#of course there's the colonialism issue

[theitcharchives]

I looove zooming out of my works and examining them through lens of contemporary events. Babydoll you're such a product of your times

[pomodoriyum]

its so funny 2 me when im reading a fic and like. its entirely missed the whole point of the show. likeit must be on purpose sometimes b/c people find it easier to write characters flatly but like. man. oh boy you missed it

[mariocki]

Edward Woodward guest stars as Jack Liskard, Prime Minister of an unspecified African country and the target of multiple assassination attempts, in The Saint: The Persistent Patriots (5.15, ITC, 1967)

[yinyuedijun]

ZERO-SUM GAME

It’s different with Aventurine. You like being his luxury hand watch. You like being his elegant knife, his liar’s dice, his pretty poker chip. You want to be his object—the object of his affections, something he can parade around just like his expensive suits and his beautiful jewellery and his ostentatious furs. Look at me, he uses them to say. Look at what I own. Look at what I own despite this code on my neck. Look at what I've won despite my eyes and my blood. (Or: Aventurine wins you in a game of poker. He decides to cash out his prize right then and there—to enjoy you on the card table, laid out among all the chips and cards.)

8.6k words of psychological issues, explicit smut, and deranged characterization. aventurine tops, reader bottoms. public sex, voyeurism from strangers, piv, oral (reader receiving), fingering with gloves on, creampie. mild dubcon but the reader is ultimately into it. afab gn reader, they are playing a fem-coded role for an espionage assignment (dress, heels, makeup). themes of objectification. discussion of slavery and sa during slavery (not explicit). dead dove do not eat, mdni.

You are in the grandest casino of Kinyoshi Moon Colony, and Aventurine is running your latest husband into life-ruining debt.

You aren’t cut up about it. If your marriage (or concubinage, rather) were genuine, you'd maybe be annoyed about the loss of capital. But as it is, this relationship is an assignment from the IPC—one of the longest and most excruciatingly boring yet. Fortunately for you, Aventurine’s presence tonight means that you've finally gathered enough intel for Diamond’s needs. It is time for the IPC to terminate your latest contract, and Aventurine is here to collect you.

Which is a little funny, given your relationship. It is strange sitting across from your boyfriend, draped over another man and thoroughly ignoring him. You’re entirely focused on fawning over your husband instead—laughing into his ear, lighting his pipe and filling his whiskey glass, and oh, Mister Li, you're so funny, you're so clever, I think you should go all in!—but Aventurine doesn't react. He only smiles at the two of you, like he isn't bothered by the sight.

This is, of course, an act: when you came home from your last marriage (assignment), he'd made sure to pleasure you so thoroughly that you forgot all about your ex-husband (mark). Aventurine did not openly admit to any kind of jealousy at the time, but you could tell he hadn't been keen on letting another man touch you. He usually isn't too keen about anyone touching any of his things, in fact. Despite appearances, he always abhors the thought of losing anything important.

But any fears he might have are concealed right now. They’re always concealed. Hidden by the expensive suit, the countless stacks of chips, the golden walls and high-vaulted ceilings of the Venetian Zhijin, Masked by his generous gifts, his easy laughter, his careless frivolity. You can see right through his gilded smile. The rest of the table cannot.

They are all intrigued when Aventurine asks, a playful lilt in his voice, “How about we make this game a little more interesting, gentleman?”

The other players at the table consider him. The other plus-ones—concubines, courtesans, gigolos, and so on—look at him with calculated expressions of cursory interest. You do so as well, but only for a moment. Your gaze quickly returns to Mister Li’s face—your husband is meant to be your true focus, after all, not the game. You are not a player at this table, but an accessory. Closer to an expensive watch than a human being.

Some business magnate from the Triangulum Galaxy leans back and raises a brow. “I'm listening,” he says. You watch a bead of sweat travel down your husband’s neck.

“How about we up the ante,” Aventurine says, his voice light, “but instead of betting more money this time, we bet our dates?”

You think, in other star systems, other worlds, such a suggestion would invite riot. But Kinyoshi Colony being what it is, and the Venetian being the establishment that it is, the other players at the table only laugh. Nearly half of them deal in the trade of human beings anyway—this is nothing novel for them.

“Well,” one of them says, “it’s not like winning more money’s gonna make a difference to any of us.” A round of chuckling. He turns to his date—some noblewoman from Jarilo-IV who seems greatly out of her depth—and says, “What do you think, love? How do you feel about being part of my wager?”

She doesn't like it. She clearly doesn't like it, and she also clearly doesn't know how to say it. Were you not on the clock, you might intervene. Maybe. As it is, though, all you can do is observe quietly. All the power in this gambit lies with Aventurine. Even when surrounded by men who manipulate the wealth of entire cities, planets, galaxies—he remains in full control.

“There’s never any shame in folding,” he says, magnanimous. Then he looks your husband in the eye, smiling conspiratorially. “But I know there are some of us who aren't afraid to take risks.”

Li laughs. “You’re right about that, Mister Aventurine.” He gives you a fond smile. And of course he does—you’re his last shot at winning back all his losses for the night. “I think you'd make a pretty little chip, don't you?”

Although Mister Li is clearly less distressed at the thought of betting you than he was at the thought of betting his company just last round, you notice, out of the corner of your eye, a muscle in Aventurine’s neck twitching. It’s very, very subtle, and he'd have never let himself do it if the table’s attention were on him, but he did it. Perhaps it was involuntary. Your mouth curls.

“Sure, darling.” You try not to sound too giddy. “I’ll be whatever you like.”

Ordinarily, you wouldn't be so happy about this farce. This is, put plainly, a stupid way to extract you from your mission. Were the cards in anyone else’s hands, your husband could win and you might be stuck with him for another several weeks, at least—assuming that you aren't discovered and killed first. Or you could go home with another man and be subjected to the kind of things that men do when they trade human beings, and you don't think the IPC would care too much if you were. You are an asset before you are a person, after all. At this table, you are closer to an expensive watch than a human being—and at the Company, you are an overpriced knife.

But to Aventurine, you're a chip in one of his games, and you don't mind that so much. Men who only know wealth will throw around their riches thoughtlessly, but men who have endured poverty will hold onto them tightly—desperately. Aventurine takes care of his luxury watches, his elegant knives, his liar’s dice. His capital. And he never loses anything. He always comes to collect. You trust him to collect you, even with this stupid plan, so you are calm as you watch the dealer shuffle the cards.

The table makes their bets. Most of the players go all-in. A couple fold, perhaps feeling some degree of concern for their partners, but it's more likely that they just have shit hands. A lot of the ones who continue playing have shit hands anyway. Your husband doesn't do too badly—a straight flush. He seems confident.

Then Aventurine lays out his cards. Ten. Joker. Queen. King. Ace.

All hearts.

You have to take a sip of your whiskey to stop yourself from laughing.

Aventurine, himself, has the grace not to look too smug about the outcome. Or maybe it's very unremarkable for him, all these winnings being pushed over to him—poker chips and human beings. Some of the other dates are clearly anxious as they move toward him (they are expected to be loyal to their husbands), and some are clearly excited (they are expected to be frivolous, hedonistic playthings). He humours them all, for a little while. Puts on the usual show as they crowd around him, charms them because it'll be good for business partnerships in case any of their husbands care even a little bit about them. You'd do the same in his shoes. But in your current ones (six-inch heels, black leather, red bottoms, luxury), all you can do is seat yourself on the card table and light up a cigarette. Waiting.

Aventurine eventually sends them all off. All I wanted was to get to know you, he says cheerfully, which is probably not a lie. After they leave, he asks the dealer to close the table and go on break. Turn a blind eye. You raise a brow when they obey him.

How interesting.

You're still enjoying your cigarette by the time he turns to you. You flash him a smile, one of the ones that you use for work. His expression doesn't change, but his thumb brushes against one of his many rings—switching off your synesthesia beacons for some privacy—and he leans back to study you. You know he's admiring you, but it could be mistaken for a leer.

“Well, well,” he says, “If it isn’t the esteemed concubine of Li Fengzhi.”

“The esteemed fifth concubine,” you correct. He hums, looking surprised.

“I thought you were the fourth. Did I misremember?”

“No, just misinformed. He took another concubine right before I arrived on Kinyoshi. He acquired a sixth just last week. Turns out he picks up paramours like they’re strays.”

“How inconvenient.”

“It made no difference to me,” you dismiss. “I’m his favourite anyway, but I’m sure you knew that already.”

“I’d have had to be blind not to notice it. You have the man wrapped around your finger.” Aventurine leans back, studying you as you smoke on your perch. “But before we continue—why don’t you come a little closer, esteemed Fifth Concubine?”

You make a face. “That title doesn’t sound as nearly as flattering in Avgin dialect as it does in Zhijinese,” you note, though you get off the table anyway. You don’t go very far, electing to seat yourself on his lap, your arms draping around his shoulders. The feathers of his jacket tickle at your bare shoulders; the satin of his gloves glide down the skin of your thighs before settling on your calves. “Since you’ve won my company for the night, though,” you sigh, “I suppose I can humour you, Mister Aventurine.”

“Lucky me.” He leans in, his breath sweeping the shell of your ear. His fragrance surrounds you, your body warming at the familiar scent of ambergris and vanilla. You realize, all of a sudden, how much you missed it. You have to stop yourself from pressing your face into his neck and melting—it would be a dead giveaway for your identity and also too revealing of your feelings. Aventurine might be endeared by it, but he might also find it disconcerting. He often needs to be tricked into intimacy.

He does enjoy being wanted though, and he can obviously tell that you want him. He pulls you closer, one of his hands giving your thigh a generous squeeze. It makes you throw your head back in a laugh, exposing the soft skin of your throat. You aren't surprised when he takes the opportunity to kiss it, his lips gentle against your pulse.

“You’re being very forward,” you tease him. “Did you miss me?”

“I’m just trying to be careful,” he defends himself between kisses, his breath warm on your skin. “We should try to conceal our mouths as much as possible. No one can intercept our synesthesia beacons, but someone could still read our lips.”

You give him a funny look. “We’re the only two speakers of Avgin in the known universe. Who could, other than ourselves, could read our—mmph…”

Aventurine has caught the rest of your sentence with his mouth. He’s hungry and wanting for you, the heat of his lips overwhelming. Your tongue is as practised as his, but you find yourself too distracted by your thrill to focus, your kiss wet and eager. Messy. Unprofessional.

You’ve never kissed any of your husbands like this. You’ve never kissed any of your other owners like this. You feel dazed when he pulls away.

You compose yourself. “So you did miss me.”

He smiles. “Guilty as charged.” A gloved hand rests on your face, satin tracing your lips. “How could I not? You’ve been away from the house for so long.”

Your eyes narrow. There’s no idiom for this in Avgin, so you flip briefly to Interastral Standard: “Pot, kettle, black. You leave home all the time.” You smack away the hand at your waist, petty. He looks amused. “And you almost always die.”

He switches out his smile for a pout. “Don’t tell me you’re still mad about last time.”

“You nearly got yourself blasted with atomics, so yes, I’m still mad at you.”

Now he’s frowning. “Am I going back to sleeping on the couch when you come back?”

“Yes,” you say. His deepening frown is meant to be read as a joke, but you know better. Deciding to throw him a bone, you lean in, whispering playfully into his ear: “You can still fuck me on it though.”

Aventurine hums, as if considering. His hands traverse your sides as he contemplates your suggestion. You move to straddle him, your thighs squeezed around his hips. When you grind against him, you can feel how much he wants you despite his composure, his control—his length straining in his pants, pressed against the silk covering your core.

“I don’t think I can wait long enough to fuck you on the couch,” he says, voice teasing.

“No?” You hum as his hands travel upward, feeling every inch of you. “The ship on the way home, then?”

“We don’t leave until tomorrow. Do you really think I can wait that long?”

You don't expect to feel the warmth of his hands on your chest. Your breath hitches when he starts palming your tits through your dress, neon eyes admiring the curve of them. One of his thumbs skims over the peak of your breast, and his mouth curls when your nipple hardens. “No bra? That's convenient.”

“I—” You squirm in his grip, whining. It just makes you grind against his lap more, your cunt moving against his slacks. A wave of heat runs through your lower half, and you clench around nothing. You can see people from a nearby table glancing at you, doing double takes. You can feel their lingering gazes on you, and you know Aventurine can too.

“I—are you going to”—your voice shakes as he pinches your nipple, as his other hand moves to squeeze your ass instead. Your dress is short—designed for easy access—and his fingertips easily skim the underside of its skirt. You wonder if he’s going to pull it up. You wonder if he's going to go even further than that.

But that would be an absurd thing to do in the middle of the busiest casino in the colony, which also happens to be the busiest trade hub in its star system. It would be absurd even for the two of you. Nevermind the reactions of the other players in the room—the staff here would immediately blacklist you, and so would every other gambling house in Kinyoshi.

You try to calm yourself. “Are you—ah—going to take me upstairs?”

He's fully kneading your breasts now. You can feel your clit throbbing, your body responding to his rough and unrepentant touch. “Hm… I don't think I want to.” Aventurine’s voice drops. His smile takes on a distinctly wicked quality. “I think I'll take you right here.”

“But we’ll get kicked out,” you whine. Even as you protest though, you're panting and moving your hips now. Grabbing at his arms, rutting against him like you're in heat. His fingers hook around the thin straps of your dress, pull them down your shoulders, already starting to indulge despite your reservations. You bend into his touch.

“Kicked out? By who? The staff?” He smiles, as always. “I own the place now. I don't think they'll be giving me trouble.”

“Y—you what?” For a moment, you're too shocked to keep up the wanton show. “You do? Since when?”

“Since last night.” He thumbs one of the straps that's fallen halfway down your arms. The rest of your dress threatens to come down with it. “Technically it's the IPC who acquired it—or, well, their shell company did—but I'm their designated representative here. I signed the contract.”

“The IPC isn’t going to be upset that you're fucking a concubine, who's not even your concubine, on their new property?”

Aventurine shrugs. “They know the kind of establishment the Venetian is. People gamble with humans here all the time, you know, so this has definitely happened before. The IPC definitely expects it to happen again. And besides”—he returns his attention to your dress, starting to slip the fabric down your shoulders—“I'm just cashing out my winnings. I'm sure they wouldn't deny a gambler his vices. That'd be bad business.”

You want to say more, but then he tugs, suddenly exposing you. You’re bare in front of him—in front of everyone. You can feel eyes on you. Heat curls in your gut as he grabs your tits again, his satin gloves smooth across your skin, and your nipples pebble beneath them. “Hm… much better.”

“But…” You bite your lip, glancing around. There are so many people watching now—so many voyeurs, who've forgotten about their games and their slots. Though there are a greater number of people who are continuing as usual, studying their hands, smoking their cigarettes, unperturbed. All regulars and VIPs, you know from your intelligence.

Aventurine pauses as you catalogue the room, raising a brow. Probably he's surprised at your sudden modesty; you usually have none when his touch is involved.

“Of course,” he adds, “if you'd rather enjoy the suite upstairs…”

“No—I don’t mind staying down here… it's just that I’ve never…”

Your voice trails off. Your eyes traverse the space again. There are people who’ve fully thrown their cards down, greedily drinking in the sight of you instead. Even some of the dealers are watching between hands, glancing at you instead of watching for cheaters. Like this is public entertainment, like you're a show.

Aventurine tilts his head.

“You've never had sex with an audience?” he guesses. He sounds surprised—perplexed. You don't know why. You know he knows it's a stupid question. You know he knows the answer.

You had sex in front of people all the time before you met him. You did it for the exact reasons that he’s almost certainly done the same. To this table of business magnates, you are closer to an expensive watch than a human being; to the IPC, you are more like an overpriced knife; to this gambling hall, you're an interesting sideshow.

To your captors who fucked you in public, you guess you were something like a toy.

The thought sitting in your mouth is this: you've never had sex with an audience and enjoyed it. It was painful—not painful for the heart or the mind or anything else sentimental, but painful like it felt you were a fish being gutted open by a knife. And even beyond that physical pain, you simply didn't enjoy being passed around. You didn't like being owned by those people. You didn't like being an object for their entertainment, a spectacle to be consumed.

But it's different with Aventurine. You like being his luxury hand watch. You like being his elegant knife, his liar’s dice, his pretty poker chip. You like being his plaything, spread for his viewing whenever he wants. You want to be his object—the object of his affections, something he can parade around just like his expensive suits and his beautiful jewellery and his ostentatious furs. Look at me, he uses them to say. Look at what I own. Look at what I own despite this commodity code on my neck. Look at what I've won despite my eyes and my blood.

You want him to own you too. You want him to show everyone that he won you, that he bought you, that you're his possession now. That he, and he alone, is free to treat you like a toy.

You're getting wetter just thinking about it.

“Nevermind,” you whisper. “Let's do it.”

His smile widens ever so slightly. Slyer than usual.

“Good,” he says. He guides you into standing. “Let’s get you settled then.”

You're seated back on the card table. The cigarette is forgotten in the ashtray next to you. Aventurine takes the time to straighten out your dress, lifting the straps back up and affording you some modesty—before he gently lays you out.

You look up at him as you're spread in front of him, laid out next to his royal flush and winnings. Like you're another chip in his stacks, the most expensive one. He puts a hand beneath your leg, drapes it over his shoulder. He takes the opportunity to kiss your calf, his lips delicate.

You glance at the tables around you. You watch the business owners and politicians as they watch Aventurine. You watch them as they watch your boyfriend pepper kisses up your leg, unless he's settling in between them. Your thighs spread easily for him, and you don't resist as he hikes up your skirt.

Then he frowns.

“I’ve never seen these panties before.”

“They’re new,” you relay.

“From your husband?”

“Yup.”

“I see.”

You can't see his face, but he sounds distinctly displeased. You expect him to complain, to say they're not expensive enough or not designer enough or just plain ugly.

You don't expect him to tear them right off.

“Aventurine?!”

You're so surprised you sit up, just in time to see him throw tatters of silk to the floor.

“What?” He looks up at you, expression unbothered, almost mild. “It wasn't your colour.”

Your mouth opens. “But it was still very nice!”

“I'll buy you nicer ones later. I’ll buy you a whole drawer of nicer ones later, when we’re done here.”

He looks down again, humming. Your cheeks flush as he spreads your legs again, baring your glistening sex to him—this time completely bare. Satin glides along the inside of your thighs, and your breath hitches when he reaches their apex. You feel the light touch of a finger along your opening, and you feel your body responding, tightening around nothing.

“Tell me,” he says, “What else did your husband do with you?”

His voice is casual, almost disinterested, but you know Aventurine is listening carefully.

“Not much,” you answer truthfully. “I haven't cum in months, you know.”

“Oh?” He sounds surprised. “You don't have sex with him?”

“No. He's fucked me a lot. It”—you whimper, pausing when you feel his fingers spreading you open, fluttering hole and swollen clit exposed to him—“it just wasn't very good.”

“Then”—you feel a thumb press against your clit, and you swallow—“he never touched you here?”

“N-no.”

“Stupid of him.” He’s drawing slow, lazy circles into the bud now, making you squirm on the table. You press yourself eagerly toward his familiar touch, having desperately missed it for months. Aventurine, perhaps sensing your neediness, asks, “And you didn't touch yourself?”

“He didn't let me,” you whine, and now he's frowning at you.

“I knew I should have gotten you out of there sooner,” he says, and you have to bite back a laugh. Aventurine’s mouth curls at the sound, and he leans in to place a kiss on your thigh. “But that’s fine. I'll make it up to you now.”

Aventurine kisses are soft and precise. They pepper a path up your thigh while his fingers continue to play lazily with your clit. You want—need—to feel something inside you, but he doesn't oblige. His fingers merely run along your entrance, teasing your dripping pussy with luxury satin, and that's all they do, even as your hips buck needily toward him.

He pauses for just a moment. When you look at him, you see him staring at you—at the brand on your inner thigh, the commodity code that your captors left on you, branding you as a product to be used and sold.

His voice is almost soft when he asks, “And what did your husband say when he saw this?”

“He never did,” you reply. “He always fucked me from behind. And he never went down on me.” You pause, thinking about the way he spoke of his business. Of his trade partners. Of what your captors had done to your home when you told him about it, feigning intimacy only to be matched in cruelty. You think about the way he fucked you, how it felt to be gutted open on his expensive, silk sheets.

None of it matters to you, really. This is behaviour that you’ve long accepted, that your body always anticipates. But you always like to offer Aventurine intimacy, whether real or feigned, whether he returns it equally or responds with undeserved cruelty: “I think it wouldn't have bothered him if he had noticed it.”

You can't see Aventurine’s eyes, but you can feel his reaction when he places a chaste kiss on your product code.

“I should have gotten you out of there sooner,” he repeats. Then he pauses. “Maybe I shouldn't have let you go at all.”

“I didn't mind,” you say. You aren't lying. “You gave me up for a reason.”

He stands. Cups your face with a palm, luxuriant fabric and gold rings pressed against your skin. Sometimes he's given up the aventurine stone temporarily for assignments, parting with it in elaborate gambles that he always manages to win. The way he’s touching you now reminds you of the way he holds the gem whenever it returns to his hand.

“Well,” he says, “I’m sorry it took so long to get you back.”

Aventurine tilts your chin up for a kiss. You meet it eagerly, and it's so tender in its familiarity that every memory of your husband fades. There's only Aventurine, and his gentle mouth, and the way his hands slide your dress down again, how he palms your breasts again. How he teases one nipple with his expensive rings until you're moaning into his mouth. How his other hand travels down until his gloved hand is cupping your heat. You drag your hips against his touch, desperately seeking some kind of friction, your wetness drenching the cloth. Your cunt clenches around nothing, your body aching to be filled by him, aching in a way that it does for no one else.

It’s one of the most addictive feelings you've ever known.

Aventurine only stops touching you so he can push away all the chips, clearing space on the table. He ignores the cacophony as countless stacks fall over, not sparing the plastic coins a single glance. Like you're the only prize that matters to him, even though the sum of his winnings come out to more than you ever were worth.

He lays you out on the table again, flat on your back, exposed, before kissing a path down your body—your neck, your breasts, your stomach, between your thighs. He deigns to give your product code one more kiss, his lips so gentle that it makes you tremble—and then he finally puts his mouth on you. He licks a hot stripe from your dripping pussy up to the crest of your sex, and your eyes close in bliss.

If you felt any uncertainty before this, it's completely gone now. Your hands ghost over your tits, playing with them as Aventurine’s tongue plays with you. He sucks on your neglected clit, fingers squeezing your thighs, keeping you spread open and still for him. He presses in, lets you drag your cunt over his greedy mouth and grind your clit against his face. Heat and pressure coil tight in your belly as he pleasures you, your body flushing with the kind of bliss only Aventurine can give you. You’re so lost in it that you almost don’t notice how quiet the rest of the hall has gotten, the cacophony of chatter and slot machines oddly subdued—almost missing. In their absence, the obscene noises that Aventurine is drawing from your mouth and body are louder than they should be.

The pleasure in your belly is just starting to swell when he pulls away. You give him a pleading look as he leans over you, but before you can start begging for more, you feel his fingers press against your heat. He watches you with keen eyes as he starts rubbing your pussy, maybe enjoying the desperate noises you make at his touch. You buck your hips, moaning as your clit and entrance grind against the fabric of his gloves, seeking friction. You’re empty, aching, desperate to be filled, but you think you can finish like this, just by rutting against his satin fingers—

Aventurine withdraws his hand, and you whine.

“No,” you beg, “please, please keep going, I was getting close—”

He raises a brow, feigning surprise. “Keep going?” He brings up his hand, shows you his gloves. The satin is soaked, shiny and stained with your slick. “I don't think I should. Look at what a mess you’ve made of my gloves.” Aventurine hums, frowning. “These are designer, you know. And limited—there are only 95 pairs of these in the whole universe. And you're ruining them.”

“I'm sorry,” you say, mind so fogged with lust that you can't even return his teasing. “I'm sorry, I'll make it up to you, I'll do anything, just—just let me cum—”

“Anything?” His smile is sly.

“Anything.”

“Well. I suppose if you help me clean this up, I wouldn't mind rewarding you with more.”

You don't need to ask what he means by that. When he holds out his hand to you, runs a finger along your lips, you obediently open your mouth for him. Your tongue slides along the wet satin, only making his glove messier—but he seems not to mind. He merely watches intently as your tongue cleans his fingers, taking in the obscene image of you hungrily lapping your own slick off the expensive fabric.

He lets you ruin his glove thoroughly before finally drawing back, peeling it off.

“I'm not sure that did any good,” he says, frowning. “I’ll probably need to buy a new pair. But”—he pulls away, and you feel him settle between your legs again, his hands spreading them. “I'll still reward you for the effort.”

Aventurine is quick about getting his mouth back on you. His tongue is hot on your skin, expertly teasing your clit. You feel his fingers running along your entrance again, growing sticky with his need. He laughs when you press your hips toward his hand, desperate to be filled.

Then he's pressing his bare fingers into your heat, and your back is arching off the table.

The moan you let out is obscene. It only gets worse when his fingers curl, making the pressure in your belly even heavier. Utterly shameless, you beg for him as he fucks you with his fingers: Aventurine, please, please, I need more, please, I'm so close, I'm so close.

As if taking pity on you, his mouth finds your clit again, his fingers pressing into your sweet spot at the same time. And he doesn't let up, pushing into it even when you think you can't take anymore—tongue swirling against your overstimulated bud, fingers making you gush uncontrollably. You practically sob when you cum, a noise of desperation that echoes in the gambling hall.

His smile looks a little fonder than usual—or maybe just entertained—as he stands again and leans over you. You taste your own release in a messy, open-mouthed kiss, and he strokes your face when he pulls away.

“So good for me,” he praises. “Are you going to let me do more?”

You nod eagerly. “Whatever you like,” you say, all sense of shame gone from your body, “and however you want.”

Aventurine’s mouth curls. “Your husband fucked you from behind, right? Why don't you bend over for me, then? Let's show him how he should have been doing it.”

You see the diamond pupils of Aventurine’s eyes glance off to the side, where, sure enough, your husband is spectating with some of his business partners. You force yourself to turn away before you can smile, hiding your expression from the other men. You’re not meant to derive any real pleasure from any of this, let alone pleasure of the vindictive kind. Your relationship with Aventurine is supposedly nothing but a gambler and his newly won, human plaything. It would be suspicious if you appeared to be anything else.

You slink off the table in a distinctly performative way, and Aventurine plays equally into the show—probably an act as familiar to him as it is to you. He guides you into turning around, your eyes falling on the scattered cards on the tabletop, the casino’s eyes falling on you. His hands waste no time in pulling down your dress and reaching around to knead your breasts, in full view of the rest of the gambling hall. You're only vaguely aware of your audience now, registering the interested, hungry stares, but not really caring. You're too focused on the way that Aventurine is tugging and twisting at your nipples, at how he’s pressed up against your ass, his cock straining through his pants. You grind needily against him, whining.

Aventurine kisses your shoulder. “Poor thing. You've been neglected for so long, haven't you?” His hands retreat, and you hear the sound of a zipper being undone. Then your skirt’s being pushed up and you're being bent over, your dripping pussy fully presented to him. When you feel the press of his cockhead against your entrance, you desperately try to push yourself back onto him. But he doesn't allow you to—only running the tip along your wet folds, still sticky from your release, while he stills you with a gentle touch on your hip.

You make a pathetic, desperate noise. Aventurine chuckles, though there’s now a breathy quality to his voice.

“Be patient,” he chides. “I'll take care of you.”

You know he will. He always takes care of you, in a way that no one else ever has. Even when he gambles your life for some mission, even when he can barely afford you the barest hints of intimacy, even when he displays your body to an audience of slave traders and murderers—he always takes care of you. Even if you are only a knife or a wristwatch or a chip in one of his games, he still treats you like you're worth holding onto.

Aventurine finally moves. Your eyes flutter shut as you feel his cock sliding into you. Usually he needs to be careful after your long missions away from him, knowing you'll be tense. He understands that your body always anticipates being in pain after being touched by other people. But he has you so worked up right now—still dripping from your release, still pliant from his fingers, still eager to please him before the crowd—that your cunt easily swallows his length. The stretch is pure bliss, pleasure unfurling in your body as you're filled up properly for the first time in months. He's just as affected as you, breath shaking as he bottoms out.

“Fuck,” he breathes—laughs. “Nearly forgot how good this feels.” He pauses, his breathing slowing—almost stopping each time you squeeze around him. You turn back, throwing him a pleading glance, and he meets it with an endeared smile. “Eager today, aren't you?” He hums, a hand sliding along your waist. “You really do need to be properly fucked.”

He's stalling. Trying to give you a moment to adjust, but you don't need it. “Yes,” you encourage him. Aching for the press of his cock against your walls, you grind against him, and you hear a strangled groan as you force him to move inside you. “Please, Aventurine—please, please fuck me, I need it so badly—”

He hums, both hands grabbing your hips, his fingers sinking into you. “Well. Since you asked so nicely.”

The first thrust has your eyes going wide, your hands reaching for the card table as you’re forced to bend over. You spread our palms next to the mess of heart cards and shiny tokens, bracing yourself for the way your body’s about to be used. He doesn't give you time to breathe after, each stroke filling you deep and fast. The rest of the gambling hall grows very, very quiet as Aventurine fucks you, and suddenly all you can hear is the appreciative murmur of the crowd, clink of ice cubes in aged whiskey, the noisy flick of lighters as more patrons opt to pause their games and enjoy the show. You hear the shattering of all the stacks beside you, hundreds of thousands of dollars in chips fall over beside you, tokens clinking as they roll across the tabletop. But all of that is soon drowned out by the wet noise of your pussy being fucked open, the squelch of your slick around his cock. You moan each time he bottoms out, eager to be filled.

When you feel his cock press into your sweet spot, your moans quickly turn into cries.

You hear something like a breathy laugh from Aventurine. Your body always reveals itself so easily to him, and you know he enjoys it. He hits that spot again and again, builds an agonizing tension in your body with every thrust of his hips. It has your pussy gushing around him, your thighs growing wet and sticky with your need.

Just when it feels like you can't take anymore, he reaches down and presses his fingers against your throbbing clit. Your knees buckle as he toys with you, chest heaving against the table as he sets a brutal pace. You're—overwhelmed, mind going hazy as you're fucked mercilessly. So far gone, you can hardly register the disgruntled expression of your husband, the hungry gazes of his companions, the way that other players are starting to shift in their seats, palming themselves at the sight of your pussy being split open. There's only the tight coil in your gut, the chips between your fingers as you grab uselessly for something to ground you, the cock that's filling you over and over and over—and oh fuck, you’re going to cum, you're really going to cum after being won in a game, from having your pussy used like a sleeve, from being watched by men who will never own you no matter how many times they trade you, no matter how many times they fuck you, no matter how many times they pass you around, because you'll only ever belong to Aventurine—

Your orgasm crashes through your body, and you sob.

It's a broken, blissed out noise. Your pussy is equally shameless, gushing as you pulse around Aventurine’s cock. You go limp as he fucks you through your orgasm, uncaring about the mess you're making. He only groans as you squirt all over him, hips stuttering as he reaches his own peak—spilling himself inside you, pumping you full. Aventurine’s body slumps over yours as rides out his high, his face pressing into your shoulder. You find the wherewithal to shift yourself, just enough to your lips against the tattoo on his neck. He looks at you for a fleeting moment, the blue ring of his eyes electric on you, before capture your mouth in a desperate, messy kiss.

The two of you stay there for a long moment, panting into each other. Then Aventurine collects himself, remembers how to talk: “Fuck.”

You piece yourself together just as easily. Maybe even faster. Smiling into his mouth, you ask, “Enjoy yourself?”

“Clearly.” Aventurine presses his lips into your neck, lingering only briefly. “Can you walk?”

“I think so.”

Aventurine takes his time with moving, as if basking in the afterglow—or bragging in it. But he does rise, eventually. Pulls out slowly, making you shudder. He helps you to your feet, lets you hold onto him for support. His spend drips down your thighs as you right yourself, messy and hot on your skin. You can feel it sliding down your legs as you walk, braced against Aventurine as he guides you in the long walk toward the elevator. It slips all the way down to your calves, to your expensive heels, even onto the marble floor.

You're fairly certain that it's not an accident when Aventurine flips up your skirt as you pass your ex-husband. At the very least, it isn't a mistake when you stumble in that same moment, bending over and giving him a good look at your well-used pussy, now overfilled with your boyfriend’s cum. You don't stop to look at him, but you know he must be red-faced, displeased—aware that he’s been humiliated. Beaten by a Stoneheart, concubine stolen by Sigonian, one of his favourite possessions claimed by a former slave. You'd laugh if you could.

You can't help but kiss Aventurine while the two of you wait for the elevator, a smile glowing into his lips.

It's absurd, but a staff member approaches the two of you as you indulge in one another. Aventurine pulls away as you’re approached, looking mildly annoyed as he switches on his synesthesia beacon.

“Sir,” the staff says, “you’ve left your other winnings at the table.”

Even in his post-orgasm bliss, Aventurine responds promptly. “I’ll cash it all,” he says. “Send the money to my room. I'm not coming back tomorrow.”

“Very well. And the terms of the… human resource exchange that just happened?”

Aventurine’s jaw clicks. It's quiet, but surprising. You watch him carefully.

“We didn't bet contracts,” he says. “This is a concubine, not a slave. But tell Mister Li I'll buy them anyway. I'll pay whatever price he wants, which I’d wager is the company that he gambled and lost to me. Maybe suggest that to him.”

“Of course,” the staff member replies, bowing. Despite the first-rate service, Aventurine looks like he can't get out of there sooner enough as he guides you into the elevator. You give him a curious look as the door closes.

“You're going to give up a multiplanetary corporation just for this?” you ask.

“Not entirely. The IPC was planning to acquire it anyway. It'll be ours again in a few months.” He stares at your reflections in the mirror, his strange eyes lingering on your dishevelled form. “We’ll put your intel to good use,” he adds, and although Jade or Diamond or any of your real bosses would say this with a smile and reward you with a bonus, Aventurine’s expression is unreadable.

“What's on your mind?” you ask, fingers brushing against his hand. “You’re worried about something.”

Aventurine blinks, and it takes him a moment to recover.

“Nothing. Just hoping we didn't give our relationship away just now.” He cups your face with a hand, guides you into looking at his smile. A deflection. “I might have gotten carried away.”

You lean into his touch, eyes playful: a performance. As if he's some stranger that you're servicing, a captor being entertained; as if you're a plaything about to be used. As if you expect to be treated like the disposable commodity that your husband just gambled away.

“I wouldn't worry,” you reassure him. “I'm sure after the show we put on, it'll be clear to anyone that you're only keeping me around for sex.”

It's very, very subtle, but a muscle in Aventurine's neck twitches. He'd never allow it in a game of cards, never before the IPC, never before the prying eyes of slavers and killers—but he allows it in front of you. He always unwittingly bares himself to you, even as he swallows his discomfort before adopting his usual, vulpine expression. You don't think anyone else would notice what lies beneath the gilded surface of his smile, his liar’s eyes. You don't think anyone else would notice his tells, his vulnerabilities, his quiet fear of loss.

After all, there is no one else in this universe who knows how to trick him into intimacy.

Winning has always come with a certain emptiness for Aventurine. Gambling is, after all, a zero sum game. He plays a royal flush and people lose their homes. Winner takes all. He survives the fighting pits, his blade dripping red with the lives of other slaves. Winner takes all. He runs from the stench of blood and burning flesh, praying for thunder and rain loud enough to drown the screams of his dying kin. Winner takes all.

He alone survives. He alone enjoys his riches. Ever since the Avgin died, he has always been by himself. There is no amount of coin nor credit that will ever change this.

Here is another unyielding fact that hollows any win: that no matter how many credits he collects, he will always be a chip himself. He will always be a plastic token worth sixty coppers. Gambling is a zero-sum game, and ever since the day he was chained, Aventurine has been the pool of riches divided among winners. He has always been the commodity being traded between hands. He has always been the prize to be cashed out and used. Even now, with all this money and power, it will never be him who comes to collect: it will always be the IPC. Winner takes all.

Such is his fate. Luck is always on his side, but he has always had the losing hand against destiny. No matter how many times he wins, there is nothing that will ever truly belong to him.

But then he met you.

Then he met you, and now his luck does not always feel like such a cruel or empty thing. Now the zero-sum game has meaning. He hedges his bets in the market and buys out a planet, and acquires you along with the shares. Winner takes all. He gambles his life against a nuclear power and comes out on top, and the IPC allows him to keep you by his side. Winner takes all. He plays a royal flush and wins at a table of slave traders, and he gets to fuck you until you can't think of any cock but his own. Winner takes all.

Gambling is a zero-sum game, and when you're the reward, Aventurine wouldn't have it any other way. He’ll never share you with anyone. He'll never sell you to anyone.

He’ll never lose you to anyone.

Sometimes it surprises him, this attachment he feels to you. He doesn't quite understand it, but he thinks it mostly just has to do with how good it feels to fuck you. Much like gambling, Aventurine has never enjoyed sex until you came along. Sex for him has always felt like a humiliation, like being gutted open as a captive animal, like being won and passed around in the grand hall of some gaudy casino.

Which is, in fact, another thing he never thought he'd enjoy: having sex in the Venetian Zhijin before an audience of revolting men. He'd resented having to do it as a slave, but he’d enjoyed doing it with you as a Stoneheart. He'd even do it again if he could—take you over and over again on that card table, fill you up with his cum. Spread your cunt in front of everyone, so they could see for themselves that you were now his. Winner takes all.

Winning doesn't feel empty when you're his reward. Sex doesn't either. Because Aventurine isn't a chip or an animal or a commodity when he fucks you—he's a player. Someone with a seat at the table, as just as wealthy and powerful as the slave traders around him. Someone who’s allowed to own something—really own something.

Really allowed to own you.

Aventurine owns you. When he fucks you, he is a player at the table, and you are the prize he gets to keep. And no matter how you feel about him and how you act toward him—this is all the two of you will ever be. He knows this. He knows that you know it too.

So sometimes he can't fathom it, the way he treats you in bed. The way he always kisses your commodity code when he sees it, the way he allows you to kiss his own. The way he always thinks about pleasuring you until you're drunk on his cock, so addicted to him that you’ll never want to be touched by anyone else. The way he always likes how your body feels when it's being shaped by his hands. How different it feels from being forced to touch other people.

How badly you make him want something that he's always hated.

And this is what he understands least of all: how he doesn't like to hear you say aloud the true nature of your relationship. How he doesn't like it when you accept this reality and say, you're only keeping me around for sex.

It hollows him out when he hears it. A bitter feeling swells in his throat, and he forces himself to swallow.

Aventurine keeps his face neutral as he enters the suite with you. As soon as the door is shut, you pull him close—close enough for him to see the blurred lines of your lipstick, smudged from his mouth; close enough to see the white diamond necklace on your neck, a collar for a concubine; close enough to see the finger-shaped discolorations on your throat, poorly hidden by your foundation.

Close enough to see all the things done to your body by others—all the things you didn't choose for yourself.

“How do you want to have me next?” Your fingertip traces his lips. “On the bed? In the shower?” Your eyes are playful. “Maybe against the window?”

Aventurine’s hand cups your cheek, gold rings pressed against your skin. His hold is delicate, more careful than with anything else he's ever handled—any of his watches, his furs, his jewellery. Even more than with the aventurine stone.

“I want to kiss you,” he says.

You blink.

“Kiss me?” Your brow ticks up, but then your face lights up in supposed understanding. “Okay. You can kiss me. And then?”

“And then I'll keep kissing you.”

You tilt your head, not understanding. “Really?”

“What? Is that off-limits now?” He leans in, expression playful. “Don't tell me I've got to go back downstairs and win back permission to kiss you from your husband.”

Before you can say anything else—ask anything else, perceive anything else—he presses his mouth to yours. Your eyes widen for only a moment before falling shut, your arms wrapping around his neck. Your lips part for him, and he delights in the noise you make as he deepens the kiss.

He did lie, in a way. The two of you do end up fucking again—this time in bed, your mouth gasping into his as you fall apart for him, wet and needy around his cock. You're so warm around him, so pliable beneath him, so desperate when possessed by him. He knows that he could keep going, that he could do anything to you, that you'd be eager to let him use you however he wants.

But all he does afterward is kiss you.

This is yet another act that he never thought he'd enjoy. Kissing has always felt like a chore or a power play or a manipulation. It has always come with a certain emptiness—just like gambling, just like sex. And then he met you, and now it no longer feels so hollow. Because when he wins bets for the IPC, he feels like a poker chip in one of their games, but when he’s fucking you, he feels like a player at the table. And sometimes, when he kisses you—when he holds you close, when you come down from your high and press your face into the crook of his neck and in the vulnerable haze of your bliss, tell him, I missed you—

—he finally feels like a human being.

end notes: christ alive I have never written anything so horny glddjsksjs. I apologize for both my mid smut writing and deranged characterization 💔

initially this was supposed to be brainless pwp about aventurine eating you out on a poker table but I kept asking myself “why the hell did aventurine gamble for human beings and why are these two insane enough to be fucking in a casino tho lol”, and thus a coherent narrative was born from my shameless lust for this guy! but please also don't take the story too seriously because this is a dumb smut piece first and foremost and I mostly wrote it with my clit 😔✌️

that being said, if you are curious about the subject matter that I covered – here's an afterword expanding on my intentions with the themes.

[hussyknee]

Wonder how far I can prod libs into finishing their full thought bubble behind all this "harm reduction" "genocide is a single issue" "you don't care about marginalized people in the US" "dyou want fascism WITH genocide???" screeching.

Okay, class, say it with me: "I don't want to live in a third world country like the ones we keep destroying."

Because you know. The countries your war criminal leaders keep bombing and starving and destabilising and leeching dry? We don't have trans or gay rights or women's rights or disability benefits or environmental or labour protections. No one would want to live in our countries obviously. You'd kill yourselves before you had to live like we do. Sure, we're only like this because you keep us trapped in poverty and violence and we still have full, happy lives worth living despite it but that's because we're used to it! We don't know any better! Not like you! You know what you deserve and you shouldn't have to lose anything as a consequence of your own political choices! Your government is supposed to happen to other people! Not you! So like, yeah, it's bad that the poors are being massacred wholesale or whatever, but like. That doesn't mean you gotta die with them, y'know? And by "death" you don't mean actual genocide like what's happening over here but "death" as in "having to live like we do".

The trolley problem metaphor is so goddamn attractive to you because you see yourself outside the tracks, objectively assessing the situation and making the "tough" "moral" choice for the collective good. It's imperialist horseshit. You don't have a democracy and it's not a trolley. What you have is an imperial death machine running on an apartheid system that decides who gets fed to it and who gets fed by it. That's your "two tracks"— the colonized and the colonizer, the core and the periphery, the white and the coloured. "Harm reduction"? Have you counted how many fucking millions in and around the world your death machine eats to keep how many of you "safe"? But our losses are a foregone conclusion, a matter of course, a regrettable necessity. The only variable is yours.

Every political choice in 200 years of your settler colony has been "genocide AND". "Genocide AND women's rights". "Genocide AND workers rights". "Genocide AND fascism". "Genocide AND democracy". The difference is that for the first time in your history you're now watching it livestreamed to the entire world in real time 24/7, exactly as your colony is about to capsize under the weight of its own bloodlust. A sea change from when your parents threw parties watching bombs dropping on Baghdad and then spent twenty years watching movies about sad it made the soldiers.

How do you count the victims when we are numbers and you are people? You scream about trans rights in the US while Palestinian trans children don't have the right to reach puberty. OSHA for you but Congolese children have to die in mines. Reproductive rights for the US while Sudanese women are raped in millions. Yes, but it's always been "genocide AND" no matter what, right? Do we want to sabotage the party that has never fucking cared about us and don't now even with half their own country screaming at them on the off-chance they might possibly maybe one day do?? Why are we acting so mad like it's YOUR fault that you're fighting for your quality of life over our corpses?? Do we want YOU to lose your rights over it??

Yes, actually. We do. We want you to have a taste of the reality that generations on generations of your illegal illegitimate white supremacist occupation has inflicted on us just so your worthless hide can sit there and call our genocides a single fucking issue. And let's be real: that's what you're so fucking afraid of.

[transmutationisms]

genq what are the actual reasons that plagiarism is bad apart from profit and prestige?

so there are two main angles i usually think of here, which ultimately converge into some related issues in public discourse and knowledge production.

firstly, plagiarism should not just be understood as a violation one individual perpetuates against another; it has a larger role in processes of epistemological violence and suppression of certain people's arguments, ideas, and labour. consider the following three examples of plagiarism that is not at all counter to current structures of knowledge production, but rather undergirds them:

in colonial expeditions and encounters from roughly the 14th century onward, a repeated and common practice among european explorer-naturalists was to rely on indigenous people's knowledge of botany, geography, natural history, and so forth, but to then go on to publish this knowledge in their own native tongues (meaning most of the indigenous people they had learned from could not access, read, or respond to such publications), with little, vague, or no attribution to their correspondents, guides, hosts, &c. (many many examples; allison bigelow's 'mining language' discusses this in 16th and 17th century american mining, with a linguistic analysis foregrounded)

throughout the renaissance and early modern period, in contexts where european women were generally not welcome to seek university education, it was nonetheless common practice for men of science to rely on their wives, sisters, and other family members not just to keep house, but also to contribute to their scientific work as research assistants, translators, fund-raisers, &c. attribution practices varied but it is very commonly the case that when (if ever) historians revisit the biographies of famous men of science, they discover women around these men who were actively contributing to their intellectual work, to an extent previously unknown or downplayed (off the top of my head, marie-anne lavoisier; emma darwin; caroline herschel; rosalie lamarck; mileva marić-einstein...)

it is standard practice today for university professors to run labs where their research assistants are grad students and postdocs; to rely on grad students, undergrads, and postdocs to contribute to book projects and papers; and so forth. again, attribution varies, but generally speaking the credit for academic work goes to the faculty member at the head of the project, maybe with a few research assistants credited secondarily, and the rest of the lab / department / project uncredited or vaguely thanked in the acknowledgments.

in all of these cases, you can see how plagiarism is perpetuated by pre-existing inequities and structures of exploitation, and in turn helps perpetuate those structures by continuing to discursively erase the existence of people made socially marginal in the process of knowledge production. so, what's at stake here is more than just the specific individuals whose work has been presented as someone else's discovery (though of course this is unjust already!); it's also the structural factors that make academic and intellectual discourse an élite, exclusive activity that most people are barred from participating in. a critique of plagiarism therefore needs to move beyond the idea that a number of wronged individuals ought to be credited for their ideas (though again, they should be) and instead turn to the structures that create positions of epistemological authority under the aegis of capitalist entities: universities, legacy as well as new media outlets, and so forth. the issue here is the positions of prestige themselves, regardless of who holds them; they are, definitionally, not instruments of justice or open discourse.

secondly, there's the effect plagiarism has on public discourse and the dissemination of knowledge. this is an issue because plagiarism by definition obscures the circulation and origin of ideas, as well as a full understanding of the labour process that produces knowledge. you can see in the above examples how the attribution of other people's ideas as your own works to turn you into a mythologised sort of lone genius figure, whose role is now to spread your brilliance unidirectionally to the masses. as a result, the vast majority of people are now doubly shut out of any public discourse or debate, except as passive recipients of articles, posts, &c. you can't trace claims easily, you don't see the vast number of people who actually contribute to any given idea, and this all works to protect the class and professional interests of the select few who do manage to attain élite intellectual status, by reinforcing and widening the created gap between expert and layperson (a distinction that, again, tracks heavily along lines of race, gender, and so forth).

so you can see how these two issues really are part of one and the same structural problem, which is knowledge production as a tool of power, and one that both follows from and reinforces existing class hierarchies. in truth, knowledge is usually a collaborative affair (who among us has ever had a truly original idea...) and attributions should be a way of both acknowledging our debts to other people, and creating transparency in our efforts to stake claims and develop ideas. but, as long as there are benefits, both economic and social, to be gained from presenting yourself as an originator of knowledge, people will continue to be incentivised to do this. plagiarism is not an exception or an aberration; it's at best a very predictable outcome of the operating logics of this 'knowledge economy', and at worst—as in the examples above—a normal part of how expert knowledge is produced, and its value protected, in a system that is by design inequitable and exclusive.

[probablyasocialecologist]

Mary Shelley’s 1818 novel Frankenstein is not, of course, an example of the imperial gothic but instead a still relevant anti-Enlightenment fable. If a novel ever illustrated how the sleep of reason begets monsters, it is Shelley’s story of how a scientist’s urge to create artificial life leads to utter destruction. However, in Universal Studios’s 1931 Frankenstein, the many pertinent philosophical issues that the original gothic novel explores reshape into thinly veiled imperial gothic through the introduction of a eugenic and highly racialised discourse that changes the monster from a rightfully vengeful and eminently intelligent being into an atavistic criminal. In its Hollywood guise, the monster is not a tragic, lonesome and then understandably vengeful product of unethical science but instead a reincarnation of the degenerate criminal whose brain the monster is provided with in the film. This takes on a peculiarly American dynamics in the movie. As Elizabeth Young suggests in Black Frankenstein: The Making of an American Metaphor (2008), a connection between the monster and the supposedly primitive black American was made as early as during the immediate post-Civil War period when ‘the “hideous progeny” of Shelley’s novel was symbolically reborn in racist parody as the symbol of the miscegenated nation’. An important reference to American Reconstruction history is also the ending of the movie. Instead of escaping to the North Pole, as is the case in Shelley’s novel, the monster is exorcised by what amounts to a lynch mob. In Frankenstein the movie, as in the American South, justice is done by the people on the spot; by ‘lynch law’. The violation of the sanctified space and body of Frankenstein’s fiancée, Elizabeth, as much as the accidental drowning of the little girl, justifies this public rage in the eyes of the movie audience. This is the end that comes to those who dare violate the purity of white women, or oppose the progress of modernity in any form, be they black Americans in the South, Native Americans on the reservations or unruly natives in the Philippines. Like so many lynching victims, Frankenstein dies in flames. In this way, the discursive conditions that informed the British colonial enterprise as well as the racism that structured black and white relations in the US permeate Frankenstein. The childlike and aggressive monster is an example of the kind of human category that can never ‘possess the intelligence to make a rational choice of political allegiance’, as Lansing put it. In addition to this, the audience is also free to imagine an alternative narrative in which Fritz never drops the jar with the ‘normal’ brain to the floor. It is not science or faith in modernity that Frankenstein fears, it is atavism. The resolution to the crisis that atavism constitutes is the sad but necessary violence of the lynch mob. When the monster has been burned, the movie can end with the happy union of the film’s central white couple.

Johan Anders Höglund, The American Imperial Gothic: Popular Culture, Empire, Violence

[heritageposts]

[...] The Zionist Left in Israel is in a limbo. On the one hand, it is ostracized by Jewish society as, at best, being naïve and, at worst, as being accused of betrayal. This is in reaction to their support for the two-state solution and the call to end the occupation. This alienation, of course, is now more acute after the events of October 7. On the other hand, they are not considered, and rightly so, genuine allies of the Palestinian liberation struggle. The Israeli Left’s biggest hope was that the Global Left, as they call it, would share the same language and attitude regarding the October 7 operation by Hamas; namely to be unconditionally behind Israel. The Israeli Left was outraged that, in the eyes of the Global Left, the Hamas operation did not absolve Israel from its past criminal policies nor did it provide Israel with a green light for its genocidal policies in the West Bank and the Gaza Strip. To their great surprise, the Global Left in its entirety was galvanized behind the call to “Stop the War” and “Free Palestine”, rather than echoing their government’s repeated response of “We support Israel’s right to defend itself”. What is most illuminating – in the dialogue the liberal Zionists have with themselves on the pages of Haaretz – is their vicious attack on any one associating colonialism with Israel. For some reason, they chose Judith Butler as the main culprit, which would leave many of us disappointed, as we devoted our careers to frame Zionism as settler colonialism, probably going back to the 1960s. In fact, today, the framing of Zionism and Israel as a settler-colonial project is a consensual issue among all the leading scholars on the Middle East, and it is rejected as an accurate paradigm only among mainstream Israeli academia. The Global Left is guilty of two ‘sins’, in the eyes of the liberal Zionists: one, it refers to Israel as a settler-colonial state and two, it provides a context for the Hamas attack on October 7.

. . . continues at Palestine Chronicles (16 Nov., 2023)

[olderthannetfic]

Not gonna lie, sometimes being a writer in my native language feels... isolated and alienating. However not in the 'AO3 stats be low and less than English ones' that maybe one could thought of it at first, no, I know what I am doing writing and posting my non-English fanfics on AO3. I have really good friends and a minor readership that I love.

The isolation and alienation comes from people hating their own native languages and being so vocal (almost proud with others encouraging them) about it. Bet I am not the only who has see this. And I am sorry, but that just feel like hot bullshit. Why do you hate your own language that much? Why do you praise/treat like a better language English and English alone? Why do you say 'ew, a fanfic in my native language!" like that is a completely normal thing to say? I try to come with responses and their logic that aren't plain linguistic colonialism, but I can't. It feels alienating because I see it so. freaking. much. In Tumblr, in Discords, in Reddit, in Twitter, everywhere! Sometimes I have my lows and think 'man am I the wrong here? should I despise my own language, my own (literature) culture? everyone does it'. I respond with a 'no' obviously, since I keep writing in my native language and encourage everyone who approachs me to do it. That still doesn't erase the fact that seeing 'ew fics in my native language sucks!' comments in the wild are pretty demotivating and, to be quite honest, shitty, even if the people doing them aren't from my country.

This kind of feels like a consequence of how... imperialist (for a lack of a better word, sorry) the Internet has become in the past few years. Rather, the whole world, yes; and the Internet is just a part of it so of course fandom got affected by it. If it got affected by this puritanical, bigoted and radfem-y viewpoints, it was just a matter of time for this issue ('fics in English are superior/better in general/better to write/better to got numbers') to chime in. Damned 'globalization'. It was so fast.

--

I hate it. I hate it so much. It's been constant for decades (with the exception of a few languages like Mandarin). English isn't special! Whatever century's trade language can reach more people, but that's it: it isn't more beautiful, historic, nuanced, interesting, worthy, whatever.

And god is English not less cringey and terrible when it comes to words for dicks or squelchy sex noises or whatever else people find terminally embarrassing to write about. We native speakers had to get over it in order to write. Native speakers of anything can do the same!

Though, yes, Arabic-speaking anon from last time, I grant you that some languages' speakers are going to have to invent a whole new era of writing in the vernacular. Go forth. Write your Canterbury tales if that's what it takes.

[txttletale]

Can you elaborate on what you think would be the minimal needed changes to fix what you see as an issue in Civ? Civ has done fairly large shifts in some mechanics before, and "civ like" is still an interesting game space that can scratch certain itches

yeah i mean as i said, the baked-in racism arises from a certain set of core assumptions that i think lock it into that position, which are that civ is a

1) symmetrical

2) 4X

game about

3) 'real world civilizations' (deeply loaded terms ofc but that's how civ envisions them)

4) trying to 'win the game'

5) with a global

6) and transhistorical

scope

so, in its role as a symmetrical (1) game with victory conditions (4), civ as a text has to take positions on what constitutes a 'successful civilization'. as a (2) 4X game this definition also has to include some variation on the profoundly loaded eponymous Xs, 'explore, expand, exploit, and exterminate'. furthermore, as a (1) symmetrical game with a global, transhistorical (5, 6) scope, it has to necessarily create a model of what 'a civilization' looks like and apply it to every 'civilization' it wants to include, at all points in their history.

this all kind of naturally leads into civ being a game in which the colonial european imperialist powers are the default 'civilizations' and all other cultures are basically just like them -- a game where technology progresses linearly and innovations are made in the order they were in european imperial history -- a game where all cultures fundamentally work in the same way and hold similar values, a game where all religions are based on christianity (i mean, just look at civ vi's system, where every religion has a 'prophet', 'apostles', 'missionaries' and 'inquisitors'), a game where not only do cultures have teleological overarching 'goals' but where these goals are shared and these goals are fundamentally based on imperialist visions of 'victory'.

to drill into some specific examples: you can't play a game of civilization without founding cities. you will constantly be founding cities. when you're playing as 'the mongols' or 'the cree' or 'scythia', this makes no sense! these were peoples who historically had rich culture, science, arts, and certainly a notable military history, but were (to varying degrees, at varying times in their history, i don't mean to create a new and similarly heterogenous absolutist category here) nomadic!

similarly, to advance in civilization you must invent 'the wheel'. 'the wheel' is necessary to many later innovations, while of course the andean peoples represented by the playable 'inca' never made significant use of the wheel because the lack of suitable pack animals and environmental factors meant that it did not, in fact, prove a suitable tool for transporting large quantities of heavy goods. for an even more glaring example, a lot of early military technology is locked behind 'horses', which is pretty absurd considering that several of the game's playable civilizations, in the real world, developed plenty of military technology despite living on a continent without any horses!

so having established what i mean by 'the issue', which is that the game's core assumptions lock it into imposing a eurocentric, imperialist vision of 'civilization' onto cultures where it doesn't make sense, here's a few different jenga blocks you could pull out to resolve it:

SID MEIER'S EUROPE

the pillar you knock out here is #5. keep the game engine and core assumptions just as founded on eurocentric imperialist societies as they are now, and just make it about european empires doing imperialism. now, i think we can immediately spot some problems in there -- how are we going to represent the rest of the world? after all, this kind of just creates a situation where, either as NPC factions or as outright exclusions, all other cultures in the world are deprived of any meaningful agency in "history". this one just kind of gives you a new problem and also from a gameplay standpoint results in a game that just Has Less Stuff On It. i think this is a bad one

SID MEIER'S ELYSIUM

now here's one you can get if you knock out pillar #3. keep the same assumptions and gameplay and transhistorical global narrative scale, but remove the 'real-world' aspects. you can get real silly with it and add fantasy stuff to it, or you can be a relatively grounded 'our-world-but-to-the-left' situation. now to some extent this already matches a lot of the features already in civ games: after all, unless you specifically load in a 'true start location earth' map, you're usually playing on a strange parallel world with semiplausible but wholly original continents! now, you also need to get some fucking Nerds and Geeks working at your company to build out your fictional world, or you'll just end having pointlessly pallette swapped a bunch of factions that are now just Schmance, Schmina, and the Schoman Schempire, and not really have avoided the issue. but if you do that, and invent a deep and rich fictional history to riff on, then you could create something really cool and incorporate alt-tech or fantasy or retrofuturistic elements or all sorts of cool shit.

the downside of this is that it makes your game less accessible and appealing to a lot of people. a big part of (at least the initial) appeal of civilization is pointing at the screen and saying 'hey i recognize that thing!'. it is instantly more accessible to someone who isn't super invested in strategy or fantasy dork shit to say to them 'you can be BRAZIL and nuke FRANCE while at war with CHINA and allied to BABYLON'.

more importantly than that, i think some parts of the historical theming (because let's be honest, it is ultimately theming, i don't think civ is interested in 'history' in any serious way) serve a pretty load-bearing role in the game's information economy. it's a pretty tall order to ask a player to remember the unique abilities of dozens of factions and unique wonders, and the historical background makes it a lot easier. e.g., it is a lot easier for a player looking at wonders to remember 'the pyramids need to be built on desert' or 'broadway will help me make more culture' than it would be for them to remember the requirements/effects of 'under-eusapia' or the 'wompty dompty dom center'. i think this is one of the number one things that, if subtracted, would meaningfully create something that is no longer 'sid meier's civilization'.

SID MEIER'S ALPHA CENTAURI

now if you cut out #3 and #5 and #6 on the other hand... sid meier's alpha centauri is not technically an entry in the civilization franchise, but i think most people correctly consider it one. it has similar 4X gameplay to the series, and its (very bad) spiritual successor beyond earth was an official entry. instead of 'civilizations', the playable factions are splinters from a colony ship that fell into civil war as soon as it landed, each one representing a distinct ideology. now, y'know, this doesn't mean it's free from Some Problems (the portrayal of the Human Hive in particular is some of the worst apects of 90s orientalism all piled together) but i think they're problems it's not at all locked into by its design!

SID MEIER'S THERMOPILAE

by cutting out #5 and #6 -- making a civ game about a particular time and place in history you could achieve something much more richly detailed in mecahnics while also being able to handwave a lot more homogeny into it. giving the same basic mechanics to, say, every greek city-state in the peloponnesian war is far less ideologically loaded than giving them to every 'historical civilization' someone who watched a few history channel documentaries once can think of. it also lets you get really into the weeds and introduce era-and-place-specific mechanics.

the scale needs to be smaller conceptually but it doesn't really have to be smaller in terms of gameplay -- just make maps and tech trees and building more granular, less large-scale and more local and parochial and specific. this also gives you the advantage of being able to do the opposite of the last two options and really lean hard into the historical theming.

if this sounds like a good idea to you, then good news -- old world does something pretty similar, and it's pretty good! worth checking out.

SID MEIER'S LOVE AND PEACE ON PLANET EARTH

what if we take an axe to #2 and #4? instead of putting all these civilizations into a zero-sum game of violent expansion, make it possible for several civilization to win, for victory goals to not inherently involve 'defeating' or 'beating' other factions. now, that doesn't mean that the game should be a confictless city-builder -- after all, if you've decided to be super niceys and just try and make your society a pleasant place to live, that doesn't mean that the guy next to you isn't going to be going down the militarist-expansionist path. hell, even if all you want to do is provide for your citizens, a finite map with finite resources is going to drive you into conflict of some kind with your neighbours in the long run.

to make this work you'd have to add a bunch of new metrics -- 'quality of life', for example, as a more granular and contextual version of the 'happiness' mechanics a few games have had, or 'equality', game metrics that you could pursue to try to build an egalitarian, economically and socially just society where everyone is provided for. after all, why shouldn't that be a goal to strive for just as much as going to mars or being elected super world president or whatever?

SID MEIER'S DIVERSE HISTORICAL CONTEXTS

ultimately, all cards on the table, if i was made god-empress of The Next Civ Game, this is the option i'd go for: jettison #1 as much as practically possible, introduce as much asymmetry into the game as you can. some civilizations keep the established settler-city model -- others are nomadic, building their units in movable 'camps' -- maybe the 'colonial' civilizations, your USA and Brazil and so on, can be like the alien factions from the alpha centauri DLC, only showing as NPCs at the appropriate point in the timeline when other civs are colonizing other continents, or putting you into an accelerated-forward version of the game if you choose to play as one.

you could combine this with a more interesting version of humankind's civ-choosing system, where you lock certain civilization choices behind specific gameplay events. this would let you do crazy shit with the balancing -- imagine an ostrogothic kindgom civ with crazy strong abilities and units that you could only choose to play as if your capital is overrun by barbarians, or a hungarian civ that requires you to have started as a nomadic civ and invaded somewhere, or a soviet union civ that requires you to lose a revolution, or a usamerican civ that requires you to split off all cities on a foreign continent from your original civ -- you could add so much variety and so many new and bizarre strategies into the game with this!

as for the universal aspects of tech and the narratives of linear progression contained within, there are lots of approaches that already solve this! stuff like stellaris' semi-random branching tech paths, or endless space 2's circular tech web, could allow civilizations to take tech paths that make sense for them, rather than imposing one single model of 'technological progress' on the wole world.

obviously there's limits to this, right -- civilization isn't going to be a detailed historical materialism simulator any time soon. but i think abandoning the idea that every faction has to play fundamentally the same and introducing some severe asymmetry as well as choices that you can make after starting the game would work wonders to wash out some of the racist and colonialist assumptions built into the game's foundation, while also (imo) creating a more fun and interesting game.

[genderkoolaid]

when combating radical feminist/female separatist "males are inherently violent and we can't ever peacefully integrate the sexes" stuff, i think its very important to study up on the concept of "rape-free" societies. specifically check out "A world in which women move freely without fear of men: An anthropological perspective on rape" & the Kreung practice of "love/maiden huts," (read here, here) in which young women would have their own houses built where they could have as many lovers as they want until they decide to get married- and if they didn't want to have sex with a boy, they didn't. in some societies, sexual violence has always been a colonial import.

this quote from the first article's abstract has stuck in my mind since i read it:

Guajiro women of the desert, however, do not live under the cloud of rape, they are not afraid. A personal experience will illustrate that. I remember walking with my guide in the desert late in the evening. It was already after 11:00 PM and we still had some way to go. I felt uncomfortable but said nothing not to upset her. The next day, however, I brought up the issue to avoid such nightly walks in the future. She replied, yes, she had been scared, too. This, of course, confirmed my conviction that the desert was as unsafe for a woman traveling at night as the big cities. When I then mentioned that a man in Europe had attacked me, she looked surprised and replied: “You were afraid of people? Oh no, there is no reason for that. I was thinking of the snakes.” How different our fears had been.

there have been societies where rape simply did not happen, or at least didn't happen to the extent that it was something that people reasonably feared would happen to them. and if this has ever been possible for humans to live like this, then it is possible for us to live like this again. we are animals with choices.

[lyricthecat-12]

Archie Sonadow is the most unfairly underrated version of the ship

A while back, I did a poll to decide which was the most underrated version of Sonadow across different media, and since the public has had their say, I'm now going to offer my own take and explain why from Archieverse Pre-SGW version is so good and deserves much more recognition.

The beginning of their relationship is practically the same that in the video games: Shadow is accidentally awakened by Eggman and decides to carry out his creator's revenge against the world for killing Maria. Sonic is mistaken for the black hedgehog and is chased, which leads them both to have a series of confrontations until they reach the ARK Space Colony. There is a curious change here; since in the comic universe, Amy was involved in another separate story while the conflict was taking place, she was absent during these events but, according to Shadow's own words some time later, Sonic made him see the light, interpreting that he made him change her mind and since Rouge fulfilled exactly her same participation by broadcasting Gerald's video, it could be interpreted that in this universe it was Sonic who made Shadow remember Maria and finally pushed him towards the heroic side. Something like what happened years later in the third movie. (STH 98#, STH 124# & SU 2#)

After this, Shadow sacrificed himself and also lost his memory when he hit Mobius. From here the events differ from the games, in this version Shadow falls and is found by Sonic and the Freedom Fighters, showing himself hostile at first due to his confusion, although soon after he ended up allying with them to face a greater threat, the Alien race known as The Xorda who also planned to destroy the world in an act of revenge, which ends up being stopped with Sonic's sacrifice and disappearance that leaves everyone shocked, including the black hedgehog, because it was thought that the blue hedgehog had died saving the world until his eventual return issues later (STH 124 # & 125 #)

It's curious how, despite not remembering it clearly, Shadow during this stage showed a certain appreciation for Sonic, admitting that he is a being different from any other he has ever met. Of course, that didn't prevent them from continuing to have confrontations in their following encounters but over time, Shadow began to gain confidence in Sonic and was willing to collaborate when the situation required it. (STH 146-149# and STH 157-159#)

Meanwhile Sonic, despite their previous battles, never believed Shadow to be evil, even in the brief time where he was working with Eggman for the second time, and was sure that he would eventually do the right thing. And when that happened, Sonic supported him and helped him without hesitation to discover the truth behind his origins. (STH 160# &STH 170-171#)

After this point, Shadow became an increasingly notable ally, occasionally appearing and helping the heroes when needed, over time developing a respect and even appreciation for those who helped him become who he is today, obviously including Sonic between them.

Throughout this continuity, the relationship between the two hedgehogs had a long but natural and well-carried development, going from rivals and occasional allies to gradually forming a bond of companionship where, even if their ideals remain disparate, they have generated a mutual respect for each other and a great synergy in battle. Which is spectacularly represented in the last issue where the two interacted within this continuity, in the Sonic Universe 2#.

And is for all of this that I think Archie Sonadow deserves more love, because I dare say that it is one of the best and most complete versions of their relationship.

[alpaca-clouds]

You Cannot Create A Solarpunk Future Under Capitalism

I am feeling like a broken record, but I just need to make this clear once more: No, Solarpunk in any form is not possible under capitalism. If you think it is, you either fail to understand Solarpunk, or you don't get what capitalism even means.

Technically I wrote about this already almost exactly a year ago. Let me reiterate it again, though: Solarpunk at its core is build around a couple of ideas. Those are:

Living in relative harmony with our environment, rather than destroying it. (Which includes using renewable energies.)

Decolonialism.

Social justice and the same rights, chances and possibilities for all people.

Neither of those three points is archievable under capitalism, as the end goals of capitalism are opposed to each of them.

Let me go through each of them.

Environmental Sustainability is not archievable under capitalism.

This is the point people tend to argue about the most. Because they will go: "But if the renewable energy sources are cheaper than fossil fuels, the capitalist will see more possibilities to make money with it." Well, do I have news for you: A variety of renewable sources, such as solar and wind power, are already a lot cheaper than fossil fuels and yet somehow the capitalist argue against using them. Care to explain that? No? Well, I'll do it for you. (Technically already did in that blog last year.)

See, when someone's net worth is listed somewhere, most of them actually do not have billions of dollars on their bank accounts. And no, they also do not swim in gold coins. Instead their net worth comes from calculating how much money they would be able to make if they sold all thier assets. A lot of those assets are shares in companies they have, as well as stuff like their fancy houses, fancy cars, fancy private jets and fancy yachts. Most billionaires have not more than a couple tens million dollars in liquid money, meaning money they can just spend. If they wanna buy something that is more expensive, they will usually go to a bank, say: "Look at all the stuff I have. I wanna buy myself more stuff. Gimme money?" And the bank will go: "Of course, Sir Billionaire, here you go. Have a nice 10 billion dollars."

And this is where the issue arrises: Most of the billionaires who are investing in the energy market, have already invested billions in fossil fuels. Be it by owning shares of fossil fuel companies, or by owning mines, oil rigs, power plants and the like. And this puts them into a silly little position: Even if they wanted to make more money through renewables, they cannot without harming themselves. Because in the moment that renewables become even more viable than they already are, fossil fuels lose their viabilities - and hence all the assets they hold in fossil fuels lose their value in an instant. The billionairs know that. The banks know it, too. Which is why banks do not want to give the fossil fuel billionaires money for that, even if they ask.

And that is only on the energy-generating side of it. If you go into the other stuff that harms our environment... Simply put: Public transport will never make as much money, as selling everyone their own car. And plastics are just so much cheaper than any alternatives. And the companies need fast fashion, because they won't make as much money, if folks only go buying new clothes every ten years.

Capitalism is build on the exploitation of the environment.

You cannot archieve decolonialization under capitalism.

Let's talk about the call to decolonize next. This is even easier explained: Capitalism is build on colonialism. And contrary to what you might have been told in school, colonialism has never ended. Most indigenous folks never got their ancestral land back - or have to fight to remain on it to this day. The most notable examples you know off might be indigenous people on their land (at times the land they originally had been forced onto after their ancestral land had been stolen from them) fighting pipelines that the capitalists want to put onto that land. That is colonialism.

In fact a lot of the raw material we use to power capitalism is produced on stolen land or is moved across stolen land to be financially viable. Be it oil springs, that can be found there. Or be it mines. That is both mines that produce coal, but also mines that are used to produce lithium and other materials used in batteries of electric cars. These raw materials should technically belong to the indigenous people from whose land those materials are sourced. And we do know for a fact that some of them will prefer to leave those materials in the ground. Maybe because of the harm to the environment that mining for them creates. Maybe because the land is sacred to them. Maybe because some of them just do not care about cheap electric cars.

It is more than that, of course. Because colonialism also allows for slave labor. And yes, I mean slave labor. Like classical slave labor where people are pressganged into laboring in those mines, or in other factories, where they are not paid at all - or are paid in breadcrums. The reason that the global south is so abhorently poor, even though most of the raw materials powering our world are found there, is, that the people in the global south are exploited, while the land is often owned by people from the global north, who either got it through colonialism - or by buying it from someone who got it through colonialism.

And once again: The profit motive of capitalism is directly opposed to decolonizing - and because of that it won't happen. Capitalism is built on colonial exploitation.

You cannot archive social justice under capitalism.

Capitalism as a system was invented for one reason and one reason alone: To allow former nobility, who were close to lose their power and influence in a Europe of anti-royal revolutions, to hold onto the power and influence and veil it underneath the idea of meritocracy. Basically saying: "Everyone gets what they deserve based on the work they got in." Obviosly they got the most, because they owned the land that everyone was working and living on. And then they did their best to brainwash everyone into believing this - at which they actually succeeded.

Here is the thing: Capitalism needs an underclass to exploit. Sure, a good chunk of that exploitation will happen in other countries, where the poor white middleclass folks do not need to see them toil, but some of that exploitation simply cannot be done in those other countries. At times because the work physically needs to happen in the western nations - stuff like road contruction, general contruction work, cleaning and such are an example of this. And at times because some things might be time critical, cannot be transported that far and stuff like that - like farm work in some cases, or also all the Amazon warehouse stuff. Oh, and all those fastfood jobs belong into this area. Stuff that is paid minimum wage and exploited to no end.

And then there is of course prison labor in the US, which once again is just slavery.

And all of that does not even go into the care and nursing work that is either underpaid by a ton when it is happening on the open market (like in hospitals, schools, kindergardens and other care facilities) - or is happening completely for free. Mosten done by women, who will care for both children, as well as elders and disabled family members for free.

The true endgoal of capitalism is to turn the labor of the lower classes into money and value for the upper class to hoard like bloody dragons. As such capitalism will never be compatible with any sort of equal rights and equal chances.

Those three aspects are truths that just cannot be changed. Capitalism will never be able to create any sort of justice, equal rights, or sustainability. It is not in the interest of capitalism to do so, either.

[skylarsblue]

✦Even. More. Incorrect C.o.D Quotes.✦

Y/N, pinning Soap’s arms with their thighs in sparring: Haha! Eat shit, Scotsman! Soap, struggling: FUCKIN’ ‘ELL, The hell is in your thighs?! Y/N: Pure spite and protein, bitch! --

Someone: Hey Johnny. Y/N: Oh, no, only Ghost can- Soap: Oi! Only Y/N & Ghost can pull that off, it’s Soap to you. Y/N: Yeah he- wait me too? *gaaassp* Ohhh is this what favoritism feels like?! Soap: Pfft, maybe! Y/N: I enjoy it a lot! <3

-- American!Y/N: Fuckin’ git, he’s off his rocker, that one. The entire team: … American!Y/N: *dramatically smacks their hand over their mouth* Gaz: *laughing* Was that genuine?! Y/N: AH, I’ve been conditioned! I’ve been colonized! Soap: COLONI-*WHEEZE*

-- Fem Fatal!Y/N: What th- what is this, a spy movie? You want me to infiltrate by being some eye candy?! Laswell: It’s the best option we have. Ghost: I disagree with this. Soap: Me too! This feels real nasty, I think. Fem Fatal!Y/N: *sigh* Fine, I’ll do it. God gave me these tits for a reason, might as well use’em for somethin’. Gaz: PFF-no no, don’t be funny, this is a bad situation.

-- Graves: No! You can’t, cause if you take it- …you’ll be hurting my feelings :((( Ghost: You know, I was thinking about that. And, the thing is…I really don’t care.

-- (In a ride back to base; just makin’ conversation)

Gaz: Do you find boys attractive? Or girls. That’s one what to check, if you’re not sure. Y/N: *chuckles* You think I’m not sure? Y/N: Everyone’s attractive to be honest, even if it’s just something small. Like, some people have really gorgeous hands. Y/N: I don’t know…I’m a little bit in love with everyone I meet. But I think that’s normal. Gaz: …hm, suppose that’s a fair answer…

-- Soap, laughing: You watch it or might just start fallin’ for ya, L.T! Ghost: …would you like to? Soap: Eh-…huh? Simon: Would you like to? Fall in love with me, I mean… Soap: ….well I-…well, yeah. I wouldn’t mind…if you’d let me. Simon: …I’d let you. Soap: Well then, guess that’s it then. Woo me, Si. Simon: I’ll do my best.

-- Someone: I don't need advice from a team of virgin losers. Y/N: VIRGIN LOSERS?! *grabs Price’s shoulder and motions to him aggressively* You gonna tell me you think this man doesn’t fuck for a living?! HAVE YOU SEEN HIM?! Gaz & Soap: *for the millionth time trying not to laugh* Price: *he’s not encouraging it but he does look kinda smug*

-- Gaz, on TikTok: Everyone’s always like “Kyle how’d you bag a baddie, how’d you bag that baddie bruh-“ I didn’t bag shit. Y/N picked me up from my neck, threw me over their shoulder and I’ve been on it ever since. (Zooms out to show that he is in fact, on their shoulder) Gaz: And I ain’t got no plans on getting off anytime soon-

(This also works with Soap & Ghost)

-- Y/N: Why’s it always you got mommy issues or you got daddy issues? Me personally? Both my parents got me messed up, the side I pick? Is mine. I ain’t Hannah Montana- Y/N: 🎶but I got the best of both worlds!~🎵 Ghost: *he’s laughing on the inside, I swear*

-- Ghost, on the verge of dissociating: Why be sad…when you can just be ✨g o n e✨ Soap: Si, no-

-- Graves: Punch me. In the face. Didn’t you hear me? Y/N: I always hear “punch me in the face” when you speak, but it’s usually subtext. Graves: *huff* Well I- *gets punched so hard he falls over* Y/N: ….that felt good. Ghost: I’m so proud- Price: Stop encouraging them.

-- Soap, bursting into the briefing room: Y/N got into a fight! (Insert running scene) Price: Soldier, what hap- Ghost, sliding up in front of them: Did you win? Y/N: Of course I won. Ghost: Nice. Price: STOP ENCOURAGING VIOLENCE-

-- Y/N, in a vent above a room: Soap, it’s me, the devil! Soap: *wheeze* Gaz: *trying so hard not to laugh* Y/N: I’m here to convince you to do SIN. Come with me. Steal candy from babies and from small businesses! Soap: *WHEEZE*

-- Y/N, passing by: *does that super flirty “up & down” look* Hey König…~ König: Hallo, guten morgen. Y/N: *smiles and keeps going* König, as soon as they’re gone: *deep breath* Ohmeingottohmeingott *tiny scream*

-- Ghost after being asked about his feelings on Soap: *heavy breathing* ……..nextquestion-

-- Gaz, a menace on TikTok: Batches be on the lookout for Captain Save-A-Hoe, cause he savin’ hoes. Price, minding his business: ? Y/N, dramatically “swooning” in the background: I WANNA BE SAAAAAVED *falls* Price, unaware he’s having a thirst trap made for him: ?????

-- (I think bullying Graves is funny)

Graves: Let me tell you how this is gonna work- Y/N: You ain’t gonna tell me shit. Graves: Listen!- Y/N: Suck my dick. Graves: Listen to me!- Y/N: Suck my dick. Graves: Shut up, listen to me! Y/N: Suck my dick, you fuck man. Graves: Listen!! Y/N: Suck my dick. Graves: You will be here and listen to my ord- Y/N: You’ll be here sucking my dick. Graves: Listen to me, now! Y/N: Go fuck yourself.

-- Y/N: I would rather lead my team into a pit of fire, than have them wield guns for your ignorant usurper cunt of a general. Price: *mans is so proud it’s showing in his chops*

-- Simon: Your eyes are like sapphires…jeez…ahem, that’s pretty corny though, huh? Soap, swooning: No, not at all. Anyone would like it…aha… Simon: …uh…is this- Soap: Working? Oh yeah, thoroughly wooed, sir. Simon: Good, good.

-- Price: Please tell me you didn’t drag the boys into this. Y/N: I didn’t drag Soap & Gaz into this! *insert banging on door* Price: Who is that? Y/N: I think you know.

-- Soap: I wouldn’t wish that ‘pon my worst enemy. Unless, of course, we’re talkin’ ‘bout my enemy Philip Graves. Soap: Fuck you, Phillip(/neg), you know what you did.

-- Gaz: So you have feelings for this person. Just rip the bandaid off. Y/N, with daddy issues: It’s Price. Gaz: *inhales through his teeth* Put the bandaid back on.

-- Y/N: …Ghost? You’re into Ghost? Soap: Mhm…thoughts? Y/N: And prayers, Johnny. And prayers.

-- Gaz: Are you straight? Y/N: *chokes on drink* Don’t ever fucking insult me like that ever again.

-- (Some type of escort mission or somethin’)

Price: This woman wouldn’t know how to fix a broken fingernail. Fem!Y/N: Honestly, you lot have to be the most boorish, crude, pig-headed men I’ve ever met. Price: Hey, I’ve seen the high-bred boys you’ve hung out with, princess. I’m the only man you’ve ever met.

(Insert overly intense sexual tension here)

-- König: How does that even make any- *knife sound* König: *looks down at the knife in his thigh* Did you just- *takes knife out* Did you just stab me? What is your problem?!

-- (I’m only using Alejandro cause the dude in the audio had a slight Spanish accent, mans is definitely a feminist)

Alejandro: It’s not natural for girls to fight. Fem!Y/N: Now it’s not natural for a man to be as stupid as he is tall, but mm. Here you stand! Alejandro, in love: …

[fuckyeahmarxismleninism]

The PFLP calls upon all individuals of conscience worldwide to stand in solidarity with the Palestinian struggle against hegemony and colonialism. Our battle serves as an inspiring example for all oppressed people on this planet. Our struggle embodies the determination to overcome all forms of oppression, dominance, and injustice.

The PFLP urges all liberation movements, political parties, unions, activists, and individuals worldwide with a sense of justice to exhaust every action against the Zionist state, its affiliates and supporters, to show tangible support for Palestine and the Palestinian people. We must be the voice for those who have been silenced, including every child who has been lost and every political prisoner who endures suffering behind bars. Our resistance is the only just course of action. We will not idly watch while our people are killed and tormented, and we will not remain passive in the face of ongoing ethnic cleansing. Our people have the inalienable right to live in safety and dignity.

[dropsnectar]

Fluff with some NSFW or NSFT

A vampire that stays mostly in half bat form during the day. He is only slightly smaller then his human form, but finds that he can survive on equal parts fruit juice and blood the more time he spends like this. Also his protruding nose is very fun to kiss~

A vampire that's so soft and fuzzy and loves to curl up with you when you come home from work. He loves to wrap you in his wings to keep you close and warm!! His musk always smells sweet. A courting vampire always doused himself in the best perfumes that intensify his musk. You always smell good whenever you spend time with your boyfriend.

A vampire who spends half his time during the week with his colony. It turns out that vampires were actually meant to be a social species, rather than isolated. When they form a colony, their mental state improves, which means less health issues, like dying in sunlight. A happy vampire can handle the stress of the sun better when he is covered in his sun hats and umbrellas! Your vampire prefers a large black cowboy hat, and some sunglasses.

A vampire that, while being nocturnal, always makes time to be with you. He can't keep himself from kissing your face when he sees you, and holding your for a full five minutes before you two go off on your dates.

A vampire who when he gets you home, loves to go down on you. Its one of his favorite things, sometimes even swearing that your fluid is just as nutritious as blood to him. He'd go into the details about vampires and life force with you, but your too cute squirming under him, for him to stop. Maybe later.

A vampire who loves singing to you. He can't help it, its part of the vampire courting behavior. You find him humming so often when he meets with you, when he holds you, when the two of you are making love. He also loves taking you to music festivals, its a fun pastime for you to share!

A vampire who tells you about his colony's scheduled orgies(also known as swarms). Who doesn't mind sharing you occasionally among his brethren, if you don't mind going of course!

A vampire who uses his big ears and silent magic chirps to check the area for danger. A vampire who can sense an irrate person by the sound of their heartbeat and always steers you clear of any risks when your out.

A vampire who is obsessed with the sound of your heartbeat, loving how close to you it makes him feel. And who loves to listen to it thud faster when he gets you all riled up.

(In case you didn't catch on these are all bat behaviors: link)