#of one of my OCs I mean

[crispy-ghee]

I was drawing Kevin McHale for a commission and this picture was given to me for reference and just...basketball shorts were *so short* back then that you can't see them at all in this picture, so it just looks like he's not wearing anything and just hiding his junk behind the basketball ahahaha

i'm kind of obsessed with this

[blackkatdraws2]

[Toon x Mobster] Chapter 1: First encounter.

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Jack Desmond was running under the heavy rain with a bag over his head, as he had given his umbrella to an old lady on his way home. It was an act of generosity that wasn't out of place in the whimsical place of cartoons.

He almost missed the dark shape sprawled out in an alleyway. Nothing too unusual, maybe some ne'er-do-wells or a goofy character caught in some mishap, but somehow, his gut told him that it felt different. Disturbingly out of place.

Faintly, his nose picked up on a worrying scent. Hesitant yet worried, he trudges closer, his shoes being tainted with red as he knelt down beside the dark figure. “Hey, buddy, you alright?” he called out, voice full of concern. His fingers tentatively touched the man’s shoulder.

Jack gasped, pulling his hand back quickly. His fingers were smeared with something deeply red and thick. His brain slowly processes what he's seeing, unbelieving. With the scent being washed down by the heavy rain, he pulls his palm closer to his nose to take a sniff.

His spine crawls and he jolts up, confused eyes shaking yet staying transfixed on the injured person as he stumbles backwards. He takes a closer look at the man's face- or, just his entire self for that matter. Staring back at him was a foreign face twisted into a harsh scowl, unconscious. Deep scars crisscrossed his face, making him look rather villainous.

This guy wasn’t a Toon. The thick dark coat, those scars- the blood. This man was from another Genre, one that didn’t belong in their streets of lighthearted fun.

His eyes caught sight of the gun tucked into the man’s coat, confirming Jack’s fears.

He's a Grim… perhaps a Guktav member?

The Guktav is one of the biggest and most influential criminal syndicates in the Grim genre where this gloomy-looking person probably came from. These men were dangerous, he'd better make a run for it just in case the assailant of this scene was still nearby.

Unsettled and too riddled with uncertainty and fear, he'd planned to just mind his own business and skedaddle… but his foot stayed planted where they stood, eyes transfixed on the wounded Grim man.

The more he stared, the more the puddle of blood spread.

The rain made the blood travel to the soles of his shoes quicker, and Jack’s stomach churned. He’d never seen anything like this before, not in this city. Life here has always been peaceful and non-life threatening despite the slapstick gags of silly violence people were hit with, but this? This wasn’t funny. This sight made his innards twist.

Jack glanced down at his palms, still stained with blood. The rain hadn’t washed it away, no matter how hard it came down. Starting to get a bit dizzy, he slowly starts to walk away.

Authorities… He should go call the authorities.

…

His feet stops not too far away, and the rain comes down harder than before.

"…Oooh-! Applesticks!" Jack curses, turning back with a huff and stomping back towards the man. “This is a bad idea.” He muttered to himself, shaking his head as he bent down again-

Jack's heart nearly leapt out of his chest when the man's gruff hands grabbed unto his arms and pulled him down, bloodshot eyes glaring straight at him. Jack's legs felt weak, his knees buckling and harshly hitting the bloody floor, terrified as the man's stare told him all he needed to know.

Do anything bad and he'd kill him.

The man's eyelids twitched, pupils rolling back. His large body collapsed on top of the smaller man, making Jack stutter as he fell on his bum, unable to balance himself. Jack lets out a breath he didn't know he was holding, staring at the unconscious man lying limp on his stomach, staining Jack's suit with his blood.

Jack Desmond swallows hard, his heart wavering. Should he really do this?

[This chapter has been edited.] _

Next - (chapter list)

[demaparbat-hp]

*pats Zuko's head* This bad boy can fit so many near-death experiences.

.

Read For the Spirits Chapter VIII here!

[anbaisai]

someone mentioned floyd on my last post and gave me the motivation to finally draw this image summarizing floyd & mayu's dynamic (although whether he feels up to it is like 50/50)

[ruushes]

still endlessly indecisive abt my datv worldstate bc ive played these games too many times and have too many ocs now but ive seen a lot of people drawing their worldstate characters and i wanted to too lol so here’s my tentative pick

fantastic templates are by marianchurchland ❤️❤️💕

[marshadellow]

Two types of Cotl fanarts

[girlboyburger]

had an identity crisis, prime time for a slight sona redesign!

it's cow! (again!)

+ a closeup because i'm really proud of the eyes

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[choccy-milky]

✨ pokémon AU! 🔴✨ clora is mainly fairy & psychic (bc shes sweet but also smart) whereas seb trends towards fire/dark (even tho i only ended up giving him 1 dark pokemon...shhh) i originally gave him a houndour, bc dark + guard dog was such a perfect combo for him, but arcanine ALSO suits him and is way cuter so i had to go with that 🥹 and i had to fit in a raven and a snake pokemon somewhere bc...cmon🥰 BAHAHA

TYSM to the anon who inspired this!! it was so much fun

[ai-kan1]

Haven't finished anything recently but!!! But look at my new daughter!!! RINAA!!!! She based on Cleo 🐠🐠🐠🫧🫧

Actually her name is Carina but Rina is her nickname!!!

[howlsnteeth]

for the last three nights, you can't help but notice; you've seen the same black cat on the fence, watching in.

[lokorum]

"oh минем сөекле дустым, they're going to burn us"

[cinnamon-flame]

Wof oc doodles!

[royaltea000]

You’re my baby, say it to me

[anbaisai]

".....What is this." "Hm? Was this not what you meant, senpai?"

His hand looked empty 😤 so naturally I had to make her hold it

[ruushes]

dancing lessons! have to pass the time at camp somehow 💃