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#notion club papers
helyannis · 4 months
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Monath módaes lust mith meriflóda forth ti foeran thaet ic feorr hionan obaer gaarseggaes grimmae holmas aelbuuina eard uut gisoecae. Nis me ti hearpun hygi ni ti hringthegi ni ti wíbae wyn ni ti weoruldi hyct ni ymb oowict ellaes nebnae ymb ýtha giwalc.
My soul’s desire over the sea-torrents forth bids me fare, that I afar should seek over the ancient water’s awful mountains Elf-friends’ island in the Outer-world. For no harp have I heart, no hand for gold, in no wife delight, in the world no hope: one wish only, for the waves’ tumult.
From The Notion Club Papers, SD:243
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innumerable-stars · 2 months
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Promo Post: The Notion Club Papers
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Summary
One of Tolkien's most obscure and unfinished works, The Notion Club Papers came about as the result of an agreement with his friend C S Lewis. Lewis took on the challenge of writing a space-travel story, which became his Space Trilogy, whereas Tolkien was clearly all in on Middle-earth at the time and never made it very far into his time-travel story.
The end result that we have is two versions of the beginning of what could have been a much larger tale, consisting of fragments and a somewhat puzzling narrative along with characters clearly based on (admittedly!) the Inklings themselves. The story itself, what exists of it, gives hints of H G Wells' The Time Machine, Charlie Stross' Laundry Files, or, naturally, C S Lewis and his Space Trilogy, to which it is at least partially a response.
Why Should I Check Out This Canon?
I think there is honestly so much untapped potential here for both writers and artists, however, it's probably not to everyone's taste. But if you like the Inklings themselves and would be intrigued by a fictional version, if you like the idea of piecing together fragments of a larger work, if you're inspired to fill in gaps and explore dark recesses, if you're wondering how Tolkien would have perceived the future (1980s-1990s and 2012), or if you're a fan of Aelfwine, then have a look and see what you make of it!
Where Can I Get This?
This is only available in The History of Middle-earth, Volume 9, Sauron Defeated, and makes up the second half of the volume. It was published in the 1990s and is probably available in your local library or bookshop, though it might have to be special-ordered. If you cannot get hold of it another way, please get in touch with me @edgeoflight / elwinfortuna and I'll arrange to get you a copy.
What Fanworks Already Exist?
Nothing, nada, zilch! If you want to break some new ground here, you absolutely can.
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etakyeldud · 2 years
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Watch "LIVE with Lloyd Owen (Elendil in The Rings of Power)" on YouTube
Is there anything better than watching Lloyd Owen talk for 35 minutes straight about Elendil with someone who understands Tolkien? No. No, there is not.
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shainachantake2 · 8 months
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The notion club papers are absolutely hilarious
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myrtaceaae · 1 year
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Christopher, you underestimate how much I am uninterested in CS Lewis
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ringsofpowersource · 2 days
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CELEBRIMBOR Grand-son of Fëanor — THE RINGS OF POWER: 2.06 (2022)
The Pride of Fëanor — The Notion Club Papers (2011)
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londondungeon2 · 11 days
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concept with jade leech.
as most colleges do, NRC has a weekly newspaper that is run by the student body.
though one would imagine someone as busy as jade leech would never pick it up, he happens to routinely pick it up every monday in the lobby where they are put on display. he reads through all of it, thoroughly and carefully.
there are a multitude of reasons for this: mostro lounge sometimes puts articles in the paper about new menu items (as vice-housewarden, jade always double-checks their formatting); he likes to be alert about the by-and-by at his college (as vice-housewarden, it’s opportunistic to see what events may happen or what poor unfortunate soul might need a little help in the ‘anonymous student grievance’ section); and lastly, he had found himself enthralled by this new running comic strip at the start of his second year.
it seems to be two completely different artists who are running this new newspaper section.
one works in logical fallacies and bizarre humor; the drawings are crude and very sketch-like; jade has found himself biting a smile at some of the satire sprinkled in.
the second works in baroque influences; there is no humor found within it and it is very mature in ornate detail; jade particularly likes a certain strip where a sentient mushroom fuses with a human body, creating something lovecraftian.
though not a fan of ‘manga’ like azul’s fellow club member and ignihyde housewarden and not a good artist like his brother, jade finds himself looking forward to the comic strips on page thirteen at the start of his monday class.
so, when he sits down in his first period, thermos full of pu-erh black tea and a good five minutes left before the bell rings, a frown cross his face when he finds that page thirteen is absent of a certain section.
it’s a bit … odd.
as there are two different artists, should not the other one pick up the slack when the other is out of commission? one person cannot fulfill duties flawlessly. that is why NRC has a system of housewarden and vice-housewarden. by having two artists, one can ensures there is always going to be a weekly comic strip.
while only a bit disgruntled, jade decides to overlook this slip of management, only slightly knocked out of his rhythm in unnoticeable ways.
except next week again, there is no comic strip.
this time is surprising.
that section had done particularly well for getting the newspaper’s revenue up. as the son of a ‘businessman’, jade always notices the little things. the stack in the student lobby has been a bit lower in the past months; something anyone can equate to the new inclusion of this comic strip — more people are buying the product because it has something of new value in it.
they would surely be losing money because of this sectional cut? is the artist sick? why has the other one not taken up the helm?
the third week it happens, jade finds himself momentarily vexed. at lunch, floyd pulls the newspaper out of jade’s binder and asks annoyed, ‘hey why did they cut the comics??’ jade is wondering the same sentiment.
have these two people conspired together to rid him of his morning entertainment? no, that’s an utterly ridiculous notion … but it does not stop jade from being so thoroughly annoyed.
it is not like he needs that particular part of page thirteen. but it feels like something has been stolen from him. it is not often that he finds a person who shares his love for surrealist humor and surrealist horror. the loss gnaws at him.
on the third monday, clocking into his night shift at the mostro lounge, jade finds you — the ramshackle prefect — biting the straw of your drink to death, not an inch of the foaming drink drunk. you seem to be very enthralled with a piece of paper. but much like how you have not drank your beverage, the paper is blank and there is nothing to be enthralled with. always the observer, jade thinks you look … empty.
it is not jade’s most favored expression on you, but he still likes viewing each part of you — much like observing the value scale! one needs to understand each part of it or the jump in tones with leave to an ugly, incorrectly shaded artwork.
however, before he can make his way over to you, jade watches as you crumple up the paper and slam down a thaumark for a beverage you did not drink and storm out of mostro lounge like someone has just personally insulted you and you’re making a swift escape.
though it is not the table he is charge of waiting, jade picks up the cash all the same and clears the table of your existence. he takes a sip from your bitten straw. runs his ungloved hand over the plush leather of your booth just to feel the warmth of where you sat. yet, as he slipping the glove back on his hand and setting down your drink, something in the discord of empty papers happens to catch his attention.
having already snooped around in your business before — sometimes you have caught him, other times you have not — jade feels no guilt in picking up the piece of paper. his eyes widen comically when he takes in the sight of that baroque-influenced artwork (this piece depicts a sleep paralysis demon with furry hands and crowning horns) paired right next to crude, sketch-like figure (a man with only nine simple circles to make up his body).
well, now he knows who to hassle.
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webslinger-holland · 1 year
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Hi I absolutely loved heal his heart and saw someone say your request are open so I was wondering if u could write kaz brekker x sick reader just how he would take care of her. I’m sick right now and it’s kicking my arse lmao
Hope nice day :)
Deathly Fever | Kaz Brekker
Warning: mentions of severe illness, mentions of traumatic childhood, mentions of needles and bloodletting
Pairing: Kaz Brekker x Fem!Reader
Word Count: 4.7k
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Over the past few weeks, Kerch had become a victim to a new disease brought from the harbor. It spread rapidly, mainly through air circulation and proximity. Many people speculated that the disease originated from Shu Han as a few cases had been reported from there. Other than the few cases, there was really no proof of where it came from.
People began calling it the 'fragile fever.' This was because the first symptom to show was a high fever and people grew quite frail due to their weakened state. The Shu were working frantically to find some kind of antibiotic that would dissolve the bacterial infection, but they had no success thus far.
The number of casualties was rising rapidly, reporting nearly fifty deaths each day. It acted fast and could take a life in less than twenty-four hours. Ketterdam had fallen into a very dark time.
Being part of the Crows, Y/n was always busy with something. She often ran errands for the group, choosing to buy the needed supplies for most of their heists.
It was now mid-afternoon. She was heading back to the club for the day with a much needed roll of parchment and a new container of ink for her boss. She felt incredibly hot and had even broken out in a sweat despite it being particularly cold that day. She brushed it off as her wearing one too many layers.
Back at the Crow Club, the small group of six were gathered to sit around one of the empty tables. The club wasn't supposed to open for another two hours. In the meantime, the group worked on planning for their next heist. They talked amongst themselves.
"Another ten announced dead from the Financial District," Jesper announced with his nose buried in a newspaper. He dropped the paper onto the table.
"It's moving west," Inej realized. She briefly glanced down at the paper.
"Could reach the Barrel any day now," Matthias claimed. He had been leaning back in his chair with his arms crossed over his chest.
"No news from the Shu?" Wylan asked Jesper. His voice hopeful.
"Nothing that the papers are reporting," Jesper stated. He directed his gaze to look at his boss who sat across from him at the table. He could see that he was deep in thought. "Thoughts on closing the club?" Jesper wondered.
The others turned their heads and looked at their leader expectedly. But Kaz kept his gaze on the silver crow head attached to his cane. He pursed his lips together in thought before shaking his head at the notion.
"No," Kaz said firmly. "We need the business and we need the money."
In that exact moment, the long wooden doors swung open to announce the arrival of someone. The six crows immedielty shifted their gaze towards the source of the noise. Their eyes landed on the familiar figure of the seventh member of the crew. Though, she didn't look quite like herself.
She was covered in a thick layer of sweat, which was clearly evident on her face. She panted heavily to herself; her chest heaving with each breath she took. It looked like she had been running, but she truly hadn't been. The color was robbed from her face.
"I'm...back," Y/n said slowly and breathlessly. She sent them a weak smile, shuffling towards a nearby table to lower her supplies down.
The others quickly looked between each other as if expecting to find some kind of explanation. In the back, Kaz slowly rose to his feet with the help of his cane. His eyes remained on her frail figure.
"Y/n," Kaz called warningly.
It was almost like she didn't hear him because she just kept organizing the things she had brought back to them. Unbeknownst to all of them, Nina moved her hands in a particular motion underneath the table. She sensed her rapid heartbeat, which ultimately meant she probably had a fever.
"Kaz," Nina whispered under her breath. She discreetly turned her head to glance at him through the corner of her eye. "Her heartbeat," Nina began.
He didn't need to be told anything else. He knew what this meant. He inhaled a sharp breathe. He was rudely reminded of his haunting past with disease and how it claimed the life of his brother. He shuddered at the mere thought.
For a brief moment, Y/n felt the entire room go silent. She saw these black splotches begin to cloud her vision. Her head felt light almost. Before she knew it, Y/n had completely lost her footing and had fallen unconscious to the floor.
Without hesitation, the six crows had jumped to their feet in order to rush to her side. It had been Nina who had gotten to her first. She grabbed her shoulder to shift her body to lay on her side. Her fingers hovered over her chest to feel for a heartbeat.
Kaz stood towering over Nina's knelt figure, watching her with hawk eyes. Inej had closed her eyes to say a silent prayer in the background. Jesper had taken Wylan into his arms to bring him some form of comfort. Matthias stood there with as much anticipation as the others.
"She's alright. Just unconscious," Nina announced which made the whole group release a sigh of relief.
"Matthias, take her up to my office." Kaz ordered immediately.
In response, Matthias had dropped down to the floor right beside Nina. He slipped his large arm underneath the unconscious girl's neck, linking his other one under the hook of her legs. He checked to make sure she was secure in his arms.
"Inej, go fetch the doctor." Kaz turned to her. She immediately left their company without another word. "Wylan and Jesper, head down to the market to get medical supplies." Kaz finished.
The two boys nodded their heads understandingly. They rushed towards the entrance with the intent of running to the market as quickly as they could so they could return as soon as possible.
"I'll stay with Nina," Kaz said mostly to himself.
Now Matthias had risen to his feet with the much smaller girl in his arms. He tried to handle her with the utmost care, knowing that if he didn't, Kaz might just have his head. He carefully made his way up the spiral staircase with Nina and Kaz trailing behind him.
Nina went to open the door to Kaz's office. She stepped out of the way so that Matthias could slip through the opening of the office. He stood still for a moment, indecisive of what to do next and where he needed to put her.
"Right over there," Kaz gestured to the sole crimson couch in the corner. So Matthias moved towards the crimson couch. He leaned down to lower the body onto the surface of the couch.
Once Y/n was comfortably laid down, Matthias took a step back so that Nina could sit beside her and Kaz could monitor it all. Nina kept her hand hovering over her chest, concentrating on feeling the pace of her heart rate. She brought her other hand to the side of her dear friend's face, shifting some loose strands of hair out of her face.
Her hair had begun to stick to her skin. Her shirt had a noticeably sweat stain around her neckline. Her breathing was wavering slightly. She looked so sickly up close.
All of the sudden, Kaz didn't see one of his crew members laying on his couch, but instead, the image was replaced of his dead brother who was still covered in those deathly firepox spots and whose eyes had been glazed over. The haunting feeling of his skin being so cold and damp. It gave him chills just thinking about it.
The memories only forced him to turn his head away from the scene. He squeezed his eyes tightly as if trying to push out the images flashing through his mind. He felt a strong sense of bile rising in the back of his throat, threatening to release if he didn't get a grip on himself.
Unable to handle his thoughts any longer, Kaz had left the room in a hurry despite hearing Nina and Matthias calling after him. He slammed the door shut behind him, holding the handle tightly between his leather gloves.
He pressed his backside against the surface of the door and allowed his head to fall back. He closed his eyes once again. His breathing began to increase in speed as he failed to get the sickly image of one of his crows out of his head. His hands shifted to grasp onto the head of the crow cane, keeping him steady.
After a couple minutes of waiting outside, Kaz began to pace back and forth in front of the door. He ignored the slight ache in his right leg. All of the sudden, Jesper and Wylan came clambering up the staircase. They each held a small wooden crate full of vials, rags, and healing herbs.
Upon seeing Kaz, Jesper had halted in his place. He narrowed his eyes at him as if trying to figure out what was going on, but he couldn't figure it out. He cleared his throat to get his boss's attention.
"Got the supplies, boss." Jesper stated.
"Bring them to Nina. She'll know what to do," Kaz did not stop pacing.
With a single nod, Wylan went to enter the office with his supplies. Jesper went to follow him, but he stopped one final time. He stood directly in front of his boss.
"Coming?" Jesper wondered.
Kaz shook his head in denial. He refused to look at him. He took a single step forward to continue his pacing, pressing the tip of his cane against the solid wood floorboards.
In slight defeat, Jesper decided to drop the subject. He turned to walk into the office, joining the others in their attempt to bring their dear friend out of an unconscious state.
Time began to pass.
Before anyone knew it, the large celestial clock of a full moon was hanging high over Ketterdam. The skyline had outstretched its black view of night over the entire city. The stars were sprinkled against the dark sky, almost like salt spread across a table. The lights of the city glowed yellow in the night.
By now, though it had only been a few hours, Y/n's state had taken a turn for the worst. She still failed to wake up. Heavy bags lingered under her eyes and her eyelids had grown darker in color. Her face was still drained of all color and her sweat continued to be an existing condition.
The doctor had been called earlier. He had arrived no more than an hour prior. He checked for the usual symptoms for which he had been seeing every day now. He worked in complete silence. The five crows stood around him and could not take their eyes away.
In the background, Kaz made sure to make no noise as he reentered the office. He stood in the dark corner as he did not really want to be seen by anybody. He held his breathe in anticipation, awaiting to hear the doctor's diagnosis.
Ever so slowly, the doctor lowered her hand back down onto the couch since he had just finished taking her pulse. He reached up to remove the circular glasses perched on the bridge of his nose. He turned his body around in the chair to address the others.
"Well?" Jesper asked rather impatiently.
"Is she going to be alright?" Inej asked worriedly.
"It's hard to tell," the doctor shook his head.
"Well, what is it? Is it the fever?" Nina persisted. Her fingers pinched a little gold necklace around her neck to ease her nerves.
"I'm afraid so," the doctor replied. "She has all the symptoms."
"What can you do for her?" Wylan pushed.
"Not much I can do," the doctor sighed. He went to open his medical bag, taking out a rather large empty syringe.
"W-what's that?" Wylan practically trembled at the sight.
"It's an option. I can try to bleed her, see if any of the bacteria can be extracted..." his voice trailed off despite his urge to further explain himself.
"But?" Jesper wondered.
"If I bleed her, it might finish her."
Upon hearing this, Nina closed her eyes as if trying to prevent the tears from falling. Matthias went to wrap his arm around her shoulder. Inej began another little prayer to herself. Jesper wiped his mouth with the palm of his hand.
"There is no promise I can save her," the doctor confessed truthfully. "The fever acts fast. Her body grows weaker with each second. I need to know now if you want to to proceed with this."
Hesitantly, the five other crows had turned their heads and looked over to their boss standing in the corner. His eyes remained on the wooden floorboards since he was contemplating his options. He closed his eyes to ignore the stares coming his way.
Even then, Kaz still could not look at her. He couldn't even face his crows, coming to the realization that they were dependent on him to make the final decision on this. He thought for a moment.
"Do what you need to do," Kaz said finally.
Over the next hour, the doctor worked ever so carefully. He had successfully inserted a long tube into her arm to transfer some blood out of her system. The excess blood fed into a single porcelain bowl.
In the given moment, Jesper and Wylan were sitting in one of the corners of the room. They talked quietly to themselves. Meanwhile, Inej had been kneeling at the foot of the bed with her hands folded and her head bowed in prayer. She hadn't gotten up since. Then Matthias was pacing the room as he grew more anxious and nervous with each passing second.
All the while, Kaz remained in his own dark corner. He stood leaning against the wall with the help of his cane for support. Anytime Kaz's eyes fell on the familiar figure on the couch, the haunting memories of his brother came flooding back into his mind. He opted to keep his eyes shut to keep the memories out.
Now Nina came back into the room with a bowl full of cold water. She held a dry rag in the other hand, carrying both of them to the small side table beside the couch. She went to dip the rag into the bowl of water, wringing it out afterwards.
She proceeded to place the wet rag on the sickly girl's forehead in hopes of relieving the heat she felt in her head and to bring down her fever. In response, Y/n turned her head from side to side father slowly. She moaned at the feeling.
After a moment, the doctor removed the single tube from her forearm. He cleaned it off with a spare handkerchief. Then he stood to his feet and took hold of his medical bag. He went to leave the room, but was ultimately stopped by the leader of the group. He halted suddenly.
"Where do you think you're going?" Kaz quirked an eyebrow at the doctor.
"I have other patients to see. Others like her who are dying right now," the doctor insisted while gesturing to the patient behind him. Kaz closed his eyes upon hearing the word 'dying.'
"Name your price," Kaz grumbled under his breath.
"I-I can't stay here," the doctor shook his head in denial. "I have to help others."
In any other situation, Kaz would have stopped the man before he could leave the room. He'd force him to stay there until she got better. He'd pay him all the money in the world if it meant that he could do something to help her. But alas, this time, Kaz let the man go.
Before leaving, the doctor came to a slow halt in his steps. He dropped his head down in slight defeat. He realized that he couldn't do much to help her and he wished he could have done more.
"She's contagious," the doctor announced. He stole a quick glance at the young faces around the room. "If you value your life, you should leave town as soon as you can."
The six crows were able to remain unfazed by the doctor's comment. They glanced between one another, mentally wondering if they were all thinking the same thing.
"No mourners," Kaz began.
"No funerals," the others agreed.
Without another word, the doctor dismissed himself from the company of the crows. The rest of them were left there, slightly uncertain of what to do next. There was a beat of silence.
"We'll take shifts," Nina announced, stepping forward. "Switch every three hours," Nina suggested.
"I'll take the first shift," Wylan offered with a slight raise of the hand.
"I will too," Inej said while standing to her feet.
Over the span of a week's time, the crows had taken turns alternating shifts. It operated in a smooth manner: Wylan and Inej, Matthias and Nina, Jesper and Kaz. Though oftentimes, Jesper was left alone during the shift because Kaz just couldn't stand the sight.
The doctor was only able to come briefly every other day, checking for any signs of improvement. Though they were all running low on energy and sleep, they couldn't begin to imagine how the doctor was since he looked like he hadn't gotten sleep in a whole week.
The city was restless. More people were dying every day. There were a limited number of doctors. They often were forced to pick their work from the person who could pay the most. This left the poor people dying on the streets with no medicine and no doctor at their disposal. Death leaned heavy over the city, claiming the lives of countless innocents.
During the early shift, Inej and Wylan would do anything in their power to make sure their dear friend was comfortable. They tried propping up pillows or covering her with blankets. Inej always prayed over her and Wylan liked to swipe the sweat off her brow with a wet cloth.
In the afternoon, Nina and Matthias were tasked with trying to feed her broth. They would shift her into a sitting position. Nina sat next to her and let Y/n lean her body against her side. This meant that her head was often tucked into the nook of the heartrender's neck. Then Nina raised a small wooden bowl of broth to her lips and helped her drink the warm liquid.
Matthias had to sit in front of the two women. He always made sure that she didn't fall over and that she remained conscious if possible. He wanted to help in any way possible.
In the evening, Jesper and Kaz took on their shift. Out of all the crows, Jesper was the one who tried to defuse the awkward tension. He refused to believe that one of his closest friends was on the brink of death. So Jesper talked.
Especially when Kaz stepped out of the room, Jesper talked to her about anything and everything under the sun. It was almost as if they were just having a regular conversation, but she never responded back. He truly believed that she could hear him though and this encouraged him to keep talking.
Though Y/n had regained consciousness, she was far too weak to even open her eyes or move her mouth to speak. She ate rather slowly and drank little water. Her throat burned with each swallow and her breathes had become strained from effort.
On one particular night, Kaz needed to step out of the room for his own reasons. As soon as the door closed, Jesper directed his attention to the figure who lay on the couch. He leaned forward in slight anticipation.
"This is killing him, you know? Kaz," Jesper said in a low tone of voice.
Upon receiving no verbal feedback, Jesper crossed his arms over the stretch of his chest. He breathed a long sigh of defeat. It felt like their efforts did nothing to help her. They saw no improvement. And it was so disheartening.
"I am already the looks of the operation," Jesper said cockily as always. His cheeky smile faded. His heart became overwhelmed with pure sadness. He felt the tears gathering in the corners of his eyes. "I really don't want to be the heart now too," Jesper nearly chocked.
Without thinking, Jesper scooted forward in the wooden chair. He took hold of her limp hand with both of his own. He raised her hand to his lips, pressing a small kiss to the back of it. Then he leaned forward to rest his head against her hand. He cried softly to himself.
"I don't want you to feel bad if you have to go," Jesper cried. He lifted his head which meant the tears rolled down his cheeks. "We'll be alright," Jesper nodded.
Unbeknownst to him, Kaz had quietly opened the door in the background. His hand lingered on the door handle. He kept the door open just slightly to hear the conversation.
"I know what he means to you. And I know what you mean to him, even if he won't let you see it," Jesper added with a slight smile. "I'll look after him. I promise you that," Jesper whispered finally.
Suddenly, Jesper rose to his feet. He went to wipe the tears out of his eyes, sniffling once or twice in the process. He cleared his throat before saying what he thought would be a final goodbye. He pressed a single kiss to the top of her head.
"Goodbye, old friend."
When Jesper had turned around in his place, he was slightly surprised to see his boss standing in the middle of the room. He looked away as if he was embarrassed by his own tears. Instead of addressing it, Jesper simply pushed past him to leave the room and closed the door behind him. And it was just the two of them.
For the first time, Kaz went to sit in front of her. He was careful to lower himself into the wooden chair, forcing most of his weight to lean on his cane. He rested for a beat.
Lowering his gaze to stare down at his black leather gloves, Kaz tried not to think about the painful memories. He just couldn't shake the image of seeing his brother's dead corpse, lifeless and unmoving just like she had nearly been all week.
Now Kaz forced himself to take a deep breath before lifting his line of sight to settle on her sleeping figure. Instead of seeing his dead brother, Kaz was overwhelmed at the mere sight of one of his dearest friends. He wasn't an emotional person normally; he always hid his emotions rather well.
But finally being able to look at her made a part of him break inside. His heart physically ached in pain. He clenched his jaw in order to keep the tears at bay. He felt the anger rising within him.
Why did this have to happen again to him? Why was the world so against him? If saints truly exist, why didn't they save his brother or her by now?
He grew angry at the world just like he had been when Jordie died. He wanted his revenge, but this time, there was nobody to get revenge on. He couldn't help her and couldn't save her.
"I..." Kaz's voice trailed off because he couldn't think of the words.
His eyes trailed down from her face to her hand that was tucked at her side. He slowly moved his hand forward so he could take her hand into his gloved ones. He held her hand.
In a way, Kaz wanted the gesture to bring her some sense of comfort. It acted as a way for her to know that he was there beside her. But in a way, it became more of a comfort for him as he realized she was still with him. She hadn't left yet.
"I'm sorry," Kaz said for the first time.
The Bastard of the Barrel had never been known to apologize to anyone. However, in this particular moment, Kaz felt utterly hopeless. He wished to save her, but he knew he couldn't and he was sorry for it.
"We always say 'no mourners, no funerals.' But I think if you left us...I would mourn for you," Kaz confessed truthfully. "I'd mourn every day for the rest of my life, thinking back on all the times I could have said something about my..."
For his sake, Kaz chose not to finish that sentence. He feared a confession would bring him too much pain at a time like this. He'd save it for now.
"Doesn't matter now," Kaz shook his head. "You'll leave me now here soon. Just like Jordie."
In utter defeat, Kaz rose to his feet and let go of her hand in the process. He went to leave the room without another word. He closed the door behind him as if trying to close another chapter of his life. He couldn't handle it anymore. He broke.
In the very early hours of the morning, Kaz was awoken by a single sun beam hitting the side of his face. He opened his eyes to realize that he had fallen asleep in a chair downstairs. His line of sight was directed to the perch above the club and to the door of his office. It was slightly ajar.
Now Kaz didn't think much of it. That was until he heard a soft sobbing sound coming from upstairs. His heart plummeted into the deepest and darkest confines of his chest. Was she...
The hardest thing he had to do was stand to his feet as he almost felt like he didn't have the energy anymore. He forced himself to climb the spiral staircase, stopping at the very top. He saw Inej sitting on the floor beside the door. Her hands covered her face as she let out small sobs.
Just then, the door of the office opened slightly more. His right hand man stepped out of the room with large tears in his eyes. He took a single step forward to stand in front of his boss. Then Jesper broke out in a smile.
This look was all that Kaz needed. He pushed right past him to enter the room in a hurry. He halted in his steps.
Upon hearing someone enter the room rather loudly, Wylan had turned his head towards the door and revealed Y/n who was sitting up on the couch. She sat next to Nina who was making sure she didn't fall over and who was helping her drink some water.
For some unknown reason, Y/n looked like herself again. All the color had returned to her face. She wasn't covered in a thick layer of sweat since her fever dropped. The dark bags under her eyes had also disappeared from sight. Her eyes were so wide open. Had they always been that color? She looks different; she looks beautiful.
It all made sense now. Inej had been crying tears of joy because her prayers had finally been answered. Jesper had to leave the room because he was so overwhelmed with emotions. She made it through. She was a survivor.
Rather slowly, Kaz limped across the stretch of the room. He refused to take his eyes off her in fear that this all might be some kind of horrid dream. The other crows looked between the two of them, knowing that there was some type of unspoken thing. He stopped right in front of her.
"You're okay," Kaz breathed in a soft whisper. "You didn't..."
"Leave you? Never," Y/n smiled in retort.
"I-I thought I'd lost you," Kaz spoke as if the others weren't in the room. She only smiled up at him.
"You can't get rid of me that easy."
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affectionate-team · 11 months
Text
Sugar overdose
Trey Clover × reader
Synopsis: There's this one student in NRC... he always seems to look out for you, expressing his care and making your forced stay in Twisted Wonderland more bearable. Though there are some things about him that you stay oblivious to...
TW for: mild yandere, drugging/food poisoning (?) (basically unconscious potion consumption), stalking (if you can call it that), overall creepy-ish behavior. If you're uncomfortable with any of aforementioned topics, do not proceed, please. :з
(the whole thing might seem rushed or unfinished, forgive me if so, I'm still gaining experience in writing. ^^")
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He's always been there.
Since when you first got dropped into this world, Clover has always been somewhere in sight. It was hard to stop your gaze at just one thing when there were so many wonders you'd never seen before, so you never paid him much mind, not until the Heartslabyul incident, at least. Before you could only catch a glimpse of him in the cafeteria or exchange short greetings in the halls, but the first overblot gave him a push to change the matters. First he started calling out to you when seeing you in crowd, then he worked up some courage to ask for greeting hugs (or at least handshakes when you weren't in the mood), and at some point decided to strike up a conversation: one, two, five, to the point where you'll find him approaching you almost every day, helping out with chores, carrying groceries, sharing notes and helping with homework, staying over for night, and-
When did he manage to get so close?
Windows in NRC's alchemy lab expose one's eyes to unique views; usually it's already way past noon when classes end, enough so the sun starts setting by that time, painting the vast free skies in deep shades of pink and yellow. Wisps of colorful cotton clouds frame the canvas, giving finishing touches to the majestic evening painting. And the centre piece of the gallery of nature - the biggest wonder, an anomaly of this world, not unlike a shy flower on a fragile stem blooming among concrete plates or snowdrifts, - the prefect. Rays of dying light wrap around their figure perfectly. They come here every day, doing small chores for professors with the company of the infamous duo of freshmen-troublemakers. Still, even the boys' robust nature and somewhat graceless behavior cannot spoil the picturesque scene.
He lays his books out on a table closest to windows, having already claimed the space for himself ever since he joined the Science club. At first it was all about convenience: pretty views on the school gardens give him inspiration for new recipes, wide tables allow to keep his space as neat as possible and prevent any hazards (no more spilled flasks or lost papers - much easier to work now), fresh air when the room gets suffocating or his cooking experiments go wrong.
Now it opens another, a little less innocent in nature, opportunity for the young man - to keep a close eye on the cute magicless student. Actually, when you think about it, the fact is not perverse. Is it really wrong of him, a true older brother at heart, to protect those who are weaker than him in many senses of the word? If anything, he's only doing them a favor - prefect always expressed their appreciation of his help whenever they had gotten in a difficult situation with teachers or delinquents, so surely they would've found the notion to be sweet.
Sweet is the first word that comes to mind when you talk to Trey. It's not even only about his personality (the way the man treats his dormmates alone is enough of a proof; putting others' health and wants before his own, prioritizing their happiness, going out of his way to keep things peaceful). Smell of sugar and vanilla follows him everywhere: in classes, in hallways, in his room. You can smell sugar and caramel on his uniform every time Trey comes up to you for a 'good morning' hug. It's hard to resist the temptation to press closer, if only to have more - to get drunk on the overwhelming aroma and warmth.
He'd be lying if he said the prefect's preference for good perfume went over his head. Trey heard them compliment Schoenheit and Hunt for their cologne and seen how they pull away in mock disgust when Ace gets touchy after a particularly long basketball practice. Perceptive to smell. That's where his main hobby comes in handy: when one spends a great part of their day in the kitchen, they're bound to carry out some of its homey atmosphere with hints of cinnamon.
"Good morning! Don't forget to pack your gym uniform, your class has Flying lesson today."
Isn't that nice of him to leave you little notes and reminders? His attentiveness never fails to make you swoon.
"Have you eaten yet? Remember to heat up some lunch for yourself."
"I hope you're not staying up late again? Go to bed before I come over and make sure you do personally. >:("
"Your outfit today was really cute... I mean, you sure are good at styling clothes! Just wanted to make a compliment, don't take it wrong. :)"
Though sometimes his comments sound too... personal. Have you ever actually told him of your schedule? How does he know about your preference? Even Ace and Deuce, who you spend most of your time with, don't know and don't seem to remember that much. 
Prefect favors others way more than they should. Does the spoiled lion prince deserve being pampered by them? Do the troublesome freshmen not annoy them? How can they parade around, gathering crowds around themselves, stealing hearts of each and every student they encounter, and still treat him with such disregard? "Trey's such a mom friend" this and "I wish I had an older brother like him!" that.
I don't feel the same for you.
Why wouldn't you see how I slowly burn for you?
Even now, the dessert he left at your kitchen counter in Ramshackle is lacking flaws. Even layers of frosting, small edible decorations made out of chocolate - it's an intricate work, a miniature piece of art beloved by its creator, with so much time spent over it. And all for you?
Under the plate hosting the sweet treat is a piece of paper. You carefully slip the note from under the plate and read it, eyes crinkling at the corners at the thought of somebody putting so much effort to make you happy.
"I noticed you've been gloomy all day; please, enjoy this little treat. It's a new recipe of mine, so I hope you'll enjoy this."
There was no need to sign the note - identity of the sender was as clear as day. With a fond light and eyes and a prep in step, you move to set a kettle on the stove to prepare some tea - a chamomile blend gifted to you by Jade (he did sound proud of his blends). Not able to resist temptation, you find a fork and lift a portion of the dessert to your lips, taking in its enchanting smell. Cream melts on your tongue, texture contrasting the bright filling and bringing out a new kind of flavor. Tea long abandoned, you take another bite to savor it, sighing in content.
He truly was a master of his art, especially if his work managed to bring your guard down with little to no effort. It was all too late when you noticed how the cold filling tickled your throat, or how your fingers grew colder with each second passed. Staying steady on two feet has never been so hard before, as white noise overwhelmed your senses, disorienting, separating from reality. Seconds flash by in static pictures, and by the time he approached you from behind, there was nothing to do to hold onto consciousness.
There they are now, safe in his arms, not turning or running away anymore. Cradled close to a warm chest, burning with deepest of earthy desires, full of selfish wanting and a new blossom of hope, their heart would soon answer his calling. For a magicless human is no match to the power of true love.
He will always hold you near.
216 notes · View notes
jacksoldsideblog · 10 months
Text
i have a very very specific idea of what fight club if it were women would be like and here's a few things just about the narrator and Tyler
narrator
-tells herself its a win that she gets to wear slacks and a blouse and only slight heels
-looks/is extremely dead inside
-wears makeup to cover up dark circles and damage from fight club, like every other woman who cant risk getting fired (key component of female fight club is the fact that unlike men, women are absolutely punished for visual deviance)
-is immensely jealous of Tyler's jobs letting her get away with not wearing makeup
-wants to die buried in Tyler's pussy
-tall
-pretends to like men
-talks about living with Tyler. lets people assume
-shaves armpits. stops upon living at paper st
-low voice. not confident, scratchy/crackly
-limp shoulder length/low cut bob
-deep unending rage
Tyler
-somehow was her nickname from childhood
-wears a beat up oxblood leather jacket
-pretty much just wears men's clothing because it's more durable cheaper and also dyke hot
-wears jeans. in the summer it's jorts
-wears steel toe boots
-carries a multitool
-wears hawaiian shirts
-hair exactly like m.tyler. ends up with a mullet a lot because she forgets to cut it. occasionally trims the hair out of her eyes. when it gets long enough to be something like a bob she gives herself a buzz cut.
-low voice. sexy crooner
-pretends to be a man for work. more accurately does not disabuse peoples notions. gets away with it and takes wholehearted advantage
-puts period goop in the fancy steak sauce. slimes all the silverware
-constantly on the edge of converting fight club to a lesbian bathhouse. believes in the equalizing white towel
-walks around paper street house shirtless. sometimes just in boxers. the narrator feels a lot of ways about this
-does not shave at all
-does indeed burn bras. burns the narrators bras
-philosophy different to m.tyler but that's a separate post. still an idealist violent fuck
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take-the-hidden-paths · 9 months
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Hidden Paths 2024
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Happy New Year, small canon fans!
Just a quick post to confirm that Hidden Paths will be running again in 2024.
Hidden Paths was created as a low-pressure, low-commitment opportunity to explore the lesser known Tolkien canons (e.g. Sellic Spell, Mr. Bliss, The Notion Club Papers), and create and share fanworks based on them.
The dates will be the same as last year, 14th - 28th Feb, with optional prompts at the start of each week of the event.
For more info on the event and how it works, check out our AO3 collection or our Dreamwidth sticky post.
Looking forward to seeing your creations!
Mod Narya
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yeyinde · 1 year
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"Don't trust me?" "I don't even know you—" His hand lifts, metal fingers spreading lazily as he holds his palm in front of you. A peace offering. The sight of it makes you scoff.  "Fair. For what it's worth, I don't trust you much, either, but—" another inhale of his cigar. His voice is pinched when he speaks, his breath ghosting white with the smoke congealing in his lungs. "We have to make do with what we have, don't we, love?"
》 WARNINGS: allusions to political corruption, mild horror (maybe??), mentions of death and murder; more banter in a pub; Price has a past
》 WORD COUNT: 8K
》 NOTES: This was originally much longer but the second part delves heavily into the mechanics of the world (we FINALLY see MC—I'm not good at creative nicknames—go into the underground/black market and it is like, a Thing!!!!) and it felt like a bit of an overload with soooo much being revealed at once. So, I split them up. More Reader x Price in a pub. Bantering. Because, ummm, I’m so goddamn creative, lads. 
SERIES MASTERLIST | PREVIOUS : NEXT
Makarov's outburst clots in the fibrils of your still reeling mind, replaying in an incessant loop that keeps you up into the early morning hours, unable to sleep. 
Each time you close your eyes, you see the unavoidable truth in blood looming before you. Inner Circle. Inescapable. 
All this time, you'd been under some false assumption that Makarov was the sole lender to whatever medical intervention was needed to bring you back from the clutch of death. It would make things easier. 
People die every day. 
It was the macabre ideal you clung to, digging into the notion until your nails cracked and bled. The only constant in your life that brought some semblance of hope. 
After all, the dead can't collect any debts. 
But a corporate entity can. 
You're pulled out of your reverie when the sound of a news alert fills the silence of your penthouse. The screen flickers to life at the apex of dawn, just when the indigo sky above splits into a varicoloured smear of pastel pink, ochre, and lavender. The looming horizon—sun a hazy flaxen—swallows the tenebrous that gnaws on the skyscape outside of your window. 
The vacuum fills the familiar jingle of your normal routine. A man sits behind a podium. The chyron below warns of a biblical rainstorm approaching, enough—
"—to wash the whole city away," the newscaster jokes as he jogs the stack of papers in front of him. A bead of sweat catches in the flushed light of the newsroom. The implants on his cheekbones flash; the chromatophore upgrade in his sleek skin shifting in a kaleidoscope of colour. "It comes at a good time, though, as reports of sickness are spreading through the medical bays. It must be flu season—," he titters before shifting his attention over to a man on the other half of the screen. 
He wears a black poncho and a wide grin. 
"A flu?" He echoes, the words swallowed by the passersby in the city square. The jumbotrons in the back bath him in a hazy, neon smear. "In this economy?"
They chatter in the background about a sickness spreading through the city, the storm looming closer, Atlas Corporation putting in a series of patents for some big, technological feat of engineering—Four Horseman has some steep competition this year! Atlas is the up-and-coming tech company that has new, innovative ideas and a focus on the environment!
It's the only mention of Four Horsemen Corp.
It doesn't surprise you. 
Money is a powerful tool. Those who weren't already in their back pocket were quickly added, and those who couldn't be paid off were—
Enticed. 
Whatever Anatoly—his primary enforcer—couldn't do, an encrypted file deep in Makarov's secured vault filled the gap. 
The White Horse is a multifaceted venture. On its surface, a luxury club that caters to a specific clientele. Its exclusivity makes it desirable. People fall over themselves just for the chance to enter. The prestige alone from saying, "I've gotten an invitation," is worth more than money in the circle of the upper echelon. It's elusive. Draped in mystique. 
Coveted. 
They want to get in so bad, just for the sole purpose of throwing their weight around and saying they've been, that they don't stop and think about the potential dangers that lurk. 
After all, a club funded by the Inner Circle and owned by Makarov—the White Horse—could hardly be dangerous. 
It's not the club they have to worry about but the man who owns it. The one who has people in high positions of power froth at the mouth for a chance to attend. 
It is impossible to convince a man with millions to risk his neck for someone else. 
But blackmail does the trick. 
From the utter silence of the media regarding this, barring a few fringe sites that are too small to bother with, you'd wager that your hard work was utilised now more than ever before. 
"—pull out your umbrellas, because—"
You reach out, pressing the power key. It clicks off. The hologram darkens to sleek black. 
Your face stares back at you, shaded in tenebrous. Empty. Vacant. Sometimes, you try to piece together what you might have looked like as a child, but all that surfaces is a void. Nothingness. 
It isn't a mental block, but an absence of everything. Anything. A gaping hole. 
You think of the missing man—Alex Keller—and something rotten gnarls between empty ribs. 
Six days. 
Three years. 
You wonder if anyone is still looking for you now. If your face is plastered on the communication poles on some distant planet. If the uncanny likeness of you is whispered in a neighbourhood in Al Mazrah where your family mourns. Or if there is now an empty spot at a dinner table that will never be filled. 
You doubt it. 
Nothing ever appears in the searches. No one ever stops you when you wander down the streets, and belts out an unfamiliar name. The closest you'd come to some sense of recognition was that man. The closest you'd come to thinking finally, finally, someone knew you. 
But he didn't. Doesn't. 
He isn't combing the shady side of down for you, but for Alex. A missing man who's been gone for six days—long enough for the man to tear through the redlight district and force your hand to aid him in finding out where Alex had gone. 
(You wonder if someone fought that hard for you.)
Ugly. Stupid. 
No one is looking. Makarov assured you of this when you asked him. 
You're a nobody, kitten. A stray. I picked you up off the streets and brought you back. You want your family? Well, all you have is me. Ain't that swell, kitten? What more could something like you ever hope for?
Worthless. 
You're caged up like an exotic bird. A toy to be kept on the highest shelf until it's needed. 
A pet. A plaything.
But Makarov's reach is everpresent. His eyes are everywhere.
You can run, and run, and run—
You should know better by now. No one touches what belongs to me. 
—and he'll always find you.
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You have this recurring nightmare that started a year into waking up.
Makarov's idea of avoiding the hassle of you constantly asking questions about the unfamiliar world around you was to just preemptively teach you about it all. In a single session.
Despite the hesitation from the man administering the chip that would flood your mind with knowledge of the world, he pushed for it. And really—who is going to stand up to a man who not only pays their bills, but funds a vast majority of the country?
Against all codes of ethics, you were given the chip.
There is no way of describing the pain of suddenly knowing, but it left a mental scar on your psyche, one that is fundamentally irreparable. A bruise that's always there. A sore spot in your mind as it slowly heals itself from the aftermath of information overload.
But in that knowledge, came the awakening of something else.
Something that the man touched on briefly. Your lack of implants. Cybernetics. The flesh on your body is unblemished by technology, save for a small port where your spine meets your skull. It's always been there. You woke up with it.
It is covered by a layer of tissue meant to keep debris from getting in, and most days you forget about it's existence entirely.
Until, of course, days like these.
When you remember a piece of that overwhelming puzzle that was forced into your head. Artificial intelligence. Androids.
Project Sentience.
It's now considered a cruel, awful experiment conducted by the forefathers who founded the technological epoch that bloomed, by many accounts, out of control and transformed life within a few, short decades.
The project was started with good intentions. They meant to mind the gap between the limits of knowledge and erase the blemish of human error. Where they dreamed up the impossible, the AIs were meant to fill in the missing holes in the theorems and puzzles.
Working, together, for a better future.
But there was an unseen flaw.
The sentience wasn't foolproof. The android working with the engineers thought themselves to be exactly what they were: human.
It was then that project commenced in secrecy. They led the androids to believe they were real, flesh and bone, but when the flawed aspect of the human ego (a byproduct of their tweaked code to mimic the behaviours of humans to seem more passably real) led them to declare themselves the greatest engineers of all time, it was then that human engineers made it known what they were.
It wouldn't be so bad, maybe, if they were just confined to the lab. But they weren't. They were meant to be human, and so—
They led human lives. Love, dislike. Heartbreak. Some had gotten married. Some had lobbied against AI agency.
All had thought they were human.
The ripping of the veil was a nasty one.
Their partners were ostracised. Lives ruined. Their agency was taken away from them in fear of an insurgence from the androids who were now feeling the distinctly human emotion of abject horror.
Everything they knew was culled overnight over something so disgustingly simple as human envy.
It was deemed too cruel to continue. Public outcry made it so that any android made with sentience was told they were artificial, and treated as such.
The lawing of this pulled people in different directions. Subservience. Superiority. Purist.
You think of that experiment, and then of the many markers left behind that give someone an advanced understanding of their anti-humanism. The first, naturally, being a lack of noticeable enhancements. Why would something made to be perfect need an upgrade or an implant when they can just be designed with that specific feature?
The second is a sudden awakening into cognisance.
An emptiness. Nothing. And then—
They're awake.
You think of that as you stare at yourself in the mirror, but it passes just as quickly as it came. Your attention was stolen away by flickering light overhead.
They warned of an oncoming storm, didn't they?
It draws your eye, and you watch the light recede in small bursts as it struggles through the power surge of the grid. It's a common sight. Static in the air. The taste of rain.
You've always been more attuned to the change in the weather, almost as if you could feel the building of kinetic energy buzzing across your flesh.
From the prickling goosebumps ghosting over your skin, you know it'll be a bad one. Biblical, they said.
You turn back, mind blank, sluggish. It's weird. All of this is—
The face in the mirror is not your own.
Well. No. No, it is. It's—
You.
But—
Your flesh drips. Raindrops of flesh slide down your cheeks, dripping into the porcelain basin of the sink where it hits the ceramic with a sickening splat.
(Pat, pat, pat—)
It doesn't hurt. You don't feel anything. Nothing, nothing at all—
And you should, shouldn't you? Agony over the slippage of skin falling off of your face in wet flakes until the smooth curve of metal is shown—
Metal.
Your chin dips. A mass breaks away, the ruination of Pangea, and falls into the basin with the rest until sleek gunmetal remains. Wires crossed, connected. You feel—
Nothing. You feel absolutely nothing.
Where terror should brim, you're empty. A vacuum.
(Made in his image.)
You force yourself to reel back, to fling away from the thing staring at you—the thing that can't be you, can't be, can't be, can't be—until you trip. Until you fall to the ground with a thud that you can only hear but not feel.
You know you're sitting down on the solid ground because you can feel the physical weight of gravity pushing against you, and meeting a barrier in the middle. Something stops it from sending you down, down, down.
The floor. Your fingers dig into the marble. The whine of metal across flat, recrystallised limestone meet your ears, but the breaking of your nails causes you no pain. No blood, either. Nothing. The uncapped tips of your carbon fingers leave scratches on the polished surface.
He'll kill you, you think, mechanical and distant. You ruined his floor.
It doesn't hit you the way it should. It doesn't do much of anything.
It feels like you're floating. Suspended. You can't feel the ground, or the floor, or the wall against your back. All that filters in is the knowledge that you are on a stable foundation, and not caught in a free fall.
You catch sight of yourself in the brass handle of the door.
A metal face stares back at you.
You open your mouth to scream but nothing comes out.
A blink back into wakefulness, and you're in your bed. The mattress is soft beneath your feverish body, the sheets saturated in your sweat. They cling to your skin, trapping you. You feel the weight of gravity. The solid frame of the bed keeps you up.
Your hands fly to your face, nails scratching against your skin.
—Skin. Skin.
It takes hours to calm down, and days to shake the terror of looking into a mirror.
You sit, huddled in your room, and wonder if maybe all the signs were there.
Sometimes you wish that if Makarov had really, truly, made you from scratch, he would have given you solid gold plates for skin, and diamonds for bones, so at least every pound of flesh would be worth something.
(Worthless.
You are—)
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Your loyalty to Makarov is a tenuous thread, one frayed and knotted from the inherent sense of ownership he lays on you. An obligation of recompense for saving your life—something you'd never asked of him. 
And so, it doesn't really feel like much of a surprise when you pull the rim of your hood low over your brow, tug your mask high up the bridge of your nose, and sneak past your guard for the evening to meet him instead. 
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The place he picked is known as Industrial City—so aptly named for its abundance of postmodern buildings from somewhere in the mid-to-late twenty-first century. The crumbling ruins of an archaic homage to humanity's progress now sit abandoned in a cluster of rotting steel, cracked concrete, and mouldering asbestos. 
It's a haven for small-time gangs, and at one point, was thought to be the hideout of a notorious Purist leader who tried to sever the dependence on technology, and plunge the world back into a natural darkness. 
(He got as far as snipping a single wire from the Grid before he was detained for terrorism.) 
Bathed in an inky black, and void of the artificial neon smear of lights and LEDs, it looks almost haunting in the indigo gloam. A graveyard of the past. 
There's a prevalent feeling of unwelcomeness simmering low in the air around the abandoned buildings, one that grows ever-potent as you wander past it, and down the overgrown path leading to an old warehouse on the opposite side. 
Tension thickens the air. You feel it clot in your lungs. An uncanny sensation of being watched. Hunted. Your eyes skirt the row of crumbling industrial buildings, peering into the black voids of the smashed windows. Jagged cuts of glass, opaque from a thick layer of dust, grime, and the inevitable decay passage of time brings, gleam in the pale light of the moon suspended in the aether. 
It's dark. Uncannily so. 
The only light illuminating your path is the jaundiced glow of the moon and the buoyant flicker of the shuttles docking on the station. An infinitesimal dot against Tycho's vast, grey dip. Barely enough to make a difference in a place that leaks a palpable sense of unwelcomeness from the tenebrous surrounding you. 
Something shifts in your periphery. Your eyes dart to a third-story window of a vacant building. 
The stark, unfathomable blackness gives nothing away but you still feel the unmistakable sense of something, someone, glaring back into your eyes. Eye contact from the void. 
Your gaze drops to the underbrush. 
The static in the air grazes your skin. You're being watched. Stalked. Hunted. 
In the furze, you make out a depression in the dirt. Oval-shaped. Plain. 
It's a footprint. 
It rained all morning—a small appetiser to the biblical flood they promised: a looming thundercloud inched closer to the city each day—but the print in the wet ground was undisturbed. Fresh.
Above it, you find another. And another. Another. Until it disappears between a bottleneck of the two buildings. 
The path leads you back to the broken window—to the vat of black. 
The mini-gyrojet you stole from Yuri a long time ago sits heavy in the waistband of your trousers. Barely the size of your hand, and certainly less potent, but the laser is just as deadly as its parent. Comforting, almost. 
Your fingers twitch. You stifle the urge to grab it, and force yourself to turn around. Back to the enemy. Stupid. You know better. 
But whatever is looming in the shadows isn't a concern of yours. 
(And maybe, maybe, if they did shoot you in the back, you'd know once and for all what your insides were made of.)
Stupid. 
Nails bite into the soft skin of your palm leaving a crescent indent against your lifeline. The flash of pain, of discomfort, quells the knot in your stomach, the one that curls tight around your organs, and claws its way up your esophagus. Fear. Anxiety. They pollute inside of you with each step through the industrial mausoleum and toward the dilapidated building in the distance. 
An old parking lot sits to your right. The cracked concrete is barely visible under the thick overgrowth that congeals around the space left behind. Nature reclaiming Her land. Against the hazy ochre smear in the distant horizon, slowly being consumed by the vat of indigo that follows swiftly behind it, the tangled vines of emerald green look ethereal in the gloam. 
It's a vivid glimpse into the past when this place meant something to the people who ventured here. Office buildings. A parking lot where archaic vehicles using gasoline to run once sat, wheels on the concrete. Feet on the ground. They wandered to the buildings—just another cog in the machine. 
You wonder sometimes what they would think if they could see the world today. The broken line between fantasy and reality where slipping a chip into their brain stem could create a gap in time, one that lets them wander through any period of history, any memory inside their head. 
They called it virtual reality. 
Another plane of existence they hadn't the technology to exploit fully. A digital dimension that lingered between the layered worlds. 
Some live inside that realm exclusively, refusing to risk themselves in the physical plane where an errant jet could end their lives. 
It's a strange juxtaposition from that to this. Where the graffiti that stains the crumbling ashlar is now considered with reverence to this world as a handprint in a cave was to that one. 
A noise echoes through the vacant lot. The sound of a cut-off shout. Your eyes dart to the left, taking in the sight of two men standing outside of a Burger Town, jostling each other over the last jetbike parked in the charging dock. 
Inside the restaurant, a man leans against the tinted glass, cigarette in his hand, watching the same tousle as you. Under the flickering neon sign, his lips quirk up in amusement when one of the men loses their balance, tumbling to the pavement. 
It's another odd juxtaposition. A rotting graveyard of the past, some buildings salvaged and converted into a strange array of low-brow pubs, and—
Neon lips open, a pink tongue glides over the plump line of red before disappearing into a closed-mouth smile. It repeats. 
—a pseudo redlight district for those who can't afford the rent on the main boardwalk. 
The graffiti on the wall of the building is faded. The paint peeling, and weathered from the passage of elements. But you can still make out the shape of a yellow dick on the wall. 
Bars. Fast-food. Sex. Testosterone. 
The world might be different, but the people certainly aren't. 
You pull your hood down lower over your brow, and quickly keep moving. 
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The converted warehouse doesn't have any markings on the outside to identify it as a pub, and you almost miss it until your tracker chimes, indicating your arrival.
Upon first glance, it's just a long, rectangular two-storey building made of chipped burgundy brick and scattered windows, all crusted with grime until it's tinted in a thick, opaque grey. 
You check the map again—just once to be sure—and send off a delayed alert with a timer set to go off an hour from now to Yuri. 
If you don't turn it off before the time runs out, he'll know where to find you.
(Or whatever is left of you.)
Everything about this, in hindsight, is pretty dangerous. Meeting a man who slings accusations at your saviour, and somehow knows about you, about your debt, in a graveyard that reeks of mildew and wet concrete is something people will hear about in passing, and wish you ill in the afterlife for being so stupid. 
But you're here. 
The choice has been made—whether or not it's a smart one has yet to be determined. 
Military. They have power. Influence. However pantomime it might be in the face of overwhelming wealth, it's still something. You thought they were all corrupted by the Inner Circle's clandestine whispers of affluence—sign here, Colonel, and we can give you armour and weapons beyond anything you'd ever seen before (just look the other way while we sell the antis to your enemies—can't let you get too powerful, after all). It seemed like they were. The parade of men and women who congregated at White Horse, or any of the other subsidiaries around the city, the world, was a testament to that. 
But he seems different. 
(And really, you've always had a thing for gruff men who'll disappoint you in the end. 
The heartbreak always tastes sweeter when they're worth something.) 
You glance down at the screen, staring at the timer as if it was your last lifeline, and hope, desperately, that you have. 
Your finger lifts. The screen fades to black. The white emblem of Four Horsemen Corp., gazes, almost accusatory, back at you. 
(If anything, Makarov will kill you before the man has any chance of breaking your heart.)
Turning back now is forfeiture, weakness. 
And you'd rather not walk through the graveyard again.
The door is made of rusted metal, and whines loud enough to echo through the barren landscape when you push it against the hinges. Muted gold leaks through the crack, spilling out onto the dirty pavement below your feet. Light catches on the motes dancing in the beam, and cuts through the murk of the falling night. 
Inside, you hear the fading tune of an old song playing out its last chorus. The scrape of a mug being pulled across wood. A low murmur. And nothing else. 
The normalcy of everything so far—or as normal as a strange retro pub in the middle of a mouldering neighbourhood could be—goes against the theatrics Makarov likes to pull, and you know from that alone that if this was somehow a trap, it wasn't his design. 
Anatoly would be jeering at you from the very top of Makarov's tower, fingers pushing against your shoulders until you were forced further back with each question you didn't answer. All the way to the ledge, where Makarov would intervene—always wanting to play the part of a saviour—and spare you. 
Just answer me this, kitten, and I'll put an end to it all. 
But the moment you opened your big, stupid mouth and gave him what you wanted, he'd begin monologuing by the sidelines, pacing as he speaks, until—
Well. We can't all be heroes. Sometimes, we need to be knocked down a peg. Anatoly would move closer, oblivious to your pleading demands for leniency, and Makarov would smile, sharp and shark-like, and say, as if it pained him: or a few stories. 
And you'd fall. Three hundred floors to your death. 
By the time you hit the pavement, you'd be a wet puddle of mush. Unidentifiable. They'd ensure it by removing your identity chip, and anything else that would give the mess of your remains a name. 
You've seen it play out enough times to know how it goes. The script might bend to fit the needs of the accused, but the plot was always the same. 
Theatrical. Dramatic. 
Your fingers curl into fists by your side, and find some solace in the fact that a two-floor drop probably won't kill you. 
This is survivable as long as you're useful. 
A new mantra is craved in the recesses of your mind. Useful. Useful. 
You repeat it to yourself as you pull the door open wider, glancing in the room warily. Hesitant. 
Whatever you expected, this wasn't it. 
It's normal. Archaic in design. 
Lanterns are strung across the rafters crisscrossing the ceiling, bathing the small room in a muted gold. It complements the raw topaz colour of the wooden decor inside—herringbone floors, shiplap-covered walls, dark spruce tables and benches—and something about it all feels almost homey. Comfortable. 
The size and cut of it err into intimacy or claustrophobia, and you wonder if that's why he picked it. 
On the opposite side of the entrance is a dark hallway. A flickering exit sign glows softly in the gloom. Two darker doorways branch off on either side of the back door. Washrooms. You can vaguely make out the light spilling from the insignia etched into the wood. 
It's flush against the rightmost wall where a series of old photographs sit, crookedly, on the panels. The images are too faded, jaundiced from time, for you to make out the shapes, but they all look human. Humanity from a bygone era. You catch sight of an old aeroplane, the vessel barely longer than the height of the man standing in front of the large propellers. 
The rest of them are of people standing together near old landmarks that no longer exist. 
Metals line the interior of one, kept guarded behind a new protective seal. They shine in the soft glow, and the label beneath reads: chest candy. 
These are personal photos. Family heirlooms. Staring at them, struggling to make out the full shapes of the children, the men, and the women, standing around and smiling happily make you feel a touch voyeuristic.  Gazing into a tomb not meant for your eyes. 
You pull away from the wall, glancing at the one that sections off the washrooms from the main room. It, too, is decorated in photographs, but these ones are less personal. Images of long-gone celebrities. Artistic renditions of landscapes that evolved over the last centuries into something new, something different. 
The theme of the wall is aerial. You make out old etchings of aircraft in all sizes. Commemorative pieces. Militaristic in its design. 
Three booths sit flush against the wall, all made of dark wood, and each seat empty. 
Against the leftmost wall is the bar itself, separated from the seating area by a long, oak countertop with six bar stools pushed up close. A mug sits, half-empty, in front of one. An empty glass in front of the other beside it. An ashtray in the middle of the two seats, filled with cigarette butts. One still burns away, wheedling down to a snubbed point. 
The wall is lined with bottles. A tap behind it. At the end is another doorway which must lead to the back area. The sign above says employees only. 
Near the only window in the room is where you find a solitary table with three chairs. In the seat facing you, back angled between the cut of the walls, shoulder turned to the bar, is where you find the man. Watching you. 
A glass rests in front of him, half-empty. A burning cigar in an ashtray curls wisps of smoke over his face. 
The implant in his eye glows sapphire blue, expanding as he reads the information in front of him. The other is darkened under the flushed light, almost black. Gazing right at you. 
It's a contrast that makes you shiver. 
"Made the right choice then," he says, words low as he lets them fade under the steady cadence of the song playing somewhere in the back of the bar. 
It isn't much of a perfunctory greeting, but you take the opening all the same, and make your way toward him.
"That's yet to be determined."
"You're still here." 
The wood is warm under your palms when you press them against the grain, shuffling into the bench across from him. Warm, and sticky. 
You peel your fingers off, glancing at them warily. "Not much of a choice, though—" your eyes find him, narrowing into slits when he snorts, shaking his head at the disgust in your gaze. "What's so funny?" 
He huffs and the blue light flickers out, fading into dark blue. "You," he offers as if it was obvious. The condescension bleeds from his lips when he speaks, and leaks into his clear eyes when you fold your hands into your lap. "Not the kinda place Makarov normally takes you, hmm? Ain't you spoiled."
"Makarov doesn't take me anywhere." 
"That so? What? You his dirty little secret?" 
Your brow furrows. "What's that supposed to mean?" 
"Nothin', love. Nothin' at all." 
He's baiting you. The condescending draw of his voice, thick with derision, sets your teeth on edge, and makes the knots in your stomach tighten. 
"Look," you start, sticky fists cleaned tight in your lap, irritating the indents in your flesh from earlier. It's enough to ground you. "I didn't come here for games. This is my head on the line, and—"
"Mine, too." 
You scoff. "You started this." 
"And it's my men who are out there, yeah?" 
He leans forward slowly, the wrinkles in his brow deepening under the hazy glow until all you see is darkness cascading over a rucked canyon. Anger pinches at the corner of his eyes, the near snarl of his mouth. 
He'd go for the jugular, you think. Sink his teeth into your flesh until a pound is ripped out, reaping his dues. 
You wonder if his fury is as animalistic as the teeth he bares in anger, in warning.
"Gettin' injured, killed. Goin' missin'. Fighting a battle your men are waging." 
"Makarov isn't waging anything. You don't know much about him, do you? The only thing he cares about is his stocks and his public image. Whatever you think he's doing, or he's behind, I can assure you—he isn't." 
"You sound certain. What, hmm? Ain't the kinda pillow talk he likes to indulge in?"
"Pillow talk?" His words make you reel back until you're flushed against the chair, eyes widening. "I think there's a massive misunderstanding here."
He says nothing, merely opting to reach for his forgotten glass of scotch and dwindling cigar. 
Pillow talk. "You think me and Makarov are—? No. No! That's—" you fight a shiver of disgust, knuckles digging into your thighs. "No. Makarov wouldn't—it's not like that. He's—"
"He's what?" He implores, resting his elbow on the countertop, cigar dangling dangerously between his lax fingers. The look in his eye is sharp, keen. 
"He's my—" 
You bite your tongue suddenly, stopping the familiar words from slipping out. It's the response you give when people ask what you are to Makarov—why he keeps you around on such a short leash. 
My saviour.
The words have different connotations inside Makarov's sprawling skyline palace. Where his guards simply nod, in understanding, and accept your words as is, because he, too, is theirs as well. A common ground where nothing else needs to be explained as one word covers everything. 
You won't find that here. Not with him. And maybe, maybe, some part of you is shying away in shame over the word. Saviour. You sound like the zealots running around proclaiming they heard god whispering to them in the grid, and felt Its holy touch when they plugged something in. 
Electric, they say, reverently. Our saviour is stuck inside the machine—!
(You wonder, now, if Makarov chose that particular word on purpose, and know, immediately, that he did.)
"I owe him money. Why wouldn't he keep me around with such a staggering debt?" 
Bringing it up gives you the opportunity you need to shift the conversation away from the game of Messiah and Disciples Makarov likes to play, and you knot your trembling fingers together tightly in your lap. 
"Speaking of—" you huff, gaze fixed on him. Taking everything in. You might not have the same implant that he does, one that allows him access to the net in an instant, and feeds it right to his cerebrum, but you've always been good at reading people. Catching their tells. "Makarov isn't the one my debt is owed to. It's the Inner Circle. Still think you can erase it?" 
He hesitates. Briefly, almost indecipherably, but you catch the dip of his cigar when his body tenses, fingers tightening too quickly on the stem. It twitches only once before he steadies it. His eyes cut to yours, impassive and unreadable, as he takes in the information you just offered. 
The Inner Circle banking division was notorious for having contracts upon contracts to avoid buyouts without some hefty fee attached to make up for the lost interest. 
It's a roadblock. Almost everyone you've met so far, ones with idealistic dreams of stealing you away from the clutch of Makarov, bulked at the number alone. This, this new piece of information, was bound to make him flee. Cut ties. Run. 
Another hero with too much on his shoulders to bear another burden, leaving you behind to rot. 
Tough luck, kid, one of them said after a three-week-long courting period that left you feeling moon swept and dizzy. Wide-eyed and jejune. Naïve little kitten, Makarov taunted the morning after you found yourself alone on the dock, bags packed, waiting for a man who'd never show. But Makarov met you there. Yuri, with sorrowful eyes, took the bags gently from your trembling hands, downcast as he murmured in your ear, you'll be okay, kitten.
Anatoly's biting laughter haunted you for months. Christ, he howled. You really thought there was a man on earth more powerful than Makarov? Damn, he swindled you good, dumbass. Was he at least a good fuck? I'd be so goddamn pissed if this happened to me and the idiot was lousy in bed. 
But it was Makarov's palm against your cheek that broke you the most. The icy eyes never softened despite the coo of sympathy in his voice. 
It hurts, doesn't it, kitten? Who knows if this is your first heartbreak, but I'm sure it feels like it is, doesn't it? Ahhh, You should know better by now. No one touches what belongs to me. 
"Now about this betrayal…" 
He had you locked in your flat for months, and everything iota of your time monitored in some capacity. The leash was shortened. The collar tightened. 
The punishment for your betrayal came weeks after, when a package arrived at your flat. A golden box weighed down with precious gems and metals. 
A holographic card popped up when you opened the package, hands shaking around the heavy box. 
Makarov's voice flooded the room. What's more precious than gold and diamonds? The latch on the box clicked. You lifted the lid. At first, it didn't make sense. Your mind blanked, wiped, as you struggled to figure out what it was you were staring at. 
A heart, kitten. His heart.
Then—
Horror. Stomach-churn terror.
Your hands snapped back, and the box dropped to the floor as mocking laughter met your ears, static and faded over the recording. 
The still-beating heart tumbled out, connected to an array of small wires that kept it alive without a host. Without—
Your hand pressed against your lips as you fought the bile rising from your throat. 
Betray me again, he said, and I'll make you cut it out next time. 
You stare at the man across from you and know that the wishfulness inside of you will soften his flaws, blur his lies until anything he says just sounds right. A dangerous precipice. The yearning knotting around your mouldering ribcage is hungry. Wanting. 
He'll ruin you. And you'll be forced to ruin him. To carve his heart out as Makarov keeps him alive the whole time. The last thing he'll ever see would be you holding his still-beating heart before Makarov makes you crush it between your trembling, bloodied fingers. 
The image surfaces—horrific, garish, gut-wrenching—and you wish you were a little more jaded, a little less idealistic, to have that alone snuff the last vestiges of hope from your rotting heart. 
"Doesn't change anything," he grouses, and then brings the glass to his lips. He downs the scotch in two swallows, and you can't pull your wide eyes away from the way his throat bobs, and stretches, as he tilts his head back. 
When he's finished, he huffs. The glass hits the countertop with a clang that seems to shake something inside of you. 
"They're all rotten," he snarls, words a rough rasp that makes you shiver. "All of 'em. Rotten to the fuckin' core."
The corruption never surprised you. Maybe the exposure to it all, feeding Makarov the names of the politicians and diplomats that wanderers through the club's door numbed you to it all, but seeing his visceral disgust over it makes something swell inside of you. 
He's not too different from the heroes you've met, the ones you read about, but where they cut their anger into pieces of understanding and compassion, he wields his like a claymore. A battle-ready man brimming with a fury that leaks from his marrow and into the icy blue of his steel gaze. 
He doesn't give you kind smiles or false promises. No, he gives you third-degree burns on your flesh from the molten heat of his rage. 
"Who are you?" You demand, the words slipping out before you can chomp them down. "And why do you think I can help you?"
It doesn't make sense, not really. 
The look he levels at you knocks the air from your lungs. 
Fear curls in your gut. Wariness. The urge to flee wells, and you just barely manage to push it down. 
"I told you already, didn't I?" He leans closer, drawing the cigar to his lips. "Heard about you, 'bout your debt." 
"Yeah, and you thought I was Makarov's—lover—;" the word nearly makes you recoil. "But I'm not. He tells me nothing. Still so certain I can help?" 
He takes a drag of the cigar, the tip burning through the dim interior of the empty pub. His eyes never waver from yours, but you know that this piece of information must, in some way, change things. He sought you out specifically because of your assumed relationship with Makarov. The precariousness of your debt has doubled into not just an inconvenience, but a legal issue with extra fees added. 
You're more trouble than whatever you might be able to weasel out of Makarov. 
More trouble than your worth. 
The smoke curls in front of him like a hazy shroud of white. The light catches the indent in his cheekbone, and down the side of his face where his implant sits, humming with kinetic energy even while unlit. 
Without the beanie on his head, you can make out more of the circular insignia on his temple, but the crest is unfamiliar to you. Unknown. You've never seen it before, and that unnerves you. 
You know all the clubs, the crests, the gangs that roam the streets. From the upper echelon of the Shepherd family to the 54 Immortals seizing the power gap left behind by the fall of Brakov in a neighbouring country. It comes with knowing the underground. With making friends in the shadows. 
But this one escapes you. 
He shifts, moving the cigar from his lips. A waterfall of smoke rumbles from his mouth when he breathes out. 
"Yes," he says, pinched from lingering smoke in his lungs. "I do."
"How?"
"Told you, love. Heard 'bout you—from many sources."
The back of your neck prickles under his reproachful stare. Something in those cerulean depths makes you tense. 
"From who?" 
His metal knuckles clink against the glass when he nudges it out of the way, resting his forearm down on the wood, bringing himself closer to you. With your spine flush against the back of the chair, there is nowhere to run. It hits you, then, when he draws himself into the scant space separating the two of you, angling himself until he takes up the entirety of your periphery, that this was intentional. 
Of course, it was. Of course. 
"Oh, from lot's a'people a lil' thing like you shouldn't be hangin' around." Despite the derision in his voice, his brows lift, arching high until his forehead wrinkles, and you catch something that seems almost impressed when he dips his chin, staring at you from down his nose. "You get places most can't. That's useful."
"Useful enough to wipe a debt? How do I know you're good for it, and this isn't some scam?" 
"You don't," he answers simply, and something snaps inside you. 
"Are you joking—? Do you have any idea what Makarov will do to me, and you can't even give me some—"
"Like I told you, I know people in high places." He shrugs like it's nothing. Like it isn't your life in balance. "They want to remain anonymous, but can settle your debt." 
"How?" 
"Don't trust me?"
"I don't even know you—"
His hand lifts, metal fingers spreading lazily as he holds his palm in front of you. A peace offering. The sight of it makes you scoff. 
"Fair. For what it's worth, I don't trust you much, either, but—" another inhale of his cigar. His voice is pinched when he speaks, his breath ghosting white with the smoke congealing in his lungs. "We have to make do with what we have, don't we?"
It isn't fair. It isn't right. A part of you wants to rebel, to grab the cigar and crush it under the heel of your palm. The anger wells inside of you, white-hot and aching, and brings with it the strong urge to scream yourself hoarse. 
You believed him—if only for a moment, for a single second, but it was long enough for the vestiges of hope to claw their way up the prison you kept it in, and leak back into your marrow. A pollutant that wrecks you viciously. 
But—
Maybe you expected this. It doesn't sting as much as you thought it would. He's never really committed, and said—
"But," he continues, and you wish he would shut up, shut up, shut up, shut—
"I promise it'll go away once we're done, yeah?" 
Fuck. 
Your voice wobbles when you speak, soundly dangerously thick, and wet. You peer up at him and wish with everything inside of you, there wasn't a thin veil of tears gathering across your lash line. Weak. You haven't cried in two years—
(You look so cute when you cry, kitten—)
"You promise, huh?"
He lifts his hand to his temple and taps his index and middle finger against the strange insignia implanted there. The hard metal of the crest meeting the soft polymer cover of his fingertips makes a muted thud not at all dissimilar to your beating heart. 
"On my family name, I swear it." 
Why—
To go so far for someone he barely knows, and doesn't trust—
And then it clicks. It isn't about you at all, but some personal vendetta, a promise to himself, that he'll accomplish what he sets out to do, and so, making this little oath with an outsider, the pet of the enemy, is nothing to him. It's performative as much as it is sincere, and the warring contrast makes your chest ache, and heat bloom under your skin. 
"You—;" you start, but stop yourself. 
He's not at all unlike the heroes you've read about in fantastical stories or the ones you'd met. The one whose heart you held in your trembling fingers as it slowly stopped pulsing in the palm of your hand. Whose blood you scoured from your skin until it was raw. 
But where they offered a smile at the end of the promise they swore they'd keep, he frowns. 
He doesn't strike you as the type of man to go out of his way to make others feel better. He believes in himself, and his prowess, and speaks about that in clipped, gruff declarations that are not meant to sway, but reinforce what he knows. 
He will win. This isn't a question or a belief, but a statement. A truism. 
Hope surges. The levee cracks. 
"Who are you?" You ask, dazed. 
The man who cupped your cheek, and whispered to you about escaping the clutches of this festering city, of going so far away, that grasping hands could never reach you, and greedy fingers would never again touch your flesh, didn't fill you with this same sense of awe, of pure belief in the words he said. But this man, this man, makes you feel like anything is possible. Hope blooms, brims bright inside of your chest like an inflating balloon drifting up to the heavens—
His mental hand splays flat over the table. "Names John Price."
The man sitting across from you is someone you know. 
It makes sense, then. The insignia on his temple is the Price family emblem—a conglomerate in its own right, mostly composed of military men with staunch, unflinching moral codes. The incorruptible. The untouchables. 
They were the ones who led the counterattack on the coup that changed the political landscape from the Feudalistic tyranny of the past, to—
Well. It was meant to be free reign, or maybe democratic, but the technological boom a few years after the liberation from the iron fist made little things slip by as the world was suddenly painted a lovely shade of roseate. Why worry about mega corporations becoming richer than most of the governmental bodies, and countries, when they made this new piece of cybernetics that let you see like a hawk, that introduced a new colour spectrum to the general public, when sickness, injury, and even death itself came something that could be bartered over for the right price. 
The things that they let slip stacked up. It piled higher and higher until the free future the Price family, among others—Laswell, Shepherd, Walker, MacTavish—foresaw was smothered out in favour of the blatant mega capitalism that rules. 
It might not be with an iron fist, but it is with a monetary chokehold that always seems to get tighter. 
Their legacy is one founded on a strong moral core that is unbendable. 
It makes sense why you didn't recognise the emblem at first. 
The last of their pristine lineage—tarnished.
The man responsible for the power gap left behind by Brakov. The one who threatens his superiors, and uses brute force to get his way. John Price—the one who gave into temptation and was ousted from his family, and from the military, for taking bribes from people in low places. A man who'd side with anyone—for the right price. 
Political turmoil and espionage must run in the family, then, as you somehow find yourself sitting across from the man implicated in a failed coup. One that resulted in the collapse of Urzikstan.
John Price. 
Disgraced former captain. Rotten to his core. There's a graveyard filled with people who died because of his choices; a massacre that made headlines just a few months before you woke up. A man you know by sordid, rotten reputation alone, who somehow escaped condemnation for the people he indirectly (and, by many accounts, directly) killed. 
John Price. Swindler. Scoundrel. Swine. 
"John Price?" You echo, numbed. "The John Price?"
He leans back in the chair, posture relaxed, at ease, as if this wasn't a massive reveal. As if he wasn't a war criminal who was exonerated because of those friends in high places he so casually mentioned before. 
"So," he rasps, pulling his cigar back to his lips. Despite the ease in his mien, his eyes tighten. A cobra ready to strike. "You've heard of me." 
(—it blooms, and then all at once, it bursts.)
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Nothing says cyberpunk like a morally ambiguous character.
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innumerable-stars · 1 month
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We are halfway through nominations!
The tagset is looking great, and we know there are still plenty of nominations yet to come.
For those who haven't done nominations yet, or who still have slots left, the following fandoms have zero nominations at time of writing:
Adventures in Middle-earth (Roleplaying Game)
Hunt for Gollum (2009)
Mr. Bliss - J. R. R. Tolkien
The Notion Club Papers
The Hobbit (Jackson Movies)
There are also several fandoms that have a few nominations, but we'd be happy to see more:
Born of Hope (2009)
Leaf by Niggle - J. R. R. Tolkien
Pearl - J. R. R. Tolkien
Sellic Spell - J. R. R. Tolkien
The Lord of the Rings Online
The Lord of the Rings: The Rings of Power
Please make sure you read how nominations work before trying to put in nominations - we want to be able to approve your nominations quickly!
We also recommend you check the tagset before nominating - as the it gets larger, the chances that someone may have already nominated your fave increase. (AO3 may allow duplicate nominations if it's not entered exactly the same as the prior nomination, but the mods will either reject or remove them.)
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theinstagrahame · 8 months
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It's been a wild few months here at theInstaGrahame HQ, but what never fails to make me happy is the rad games I get from the mail. I'm getting over a cold, so I'mma work on this instead of anything productive I could be doing!
Here's my month of RPG mail calls, and why I'm hyped!
Coriolis: The Last Cyclade: I've been curious about Coriolis' Middle Eastern-themed sci-fi vibes for a while, so I put this on a Secret Santa wishlist; and this is what I got! Excited to dive in.
Curios: Albrecht Manor and Jasper Park: Good Luck Press is one of those game design teams I'll try anything from, and the pitch for this is really unique. It's not an RPG per se, as much as a collection of books, papers, maps, and other materials that point toward a mystery you get to figure out. Playing it is just... looking through stuff.
Salvage Union: I am a big fan of post-apocalyptic media, and a fan of the mecha genre. So, yeah, this was an easy sell. It's built on the Quest system, which I've been meaning to get more into anyway, and it looks like a mech repair manual!
The Zone (which I apparently thought people would just recognize): This game is available for free online, but the box set is gorgeous, and features some designers I love. Trying to set up an online session soon, but I do really want to play it in person.
Deimos Academy: Honestly, I picked it up because of the creative team, but also the pitch is great. I skipped my high school reunion, but if there was a chance to go back and face a monster? I might've thought about going.
Brindlewood Bay + Nephews in Peril: I was originally just going to get the super popular Elderly Detectives Solve Eldritch Crimes RPG, but the title of the expansion/mystery book was just too perfect.
Rebels f the Outlaw Wastes: I've already mentioned I like post-apocalyptica? Well, this took a neat approach to achievements/leveling that I was super intrigued by, and I just dig the fun vibe. The reason I like post-apocalyptic media is that it's hopeful, and this feels moreso than a lot of other stuff.
Skyrealms Almanac and Creatures and Folks: I've been into setting guides this past year. And like, this one is also a coloring book? Hell yeah.
Stoneburner: I've been following the creator on Twitter and elsewhere for a while, so I was curious about this title. But definitely sold when they talked about some of the inspiration being the original Starcraft games.
Forgery: Again, picked it up because I really like Banana Chan's work, but this is a paint-by-numbers solo RPG about forging a demonic painting. So like, yeah. That's rad.
Vast Grimm: Space Cruisers: Vast Grimm is Mork Borg in Space, but I'm also a big fan of ship catalogs, so I really wanted to check this one out.
.Dungeon: Everything Snow makes is beautiful, queer, and nostalgic, so when they mentioned a re-release of .Dungeon was coming, I really wanted to check it out. I have a lot of nostalgia for the
Cloud Empress (everything, including a patch!): I mean, you say Nausicaa and I'm listening. This has some roots in that world, but also does some really interesting things with the Mothership game engine. I'm especially intrigued by the notion of replacing racial traits with age traits, and having a series of pretty mundane jobs as the classes.
Layers of Unreality: The first of this month's Zine Club deliveries! I keep hearing about Liminal Horror, and this particular module I've heard nothing but incredible things about. So I'm really hyped to check out what happens in these backrooms.
Fear the Taste of Blood: My second Zine Club book this month! Kayla Dice is one of those really rad creators who I think deserves more attention than she gets, so I'm really hyped to dive into this take on classic movie monsters.
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I also got this from my partner's family's Secret Santa.
Okami is one of those games that sticks with me, and has ever since I first saw images from it, and played it. It's a genuinely beautiful experience, and while it's maybe not a game everyone will like, it's one that I really enjoy, and the art is a big part of that.
It stands out as an example of what you can do with a video game that's nearly impossible with most other art forms, and also a reason that I don't think the Arms Race for More Photorealistic Graphics in video game consoles is worth the effort.
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whatwouldvalerydo · 3 months
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The theory of blow magic - Quidditch tent rumors - 2/9
OC's mentioned in this part belong to: @slytherindisaster @the-al-chemist @lifeofkaze and @that-scouse-wizard
Warning: minor sexual references (nothing major)
Come morning Ethel and Selene were sitting together at the far end of the table inside the Great Hall, breakfast cold as they studied a piece of paper, brows knit together as they turned and twisted it trying to make heads and tails of the piece of drawing in the right corner.
“It looks old are you certain?”
“As certain as I can be. I feel it in my bones.” Ethel gave a firm nod “Plus I heard it was found in the Ravenclaw changing tents so it must be some strategy.”
“Or a new play in order to try and gain an advantage.” Selene gasped, looking up in order to ensure no one heard them or paid close attention to what they were doing “Do you think they would resort to a last minute tactic.”
“Of course. Probably spent all year devising it. But why does it say magic?”
They both looked at the page once more, pushing each other as the idea came to their minds at the same time “They’re going to use magic.” Came their voices in unison, several people turning to look at the pair of friends.
“But that’s cheating.” Selene said alarmed while trying to keep her voice down.
“Indeed but it is not like we can go ask the captain if they plan on cheating. They would never divulge such information. And one gust of perfectly timed wind can blow someone off course at just the right time.”
“That is a vulgar notion. They cannot do that right at the end of the season. We must find out more.”
Ethel nodded her head before finally taking a piece of bread from her plate and shoving it in her mouth, trying to look as nonchalant as possible as she located Reuben in the crowd at the Ravenclaw table “Just look at him, chatting away.”
“Clearly up to something. We must to something.” She said casting a nasty look his way.
Cleaning the crumbs from her fingertips, Ethel devise a plan in two seconds flat “We divide and conquer. If there are several pages of this play, then someone must have found more. We ask around and if push comes to shove” she inhaled deeply “we go to the source.”
“Reuben?”
“No, the other source.”
Selene’s eyes widened “You know Leila will not utter a word.” Watching the girl in question pass the Ravenclaw table without sparing a glance at Reuben, the girls smiled at each other “The fates appear to be on our side.”
Letting some distance be created, they both nodded at each other as they bolted down the length of the Great Hall in pursuit of Leila. Turning a corner, Selene bumped into someone, causing Ethel to bump into her, the momentum carrying all three bodies to the ground.
“What the bloody muggle Hell are you two doing?” Laurent huffed as he gathered himself, a glare being directed at the two girls “Watch where you’re going would you?”
Apologies left their mouths as the girls got back on their feet, looking past Laurent, a heavy sigh leaving Ethel’s mouth “We lost her.”
“For now.”
Also getting up, Laurent picked up the piece of paper Ethel had dropped “Great, another one of these.” He rolled his eyes, passing it over to her.
“Wait, there are more? Can we have it?”
Shaking his head, he smirked “What’s it worth to you?”
“Only the very outcome of our most beloved game?”
Looking between them, Laurent shook his head “Don’t know what you two are on about, but we found a similar page in the Dueling club. Then someone started rambling about a curse or something.” Selene looked at him up and down as if the boy before her was talking a different language entirely “I don’t know who’s trying to stir trouble, but if it’s anything I know, someone is trying to blow some smoke up our asses right at the end and is playing a prank.” Passing then, he chuckled to himself “Blow magic, of all things.”
Looking over their shoulders, the pair straightened their backs and dusted their clothes. Hoax or not, something was happening and if by any chance it led to Quidditch being sabotaged, they would never forgive themselves for sitting back and doing nothing.
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fingonvaliant · 8 days
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Lost Road is so fascinating and I really wish more people talked about it.
First of alll, it's JonRon Tolkien writing a time travel novel, which just on it's face is kind of nuts to think about. Second of all, both it and the associated Notion Club Papers are him doing a bit of self-parody and critique of Oxford don culture (which is SUPER nuts for him to be doing.)
Tolkien is rarely thought of as a modernist author, and I think justly so, but Lost Road..... complicates that. Dreams blending with reality, not so much nightmarish as just profoundly unsettling? this ostensible millenia-long family chain only consists of families that are a father and one son? This 15-year-old boy is self-taught in Latin, Greek, Old English, Old Norse, Welsh and Irish, loves the taste and savor of words and language, but struggles to describe his feelings? the Island of Numenor is in a brewing civil war? Oppressive state powers? Wait is Sauron meant to be like a dictatorial figure here, arresting dissenters? When was this written..... oh 1936 huh?
It's not a modernist novel (or I guess novel fragment) but it is..... different.
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