’s nose, then under his closed eyes, skimming his eyelashes. Finally, he reached Lucius’s mouth. Geta dragged his finger over the seam of his lips, which parted slightly on their own.

"Open wider," Geta demanded.

Lucius briefly complied, allowing Geta’s ring finger to slip inside, making contact with the wetness of his tongue.

Heat pooled in his stomach, but Lucius gently shook his head, his eyes fluttering open. "Not now," he said, his voice thick with desire. "We’re already late."

Geta frowned, clearly disappointed, but he nodded. "Okay, let’s go."

----

The celebrations were lavish, a reflection of the victory that had secured the region. The hall was a blend of gold and rich jewel tones, with candlelight flickering across the marble floors.

The food was plentiful, a feast of roasted meats, fresh fruits, honeyed cakes, and wine that flowed freely from golden goblets. Laughter and conversation filled the air as the nobles and soldiers mingled, exchanging stories and toasts.

Lucius and Geta, both wearing their matching gold and blue garments, stood out amongst the crowd. Geta’s gaze never strayed far from Lucius, his movements synchronized with his every step. It was as if they were tethered together, a quiet understanding passing between them.

"Let’s go outside," Lucius whispered when he noticed the sun beginning to set.

Geta looked up at him, searching his eyes. Lucius kept his gaze on the crowd.

"Wait five minutes, then meet me in the garden by the sculptures," Lucius said.

Geta nodded quickly.

Lucius made his way through the people, politely declining invitations to converse. He exited the hall and entered the garden, the cool June air tinged with the scent of cypress and myrtle. He breathed in deeply as he made his way toward the statues of Venus and Diana, where the last light of the day cast everything in soft hues of honey, yellow, and gold.

It didn’t take long for Geta to appear, slightly out of breath. Though his health was improving, he still wasn’t fully recovered. When he reached Lucius, Lucius immediately took his arm and pulled him into his embrace. He groaned softly, the sensation of having him close feeling more right than anything - anything. His hand slid from Geta’s back up into his hair, pulling his head back to expose the column of his throat. Geta’s eyes closed.

Lucius leaned in, his tongue following a path from his collarbone all the way up to Geta’s jaw, making him moan softly. Geta’s body turned heavier in his arms, weight dropping backward, and Lucius held him tighter. He found Geta’s open mouth and kissed him deeply, exploring with his tongue, swallowing his gasp. Geta pulled back, not to breathe, but to flick Lucius's upper lip with his tongue before sinking his teeth into Lucius’s lower lip. Lucius groaned, letting him continue, his hands slipping under Geta’s fabric, tracing his spine up to his shoulder blades. He arched into him, wanting him closer, skin to skin, the desire nearly overwhelming.

Just as Lucius was about to drop to his knees, voices from behind the cypresses broke his focus.

He straightened instinctively, pulling Geta against his chest, and stepped behind the statues into the dense greenery. They waited there, the air thick with the sound of their breaths. Geta’s heart pounded against Lucius’s chest, his cheek pressed into Lucius’s.

When the voices grew quieter, Lucius loosened his grip and looked at Geta, whose cheeks were flushed, eyes bright and hazy. He licked his lips.

"Let’s go inside before anyone notices we’re gone," Lucius said with a sigh.

---

Lucius let Geta enter the room first while he lingered in the halls, avoiding suspicion. But when he joined the crowd and walked over to their table, Geta was nowhere to be found. Lucius scanned the room, then decided it best to sit down. Minutes passed, then half an hour, but Geta didn’t show up.

Lucius grew concerned. He got up and checked the other tables before moving toward the halls on the east wing. But Geta was not there either.

As the party-goers began to leave, Lucius couldn’t shake the feeling of unease. Ravi hadn’t seen him. Neither had Pius. Even Marcus didn’t know where he had gone.

"Just get some sleep, Lucius," Pius reassured him. "He’ll undoubtedly turn up in the morning."

But Lucius couldn’t sleep. He wandered back to the garden, unable to understand where Geta could have gone in the few minutes between their departure and his return to the room. The garden was dark and empty.

Frustrated, Lucius went to his private chambers and sat on the bed, going over every possible explanation in his mind. He sank into his pillows, exhaustion creeping over him, unaware that Geta was tiptoeing in moments later, careful not to wake him.

Please let me know what you think and if you have any requests! Love to hear your voices. <3

Taglist: @potato1d-blog1, @joan2914

[vomittedsoap]

reblogging my own post bc lowkey...we need to put a brief pause on the Body of Christ or Doubting Thomas metaphor and move on to greener pastures. I mean yeah literally they're eating eachother, but we can also find some Biblical analogies with

the Leviathan (Tunbaaq..also easy bc it's Crozier is extremely fixated on a fictitious book of the Bible named "Leviathan")

Peter walking on water (the shipmates walking on ice=water, in the book there's more problems with them falling through the ice. That's how the majority of the marines end up dying)

Noah's Ark when he constructs a ship to find land (ahem ahem...northwest passage?) Generally there's a lot of boat-centric verses.

Jonah, even though I've already seen a few of y'all get into that. Good job, team.

Sodom and Gomorrah (easy...Hickey and Gibson/Manson, but the more interesting part is Lot's wife being transformed into a pillar of salt as she looks back at the city of Sodom after it was struck down by God...plug and play,baby.)

The Israelites travelling across the desert after escaping Egypt (idrk but it's such a long story there's probably something in there, especially the golden calf or the Israelites' general uncertainty about having to rely solely on God for every single thing)

Anything that has to do with fire, i.e. burning bush, tongues of fire at the Pentecost, the cleansing fire etc.

Before Jesus feeds the five thousand people with fish and bread, he hops on a boat to go to a solitary/deserted/uninhabitable place. He was known to do this several times, including going up the mountain before being crucified and venturing out into the desert where he was tempted--these being intimate moments with God where he contemplates his next move (think about Irving's schpiel to Hickey about being alone on the boat being a great time to fix yourself)

Jesus going into the desert for 40 days and being tempted in several ways: turning stones into bread (think of the crewmates eating inedible stuff like shoes), to prove himself by jumping off the temple so the angels will catch him (think of John Franklin assuming that God will save them with no work on their part, or any time someone was in air, Blanky hanging from the mast maybe), and to worship the devil and become king of the world--which can be interpreted as the devil telling Jesus to obtain the world through political means instead of God's plan (think about the promise of land in the Northwest Passage, or colonialism in general, as well as all the political factors that came into creating the Franklin Expedition)

Daniel refuses to eat the King's meat and opulent foods/wine that were blessed by other gods, and instead he and half of his followers eat just vegetables and water, and the other half eat the king's food. The ones that eat the meager vegetables and water are strong, but the ones eating the meat become weaker and sickly in comparison. (think about eating lead-tainted human meat, or lead-tainted goldner's cans instead of the fresh food)

Just paraphrasing using my 3rd grade understanding as well as several ActionBible reads. Anyways... I'm just saying we can get pretty creative here, and these are some examples that I'd love to see used.

The Ladder has to be one of the best episodes of The Terror(not that the otheres are worse but ykwim). The speech Crozier gives that features the story of Jacob's Ladder as well as the rest of the writing from Sir John that basically reiterates what he said to Collins before he descended in his diving suit (something like "God lies in all realms") has such a chokehold on me...The whole episode is so eloquent, like even Irving's speech to Hickey about bettering himself while he has the chance and the world being born anew from an ark is beautifully said.

Interestingly, the story of Jacob's Ladder happens when Jacob lays his head on stone to sleep in an ancient city called Bethel, which means "House of God" and kind of made its debut in this verse. There's a fable/morality tale that takes place in Bethel when Elisha(the current prophet at the time) is taunted by a mob of teenagers, whom he curses, and God sends she-bears to kill 42 of them.

"And he went up from thence unto Bethel: and as he was going up by the way, there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head. And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them." 2 Kings 2:23-24 (King James Version)

Basically the story is teaching that you shouldn't jeer at prophets no matter how much you dislike what they're saying. Possibly there's parallels here with Tuunbaq.?? The She-bear?

I mean I'm not the most well-versed with Bible stories like this one so if any of you know more feel free to share. It's just interesting to me.

[howlsofbloodhounds]

I think we as a collective fandom should make more angst stuff about epic.

dude canonically traumatized, stuck with a crappy magic donor (epic!gaster)who saw him as nothing more than an asset (called him that to his face mind you), raised his brother by himself after that said magic donor went to get the milk on his way to commit genocide, hasn't gotten a wink of sleep in the last 20 years and is suicidal as a result (along with other reasons) - WHY ISN'T THIS FANDOM DOING ANYTHING ABOUT THAT????

This fandom LIVES off of the misery of residents of the multiverse. The utmv has basically gotten the MLP treatment with the OG material being sunshine and rainbows and every Au out of it having the vibes and story of silent hill and I have no mouth and I must scream.

Like imagine how many peices of art or fanfics that could come out talking about this stuff!!!! AUGH SO MUCH POTENTIAL. Like what if epics friends find out about his past, what if his brother finds out how he's actually feeling. IMAGINE WHAT CROSS AND THE X-TALE GANG WOULD DO AS A RESULT. WHAT THE CHORMATIC CREW WOULD DO!!!!

TOO MUCH POTENITIAL BEING WASTED >:(((((((((((((((((

Probably cause most of the focus in the sans AU part of the fandom is mostly on the bad sanses and making them into either a family or a large poly that’s barely a poly.

So basically, shipping. Many people forget Epic even exists — and replace him as Cross’ best friend even — and mainly focus on using him to say a joke or something. Which isn’t too bad I suppose, I’d imagine it’s rather hard to get Epic to drop that “memey” part of his personality—especially if it’s also a coping mechanism for him—but also imagine what it’d take to push him far enough to drop it or let it slip.

[utilitycaster]

I can’t help but feel that the people who are complaining about the people criticizing this campaign are the types that are going to be pissed if BH does just kill Predathos and lets the gods live, especially if that comes at the cost of some supposed deserved happy ending for their faves. And what’s maybe ironic is that I feel that an ending in which BH choses to save the gods, the campaign does rise a bit in my esteem, and might in the eyes of some other critics as well, as it would, i dunno, maybe play into these themes of forgiveness and love and overcoming resentment that keep being used as a defense of this campaign and these characters? 

Anyway, godspeed on the quest to find good faith arguments on why this campaign is excellent. would genuinely like to see one.

Oh definitely. Like...look. I hope I conveyed the point of "I don't particularly think either of us are approaching this with a deep respect for the other, but we can at least make a polite fiction of good faith that, if you actually can come up with an argument that assumes that, I will accept in genuine good faith" and so in that interest I'm trying to scale back on attacking people. But also...I've been down this road before. When people complained about how bad Campaign 2 was, firstly, it specifically took hold either right after a ship competing with theirs became canon or at least was strongly hinted towards; or was in response to Molly not coming back; and secondly a lot of this happened after they'd been effusive in their praise for the campaign up until that point. Whereas for Campaign 3 you can, if you actually wished to do the research, go to my blog or most of my mutuals' blogs and do an archive dig and trace the optimism and excitement turning into skepticism turning into "yeah, this ain't it chief" with fairly consistent complaints (poor pacing, plot-character mismatches, indecision, failure of the characters to ever really challenge each other meaningfully in a way that leads to growth) throughout, coupled with, if I am being honest, a massive deal of grace and patience and "maybe this is the course correction" that was not always earned. Dorym becoming canon did not shift this among the many people who like Dorym and also think the campaign isn't very good, myself included, so I don't really think it's shipping wank that's the problem. I'm not inclined to respect arguments that either, 118 episodes into a campaign that's very close to its end, demand I consider its ~potential~. I have. It has, for the most part, failed to deliver over the course of those 118 episodes.

If a common complaint within the fandom of people who have watched hundreds of hours of this story is "it's unclear what story it is telling and the party is aimless" and small pockets and echo chambers are like NO YOU DON'T GET IT...I don't want to say its impossible for this to happen and that the majority is automatically correct, but were I an outside observer I know where I'd place money in a bet.

And yes, I agree. I think a lot of of the people defending it are either, to be very blunt, in a sunk cost fallacy situation/dedicated to a certain level of contrarianism more so than having their own opinions that exist independent of the fandom; or believe it will give them a happy ending for their faves or validate their belief the gods should die or they just want Exandria to burn at this point for whatever reason. I don't feel it's actually something that follows from the narrative, which, as this post so aptly puts, is just kind of sailing towards the rocks while the crew sort of bickers and doesn't do anything. It feels like the most satisfying endings possible are either achieving what the gods couldn't and destroying this existential threat for once and for all (in which case the gods survive, and hey, they actually did take a third option that no one was really talking about, the indecision was still boring as fuck but at least there's a scrap of payoff), or tragedy befalling them (loss of party members, killing a large swath of Exandria) as a consequence. And neither of those are what they want, which is like. the abstract concept of change and the less abstract and deeply unflattering concept of killing everyone who didn't give you what you wanted.

It is in fact unsurprising that the arguments in the fandom are the way they are. Wow I wonder why people who think "I asked this person for something and they didn't answer so I think letting loose an endless hunger entity to eat them" is a good and noble thing to do can't handle the idea that existing in the world means you and things you like will receive criticism, and other people won't just do what you want if you whine loudly enough.

[trixiegalaxy]

@illustrationist-of-the-stars hi! So I was thinking about maybe trying to write a fan fiction story for this AU idea, but I want to ask you and other twst/hsr fans for some advice.

(Please leave your thoughts in the comments or DM me. I might delete this repost later on if I decide to write the story)

First off, for the part of Yuu: Should I make a Yuu OC or use a female Yuu reader for the story?

Because an OC might make it easier for me to write the background story and personality, but I'm thinking that people might enjoy reading my story more if I use a female Yuu reader.

Second, I really like the idea of the twst characters being given an Aeon blessing, but I don't know which Aeon blessing or element power to give all the twst characters (including Yuu)

I do have ideas for a couple of the twst characters, mainly based off your artwork illustrationist-of-the-stars:

Jack - Aeon Blessing: The Hunt, Element Power: Wind

Ortho - Aeon Blessing: Erudition, Element Power: Lighting

Ace - Aeon Blessing: Elation, Element Power: Fire

Deuce - Aeon Blessing: The Hunt, Element Power: Physical

Epel - Aeon Blessing: Beauty, Element Power: Ice

I know that I want to give Grim Fire element power, but I don't know which Aeon to give him. And what element power I give Yuu might depend on if I use an OC or not.

Finally, third: besides from Grim, I want to give the other twst characters, especially Yuu, a weapon that goes with their element power (and maybe personality). But again, I don't know what to give them. Also, like the element power, Yuu's weapon might depend on if I decide to use an OC or not.

I had a fun TWST × HSR AU idea

Instead of HSR characters traveling to Twisted Wonderland, TWST characters get teleported into the world of Honkai Star Rail.

Takes place during book 7

Yuu, Grim, Ace, Deuce, Epel, Ortho, and Jack decide to leave Lilia's Farwell party early and check out Yuu's bedroom mirror. Sebek also shows up later while looking for Malleus. But right as Malleus casts his signature spell, a stellaron appears and activates on the Isle of Sages. The combined power of Malleus's spell and the stellaron causes a portal open in Yuu's room, and teleportes the group onto Herta Space Station. Later, the group joins the Astral Express crew in order to find a way back home.

The only two downsides of this AU (that I can think of) are: 1. Yuu would have to keep Grim by their side 24/7 because they have no magic to protect themselves, & 2. Jack probably wouldn't be able to enter the Xianzhou Luofu because he might be mistaken for a borisin.

Thoughts?

Ohhhh, I have many manyyy big thoughts about this, you just made this hyperfixation worse, dear chum....

The First-Years getting transported into HSR would be such an interesting concept, like other than the small satisfaction Yuu would get for their closest friend group struggling with the getting isekai'd trope with them aswell and getting to re-learn everything again with an entirely new magic/power system would be absolute hell, the possibilities are endless with this!!

Getting accidently transported into Herta's Space Station would be the more kinder place to be unceremoniously sent to out of everywhere else there to be honest. Like, Herta herself would probably be interested on how did a couple of 'rowdy and simple-minded brats' got even on her secure station without alerting anyone but it would be fleeting so in true Herta fashion, she'd dumped them out to someone else as their problem. (Sorry Asta and Arlan-)

Imagine the group getting on the IPC or the Intellegensia Guild....brrr....or like the other planets that hadn't have their Stellaron problems get resolved yet.

Speaking of Stellaron, having one with a recently Overblotted Malleus around would be a natural disaster waiting to happen...not their problem tho-

Okay, maybe it's a bit but who the hell even told Nanook to put it there??? :,]

Anyways, have some messy fake-splash art stuff for the First-Year's in sketches (minus Deuce,Jack and Epel because idk how to design their stuff yet or their roles):

Yuu and Grim as part of the Astral Express Crew/Outlander Passenger(s)

(Alt pic without Yuu and Grim)

Hear me out,,,Ace Trappola as A Masked Fool/Mourning Actor...

Sebek Zigvolt as an up and coming Guard either for the Astral Express or Herta's Space Station...

Ortho Shroud as an advance 'Intellatron' for Herta's Space Station...

Ruan Mei and Screwellum would love him not gonna lie

(I'd like to think that Nous acknowledges Ortho but Ortho really doesn't care about an Aeon's acknowledgement when he's busy with other more important stuff....like trying to get back home and back to his own brother)

Also you can probably tell when the quality drops due to me being a bit lazy oompf