#oc: jezebel ba'al

[simplegenius042]

Music Monday & OCs as "Patron Saints of..." Quiz

Tagged by the lovely @inafieldofdaisies @voidika and @cloudofbutterflies92

Tagging @imogenkol @josephseedismyfather @direwombat @noodlecupcakes @socially-awkward-skeleton @adelaidedrubman @hollywood-is-bleeding @derelictheretic @cassietrn @aceghosts @icecutioner @shallow-gravy @strangefable @statichvm @carlosoliveiraa @g0dspeeed @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @thewanderer-000 @omen-speaker @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @afarcryfrommymain @strafethesesinners @turbo-virgins @florbelles @minilev @justasmolbard @softtidesworld @yokobai and @seedsplease + anyone else who want to join.

Music Monday for The UnTitledverse, Wings And Horns WIP and A Radioactive Calamity Of Love, Bombs & Gore, and OC quiz results for OCs from The Silver Chronicles and Life, Despair & Monsters. You can find the Quiz here and enjoy listening/reading below the cut:

Remember how I said Lena would be uncovering skeletons from Fazbear Entertainment's closet in my Five Nights at Freddy's WIP More Than Bargained For?. Well, the corpses of children stuffed in animatronics after being murdered by a serial-killing co-founder isn't the only think she discovers; Lena, with the guidance of one "Mike Schmidt", she also uncovers a history of tragedies surrounding one family feud in a house full of nightmares and a forgotten rental service too. Unbeknownst to the young Elliot woman, she is inadvertently aiding Mike under the company's untold policy of "Paragraph 4", with the intent of bringing all Fazbear-related animatronics back to one ultimate pizzeria. What could possibly go wrong?:

"There is a legend A legend born long ago About a wicked A wicked man no one knows Went and unraveled Six innocent little souls

Those souls found bodies The bodies started to move Some say they still walk Walk the halls, staying from view

I got a secret that I am here to tell you That place is this very place And all the stories are true

This world's a scary place We're not monsters, just changed Bigger hands for grabbing ahold We were lost to foul play But we got an upgrade Lots more teeth for eating you whole

Here comes another chapter Your heart is beating faster Because you're the one we're after Five Nights at Freddy's 4 Thank you for bringing us home

We were just like you Like you, just playing a game That's when the wicked Wicked man lead us astray Without a warning Our lives have been rearranged

As for our story The story's not over yet There's still one secret One secret left to be said

Tonight when you are Safely tucked into your bed Close all the doors that you want We're already in your head

This world's a scary place We're not monsters, just changed Bigger hands for grabbing ahold We were lost to foul play But we got an upgrade Lots more teeth for eating you whole

Here comes another chapter Your heart is beating faster Because you're the one we're after Five Nights at Freddy's 4 Thank you for bringing us home

Thank you for bringing us home

Here comes another chapter Your heart is beating faster Because you're the one we're after Five Nights at Freddy's 4 Thank you for bringing us home

Thank you for bringing us home

Thank you for bringing us home

Thank you for bringing us home!"

Now on one hand, I don't initially believe this song actually fits my Wings And Horns WIP. However, on the other hand, in relation to Jezebel Ba'al's story (and maybe a bit of Cadet Azriel's too, being the implied soul of a particular bearded cult leader's dead daughter and all, plus committing to her service as an Angel of Death just so she can finally reach reincarnation), I think this can fit within the context of a story that's centered around the pros and cons of living in a world where a divine system like the Soulmate System exists, especially when you have two young characters like Azriel and Jezebel, the former hearing nothing but good things about having a Soulmate while the latter (and other's like her) have been directly harmed by the system's flawed structure, and how both are influenced by their well-meaning if extreme father/authority figures:

"Down the rabbit hole, we saw you come in Through the glass of our cages chained up where we live Where we live Please don't be afraid We're a little bent Broken souls looking for a way to start again Start again

How can we ever be free When our prison is skin deep Left to rot* underneath Buried us down below so no one sees Daddy's little monsters

Listen to the voice keeping you alive You need us, we need you, it'll be alright Yeah, it's alright We don't wanna stay under lock and key You can help break the curse, we all wanna live** Wanna live**

How can we ever be free When our prison is skin deep Left to rot* underneath Buried us down below so no one sees Daddy's little monsters!"

[*Given rust is more for metal, rot fits well enough for both physical flesh and the "soul flesh" that Cadet Azriel and Jezebel have both experienced. **I used "live" instead of "leave" because even... well... the latter doesn't really make much sense in this context, while the former can be interpreted as Jezebel saying "we all want to live our lives without being it being predestined for us" especially with out trapping being fated to a soulmate can be (especially for the likes of Jezebel whose experienced a bad fating, and Azriel wants to be reincarnated so she can live again, but not be stuck in a similar fate to Jezebel if she gets the chance of rebirth, so at this point, here is where Azriel's opinion on the Soulmate System begins to shift].

In the unnamed Fallout 2 WIP from my A Radioactive Calamity Of Love, Bombs & Gore series, Ore returns to California (where last time he was there, his father Arcane Urias had mutilated his face after Ore declined joining him on his quest of human destruction) after exploring the Wastelands a bit more and to say goodbye to a good friend. However, instead he not only meets his friend's granddaughter Finidy Mona, but also finds evidence that his father has returned in the area. He decides to partner up with Finidy to help him track down and kill his father to stop him and his nefarious deeds by retracing his steps from Shady Sands to New Reno. This also relates to how, chronologically timeline-wise, this WIP is the last prequel of sorts and closing the chapter on Ore's story in California plus Urias and Talos' origins before the focus goes onto Ress.

"You set the stage all by yourself You have a job, do it well And play your part to host their final farewell

An event Just like the first time Put to rest Their souls tonight

It's going back, back, back, back They've been through this before It's going back, back, back, back The final page of the lore The sound of cheer, the need for fear The souls of the kids are free Rewind the tears

It's going back, back, back, back Back, back, back, back, back Back, back, back, back, back Back, back, back, back, back It's going-!"

Now for the quiz results for OCs from my The Silver Chronicles and Life, Despair & Monsters series. Most of these will likely be unfamiliar to you guys:

HUNTRESS CAROLINE JÄGER (THE SILVER CHRONICLES [BLOODBORNE])

Pretty accurate given the ending she gets. Unafraid to face what others refused to see, and too stubborn to look away from it. If it's something she could fix, then the Horrors be damned. Is it a shame, though, if it meant she could no longer wake up from such a terrible, horrible dream, if just to get a glimpse of the rising sun?

HUNTER TOBIAS JÄGER (THE SILVER CHRONICLES [BLOODBORNE])

How different these two are; the sister transcends to something new and unfamiliar, but here, the brother holds onto what made sense and what was once precious to him, even if holding on stops him from moving forward. And all he has to show for it is a fragment of what he lost.

DARKBEAST CONSTANCE (THE SILVER CHRONICLES [BLOODBORNE])

No matter how much he boasts about being true to Yahar'gul's ideals, he is still a lesser man than he is a true beast.

LOGAN THE VAGABOND OF NO RENOWN (THE SILVER CHRONICLES [ELDEN RING])

Fucking poetic considering what he does and who comes crawling out of it. While Logan is an unpleasant and selfish person, he himself becomes a vessel for all the good things he'll pass on to his successor; someone that will succeed against the destined odds where he and everyone else failed.

RICO (LIFE, DESPAIR & MONSTERS [CYBERPUNK 2077])

Staying in Night City (whether it be for the guy you were always at the beck and call of, not just out of loyalty and idealism, but genuine love, even if he didn't necessarily share the same love you felt and eventually became a stranger to you, or for the mentored young woman you see so much life coursing through her veins within a city as horrid as NC, and also see so much of yourself and the other in, yet is cruelly destined for far less than she deserves and spends that little time with others that aren't you, knowing this goodbye is the last goodbye you'll ever make as she leaves behind everything for those final months of something better... or maybe you stay because it's all you've ever known and believe you'll be useful in) does not have much benefits.

LORA (LIFE, DESPAIR & MONSTERS [ARCANE: LEAGUE OF LEGENDS])

Ever wonder if, in spite of how much you try, you're just destined to be alone? Lora chases after something things that won't ever leave her fulfilled or satisfied. In the end it's this that dooms her to solitude.

[simplegenius042]

The most "evil" hero OC I can think of from the top of my head would be Kamski Neon. Sonya and Ress were a close second, however, when it comes to the most immoral acts, Kamski takes the cake. Kamski is Silva's personal/family doctor (and the father to her dead lover Irene who was killed in a massacre that they both survived), and Kamski has a (understandable) disdain towards so-called "prophets" and those who overzealously and blindly follow said prophets. And while he thinks he does have Silva's best interests in mind, it doesn't justify the acts he commits, which only increase tension and breaks his trust with Silva. Kamski kills the cultists in the Project at Eden's Gate (aka Peggies), including those who are unarmed non-fighters, and very much would kill any defectors seeking to change their ways. He destroys a lot of property that Eden's Gate initially stole from the locals, including resources that the Resistance could use, and he has no regard for his Resistance ally fighter's lives, which is mostly due to Kamski's "us vs them" attitude; with him and Silva as "us" and everyone else as "them". Kamski is also not hesitant in manipulating and pushing Silva into showing no mercy towards her enemies, actively discouraging potential peace and going behind her back in certain decisions.

The most "good" villain OC I have is Xiang Ba'al. A demon from the Sloth Ring of Hell, Xiang takes responsibility over the soul of a little girl named Jezebel who was damned as a "Sinner" down in the Pride Ring after being murdered by a Soulmate who wasn't appropriate for her. Angered by this injustice, Xiang takes Jezebel under his wing, teaching her how to fight and use her mantis cutters as weapons, and they travel to the human world to dismantle the Soulmate system after seeing how it negatively affected Jezebel. Xiang is well-intentioned, however, he was also very forceful in his cause, removing soul marks from people regardless if they asked him to or not, if they wanted it or not. However, Xiang doesn't harm anyone (at least, those who are innocent), though isn't afraid to defend himself and Jezebel from both humans and angels alike. Xiang is a well-intentioned extremist, one who tries to minimize harm rather than cause it (and though he does take away people's choice in whether or not they want to meet their soulmate, or worse, have met their soulmate but thanks to him, can no longer feel their connection with their soulmate, Xiang only harms others if it's in self-defence; so a literal noble demon).

Tell me, which of your hero OCs is the most “evil,” and which of your villain OCs is the most “good?”

[reincarneth-moved]

🏁

Send “🏁” and I will write a headcanon, profile, drabble, sample interaction, rp starter, ect. for a new character/OC I’m interested in roleplaying!

Jezebel, also known as the Whore of Babylon, is the daughter (possibly Demigod, haven’t decided on if she’s half human or not yet) of Ba'al. After disguising herself among humans and marrying a wealthy Israelite king, she fell out of favor with him after pushing his worship onto her country - resulting in the death of her husband, Ahab, and her human form.

This has given her a fear of heights, as she was very violently shoved out of a window, and dogs, as she was eaten alive after falling.

She is a beautiful looking woman, often riding in a carriage carried by seven servants who all are also beautiful women all of which are horned (which amounts to 10 horns when counted).

[simplegenius042]

Music Monday

Tagging @inafieldofdaisies @icecutioner @derelictheretic @shallow-gravy @voidika @socially-awkward-skeleton @shellibisshe @direwombat @strangefable @rhettsabbott @josephseedismyfather @josephslittledeputy @imogenkol @cloudofbutterflies92 @skoll-sun-eater @cassietrn @carlosoliveiraa @adelaidedrubman @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @aceghosts @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @titiagls @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries @nightwingshero and @noodlecupcakes + anyone else who'd like to join.

Songs for The Silver Chronicles, Life, Despair & Monsters and Wings And Horns respectively. You can find the songs below the cut:

Elsa Omar is Silva's younger sister, they both managed to escape to America together along with an infant Persephone, where Elsa would have quite the reputation in Hope County, but they'd have around two or three years of peace before Elsa perishes in an accident. Ezekiel is Thomas Rush's future Captain in Security in Old Dusk, and has a rebel attitude towards authority he does not respect. However, back on the Archipiélagos, Elsa was the damsel-in-relative-distress lying and manipulating her piece of shit father as she shared info with the local rebellion about the Congregation's patrols and whatnot, while Ezekiel was an orphaned Tumultite street kid who looked up to the likes of Alvarich and Paul, despite being very anti-authoritarian in general. When these two first met... they hated each other. But hate turned to grudging respect. Respect turned to horrified crushing. Crush turned into deflecting by flirting. And that annoyed everyone else. Even 26 years after he last saw her alive, Ezekiel still yearns for his star-crossed love. And I think this song definitely describes how much their connection may as well have been fated, even if it was for a short time.

"I don't mean to be so uptight But my heart's been hurt a couple times By a couple guys that didn't treat me right I ain't gonna lie, ain't gonna lie 'Cause I'm tired of the fake love, show me what you're made of Boy, make me believe." "Whoa, hold up, girl, don't you know you're beautiful? And it's easy to see."

"If it's meant to be, it'll be, it'll be Baby, just let it be If it's meant to be, it'll be, it'll be Baby, just let it be So won't you ride with me, ride with me? See where this thing goes If it's meant to be, it'll be, it'll be Baby if it's meant to be

So come on, ride with me, ride with me See where this thing goes So come on, ride with me, ride with me Baby if it's meant to be."

"Maybe we do." "Maybe we don't." "Maybe we will Maybe we won't.

But if it's meant to be, it'll be, it'll be Baby, just let it be ("Sing it baby")* If it's meant to be, it'll be, it'll be ("Come on") Baby, just let it be." ("Let's go!")

[*Changed the word to "baby" instead of leaving it as "Bebe"]

Cecil Royce is the daughter of Daemon Targaryen and Rhea Royce, conceived after a drunk night of hate sex. Cecil, unlike her cousins, does not hold any admiration towards her father. Throughout The Thorned Crown Of Iron Thrones, Cecil is particularly hostile towards Daemon, and pretty much rejects the Targaryen name and practices in favour of her mother's. Though after the "accidental" death of her mother, she is put underneath Daemon's care... and he honestly tries his best. Through many trials, and many errors, as well as very slow-paced bonding experiences and the apparent mutual agreement that Rhaenyra should be heir to the Iron Throne, they manage to get along, and find in themselves an actual father-daughter bond suited for two rogue Targaryens. Until of course Cecil learns from him that he murdered her mother... and unlike Daemon, Cecil actually loved and looked up to Rhea. A bond fractures and there's just this uneasiness between them that stays long after the first fic ends and the second fic begins. How does "Summertime Sadness" fit into all of this? While the song itself is a yearning for the loss of a lover, here the context is Cecil's conflicted grief and yearning after the loss of Daemon, when he buys her time to fight the Court King, where he is knowingly severely outmatched and slain in the encounter. Despite the fractures in their relationship, Cecil can't really get over the fact that, while Daemon was no where close to perfect, he was her father, and the bond they had combined with the sacrifice he made is something can't help but grieve over.

"Oh, my God, I feel it in the air Telephone wires above are sizzlin' like a snare Honey, I'm on fire, I feel it everywhere Nothin' scares me anymore (One, two, three, four)

Kiss me hard before you go Summertime sadness I just wanted you to know That, baby, you the best

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh

Think I'll miss you forever Like the stars miss the sun in the mornin' sky Later's better than never Even if you're gone, I'm gonna drive, drive, drive

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh, oh."

Wouldn't It Be Nice if Metatron and Xiang could just sit down and get along for a few moments while looking past their species prejudices and work on agreeing that something needs to be done about the Soulmate System, because it's definitely malfunctioning? Said by Azriel and Jezebel as they "fight" while their caretakers are getting deep into that steel on steel, sword on bullet action.

"Wouldn't it be nice if we were older? Then we wouldn't have to wait so long And wouldn't it be nice to live together In the kind of world where we belong?

You know it's gonna make it that much better When we can say goodnight and stay together

Wouldn't it be nice if we could wake up In the morning when the day is new? After having spent the day together Hold each other close the whole night through

But happy times together we've been spending I wish that every kiss was never ending Oh, wouldn't it be nice

Maybe if we think and wish and hope and pray it might come true And, baby, then there wouldn't be a single thing we couldn't do Oh, we could be married (Oh, we could be married) And then we'd be happy (And then we'd be happy) Oh, wouldn't it be nice

You know it seems the more we talk about it It only makes it worse to live without it But let's talk about it Oh, wouldn't it be nice?

Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby Goodnight, oh baby Sleep tight, oh baby!"

[simplegenius042]

WIP Wednesday, My OC's As A Color Quiz & Meet My Character

Tagged by @spookyrares

Tagging @derelictheretic @inafieldofdaisies @socially-awkward-skeleton @imogenkol @noodlecupcakes @direwombat @voidika @cassietrn @adelaidedrubman @aceghosts @josephseedismyfather @icecutioner @shallow-gravy @strangefable @statichvm @cloudofbutterflies92 @carlosoliveiraa @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @minilev @thewanderer-000 @omen-speaker @justasmolbard @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @g0dspeeed @afarcryfrommymain @strafethesesinners @turbo-virgins @softtidesworld @florbelles and @yokobai

WIPs for Life, Despair & Monsters and The Silver Chronicles, this Quiz for the Wings And Horns main cast, and lastly Meet My OC template for two OCs from A Radioactive Calamity Of Love, Bombs & Gore. As you can probably guess, this post does have NSFW content in it. You can read the WIPs, quiz results and find the template below the cut:

First WIP is for my The Invitation WIP (AU?) called An Invite To Wine And Dine. This is either a flashback or a prologue, where Evie Jackson officially meets one peculiar Sir Enigma Malvolio. Or what I'd like to call; five minutes of semi-normalcy before the Horrors(TM) struck. Only warning here is my unfunny running gag, take a gander of what it is:

With her shift over, Evie gave a swift goodbye to Grace and made her way out of the building. She's certain Grace knew something was up, but thankfully gave her some space.

Evie appreciated it.

Out the door and in the afternoon sun, the waitress tried to keep composure over the rising grief that choked at her throat. Her breathing stuttered as she wiped at her eyes in a futile attempt to stop the tears from dropping down.

Crying outside her workplace wasn't what she wanted to do today, but her sorrow seemed to disagree. Sniffling, she turned to make haste back to her apartment, only to be stopped by a voice she'd recently gotten acquainted with.

"Jolly Ho, Ms Jackson!" Mr. Malvolio greeted from behind her. Evie turned around as soon as she had been addressed by the man.

He was leaning his shoulder against a pillar, his rounded handle cane acting as extra support. Or maybe it was for show, she couldn't be sure.

Facing him, she could see he was wearing the same dark blue tuxedo suit he had been wearing the night prior. Now in the sunlight and not in the dim-lighted event, she could could see that his hair was indeed dark, as well as his eyes. And now that they face-to-face, she was surprised by the confirmation that, yes; Mr. Malvolio was, in fact, a head or so shorter than Evie herself.

He grinned with a friendly and overly excited demeanor, though slightly better than a lecherous gaze, it was still oddly off-putting to Evie. She took note that he was older than her; late 30s at the least, maybe forties though.

Even so, she acknowledged his presence with a surprised, "Mr. Malvolio?"

"Please, Ms Jackson, call me Sir- oh," Malvolio paused, grin gone and lips thinned as his eyes narrowed, inspecting her face, "Uh, um, not to alarm you dear, but, hmm, your face seems a little... wet?"

Despite his clumsy observation, Evie swiftly wiped at her face, and not wanting to share her troubles with a stranger, quickly said, "Oh, uh, that's nothing."

Mr. Malvolio pursed his lips, scrutinizing her features, "Are you certain Ms Jackson?"

"Yeah," Evie lied, smacking her lips together, "I just had some tap water spray at me. Didn't have time to dry it off when my shift ended."

To her surprise, Mr. Malvolio didn't question her shitty story, and instead seemed to believe her, "Is that why you're in such a rush? I must warn you dear, with that much haste, you might trip over your legs, and the pavement's quite concrete," Mr. Malvolio gave a small chortle as he added, "Scrapes and bruises wouldn't do so well on your fine skin."

Evie, in spite of being confused on whether that was a sort of jab or some weird form of compliment from the man, gave a half-hearted laugh back, ignoring his words in favor of the burning question, "Uh, Mr. Malvolio, sorry to pry but hadn't you said you'd be making your way back home?"

"Eh, we missed the plane," Mr. Malvolio answered, chuckling humorlessly, "Honestly, American airports are the worst. So Denise and I will be extending our stay for a little while longer in good old New York."

Mr. Malvolio gestured far back behind him, and Evie spotted his bodyguard, adorning a black and red suit contrasting her employer's, watching them from under the shade of a cafe umbrella, the dark-tinted sunglasses still covering her eyes.

That makes some sense, Evie thought, but wondered, But why are you here?

As if reading her mind, Mr. Malvolio added, "And I wanted to personally thank you for such a delightful evening. As well as saving Denise from her nut allergy. She may not look like it... nor will she ever admit it... but deep down she is grateful, as am I."

Evie took another glance at Denise, and even from their far distance, she could tell the only expression she could read on Denise's face was one of apathy.

Regardless though, she smiled in thanks of Mr. Malvolio's gratitude, which seemed so sincere. Maybe he was merely giving platitudes to pat himself on the back, or uphold a reputation. But she cherished what she could.

"That's rather kind of you Mr. Malvolio," Evie stuttered out, feeling like a damn that was cracking, ready to burst. Grace was right, she realised, Maybe my self-esteem's needed a boost from kindness for some time now.

"Please Ms Jackson, it's Sir En-," he pauses, face scrunched and unreadable, as he quizzically asks, "Uh, Ms Jackson, are you certain a tap is the cause of those tears?"

Evie wiped again once more at her face, though she stopped when Mr. Malvolio offered a handkerchief.

She accepted it, bringing the clean cloth to dry her face of the tears. Mr. Malvolio observed her with curiosity, and she absentmindedly wondered if he had never seen a person cry before.

With a small thanks she handed the handkerchief back, which he surprisingly accepted back into his breast pocket. He gave what she assumed to be a comforting smile. She opened her mouth to say something- perhaps an apology, maybe a hasty goodbye- but could not bring the words out when he asked with surprising gentleness, "What terrible loss has afflicted you to bring forth such sadness, my dear?"

Evie hesitated, a moment long enough for her to consider whether telling this man; practically a stranger, about the woes that drown her. One glance to his mature face marked her answer though.

With a shaky breath, Evie revealed to who would be the second person this month of her troubles.

"My mother recently passed away," she told Mr. Malvolio, whose very expression shifted from gentle to unreadable once more.

Here's more of my FC5 Bloodborne AU WIP, where werewolves are involved in Hope County and not in the usual fun way, no these things legitimately massacre people and are beyond complex thought comprehension. Paul and Silva established the Hunters who go on annual nightly hunts to downsize the werewolf population with Eden's Gate help... which has lasted for almost ten years now so you can guess how well that's doing. Also, Faith is a Vicar because Paul's previous one, Obadiah Teal, turned into a big scary werewolf (that breathed fire) [Originally this vicar was named Laurence as reference to Bloodborne but ultimately found a character of my own from Paul's lore to play the part. Obadiah was Paul's lover back on the Archipelagos in The Silver Chronicles but here he's a lost lenore (and future boss fight) in this AU. Apologies for any confusion]. Witness Vicar Faith as she prepares herself for an evening Paul vaguely bothered to warn her about while doing some introspection, and how she yearns for Silva's words of assurances... and, uh, ahem, touch. CW: Minor reference to past suicidal idealization (because Faith), minor mentions of past drug-use (because Faith), maybe two descriptions implying lack of self-care, sexual themes, and, eh, explicit horniness? But it's like a sad longing for intimacy??? I tried my best at keeping it consistent. Anyway, read below:

Green mirrored green, a pair of eyes gazing into the same reflected pair of eyes. Lifeless. Dull. Like her Angels had once been before the Bliss became what it is today.

Faith scrutinized the petite figure before her; in nothing but her undergarments, light brown hair flowing freely over her shoulder, the jewelry and veil she would adorn on herself laid unattended on the vanity, holding close the white shawls and garb that made up her image, which seemed so ragged now. Of age and constant use? Perhaps. Perhaps not.

Though, thankfully, her clothes condition were not as dire as the hand-me-down dress Joseph once gifted her, for what little time she owned it.

She wondered what had happened to it. She must have given it back to her brothers at some point, when it became clear she'd have no use to it. Had Joseph kept it, stored it away for safe keeping until the day he believed she'd return from this role? Was it collecting dust in some closet, discarded and forgotten, out of sight and out of mind? Like them? Or how she was now?

Had it been given to someone else? erupted a vile thought, Someone newer, younger and prettier?

When had been the last time her brothers had even visited her.

"When had been the last time he visited you, nuora?" Paul had softly, wearily asked her out of the blue once, as they stood side by side watching her brothers leave from the monastery's window after their last meeting.

Meetings of which were becoming thinner and thinner between duration. Enough time to greet, discuss progress of plans, then leave for weeks and months on end. Never enough to simply sit down and catch up on lost time.

Faith had given Paul a response full of puzzlement, one only meant to acknowledge the surface level of his question. One meant to evade a true answer. She couldn't remember what exactly it was though. Something along the lines of "what do you mean?" or "but we just did, silly?" or whatever mask she had to hide behind.

But she had found it to be all for naught, for it was naive of her to believe that Paul, of all the people she's met, would fall for such cheap tricks. And yet, he cared enough to rephrase his question, "When was the last time he visited just for you?"

Faith hadn't given an answer then. She couldn't find one now.

She huffed, and began to dress, slipping on the garb and shawls that made up Vicar outfit. Clothing of which felt so familiar to her body, as it had been amongst the most common clothes she's worn for nearly seven years now. The sleeves hugged her arms just as the garb fit her frame.

She decided to tighten the Vicar's loose attire last, focused on the jewelry and veil next. She pinned the jewels and gems along the hem of her shawls, the brooches strewn above her chest, and finally the pendant necklace, the most important piece of a Vicar, around her neck. Something that she would usually do instead of Faith.

From close behind her, long and strong arms would snake around to the front of her, to bring the cold touch of the pendant against the warmth of her exposed collarbone's skin.

It was not only the pendent that her Hunter would assist her in, but the laces behind the Vicar's back. Though, Faith mused, my adoring Silva would often struggle to keep on task in favor of more... pleasurable distractions.

Faith's lips curved up into a small smile, the Vicar gazing into the mirror of her not-yet-tightened and loose clothing. She felt an ache within her, and closed her eyes. Not to neglect her duties, but to... indulge, especially before tonight comes.

"You're a Vicar now, after all," Silva had once told her in their very room, sultry voice dripping with barely restrained desire, months after her inauguration and setting up this routine with this... new teasing and exciting tension between them. The ghost of her breath trailed along Faith's exposed neck, like little kisses, causing goosebumps to ripple along the skin. Silva's lips were close enough that it wouldn't take much distance for her to press down on her flesh.

She remembered how bated her breath was, the blood running across her cheeks. Silva must have noticed the red, as she seemed more enamored from the mirror's reflection. Hands on Faith's shoulders, Silva's lips whispered into the shell of her ear, "Here, as our Vicar, you can do as you please. And the Old Hunters will obey. Obadiah forgot that. So have the recruits. But a first hunter, like myself, has not, and will not. We are not meant to restrain our own nature. As long we do not shirk our duties in favor of overindulgence..."

Faith shivered in pleasure as Silva's lips grazed her skin, kissing along her jaw and cheek. Faith sighed, pleased by the contact. She turned her head to face Silva. Her hair was dark and skin were darker than hers, and so were her clothes. Vibrant green orbs gazed into the shining silver of the Chief Hunter's protege. Silva was Enlightened, just like her father.

"...Then we will be able to share our passions without incident," Silva stated, staring into Faith's eyes, slowly closing in

In those eyes were a beckoning; a need for something human to anchor her to this Earthly plane. A Hunter who wanted a Vicar. She, the necessary violence that bordered on the line between primal darkness and humanity whose insight of the world's darkest shades far exceeded Joseph's own... and her, the Monastery's only guiding light that gave promises of hope for seeing the next dawn, knowing yet clueless all the same, in contrast to Silva's sight.

They couldn't be so different from each other. So much contrast that the idea of any sort of union should baffle Faith.

And yet...

Faith gave one glance to Silva's tempting lips, and accepted the invite, crashing her own against the Hunter's. The latter recovered quickly, and pushed all her passion, all her want, all her needs into this one connection. Faith had hummed delightfully, and gasped when Silva's teeth bit down on her bottom lip teasingly.

Shamefully, or maybe shamelessly, she had moaned, which only encouraged Silva's endeavor. Faith, struck with the need to touch, caressed Silva's face, pressing her palm to hold Silva's face.

Faith was almost surprised by how quickly- how greedily Silva leaned into the contact. She smiled into the Hunter's lips though, amused and pleased; the strongest, most dangerous and powerful woman alive, was nothing but mush in the palm of Faith's hand.

Jacob would call this weakness. John would call this lust.

Faith believed this to be worth worshiping.

She broke away from the kiss, hand still on Silva's face. The eye contact they shared spoke in clear volumes of what they both wanted. She could imagine that this wasn't what Joseph had in mind when he sent her over here. Likelihood was, he wouldn't want her to discard the principles he passed down to her even if it meant a rival's destruction.

Faith knew she could stop this. That she could cut this connection from the bud before she defiled Joseph's Word any further.

She knew this, and still curled her hand behind Silva's head, rolling her shoulders so her loosened garb could shrug down to expose more skin. Faith tilted her head so Silva's lips could reach her naked neck, inviting her hunter to ravage at the skin, with promises of more.

With her hand around Silva's head, she guided the other woman to where she needed her attention to be.

Faith traced a hand over her neck, collarbone and covered shoulder. She envisioned the sensual kisses, wet lips pecking at her skin and the loving bites that brought her euphoria.

She trailed that hand down her chest, using her spare to grip her hip, re-enacting from memory how Silva's hands caressed her body, feeling up every curve, every spot, everywhere she could touch.

She hummed, shallow breaths escaped her lips, ecstasy coiled as one hand palmed at her breast, while the other reached lower and lower.

Silva's fingers brushed at her Vicar's clothed sex, and with little self-control to hold her back, the Hunter began to massage Faith's clit. Her lips and teeth continued to cover Faith's skin with a Hunter's affection. Soft murmurs of praise under a native tongue faintly spoken each time Silva tasted the Vicar's flesh, leaving faint bruises, but withholding the strength to break it.

Faith had extended her arms to steady herself against the mirror as Silva had her chase after a high that she was sure no drug could compare to. Her skin felt ablaze with euphoria, a sensation Silva had once admitted rivaled a Hunter's bloodlust during nightly hunts.

Those words had elicited a smug pride that she's sure she'd be shamed for if she expressed it within the Project's Compound.

Grinding against Silva, she could feel the other woman's own excitement digging behind her, and though her actions motivated the Hunter to please her Vicar, it was apparent she was focused on bringing out Faith's pleasure first.

Her legs shook as Silva further stimulated the sensations of her body, Faith's rapid breaths replaced by loud moans of building ecstasy, as Silva's hands massaged her breast and rubbed at her clit and cover her flesh in hickeys.

Faith could feel herself getting closer, strands of hair stuck to her forehead, the pleasure Silva's helped her build up accumulating, with a bated breath, a final release-

"Vicar Faith?" a rough voice belonging to a hunter called out from behind the door with a knock, snapping the woman in question out of her feverish state. The Hunter's voice, who Faith realized belonged to Nadi, continued, "You've been getting ready for a while now. Are you alright?"

Faith, though suffering from irritation, disappointment and a lack of satisfying conclusion to her personal indulgences, managed to reply while only sounding a little breathless, "Yes, I'm fine Hunter Nadi. Just struggles with back laces."

Nadi didn't sound unconvinced from Faith's response as the Hunter stated, "Very well ma'am. I'd just like to inform you that the attendants are being gathered up for this evening's service. And, uh, the Chief Hunter wanted me to add that one of... Eden's Gate' vehicles had arrived?"

Faith felt her blood run cold, and after a momentary silence, Nadi asked, "Vicar Faith, out of curiosity... where will you be going?"

Faith swallowed, letting out a calming exhale as she assuredly said, "Nowhere but here Hunter Nadi. I may have to make an errand to the Convent though, but I'll be escorted by your fellow hunters. Inform the Project members that I will not be leaving the Monastery for tonight."

Hunter Nadi accepted the answer with a small "of course ma'am" and Faith heard the woman's footsteps became fainter and fainter.

Faith huffed out in relief, looking herself in the mirror. She was a little red, and a bit hot and bothered. While the interruption was certainly personally undesirable, she was glad Nadi informed her of their now leaving guests.

Pulling the loose laces behind her to tighten the Vicar's garb, she reached for the final piece; the veil, adorned with a crown of flowers and three red gems. She always wondered what significance this Vicar garb held. It wasn't too dissimilar from a bride's dress, but far more intricate and detailed (and time consuming to put on) than the dress Joseph gifted her.

Paul said that it was designed to make her look ethereal to their converts, trustworthy and responsible, someone to seek guidance and find hope in.

Meanwhile Silva's only interest in the Vicar's garb was to get Faith out of it.

Not that I minded it, she thought coyly.

Many nights she spent in the other women's chambers, or they stayed in her own, pursuing a fiery passion after an uneventful service, or mending the Hunter's wounds after a long hunt. Then there were the quiet moments, where the only intimacy either shared was an embrace.

Neither could keep their hands off one another; touch was as important as their words, letting one know the other was still present.

Which was far from what Joseph had wanted her to do. Her role was to hold influence over the Monastery, to lower their guard and slowly introduce the Word. Keep the sinners from temptation until the beasts were eradicated and the Reaping came, and she'd reunite with her brothers at the Compound, and the false shepherds were both dead.

Though once her escorts return to Joseph without her, Faith was certain he'd figure out that she was one who fell for temptation. Especially if he finds out she confessed to Paul about the plan, and aided him in setting up Joseph's arrest.

Not for Paul though. Nor for the hunters and the converts.

Joseph had given her so much; a new name, a purpose, a family, a second chance at living. Once she was a girl who could only find escape through the needle, tip-toeing between the line of life and death. And he transformed her into someone else; someone worth more. Breathing a into her a new life that she didn't think was possible within her. Nurturing her with his word, with guidance.

She let go of Tracey for him, even though she wished her best friend had stayed. She had left Rachel behind for him. She gave him the Bliss and Angels. She gave him her entire being, to mold and shape in his image.

Sure, the family he took her into wasn't perfect; despite their similarities, John resented her for the attention and praise Joseph sung of her, and she wasn't naive to think Jacob cared for her. He's sat through two sisters; really, how important would a third be?

But that hadn't mattered to her at the time; to Faith, Joseph's was all that mattered.

And that was true, for a time. Just like it had been true for Tracey. And she would always be grateful for him, just as she had been for her former friend.

But she couldn't let Silva die. Not after three painful years trying to wake her up.

Here is the OCs become color quiz results for the main four characters of Wings And Horns; Archangel Metatron, Cadet Azriel, Xiang Ba'al and Jezebel Ba'al. Read below:

ARCHANGEL METATRON

By the finale, this is most definitely true for Metatron.

CADET AZRIEL

This quiz must know Azriel's future because damn!

XIANG BA'AL

Not really Xiang's style. He's a good dad but he's also an extremist in many ways.

JEZEBEL BA'AL

Jezebel's been through some tough shit, I don't think pinning all the blame on her is really fair.

[Meet My Character for A Radioactive Calamity Of Love, Bombs & Gore. Specifically Courier Ryder and Alph Dolen]

And lastly Meet My Character sheets for my Courier Ryder and Alph Dolen from my A Radioactive Calamity Of Love, Bombs & Gore series.

COURIER RYDER (FALLOUT: NEW VEGAS)

Her “Pronouns” are supposed to be:

She/Her

Her "Defining Features" state: Reddish-brown hair, brown eyes, has scars from past fights on her face, one noticeably at the edge of her left brow, wears riot gear with a courier's drip but not the helmet.

ALPH DOLEN THE LONE WANDERER (FALLOUT 3)

His "Defining Features" state:

Ginger, hazel eyes, predominantly wears wasteland survivor gear with Tunnel Snakes Jacket, after being ghoulified his skin starts greying and becomes sunken, starts losing hair.

Blank Template for those who want to use it:

[simplegenius042]

Music Monday

Tagging @socially-awkward-skeleton @direwombat @adelaidedrubman @strangefable @strafethesesinners @josephslittledeputy @josephseedismyfather @cassietrn @g0dspeeed @aceghosts @turbo-virgins @starsandskies @shellibisshe @wrathfulrook @carlosoliveiraa @rhettsabbott @onehornedbeast @voidika @imogenkol @yokobai @derelictheretic @minilev @shallow-gravy @titiagls @afarcryfrommymain @megraen @softtidesworld @inafieldofdaisies @purplehairsecretlair @florbelles @ladyoriza @la-grosse-patate @skoll-sun-eater @cloudofbutterflies92 @red-nightskies @sleepyconfusedpotato and @thewanderer-000 + anyone else who wants to join in.

Three songs for one OC (or rather one group), one WIP and on companionships. Respectively for Wings And Horns, A Radioactive Calamity Of Love, Bombs & Gore and The UnTitledverse. Listen and read below:

Wings And Horns is an Original Work I'm planning to write, which involves a pair of angels chasing after a pair of extremist demons who are trying to destroy the "Soulmate System"; a divine system designed to romantically pair souls together throughout lifetimes and reincarnation. Archangel Metatron and his companion, an Angel of Death named Azriel, are tasked with preserving the system, while a Demon from the Sloth Ring known as Xiang Ba'al and his adopted daughter, a Sinner soul by the name of Jezebel, start a campaign to abolish the Soulmate System due to the flaws that had personally affected Jezebel. "Carousel" encapsulates everyone's place in the system, how while it is well-meaning and capable of bringing joy to some, it does leave others at a disadvantage and gives a lack of choice in their destinies.

"'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

Come, come one, come all You must be this tall To ride this ride at the carnival

Oh, come, take my hand And run through playland So high, too high at the carnival

And it's all fun and games 'Til somebody falls in love But you've already bought a ticket And there's no turning back now

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

This horse is too slow We're always this close Almost, almost, we're a freakshow

Right, right when I'm near It's like you disappear Where'd you go? Mr. Houdini, you're a freakshow

And it's all fun and games 'Til somebody falls in love But you've already bought a ticket And there's no turning back now

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel

Why did you steal my cotton candy heart? You threw it in this damn coin slot And now I'm stuck, I'm stuck Riding, riding, riding

'Round and 'round like a horse on a carousel, we go Will I catch up to love? I could never tell, I know Chasing after you is like a fairytale, but I Feel like I'm glued on tight to this carousel."

Next song I'd say is less for the OC in The UnTitledverse I chose this for, by the name of Madame Callaghan, who is the director of C.Y.P.R.U.S, a multiverse organization that kidnaps children and trains them to be assassins and hitmen (amongst other unfavorable things), but more so for both Madame Callaghan and her expectation and relationship with her "children" as well; Mordecai (The Huntsman), Urijah (The Nihilist), Theodore or rather Theo (The Copycat) and lastly Candace (The Combatant). I tried to encompass the main figureheads of C.Y.P.R.U.S with this one.

"Time of the essence Do not let me down (Down) So many people in one place It's time for us to make a presence

Time is of the essence I won't let you down (Down) So many people in one place Oblivious, just like you say

So just trust me this one time I know you won't regret it I know you are sick, but so am I

And I will be there for you Through time as it tick, tick, ticks

And I will be there for you Through time as it tick, tick, ticks

And I will be there for you

My darling, I know there's certain things that you should know I know this comes with a price that I'm willing to pay Be ready Something terrible is coming (something terrible is coming) (Tick, tick, tick, tick)

Everything I've worked for, and everything I do You know that there's a reason that I do these things for you I do it for the thrill, I do it for the fun You've taught me there's a twisted usefulness in everyone Let me prove my point, it will not disappoint Just give me the word, I am ready, I am poised Isn't this what a true friend would do? I promised I would be there for you."

This song relates to Marissa "Ress" Bishop and Ortega "Ore" Brantley's bond with their Fallout companions in A Radioactive Calamity Of Love, Bombs & Gore. Ore has been around long enough to make companions during the events (though slightly altered) of Fallout (1997), 2, 3 and New Vegas, while Ress has been around to bond with her companions in Fallout 3, New Vegas and 4. After Fallout (1997) and Fallout 2, Ore takes an "keep at arms length" approach with human companions in 3 and New Vegas, because he's outlived the likes of Elrand Brant (The Vault Dweller), Ian, Tycho, Katja and likely John Cassidy and Vic as well (either to age or circumstances) including Elrand's granddaughter Finidy Mona (The Chosen One), whom had been killed by Ore's father, Arcane Urias. Ore mostly connects with non-human companions as they are either a Ghoul or a Super Mutant and have a longer lifespan, until he makes a connection with Ryder (Courier Six). Meanwhile, Ress has the luck of gaining companions and keeping in contact with them in less than a decade, and due to her upbringing with the Bishop Crime Family, has a need to socialize and keep her companions close. She understands that due to her father, Urias', biology she'll likely outlive most others just like Ore, so she takes it upon herself to make as much meaningful relationships as possible to remember fondly over. The reason Ore and Ress gravitate towards these companions is either due to a sentimental reason or even because nearly all companions are as odd and outcasted as the brother and sister are.

"Hey, everybody loses it Everybody wants to throw it all away sometimes And hey, yeah, I know what you're goin' through Don't let it get the best of you You'll make it out alive

Oh, people like us, we've got to stick together Keep your head up, nothin' lasts forever Here's to the damned, to the lost and forgotten It's hard to keep high when you're living on the bottom

Oh, whoa, oh, whoa We're all misfits living in a world on fire Oh, whoa, oh, whoa Sing it for the people like us, the people like us

Hey, this is not a funeral It's a revolution after all your tears have turned to rage Just wait, everything will be okay Even when you're feelin' like it's goin' down in flames, oh."

[simplegenius042]

Music Wednesday, Last Line/s & Understand My Group/Found Family In 5 Minutes Meme

Tagged by @cassietrn @noodlecupcakes and @imogenkol

Tagging @socially-awkward-skeleton @aceghosts @direwombat @voidika @la-grosse-patate @inafieldofdaisies @adelaidedrubman @shellibisshe @josephseedismyfather @icecutioner @derelictheretic @shallow-gravy @strangefable @statichvm @josephslittledeputy @cloudofbutterflies92 @skoll-sun-eater @carlosoliveiraa @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @florbelles @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard and @alypink + anyone who'd like to join.

Music for The UnTitledverse, Last Line's for three A Radioactive Calamity Of Love, Bombs & Gore WIPs and lastly an "Understand My Group" Meme for characters in my Wings And Horns WIP. You can listen, read and use the template of the meme that is under the cut:

More about the Walking Fate series. This series somewhat sticks to the compliance of canon, but there are times where it diverges. Mostly in regards to characters and their arcs and survival (or death), plus some plot elements being replaced/repurposed. There's about five planned "seasons", with four of them taking the canon compliance route while the fifth is an original plot. I'm also treating Walkers with more respect; they're pretty much a death sentence if anyone is unprepared for them, or god forbid, come across a Herd. Malcrum and Clementine's relationship is in no means meant to impede on the canon relationships she forms and that impact her, it is meant to be an additional and interesting idea to explore her character, especially with the inherent tragedy that ties them together and how it affects her character going forward (as well as my first time writing a relationship like this type in The UnTitledverse, which compared to its predecessors, is a story that doesn't resolve the tragedy with reconciliation between Malcrum and Clementine, emphasising the bitter nature of this bittersweet series). The tragic turn this relationship is of neither parties fault; it was simply bad luck. Malcrum, while separated from Clem and the group, happened to be at the wrong place, at the wrong time, picking up the wrong object, where his mind would (mostly) be fried and lose his agency/autonomy. Forced to watch a shell of himself harm, and at times, kill those he had come to care for or would have never wanted to do so to in the first place. The only person truly at fault here is not even in the series; that being Edward Carmine, for creating a device that probably violates more than what OSHA is concerned about. The series follows a theme of the power of resilience. Persisting in spite of the odds. Succeeding against adversity. Going to great lengths and trials to not only survive, but find a place to live. Which is why I chose this song for this series:

"I am flesh and I am bone Rise up, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter

Do you walk in the valley of kings? Do you walk in the shadow of men Who sold their lives for a dream? Do you ponder the manner of things In the dark? The dark, the dark, the dark

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter

Do you walk in the meadow of spring? Do you talk to the animals? Do you hold their lives from a string? Do you ponder the manner of things In the dark? The dark, the dark, the dark

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter

'Cause everybody in the backroom's spinnin' out Don't remember what you're asking for And everybody in the front room's trippin' out You left your bottle at the door

'Cause everybody in the backroom's spinnin' out Don't remember what you're asking for And everybody in the front room's trippin' out You left your bottle at the door

I am flesh and I am bone I'll rise, ting-ting, like glitter and gold I've got fire in my soul Rise up, ting-ting, like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter Yeah, yeah, yeah-yeah-yeah-yeah Like glitter and gold Yeah, yeah, yeah-yeah-yeah-yeah Like glitter."

Here are Last Line/s for three WIPs from my Fallout series A Radioactive Calamity Of Love, Bombs & Gore. Each are labelled down below:

THE WATERS OF LIFE FLOW (FALLOUT 3)

His red lenses constricted as he focused on the super mutants patrolling the fortress. If the Vault-Tec data was to be considered correct, Vault 87 was in the heart of the lions den. Ore stood up, huffing out his breathing valve as his knees made a sickening creak. He stretched in preparation for his one-man assault, outstretching a palm to feel the nuclear residue of radiation through his palms.

He hummed in satisfaction as he felt the fatigue drift away from the exposure, far more alert and energized. Flame started to spark in his palms, summoning his fire so he may weld it into a more effective weapon against the FEV rejects he would - what was the word Ress used? "Pulverize"? Yeah, that's it - would enjoy pulverizing to cinders.

THE HOUSE ON TOP (FALLOUT: NEW VEGAS)

Her gaze shifted to the only man who was distinct compared to the group he lead. His ugly checkered suit hurt her retinas, just as his smug confidence enraged her. She wanted to break it, but Ryder settled with giving the man a silent glare as she continued to dig her own grave with bound hands.

WHAT HAPPENED TO VAULT NUMBER 76? (FALLOUT 76)

In spite of being enamored by the surge of energy that intoxicated his senses, the Matthias did share his own agreement with his venn's grim words; something changed in this world. A defilement to its nature, though healing from wounds that occurred long since they both last visited, can still be felt in the present. The drunken haze of atomic residue which threatened to become absorbed in Talos' material body was all he needed to know that an unnatural shift took place.

He glanced to his fellow traveler, his closest venn, and noticed a spark in the crevices of his eyes; blazing rings that looped around their orbs with a fury he had not seen in the Arcane Urias since his only loss to a fellow venn a decamillennium ago. Talos could tell Urias held an unsatisfied opinion on this unexpected change, but his offense to it was interfering with the focus he needed kept on his disguise. Talos would have to interfere, less they be found out as inhuman.

Not that there would be any significant consequence a humanite could inflict upon them should they be found out. Fragility was merely a concept to the Matthias and the Arcane, unburdened by the weakness that haunted the "dominant" species of this world.

And lastly a meme for the four main characters of my Wings And Horns WIP. Now to explain, they aren't technically a found family/group (at least, not when the pairs are together), they just happen to run in to each other so many times. Metatron and Azriel are partnered up to work together to preserve the Soulmate System, with Azriel supposed to be nothing more than a cadet aiding the Archangel, while with Xiang and Jezebel, Xiang is a demon from the Sloth Ring of Hell, who had adopted Jezebel, whose a Sinner's Soul of a damned girl (for unjustified reasons no less). These two pairs are in fact rivals in their opposing missions to protect and break the Soulmate System respectively.

[Image Reference Credits: Art of Archangel Metatron that I found posted on Quora and Kagetane Hiruko from Black Bullet]

Here's a blank template below:

[simplegenius042]

LATE Music Monday, WIP Wednesday and OC Familiars Quiz

Tagged by @imogenkol @josephseedismyfather @direwombat @noodlecupcakes and @socially-awkward-skeleton

Tagging @adelaidedrubman @raresvtm @derelictheretic @inafieldofdaisies @voidika @cassietrn @aceghosts @icecutioner @shallow-gravy @strangefable @statichvm @cloudofbutterflies92 @carlosoliveiraa @g0dspeeed @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @thewanderer-000 @omen-speaker @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @afarcryfrommymain @strafethesesinners @turbo-virgins @florbelles @minilev @justasmolbard @softtidesworld @yokobai and @seedsplease + anyone else who want to join.

With Kinktober over I can catch up to all the Music Mondays, WIP Wednesdays and Quizzes I missed. Music for The UnTitledverse and Life, Despair & Monsters. WIPs will be for The Silver Chronicles, two focusing on the Bloodborne AU while one shows the Coroner!Silva AU. This Quiz will be for characters from my Wings And Horns WIP and A Radioactive Calamity of Love, Bombs & Gore series. Hope you enjoy below the cut:

At the SCP Foundation, there is often hours or days worth of breaching at the sites, whether it be because of a restless anomaly breaking out once more or an experiment gone wrong. This is no different in SCP: Confining Spaces from The UnTitledverse. Sure, some things escape. And sure, personnel die. But eventually a task force is set in to re-contain the anomalies and save the surviving personnel, or any trace of the site is wiped off the face of this Earth depending on how bad things will be. But ultimately, everything is "Fine and Dandy" in the SCP Foundation:

"I was there to witness The victim of a sickness He wants the world to notice That he's not worth the focus He could make an entrance But could not make a friend Now he's got lots of different scratches From trying here and then

And I say liberate your sons and daughters The bush is high, but in the hole there's water You can keep it well and hidden No one's perfect, but it's a living

Hey ho, here he goes Either a little to high, or a little to low Got low self-esteem and vertigo But he thinks he's fine and dandy Hey ho, here he goes Either a little to far, or a little to close He's pretending, that everybody knows He thinks he's fine and dandy

Ring a ring of roses Whoever gets the closest He comes and he goes As the war of the roses Mother wouldn't kiss him 'Cause of his condition Now he's stuck in a prison For his strange disposition

Liberate your sons and daughters The bush is high, but in the hole there's water Do as you will, it's much less work to ignore But if it don't feel good What are you doing it for?

Hey ho, here he goes Either a little to high, or a little to low Got low self-esteem and vertigo But he thinks he's fine and dandy Hey ho, here he goes Either a little to far, or a little to close He's pretending, that everybody knows He thinks he's fine and dandy

Liberate your sons and daughters The bush is high, but in the hole there's water Do as you will, it's much less work to ignore But if it don't feel good What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for? What are you doing it for?

Hey ho, here he goes Either a little to high, or a little to low Got low self-esteem and vertigo But he thinks he's fine and dandy Hey ho, here he goes Either a little to far, or a little to close He's pretending, that everybody knows He thinks he's fine and dandy

Hey ho, here he goes Either a little to high, or a little to low Got low self-esteem and vertigo But he thinks he's fine and dandy Hey ho, here he goes Either a little to far, or a little to close He's pretending, that everybody knows He thinks he's fine and dandy!"

The main crew of protagonists in Life, Despair & Monsters is made up of menagerie of original and canon characters, most of whom have been negatively affected (that's an understatement) by Sir Enigma Malvolio but I don't think I've discussed who exactly they're made up of? So here's (thus far) the cast out for Malvolio's head; Haoyu Anabuki, along with the DDLC crew Monika, Sayori, Yuri and Natsuki (all except Haoyu were targeted by Malvolio in my Doki Doki Literature Club WIP); Hatsukami Hinode, Icarus Galatos and Xavier Tulip, in addition to Hatter and their fellow heroic partners from France, Marinette/Ladybug, Adrien/Chat Noir, Kagami/Ryuko and Luka/Viperion (Marinette was personally targeted by Malvolio while the others were affected by association in my Miraculous: Tales of Ladybug & Chat Noir WIP); Sonya and Jennifer (both victims of Malvolio in my Sonnie's Edge fic); Guenevere & O.R.I.O.N, as well as Morgana, King Arthur and Lancelot (Guenevere & O.R.I.O.N were victims of Malvolio while the latter three were affected by association in my Guenevere WIP); Lora (not personally affected nor targeted, just in it for the adventure, from my Arcane: League of Legends WIP); Rico (affected by association, from my Cyberpunk 2077 WIP); and lastly Sydney, Dina and Sydney (targeted by Malvolio in my I Am Not Okay With This WIP). Now this may be updated with future Love Death + Robots characters or others from other fandoms depending if I can figure out a way for them all to naturally come together. Malvolio actually stopped caring about all of them when he got the data he wanted from them and left, however, when they kill his prized specimen, Edith "Evie" Bloodleech, that's when they get his attention. Here's a song I believe describes both the protags and Malvolio's thought processes toward each other:

"The bass and the tweeters make the speakers go to war Ah, the mighty trumpet brings the freaks out to the floor The bass and the tweeters make the speakers go to war Ah, the mighty trumpet brings the freaks out to the floor."

"Tell me, tell me, where the freaks at? Tell me, tell me, where the freaks at? Freaks at, freaks at, freaks at, freaks at-" "Tell me where the freaks at?!"

("Hey!")

"We get that bass thumpin', people jumpin' all over the world We got them speakers pumpin' Timmy Trumpet for the woman with curves Got that freak flow, freak show Welcome to the cicus Let the leaders lead, preachers preach Welcome to the circus!

Close the curtains on 'em if they're actin' like they never heard us See, we do this for a purpose just to keep that fire burnin' And we don't need no water, let that mother-mother burn Timmy, play your trumpet, let the people go berserk!"

("Hey!")

("Hey!")

"The bass and the tweeters make the speakers go to war Ah, the mighty trumpet brings the freaks out to the floor The bass and the tweeters make the speakers go to war Ah, the mighty trumpet brings the freaks out to the floor."

"Tell me, tell me, where the freaks at? Tell me, tell me, where the freaks at? Freaks at, freaks at, freaks at, freaks at-" "Tell me where the freaks at?!"

First snippet of the FC5/Bloodborne AU features the surprise introduction of Tracey Lader as the Hunter of Hunters! For those who don't know, the purpose of the Hunter of Hunters in Bloodborne (in the game it was Eileen the Crow) was to give mercy killings to Hunters who went insane from their blood lust or kill hunters who probably defected/threaten the safety of everyone. They wear crow garb and plague doctor like clothes (and mask to likely avoid the risk of being infected by the werewolf/Scourge Beast Plague (including the Ashen Blood Plague) with two sickle-like daggers called the "Blade of Mercy". Anyway, this is like two-and-a-half or less hours before Joseph's arrest, and Tracey is (kind of) chilling out with her fellow hunters (who may or may not become her victims depending if they can control their blood lust), and while they're mucking about, she suspects somethings up. Enjoy below:

'The Hunter of Hunters is a watchmen who admonishes those who were once our fellow brothers and sisters but have succumbed to the drunk haze of their own blood lust,' she recalled Paul inform her as he initiated her into the role, 'By taking this Oath, Tracey Lader, you not only adorn yourself the weight of the Garb of Crows and the Blades of Mercy, but you alone burden yourself with the sworn duty of putting your comrades, be they man or beast, friend or foe, out of their maddening misery, should they lose themselves.'

Tracey remembered how Paul sliced across the palm of her left hand, to allow the deep flow of blood to emerge from the necessary cut and had her place her bloody hand on the engraving that all Hunters had sworn bloodlessly to. Like she had once done. However, at that time, with her bleeding palm smearing the Rune of Hunters, it had felt different.

'Do you, Tracey Lader, as the next Hunter of Hunters, pledge yourself to remain strong in the face of your blood addled adversaries... to prevail with resilience and resist against the seduction of your own blood lust... and above all else, show a gracious disposition when taking the life of those you will call your comrades?'

Tracey kept thinking back to the very moment she had pledged herself to this life with a hardened yet sincere "Yes". How heavy the decision felt, to hold herself to the standards her Oath demanded. How Paul alone had crowned her the Hunter of Hunters, with no one to witness her inauguration, but the shadows of those she must follow. She brushed a thumb at the intricately-patterned badge of the crow. The only one to have ever been made.

Bestowed upon another escape from the pain and rage of facing the one person who she could not face, lest her tough persona fall. The ghost who roamed the monastery in those white shawls and was dressed as if she was a bride, a constant reminder of her failure she'd fail to endure if she chose to stay.

Tracey breathed in the floral incense in her mask's beak to calm her nerves, before exhaling. It had been years since she had last visited either the Convent or the Monastery, and many more since she's even spoken with... her.

She spent most of her time in the refurbished Prosperity where the Hunter's Chapel resided, a small chapel-like structure no different from Jerome's in Fall's End or the Lamb of God Church, although it was a story taller than the other two, with the bell tower affectionately referred to as the "Crow's Nest" as her predecessors inhabited the space.

Tracey had been less than impressed by the inheritance, but it was... something for her.

Even if it was in the Henbane, she thought with disgust. The region had undergone... some changes throughout the years, and not just from the Hunter's and Peggies use of it.

Weird shit was just happening here, and she wasn't just referring to the Bliss. No, strange sightings were being reported; some range from dancing women whose laughs echoed in the night sky, plus claims of dark shadow-like figures lurking from the mist or hiding in the corners of their eyes, and the smoke bellowing from makeshift chimneys coming from the abandoned Misery.

Those, however, Tracey personally believed were either Bliss hallucinations or just the cult being fucking shifty, and was also explained as such.

However the other reports were... less explainable. There had been some sort of reports of cloaked and hooded masked figures walking to or from the Peggies Pilgrimage, ringing bells and carrying stretches of wrapped up bodies either collected or disposed of. Not to mention the reports of unfamiliar beasts lurking in the foliage, bio-luminescent fluids sprayed on the few buildings that were here, the disappearances that neither matched what they've come to expect from both beasts and Peggies alike.

Hell, Miss Mable complained about the fucking moon, all because Peaches "didn't act like her usual self", even though she made the claim after a hunt had been completed, so Tracey dismissed that as just Peaches hating the hunt.

She sighed and leaned back against the wood, observing how the sun descended lower, reflecting off the lens of her mask. It would only be another two hours or so before the Sheriff's Department would come arrest Joseph... or so Paul had informed her.

It was... shocking when he said those words over the radio. After years of establishing a good connection with Joseph and his cult in spite of their shady operations, years of listening to her and many other's concerns but dismissing them in an assuring voice, and years of standing up for the Seeds in the face of backlash and gifting them two out of the three bunkers that were dens to the beasts... he finally does something about that wretched man.

At least, it's what Tracey assumes to be his doing. Likely couldn't ignore the warning signs with the recent spur between the county's residents and the Peggies decade-long growth of suspicion and resentment. Maybe trying to save face.

Regardless, if it leads to the downfall of Joseph and his cult, and the Sheriff's Department to get off their asses, Tracey can't not be satisfied by the outcome, right?

Though there was a lingering feeling, just at the back of her mind. A doubtful, bad feeling. And a few questions.

What does Paul get out of this?

It's not like Paul to just let his main ally who supplies him with numbers and resources against the scourge beasts to just be arrested. Hell, even with the beasts numbers almost depleted, they were still an issue. She hated to admit it, but Joseph and his family had been a fundamental reason to why they were succeeding thus far.

She pondered if Paul is doing this to gain all of Eden's Gate' resources and property. Some of which would present an advantage against the remaining beasts, especially if Joseph really had been proven as an obstacle to their goals.

Not only that, but it also would mean Paul would no longer have all of them bound to the restrictions of the Seeds' deal.

While impressive if Paul had truly planned that out, it brought up the problem of how Paul could stake claim on those resources if Paul and the Hunter's weren't collectively affected by the Peggies actions, personal bias and experience notwithstanding. Thinking more on it, Tracey noted how hush-hush Paul had sounded about Joseph's coming arrest.

She's made her objective assumptions on the reasons why Joseph would be getting cuffed, but she never got a clear confirmation from Paul himself before he cut off communication.

The sun blared while the sky grew more orange, and Tracey looked away from it. A reminder of her next question.

Why has Paul allowed this to happen now?

The timing itself didn't sit right with her... not the fact he's allowed this to happen nine years late, but instead with the growing darkness from every second that goes by, the sun gaining closer to the horizon.

She'd thought if Joseph was going to be arrested, Paul would have it occur during the day, or at the very least, at a time dawn would arrive.

Not late evening when the sun was setting. Not at dusk. Not at a time where by the time the Sheriff's Department arrived to Joseph's Compound, they'd all be violating curfew. Not at a moment where the Hunters would need to prep for a potential hunt.

Which lead to her final question...

Why was she and the rest of the Hunters all on stand by?

By now, the Hunters would have gathered their preferred weapons, mapped out the roads and areas where the beasts would most likely linger, set up the traps for the Sanctuary Hunters fortifying and guarding populated areas like Fall's End, the Monastery, the Convent, as well as Eden's Gate property and bunkers.

Plus here, she grimly noted, seeing no signs of the heavily garbed protectors. Nor of Alexander and his squire, Hannah.

Usually, Tracey would be the first to leave... after all, the Hunter of Hunters must take to the shadows during a hunt, and keep tabs on her comrades at all instances, and be swift and effective at the signs of their consumption to darker impulses.

But not this time. Paul had specifically ordered to stand by and await further orders. Not just for her, but some of her fellow hunters as well.

She glanced over to what was once the mayor's office; now a glorified lounge set up by Boshaw and Drubman Jr, with cushioned office chairs dragged out and set about a small bonfire with desks that had bottles of beer and pizza boxes.

The two were fooling about; Sharky blabbering on about some nonsense while fucking around with the parts of his flamethrower, and although Jess didn't seem too annoyed with Sharky's topic of conversation, as she pretended to inspect her arrow, Tracey noticed how she tensed whenever the device branched its aim almost towards her.

Hurk was throwing knives at the empty beer bottles he set up for target practice... to a surprising amount of success, to his delight.

The only one she couldn't find amongst the menagerie was Grace.

"Aren't you hot in that thing?"

Tracey turned to look beside her. Speak of the devil and he may appear, she thought to herself, though replace "devil" with "ally" and "he" with "she" and Tracey found Grace Armstrong in her dark green leather attire. It was reminiscent of her military uniform, but much suited for a hunting beasts rather than dispelling enemies.

"It's the middle of winter," Tracey pointed out gruffly, though Grace didn't seem too phased by her tone, instead she just snorted at her reply.

"Don't you want to at least get some fresh air before you use up all your incense?" Grace inquired, tone neutral. Though Tracey wasn't bothered by it, she understood the other woman's just looking out for her.

However, that didn't mean she wanted to be unprepared in case Paul's orders had some solidity behind it.

"Technically, I'm on the clock," she refuted with an excuse, eyeing the sun's descent closely, "We're all on the clock, and I want to be ready once the Chief Hunter clarifies further commands. And orders are orders."

Grace gave an understanding nod and appeared to take the hint to not push further, but she did say, "I understand. Though hadn't the Chief also ordered for us to stick close together?"

Tracey, with a tilting head, did in fact recall that, "Yeah...?"

"Then you wouldn't mind joining the rest of us by the fire then?" Grace responded with a raised brow. Tracey stared at her with wide eyes, though Grace couldn't likely tell from the beaked mask. Failing to come up with an immediate reply, Grace takes notice and simply states, "You don't have to. I know Boshaw and Drubman are... extreme company."

Tracey snorted at her words, Extreme is an understatement for any member of the Powder Kegs. How Paul approved of the coven was beyond her.

Last snippet of the FC5/Bloodborne AU (before we switch over to the Coroner AU) takes place many, many, many hours and I imagine chapters (probably somewhere in the midway point) after Tracey's last few hours of rest before she is fighting for her damn life. Here is a flashback of Tracey's reaction to Faith becoming their new Vicar after a year or so of being a regular Hunter and never seeing her face after the split, as well as Paul promoting her to Hunter of Hunters. Enjoy below: [TW: Descriptions of decomposing desecrated corpses, maybe borders on gore(?), weird plants and Character Death]

Tracey looked across the treeline through the dark purple shade of the clocktower's window, curled up against the window sill's wall, her hand gripping at the knee of her pants.

Rage, sorrow and confusion were mixing at the forefront of her mind. Wondering... why? Why, why, why, why? Why her? Of all people, why her?!

Tracey didn't think she'd find an answer, until she heard him climbing his way up the ladder to the head of the clocktower, ascending with a creak from each step he put his weight on.

Not far long, she glanced to see the black fingerless leather gloves grip at the last step of the ladder, and the familiar sight of blonde dyed hair was first to ascend as Paul pulled himself up.

He was out of breathe by the time her crawled onto the wooden floor, though she didn't blame him; after all, the clocktower had a lot of ladders required to climb up until one is to reach the top. She only did it because it's the most isolated room in the Monastery.

Which is why Paul must have found her so quickly. She kept her eyes to the window as he looked her way, but through the reflection she could see his hazel eyes perk up just as his lips curved into his signature jovial and excited smile.

"Ah, I knew you'd be here," Paul commented, not noticing the cold glare she sent his way through the glass pane, "Kamski reckoned you ran off, but I begged to differ. Now he owes me ten snails."

He let out a little laugh as he stood up, though when he noticed how she kept her gaze to the view, it faltered to a flat end.

Still keeping on his smile, he adjusted the brace around his left leg (at this point, the monastery had given up on trying to stop him from exerting that leg in spite of very valid medical concerns that he ignores, though on the plus side, Kamski still gives him shit) before he took a step closer as he chose not to beat around the bush, "I had noticed you weren't present for Vicar Faith's inauguration ceremony, which got me worried. Uh, you missed out quite the spectacle."

Tracey cocked her head as she tried to put her emotions into words towards Paul. Though this action seemed to have prompted Paul to tell her what she had intentionally missed out on, "Oh, yes. Once Faith was established the title of Vicar, Silva had taken the initiative in swearing the Old Hunter's to oath her. Took her hand, bowed down as she made her vows, and ended it with a kiss to the new Vicar's knuckles. A tad dramatic, even for her? Sure, but a passionate display of fealty I never expected from her."

Paul trailed off, mumbling some words Tracey didn't care to hear as her fist dug into her leg.

"Why her?" she finally asked the man, though her quiet tone made the words sound rougher when they left her lips.

Paul hummed in question, and approached closer. He placed a hand onto her shoulder, but she whacked it aside, to both of their surprise. She recovered quickly though, looking straight into his surprised hazel eyes as she inquired, louder, "Why Rachel?"

Paul blinked at her, clueless and ignorant, trying to make sense of her question, "Rachel? Your best friend?"

"Former best friend," she hissed out in correction, and grew hotter from the frustration of him not figuring it out, "The one who stayed with that cult to become daddy's little flower girl. THAT Rachel."

Paul sputtered at her words, shocked and confused as he tried to wrap his head around it.

"But Faith can't be Rachel? She's the Seed brothers sister... unless you're insinuating that Joseph adopted Rachel and had her become...," Paul trailed off as he paused and really thought about it, thinking back on things he's heard at some point and corroborating it with this recent information before reaching a realization, "...Huh."

Tracey waited for him to come to the rational conclusion of an apology or even go and rectify the mistake of bringing an untrustworthy ally into his inner circle, but instead he puts a gloved hand to his chin, lost in thought, "That's... actually very useful information. Grazie for letting me know."

Tracey stared at Paul, exasperation only fueling the growing embers of anger as she stood up, "That's it? THAT'S FUCKING IT?! That's all you have to say? Why is it good to know? Why did you put her in a position of power close enough to your own? Why have the Hunters allied with Eden's Gate, despite what I told you about them? WHY, Paul?!"

Chest heaving and breathless, Tracey tried to hold on to her ire, to direct it at someone she thought knew better. Because that'd be easier than confronting HER, wouldn't it?

In spite of her outburst, Paul regarded her with nothing but a concerned gentleness. His gaze was reminiscent of when he first met her; the same balance of pity and empathy he showed when he spoke to a teen with no home and no place in the world, given to her once more while she was barely entering her twenties now.

It was the same, it had to be; there was no condescension, no manner of coddling, just... understanding and patience.

She wondered if this is something he learned as a father while raising Silva. A brief thought came after that too, 'Does he see himself as a father to me?'

She dismissed it though. Paul was like this with every one of his Hunters. She supposed he attain some of his more fatherly qualities into his leadership, but she could understand that the authority of both roles could intersect.

She didn't need a father. Never had. But she respected Paul. He ran a tight ship based on comradery and loyalty, and wasn't afraid to get dirty with them if the situation called for it, something she can't say the same about Joseph and his brothers during her time in the Project, even with his whole bullshit spiel of "I am your father and you are my children".

She supposed, thinking back on it, she had assumed Rachel to be the same as her.

Maybe she should have brought Rachel here instead of listening to that old coot.

Paul slowly moved closer to her, a slight limp to his braced left leg. He was tall, at least a head taller than her, but he wasn't intimidating, not to her at least. Silva was intimidating, but only because it was like she knew things that Tracey didn't, and the latter was fine with that.

Even then, fear wasn't something used to lead here. Fear was a reminder that they were still human.

'Fear is one step away from courage, if you're willing to confront it,' she remembered Elsa once say. The woman was a box of mysteries, and not one Tracey had the patience to unwrap.

"I know you're worried," Paul acknowledged, placing a hand lightly on her shoulder, "I understand your concerns. If I had my way, I'd want nothing to do with the Seeds. But we need help against the beasts, and as luck would have it, the Project has the people and the resources we can utilize, in exchange for giving them the beasts' dens after we eradicate them."

Tracey shook her head as she tried walk past him, but he place another hand on her shoulder. Although it was gentle and held little strength, she decided not to push past him, and let him say his piece.

"I'm not being foolish here, Tracey," he assures her, giving a small pat, "I know their not trustworthy. I know bringing Faith in as our Vicar is a risk. I wouldn't do this unless I was confident I could counter anything they could try."

Tracey felt her outrage begin to dissipate, although it didn't leave completely. She was confused on why he'd still do this in spite of the risks, "Then... why?"

Paul looked away as he pondered an answer; or perhaps, whether or not he should disclose the information to her. Looking back to her though, he cracked and gave in, "Because game recognizes game. They're planners. Schemers. I am aware of the threat they pose, and I want to be able to keep a close eye on them, or at least have leverage."

Tracey narrowed her eyes at Paul; while she was glad he wasn't being ignorant to the threat and acknowledged the danger Eden's Gate can pose, she was alarmed by his last sentence, "Is Ra- Faith leverage?"

Paul cringed. Another contrast from what she's seen between Joseph and Paul; one kept a serene and almost otherworldly act up, as if he was close but still a messiah to be idiolized from afar... like the moon, in a weird sense. Beautiful and appealing from afar, but ugly and desolate up close.

Meanwhile, time after time, she's consistently seen just how... honest Paul was in his expressions. Joy and sadness, amusement and annoyance, patience and anger, pride and disappointment. And sometimes embarrassment. He was so... human, that it almost made her forget how she knew he and his daughter hide things from many people.

But that mostly related to whatever was in their past, some inner workings of the Hunters, and however the fuck 'Enlightenment' works. And frankly, two of those were none of her business, and all three didn't affect the public as far as she was concerned.

Paul spoke once more, though more hesitant she noticed, and less explanatory, "...I don't intend her to be. I really can't say much else than that, Tracey."

Tracey however wanted to confirmation, "But if it came down to it... would you?"

Paul frowned, looking almost apologetic, "I can't get things to go the direction I hope it will go... then sì. I don't like it, and I can guess how you feel, but it'll be the only advantage we have to keep Joseph on a leash. Or at dealt with."

Paul saw how conflict riddled Tracey's face, and he added, "I'm not going to hurt her. That had never been the intention when bringing her in, and you know, that's not what we do here. I need you to trust me, cara puma. Trust that... I can help her see something better than him."

Tracey looked to Paul, how his hazel eyes implored for her to believe in him. Such sincerity that she'd never see through Joseph's serenity. She gave a sigh, "I... guess I can trust you."

Paul looked relieved. Tracey though thought of those white shawls around the dress of the Vicar's garb, crowned by flowers and three blood gems forged by their rune masters Isiah and Gemini. A hauntingly beautiful visage that would roam these halls, and a reminder of how she wasn't enough for her in the end.

And she couldn't face her. Not now. So, she had to tell him, "But... Paul I can't be in the same building as her. I don't want to leave the Hunter's Coven... I really don't but if there's no other option...."

She left the rest unsaid, though seeing how Paul noticed her distress, she realized she didn't have to say it. He understood.

She expected him to accept her words as a resignation, but was surprised by his next words, "There is one..."

Tracey's attention was captured, and Paul continued, "I had wanted to talk to you about this for some time now. You see... in light of Hunter Elsa's death, there had been no successors, whether chosen by her will or volunteering themselves, to take up her mantle of the Hunter of Hunters."

"Silva and I had a discussion about it... trying to figure out who could be a worthy successor to her sorella," Paul explained, and Tracey felt her heat beat pace up as Paul regained eye contact with her, "And we agreed that maybe... if you're willing... it could be you."

Tracey, to put it simply, was at a loss of words. Paul, however, was not, so he continued, "Again, you can refuse. It's less an offer and more of a burden to ask of you. But it might help you get what you want... you can keep to yourself, you're not required to be with groups, only fight when you need to, and you don't have to set foot on the Monastery again. You'll be stationed at Prosperity in the Henbane, where most of the other Hunters reside. You won't ever have to cross paths with Faith, as we're mostly keeping her here and likely visits elsewhere, but not Prosperity."

"It's not ideal, but it's yours if you- woah!" Paul had to balance himself from the weight of the young woman hugging into him. Tracey couldn't fathom how a clusterfuck of a misunderstanding in the form of an accidental kidnapping lead to her finding like-minded people who were ready to fight for the county's freedom against the scourge. Nor the fact they show respect to her as a person.

"Thank you," she softly whispered, the gratitude carrying more weight than just this offer.

Paul slowly returned the embrace, lightly and clearly trying to avoid being too clingy, but he was at least relaxed.

He gave a small calming pat to her back, the rays of sunlight breaking through the window, shining a purple hue through the clocktower's tinted glass , "Anything for my Hunters."

--------

In the darkness that expanded in the maze of the catacombs, the decaying plant growth crunched under the weight of Tracey's boots, despite her cautious steps.

Through her mask's lens, she could see vines and moss cling dead to the walls, the ceiling and the ground. Mold spread along the walls and ceilings, sewage dripping from old rusted pipes and dust circulated in the air. But that wasn't all; there were two other unidentifiable flora growths in this labyrinth.

The first was a fat, pulsing bio-luminescent fungus growing from the cracks of the floor, spewing out what was clearly spores and leaking... something out of its cavity hole. Tracey was thankful to her beaked mask, breathing in the floral incense instead... whatever is in the air.

The second was less flora and more of a mini structure; a packed group of hexagonal prismatic columns stuck to corners of the expanse including the pillars, similar to that of a wasp nest or a beehive. Difference was, Tracey didn't believe these to be made of bee wax or dead leaves. It looked more like yellowed cartilage.

Tracey spotted buzzing yellowjackets writhing inside the hives. She swallowed on nothing, fear keeping her heart pounding, alive and on edge.

She could never picture the monastery having a basement level... especially one so deep. Pots of cremated ash laid at the bottom of the walls, the walls aligned with skulls, the age of which she couldn't tell.

She didn't want to waste time inspecting the architecture of a level she only felt unease in. She called out once more, "Lindsey! Are you here?!"

She saw on the other side of this room another set of doorways wide open, a possible indication that Dr. Lindsey went through there. She shook her head in frustration; this would be the fourth set of doors she'd go through in the Monastery, the first being the base level and the next ones descending further into the basement.

She decided to run through it until she saw the veterinarian or bumped into him.

She sped in a burst, dashing past the doorways, expecting to run down a curve of steps. Instead she stumbled and fell over two steps, managing to at least roll to avoid landing on her face.

She grunted, displeased. Tracey began to stand, pushing one hand down for support, but froze when she hear repulsing squish.

She down to where her gloved hand was, and saw it was pressed inside the decomposing corpse of a man; a Peggie, she noted, seeing the slashed marking of their cross. She retracted her hand away from it, keeping her hand close to the hilt of one blade.

She slowly stood up as she inspected the new room; similar to the architecture of the catacombs, the only difference she found were the four dead trees, the broken gravestones circling close the walls and corners of the room (with exception to the entrance and whatever opening was on the other side of the spore mist) and lastly the abundance of decomposing corpses, human and beast alike, male and female, big and small, strewn across the floor, the ground covered in their collective dried blood.

They all shared the same fatal wounds; one slash across the chests, stomachs and backs, or perhaps missing chunks of their bodies, or skulls busted open, and all having some form of their limbs and heads all separated from the body in a fest of gore. She wasn't even sure if the appendages she can see belong to any of the bodies or if some had been taken to... elsewhere.

Thoughts of the Misery invaded Tracey's mind, but she shook it away. Although what she witnessed there was... horrific, what she can see now was above it, if not equal to-

-elch!

Tracey froze at the distant sound. Heart hammering, she tilted her head, listening closely for small sound. She tensed when she heard it reverberate around the room again.

Squelch!

Breathing heavily, she gripped tightly around both her blades' handles, ready to draw them at the slightest hint of trouble as she maneuvered her steps around the corpses. Gaining closer, she heard it louder.

SQUELCH!

From a small distance, she could see a figure's silhouette through the mist. They lifted their arms, clearly holding a long, sharp-ended or perhaps spiked weapon that requires two hands, before bringing it down again, result in the disturbing squelch, this time with the addition of a crunch.

She unsheathed her blades just a bit, as she gained closer behind her distracted enemy. That's at least what she assumed they were. From the looks of it, human. Sharply dressed in what seemed to be yellow and black hunter's garb. A blood-drunk serial-killing Hunter? Now I've seen everything tonight, she thought to herself.

She found herself eating her words too early as she halted in her approach when she noticed three distinct details.

First, this hunter's figure and small raspy ragged breath indicated that he was male.

Second, he held a curved, hooked staff, the head taking on the familiar appearance of a curled wasp with with spikes along the back for a painful blunt attack.

And third, his left leg was adorned with a brace around it.

Tracey's eyes widened as she recognized who this Hunter was.

The nausea set in when he stopped cutting down the limb of the corpse. A recently bloodied dark-haired corpse that had a red slash across the teal shirt, crimson splotches staining the black vest and dusty grey pants.

The shattered rectangular glasses and dropped busted open med kit, the contents spilled from the fall, were only a confirmation of both the victim's identity and who the culprit was for the other corpses.

He released a deep exhale, while her breaths only increased. He calmly removed one hand from his weapon and leaving his other on it, all the while her hands trembled on the hilt of her blades.

She could only watch as his turned, not all the way, not revealing all of his features, for she didn't need to discern who he was even if he did, but to acknowledge her presence.

"Ah... Lader," Paul drawled out her surname with such serenity that it just sounded wrong. Tracey shuddered as he said, "I knew you'd come here."

[A/n] Psych! It was a flashback and the present moment! Also sorry Charles, but you're canonically friends with Tracey and happiness more-or-less doesn't exist in this AU.

Now let's cut to an AU that's more... not lighthearted but certainly not Bloodborne. A scene of my Coroner!Silva AU that's not actually part of the main Coroner AU fic No Snake, Only A Boa In The Garden since in that fic the Reaping doesn't occur. Pretty much it's less "story with themes and messages and character development stuff" and more "crack treated seriously". I find this version of the AU funny because there is NO badass deputy the Resistance can rely on. Instead they've got Coroner!Silva whose functioning below 4 hours of sleep, drinks when stressed or sad, and she's in no state to fight (at least with guns... she can give a good stab with her dagger but that's as violent as she gets). Like the Resistance here are handling with whatever scraps they can gather (while Eden's Gate has all the good shit) and Silva's utilized just as Lindsey is; aka the closest people they've got to medical professionals (except one usually deals with animals and the other usually deals with dead people). However, thing is, this Silva still knows shit and often gives advice and training, and though she's not fighting on the field, she is doing reconnaissance, marking property for the Resistance and plays messenger between the regions' Resistance. She still upholds Deputy!Silva's tradition of refusing to join the Seed's cult and finding all the ways to inconvenience/piss them off (except for Faith, because Coroner!Silva had the bright idea to attempt seduction and is somehow surprised she ended up in a situationship with the Seed sister). That's the gist of it. Enjoy the few seconds of Nancy's appearance:

Nancy spoke into the headset's microphone once more, desperate to receive any contact back after Earl's panicked voice rang in, "Come in... is everything OK? Over."

Silence responded back, no sound of the Sheriff nor the deputies. Not even the Marshal. Could have something gone wrong? came the worried thought, Had the arrest gone awry? Or had God decided upon their fates?

Feeling a pang of sadness if that was the case, she tried again once more, "Please, are you there? Are you there? Are you there, Sheriff?"

Receiving no response from Earl, she tried the next names that came to mind.

"Deputy Hudson, if you're there please pick up," She repeated, glancing around the room to see if anyone else was there. Specifically the department's coroner, Silva.

She assumed her to still be in her morgue, which brought Nancy a sense of relief.

It wouldn't do that poor woman any good to listen to this, she thought to herself, focusing back to her screen, Dear Lord, if it's within your plan, please spare them. They're important to more people than myself.

"Deputy Pratt? Are you there? Are you there?" she asked frantically, "Earl, com in. Over."

"Please, is anyone there?" Nancy spoke, voice quivering as the silence grew louder, "Please, pick up. I need to know what's going on-"

"Dispatch," came a voice, all too familiar to her, all too gentle, that it put her at ease.

"Oh my god," she breathed out in revered relief, knowing the Father was alright.

"Everything is just fine here," he spoke, his words carrying an assuring weight, a wordless message that told Nancy, They're alive. They're safe. They're with us now. At least that's what Nancy chose to believe as the Father instructed, "No need to call anyone."

Nancy gave a small smile, understanding the meaning of his words. The Reaping has begun. Ensure it remains uninterrupted.

"Yes, Father," she replied through the microphone, knowing her new purpose now, "Praise be to you."

She switched off the call, removing the headset to prepare for her next task.

Though she paused when she heard the clinking sound of metal being dragged off the counter and fast pace of shoes running against the floor.

The last thing Nancy saw as she turned around was the glimpse of a white coat and the end of the coffee maker before pain and then darkness.

---

Silva had not believed herself capable of committing any sort of violence in the present day. She though the days of pain and returning pain onto others was far behind her in this new life of hers.

Although, staring at Nancy's unconscious form that flopped from her seat and onto the floor with a purple-ish bruise already forming on her forehead, had the coroner rethink that belief.

Discarding the now inoperable coffee maker, Silva flicked the communications back on. Grabbing the headset and bringing the microphone muff to one ear, she called out, "Sheriff? Hudson? Pratt? Can you hear me? Over."

She received only static. So she tried once more.

"It's Silva! It's a trap. I repeat, it's a trap. Nancy's one of them," she tried to warn through the call, "Please. Someone respond."

Soon enough, the screen flickered with an error, the call cancelled or some form if interference, she'd assume. Silva slammed the headset down, distressed.

She cursed under her native tongue, dragging a gloved hand through her long dark hair. She looked down to the groaning form of Nancy, a sensation of confused ire at being deceived by someone she thought to at least be a close co-worker.

However, she couldn't focus on Nancy now; the other's were being lead to a trap, or perhaps had been, she couldn't tell. All she overheard was Nancy's affirmative yes to who she could only assume to be the Project's cult leader, and giving her praise to him.

Looking at the coffee maker, she cringed at the thought that perhaps she went a tad far in her reaction, but she digressed; Nancy was a traitor and the few people she could call the closest things to friends were now in danger or worse.

She had to do something. But what?

And finally, the quiz results for two OCs each from Wings And Horns and A Radioactive Calamity of Love, Bombs & Gore:

CADET AZRIEL (WINGS AND HORNS [ORIGINAL WORKS])

JEZEBEL BA'AL (WINGS AND HORNS [ORIGINAL WORK])

NATE GUST SARID (A SYMBOL FOR A BETTER WORLD [FALLOUT 4])

These are all surprisingly more-or-less correct for these three characters.

[simplegenius042]

Late Music Monday + 2 Quizzes In 1 + Hozier Song quiz

Tagged by @inafieldofdaisies @onehornedbeast @josephseedismyfather @adelaidedrubman and @voidika

Tagging @socially-awkward-skeleton @strangefable @strafethesesinners @shallow-gravy @direwombat @jillvalentinesday @cassietrn @chazz-anova @minilev @deputy-morgan-malone @wrathfulrook @josephslittledeputy and @g0dspeeed

So I went through my activity history and found I had been tagged by @onehornedbeast for two quizzes which were for OC's heart and OC's path. Not to forget the Hozier song quiz.

The rules for the Music Monday below are: Post a song that is relevant to your WIP or inspires it. Can include lyrics.

Specifically this is for my currently unnamed Far Cry 5 WIP (though the titled might just get named after one of the lyrics of the song) which has some inspiration from Bioshock Infinite. Some context I will give is that it involves Silva and Paul, alternate realities, both Priestess Lillith and the Tarot Card Holder being vague shits, and the Seeds having to deal with a depressed father-daughter duo who know how to use a knife and gun. Also Ernesto "if you can't dropkick Mohammad off the mountain then might as well bring the mountain down on top of Mohammad" Stallone is stirring things up.

"I was scared of dentists and the dark I was scared of pretty girls and starting conversations Oh, all my friends are turning green You're the magician's assistant in their dreams

Ah ooh-ooh-ooh, ah ooh-oh-ooh And they come unstuck

Lady, running down to the riptide Taken away to the dark side I wanna be your left hand man I love you when you're singing that song And I got a lump in my throat 'Cause you're gonna sing the words wrong."

Now for OC quiz results!

First the 'What does your OC's heart look like?' quiz for Leslie Who (from The UnTitledverse).

And here's the "What does your path lead to?" quiz for Denise Redwood (who's making appearances in Life, Despair & Monsters, Far Cry The Silver Chronicles, then finally The UnTitledverse).

And finally the 'Which Hozier song is your OC?' for Jezebel Ba'al (from Wings And Horns).

[simplegenius042]

Music Monday

Tagged by no one.

Tagging: @socially-awkward-skeleton @shallow-gravy @adelaidedrubman @inafieldofdaisies @josephslittledeputy @g0dspeeed @chazz-anova @cassietrn @poisonedtruth @josephseedismyfather @voidika @vampireninjabunnies-blog @detectivelokis @derelictheretic @wrathfulrook @direwombat @snake-in-the-garden and @strangefable + anyone else interested in joining.

Music below for The UnTitledverse, Far Cry The Silver Chronicles and Life, Despair & Monsters.

Below is a song that fits Charlie Emily's lament for her missing love, Mario Emmett:

Summertime Sadness by Lana Del Ray

"Think I'll miss you forever Like the stars miss the sun in the morning sky Later's better than never Even if you're gone, I'm gonna drive (drive), drive

I got that summertime, summertime sadness Su-su-summertime, summertime sadness Got that summertime, summertime sadness Oh, oh-oh

Kiss me hard before you go Summertime sadness I just wanted you to know That baby, you the best."

Here's a song to describe Paul Yellowjack's fall and his current mindset below:

Shadow of Myself by JT Music

"I've already been through shit And still haven't seen how bad it gets Crashin' their party, bash in their heads Pick up a weapon and splatter the rest This violence has me laughin', after makin' a massive mess I guess, I'm past the point of saving, I'd rather end up dead! Give in to your temptation, transcend mortality Why let yourself be bound by mortal morality?!

Way past saving, can't be helped Just a shadow of myself Feel your darkness cascade over me (Cast it over me) Make me evil, feed me hell I'm a shadow of myself! Swallow my soul, take control of me (Takin' over me)

Take control of me, evil molded me."

Here's a song that I think fits my original story Wings And Horns rather well. For those who don't know, Wings And Horns is about the conflict between a pair of angels and demons over the validity and reasonableness as well as moral ethics of the "soulmate system", the former pair (Archangel (of Life) Metatron and his 13-year-old rookie Angel of Death companion, Azriel) trying to preserve and fix it, while the latter pair (Xiang and Jezebel Ba'al, a father-daughter duo consisting of a Demon from the Sloth Ring in Hell and the damned soul of a 10-year-old girl) are trying to disassemble and tear it down. Song below:

Do Ya Wanna Taste It by Wig Wam

"Tear your world apart, once the magic starts

Do ya really wanna, do ya really wanna taste it? What's going up must come down Do ya really wanna, do ya really wanna taste it? Baby, I'm losing ground Blind to what you'll soon become The mirror lies, the whole world's wrong but you Dancing with your blinkers on Throw your dog the invisible bone

Say I do (say I will), and put your jet in gear Anything to get you out of here Gotta go hit that ride to the setting sun (Pack it up, get ahead) I gotta leave this mess behind Gotta cruise from the blues, got a life to find What you need, there's to read on the dotted line

Kill your self-control, welcome to the show!"

[simplegenius042]

Music Monday & OC Food Summary Template

Tagging @direwombat @spookyrares @derelictheretic @inafieldofdaisies @socially-awkward-skeleton @imogenkol @noodlecupcakes @voidika @cassietrn @adelaidedrubman @aceghosts @josephseedismyfather @icecutioner @shallow-gravy @strangefable @statichvm @cloudofbutterflies92 @carlosoliveiraa @wrathfulrook @starsandskies @ladyoriza @la-grosse-patate @minilev @thewanderer-000 @omen-speaker @justasmolbard @alypink @shellibisshe @josephslittledeputy @skoll-sun-eater @g0dspeeed @afarcryfrommymain @strafethesesinners @turbo-virgins @softtidesworld @florbelles @yokobai and @lulu2992 + anyone else who want to join.

Just another two songs by Aaron Fraser-Nash to pass the time. One that is a "parody song" (don't know what else to call them) of "Exes & Ohs" (by Elle King) and an original Pennywise song by Aaron Fraser-Nash. Also there's a OC Food Summary Template for Xiang Ba'al from my Wings And Horns WIP. Listen to the songs and find a blank template below the cut:

And here's Xiang Ba'al's Food Summary:

Blank template here:

[simplegenius042]

Music Monday

Tagging @socially-awkward-skeleton @shallow-gravy @direwombat @strangefable @inafieldofdaisies @cassietrn @chazz-anova @josephslittledeputy @g0dspeeed @wrathfulrook @adelaidedrubman @voidika @onehornedbeast @thewanderer-000 @corvosattano @derelictheretic @ec-10 @carlosoliveiraa @minilev @nightbloodbix @purplehairsecretlair @vampireninjabunnies-blog @strafethesesinners @josephseedisdaddy @neverthesameneveranother @a-rose-in-a-garden-of-weeds @snake-in-the-garden @henbased and @ladyoriza

As usual three songs for three stories/characters/themes below.

First song up is for Abigail Emmet, the mother of Mario, and just as much as a terrifying alien soul-and-meat-eating shapeshifter as he is. She's been around for a while, even hitching with the Van der Linde Gang as the third founding (adult) member, sticking with it until she and Molly got the hell out of there after witnessing the effect Hosea's death had on Dutch and Micah being a rat. Saddening that Abigail outlived Molly (given her alien origins), but she never once stopped thinking fondly about the O'Shea poet, even when raising Mario. This song absolutely details her longing for Molly, while also letting go for the sake of Mario.

"Lately, I've been waking up In a dreamy state, calling your name Stayed up too late just thinking of you Now I'm knocking on every door 'Cause I heard you moved from twenty-two Has it been that long? I guess time just flew

I've got voices in my head and there's a deafening silence I've got voices in my head and I can't lie

I've been holding on to pieces Swimming in the deep end Tryna find my way back to you 'cause I'm needing A little bit of love A little bit of love, I need a little love Just like the air I'm breathing These open wounds ain't healing Tryna find my way back to you 'cause I'm needing A little bit of love A little bit of love, a little bit of love A little bit of love

I tried to fly but I used my wings too soon Now everything got me thinking of you I tried a million times to cut you loose."

Next up, a song for Silva's Hope and maybe a bit of Old Dusk, the two main stories for Silva in Far Cry The Silver Chronicles. I think it just fits the religious themes found in the fics' and the game, but also twisting it to reveal the darker and lighter aspects that not only come off as seductive but reveal what's exactly underneath the surface of the Voice's Prophecy and the Collapse, and whether it's better to choose the safer path and obey the prophecy while risking loss of identity and restricted by extremely controlling expectations that are unrealistic or take the risk and step out of the status quo for the sake of having the freedom to choose and to defy a fate other's push onto themselves and their neighbors, all the while having to contend with the possibility of being lost in the unknown.

"Call me wild, drinkin' up the sunshine Be my man and show me what it feels like Denim sky, unbuttoned down the middle Spillin' out little by little

Tiger on the prowl East of Eden Comin' for you now

Keep me from the cages under the control Runnin' in the dark to find east of Eden Keep me from the cages under the control Runnin' in the dark to find east of Eden

To find east of Eden (Oh-oh-oh-oh-oh-oh) To find east of Eden (Oh-oh-oh-oh-oh-oh) To find east of Eden (Oh-oh-oh-oh-oh-oh) To find east of Eden (Oh-oh-oh-oh-oh-oh)

If I wanted to stay You don't mind, you're a true believer (True believer) Take it up with the badlands Creep on in like a concrete fever

If I wanted to stay You don't mind, you're a true believer (True believer) Take it up with the badlands Creep on in like a concrete fever."

And finally something for the antagonists. Ranging from the charming yet arrogant Edward Carmine to the callous and controlling Zachariah from The UnTitledverse. From the hypocritical monster that is Father Adam Omar to the fatalistic pessimism that fuels Paul Yellowjack's miserable self-loathing in Far Cry The Silver Chronicles. From the Court King who wants to conquer his worlds back, to the Director of the Midnight Rise, Sir Enigma Malvolio, who brings despair wherever his expeditions take him throughout Life, Despair & Monsters. From the well-meaning extremist Xiang Ba'al to the Mad God of Carnage himself, Discord in the originals works that will diverge from Wings And Horns. There are many more of interest, but the list is as tall as the rest of my original characters. But one commonality can be found with these characters... a question that evades an answer... will they ever be satisfied after reaching their goals? Or... will they go further until they've crashed and burned?

ALSO! TW: There is brief mention of suicidal idealization in one verse with probably more mature themes hidden in the lyrics. Just putting it out there to be weary listening and reading.

"I was pulling out my hair The day I got the deal Chemically calm Was I meant to feel happy That my life was just about to change?

One life pretending to be The cat who got the cream Oh, everybody said, "Marina is a dreamer" People like to tell you what you're gonna be It's not my problem if you don't see what I see And I do not give a damn if you don't believe

My problem, it's my problem that I never am happy It's my problem, it's my problem on how fast I will succeed

Are you satisfied with an average life? Do I need to lie to make my way in life?

High achiever, don't you see? Baby, nothing comes for free They say I'm a control freak Driven by a greed to succeed Nobody can stop me

'Cause it's my problem if I wanna pack up and run away It's my business if I feel the need to smoke and drink and sway It's my problem, it's my problem if I feel the need to hide And it's my problem if I have no friends and feel I want to die

Are you satisfied with an average life? Do I need to lie to make my way in life? Are you satisfied with an easy ride? Once you cross the line, will you be satisfied?

Sad inside, in this life Unsatisfied, praying Sad inside, in this life Unsatisfied, waiting

Are you satisfied with an average life? Do I need to lie to make my way in life? Are you satisfied with an easy ride? Once you cross the line, will you be satisfied?

Black, white (Are you satisfied, are you satisfied? Are you satisfied?) Are you satisfied? Black, white (Are you satisfied, are you satisfied?) Black, white (Are you satisfied, are you satisfied?) Are you satisfied? Black, white."

[simplegenius042]

Soulmate AU Protagonists and Antagonists Story Idea

Admittedly, I've never been the biggest fan of soulmate AUs. I suppose it's never been something that fits the whole schtick I'm going with in the fanfics I'm writing (the whole theme of "screw destiny" and the subversions or alternate perspectives of things such as fate, destiny, the chosen one, etc).

That doesn't mean I hate the AU, or the stories I've read (no matter if they were either incredible or cliched, dark or wholesome). But besides the worldbuilding and the dynamics and the slowburns, there really wasn't much to offer for me. Not that there wasn't any unoriginality, but it was lacking some kind of specific conflict (whether it be in the story itself or between characters).

I have read plenty of ways the AU is handled. And the general consensus I've found is mostly along the lines of "slowburn of Character A & Character B, dislike/enemies-to-fated-lovers" (whether the enemy part is justified or not depends on the themes) and rarely found any subversions like "Character A rejects Character B for, let's face it, justifiable reasons and ends up with Character C outside the universe's laws and society expectations" and even rarer "Character A doesn't like Character B very much and the universe acknowledges this so allows A to fate themselves to the better suitor, Character C". And these stories ARE enduring to read, but it just wasn't enough for the itch I was trying to scratch (It's really hard to explain, and a strange feeling overall).

Like, mostly it's heavily focused on the romance aspect (understandable, soulmate is in the name) instead of the implications that come with the fact people have soulmates and have initials/marks/symbols/names/countdowns/etc, etc to prove it. Most of the time, those implications are brushed over briefly (again, understandable), and rarely touched upon. Not only that, but the AU itself doesn't leave much argument on the pros and cons of being fated (besides the obvious "mutually disliked persons/enemies are fated" to each other) or the morality and potential existential conflicts that are there in the AU, if that's easy to understand (which I've rarely seen anyone touch upon, which is again, understandable, as that's not the whole point of the AU, and it is nobodies responsibility to write those specific premise out).

Don't get me wrong, overall the AU is an incredibly interesting premise to write out in beloved fandoms, especially with your favourite characters involved, but it just wasn't something for me...

...until today.

Given the implications of the soulmate AU (specifically, that you have a soul that is bound to another person, therefore implying a level of spiritual mythos (destiny, magic, red string of fate, etc), and even more religious ones (like God, angels, heaven and hell) exists in the AU), I think I can write a fulfilling fanfic with it. Both with original (well, I say original for some of these characters, but also somewhat alternate take on) characters and even an intriguing conflict.

The conflict and arguments of the story centres around two pairs of character. First pair are the protagonists; the (re: God's) Angel of Life, Archangel Metatron, and one of Death's aspiring newest recruits, an Angel of Death by the name of Azriel (and no, this is not Azrael, the (re: God's) Angel of Death, Azriel is the growing human soul of a girl at 11-years-old now who literal-Death-itself took in because she died an infant and couldn't be taken in to either Heaven nor Hell due to not being able to live for long). The second pair are antagonists; a hellborne-demon from the Sloth Ring by the name of Xiang Ba'al, and his adopted daughter, the wrongfully damned soul of a young girl (around 10-years-old) by the name of Jezebel Ba'al (Jazzy for short). Now despite being protagonists and antagonists, these two pairs of characters fall in a (light and dark, respectively) grey morality with mixes of blue/orange morality (which is a given; these are beings with a limited and/or flawed understanding of human beings and who live in two very flawed and different systems (both Heaven and Hell have issues)). This light/dark grey morality eventually evens out and gets greyer and greyer as the story goes on.

Essentially, both pairs fight for and against the soulmate system... both understand that the system is both a great idea but severely flawed and go about to preserve yet change it... however, how they both go about it is the difference. The angels' method, while manipulative on emotional levels, is less likely to cause physical harm, but is also slow and time consuming which may not even work sometimes leading to unexpected confrontations between humans. Meanwhile, the demons' method, while physically forceful to horrific degrees, gets effective results fast, but is a violation on the humans' right of choice.

Additional Notes: Metatron and Azriel have a flawed yet growing mentor/student and brother/sister dynamic while Xiang and Jazzy have a pretty caring yet horrifyingly psychotic father/daughter and master/underling dynamic. They both travel and pop up in any universe with a Soulmate AU.

Anyway that's just me talking about things on my mind and my ideas of a fic series I'm going to write.

Chow!

[simplegenius042]

Music Monday, WIP Wednesday & Last Line

Tagged by @cassietrn and @voidika

Tagging @imogenkol @inafieldofdaisies @adelaidedrubman @shellibisshe @aceghosts @socially-awkward-skeleton @noodlecupcakes @josephseedismyfather @icecutioner @derelictheretic @shallow-gravy @direwombat @strangefable @rhettsabbott @josephslittledeputy @cloudofbutterflies92 @skoll-sun-eater @carlosoliveiraa @g0dspeeed @wrathfulrook @afarcryfrommymain @strafethesesinners @turbo-virgins @raresvtm @softtidesworld @starsandskies @ladyoriza @la-grosse-patate @florbelles @minilev @yokobai @thewanderer-000 @omen-speaker @justasmolbard @alypink @thesingularityseries @nightwingshero and @lulu2992 + anyone else who'd like to join.

Got songs for The UnTitledverse, Wings And Horns and A Radioactive Calamity Of Love, Bombs & Gore, with a snippet for a new FC5 The Silver Chronicles WIP as well as a last line for You Make My Heart Go Doki Doki Literature Club!. You can listen to the songs and read the WIPs snippets below:

Legend is important. It's part of history and culture. It should always be preserved in the present to better understand our past to make way to the future. Now many of my series divulge into legends and myths and old stories. Some of them outright make reverence to events long passed (the Extermination Purge Wars, the Big Bangs, the fall of the Houses of the Old Gods and the foundation the Time Bureau Authority, etc). Sometimes all that was in the past emerges into the present (with the likes of the Arachnoids, Exterminators, the Old Kin and more). However, one historical text in my series is the abolishment of the (while benevolent, very flawed) Soulmate System, which my Original Work Wings And Horns is set in. The plot is that more and more mortals are being discovered without soulmarks (which come in the form of marks, initials, countdowns, etc, depending on the person and timeline), so the New Gods send Archangel Metatron and an Angel of Death cadet, Azriel, to investigate the phenomenon to see whether it is natural or manufactured. Metatron wants to preserve and fix the system because he believes mortals require it, meanwhile Azriel just wants the credit so her soul can be reincarnated at an earlier date. The duo behind the soulmark removals is a Sloth Demon by the name of Xiang Ba'al and his adopted daughter, a Sinner's soul by the name of Jezebel. This cat and mouse chase is what ultimately dictates the decision the New Gods are debating; should mortals require on the guidance on something as small as love? Or should mortals find the love of their life on their own, a small step to gifting them a responsibility that had drastically the status quo beforehand thousands of years ago; that being, Free Will?

"Legends never die When the world is calling you Can you hear them screaming out your name? Legends never die."

"They never lose hope when everything's cold And the fighting's near." "It's deep in their bones They'll ride into smoke when the fire is fierce." "Oh, pick yourself up 'cause

Legends never die Legends never die Legends never die Legends never die!"

"Legend never dies They're written down in eternity But you'll never see the price it costs The scars collecting all of their lives."

"When everything's lost They pick up their hearts and avenge defeat Before it all starts They suffer through harms to touch and dream." "Whoa, pick yourself up 'cause

Legends never die Legends never die Legends never die Legends never die!"

"Legends never die." "When the world is calling out your name." "Begging you to fight." "Oh, oh, oh, pick yourself up Once more, pick yourself up 'cause

Legends never die Legends never die Legends never die Legends never die!"

"Legends never die."

Walking Fate is a fic series in The UnTitledverse based in Telltale's The Walking Dead video game. The fic classically follows (most) of the game/s, but does diverge a bit off with pivotal focus on Clementine and an OC of mine whose the runaway son of Darling Enterprises, a multi-business juggernaut, Malcrum Darling, and their relationship. They're definitely not "tragic star-crossed lovers". I'd never do such a thing in The Walking Dead universe. Here's a song about Malcrum's feelings towards Clementine that's definitely in no shape or form supposed to be interpreted as inno- I mean twisted. Enjoy!

"Hey, he-ey-ey, he-he-hey

Your lipstick stains On the front lobe of my left side brains I knew I wouldn't forget you And so I went and let you blow my mind

Your sweet moonbeam The smell of you in every single dream I dream I knew when we collided You're the one I have decided who's one of my kind

Hey, soul sister Ain't that Mr. Mister on the radio, stereo The way you move ain't fair you know Hey, soul sister I don't wanna miss a single thing you do, tonight

Hey, he-ey-ey, he-he-hey

Just in time I'm so glad you have a one track mind like me You gave my life direction A game show love connection we can't deny

I'm so obsessed My heart is bound to beat right out my untrimmed chest I believe in you Like a virgin, you're Madonna And I'm always gonna wanna blow your mind.

Hey, soul sister Ain't that Mr. Mister on the radio, stereo The way you move ain't fair you know Hey, soul sister I don't wanna miss a single thing you do, tonight."

Throughout A Radioactive Calamity Of Love, Bombs & Gore, one universal rule is applied; it doesn't matter you are. From a vault dweller who drew the short straw to a psychotic resident of Vault 76 whose a bit too obsessed with wanting to kill her neighbors. A talking Deathclaw to a Ghoul addicted to chems. A brother who wants to uphold the morals his mother taught him in the Wasteland to his amoral sister who kicks old people people and harasses the less fortunate because she's from a wealthy crime family. Because in the end... they have to stand up to Arcane Urias. (Those poor fuckers are gonna die LOL!!!). Because I guess it's the right to do (in the context of self-preservation against the threat of annihilation).

"Up in the morning, up in the evening Pickin' down clocks when the birds get back to eat Oh, to eat

Up on the mountain, down in the king's lair Pushing these boxes in the heat of the afternoon Oh, afternoon

We were never welcome here We were never welcome here at all No

It's who we are, doesn't matter if we've gone too far Doesn't matter if it's all okay Doesn't matter if it's not our day

Oh, won't you save us, what we are Don't look clear, it's all uphill from here Oh-oh

Up in the attic, down in the cellar Lost in a static, coming back for more Oh, for more

Out with the reason, in with the season Taking down names in my book of jealousy Jealousy

We were never welcome here We were never welcome here at all No!"

An long FC5 WIP for The Silver Chronicles, a new one at that, one I'm naming after the lyrics of David Kushner's "Daylight"; because David Kushner and his songs fit The Silver Chronicles on a scary level. Anyway, the WIP is called Oh, I Love It And I Hate It At The Same Time. You And I Drink The Poison From The Same Vine. Hiding All Our Sins From The Daylight... also known as "the fic where Silva and Paul survive the Tumultite Massacre together and their father/daughter relationship worsens into co-dependence in Montana". Where's Elsa and Persephone at? Well, they'll arrive in the later half of the fic... along with Kamski. Despite the fact their relationship not being "gonna kill you for hurting me even though you were good once", this is far from a good and healthy outcome for both Silva and Paul. In spite of this, they make a dangerous duo (as expected of the two), something the Seeds kind of suspect when they meet them. Enjoy being as lost as the Seeds are in this scene snippet below when Paul interrupts them meeting the Muse herself at a social gathering Pre-Reaping. [Would like to add that the WIP is fairly new, and I'm still working on this scene, and may make a few changes in the near future when I have the time. Expect some mistakes]:

When the question left Joseph's mouth, he felt a pain clutch his shoulder.

With a surprised hitch of his breath, he glanced down to gloved fingers that dug into his shoulder blade with an astonishing unnatural amount of strength.

"Her padre, of course," the soft gleeful voice of the hand's owner answered from beside him, the tone sickeningly sweet.

The stranger's head faced Joseph, his eyes closed to Joseph's seeking blue. His lips curved up in a polite and cheerful smile, one that should be dripping with honey.

The man's eyes briefly opened to reveal burning yellow eyes, bordering on an intense gold. Joseph could not shake the feeling that he's seen those eyes before. A vision perhaps?

Joseph felt himself tense as he recognized the way this man looked at him; the way John sometimes gazed upon the Sinners. A predator that has targeted its prey. And it was Joseph who was already in his clutches.

The man blinked, and the inhuman hue was gone. Instead, a pale hazel resided in its stead. He drifted his eyes away from Joseph, locking with the oblivious grey of the deputy that heralded the coming of the Collapse.

An inexplicable dread coiled in his gut when the man's features genuinely lightened at the sight of his family's judge.

"Ah, il mio piccolo Boa!" he greeted with a beaming grin, letting go of Joseph's aching shoulder to push past him, swiftly making his way to Silva to the Seed's collective daze. The man wrapped his arms over Silva's body, embracing the slightly shorter woman. She seemed delighted by his unexpected appearance.

They both pulled away, though gloved hands remained on the other's arms. The man, though a stranger to the crowd around her, seemed to be a familiar face to Silva. Joseph watched the stranger's hand glide caressing fingers across her dark hair affectionately, following the slivers of the dyed silver trails that reached to her braid, "And how are you fairing this fine hour?"

Silva graced the question with a smile; not the formal and polite smile that served to keep a front up to strangers, but one with an undeniable sincerity shining through.

"Hola to you too, Paul," Silva returned with bemusement, "I was just making some new friends. What brings you over?"

From behind Paul, Joseph could see the man's head tilt. Through the abrupt gesture, Silva's features suggested she understood the meaning, "Um, amigos, Paul."

"Ah," Paul seemed to understood, sneaking an obvious glance towards Joseph and his siblings. There was no trace of gold in those hazel eyes, and the intensity lesser than when he locked eyes with Joseph, but the suspicion directed towards them held a sharp edge to it. Paul let another word roll down his tongue, but the tone matched his gaze, "Amici."

In spite of the growing uneasiness, Joseph willed himself to keep a calm front. He was unsure why Paul off-put him. Joseph regarded the man; his stature was slight taller than Silva's, but similar to Joseph's own height. He was older than all of them, including Jacob; perhaps a decade older. His hair was blonde- or rather, dyed blonde, as Joseph noted the light brown at the sides of his head. His complexion wasn't too dissimilar from Silva's own, maybe deeper.

Joseph took note of the few faded scarring scarcely scattered around his face, and like Silva's, time had laid its healing hands on Paul's own wounds.

Joseph paused his observation, about to make introductions with the askant man when John stepped forward first.

"Yes, we were giving our compliments to Silva for the couscous salad you've brought. She was just telling us it was a co-opted effort," John stated with a grin, one Joseph's had become accustomed to over the years. John's move peaked Paul's interest, his suspicion replaced with curiosity. With his audience captured, Joseph watched approvingly as John continued, a hand outstretched, "I don't believe we've met mister...?"

Recognition shined in Paul's eyes, though it was swept away with a grin bigger than John's as his gloved hand grasped John's in a steady shake, "Yellowjack. But please, just call me Paul. I've always felt the term "mister" gives off the impression I'm married, or worse, boring."

Jacob raised a brow, though refrained from commenting as John replied when letting go of Paul's hand, "Noted. So, are you a friend of Silva's or family?"

Paul shared a glance with Silva and replied, "Family. I'm her padre. I've taken care of her for a long time."

Joseph focused on both Silva and Paul; he couldn't find anything indistinguishably shared between both, though he considered that Silva might just take after her mother than Paul. However, he didn't discard the possibility that Paul was Silva's adoptive father rather than her blood relative.

He kept his thoughts to himself though; reasoning that bringing up the question wouldn't be appropriate so early now. Especially if there's a layer of deception underneath Paul's relation with Silva; he didn't want to unintentionally compromise her safety if Paul held more sin than Joseph already suspected he did.

Silva spoke up, grabbing everyone's attention as she pointed out, "You know Paul, you never answered my question."

Paul seemed to stiffen; clearly a dramatic display rather than serious, as Paul finally answered Silva, "Well, you see, I had caught up with good ol' Virgil before he had to run off for his own business and I saw you speaking to these truffatori impopolari, quindi volevo solo controllarti. You know?"

Joseph and Jacob shared a glance; none of them could interpret the words Paul had sputtered out, though Joseph relaxed when Silva gave Paul a soft smile, "I'm grateful for your concern. But I've got this handled. Gracias, though."

Paul relaxed his stiffness, and Silva brought his attention back towards them, "Now how about some introductions?"

"Great idea," Paul agreed, hazel scanning across the four siblings, "How about we go oldest to youngest?"

Jacob's mouth thinned, blue eyes narrowed as he scrutinized Paul with harsh judgement. Joseph watched as his brother scanned the older man's black and yellow attire. It was flaunting a level of wealth, typical of someone who indulged in vanity. However, that didn't sit right with Joseph. He decided to dwell on it later as he watched Paul and Jacob.

Paul glanced to Jacob, and after a pause, he leaned closer, "Let's start with you ragazzone."

Jacob stared down Paul, who was an inch or two shorter than the red-head. He exhaled out an annoyed huff, and gruffly stated, "Name's Jacob."

Paul hummed and straightened up his posture, hazel eyes trailing Jacob's forest green jacket and body. His eyes seemed to linger on the American flag, Jacob's burns and, oddly enough, his biceps more often. Paul clicked his tongued and nodded his head approvingly, "That checks out. But man, sei una delizia per i miei occhi."

Silva had a bemused expression at Paul's words. Jacob, though, raised a brow, "Mind sharing on what's on your mind?"

Paul had snapped out of his trance, and he swiftly blurted out, "Oh, I just said you looked good, is all."

Paul's attention hastily turned to John and Joseph. He looked between the two, but when the older man focused on him, Joseph witnessed his cheer drop abundantly when their eyes met.

The cold dread surfaced once more. The dead-eyed scrutiny the older man reserved for Joseph alone alarmed him. Joseph could not understand Paul's behavior. Neither could he recall any cases where he could have slighted the man, despite this being their first meeting. He'd never seen Paul in any of his visions, only Silva.

Regardless, Joseph chose to retaliate with a gentle greeting, "My name's Joseph. My family and I run the chapel over on the island by the Henbane."

"Oh yeah, I know," Paul calmly told him, all the playfulness gone, "You're the head of the Project at Eden's Gate, correct?"

Joseph curtly nodded in confirmation, and Paul continued, "Yes, I've heard quite a lot about you. Folks around here always have something to say about your little project."

Joseph's lips thinned, disappointment resonating in his chest. So the sinners lies are spreading swiftly. He was displeased by this knowledge, but he resolved to help Paul see the light. If not for his own soul, then the sake of his daughter's.

John stepped in, interrupting the exchange, "All good things, one would hope."

Paul turned attentively to John with an upbeat rejuvenation, disregarding Joseph, "Well, they can't certainly be all bad now, can they?"

Paul's change in demeanor reminded Joseph of John; both hid their emotions behind a carefully crafted mask and would only reveal their true feelings to those they liked or trusted. However, Paul had more self-control over his emotions and mannerisms.

"And I don't believe you shared your name," Paul pointed out to John.

"John. And if I may, we'd encourage you and your daughter to come for at least one sermon," John invited. Joseph smiled at John's attempt to salvage Paul's soul.

The man in question gave a brief glance to Silva, who shrugged, before returning to John and saying, "Preferirei di no."

John waited for Paul to specify but the latter's attention shifted to their final sibling. Joseph caught a flash of an offended scowl on John's face, so Joseph reached a calming hand on his younger brother's shoulder. It worked, the scowl lost in a practiced exhale.

"Oh, look at this, they have a sorella Silva," Paul said with a grin as he stepped closer to the shorter Faith. Silva narrowed her eyes suspiciously at her father.

Admittedly, so had Joseph.

"What's your name?" Paul asked. Faith shifted, hands behind her back as a delighted smile stretched across her lips with an answer, "It's Faith."

"Faith," Paul repeated her name, seeming to break it down before giving a small bow, adding with sincerity, "A powerful name for a powerful woman. It suits you."

Paul's compliment had three separate effects from what Joseph could see; it had flattered Faith, who thanked Paul for his kind words. It had annoyed John, who rolled his eyes at the exchange.

And it had concerned Joseph, at least as the Father; while he had entrusted Faith in a role that required her to attract converts to their flock, he was weary of those with perverse sins that would embolden them to act on certain depravities.

There had been minor incidents that had occurred, at least in earlier years, though Faith had shown a strength and belief that always reaffirmed him in his decision to bring her in. Especially when she purified the souls of those who indulged in such vices, allowing them to serve the Project free of their sinful shackles; as angels.

He monitored Paul, watching as the man gazed into Faith's eyes, and saw once again how he lightened up. Paul noted aloud, "I must say, you have such lovely green eyes. Is that a recessive trait?"

As Faith gave an explanation to Paul, Joseph was more confused. The way he stated the detail was too specific. And he had stated loud enough for only their small group to hear.

He glanced to Silva, and was met with a menagerie of changing expressions; first was confusion, then came analysis, followed by baffled realization, until she finally settled on looking unimpressed.

With her reactions, Joseph was at a loss on how to view this interaction between Paul and Faith. Until Paul pulled out of his conversation with Faith and attentively singled Silva out, "You know Silva, se volevi solo parlare con la ragazza, non dovevi fare di tutto per incontrare prima tutta la sua famiglia, right?"

Silva blinked at Paul, staring agape as she processed the stream of words he told her aloud. A blush darkened her skin, grey eyes wide in astounded and embarrassment.

Ah, I see now, Joseph deduced, glancing from Silva to Paul, He's teasing her.

Evidenced by the cheeky grin that grew across Paul's face as he continued, "Lei è certamente una partita. Se vuoi, posso impartirti un po' di saggezza sul primo appuntamento. Purché non riceva un invito a nozze entro la fine dell'anno, eh Silva?"

Silva furrowed her brows at Paul, the blush expanded. She traversed over to grab Paul, telling him, "¡Ey! ¡Ya es suficiente de tu parte!"

Despite an irate Silva telling off a snickering Paul who fruitlessly tried to calm down his daughter, Joseph couldn't help but be endeared by the display in front of him. There was something else too... but he elected to push it away for the time being.

Joseph turned to address his family, and paused as John commented to Faith and Jacob, "Who here suspects this isn't an uncommon occurrence between these two?"

"I don't doubt it," Jacob affirmed, eyeing the duo, specifically Paul, "He's definitely the embarrassing parent."

And here's a few short paragraphed snippets for my DDLC WIP called You Make My Heart Go Doki Doki Literature Club! for the Last Lines tag. Sayori (plus Yuri and Natsuki) enters the club and interrupts... something:

The door class door clicked open, and both students snapped their heads to Sayori entering the class, who freezes once her blue eyes took in the sight of a frazzled and flushed Monika whose uniform was unkempt and fists were gripping the opened blazer flaps of the equally more disheveled and flushed new student Haoyu, both of their faces in close proximity of each other.

"This isn't what it looks like!" a horrified Monika quickly utters out, letting go of Haoyu's blazer and letting the green-dyed brunette troll drop to the floor with an ignored 'oomph!' as she went to address her club's co-president.

Only to stutter when, much to her horrifying embarrassment two more familiar faces entered the room beside Sayori; that of Yuri who didn't immediately comment on the situation and Natsuki who rushed in with a burning question to Monika's poorly timed outburst, "What doesn't look like what? Wait..."

Monika watched as Natsuki regarded her appearance, and then her pink eyes shifted to Haoyu leaning up nearby the coral brunette; who was repeatedly trying to blow hair away from their face, to a miserable degree of failure.

Once pink met emerald green, Monika could feel sweat start to break when she unfortunately witnessed a mischievous and teasing glint shine in her clubmate's eyes. With a teasing grin, Natsuki asked, "So what's going on in here?"