#oc; dr. amp
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stormyykat · 10 months ago
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sort-of announcement for a project...?
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maliciatweedy9001 · 1 month ago
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It’s Monday, but Melisha Tweedy is literally like a Saturday ☀️
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new-law · 9 months ago
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oc-tober day 1, fav oc! not sure how many of these i'll do since i'll be busy this month, but at least i can say i did day one..
anyways, this is sunya vice / dr. amp! he is the main character of the comic i've been writing!
there's a lot of reasons as to why he's my favorite, considering he's the driving force of my project, but if i had to choose, it's his design! his design has changed very little since conception and i just looooove working with primary colors. the shapes of his costume and hair are just so fun and i always find myself mindlessly doodling him.
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elodieunderglass · 5 months ago
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I hope your evening is better than your day was. ✨💫
In reference to me haggardly saying in the tags that after the day I’d had, everything (horrible things with legs) that my loved ones (you guys) were doing to heal me (send me horrible things with legs) was a help. And it was. And you are.
It was a tough old month already. But it’s all swings-and-roundabouts, snakes-and-ladders, win-some-lose-some, 🫴🫳.
I sleep about 9 hours in 48 at the moment, which is not especially great, owing to the Wretchedness of Mouse (2), a largely nocturnal animal. But then when Mouse is awake at Mouse o’Clock and quietly pottering around on Mouse Business, there isn’t much I can usefully do, so I’m just curled up with Dr Glass’s tablet, peacefully drawing Killie the jockey OC. As a result I’ve realised something massive for me, that my creativity is THERE, but fuelled by self-indulgence! Like, with stuff like fanfic projects and Killie, there was always a lot of “mental braking” on before, with me anticipating (based on evidence experience of posting my writing online for mumblety-many years) how much people would dislike it - put the brakes on, Elodie, we can’t let the haters know that we yearn. But hey, I started rambling on about fics and my own OCs, and YES it’s probably startling and annoying for some people and I do apologise, but ALSO you’ve all been very kind, and I think that it’s better for me to have the brakes off. 4 am takes notwithstanding, it’s better to have the brakes off. So what if I’m cringe and occasionally annoying - I have paid my dues and done my duties.
The new shed at the allotment blew down, but we have been forgiven for our carelessness in allowing it to happen, and two people on the committee have approached me with kindness - one committee member even stopping me in a shop to tell me, “people want to help you, Elodie, we’re your friends, you know.” Citation needed, but there you go.
Saturdays are always made especially for me dreadful by taking children to swimming lessons, on foot both ways, but usually we walk on to meet friends for coffee after. I go out with my friends and play board games with our neighbours and have learned how to play Wingspan.
Dr Glass received an official diagnosis of ME, but I bought a robot vacuum in the strength of that - saying, well, why assume things will ever get easier? Let’s get easy now! - and actually I really like having a robot vacuum!!
There have been more causes than I could help with, but my promotion has strengthened the coffers, so this month I’ve been able to donate to a few!
Due to childcare falling through, I had to take all three kids to an antifash protest in the cold and was dreading it - the walking, the whining, is it going to be awkward, i trust the organisers but HE’S not bringing his kids, GOD. But then my neighbour and her giant puppy came with us! on purpose! And we knew a lot of people there and the kids played.
I had to buy some clothes for work, and I never buy anything new (never having money) and was scared I’d get it wrong (stupid and weird) but I buckled up and bought these: https://www.disturbia.co.uk/products/rosamoth-button-up-midi-skirt https://www.disturbia.co.uk/products/swamplife-frog-embroidered-linen-blend-high-waist-midaxi-skirt
And it sounds bonkers, but the amount of people at work, etc, who have come up and instantly allied themselves with me on the strength of Frog Skirt / Moth Skirt has strengthened my convictions. Strongly recommend Frog Skirt / Moth Skirt and their emotional equivalents if you hit a stage of career where you need to suddenly level up.
I am thinking about counterweights. And kindness. And the balance of the turning world. And the light in the sky coming back. And, unfortunately, Killie, but he’s a counterweight too; sure, he’s awful, but we already know he contains the seeds of becoming okay.
As evidence suggests that many things do.
Thank you for your shining kindness, and my love back to you 💫
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therealslimshakespeare · 1 month ago
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https://www.tumblr.com/therealslimshakespeare/784221057628389376/lu-always-reminds-me-of-mary-golda-ross-3-i-love
omg this is so sweet! i am def gonna take up your offer to spam you! i have a lot more to say about mary golda ross herself but just some other thoughts as well:
i remember reading a source from MIT that said that in the 1950s, like 0.8% of engineers in america were women? and then for lu, being an indigenous one too? she is just so so so cool and impressive to me and the fact that she chooses this post war career (and this is hard to express but in some ways the sexism and such might be even worse? in the war she had her other girls from the integration experiment with her? but here she doesn’t?) after she’s already been a flight engineer in a literal WORLD WAR is just. so impressive it leaves me in awe of her.
another person i thought of when i read about her going into environmental engineering (i love that so much) is dr. claire parkinson. the way that if lu was a real person, she’d be featured in articles like this one? it’s so precious to me 🥹 https://nasa.tumblr.com/post/746135334980599808/4-little-known-women-who-made-huge-contributions/amp
Your info about and introductions to these women are invaluable to me and I appreciate you so much for sharing, thank you! Please please do come back with more again and again, hehe. I have had that same thought regarding what variety of bigotry she may face in college vs the army, of course there is always overlap but, it’s been interesting to sift through her own perceptive on it. Which she finds more maddening or experiences more and on her own, as you said, in college vs the war.
And thank you for the link!! I try to base all my OC’s on amalgamations of real people, I don’t just pick random characters. I want a representation of real people in my stories alongside the real boys, so the more real people to draw from?—the better. And not being a STEM girlie myself I will take all the help I can get regarding this fascinating and impressive field of study 🫡
Also. Don’t get me started on postwar articles. On Lu, on any of them. Goshhhhh
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signfromeywa · 1 year ago
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AUNGIA TA EYWA (A SIGNS FROM EYWA)
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Chapter 04: The Infirmaty
Description:
Anastasia Novak is a behavioural scientist tasked with socializing a captive Na'vi on behalf of the RDA. The longer she works with the Na'vi and the closer she gets to him, the more she has to rethink everything she thought she knew and redefine her morals and values. Can she just carry on like this, or will she follow her heart?
Content: Rating +18, Avatar fanfiction, human x Na'vi ship, Na'vi captured
Characters: Human OCs: Anastasia Novak, Steven Turner, Patra// Na'vi OCs: Ean'tu,
Word Count: 3914
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❗️English is not my native language! I apologize very much if it reads a bit bumpy here and there.
I'm a German author and this is the first time I've tried to translate a story I'm working on into English and upload it. I still hope you enjoy it.❗
A sudden loud bang that shook the walls of the base made Mr. Turner jump up from his chair. He had been scared out of his wits and not long after the loud bang, the base's alarm sounded. Were they under attack? What had happened, just a moment ago Turner had been dozing away in front of the documents with his coffee cup in his hand, now chaos had broken out. The doors to the surveillance room opened.
"Turner! Quick!" Gonzales literally shouted and Turner took off running.
Once in the room, his eyes immediately fell on the window, which offered a view of the enclosure. The red flames colored the otherwise unlit surveillance room red.
"We have to get Sky out of there, now! Mobilize Unit 12 and give Sky a dose! This has to happen quickly!" as he instructed Gonzales and another colleague. The colleague ran out of the room to initiate everything else to get Sky out of the completely destroyed enclosure, Gonzales was busy in the meantime adjusting the dose and administering it to Sky via the collar.
It wasn't long before an entire unit stormed the enclosure. Fully equipped, they fought their way through the flames and searched for the Na'vi, who was lying unconscious somewhere. Only a few minutes later, the next unit arrived to fight the fire. Two AMP suits were mobilized to help get the flames under control and clear the debris out of the way.
Turner stood tensely at the top of the window and watched the units at work. Half of the surveillance technology had failed and he very much hoped that nothing worse had happened to Sky. If something happened to the Na'vi on his shift, it could cost him his head. After a nerve-wracking eternity, he was given the all-clear. The recovery unit had found the Na'vi and taken him out of the enclosure. But now everything had to happen very quickly. Sky couldn't wake up until he was back in a safe room where he couldn't hurt anyone and, above all, couldn't run away.
Gonzales came over to him. " Come on, let's take care of this, it's going to be a long shift."
Turner nodded to his colleague. He was right, besides, he would have to write a detailed report later and let Novak know that she would have to show up for work early, because they would most likely need that woman if Sky got out of control.
**
Ana woke up to the sudden ringing of her cell phone. Tired, she reached for the device that she had recently started keeping on her bedside table for just such occasions and peered at the number with blurred, tired vision. When she recognized the facility where she worked, she hastily answered her cell phone.
"Dr. Novak, what's wrong?" she asked anxiously, still a little hoarse."Forgive me for interrupting, Turner here, it's about Sky."
"Has something happened to him?" Ana interrupted her colleague, upset and worried.
"He's fine so far, just a few bruises, but we had to transfer him to the infirmary. Could you make it here at short notice?" Turner reassured her.
Ana sat on the edge of the bed and breathed a sigh of relief. "Yes, I'll take the next team bus, where do I have to go?"
"Just our normal facility, I'll pick you up at the gate. See you in a minute."
"Yes, ok, I'll be right there. Goodbye." Ana ended the call. What had happened that Sky was in sickbay? It certainly hadn't been easy to move him there. Sky was wild and dangerous, he wouldn't have let that happen without resistance.
Tired, she got up and hurried to put on a skirt and blouse as quickly as she could before setting off. After all, this was still her workplace and she didn't want to be lacking in professionalism. She grabbed her work bag and hurried out of the room and down to the bus stop while she hurriedly checked her wristwatch again. If she remembered correctly, a bus was about to arrive and she couldn't miss it under any circumstances if she wanted to get to the base as quickly as possible.
The bus stopped and she ran the last few meters to catch it. Out of breath, she sat down on a seat in the first row and the bus took off. The journey seemed like an eternity, all she could think about the whole time was Sky and how he was doing. Questions were running through her head, making her tired mind dizzy. So she was delighted when the bus finally reached its destination and she was able to rush out of the doors.
Past the security staff, in the courtyard, her colleague Turner was already waiting. "It's a good thing you made it here so quickly. Sky is completely out of control," Turner said by way of greeting and set off with her.
"What happened, why did he hurt himself?" Ana wanted to know.
Turner's steps were fast and Ana had difficulty keeping up. "A plane crashed and tore one side of the enclosure. It started a fire and the flying debris must have injured Sky," he said, without turning to look at Ana. "That was a big bang, I tell you, I was totally startled."
"Oh shit- sorry." Ana cursed in disbelief, it was lucky that nothing else had happened to Sky. No wonder Sky was beside himself now, he was in a strange environment with strange people and the last thing he remembered for sure was that huge bang. Absolutely disturbing.
Turner went on to fill her in on the state of the enclosure, what measures had been taken and what would be necessary. While he was telling them this, they walked along the large main corridors of the base to an area that Ana had not yet entered. Until now, she had always taken the direct route to her department and had not explored the rest of the base. However, they walked through far too quickly, so Ana had no chance to look around, not to mention to remember where they were. She would never find her way back without help.
The large mechanical doors of a ward appeared in front of them, with a large white glowing sign. Infirmary. But this wasn't where ordinary soldiers went when they were injured, this was a high-security wing. It was already written on the front which security clearance was required here. One that Ana certainly didn't have, but Turner seemed to know what he was doing.
Together they entered the station through the large door and just ahead was an airlock with a receptionist. "Yes, please?" She didn't even look up from her work.
"Mr. Turner, we're here for Sky." He pulled out his employee card and Ana did the same.
Now the woman looked up, inspected the cards and compared the data with her computer. "Yes, that's right. You have to go down the corridor, turn left and go all the way through. He's in the isolation station, room 4," she explained briefly and then opened the airlock to the station for both of them.
With the help of the description, it didn't took them long to find the right room and when the doors opened, they could hear something falling to the floor and shattering, followed by the loud sound of many smaller metal objects falling to the floor.
Turner and Ana hurried in. The room was divided into two areas and separated by a pane of glass. On the far left was a small airlock and behind it was Sky. He was hissing angrily and frightened, pressed against the wall and fending off the medical staff who tried to approach him. In the process, he had knocked over a small side table where medical utensils had been laid out ready for treatment.
The two medics, fully clothed in protective suits and wearing masks, didn't dare approach Sky, their gazes just as frightened as Sky's.
"What's going on here?" Ana wanted to know immediately.
The two medics became aware of her: "He suddenly jumped up and started thrashing around wildly!"
Ana didn't want to hear any more, it was clear that they were scaring Sky and she couldn't blame him. He didn't know what they were planning to do to him, he was completely disoriented and perhaps even in pain.
Without hesitation, she grabbed a mask and entered the airlock. If she didn't intervene, someone else would get hurt.
She entered the separate treatment room and stood in front of Sky: "Please leave the treatment room, Sky is not in a condition where you can treat him."
"Mam, we have to treat his wounds," said one of the medics, raising his hands placatingly.
"You can do your work later, but if you don't leave now, Sky will only hurt you."
"All right," they picked up the medical instruments and bandages that were scattered on the floor and left the treatment room, "watch out, there's broken glass here."
Ana turned to Sky, who was now huddled on the floor in the corner. He had raised his hands anxiously in front of his face because the light in the room was a glaring white and seemed to be blinding him, which must have disoriented him even more. Tears were running down his face and his body was bruised here and there, with small wounds and cuts. His whole body was trembling. Ana felt so sorry for him, but she didn't know what to do. It wasn't as if they had built up any trust in each other, he was probably just as scared of her as he was of the doctors. How could she help him?
Then Sky suddenly lowered his hands and his wrinkled forehead smoothed as he seemed to recognize her.
"...Ana." he then said and Ana's eyes widened in surprise.Had she just heard correctly? Had Sky said her name? It was impossible, even if he was intelligent, that he had remembered the name so quickly since the last time, which had been a few days ago.
"Ana." she heard clearly this time. No doubt he had called for her. She cautiously approached Sky and carefully raised her hands.
"I'm here, don't worry." Ana said gently and crouched down in front of him when she reached him. She sat there hesitantly. Sky's expression had calmed a little when he recognized Ana, but she still wasn't sure how much he trusted her. Was it OK for her to touch him? How close could she get to him?
To her surprise, Sky pulled her out of her thoughts by saying her name again. He seemed to want to communicate with her, but it was the only word he knew. Ana summoned up all her courage and reached out for the Na'vi, who did not flinch. So she reached for his hand.
"Come Sky, come with me." She made a gesture for him to follow her, hoping he would understand beyond the language barrier.
Indeed, as she rose from her crouch, Sky stood up too, but without letting go of her hand. He was so huge, his hand completely covered Ana's, she felt fragile next to him, even though Sky only held her hand very carefully. It was as if he was aware of his size and, above all, his strength.
She gently led Sky to the treatment table where he must have been lying a moment ago. He sat down on it and looked at Ana.
"I'll get the medics to help you now, okay?" Ana knew that he didn't understand a word. Nevertheless, she looked deep into his eyes and said this very slowly in a particularly gentle tone of voice. She was trying to make him understand that she wasn't up to anything bad and that everything was fine.
Nothing was good at all. The circumstances were completely bizarre and actually quite inhuman. In front of her sat something that seemed not unlike the consciousness of humans, and yet he was caged like an animal.
As she turned to go to the airlock so she could use the microphone to ask the medics in, Sky held her by the hand. His eyes looked at her pleadingly; there was no way he wanted to be left alone.
Ana lovingly placed her other hand on his. "It's okay, I won't leave you alone."
She thought about it. Sky needed someone to look at the wounds and treat them, not that anything would get infected. But he would never let the medics near him without Ana.She pointed to his sore knee. "You have wounds." she said very slowly, then pointed out to the medical staff standing in front of the glass pane, still holding the bandages in their hands. "They'll help you take care of the wounds."
Sky looked at her warily and then at the medics. He seemed to be thinking about what Ana might have meant and she hoped so much that he would understand. She didn't know how else to tell him.
"Tam 'ì'awn hu oe." Sky then also said very slowly. Ana could hardly believe that she had just witnessed his language. It was the first time she had heard this foreign language, so she had no idea what he might have said, but from the way he had squeezed her hand, he clearly wanted her to stay with him. She smiled at him, trying to be calm, even though her heart was beating excitedly. She had gotten herself into something, the extent of which she could not yet fully comprehend. The more she saw that Sky was not so emotionally dissimilar to her, the more she had to question everything she thought she knew.
Ana looked to her right, to the window behind which the medics stood and watched in amazement as Ana dealt with Sky, waiting to do their job. With a gesture, she indicated to the two men that they should come to her and Sky to treat him. Only hesitantly did they both set off, still full of suspicion as to whether the Na'vi would be able to control himself this time or whether he would fight them off again.
Turner also seemed to be watching tensely. He seemed to be worried about Novak in particular, just like on the first day. As the medics stepped through the airlock, Sky's hand holding Anas tensed. His tail whipped nervously back and forth and his ears flattened. Ana could see him clenching his teeth and tightening his jaws, but he remained still. He was clearly still scared, but he trusted Ana to look after him, which she was determined to do.
"Come to us, but slowly, don't make any loud noises that might frighten him," Ana instructed.
The men approached them slowly, careful not to make any rash movements. They placed the utensils for cleaning, disinfecting and bandaging on the small side table with castors that they had set up again.
"Can we approach him without concern?" one of them asked uncertainly.
"I can't promise anything, but I'm in good spirits if you move calmly and slowly," Ana answered them, but looked at Sky to let him feel safe. The medics carefully began to clean his wounds and Ana knew that most of them stung a lot. Sky held on bravely. His body was tense and his face showed fear and uncertainty, but he didn't break eye contact with Ana. She would have loved to say something to him now, but she didn't want to risk Sky answering her in his own language. After all, Ana didn't know who exactly knew that Na'vi were apparently an intelligent species and what would happen if the wrong people found out.
After plasters had been applied to the few abrasions and two deeper cuts had a thin bandage, the two medics left the treatment room again. You could immediately see that Sky's tension had eased a little. He was much more relaxed when he was alone with Ana, but unfortunately she also had to leave now, however much she hated to leave him behind. He needed her now more than ever, of course, she was aware of that, but she had to talk about his further whereabouts. After all, he couldn't stay here. He needed a place where he could rest, with somewhere to sleep. Here in the room there was only emergency care equipment with a treatment table. If she took a closer look, it was even the right size for Sky. That was extremely unusual. None of this changed the fact that the circumstances had to improve for him.
"I have to go for a moment, but I'll be back." She looked Sky in the eye. "I need to talk to my colleague." She pointed at Turner.
Sky looked at her, worry written all over his face. He didn't want her to leave. He seemed to hesitate for a moment, then he pointed at Ana and said her name.
She nodded with a smile. "Yes, I'm Ana." But then he pointed to himself. "Ean'tu"
Ana's breath hitched for a second as she processed what the Na'vi had just said. Was it what she suspected? Had he just told her his name? His real one? Ana had to make sure. She pointed at him now too. "Ean'tu?" she said in an uncertain, questioning tone. The Na'vi, who apparently went by the name Ean'tu, nodded and Ana thought she saw a faint smile on his lips.
Ana pointed at herself again: "I am Ana," she said slowly, every single word, then pointed at him. Would he understand?
He looked at her warily and pointed at himself too. "I. Am. Ean'tu," he spoke after Ana, with a strong accent, only with his name instead of hers.
"Yeah, right." Ana smiled happily at him. He had understood quickly, she hadn't expected him to really try to communicate with her and if he did, it wouldn't be here. It was all very unexpected and she wished they had more time and, above all, more privacy. But there was a lack of both and she really had to go and talk to Turner, who certainly had enough questions.
"I'll be right back, I promise," she said softly and released her hand from his. Ean'tu stood up immediately, wanting to grab her hand again, but then hesitated when Ana flinched. That he would reach for her so suddenly had admittedly startled her and Ean'tu seemed to have noticed. His gaze went to the window behind which Turner was standing, watching them both tensely through the glass.
Then Ean'tu sat down again. He apparently didn't want Turner to think he was going to attack Ana again, because now he seemed very passive and was ready to let Ana go, even if she could read in his gaze that he was reluctant to do so. But she didn't have any more time to waste. Ana's colleague was waiting for her outside and she didn't want to keep him waiting any longer. She hurriedly left the isolated area through the airlock and approached Turner.
"What happens to Sky now?" she wanted to know directly. Now that she knew what Ean'tu's real name was, it felt wrong to talk about him as Sky. The name he had been given by a human. But for now, it was safer for them both and wouldn't lead to unnecessary questions.
"The enclosure is still partially destroyed and will probably need a few more days until at least everything is escape-proof again, until then Sky can't go back," Turner explained the situation. Among other things, he was responsible for managing the enclosure and therefore always knew exactly what was going on.
Ana crossed her arms thoughtfully. "We can't leave Sky here, he needs to rest, it's all been a lot of excitement for him. Isn't there a temporary enclosure for him?"
"We have a sanatorium on this base, with various enclosures, but I can't tell straight away which ones are currently occupied and which are not. I'll make a few phone calls in a minute. If I have anything, we can move him." Turner looked over at Ean'tu thoughtfully. "The only thing we have to think about is transportation. We can't just transport him through the station like that, there's a high risk of escape or worse, he could attack someone. I'll be glad if there's something between him and me to keep us apart."
Ana could have been upset. The way Turner talked, Ean'tu was a monster, but Ana was no longer convinced of that at all. He was considerate and careful around her. To be honest, she had the feeling that he was very sensitive and therefore often very scared. If only she could make his circumstances better. She was determined to do this in the future and, above all, she really wanted to find out more about the secret contact. Her contact certainly knew a lot more about the Na'vi."Take care of initiating the transfer, I'll take care of Sky," Ana looked at her colleague resolutely. "I'll make sure he goes safely with me to the other station. No need to sedate him again."
"You want to... walk through the ward with him? Just like that? I can't let you do that. It's far too dangerous to trust on your word alone that Sky won't get out of control again and hurt someone." Ana could understand Turner's mistrust, but they had to start trusting him somewhere. At least Ana could, but Turner didn't know what she knew either. She was sure she could form a good bond with Ean'tu.
"We're taking security measures. We clear the corridors from here to the sanatorium, then we don't endanger anyone. We'll seal off the exits so Sky can't escape and he'll still have the collar on in case of emergency. So if he gets out of control, we can use it to tame him," suggested Ana, who was now all the more determined to move Ean'tu without sedating him. He should walk on his own. If he could see that Ana trusted him to do this and that he wouldn't hurt her, it would be good for their bond.
"...Novak, you have some ideas." Turner sighed.
"But they're good, aren't they?" Ana grinned.
"Unfortunately, it's not a bad plan... but I'll have to talk to the boss to get permission to evacuate and go into lockdown. After all, we'll be shutting down a small part of the facility."
 "Good, then I think you should start making calls right away." Ana laughed a little, although she felt sorry for her colleague. These were certainly difficult calls that she wouldn't have wanted to make herself. But then again, she was the brave one who was always with Ean'tu. Although she was no longer sure whether the Na'vi was the greater evil in this case.
Ana turned away to go through the airlock, "Let me know when we can start the transfer, I'll take care of Sky until then."
"All right, I'll see you later." Turner pulled out his cell phone and began to enter a number as he left the room. Ana just looked after him for a moment, then went through the airlock to Ean'tu, who had apparently been watching them the whole time and was already waiting for her.
Tag List: @twisteduniverse5 @yukilaaw @mooniequeen (If you want to get added, comment it under the post)
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angeygirl · 1 year ago
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Vaguely incomprehensible thoughts from listening to Self-ish for the first time (mostly written in real time)
(and also I try an analysis at the end despite not understanding the words)
Self: Huh, that was a very chill intro song. Probably setting up motifs or smth I'll look it up later
2012: For a guy having a breakdown this is really funky. Noticing a theme here.
Cotard's Solution:
This... this intro is the end of Dr. Sunshine. Motifs! That's cool :D but alI can hear for the rest is "*Rabid screaming* Murder look like a suicide *Zombie sounds*" I've heard not to trust people who like this song so I'm assuming it has to do with the lyrics but these instruments are fire
Mr. Capgras:
What are these rhythms and why do I love them? Not sure what the vibe is but it feels, like... an old carnival or something? Let me guess, more identity problems? HOLY CRAP THAT'S THE DROP IN DR. SUNSHINE! (looked it up afterward while trying to make this post make sense, Capgras Syndrome is a disorder where a person believes someone important in their life has been replaced by an imposter, but in this case the imposter is imposter syndrome [I think])
The Song With Five Names:
Why does the song have five names anyway? Maybe it'll make sense when I actually can read along and figure out what's happening "Gotta get to the bottom of this"??? This guy keeps reusing things and it makes me so happy. That guitar though...
Hand Me My Shovel:
YES!!!
Fun fact "Hand Me My Shovel" was my first Will Wood song. Found it on a Wilson Higgsbury playlist (I think) and it actually scared me with all the screaming. Funny how it's a favorite of mine now that I associate it with Michael Afton. And it was on a William Afton playlist, ironically enough.
Dr. Sunshine:
Yeah... as far as I'm concerned this song is my traumatized OCs having a dance battle in some spooky bar in the south west or something while yelling at each other for no reason, all just dealing with their own problems by dancing and yelling and stuff.
"Who should I be then if I'll never be the same?" is the opposite of what "Self-" was saying. All that stuff about identity and it ends with "I'm no one now, there's no one now to be." No wonder it sounds so melancholy there. Plus the clock ticking... The title of the album makes so much sense actually
So "Self" was really calm but "-Ish" sounds angry and pained. the songs didn't really amp up linearly (as far as the music goes it's pretty high energy the whole time), but the story is still there.
Someone assured in his identity (Self) loses a large chunk of his memories (2012) and rapidly downward spirals into losing more and more pieces of himself (going to need to lump the other songs together since I couldn't actually figure out what they individually were about). In trying to reinvent himself, he feels he's replacing whatever he had before (Mr. Capgras) and goes digging deeper into himself to look for answers (Hand Me My Shovel). By the time he really does hit the bottom, he's panicking and grabbing at straws for stability, not really one thing or another; not stable but not unstable, not good but not evil, not sure but not lost. Not sunshine but not moonlight. (Dr. Sunshine) In the end he has more questions then answers. All the confidence is gone and he forces himself to just be. (-Ish)
Considering I have a hard time understanding lyrics the first time I hear a song I definitely missed something, but even with what I could make out the story was there. I've heard Will Wood wrote a lot from his experiences and I can feel that in this album.
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jackalopescruff · 2 years ago
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i want to see your ocs!!!!! tell me their favourite things like food and music
okay so I have a LOTTTT of oc's im gonna focus on my most fleshed out ones bc thatll mean they get the most interesting answers! :3 okay? okay!
Laura (My main fursona, the dragon girl we all know and love): She is just me her music taste is wildly varied from oldies from the brass era of music to jazz to punk pop punk emo grunge heavy metal rap breakcore hyperpop and more! fave food is chicken cordon bleu just like me :) Fave Drink is EASY Dr. Pepper :3
Bailey (The OUPPY sona we all adore): again me but i definitely think that when im full puppy space i fucking go insane on hyperpop, breakcore, jungle, dnb, the loud music that tickles the brain good. Fave drink Cherry Coke/Cherry Pepsi :3 fave food is BURGERS
Tawni (my awesome diner owning cowgirl sona): Tawni is a tired woman who works hard she wants melodic calm tunes, she is the jazz girl, she is listening to long ambient tracks, she works her butt off she is a little sad little tired just let her vibe. Fave drink is huckleberry tea with wildflower honey and a shaving of orange peel :3 She loves mushrooms and her awesome hog wife Hollyhock (belongs to my wifey @vonkarn) finds em for her :3
Harper [Cheerio] (Da beawr sona): Cheerio loves to bake and I feel her music tastes are pretty laid back but she wouldnt hesitate to get silly with some fun punk tunes or silly music (like i bet she loves tom cardy/bdg esque stuff) fave food is pecan pie with a dollop of vanilla ice cream on top (she deserves all the treats forever) and her fave drink is ice cold iced raspberry tea :3
Finch! (my jackalope): Finch is a dramatic ass tomboy femme punk bitch she wants to listen to those tunes that make you amped and ready to fight, she for sure shares like my heavy experimental tastes and listens to a lot of Hip Hop, Breakcore, experimental, noise, punk, riot grrl, etc she going wild. Fave food is fucked up but dude she loves a tasty fucking fried chicken drumstick man its simple but it goes hard. fave drink: chocolate milk (its cool and tough fucking fight mee)
Vincent: He is a cringe little gamer gremlin he trophy husband as hell stay home and games on his overpriced rig and setup, but also he is quite literally a phenomenal painter, artist, and writer. Vincent has a lot of feelings in his heart and he arts them out or he'll die. He is a lil poppunk/hyperpop/MCR boy like thats his JAM. fave drink is literally Monster Pipeline Punch
Jersey (this my brother/dad/found family he means a lot to me): Jersey is literally resident goodboy handyman he woodworks, gardens, fixes just about anything, he also loves bbq and thus has a smoke setup and does that for his calming pasttime he cooks a ton in general too and loves nature and foraging. he literally is the most reliable person on the planet and will always be there for u anytime u need. He is a foodie he loves capital F Food all of it he just goes in on food. his fave drink is coke and he literally has tons of old antique coke signs and boxes and shit all over he just thinks its neat he is just a dude.
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1:    0 1 2 4 8 9 a b c d e f g h i j k l m n o p q r s t u v w x y z    32/36    (26/26)    (6/10)
2:    08 11 18 19 41 42 84 90 ab ac ad ag ai aj ak al am an ap ar as at av aw ay ba bd be bi bl bo br bs bu by ca cc ce ch ci ck cl co cr cs ct cu cy da dd de df di dl dn do dr ds du dy ea eb ec ed ee ef eg eh ei el em en eo ep eq er es et ev ew ex ey fa fe fi fo fr ft fu ga ge gh gi gl go gr gs gt gy ha he hi hn ho hr ht hu hy ia ib ic id ie if ig il im in io ip ir is it iu iv iz jo ju ke ki kn ks ky la ld le lf li lk ll lm lo ls lu lv ly ma me mh mi mo mp ms mu my na nb nc nd ne nf ng nh ni nk nl nn no ns nt nu nv ny oa ob oc od oe of og oi ol om on oo op or os ot ou ow ox oy pa pe ph pi pl pm po pp pr ps pt pu qu ra rd re rg ri rk rl rm rn ro rp rr rs rt ru ry rz sa sc se sh si sk sm sn so sp sq ss st su sw sy ta te th ti tl to tr ts tt tu tw ty ua ub uc ud ue ug ui ul um un uo up ur us ut ve vi wa we wh wi wo wr xc xe xi xt xu yb yg yl ym yn yo yp ys yx ze zo    290/1296    (282/676)    (8/100)
3:    184 190 842 908 abd abl aca acc aci ack acr acs act ade ads age ain ajo ake aki ale ali alk all alm alo als ame ami amp ana anc and ane ang ani ans ant anu any ape app ard are arg ark arl arm aro arr ars art ase ask ass ata ate ath ati ato att atu ave avi awa awr ayb bab bac bal bas bdo bea bed beh bel bet bey bio bis bit ble blo bly bod bon bou bow boy bra bre bst bul bur but cal can cav cce ccy cee cen cep che chi cia cie cin cks cky cle clo clu coc com con cos cre cri cru cti ctu cul cut cyx dar dda dea dee den deo dep der des dfi did die din dis dle dne doe dom don dor dul dur ead eak eal ear eat ebr eci ecr ect edd edi eed eei eem een efe egi egs ehi ein eir eit ela ele elf ell elo elv ely ema eme emo emp ems emu enb enc end eng enh eno ent env eos eou epo eps ept equ era ere eri erl erm ern err ers ert eru ery erz esc ese esn esp ess est eta ete eto etw ety eve evi ewh exc exe ext exu eyo fam far fat fem fer fes fib fie fif fin fir fis for fos fra fro fth fur fus gap gel gem ges ght gic gif gio gir gla glu gol gon gou gre gro gth gys han hap hat hav hea hei hem hen her hes hey hic hig him hin hip hir his hit hiu hna hol hot hou hro hum hus hym ial iar ibe ibi ibu ica ice ich ick icu ide idf ied ien ier ies iet ife ifi ift igh ila ili ill ima imi ims ina inc ind ine inf ing ink ins int inu iny iof ion ior iou ips ird irs isc ise ish iso isp iss ist ite ith iti its itt ity ium ive ize joi jor jus jut ked kel kes kin kiv kne kno ksc lan lar lat lde leg len les let lex lia lie lif lis lit lli llo lls lly lmo loa log lon loo lop lou low lso lue lun lus lvi lym lyp mag maj mak mal man mar mas mat may mel men mer met mew mil min mit moo mor mos mou mph mpl mpr mse mur mus myg nac nad nal nat nbo nce ncl nde ndi ndn ndo nds ndu nec nee nei neo nes nex nfr nge ngs ngt ngy nhn nim nky nly nne nop nor nos not now nox nse nsi nst nsw nta nte nti ntl nto ntr nts ntu nuo nus nve oac oat oba occ oce oci odi ody oes ofi oft ogi ogo ogs oin old ole olo oma ome omi omp omy ona ond one onl onn ons ont ool oos oot ope ops opt ora org ori orm ors ose osi oss ost osu ota ote oth oti oto oug oun oup ous out owe owi oxi oyl par pat pea pec ped pel per pho pic pin ple pli pmh poi pos ppa ppe ppo pre pri pro pte pti pub qua que qui rac rai ral ran rap rat raw rdl rea rec red ref reg rel rem ren res ret rev rge ria rib rig rin rio ris rit rki rks rly rma rmi rmo rms rns roa rob roc rog rom rop ros rou row rpr rra rro rru rsa rse rsi rst rte rth rti rto rts ruc rum rus sac sal sam sav say sch sci scl scr scu sec sed see sel seq ses sha she sid sim sio sis sit siv siz ske ski sma smo soc sof som sop sor spe spi spo squ sso ssu sta ste sti stl sto sts stu sty sua sub suc sue sup sur sus swe syn tai tak tal tan tar tat tea teb ted ten ter tes tha the thi tho thr thu thy tib tic tid tin tio tip tis tiv tle tly tom ton too tot tre tri tsi tte ttl tty tua tud tur tus twe two tyl typ ual uar uat ubi ubs uch uco udi uea uen ues ugh uit ula ume und ung unt unu uou upp ups ure uri urn uro urp urr urs urt usc use usi ust usu uta ute uts vel ver vic vid vil vit war wee wel wer wha whe whi who why win wit xcl xem xio xte xtr xus ybe ygo yle ylo yme ymp ymu yno yon you ypi ypm yst zoo    802/46656    (798/17576)    (4/1000)
4:    1842 1908 abdo able ably acce acin acru acti actu adep ages ainf ajor akes akin alis allo alls ally almo alog also amil ampl anal anat ance ands andu aneo ange anim answ ants anus aped appa appe area aren arge arki arks arly arms arou arra arsa arte arti arts ased aske atar ated ater athe atid atio ativ atom atte atty atur avit awar aybe babl back ball base bdom bear bedd behi belo betw beyo biof bitt blog bodi body bone boun boyl brat brev bsta bula burr bute call cavi ccen ccyx ceed cent ceps cept cher chiu cial cien ciet cing cles cloa clus cocc comp conn cons cont cosu cret crib crum ctio ctua ctus cula cuta dard ddar deal deed denb denc deos depo dept desc dfis died dies diet ding disp dnes does dome domi dors dula duri eaki eall ears eart ebra ecia ecre ecti ectu edda edin edis eedi eein eems efer egio ehin eing eith elat elet elop elow elvi emal emel emen emor empl emur enbo ence endi ends engt engy enhn enop enor enti entl entu enve eous epos epti eque eral eran ered eres erio erly ermi erru erse ersi erte erti erto erus escr espe esti esty etal etat eton etwe ever evic evid ewha excl exem exte extr exus eyon fami fatt fema femo femu fest fibu fied fift find firs fish form foss frac frog from furt fuse gely geme gest gica gion gird glan glue gold gona gous grea grou gyst hape have head hear heir here hert herz hese hich high hims hind hing hips hird hite hium hnac hole hoto houg hroa hume hyme hymu iall ibed ibio ibul ibut ical icep icks icky icul idea iden ideo ides idfi ienc iety ifes ifie ifth ight ilar ilia illi imag imal imil imse inal incl inde infr ings inky inse insi inst inte into ints inuo iofi ions ious irdl irst isch ishe isop ispo issu ists ites ithe itio ittl itty ivel join jori just juts kele king kink kive knee know ksch land larg larl late lati latu lden legs leng leta leto lexu liar lier life lifi litt llie llow lmos loac logi logo lond loos lope lops lowe lowi lung lusi lvic lymp lypm mage majo make male mall many mark mass mati mayb mely meno ment meru meta mewh mila mili mina mite moot mora most moun mous mple mpli mpri msel murs musc must mygo naci nads nali nalo nato nboy nclu ndee nder ndin ndne ndon ndul nect neit neou ness next nfro ngem ngth ngys nhna nima nnec nopt norm nost note noxi nsec nseq nsid nsis nste nswe ntai nter ntin ntio ntly ntri ntua nuou nusu nvel oaca obab occy ocee ocie odie oesn ofib ogic ogou oint olde olog omat omen omew omin ompr onad ondo only onne onse onsi onta onti ontr oolo oose ooth oped oper opte oral oria orit orma ormo orsa oses osit osso oste osto osty osus otal oted othe otic ough ound ount oups outs ower owin oxio oylo pare part patt pear peci pelv perl phot pica pine plex plif poin pose posi post ppar ppea ppos pred pris prob proc prop pter ptid pubi quar quea quen ques quit ract rain rang rans rapp rate rath rawr rdle real reat rect redi refe regi rela reme rent rest rete reve revi rgel rges rial ribe ribu righ ring rior rise rity rkiv rksc rmat rmit rmou roat roba roce rogs rope rost roun roup rowe rpri rran rrou rrow rruc rsal rsed rsio rstl rteb rter rthe rtic rton ruco sacr sacs sals same save sche schi scie scle scri scul secr sect seei seem self sequ shap shes side sidf simi sion sist siti sits sive size sked skel skin smal smoo soci soft some sopt sori spec spin spos sque ssor ssue stan stea ster stic stin stio stly stom stot stud styl sual subs such supp surp surr swer syno tain take talk tanc tane tars tata tead tebr tend tera tere teri term tern than that thei them ther thes they thig thin thir this thou thro thus thym tibi tica tick ticu ting tinu tiny tion tips tiss tive toma tomy tons tota toti trem trib tsid tter ttle tual tuat tudi ture turn twee tyle typi uall uart uate ubis ubst ucos udie ueak uenc uest uite ular ulat umer unde undi undn ungs unus uous uppo urin urns uros urpr urro urth uscl uscu used usio usiv usua utan utsi velo vely verr vers vert very vice vide vill vity ware ween well were wers what when whic whit whol wing with xclu xemp xiou xten xtre ygol ylou ymen ymph ymus ynos
yond ypic ypmh ysto zool    815/1679616    (813/456976)    (2/10000)
5:    abdom accen acing acrum actio actua adept ainfr ajori aking allow almos alogo amili ample analo anato andul aneou angem anima answe appar appea arent argel arges arkiv arksc aroun arran arsal arter artic asked atars atera ather ation ative atomy atter ature avity aware bably balls based bdome bdomi bedda behin below betwe beyon biofi bitty bodie bound boylo brate brevi bstan burro cally cavit ccent ceedi centu cepti cherz chium ciall cienc ciety cloac clusi coccy compr conne conse consi conta conti contr cosus crete cribe ction ctual cular culat cutan ddard denbo dence depos descr dfish dings dispo dness doesn domen domin dorsa dular durin eakin eally earts ebrat ecial ecret ectio ectus eddar eding edisp eedin eeing egion ehind eithe elati eleta eleto elope elops elvic emale emely ement emora empli emurs enboy endin ength engys enhna enopt enorm entio ently entua envel eposi eptid equen erans erest erior ermit erruc ersed ersio erteb ertic erton escri espec estin estio estyl etata etons etwee evers evice evide ewhat exclu exemp exten extre eyond famil fatty femal femor femur festy fibul fifth first fishe forma fosso fract frogs furth fused gemen gical girdl gland golde gonad great group gysto haped heart herto himse hnaci hough hroat humer hymen hymus ially ibiof ibula ibute icall iceps icept icula ideal idenc ideos idfis ience ifest ified ilarl iliar illie image imila imsel inali inclu indee infro insec insid inste inter inuou iofib irdle irstl ischi ishes isopt ispos issue ither ition ittle ively joint jorit kelet kinky ksche lands landu large larly later lativ latur ldenb lengt letal leton lexus lifes lifie littl llier llowi lmost loaca logic logou londo loose loped lower lowin lungs lusio lusiv lymph lypmh mages major makes marks matid matio maybe menop menti merus metat mewha milar milia minal mites mooth moral mount mplex mplif mpris mself muscl muscu mygol nacin nalis nalog natom nboyl nclus ndeed nding ndnes ndula necti neith neous nfrog ngeme ngyst nhnac nimal nnect nopte normo nosto noted noxio nsect nsequ nside nsist nstea nswer ntain ntere ntinu ntion ntrib ntuat nuous nusua nvelo obabl occyx oceed ociet odies ofibu ogica ogous oints olden ologi omati omewh omina ompri onads ondon onnec onseq onsis ontai ontin ontri oolog operl opter orial ority ormat ormou orsal ositi osits ossor oster ostot ostyl other otica ounde oundi oundn outsi owers owing oxiou oylou paren parti patte pears pecia pelvi perly photo pical plexu plifi point poses posit poste ppare ppear ppose predi prise proba proce prope ptera pubis quart queak quenc quest quite racti rainf range rathe reall rectu redis refer regio relat remel rentl resti rever revic rgely rgest ribed ribut right rkive rksch rmati rmite rmous robab rocee roper rosty round roups rower rpris rrang rroun rrowe rruco rsals rsion rstly rtebr rther rtica rticu rucos sacru scher schiu scien scles scrib scula secre seein seems seque shape sides sidfi simil sists sitio sivel skele small smoot socie somew sopte soria speci spine spose squea ssori stanc stead steri stick sting stion stoma stoti studi style suall subst suppo surpr surro swere synos tance taneo tarsa tatar tebra tendi tends teral teran teres terio termi their there thert these thigh thing third thoug throa thymu tibio tical ticks ticky ticul tinuo tions tissu tomat total totic treme tribu tside ttern tuall tuate tudie turns tween typic ually uarte uated ubsta ucosu udied ueaki uence uesti ularl ulatu umeru under undin undne unusu uppos uring urost urpri urrou urrow urthe uscle uscul usion usive usual utane utsid velop verru verse versi verte verti vicep viden video villi wered which white whole xclus xempl xious xtend xtrem ygold ymeno ynost ypica ystom zoolo    622/60466176    (622/11881376)
6:    abdome abdomi accent action actual ainfro ajorit allowi almost alogou amilia amplex analog anatom andula aneous angeme animal answer appare appear arentl argely argest arkive arksch around arrang arsals articu atarsa ateral athert ations attern bdomen bdomin beddar behind betwee beyond biofib bodies boylou brevic bstanc burrow cavity ccentu ceedin centua ceptid cially cience cloaca clusio clusiv coccyx compri connec conseq consis contai contin contri cribed ctions ctuall cularl culatu cutane denboy deposi descri dfishe dispos domina dorsal during eaking ebrate eciall ecrete ection eddard edings edispo eeding either elativ eletal eleton eloped emoral emplif enboyl ending engyst enhnac enopte enormo ention entuat envelo eposit equenc eresti ermite erruco ersion ertebr ertica escrib especi esting estion estyle etatar etween everse evicep eviden exclus exempl extend extrem famili female femora femurs festyl fibula firstl fishes format fossor fracti furthe gement girdle glands glandu golden gonads groups gystom hearts herton himsel hnacin humeru hymeno ibiofi ically icepti icular idence idfish ifesty ilarly illier images imilar imself inalis inclus indeed infrog insect inside instea intere inuous iofibu irstly ischiu isopte ispose jority keleta keleto kscher landul largel larges latera lative lature ldenbo length letons lifest lified little llowin logica logous london lowing lusion lusive majori marksc mation menopt mentio metata mewhat milarl miliar minali mplexu mplifi mprise muscle muscul mygold nacing nalogo natomy nboylo nclusi ndness ndular nectio neithe nfrogs ngemen ngysto nhnaci nnecti nopter normou nostot noxiou nseque nsists nstead nswere nteres ntinuo ntribu ntuate nusual nvelop obably oceedi ociety ofibul ogical oldenb ologic omatid omewha ominal ompris onnect onsequ onsist ontain ontinu ontrib oologi operly optera ormati ormous ositio ossori osteri ostoti ostyle otical ounder oundin oundne outsid oxious parent partic patter pecial pelvic plexus plifie points positi posits poster pparen ppears predis probab procee proper pteran quarte queaki quence questi ractio rainfr rangem rather really rectus redisp region relati remely rently restin revers revice ribute rksche rmatio rmites robabl roceed roperl rostyl rounde roundi roundn rowers rprise rrange rround rrower rrucos rtebra rtical rticul rucosu sacrum scherz schium scienc scribe scular sculat secret seeing sequen shaped sidfis simila sition sively skelet smooth societ somewh sopter sorial specia sposes squeak ssoria stance sterio sticks sticky stomat stotic studie sually substa suppos surpri surrou swered synost taneou tarsal tatars tebrat tendin terans terest terior termit therto though throat thymus tibiof ticall ticula tinuou tissue tomati totica tremel tribut tually tuated tudied typica uarter ubstan ucosus ueakin uestio ularly ulatur umerus unding undnes unusua uppose urosty urpris urroun urrowe urther uscles uscula usivel usuall utaneo utside velope velops verruc versed versio verteb vertic viceps vicept videnc videos villie xclusi xempli xtendi xtends xtreme ygolde ymenop ynosto ypical ystoma zoolog    446/2176782336    (446/308915776)
7:    abdomen abdomin accentu actuall ainfrog ajority allowin alogous amiliar amplexu analogo anatomy andular angemen answere apparen appears arently arksche arrange articul atarsal atherto bdomina beddard between biofibu brevice bstance burrowe ccentua ceeding centuat clusion clusive compris connect consequ consist contain continu contrib ctually cularly culatur cutaneo denboyl deposit describ dfishes dispose dominal ecially ections edispos eedings elative eletons emplifi enboylo engysto enhnaci enopter enormou entuate envelop eposits equence erestin ermites errucos ertebra ertical escribe especia etatars eversed eviceps evicept evidenc exclusi exempli extendi extends extreme familia femoral festyle firstly formati fossori fractio further glandul goldenb gystoma himself hnacing humerus hymenop ibiofib iceptid icularl idfishe ifestyl imilarl inclusi infrogs instead interes iofibul ischium isopter isposes keletal keleton kscherz landula largely largest lateral ldenboy lifesty llowing logical lusivel majorit marksch mations menopte mention metatar milarly minalis mplexus mplifie muscles muscula mygolde nalogou nboylou nclusio nection neither ngement ngystom nhnacin nnectio noptera normous nostoti noxious nsequen nswered nterest ntinuou ntribut ntuated nusuall nvelope nvelops oceedin ofibula oldenbo ologica omewhat ominali omprise onnecti onseque onsists ontinuo ontribu oologic opteran ormatio osition ossoria osterio ostotic oticall ounding oundnes outside parentl particu pattern peciall plified positio posteri pparent predisp probabl proceed properl pterans quarter queakin questio raction rainfro rangeme redispo relativ resting reverse revicep rkscher rmation robably roceedi roperly rostyle rounder roundin roundne rrangem rroundi rrowers rrucosu rtebrat rticula rucosus science scribed sculatu secrete sequenc sidfish similar skeleta skeleto society somewha soptera special squeaki ssorial sterior stomati stotica studied substan suppose surpris surroun synosto taneous tarsals tatarsa tebrate tending teresti termite therton tibiofi tically ticular tinuous tomatid totical tremely tribute typical ubstanc ueaking uestion ulature undness unusual urostyl urprise urround urrower uscular usculat usively usually utaneou veloped verruco version vertebr vertica vicepti vidence villier xclusiv xemplif xtendin xtremel ygolden ymenopt ynostot ystomat zoologi    297/78364164096    (297/8031810176)
8:    abdomina accentua actually ainfrogs allowing amplexus analogou angement answered apparent arkscher arrangem articula atarsals atherton bdominal biofibul brevicep burrower ccentuat ceedings centuate clusivel comprise connecti conseque consists continuo contribu culature cutaneou denboylo deposits describe disposes dominali edispose emplifie enboylou engystom enhnacin enoptera enormous entuated envelope envelops eresting errucosu ertebrat escribed especial etatarsa evicepti evidence exclusiv exemplif extendin extremel familiar formatio fossoria fraction glandula goldenbo gystomat hymenopt ibiofibu icularly idfishes ifestyle imilarly inclusio interest iofibula isoptera keletons landular ldenboyl lifestyl lusively majority marksche menopter metatars mplified muscular musculat mygolden nalogous nclusion nections ngystoma nhnacing nnection nopteran nostotic nsequenc nteresti ntinuous ntribute nusually nveloped oceeding oldenboy ological ominalis onnectio onsequen ontinuou ontribut oologica opterans ormation ossorial osterior ostotica otically oundness parently particul pecially position posterio pparentl predispo probably proceedi properly queaking question rainfrog rangemen redispos relative reversed reviceps revicept rkscherz rmations roceedin rounding roundnes rrangeme rroundin rrucosus rtebrate rticular sculatur sequence sidfishe similarl skeletal skeleton somewhat sopteran speciall squeakin stomatid stotical substanc surprise surround synostot tatarsal terestin termites tibiofib ticularl toticall ubstance unusuall urostyle urroundi urrowers usculatu utaneous verrucos vertebra vertical viceptid xclusive xemplifi xtending xtremely ygoldenb ymenopte ynostoti ystomati zoologic    189/2821109907456    (189/208827064576)
9:    abdominal accentuat analogous apparentl arkscherz arrangeme articular bdominali biofibula breviceps brevicept burrowers ccentuate centuated clusively connectio consequen continuou contribut cutaneous denboylou described dominalis edisposes emplified engystoma enhnacing enopteran enveloped errucosus ertebrate especiall etatarsal eviceptid exclusive exemplifi extending extremely formation fossorial glandular goldenboy gystomati hymenopte ibiofibul inclusion interesti isopteran ldenboylo lifestyle markscher menoptera metatarsa musculatu mygoldenb ngystomat nnections nopterans nostotica nsequence nterestin oceedings oldenboyl onnection onsequenc ontinuous ontribute oological ormations ostotical particula posterior pparently predispos proceedin rainfrogs rangement redispose revicepti roceeding roundness rrangemen rrounding rticularl sculature sidfishes similarly skeletons sopterans specially squeaking stoticall substance surroundi synostoti tatarsals teresting tibiofibu ticularly totically unusually urroundin usculatur verrucosu vertebrat xclusivel xemplifie ygoldenbo ymenopter ynostotic ystomatid zoologica    112/101559956668416    (112/5429503678976)
10:    abdominali accentuate apparently arrangemen articularl bdominalis brevicepti ccentuated connection consequenc continuous contribute engystomat enopterans especially etatarsals exclusivel exemplifie formations goldenboyl gystomatid hymenopter ibiofibula interestin isopterans ldenboylou markscherz menopteran metatarsal musculatur mygoldenbo ngystomati nostotical nteresting oldenboylo onnections onsequence ostoticall particular predispose proceeding redisposes reviceptid roceedings rrangement rticularly stotically surroundin synostotic tibiofibul urrounding usculature verrucosus vertebrate xclusively xemplified ygoldenboy ymenoptera ynostotica zoological    60/3656158440062976    (60/141167095653376)
11:    abdominalis accentuated arrangement articularly breviceptid connections consequence engystomati exclusively exemplified goldenboylo hymenoptera interesting menopterans metatarsals musculature mygoldenboy ngystomatid nostoticall oldenboylou ostotically particularl predisposes proceedings surrounding synostotica tibiofibula ygoldenboyl ymenopteran ynostotical    30/131621703842267136    (30/3670344486987776)
12:    engystomatid goldenboylou hymenopteran mygoldenboyl nostotically particularly synostotical ygoldenboylo ymenopterans ynostoticall    10/4738381338321616896    (10/95428956661682176)
13:    hymenopterans mygoldenboylo synostoticall ygoldenboylou ynostotically    5/170581728179578208256    (5/2481152873203736576)
14:    mygoldenboylou synostotically    2/6140942214464815497216    (2/64509974703297150976)
Why are rain frogs so round? What's /inside/ of them around such an itty bitty skeleton?
So it turns out this is a really interesting question.
The first thing we must be aware of is that rainfrogs as we see them in videos of them squeaking are not quite the same shape as they are when at rest:
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[x]
But you are quite right, they are very round. This is exemplified by the skeletal photo you refer to:
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So what are we seeing?
Well, firstly, note that the body cavity in these frogs actually envelops the femurs, such that only the tibiofibula (fused in frogs) and the tarsals and metatarsals are outside the body. The arms are quite similarly enveloped, but a bit of the humerus does extend outside the body cavity too. This predisposes them to a rounder body shape.
Next, note the ilia - the U-shaped bone in the pelvic region. These in some breviceptid frogs are synostotically fused with the sacrum - that is to say, they are bound by bone-based connections to the bow-shaped vertebra at their tips. This whole joint seems to be quite smooth, and as a consequence, the back of the frog is quite smooth. The other thing we can see here is that the urostyle (i.e. the frog version of a coccyx) juts quite far beyond the ischium and pubis. This extends the body cavity beyond the hips. Note also that the pelvic girdle seems to be largely below the spine, rather than the typical position for frogs behind it and continuous with it. This makes the legs sit below the spine, rather than at its end, enhnacing the vertical roundness of the animal.
Next, let’s talk some soft tissue. Now, I’m not as familiar with soft-tissue in frogs as I am their skeletons, so you’ll have to bear with me a bit (rawr). Beddard (1908!!) studied the soft tissue of Breviceps verrucosus Rapp 1842. It seems that the majority of the body of these frogs is actually muscle. Beddard noted that muscles join the leg at the knee that extend into the body cavity, such that the inclusion of the thigh in the body cavity is further accentuated by musculature. The rectus abdominalis muscle is unusually large, extending from the lower abdomen up and around the sides of the body. Indeed, this large size appears to be the pattern with all of the major muscles, though in the throat the typical arrangement of large and small muscles is somewhat reversed. On the lateral side of the head, there is a substance that is not muscle, but appears to be loose tissue in which sits what is apparently the thymus gland.
There is a very large gap between the end of the urostyle and the anus (one fifth of the total length of the frog), in which there are almost no muscles, save for the one surrounding the lower cloaca. On either side of this area, between the posterior-most muscles of the thigh, lie two large ‘lymph-hearts’, as described by Beddard. These are between one quarter and one third of the total length of the frog. A further lypmh-sac sits between these lymph-hearts and the skin of the femoral region, and they are thus probably analogous to the femoral lymph-sacs of other frogs.
I find it interesting that Beddard (1908) did not mention any glandular formations in the dorsal region. As is evidence from many images (see below), these frogs are able to secrete a white, sticky, noxious substance from their skin (which they actually have to use during amplexus, as the male is too small relative to the female to mount her properly, and so he sticks himself to her with his glandular glue… kinky).
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[x]
These glands do not apparently take up a great deal of the cutaneous tissue, and so I suppose are of no consequence to the size of the frog, especially relative to its enormous muscles.
The diet of these frogs consists almost exclusively of hymenopterans and isopterans (ants and termites). Neither of these insect groups are particularly fatty, so it is little surprise that their bodies appear to contain no large fat deposits - fatty bodies extend from the gonads up to the lungs and heart, but these comprise only a tiny fraction of the frog’s mass, and don’t contribute to the round shape. Instead, their bodies are extremely muscular, allowing them to be adept burrowers, ideal for their fossorial lifestyle.
So TL;DR: rain frogs are little balls of muscle (maybe the largest muscle mass relative to body mass of any vertebrate? science just doesn’t know).
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Ref:
Beddard, F.E. 1908. On the Musculature and other Points in the Anatomy of the Engystomatid Frog, Breviceps verrucosus. Proceedings of the Zoological Society of London, 1908:11-41 [x]
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ao3feed-drstrange · 1 year ago
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It All Ends In Fire & Chaos | Marvel
by Averagewriter_inthedark A being capable of spontaneous creation, and the spark that gave life to the universe. Together, they have the power to rule or annihilate the cosmos. Life was never easy for Evelyn Stark, sister of the world-renowned weapons manufacturer Howard Stark and former protégé of Dr. Abraham Erskine. After disappearing following the end of the war, Evelyn’s life was turned 180 when she awoke in the 21st century, 60 years following capture by Hydra and the Ten Rings. Adjusting to a new reality, Evelyn faces trials and conflicts as a founding member of the Avengers—but it’s the fight against Thanos where not just her life is altered, but Evelyn herself by an unknown force taking claim to her in exchange for saving her life on Titan. Tragedy leads to grief, and grief can lead to vengeance with newfound powers. Throw in another soul lost in sorrow with the abilities to bring creation and destruction and the world as they know, it will end in fire and chaos. Words: 35994, Chapters: 5/20, Language: English Fandoms: Marvel Cinematic Universe Rating: Mature Warnings: Graphic Depictions Of Violence, Major Character Death Categories: F/M Characters: Original Female Character(s), Wanda Maximoff, Tony Stark, Natasha Romanov (Marvel), Stephen Strange, Steve Rogers, James "Bucky" Barnes, Sam Wilson (Marvel), Peter Parker, Bruce Banner, Clint Barton, James "Rhodey" Rhodes Relationships: Wanda Maximoff/Original Female Character(s), Wanda Maximoff/Vision, Tony Stark/Original Female Character(s), Steve Rogers/Original Female Character(s), James "Bucky" Barnes/Original Female Character(s), Stephen Strange/Original Female Character(s) Additional Tags: OC is the Phoenix Force host, Heavy Angst, Canon-Typical Violence, Major Character Injury, Alternate Universe - Canon Divergence, Emotional Hurt/Comfort, Avenger Reader (Marvel) via https://ift.tt/RDG0Se9
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ao3feed-wandamaximoff · 1 year ago
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It All Ends In Fire & Chaos | Marvel
read it on AO3 at https://ift.tt/SN0kIty by Averagewriter_inthedark A being capable of spontaneous creation, and the spark that gave life to the universe. Together, they have the power to rule or annihilate the cosmos. Life was never easy for Evelyn Stark, sister of the world-renowned weapons manufacturer Howard Stark and former protégé of Dr. Abraham Erskine. After disappearing following the end of the war, Evelyn’s life was turned 180 when she awoke in the 21st century, 60 years following capture by Hydra and the Ten Rings. Adjusting to a new reality, Evelyn faces trials and conflicts as a founding member of the Avengers—but it’s the fight against Thanos where not just her life is altered, but Evelyn herself by an unknown force taking claim to her in exchange for saving her life on Titan. Tragedy leads to grief, and grief can lead to vengeance with newfound powers. Throw in another soul lost in sorrow with the abilities to bring creation and destruction and the world as they know, it will end in fire and chaos. Words: 35994, Chapters: 5/20, Language: English Fandoms: Marvel Cinematic Universe Rating: Mature Warnings: Graphic Depictions Of Violence, Major Character Death Categories: F/M Characters: Original Female Character(s), Wanda Maximoff, Tony Stark, Natasha Romanov (Marvel), Stephen Strange, Steve Rogers, James "Bucky" Barnes, Sam Wilson (Marvel), Peter Parker, Bruce Banner, Clint Barton, James "Rhodey" Rhodes Relationships: Wanda Maximoff/Original Female Character(s), Wanda Maximoff/Vision, Tony Stark/Original Female Character(s), Steve Rogers/Original Female Character(s), James "Bucky" Barnes/Original Female Character(s), Stephen Strange/Original Female Character(s) Additional Tags: OC is the Phoenix Force host, Heavy Angst, Canon-Typical Violence, Major Character Injury, Alternate Universe - Canon Divergence, Emotional Hurt/Comfort, Avenger Reader (Marvel) read it on AO3 at https://ift.tt/SN0kIty
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stormyykat · 5 months ago
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ship bingo for aberrie? orrrrr safamp. pick a red and blue :D
why not both. we like purple around here safamp fir st.
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just. where to start dotdotdot. they are sooooooo annoying both of them. funnily enough when i think of them my mind becomes a peaceful meadow full of flowers dancing the breeze. theres rabbits hopping around and rainbows and sunshine and a beautiful melody plays and for once in my life i am at peace. i dont really have that like. aggression i have for other ships with them its just kinda like this
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(art cred phantom31615^) what can i say. i enjoy how they pick on each other. i enjoy how stupid they are. i love it when characters find their sunshine in each other. they would be yaoiful in every universe. i see the colors red and yellow next to each other and im like HOLY FUCK ITS SAFAMP!! i see a heart i think saffron i see a lightning bolt i think amp its dire theyve changed the way my brain thinks. they are the 'i like fire trucks and monster trucks' of our ships 2 me. nothing can go wrong with a lil red thang and his little yellow thang.
now aberrie. strawberri and blueberry .
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they are soooooo funny. me when my mom is in charge of the evil org that is constantly fighting with a niceys org and the girl in charge of the niceys org is also my crush . im going play around and turn into shadow because of this. i also dont know how to accept kindness from others #LETSPLAY8BALL
i like how berrie tries to harass abi all the time but it fails halfthe time because abi is just so serious and berrie is just like oooh :) okay :) and stays around anyways because shes hopelessly infatuated its so funny. esp at arthurs party where she shows up and then "dips" but shes actually just playing shadow outside because she doesnt want to leave. and abi just has to be like eyeroll "you can show yourself its fine". and its not even that abi doesnt take berrie seriously. she really values her a lot. they just play this back and forth dynamic because they both have PROBLEMS. berrie is worried her status will get abi hurt and abi is worried that berrie's status will get berrie hurt and wowwww. can we hit them with cars? please.
i have no art of them since they r newer and im LAZY but i can offerthese
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ao3feed-peterparker · 1 year ago
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It All Ends In Fire & Chaos | Marvel
read it on AO3 at https://ift.tt/9d5e1iW by Averagewriter_inthedark Life was never easy for Evelyn Stark, sister of the world-renowned weapons manufacturer Howard Stark and former protégé of Dr. Abraham Erskine. After disappearing following the end of the war, Evelyn’s life was turned 180 when she awoke in the 21st century, 60 years following capture by Hydra and the Ten Rings. Adjusting to a new reality, Evelyn faces trials and conflicts as a founding member of the Avengers—but it’s the fight against Thanos where not just her life is altered, but Evelyn herself by an unknown force taking claim to her in exchange for saving her life on Titan. Tragedy leads to grief, and grief can lead to vengeance with newfound powers. Throw in another soul lost in sorrow with the abilities to bring creation and destruction and the world as they know, it will end in fire and chaos. Words: 31221, Chapters: 4/20, Language: English Fandoms: Marvel Cinematic Universe Rating: Mature Warnings: Graphic Depictions Of Violence, Major Character Death Categories: F/M Characters: Original Female Character(s), Wanda Maximoff, Tony Stark, Natasha Romanov (Marvel), Stephen Strange, Steve Rogers, James "Bucky" Barnes, Sam Wilson (Marvel), Peter Parker, Bruce Banner, Clint Barton, James "Rhodey" Rhodes Relationships: Wanda Maximoff/Original Female Character(s), Wanda Maximoff/Vision, Tony Stark/Original Female Character(s), Steve Rogers/Original Female Character(s), James "Bucky" Barnes/Original Female Character(s), Stephen Strange/Original Female Character(s) Additional Tags: OC is the Phoenix Force host, Heavy Angst, Canon-Typical Violence, Major Character Injury, Alternate Universe - Canon Divergence, Emotional Hurt/Comfort, Avenger Reader (Marvel) read it on AO3 at https://ift.tt/9d5e1iW
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new-law · 2 months ago
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im a freelancer of horrible dances but swift is my heart when i move
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astralnexus · 2 years ago
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*tl;dr of Syraxians: winged humanoid aliens with magic.
The entire first poll contained the main Syraxian OCs! sdhjfghgjsdf
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clericofshadows · 2 years ago
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3, 11, and 14 for the edgy OC asks for Regis?
Thank you for the ask!
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3. What is your OC's fatal flaw? Are they aware of this flaw?
Regis's fatal flaw is perhaps his judgement. He has high standards, and it is hard for him to break his initial interpretations of someone without lots of work. He's quick to dismiss, and hard to trust. This particularly makes him a difficult person (to say the least) to deal with during the events of ME2, as he keeps a good amount of the Cerberus crew at arm's length, if not downright hostile to them. Even some of his former crew who rejoined (like Joker and Dr. Chakwas) who joined Cerberus he initially rejects because they saw what Cerberus did, so why the hell would they ever think joining them was a good idea, even if they were doing it for him?
He's well aware of it, and has tried to work on it, but with little success. He feels he has been burned and betrayed by too many in order to really open up and let people in. If something about them from the beginning disagreed with his morals, standards, or something very petty, it's hard for him to budge. ME2 really doesn't help matters either when he was actually getting a little better about it during the events of ME1.
11. What is your OC's weapon of choice? Have they ever actually used it?
Easy. First, his biotics. Second, his sniper rifle. Third, whatever crazy programs he programmed himself on his omnitool. His never used weapon? He can pull off a Vanguard Charge and create biotic bubbles that rival matriarchs, but not without major strain to himself. Something he promised Kaidan he would never use without him by his side.
However, Virmire broke that promise because he was not about to lose both of his most trusted crew members, and he nearly blew out his amp and destroyed his implant by performing Charges and large biotic shields without any breaks. He saved both Kaidan and Ashley, but not without nearly killing himself in the process.
14. How does your OC want to be seen by other characters?
There's two versions of Regis out there.
The Butcher of Torfan.
Regis Shepard, N7 Sentinel and instructor.
If he trusts you, he hopes you see him as the latter, as someone who you can rely on in the field. Someone who will lend a hand or an ear, who wants to help impart his knowledge onto others. A man who is more than a soldier, a biotic, a person who is thrust into a position he never really wanted but embraced anyway.
However, if he doesn't trust you, if you have betrayed him or have caused him to lose all respect for you, you're going to get the Butcher of Torfan. The man who survived the scrutiny of the Alliance and the media, who is not afraid to get the job done at any cost. Who is unafraid of the consequences as long as he survives.
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