#nuno plati
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Gatchaman: Only One Earth #1 by Tommy Lee Edwards, Nuno Plati and Giada Marchisio. Cover by Edwards. Variant covers by (2) Plati and (3) Zach Howard. Out in February 2025.
"THEY HAVE ONE LIFE ON ONE EARTH–AND THEY'RE MAKING IT COUNT! Berg Katse is ravaging the country of Atrena for rare mythical elements that create a psychic link between Galactor pilots and their weaponized mechs. As Joe and Ken's friendship is pushed to the limit during a mission to save Atrena's princess, the Science Ninja Team uncovers an ancient temple that may hold the key to defeating Galactor once and for all. The first issue of an exciting event that connects to the Gatchaman ongoing series from Mad Cave Studios!"
#gatchaman: only one earth#gatchaman#science ninja team gatchaman#battle of the planets#mad cave studios#tommy lee edwards#nuno plati#giada marchisio#zach howard#variant cover#comics
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Exposición indecente
Amazing Spider-Man #657 Dan Slott (Guionista), Nuno Plati (Dibujante)
— Spider-Man: ¡Eh, antorcha! ¡Que se te ve el pompis! — Johnny Storm: ¡¿Pero qué…?! — Susan Storm: ¡¿Spider-Man?! ¿Qué demonios estás…? — Spider-Man: ¡Yepa! ¡Y adiós! — Johnny Storm: ¡Vuelve aquí, imbécil con cara de telaraña! ¡Los necesito! — Spider-Man: ¡No con esas piernas! ¡Mentira, mentira! ¡Las piernas te queman! — Susan Storm: ¡Parad ahora mismo! ¡Los dos! ¡Os estáis comportando como idiotas! ¿O es que tengo que recordaros que la razón por la que estamos en esta zona… es porque es el último sitio donde vieron a los Frightful Four? ¡Esto es serio!
#comics#comic books#comic book panels#marvel comics#superheroes#fantastic four#fantastic 4#4 fantásticos#spiderman#spider-man#susan storm#invisible girl#invisible woman#johnny storm#human torch#dan slott#nuno plati
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Preview: Gatchaman - Jun: Apex Heart
Gatchaman - Jun: Apex Heart preview. An elite squad of motorcycle-riding death bikers have successfully hijacked an armored train transporting experimental International Science Organization tech #comics #comicbooks
#comic books#Comics#eric canete#gatchaman#gatchaman jun apex heart#john workman#mad cave studios#nuno plati#tommy lee edwards
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99. MARVEL GIRL #1
By Joshua Hale Fialkov and Nuno Plati, 2011
2 STARS
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Out this week: Flash Gordon Quarterly #1 (Mad Cave Studios, $5.99):
Mad Cave’s Flash Gordon line continues to grow with this anthology title that features stories about supporting characters as well as completely new takes on the Flash Gordon mythos. This issue features a King Vultan story, as well as a Western take and a detective take on Flash Gordon. Creators for this first issue include Dennis Culver, Louis Southard, Jordan Thomas, Pasquale Qualano, Nuno Plati, Russell Olson and more.
See what other comics and graphic novels are arriving at your local comic shop this week.
#comics#comic books#new comic book day#ncbd#new comics day#new comics#new comics wednesday#king vultan#flash gordon#flash gordon quarterly#mad cave studios
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Mad Cave Announces "Gatchaman: Only One Earth"
Mad Cave Studios and Tatsunoko Productions have announced a new Gatchaman miniseries that will connect to the ongoing comic book series. Gatchaman: Only One Earth hails from writer Tommy Lee Edwards, artist Nuno Plati, colorist Giada Marchiso, and letterer John Workman.
"Berg Katse is ravaging the country of Atrena for rare mythical elements that create a psychic link between Galactor pilots and their weaponized mechs. As Joe and Ken’s friendship is pushed to the limit during a mission to save Atrena’s princess, the Science Ninja Team uncovers an ancient temple that may hold the key to defeating Galactor once and for all." (Mad Cave Studios)
Gatchaman: Only One Earth #1 goes on sale on February 5, 2025. Cover A is by Tommy Lee Edwards, Cover B is by Nuno Plati, and retailer incentive Cover C is by Zach Howard.
(Image via Mad Cave Studios - Nuno Plati's Cover of Gatchaman: Only One Earth #1)
#gatchaman#gatchaman only one earth#tommy lee edwards#nunoplati#giada marchiso#john workman#mad cave studios#tatsunoko productions#TGCLiz
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Nuno Plati - Adventure Time
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The Scarlet Fairy in Avengers Fairy Tales #2
#vision#wanda maximoff#the scarlet fairy#sw costume#hex power#earth trn719#avengers fairy tales#nuno plati
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Nuno Plati, Elektra
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Avengers Fairy Tales #2 by C.B. Cebulski and Nuno Plati, cover by Claire Wendling
Marvel
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Now on the Patreon is a behind-the-scenes look at Nuno Plati’s Warm Blood scene, including my script!
Help support Warm Blood and my writing at Patreon.com/JoshTierney
#Warm Blood#Nuno Plati#Josh Tierney#slice-of-life#high school#mystery#comic#comics#webcomic#webcomics
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Some sample Guardians of the Galaxy pages i did a few months ago to try and get some superhero gigs going, since i hadn´t drawn any superhero related things in quite some time.
#Marvel Comics#comics#Nuno Plati#sample#Guardians of the Galaxy#freelance#digital art#artists on tumblr#superheroes
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Entrevista a Nuno Plati, a propósito de Métanoïde
Entrevista a Nuno Plati, a propósito de Métanoïde #bandasdesenhadas
O autor de BD português Nuno Plati é publicado pela primeira vez na Glénat.
No dia 8 de janeiro, a Glénat editou no mercado franco-belga o livro Métanoïde, com argumento de David Boriau e desenhos de Nuno Plati. Após termos entrevistadoPlati no início de 2007 e moderado o painel que lhe foi dedicado na Comic Con Portugal em 2017, este lançamento foi o mote perfeito para realizarmos uma curta…
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Preview: Flash Gordon Quarterly #1
Flash Gordon Quarterly #1 preview. An all-new Quarterly special featuring a multiverse of stories! #comics #comicbooks
#comic books#Comics#dennis culver#filya bratukhin#flash gordon#flash gordon quarterly#jordan thomas#louis southard#mad cave studios#nuno plati#pasquale qualano#russell olson#stefano simone
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4. Allowances
Page 82
Illustrated by Nuno Plati (Tumblr)
Written by Josh Tierney (Twitter, Tumblr)
Help support Warm Blood on Patreon!
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Orphan Age #4
Orphan Age #4 Aftershock Comics 2019 Written by Ted Anderson Illustrated by Nuno Plati Coloured by Joao Lemos & Nuno Plati Lettered by Marshall Dillon The city of Albany. Old friends. Old times. Old wounds. Freedom of speech. The paradox of money. High walls and far sight. An attack from unexpected directions. The first page opening here is sensational to see. While almost a traditional splash page it does so much to showcase their destination and to see Princess' face when she sees it for the first time is pretty much what the audience experiences as well. It also sets the stage for what it is that is soon going to happen. I will admit right here and right now that I do believe that this New Church has been following our trio as they've ridden to Albanay. Why else would they always seem to be a step or two behind? It feels like that this is what is happening though we can't be sure unless someone tells us so. Also after they were in that last town when Willa unwittingly forced their hand to move against them so yeah this feels like they are using them to find those places to raid and destroy by following them. The way this is structured is phenomenal to see. There is a great ebb & flow to how we as the readeres' see the story & plot development unfold with this pacing that's super strong and the character development that keeps these folks growing, evolving and learning before our eyes. The introduction of new characters like Lindy just keep improving the dynamics and how we view this world. Albanay however isn't as idyllic as they make it out to be and I feel that they are repeating the mistakes of their parents and ancestors. In this world why create money that creates a caste system where the haves and have nots will be at odds? Still what Lindy's tale of her city does is engages the readers' mind and imagination and that's what really matters. Nuno has converted me into a huge fan of his work. I mean there is a simplicity to it and the faces full on seem really cartoon like but I have gotten so used to them that I don't think I can see this any other way now. Plus he's not afraid to utilise backgrounds here and the library, the opening panel and the restaurant och this is bloody brilliant, now keep that up and utilise them more often. The linework is fantastic and seeing how he's able to utilise the varying weights really well. The utilisation of the page layouts and how we see the angles and perspective in the panels show this really good, solid and strong eye for storytelling. The colour work here is extremely interesting I am not sure where the light sources are coming from but they are utilised well and the glow of candlelight is nice with its kind of warm feel. There is this totally natural feel to this book. I love that we don't see the past, it's done it happened we all know it so there is no reason to go back and dwell on it or see it. This is strictly moving forward and that is fantastic because again it allows the reader to imagine what happened, to use their minds in ways that make a difference. If you can engage a readers' mind and they think of ways something may have been or how plausible something is then you are doing more than you set out to do. Also there's that little thing about creating something that we just enjoy reading as well. I love Aftershock they are in my top five company's that I wouldn't give up reading. The work is consistent, delightful, inspiring and entertaining just like this one is. The Orphan Age is a story that will surprise you and delight you with ever turn of the page.
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