hm. Interesting kind of "Turn Left" story, except at this point, still not sure what it'd have to do with the overarching mystery box of the season, and how exactly the timeline was reset at the end, and what exactly happened that drove people away and turned them completely off to Ruby for decades.
Turn Left at least, had the frame of the thing on Donna's back, and a ne'er do well trying to harm her, and it took Donna's will and memory of the Doctor and help from Rose and time travel to completely undo things, but in a much more active sense. And the end result gave us Bad Wolf shenanigans and a lurch towards the big endgame of the season.
If the woman was Ruby the whole time and presumably lived through a kind of time loop to get to this point, why the 73 yards? Why was she just making the same motions over and over again until the very end? Was it the fact that she was paradoxically existing at the same time as Young Ruby that drove people away? Does it have to do with the snow thing and Ruby's mystery box aspect? What the absolute fuck happened to the Doctor that whole time?
Doctor-Lite episodes are more than fine, but I feel like this one, while emotionally brutal for Ruby, feels like it was emotionally brutal to her for no reason and stripped the Doctor away without a good enough explanation. What answers has this given us about the season's arc, about Ruby's past and the snow, about the wild timeline of events? Why did the Doctor ask when Ruby was from? They literally just started travelling together and have referenced her year, nearly every single time.
I guess I have to wait and see if this gets resolved or not by the end of this (even more criminally short) season, or if it's just glorified torture porn to rehash what worked from previous RTD Doctor Who series.
no shade on Millie Gibson though she absolutely nailed her episode by herself, gave a wonderful performance. (Also RIP Kate Lethbridge Stewart and all of UNIT with decades and decades of experience with extraterrestrials and the Doctor and reality-breaking individuals and they too cannot resist the Unexplained MacGuffin Anti-Ruby Effect)
The way this season has gone so far though just...doesn't seem to warrant this episode yet. Again, like Turn Left was the penultimate story of Donna's season (if you count the last two as one two-part story). If it was aired right after the Planet of the Ood episode, but nothing changed, it'd still be moving sure, but would it? Audience would probably be a lot more confused, and the story would feel weird going on to The Sontaran Strategem right then after like no problem.
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THIS IS A JACKS LORE DUMP. VERY, VERY LONG OVERDUE, JACKS LORE DUMP.
This is a certified out-of-character post (also, small irl update)
Jacks was born in the 1700s, specifically 1789, October 31. Jacks is one of the time displaced kids at Camp Half-Blood, and is still getting used to how to use devices. They were kinda confused when Leo [Valdez] handed them a talking brick that made beeps and music.
After one day, after getting claimed by Apollo, they ended up becoming a medical assistant in their village. They were amazing at healing people. Some called them a "healer." Other said they were a witch that immediately needed to be executed by cutting off their head.
They (they being the village, not Jacks) ended up deciding to go down the witchery path when Jacks healed someone's arm, which was mauled by a Lycaon disguised as a regular wolf, and reattaching the dude's arm back onto his body without stitches. Not the smartest move, but then again, the person who got mauled was Jacks's first (secret) boyfriend.
(Quick b-t-dubs, Jacks is descended from Erebus and Hephaestus)
So, when they strapped them to a log, surrounded by spears and tinder, Jacks wasn't sure what to do. They could control small amounts of fire due to being a descendant of Hephaestus, shadow travel because of Erebus, and heal themself if they needed a way to fake dying (somehow).
They decided the safest option was hiding in the Underworld, shadow travelling down there. When they shadow travelled into the underworld, they were immediately met with good news, and bad news.
Good News? There was no longer a bloodthirsty mob after them with flaming torches.
Bad News? They were stuck in Erebus's pocket dimension in the underworld.
Now, I'm not sure if you have been stuck in utter, and complete darkness from 1802 to 2021 (~219 years), stuck at 13 and not being able to think properly, going insane due to isolation for what felt like eternity. But for Jacks? They mentally and physically stayed the same age for years.
They never grew up, they were alone and afraid, forgotten by everyone else until they were able to escape (somehow, idk, I'm working out the details on that as we speak).
When they managed to get out, Nyx and Erebus decided to have Mercy on Jacks, giving them a bracelet that transformed into a small, beaded bracelet, where if you snapped off a bead, the bracelet would transform into a Stygian Iron sickle, kinda like those farmer ones where you can hold it in one hand.
Not that it helped Jacks's situation, but at least they had a weapon to protect themself from everything around them.
Fast forward a few months, specifically a month (and a day) before their birthday, they make it to the rumored Camp Half-Blood. They've heard of it during school at some point through myths and rumors. Also, supposedly George Washington was a demigod, but they never taught that in their school (the teachers were so uncool for that tbh).
When they got there, a teen, around the same age as them, with vitiligo and pink hair. He introduced Jacks to Chiron, and showed Jacks around camp, then introduced himself as Tyler (if you followed my blog for a bit, you know where this is going ;] ).
Tyler was a cool, awesome son of Demeter, descended from Aphrodite (his grandma's side). Jacks was from Pennsylvania and Tyler was from Canada. The two weren't too different either. Jacks, inevitably, started developing feelings for Tyler. Though the feelings were small, and sometimes went away completely, Jacks really wanted to date Tyler.
Tyler ended up asking Jacks out two years after they met, and have been happily dating ever since.
Jacks was afraid of the dark, because of the shadow dimension in the underworld, so Tyler made Jacks a candle that would never go out or melt so Jacks would never be in the dark ever again.
Present day, Jacks spend their time with their friends Nico, Percy, Thalia, Jason, Hazel, Annabeth, Magnus, Toast n' Donut (yes, they're frogs, again, idc), Koi, Xea, Tyson, Ella, Mrs. O'Leary (dogs count, idc), Leo, Will, Hilal Khalil, Tyler, and his adoptive parents Davey M[atten]. Red and John H[arriet]. Red
If you read this far, holy crabs do you have a large attentions span. Either that or you're a nerd like me :) (or you're one of my mooties)
I love y'all (platonically), be safe, and I'll try to upload more often every other weekend. I have school stuff and I'll try to post around 6-7 A.M. EST. Also, thank you for tagging me in stuff on both of my accounts ( @ghostkingdiangelo) and this account. I'll catch up on all mah schtuff soon.
Thanks for reading again!
@bright-side-of-the-moon
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okay separate post about Will Turner because i love him actually
my man throws his sword twice in this film. Once to block off Jack's exit during their fight in the workshop, and once to save his life at the gallows. This man is a SPECTACULAR swordsman (and during that fight in the 'shop? When Jack tests his skill? it feels less out of curiosity and more sort of mentor-y. I think that's the most truly captain-like we've seen Jack, but that's about Jack, not Will. Still, love that moment). But MORE than that, he is a good man and a good pirate.
His whole arc gets put into a few simple words by Jack:
"The only rules that really matter are these: what a man can do, and what a man can't do. For instance, you can accept that your father was a pirate and a good man, or you can't. But pirate is in your blood, boy, so you'll have to square with that someday."
Throughout the film we go from Will seeing absolute red at the mere mention of pirates, furiously trying to kill Jack and dispute the fact that his father was anything else than a merchant sailor, to who he is by the end of it. We see him in the brig of the Pearl with the other crew members as he asks them about his father, and when Pintel and Ragetti tell him Bill never felt comfortable with the mutiny and sent off the treasure because he believed they all deserved to be and remain cursed, and Mr Gibbs called him a good man... His face lights up. Because now he knows for a fact Bill Turner was a pirate and a good man. He had principles that he stood by. And it helps Will to accept the same duality within him
There's also the whole class difference between him and Elizabeth and Norrington that i think is so fascinatingly written. Will knows he is of lesser standing and cannot afford to step outside of it ("How many more times must i tell you to call me Elizabeth, Will?" "At least once more, miss Swan. As always." "...Good day then, Mr Turner") while Elizabeth is more brash and outspoken towards him, especially after her dream that transported her back to her ten-year-old self. He behaves like a gentleman (because he is a good man, but also because he has to), but as the film is set in motion, his frustrations at being overlooked and ignored due to his standing despite his heart and skill start to shine through. When Elizabeth is taken, he bursts into Norrington's tactical meeting to retrieve her, telling them all his plans aren't good enough when Norrington responds drily and with this unwavering reason in his voice, and slams a hatchet into the map. Norrington takes him aside and, now with strain shining through in his voice, reminds Will to please remember he is not the only man present who cares for Elizabeth (referring to both himself and the governor, her father, who is also present).
Norrington later calls him rash for acting when the Navy was working on a plan, which does track - Will is rash. But it does make me think if that rashness and the outbursts are supposedly a sign of the fire of piracy in his blood, or also a representation of his class and the effect that it has on him for being treated constantly as lesser than when he in truth measures up so well. He has to fight for everything dear to him. But that fire and passion of course do remain even when he finally gets to be with Elizabeth and no longer has to fight for her. Anyway, all that to say that my man has heart. And i love him very dearly
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