#not unless its a technoblade reference
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rainbowgod666 · 1 year ago
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(Sharply inhales) A-
youtube
Conservative: Capitalism gives us so much freedom!
Capitalism: Pay to eat
Capitalism: Pay to drink
Capitalism: Pay to have a roof over your head
Capitalism: Pay to get medical help
Capitalism: Pay to have a social life
Capitalism: Pay. To. Stay. Alive
Conservative: I'm so fucking free, y'all.
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emojifarm · 9 months ago
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while i don't think you should feel obligated to share or reblog any emojis you don't want to, i think rethinking how you feel about MCYTbrs is important, since there's so many people on minecraft youtube.
minecraft is an endlessly popular game, and there's thousands or maybe even near millions of minecraft youtubers out there.
it's not MCYT in itself that's a problem, its the popular ones that get called out that are, but since minecraft (and minecraft youtube) is so popular, it seems like everyone in minecraft youtube is bad.
but i think you shouldn't say you "do not support those people in any sense.", since that continues the stigma against liking MCYT in general.
minecraft youtubers are just popular because minecraft is popular, there are so many minecraft youtubers that do so much good (ex, technoblade, who's helped raise so much money for sarcoma, even after his passing, and who's inspired and motivated many)
then again, people use MCYT to mean "the dream team and the abusive people they enable" instead of encompassing the many others who aren't even related to the dream team / dream SMP.
this is quite a rambly ask, but as someone who loves certain MCYTbrs, it's tiring to see people say they don't support any mcytbrs, when like... there's such a diverse population. there's some people who might count as minecraft youtubers who are minorities and who try to fight against bigotry and stuff and who don't do weird shit and to say MCYT in general includes them, even if you don't mean to.
although, again, you don't have to reblog any emojis you don't want to, especially since MCYT is a very large label and that CAN include people who are bad, and it's hard to know who's good and who's not, especially with youtubers in general since we only know the persona they put on, and how many there are that you probably know nothing about, let alone if they're an abuser or w/e, but... yeah.
i guess to me it's important since its like saying all actors are bad, when there's many actors who aren't bad people but there's a popular amount that are bad, n such. also mcyt just stands for minecraft youtube, or minecraft youtuber(s), so its like saying roblox youtubers or reaction youtubers, they're a category that has so, so many people that count under that. you can't say you don't support any of them.
unless you literally just dont like minecraft and dont support the game as a whole, or youtube itself as a whole, in which case i'd have more questions but it'd be more correct lmao. also sorry for the ramble i have opinions u dont have to answer this
I knew I'd get someone like this in my ask box when I put my opinion out there 🤦
1. There are literally clips out there of Technoblade saying slurs (including the N word) and him encouraging Dream to do things that have ultimately made others on the team uncomfortable and upset. You definitely need a better example than that. Someone being dead and/or giving to charity does not automatically make them a good person. I'm sure Shane Dawson also gives to charities. We all know JK Rowling does too. Doesn't make them good people.
2. I don't have the time, care, or interest to do research on every single MCYT and it's really only the popular ones that do get emojis of them (with some exceptions, obviously). I only know what I do about the Dream Team and those adjacent because of things I've seen on Tumblr, via friends talking on discord, and some of the YouTubers I watch breaking down the situations. (Also, this low-key comes off the same as "not all men". Like. Yeah, that's true, but that's not who I was referring to. Some of the MCYT I'm referring to aren't a part of the Dream Team either, so I feel comfortable using the broad term)
3. Also, the mansplaining wasn't necessary. I'm not an idiot that lives under a rock. I know what MCYT stands for. As I previously said, I'm not making a broad assumption. I'm just using that term to refer to the people that people think of with that term. To me that's a specific subset of Minecraft creators. I don't consider people that just so happen to do Minecraft videos or streams to fall under that. To me MCYT is just the big ones. It's a title. That's typically what people are referring to when they use that title
4. Also, I've literally played Minecraft and watched others play it on YouTube since it came out when I was like 10 years old. Again. I don't live under a rock. I've just put some distance between me and the creators because I keep hearing bad things. It's not that deep.
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x-i-l-verify · 1 year ago
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「Dream SMP Daemon AU 」
    ⚔ TECHNOBLADE + ALEKSAIX (BROADSWORD) ⚔
Piglins, as denizens of the Nether, do not have daemons as Overworlders do. Rather, their souls take the form of weapons, called morai-kelul ("forged-self"). Morai-kelul come in all shapes and sizes, from swords, knives, spears, bows, maces, hammers, sickles, clubs, chains, brass knuckles, and many, many more. When a piglin child reaches the equivalent of one year of age, their main adult caretakers, blood-related or not, will bring them into the village forge, and begin construction on the child's morai-kelul in a very sacred series of rituals that take months to complete. The construction always involves at least some amount of gold, a spiritual, coveted metal to piglins. Once the weapon is forged, it is named for an aspirational virtue or concept that their caretakers wish to impart to them, such as "bravery," "insight," "candor," etc.
As the piglin grows and changes over time, however, the first morai-kelul forged by their caretaker(s) will eventually break. This happens to everyone at some point in their lives, and is a very painful event mentally and emotionally. When this happens, the piglin must construct a new morai-kelul with the pieces of the old one, which always takes a form different from the first. A spear might become a dagger, an axe might become a crossbow, a sword might become a shield, etc. Outside of this event, morai-kelul are indestructible by most normal means unless their piglin dies, in which case they become a normal, inanimate object.
Unlike Overworlders and their daemons, there is no limit to how far a piglin can travel away from their morai-kelul, and they can summon them from over great distances. The only exceptions to this are traveling from the Nether to the Overworld, the Overworld to the End or the Nether, or traveling between servers; if a piglin tries to go between servers or dimensions without their morai-kelul, they will instantly become like a zombie, with a living body but no conscious mind.
Piglins have no issue with touching each other's morai-kelul. In fact, it is common for piglins, especially the children, to go up to someone with a really cool-looking one and ask to hold it so they can examine it more closely. However, the morai-kelul must be handed to them in order for them to hold it. For example, if Philza tried to pick up Aleksaix off the table or off the ground, he would not be able to; Technoblade would need to hand it to him in order for him to carry it properly. Mates swap morai-kelul during their wedding ceremonies, and fighting with someone else's morai-kelul is considered the highest show of intimacy and trust a piglin can display.
Morai-kelul do not speak with an audible voice like facets such as daemons do. Rather, they communicate in projected feelings and images. Normally, only its piglin half can communicate directly with it, but if it is being held by someone else, it can communicate with that person as well. They also are always referred to as "it" rather than with gendered pronouns.
Technoblade is wary, blunt and insincere. Aleksaix embodies his idealistic, sensitive, trusting side.
~
NAME MEANING "Aleksaix" means "responsibility" in the piglin tongue. It is rather uncommon for piglins to freely tell others the name of their morai-kelul without knowing them well first, so Technoblade has taken to saying the name of his is Orphan Obliterator as in inside joke. Very few people are familiar enough with piglin culture to call him on this.
~
SOURCES I took this concept and many ideas surrounding it from this person's concept for Asgardian daemons, so credit where credit is due.
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avacadokin · 1 year ago
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Would Fred be a furry if he js a Robot wearing a Bear costume or...
Cause if a robot is dressing as a bear wouldn't that make him a furry
(And every other fed worker like Fred, Ron, etc)
I would say yes, furries in qsmp have been established as people (of whatever species) in animal costumes (with or without fur)
Citations:
baghera (anthropomorphic duck) and technoblade (anthropomorphic pig) are not (called) furries and are not in the furry club (more understandable in techno's case but it is further evidence to prove its not just a baghera thing)
pac (probably human) is in the furry club dressed as a lobster (no fur)
personhood in the qsmp, and furryhood especially, seem to be determined far more by sentience than species. Not only do we have many demons and birds and other miscellaneous creatures, but with robots specifically Aypierre (furry club founding member) was referred to in one of his dreams as a robot so he may be one, and he is definitely a furry and a person.
Though! If the Bear "costume" is more a part of their body than a costume, he may not be a furry, following the Baghera logic. If he's just a robotic skeleton with bear costume skin, but does have the ability to take it off I'm not sure where that would fall. I guess it might depend on how they conceptualize themselves, as the skeleton/programing/whatever interior bits who happens to be wearing a costume or as a whole bear shaped entity who happens to have the ability to remove their skin.
Alternatively in QSMP only members of the furry club are furries, and dressing up as an animal is simply the requirement to get in the club. In that case unless the bad things he's done that Fred keeps alluding to is being part of the furry club, no Fred is not a furry.
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wonda-cat · 3 years ago
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A Breakdown of c!Wilbur's Apology to c!Techno (and Why It Doesn't Make Sense)
(All names mentioned are referring to the dsmp characters, unless stated otherwise.)
Wilbur's apology to Technoblade was a great many things; it was these two characters' first meeting since Wilbur's death, it was a way to put off apologizing to Tommy, and many others suspect that it was a sign of Wilbur's self-hatred���blaming himself for everything that happened in Pogtopia (certainly possible.)
This conversation was also, in no uncertain terms, confusing and completely at odds with canon. As someone who recently rewatched the entirety of Season One from all POVs and has the Pogtopia era memorized, a great many things stood out to me as being contradictory (or at the very least, they stand out as potential retcons.)
I'll be going point-by-point through the meat of Wilbur's apology and explaining exactly why none of it works and why Wilbur has no reason to apologize.
Wilbur: “I’m sorry I used you as a weapon. I knew how powerful you were and I just kinda ran with you.”
Wilbur, since the very start of his exile, was wary and distrusting of Techno. (42:02), (50:20), (55:50) He told Tommy several times that he didn't want anything to do with Techno and he didn't want his help. Even after Techno joined, Wilbur insisted that Pogtopia grow and be self-sufficient without him. Tommy was the only one to ever brag about how powerful Techno was to other people (with fondness, because the kid looked up to him.)
Even as far as the beginning of the festival arc, Wilbur did not want Techno involved in their plans. This changed, however, once Wilbur shifted his goal from reclaiming Manburg, to destroying it.
Wilbur: “I knew that you wanted to remove government and I told you I would help and I just used you to make a new one.”
Wilbur was aware of Techno's dislike of government (in fact, everyone else was too, because that's all Techno talked and joked about during that era.) Hell, Techno's immediate introduction to Wilbur and Tommy was him lightheartedly revealing his distaste for government and explaining his wish to destroy that system. (50:41) Wilbur, again, never mentioned wanting to use Techno and during the time he'd fully started trusting Techno, he stopped trying to reclaim L'Manburg altogether.
Despite this, Techno was the one who offered Pogtopia help. (41:52) You cannot use someone as a tool when the person who's supposedly being used is offering help of their own volition to aid in your cause. Wilbur (pre-Festival arc) and Tommy respectively told Techno multiple times that they wanted to reclaim L'Manburg, not destroy it.
Techno was told this explicitly when he first joined Pogtopia, yet planned to destroy Manburg regardless.
Wilbur: “I’m sorry for the fact that that government then went out of its way to kill you.”
This is flat-out just not something Wilbur should be apologizing for. He is not responsible for this in any way shape or form, especially since, in the end, he intended to destroy L'Manburg with him. He did not expect the government, nor the country, to persist after his suicide.
His intentions were to end L'Manburg's legacy with him. It's the entire reason why he was surprised when Tubbo told him everyone banded together to build L'Manburg back as New L'Manburg. (17:01)
Wilbur: “I think you were right to not trust me and you were right to be angry."
Techno never trusted anyone? That's kinda his whole thing. He's never specifically distrusted Wilbur and especially not during the end of Season One. Those two were on the exact same page. (1:24:43)
Techno: “I was kinda suspectin’ since, with your last words, you told Phil that I was the traitor … So was that all you?”
Wilbur: “I wanted to blow it all up, with you all inside … I’m sorry. I promise you though, I was working on my own.”
Techno and Wilbur have had two separate conversations where they both told each other they were going to aid the other in destroying L'Manburg. In this second conversation, Techno clearly tells Wilbur he has the material to make withers to corroborate Wilbur's plan. (1:28:42) This is heard in every VOD from the Pogtopians (Tommy, Tubbo, Wilbur, Techno, and Niki.)
Wilbur did not lie to Philza about Techno being a traitor. He has NO reason to. In all cases, this seems to be either the result of poor memory or a deliberate attempt to retcon Techno's involvement with Wilbur (in-line with a recent bad streak of additional retcons which exist only to scrub Techno's pre-existing flaws and mistakes.)
The only thing that changes with retconning Wilbur's warning to Phil as a lie, is that Techno's stance as a 'victim' in this scenario is now valid. Which, I suppose they NEEDED to do if this was their goal, because in adhering to the strict canon that Techno and Wilbur were on the same page, then Wilbur would have No Reason to apologize to Techno. His supposed wrongs to Techno (lying about his intentions, leading him into a dangerous situation, and using him as a tool) would all not have happened (which they didn't.)
It would also reinforce Techno as being just as in the wrong as Wilbur during the Pogtopia era (which he was) and that he'd also owe an apology to the L'Manburgians (which he does.) And that's not even touching the SURFACE of how ironic it is for Wilbur to be apologizing for all of this when Techno has done the same exact thing, just far, far worse?
My only real hope now is that this is Wilbur being purposely self-hating, taking responsibility for something that wasn't his fault, and setting up an inevitable confrontation between Wilbur and Emerald Duo about their involvement in Doomsday.
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derevitive · 4 years ago
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Important lore stuff from today’s Tales of the SMP : Masquerade!
WOW. WOO BOY MAJOR SPOILERS AND INTENSE LORE, TIED INTO THE MAIN S3 ARC HERE, BUCKLE UP!
Note : Dream does not appear in this episode because he's sick. His masquerade skin was a reference to his original mc skin; he was supposed to play the other butler (Hubert). _______
Karl arrives at a beautiful mansion estate owned by Technoblade's character, Billiam. Billiam has a butler played by Ranboo. The butler is not allowed to talk unless Billiam says otherwise.
Billiam leads them around the mansion. He's obssessed with being rich. Soon after, the others arrived - Lord Sebastian (played by BBH), James (played by Sapnap), Drew P Weiner (Quackity), Liaria (Niki), and Oliver (Fundy).
Sebastian is uppity, James is an alcoholic, Drew is a nudist (classic Quackity), Liaria is put together and Oliver is a weird old man.
The group talks a bit and makes pleasantries, drinking and looking around the mansion some more. The mansion build is AMAZING, check the vod later if you haven't seen the episode yet.
They play a game of Duck, Duck Goose before the shenanigans begin.
The lights go out and the rest of the group scatter around in the darkness. Karl hides in a hidden crevice and sees what appears to be Niki walking around with a sword.
The lights turn back on and after a regroup, they realize that Drew is missing. Looking around the mansion they found his blood and head sticking out of a hidden part of Billiam's bookshelves.
The group doesn't care much because Drew is "poor", though they want to know who the murderer is.
After some looking around, the lights go out again. When they come up again, they find Liaria's dead body face down on some boxes. But didn't we just see her with the sword?
After some deliberation and talking in the group, the credible suspicions are on Lord Sebastian as the killer. Sebastian claims it wasn’t him, but that doesn’t make sense either. Karl decides to stay with Sebastian to see what happens when the lights go out again. They do, and the two hide in a cabinet.
This doesn't stop the killer though, who kills Sebastian next to Karl. When the lights go on, they find his body in the cobwebs of the hallway. What? Wasn’t it Sebastian?
More hidden tunnels and locations in the mansions are found as they look around. Billiam and Karl pair up while Oliver and James do to prove who the killer is. They decide to leave the butler alone, his life not mattering much to the group. James is the next to die after the lights go out, leaving Oliver as the next credible suspect. Oliver claims he didn’t do it though. 
Each death confuses the viewers more and more, as we can see who is doing the killing through the way their skins look. However, each time the lights come up they have no recollection of killing, they claim to have been elsewhere, and they end up dying soon after.
Finally, Karl and Billiam decide to leave the butler and Oliver together. Whoever dies is not the killer. The lights go off, and they hear the butler claim that Oliver died of a heart attack. The two run off, realizing it has to be the butler and Billiam leads Karl to an underground lair in another secret crevice.  
A familiar red is covering the walls and parts of the floor.
It's the Egg.
Karl is immediately put off by the Egg, while Billiam claims he is its protector. It’s clear he’s enamored with it. 
It is revealed that Billiam had brought the people he invited (who were not "even rich") there as "nourishment" for the Egg.
The Egg had been influencing the visitors to kill each other, explaining the confusion about who had done it in the murder mystery.
The Egg has control over Billiam and the butler as well. They try to get Karl towards the egg again but he decides to make a break for it.
The butler tries to kill Karl, but he blacks out. He wakes up in a white room, lined with white halls that appears to be a castle. He is now in a white hoodie.
Karl finds a book labeled "The Inbetween". The book tells him he has been here before. It is his home away from home.
He finds another book behind a familiar swingset (remember the one at Mizu) titled "Knowledge 1". He learns he doesn't choose when to time travel or return, but that he also should know this.
He also learns he can solve the problem of his memory loss.
However, to do so he must explore the castle to figure it out.
He finds a book titled "A Warning". He learns he does not have a choice in the matter (time traveling). He will keep time traveling and regroup in the Inbetween afterwards. He is told to keep writing stories. They are important.
He learns that he should lead the others to a new land, but he can not tell them about his abilities. This is likely to tie in to the new server/server reset lore once the updates come out.
How will Karl lead them there if he can not tell them about his abilities?
Karl arrives back on the SMP. He writes the Masquerade tale and later about his experience in the In Between, saying he feels like he has been there before. He claims there might be more to it that he is unaware of.
He needs to move the library and preserve it and says he will make sure to bring happiness to these lands.
End stream. FANTASTIC episode, even bigger than Mizu as Karl said! Please check the VOD if you didn't get to watch it live. More lore on Karl's character, and what is likely to happen next with the server's future. Also the tie in to the main egg plot reveals how Karl knew to keep Quackity away from it during one of the previous lore streams.
This also reveals the egg’s true intentions - to bring enough people under its influence so it can keep being fed. 
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miku-life-tips · 3 years ago
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I feel like I pissed off a witch because I can draw well but only if its someone else's art style and I can never figure out my own
Unless it is of course. A creature. I can draw Technoblade just fucking fine free hand, without reference
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ura-writes · 4 years ago
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Trampolinist - Part Two
Part summary: You encounter a few strange teenagers, discover blown-up ruins, and find out about who caused them.
Warnings: mild anxiety, thoughts of murder, blood, threats, lots of swears
A/N - I got a good few requests asking for a taglist for Trampolinist, so here it is! Just ask and you shall be added!
@lemonmochitea
@dad-ee-drea
@victoria-a567
Also, this is non-canon compliant, but only by a bit. I may change a few small details.
Hope y’all enjoy!
(Also, if you can find the movie reference I put in here, then kudos to you!)
——
A lingering curiosity sits in the back of your head for the rest of the week, not quelled by any amount of Bedwars or Skywars, which leave you exhausted in the evenings.
Even your dreams hold inquisitiveness.
How lovely.
Eventually you have to go back to your home world to check on your animals, repair your tools and the like. It’s tedious work, but nothing you can’t handle.
Boredom eventually sets in.
It’s unnerving. You never get bored of combat, of competition between your fellow players and teammates, but here you are, eyeing the list of servers on your grid.
Only two people are on the server at the moment, their names not available for whatever reason. You’d prefer to pop on when there were no people online, mostly to scope out the server, but you’ll take only having to deal with two people.
Hopefully they’re adults and not kids that recently learned to use portals.
You stick your pointer finger out, curl it like you’re dragging it down a wall; a ripple starts where your finger lands, slowly following its path downwards. It rips a hole through the fabric of woven servers, creating a direct link to the Dream SMP. You just hope that no one attempts to close the portal, as opening one in the first place takes a good deal of energy and effort.
A sight of spruce trees and misplaced dirt greets your vision through the rip in reality.
An odd spawnpoint, but whatever. You’re not one to judge.
In the corner of your eye, where chat normally sits, a message pops up.
TommyInnit: who the fcuck
TommyInnit: what
TommyInnit: NEWY PERFHSAON
Ranboo: ah yes, perfhsaon
TommyInnit: shut the fuck n up
You chuckle at the messages rapidly crowding the chat, watching them fade idly while trying to find a way out of the really weird spawnpoint, which is, for some reason, walled off by a combination of dirt, wood and stone haphazardly placed down, as if in a hurry.
Your efforts do not go unrewarded as you spot a section of the wall that sits lower than the rest, low enough to climb over if you try hard enough.
Perfect.
Feet hit the ground rapidly as you get a running start towards the wall, scrambling upward after you jump. You fall almost immediately off the other side.
“Ouch.”
“That looked like that hurt.”
You glance upward to meet heterochromic eyes, red and green contrasting with the curious face split in half by its black and white sides. A tail flicks behind the person as their crown slips a bit down their head.
“Wh—the fuck?”
The figure laughs at your reaction, offering a gloved hand out to help you off the ground. Hesitantly, you accept, being pulled up easily, and that’s when you realize that he’s a lot taller than you thought.
“Jesus, you’re tall,” you comment idly, brushing yourself off. “Thanks, by the way.”
“No problem. I’m Ranboo.”
You introduce yourself with your tag, which elicits a hum of recognition from him, much to your pleasant shock and surprise.
“You’re the person that Dream invited, aren’t you?”
“In the flesh.”
He laughs at your quip at him, smiling with sharp fangs exposed to the midday sunlight. No point in judging a person on their (potentially, anyway) monstrous features.
“Well, you probably need a tour—“
He’s quickly interrupted by a loud “hey!”
“Oh great,” you mutter, crossing your arms. Ranboo looks a bit sheepish at your cocked eyebrow and slightly irritated expression, scratching his bi-colored hair.
“That’s Tommy. He’s uh… well, Tommy.”
A teenager wearing a red and white shirt and jeans with battered sneakers comes sprinting out of the nearby forest, coming to a halt just in front of you.
“New person!”
“Yeah, and what are you, the gremlin that got fed after midnight?”
The kid sputters out a few protests against being called a gremlin, sprinkling a good few swears in his jumbled sentences that mostly consist of rambles.
When Tommy gets his bearings, he eyes your tag, squinting at it suspiciously before his eyes widen in recognition.
“You’re the bastard that beat the shit out of me in Bedwars! Get ove’ here—“
One of Ranboo’s arms shoots out to grab the lanky teenager with ease to stop his potential assault on you. You just brush your nails off on your shirt.
“Oi! Lemme a’em!”
“No, Tommy, remember what Tubbo said?” Ranboo lectures, tail flicking in annoyance, eyes trained on him. “Remember?”
“You’re one to talk about rememberin’.”
Ranboo cocks an eyebrow.
“No punchin’ people we don’t know unless they’ve hurt us…” Tommy grumbles. “Can ya lemme go now?”
Ranboo agrees, letting go of his shirt and summoning a journal and quill to write something down in, muttering that he’s almost out of ink.
“Anyway, how about that tour now?”
You smile at him.
Maybe you’ll like this place.
——
“...and this is L’Manburg… or what’s left of it, anyway. It’s still being rebuilt.”
“How’d it get destroyed?” you ask him. “It takes a lot of TNT, Withers and dedication to destroy a city this big.”
I should know.
Tommy eyes Ranboo.
“Hey, it’s your city. I’m not explaining it,” Ranboo defends against the wordless accusation. Tommy exhales with a groan and begins his explanation.
“Wil-Wilbur, my brother, went a bit insane a few months back, blew it all up with Technoblade’s help. Wil’s… well, he’s dead.” Tommy sounds indifferent about the death, much to your surprise.
You nod absentmindedly, setting your eyes on a slightly obscured poster that flaps in the wind. When you get close enough to pin it down it reads:
Wanted: Dead or Alive. High Treason, Inciting Violence, Unlawful Use of Explosives, Extreme Terrorism.
Reward: See Authorities
Below that is a well-painted picture of a man you somewhat recognize, wearing a red cape, a crown, full enchanted Netherite armor and carrying an axe that seems to shimmer in the light.
Technoblade. You’ve had a few run-ins with him playing Bedwars and Skywars, even teaming up with him a few times. He always seemed nice enough, and certainly a damn good sword fighter. He always knew when to run and when to stand and fight, when to attack and when to defend.
“What did he do?”
Ranboo starts to speak, but Tommy interrupts him.
“Blew the rest o’ this place up. Bastard ran after that.” Tommy all but spits the words out of his mouth, like they’re acid or venom. “Fookin’ coward.”
Well, I wouldn’t call ‘knowing when to run’ cowardice, but we’ll pretend I agree, child.
“No one knows where he is now,” Ranboo adds. “Except Phil, of course. But he’s pretty much silent about it. Won’t give up a word of information.”
Shouldn’t be that hard to find one man, you muse to yourself. Bet I could.
“Well, I’ll let you know if I find anything out,” you lie with a smile plastered on your lips. “Y’know, as a sort of gift to you as the newest member of the server.”
Hah, as if.
“We’ll hold you to that.”
You nod and say your goodbyes, walking towards the central nether portal while keeping an eye out for an ender chest so you can get some of your stuff. You know the admin will take your elytra away if it so much as comes into contact with the server’s air, so you decide not to risk it.
Spotting one, you make a small noise of triumph and dart over there, grabbing the shulker with your stuff in it, transferring it to your inventory with a practiced ease.
Armor adorns your figure, enchanted Netherite striking an imposing silhouette against the blackstone beneath your feet. You twirl your sword with a grin.
Now to find Technoblade.
——
Turns out, finding a piglin hybrid is not easy.
You scoured the Nether for any sign of him, any trace of fabric, of a broken pickaxe, hell even a piece of iron he may have held. The ability you hold as a Jumper not only allows you to jump servers, but also allows you to find people if you have something of theirs.
Nothing. Zip. Nada. Zilch. Zero. Nil. Absolutely jack shit.
How can one man be so difficult to track down?
Just as you’re about to give up, a barrage of curses at the tip of your tongue, a glint of iron catches your eye.
Odd.
Hopping over a cluster of Netherrack and scaring off a few baby Striders, you see a small circle of iron sitting in a pile of red dust, looking dented and beat up.
You huff and brush the dust off of it, titling your head to the side when it reveals itself.
A compass, pointing in one direction, working even in the Nether.
Standing up, you pocket it and head to the nearest portal, jumping through to the other side only to grab the compass out of your pocket as you walk to who-knows-where. It still points in the same direction as before, only moving when you do.
An irregularity in the metal against your hand inspires you to flip the compass over to look at the back.
What lies there makes you smirk.
Technoblade’s cabin. Phil’s compass.
This might be easier than you initially thought.
:)
80 notes · View notes
lucemferto · 4 years ago
Text
WE NEED TO TALK ABOUT PH1LZA (or Why Philza is a Victim of Narrative Circumstance)
Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).
There might also still be a lot of grammatical errors in the text, because I don’t proofread.
Intro
LAST TIME ON LUCEM FERTO
Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! [echo]
Well, I lied.
[Intro to “Luc is pretentious about the funny blockmen. Episode 2”]
I swear, I’m working on other stuff. It’s just that my dumb lizard brain has only capacity for one interest at a time!
So, something you might not know about me, is that I am on tumblr – who am I kidding, most of you will know me from tumblr. Before starting this whole YouTube thing, I thought that website died years ago – but as per usual reality proves me wrong. I’m also on Twitter and Reddit, but I get the most engagement on tumblr – by far! – and I need those sweet, sweet numbers for the serotonin!
Anyways, one of my favourite past-times on tumblr is to razz Philza Hardcore Minecraft – that’s his full name – for being a frankly awful father [clicking away] – wait, wait, no! Philza fans, this isn’t a hit piece on him, I promise! Please come back!
This is video is meant to be a companion piece to my previous video about Technoblade and the Doomsday event – you can tell by the shared nomenclature – so you should probably watch that one before you proceed. Unless you don’t want to, which is also perfectly understandable.
DISCLAIMER: This video is mostly about the character Philza plays on the Dream SMP. Whenever I talk about the content creator Philza, I will say so properly. Also, Spoiler Warning for Dream SMP Season 2.
… What is that? You’re wondering what the Dream SMP is? Well, if you had just watched the other video like I told you to do, you would know, because I explained it pretty well there. But in case you don’t know, here’s the cliff notes.
Dream SMP is the hottest New Media Series on Twitch right now! It has it all: gaslighting, child soldiers, Machiavellian political intrigue, Hamilton roleplay, desecration of the dead, shounen protagonists, SO! MUCH! AMNESIA! Filicide, furries, a red egg that’s definitely homophobic and teenagers inventing nuclear warfare. And it’s all done in Minecraft – yes, the funny block game where the only way to emote is to crouch.
And you say the perfect brief doesn’t exist!
Now, you might be wondering, why do I want to talk about this? Well, it’s because Content Creator Philza is one of least controversial internet personalities that I can think of. That man exudes pure comfort. So, it’s just very, very amusing to me that his character became one of the most controversial figures on the SMP, only outshone by Tommy and Technoblade.
And it’s not just amusing, it’s also extremely interesting! I want to dig deep to uncover and discuss the dynamics behind why that is. How did it come to this point? How did a man who appears genuinely so pleasant create a character that inspires so much discourse!
Now, if you watched that Technoblade video – like I told you to twice now! – you might know, that I am the resident character analyses hater of fandom! And that impression is false and slanderous! Don’t tell other people that I hate character analyses! I love them!
It’s just that, in the Dream SMP in particular, there is an abundance of character analyses! Every streamer has at least two very good essays written about them, exploring every possible angle to view their characters and backgrounds and everything. All I’m saying is: I don’t have anything to add on that front.
So, instead I want to pursue a different approach – something, that I feel is a bit underrepresented in the fandom! And I’m not just talking narrative analysis – that’s right, this episode we’re going even more pretentious! – I’m talking Transtextual Analysis!
Now, what is Transtextuality? Well, unfortunately it has very little to do with actual Trans people – #transrights, just in case that wasn’t obvious – but instead describes a mode of analysis with which to put – to quote French literary theorist Gérard Genette – “the text in a relationship, whether obvious or concealed, with other texts”.
Basically, you know how the L’Manburg War of Independence heavily quotes and borrows from the hit musical Hamilton? That’s transtextuality! A lot of the analyses surrounding how Tommy mirrors the Greek hero Theseus, who was invoked by Technoblade multiple times in the series, are already doing transtextual analysis! So, it’s really not something that’s new to the Dream SMP fandom.
But how does this apply to Philza and how he is looked at and judged by his parental skills? Well, there are multiple forms of transtextuality, two of which we will discuss today.
But before we continue, I gotta do that annoying YouTuber thing. I know these videos don’t look like much, but I spend a really long time making them. I work fulltime and I try my best to keep up, but sometimes I can’t. So please, like, subscribe, comment to give me some algorithm juice – I really need it – and most importantly share it! Share it with your friends, share it with your family – I’m sure Grandma is very interested in what I have to say about Philza Minecraft.
And I’m trying to be better! If I sound at all different for this video, it’s because I finally bought a new pop filter, so I can hit my plosives without it sounding like there’s a thunderstorm in my room. I hope it makes a difference; it was a very cheap pop filter, so maybe it doesn’t. Maybe it sounds worse – that would be bad!
What was I talking about? Oh yeah, CHILD NEGLEGT!
 Intertextuality: Why is Dadza?
You know what’s really interesting about the Dream SMP – aside from, you know, most things about it? Very few of the characters have concrete, fleshed-out backstories – and that’s pretty weird! In no other medium or genre could you get away with something like that – at least for long-form storytelling!
So, how does Dream SMP get away with this? Well, it’s because every character on the Dream SMP is basically a self-insert – and I don’t mean that in the “This character is based on me”-kinda way, but in the “This character, for all intents and purposes, is me!”-way. This, like many things that are fascinating about the Dream SMP, is owed to the fact that this series didn’t start off as a continuous drama – it started off as a Let’s Play.
And while we can talk about how someone’s on-camera/on-mic persona is in some ways a character, it’s still miles off of being an actual, fully-realized, separate character in a storyline.
This is where Intertextuality comes in.
Intertextuality is a subset of Transtextuality. It describes how the hypertext, which is the text, you’re currently engaged with, uses another text, the hypotext, to supplement itself. The interconnection the hypertext establishes with the hypotext, through stuff like allusion for example, uh-hum [Hamilton], can colour how an audience interprets the hypertext. Basically, Hamilton and Theseus are the hypotexts; the Dream SMP is the hypertext.
So, what does this have to do with backstory? Simple: The backstories of the characters in the Dream SMP consist basically of nothing but intertextual references. Through intertextuality their content effectively substitutes their character’s backstory.
You can see it everywhere. Wilbur’s and Schlatt’s relationship and rivalry is hugely enriched, if you are aware of their shared history like SMPLive, for example – I think anyway. I haven’t watched SMPLive, because … there’s only so many hours in the day and I cannot keep up with the Dream SMP and catch up on SMPLive and live a healthy life – which I already don’t do, so…
BadBoyHalo’s and Skeppy’s relationship, which has become the crux of the Crimson-Storyline of Seasons 2 and 3, is hugely supplemented if you know that they’re also very close as streamers and in real life.
Another great example of intertextuality is basically Technoblade’s entire deal. If you just look at him completely within the text of the Dream SMP and try to transplant his entrance to any other medium: It would be extremely weird! Like, he’s just this guy that comes in in the middle of a very climatic arc, no build-up, no explanation what his deal is, and he’s treated like he has always been there. In any other medium that just wouldn’t work – at least not without a flashback or some sort of exposition!
But because of stuff like Minecraft Mondays, the Potato Wars, his Duel against Dream and SMPEarth, we understand that he is a Big Deal!
Anyways, to bring all of this back to Philza Minecraft: What kind of hypotext informs how the audience sees his character? Well, this is where I will have to talk about SBI.
SBI is an acronym that stand for State Bank of India, the 43rd largest bank in the world and…
It also stands for Sleepy Bois Incorporated. Sleepy Bois Incorporated is a loose assembly of content creators, consisting of Philza, Wilbur Soot, TommyInnit and Technoblade. It is most well-known for its very endearing family dynamic – a dynamic that is frequently acknowledged and played up by the creators involved. Tommy is the youngest brother, Wilbur and Techno are the two older brothers and Philza is of course the dad. And when I say, it’s played up, I really mean it! Wilbur seems to be especially enamoured with the idea and leaves no opportunity untaken to bring it up – which we will come back to.
And I’m not saying that they’re faking this and this is somehow an act. While I know none of these people personally, it appears to me, that this is genuinely how they interact – if a little exaggerated for the streaming experience. Even when they’re not consciously playing into the family dynamic, their interactions still very much lend themselves to that interpretation by the viewers.
Philza especially just radiates Dad-Friend energy – so much so that it has become a huge part of his brand identity – yay, I can bring that back (check out my Christmas video if you want to hear me ramble about that). The nickname Dadza stuck even before SBI was a thing.
So, even if we completely disregard SBI – which we shouldn’t for reasons I’ll get back to – Philza has cultivated an image of strong paternal guidance. He is, in my opinion completely deservedly, regarded very positively. He is highly respected and in turn seen as a voice of reason.
All of this would eventually inform the hypotext of the character Philza within Dream SMP.
 Interlude: Before Dadza & November 16th
Okay, so now we have established that a) Dream SMP heavily hinges on intertextual readings by the audience to supplement character backstory and b) that Philza’s entire deal is that he’s the dad-friend – more specifically that he’s the dad of SBI (not the bank). I think you know where this is going.
So, yeah, ever since it was on the table that Philza could join the Dream SMP, it was immediately assumed that he would take on the paternal guardian role all these traumatized people on that server so desperately needed – and with good reason! Like I said before, the audience at this point was trained to take intertextual interpretations as basically canon or at the very least canon-adjacent.
I want to emphasize that this is most likely not done deliberately. I’m sure content creators Wilbur and Philza didn’t sit there and said: “Yes! We will rely entirely on the audience’s inclination to interpret our characters intertextually to define character Philza!”. Like, obviously that did not happen.
But it’s also important to remember that unlike with traditional media and the fanbases cultivated there, the separation between the Dream SMP and its audience is almost non-existent – and purposely so. The story events are streamed live, Chats are acknowledged in canon and even outside of livestreams creators are extremely involved with the fandom. So, the weight of fan-expectations is equally amplified and will more likely be incorporated into the writing process. Case in point:
[Wilbur “I miss Philza”/Philza about Wilbur]
During Wilbur’s villain arc, even before his official involvement, Philza became a prevalent point of discussion. The hope that he would be the one to snap Wilbur out of his downward spiral was not only wish-fulfilment on behalf of the fans; it also very much played off of the intertextual reading of the SBI-dynamic in relation to the Dream SMP.
Of course, this still doesn’t make Philza and Wilbur canonically blood-related – but it definitely used the “paternal”-dynamic of SBI to build-up tension and drama.
And that ultimately brings us to November 16th. The Grand Finale of Season 1 and Philza’s first canonical appearance on the SMP.
Now, for this I want to pull back from the transtextual analysis and talk about simply narrative analysis: What is Philza’s narrative purpose on November 16th?
Philza serves as the last threshold on Wilbur’s Villain’s Journey – to appropriate Vogler’s version of the monomyth for a minute here – he is what Vogler calls the “Threshold Guardian”. He is the last enemy the Hero faces before completing his quest – in this particular case Wilbur’s quest is to blow up L’Manberg. Multiple people have at this point tried to dissuade him from this course of action: Tommy, Quackity, Niki and others. So how come this Philza moment is not redundant in terms of dynamics compared to these prior scenes?
Well, it’s through our intertextual understanding of Wilbur’s and Phil’s relationship. Because Philza does not just occupy the role of the Threshold Guardian – he is also implicitly the Mentor. Before Phil there was no character in the storyline that held a higher position of moral authority than Wilbur – Dream and Schlatt, while at points more powerful in terms of actual authority, were never positioned by the narrative as Wilbur’s superiors in the same way as Wilbur was to Tommy, Tubbo or even Niki.
Before November 16th all challenges Wilbur faced were from people narratively subordinated to him. But that trend is broken with Phil. That is why he is the Threshold Guardian, why this confrontation is at the climax of Wilbur’s arc. Because Phil is the last thing tethering Wilbur to whatever morality he held before his villain arc; Phil is the last, moral obstacle Wilbur has to discard before gaining his reward.
And, just a quick sidenote, because I’ve seen it around the fandom a bunch: When I’m referring to Wilbur denouncing his morality, I’m using that in terms of narrative analysis. I’m mentioning it, because Wilbur’s character can very easily be read as mentally ill or neurodivergent and some people have – rightly! – pointed out that the excessive vilifying when talking about his character is … problematic, to say the least.
So, I just want to make clear, this isn’t a character analysis, I’m being purposely broad when talking about Wilbur and Phil.
In the end, Wilbur takes that final step and gets his “reward”: As his final request his mentor takes his life and vanquishes the evil – the dragon of Wilbur’s story slays the dragon of L’Manburg. It’s very Shakespearean in its tragedy – but beyond the larger theatrics it’s not really used to further characterize Phil – at least in the context of Season 1. There’s not a lot of focus on his characters internal conflict during November 16th.
Phil, like Techno, is very utilitarian in how content creator Wilbur writes him: He serves as a moment of hype; an obstacle Wilbur has to face; a participant in the tragic climax of Wilbur’s character and ultimately takes on his implicit and expected role of mentor and guiding figure to the rest of L’Manburg.
I think not a lot of people talk about how Philza does not join Technoblade during November 16th. He takes the side of L’Manburg – he fights against the withers and he joins Tommy, Tubbo and the others at the L’Mantree, thus framing him as loyal to the L’Manburg administration – even though Season 2 would make his loyalty to Techno central to his character. But more on that later.
What’s also important about November 16th is that this is the day when the general intertextual interpretation became canonized text.
[You’re my son!]
Wilbur is made Phil’s canonical, biological son. The intertextual interpretation of SBI as it pertains to these two characters on the SMP was completely reinforced by the narrative. Or to put it in Fandom terms: The headcanon became actual canon. At least when it came to Wilbur … but what about Philza’s “other” children?
Well, that leads to our second form of transtextual analysis:
 Paratextuality: Is Dadza?
These titles are just getting better and better.
The Paratext is defined as all those things in a published work that accompany the text. It comes in two forms: One of them is the Peritext, which are non-diegetic elements directly surrounding the text – like chapter titles, author’s notes, and stuff like that. Translated to the medium of the Dream SMP, it would be stuff like this:
[Examples]
And, trust me, I could make a whole separate video about how people on the SMP use their peritext as a tool for storytelling – I’m looking at you, Ranboo – but that’s not what we will talk about in the context of Dadza.
Instead, we will focus on the second form of Paratext, the Epitext, which consists of all authorial and editorial discussions taking place outside of the text. That’s stuff like interviews, private letters or J. K. Rowling’s Twitter Account – you know, before she decided to become a full-time asshole.
[Wilbur: Transrights]
After Season 1 ended, Wilbur indulged pretty heavily in providing epitext for the Dream SMP, something he had not done prior to November 16th. His paratextual additions ranged from the playful, like assigning DnD alignments to various SMP members, to the extremely impactful, like the whole three lives system!
You probably think, you know where this is going. Wilbur provided some epitext about how Tommy and Techno either are or are not biologically related to him … and I have to be honest I thought that too. But then I began looking into the impenetrable web that is the SBI-canon on the Dream SMP and found this!
[Ghostbur explains family]
So, it wasn’t paratext, it was just straight text. Said in character, in canon, without any implication that we the viewers should question this. The text of the SBI family dynamic was explicitly linked to Dream SMP-exclusive lore, namely Fundy being Wilbur’s and Sally the Salmon’s son. This is as clear as Philza’s anguished declaration on November 16th in establishing the intertext as text. And because Wilbur also had a very heavy hand in the discussion of paratext around that time, it gave his character’s words even more “canonical” weight. Metatextually speaking, this very much read like the author giving exposition through his character – exposition that we should understand as reliable.
And, by the way, before I continue, I need to give a huge, huge shoutout to kateis-cakeis on tumblr, I hope I pronounced that right, who was just so quick in providing me with these crucial clips. Without him I would have looked for days because these people don’t archive their shit! And the Dream SMP Wiki was NO help, by the way! I love what you guys do, but stuff like this belongs in the Trivia section on characters’ pages!
Anyways, basically during the entirety of early Season 2 the SBI family dynamic was basically canon to the SMP. Sometimes it was only alluded implicitly, again letting the intertext fill out the rest.
[Philza clips]
But just as often it was just explicitly talked about – both in the text and in the paratext.
[Fundy clip/Wilbur “Twins” clip/Tommy clip]
So, I know what you’re thinking: “Why is this part called paratext, if the entire family tree is just textual”. Well, that last clip might give you a hint, as to what I will talk about. Notice how Tommy, one of the people most directly impacted by the canonization of SBI lore, is both unaware of and seems generally unenthused about it, to put it nicely? Well, that would soon turn out to be a much bigger deal than anyone could have imagined as he wasn’t the only one.
[Technoblade decanonizes SBI]
Yeah …
This happened on 20th of December. Regular viewers of this channel will remember that I put out a 90-second joke video, where I complain about this very development. And while I was mostly kidding around, the core idea is still true. The paratext provided by Technoblade and established text were in direct contradiction with one another – and that brought a lot of confusion into the fandom. Confusion, that would soon be followed by frustration.
Because Techno only decanonized himself as part of the SBI family dynamic – but what about Tommy and Tubbo, the latter of which was incorporated into the dynamic exclusively within the lore of the Dream SMP. Was this still canon or wasn’t it?
What followed was a muddled mess of contradictions, intertextual implications, text and paratext in conflict with each another. It was for the most part inscrutable to figure out how Tommy and Philza related to one another. I’ll spare you every comment made about this – mostly because I want to spare myself from looking for all of them.
In the end, the current status is that their familial relationship is … unclear. Philza said, again in paratext, that it’s ultimately up to the writers to decide, whether or not Tommy is his son … which, I personally think he and Tommy should be the ones to establish that, but I’ll come back to that later.
But why is all of this important anyway? Why would this ambiguity create such an uproar, such controversy – especially when it comes to Tommy’s character? What makes Tommy’s and Philza’s relationship such a target for discussion in the fandom?
Well … this is where we will have to talk about the storyline of Season 2.
Interlude II: Tommy’s Exile and Dadza in Season 2
Okay, Season 2. This is where the spoilers are, so I will just sneakily drop this again. It took me five seconds to google this gif and I will milk it for every penny it’s worth!
At the beginning of Season 2, Philza’s narrative role has not changed much from where Season 1 ended. He is in L’Manburg dispensing earthly wisdom, being a paternal figure to Fundy, Ghostbur and Tubbo, helping with the nation’s rebuilding efforts; just generally occupying the role of the mentor.
[clips]
And then came … the Exile. The Exile Arc took place between December 3rd and December 15th during Season 2 of the Dream SMP. It revolves around TommyInnit getting exiled from L’Manburg and slowly getting psychologically tortured and broken down by Dream. It’s a really great arc, at least in my opinion, that explores and deepens a lot of Tommy’s character relationships, whether that be Tommy and Dream, Tommy and Tubbo or Tommy and Ranboo. One relationship, however, is noticeably missing.
So, yeah, Philza spends basically the entirety of the exile doing pretty much nothing of consequence. And that’s not a problem specific to him – One big criticism I would levy against the Exile Arc is that a lot of characters are left spinning their wheels. Which is why we get zany stuff like El Rapids, Drywaters, Eret’s Knights of the Roundtable, Boomerville – anyone remember Boomerville, that was a thing for 5 seconds, wasn’t it? – basically a lot of storylines are started and then unceremoniously dropped. Now, I will talk more about this, when I make a video about Season 2 of the Dream SMP … in ten years, look forward to it.
In the case of Philza, this inaction was especially damning, because at this point it was still a considered canon that he was Tommy’s dad. So, the fans were left with a situation, where just a few weeks prior Philza was occupying a paternal role for Fundy and Ghostbur … but now, that his youngest son was in a very concerning predicament – to put it lightly – he was nowhere to be found.
So why is that?
Well, the most obvious answer is that Dream and Tommy didn’t write him into the storyline. We’ve seen that Tommy wasn’t particularly interested in exploring a familial relationship to Philza, at least at the time. And it would just not fit in with what Dream and Tommy tried to do with the Exile Arc: they wanted to tell the story of Tommy being isolated, completely under Dream’s mercy, slowly worn down and manipulated. If Philza had been constant presence for Tommy during that time, it would have definitely shifted the narrative focus. That doesn’t mean that they couldn’t have done that, it’s just a matter of fact that they didn’t.
This also reveals another truth about content creator Philza’s character work, that I think is extremely crucial: He takes what the writers give him. Outside of a few choice moments, he doesn’t seem particularly interested in expanding or even solidifying his character on the SMP.
What I’m saying is that he is very go-with-the-flow: Wilbur wants to enact a Shakespearean tragedy? Philza’s up for it. Fundy wants him as a parental figure and mentor? Philza’s here for him. Tommy, conversely, doesn’t want him as a paternal presence, even though it would make sense for Philza’s character, as it was established so far, to be there? Philza will oblige.
The reason I’m mentioning this is because, while Tommy and Dream were unwilling to utilise Philza in their storyline, someone else was more than happy to. Which leads us back, like it always does, to everyone’s favourite Porky Pig-kinnie in a crown: Technoblade.
Technoblade and Philza, from everything I’ve seen of them, seem to be very good friends – and they share a lot of history even outside SBI. So, it’s commendable that they would collaborate on a storyline together.
A consequence of that, however, is that Philza’s narrative purpose shifts completely with very little transition. His entire character changes from being the Mentor-figure of L’Manberg to being pretty much exclusively defined as Technoblade’s ally; his man on the inside. It is a very sharp turn from the end of Season 1. Their relationship is once again informed via intertext – this time the Antarctic Empire on SMPEarth serves as the hypotext – but there isn’t a huge effort made to smoothly integrate that aspect of Philza’s character into the larger narrative framing around him.
How much the narrative utilisation of Philza has shifted can be very easily observed through the Butcher Army event on December 16th, a story event that I like less and less the more I think about. Here Philza is used to show just how corrupt and violent Tubbo’s administration has becomes. He is no longer the respected mentor, he is now the stand-in for the oppressed populace, similar to Niki’s role in Season 1. On a narrative level, he is here to prove a point.
If you’ve seen my Technoblade video, you know how I feel about … just that entire storyline, so I will not reiterate too much on it. I just want to make clear that I’m not principally against this development – if they wanted to truly explore Tubbo going down a dark path and getting corrupted by power, so much so that he would even treat the person who effectively raised him like a prisoner, I would be extremely here for it, I cannot stress that enough.
The problem I have is that it’s just so sloppily done. It is not coherent with how these characters behaved and, more importantly, how they were narratively framed prior to the Butcher Army event. Fundy gets one token line about Phil being his Grandfather – a far cry from the very emotionally complex relationship they had established at the beginning of Season 2 – and Phil then callously disowns him.
The major problem simply is that we don’t see how Philza changes from Mentor-figure to embittered, oppressed citizen. And there was enough time to build to that. During the entirety of Tommy’s exile Tubbo was pretty much spinning his wheels and Quackity and Fundy were opening up plot cul-de-sacs that didn’t end up going anywhere. This is time they could have spent on developing their relationship to Philza and the dark path they were going down – but again, Season 2 video.
There is not much to say on Philza’s narrative purpose and framing beyond the Butcher Army event. He remains pretty much exclusively Techno’s consigliere with his role as Mentor to L’Manburg a distant memory. He has some cute character moments with Ranboo, because content creator Philza is just big dad-energy whether he wants to or not, and whenever he and Ghostbur share a scene suddenly the narrative remembers that there are people other than Technoblade that should exist in Philza’s inner world. But aside from that, Philza’s storyline in Season 2 remains … pretty definitive is the nicest way I can put it.
Most importantly his relationship with Tommy continues to be completely unexplored – whether by chance or choice – and that combined with ever vaguer paratext leaves “Dadza” in a very peculiar situation.
 Conclusion: Is Dadza a Good Dadza?
So, the question to end all questions. The big, obnoxious text, that I will probably have put in the thumbnail – I haven’t made it yet, but I know myself. The honest answer is: I couldn’t tell you.
I have, in the past, been expounding the virtues of narrative analysis. That is because I feel that Narrative Analysis and Textual Analysis, like in this video, can provide certain tools that Character Analysis lacks. Often times I see people trying to get at a writing problem or query and getting frustrated because they’re not using the toolset, they need to figure out what they want to figure out.
But I’d be a hypocrite if I pretended like everything could be solved through the modes of analysis I prefer. And I think the Dadza-issue is exactly such a case.
I set out to explore why the Philza-Tommy-“Dadza”-relationship has become so controversial. It’s a combination of expectations build up through intertextual readings, that were partly canonized – something that is very common for the Dream SMP – conflicting pieces of paratext, which only serve to muddle the issue further and a text that is not only completely uninterested in actually exploring Tommy’s and Philza’s relationship – as it stands right now they might as well be strangers, narratively speaking – but also completely changes Philza’s narrative purpose as it relates to characters like Fundy or Tubbo about half-way through with little to no transition.
That is why I say, that Philza’s character is a victim of narrative circumstance. Because unwittingly, through all of these factors and decisions, there is not coherent reading of Philza that frames his parental skills in a particularly kind light.
The question of how we can judge Phil as a paternal figure ultimately falls within the purview of the character analysis – and that’s a very multifaceted issue, highly dependent on which POV you focus on and how you interpret the other characters in that POV’s periphery.
To put my cards on the table, I think that Philza is a very flawed father/father-figure – and I find that absolutely okay. Flaws are the spice of character building. He is not Cinderella’s Evil Stepmother – but he’s also definitely not Mufasa. If we were to read Philza as a paternal figure, then he would have made a lot of mistakes and decisions to the detriment of his “children” – least of all everything that happened on Doomsday.
But I also have sympathies for Philza fans who are tired of the Dad-Debate and would like to have his character judged independent from his relationship to Ghostbur, Fundy, Tubbo and Tommy.
Ultimately, to bring it all to a point, I’d like to end with saying, that I think that Philza, out of all the characters on the SMP, has the potential to be on of the most intriguing, multifaceted ones. There are all of these different patches of story, character moments and narrative and transtextual implications, that, if brought together, could create a beautiful tapestry of the character Philza.
You have his relationship with Techno, which holds the potential for so much emotional conflict and vulnerabilities, you have his time as mentor of L’Manburg, which is just criminally underused; the complex relationship between him and Ghostbur/Wilbur; and – for me, personally – most intriguingly this weird, almost uncomfortably distant non-relationship with Tommy. That last one is intriguing to me, because it contrasts just so much with our intertextual understanding of the characters and streaming personas – and it just holds the potential for so much conflict, so much drama, so much angst. Which I live for!
And, yes, I do believe that most of this is narrative happenstance, that this was largely not intended by Philza or really any of the writers. It’s just what happens when hybrid-roleplay-improv a long-running, livestreamed storyline in Minecraft.
But I want them to realize the potential they have on their hands, because it could – with barely any adjustments – turn Philza from a victim of narrative circumstance to a champion of it!
 Outro
Thank you so much for watching this video. Usually, I don’t record outros this standard, but after this beast of a video I felt it necessary. I hope that whether you’re a Philza fan or a Philza critical or just completely uninvolved in the whole thing, there is at least a little entertainment you could get from this.
I want to take this opportunity to say that my next few videos will probably not be Dream SMP related – a sentence which undoubtedly lost me a bunch of subs – simply because I don’t want to burn out on it. I genuinely enjoy watching the SMP and being exhausted by it would be something I wouldn’t want to force on myself.
But who knows what will happen? The Karl Jacobs video was something I did spur of the moment because the idea just came to me – so I can’t guarantee that the next video won’t be a three-minute joke about Purpled or whatever.
Anyway, my concrete plans for future Dream SMP videos are essays on Season 1 and Season 2 as well as one for Tales from the SMP.
Before that I have a longer video in the works, which I’ve already teased a bunch, so I hope it will finally be finished sometime. And I also may be working on something … eboys-related? Maybe. I’m not making any promises!
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glory-asme · 3 years ago
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Hey Yo, The Timeline is Wack (DSMP, TftSMP)
So.... if the L’manberg Independence wars was based off of the American Revolution (because of Wilbur’s obligatory Hamilton the musical reference) then I assume that the main setting for the timeline to be the 1700s (18th century).
in Tales from the SMP, it’s been estimated that the Masquerade takes place some time after 1857 due to the vintage of the wine in Sir Billiam's mansion. Canonically, the Wild West takes place around the same time. So, technically, these two stories take place after the present timeline.
This doesn’t make sense regarding the Egg lore, however. Unless we consider simply that an ancestor of Techno’s got corrupted by the Egg at some point. As for the mansion, I assume Billiam restored the mansion he kept the Egg as the mansion Skeppy and Bad found was broken down.
So Timeline wise it’d be like:
The Village that Went Mad
1962-1963
Based off of the Salem Witch Trials
L’Manberg Revolution
1765-1784
Based off of the American Revolution
The Haunted Mansion
1765-1784
Canonically takes places a few months after Jschlatt’s death.
The Town that Never Was
It’s apparently parallel to present timeline (1765-1784)
Based off of the upload ((December 26, 2020)) it takes place between Technoblade’s Execution and the Green Festival
Either the characters are supposed to be different people, or it’s a parallel universe completely.
The Beach Episode
Also parallel to present time (1765-1784)
Uploaded on January 9th 2021 - just before Wilbur’s first (and failed) resurrection attempt by Philza and Eret
Debatably canon, could be a parallel universe altogether since Karl had God-mode (creative) there.
The Masquerade
Sometime after 1857
Uploaded first, so I assume it takes place before TWW (the difference could just be a few months).
The Wild West
Canonically takes place at the same time as the Masquerade (after 1857)
Uploaded second, so I assume it takes place after TM (the difference could just be a few months).
The Pit
Very steampunk themed - could take place anywhere between 1837 to1914
Since its confirmed future, and follows the eye-wear rule, I assume closer to the 1900s.
The Lost City of Mizu 
Sometime around the 1900s.
Canonically takes place 1 year after The Pit
Hope you enjoyed my bs crack-theory lmao--
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basilly · 4 years ago
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basil’s q&a !
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just wanted to make a small q&a posts because i know some ppl are afraid of reaching out or if they are crossing boundaries!
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. what pronouns do you use? sexuality? gender?
she/her or even they/them! either one, I don’t have a preference. i am a cis hetero but i do try to educate myself as much as possible and do not tolerate homophobia
i am a female! you are totally welcome to use any words that seem feminine like pretty, beautiful, etc.
I am also completely okay with “guys, boys, dude, bro”
. favorite mcyts?
def wilbur + tommy, ranboo, quackity, karl, and tubbo
. can i jokingly insult you? 
yes you can! i don’t take things to heart easily, so if you throw a joking insult at me i won’t get upset 
. do you use tone indicators?
i am new to tone indicators, but i am trying to implement them in anyway i can
. what are you uncomfortable with?
i am uncomfortable w/ smut (i am a minor), gore, ppl throwing up, horror-related things, bugs, but that is about it
also you can ask for interests but not anything location related or age! I will say i am in PST time zone though <3
I do not have any intense triggers, maybe like blood and gore thats it
. can minors follow your blog?
yes! everything is safe for work (sfw) here and I am a minor myself, just dni if you are homophobic, racist, etc. 
. will you do a face or name reveal?
im a technoblade faceless! ive shown it before but rarely :3
. is lowercase intended?
yes! i just like the look of lowercase :]
. why are some reblogs at night for you?
i try to schedule reblog things as i sleep so you guys still get good content while im gone! so psa moots if u see me reblog way after i like smth thats why :)
. do you swear/cuss?
i dont! this isnt cuz of religion, it’s because i kind of just grew up as the goody two shoes and i don’t really find a need to? i hope that makes sense so my fics wont have cussing, unless its shortened like “wtf”
If I feel the need to add cuss words into my fics i will
. do you write romantically for minors?
i dont- even though i am a minor, i find it odd to write about them romantically and then have that content out for adults or non minors to romanticize them
. isnt it a little weird to write irl?
I see it as through their on stream personas and count that as “irl”, it is like writing for a tv character, it is not truly them as we dont know their true personality. So again it is like a character, and makes it less weird to me.
. if i want to start my own blog, what are some tips?
i have a whole post dedicated to that! linked here!
. can i come to your dms to talk?
pls refrain everyday convo to asks, my dms are only open for questions and concerns
this is because im just super busy and my dms r very glitched
. is fanart okay?
absolutely!! please i will cherish each one and protect it with my life
if you need reference photos, please ask! ill be happy to send picrews or details
. more to add if it comes up!
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omegawolverine · 4 years ago
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Braid Me a Home
summary:
"Braid my fucking hair, Theseus. Braid it.”
It had sounded like a plea falling from Techno’s chapped lips, blood caked under his nails as he sat in front of Tommy on a tree stump, slowly itching at his wrists.
“Wilbur told me to stop you if you ever started doing that-”
“Wilbur isn’t fucking here. Just...braid, Toms. Braid.” 
or
A story about the Sleepy Bois being family, told through braids.
word count: 2.5k
warnings: child neglect, hurt/no comfort, canonical character death, implied/referenced mental health issues (like it’s obvious but there isn’t much detail to it), brief blood mentions (ik this fic sounds kinda angsty as hell but its not? imo its light angst)
a/n: first dream smp fic and im ALREADY projecting? christ. anyways. go easy on me pls this is far from my best work i just havent written a fic in like 5 months (more if you dont count the fucking chat fics) mm also i may have posted this like a week ago on ao3 just to test the waters and its already gotten way more comments and kudos than any fic of mine usually gets this early on so hopefully tumblr enjoys it too :]
When Wilbur Soot was born, he came out crying, as most babies do. Covered in vernix and blood, he weighed just barely above the seven-pound mark, gasping out sharp cries that only a parent could truly stand, or worse—love. Though he was the second baby born into the family that day, he was fussed over far more than he would ever be again.
Technoblade, on the other hand, had barely made a sound when he came out, a trail of blood smeared across his forehead, almost as if it was meant to be there. He made small noises that were more akin to confused mumbles, weakly grasping at his father’s hair when he was eventually passed on for the second child to be welcomed into the world.
Only when both boys were held in their father’s grasp did Wilbur quiet down, his soft head leaning into his father’s beard as he stared wide eyed at the boy across from him. Though they looked similar enough, Technoblade’s nose was squished further back into his face, appearing almost snout-like to Philza. Of course Wilbur noted this, wiggling until their father somehow managed to get them pressed right up against each other with minimal damage done. Though Techno never stopped squinting like an annoyed old man at Wilbur, he allowed the other to press a fist against his nose, his eyebrows unfurrowing just the slightest bit at the touch.
From that day on, Philza was the father of two twin boys—a loud boy who cried easily, but always calmed down for his older brother, and a rather monotone one, who’s face seemed to be permanently stuck in a scowl, unless said face was being smushed around by the younger. And things worked like that for a while. Not forever, but...a while.
Philza taught Wilbur to braid on a hot Monday afternoon.
It had been a rough day for the boy, though Phil hadn’t a clue why. Maybe he had just woken up on the wrong side of the bed? Or maybe he hadn’t slept enough between bedtime and the time Tommy had started crying again, the youngest boy’s crib being right beside his head and all. Though it might’ve seemed cruel from an outsider’s perspective, Wilbur had been the one to ask for it. Something about Tommy being his little brother and how he needed to teach the boy the ways of the world in the same way Techno had taught him—because apparently that was all Techno’s doing now, not Phil’s.
Regardless, Wilbur had been a bit too snippy for Phil’s liking that day, complaining about every little thing they did until finally, the day was over.
Well, as over as it could be with Techno leaving mid foam sword fight, an annoyed shout of ‘I quit!’ leaving his mouth before he snatched up Tommy’s carrier and brought him inside for god knows what reason.
It had only been around four P.M. by that time—too early for dinner, yet too late for Phil to really demand the boy stay outside and continue to entertain himself with a brother who was clearly not entertained himself.
Details aside, Phil isn’t really sure how they got to braiding. He just knows at some point they did and by the end of their outside time, just before the clock struck six, Wilbur had made two thick, messy braids in his hair. They stuck out awkwardly, looking all too similar to Pippi Longstocking’s iconic hairdo for his comfort, but he’d be damned if he took out the braids his son had so happily rushed inside to show his older brother before demanding to do his hair as well. After all, Wilbur didn’t have long enough hair for braids, but Technoblade sure as hell did. It was only at his shoulder blades back then, brunette curls wrapping around his narrow shoulders and thin arms like thick vines.
Wilbur had always enjoyed brushing it out with his fingers and putting cute, handmade clips or flowers in it at random, decorating the waves for his brother who was more than happy to let the boy do as he pleased. Though he would never admit it, Technoblade liked how it felt when Will played with his hair. He was always careful not to tug too hard, prioritizing the comfort of his other half more than the beauty of his work, as he so often referred to it.
So when Will had presented him with the mess that was his first two braids, he wasn’t hesitant at all to let the boy practice on him. Instead, he walked to the couch with a small smile, removing his glasses gently and getting comfortable before his brother plopped down into the space behind him. Long legs draped over long legs with no warning, thighs pressed together as if they were meant to be like that all along—and they might as well have been, for how often they did this.
Phil had watched them from the doorway in content silence, Tommy sitting behind him in a wooden high chair looking bored, but not making a fuss for once. And as he left that doorway to begin dinner, he listened to their muffled conversation and soft bursts of laughter with a small smile on his lips, for he knew things wouldn’t always be this way. They would have to grow up eventually, and when they did, things would change. Phil could only hope it was for the better.
When Tommy turns nine, Wilbur teaches him to braid under circumstances not too different from the ones he had learned under himself.
Well. Not too too different.
Philza and Technoblade had been...busy as of late. In the house for three days, out for a week, in for a week, out for three more, over and over and over again. Wilbur had become more like a father to Tommy in recent months than he should’ve been, his fourteenth birthday fast approaching as their father took Techno out for yet another job, one that Wilbur couldn’t come on because he was too fucking weak to do anything Techno could do, too fucking stupid to learn all the techniques Techno did, lacking all the strength and agility his older sibling possessed, like the useless prick he was-
Right. This is about Tommy.
When Tommy was nine, his hair rested gently against his collarbones in the exact same cut and color as their father wore. If Wilbur was a lesser man, he would’ve hated the kid for it, but it wasn’t his fault that he couldn’t see what a selfish git their father truly was yet. All he knew was that their dad was busy a lot and that, for some reason, Techno needed to go with him. Apparently, that was enough for him to keep holding onto the idea that one day, the man would stay longer and maybe, just maybe, show him some of the same care that his older brother did.
If Wilbur was a better man, he would tell Tommy the truth. He would tell him all about the way Philza had called him useless in a fight, forcing him to instead stay home and care for a child while still being one himself. He would mention how Philza had given him no instructions on how to care for a developing child, how he left out key details to parenting on his own as a goddamn thirteen-year-old, yet remembered to tell him things would be better this way because god forbid he does his fucking job as a father for anyone but Technoblade—
Who he missed. He missed Technoblade, his other half, so fucking bad it hurt sometimes—so bad it left him gasping for breath at two A.M., his head pounding in tandem with his uneven heartbeat, lungs burning as his snot and tears soaked into his brother’s cold, cold sheets. And it made him feel fucking pathetic because the truth of the matter was that...Techno had left him behind too. Still, he couldn’t bring himself to hate the older boy, no matter how hard he tried. Couldn’t hate Philza either, if he were to be honest with himself, but it was a lot easier to pretend he did when his father was the one putting them all in this position to begin with.
So, Tommy was nine when he learned how to braid.
Phil had promised him and Techno would be back Tuesday morning.
It was Wednesday afternoon.
Tommy didn’t fucking understand, and as frustrating as it was that the prick decided to take it out on Wilbur, he couldn’t blame him. Who else was he supposed to take this shit out on? Certainly not the man who had yet to return.
Wilbur had started the braid as a way to distract him. It was simple, really—tell him you know something he doesn’t and that he won’t get to know if he doesn’t sit the fuck down and listen.
When he had started tugging the boy’s hair back from his face, his immediate reaction was to jerk away, swatting at the hands that hovered over his shoulders. This only happened once or twice more before he let it happen naturally, his posture stiff as Wilbur ran his fingers through the boy’s hair with practiced ease.
Though it may not have seemed like it, Tommy was significantly more averse to touch than Techno had ever been. The only reason Techno even seemed averse to it was because of his hesitance to initiate, something he and Wilbur had discussed in depth. Rejection was one of the few fears Technoblade truly had and Wilbur held that fact close to his heart, ready to die with it if need be. Tommy, on the other hand? He was very particular about where and when and why someone was touching him, and it had taken Wilbur a long time to get used to that fact. But, he wasn’t about to make his little brother uncomfortable just so he could be happy and, eventually, he learned the ins and outs of how to touch TommyInnit without causing issue.
Pulling a few of the shorter strands towards the front of Tommy’s face loose, Will separated the blonde’s hair into three sections. They were rather small, what with how thin and short his hair was, it just barely being long enough to even have a proper braid in it, but Wilbur knew he could make it work.
“Now, Toms, you gotta listen to me here, because I can’t show you this bit, yeah? Phil and Tech aren’t here, and my hair is too short, so you’ll just have to feel it out for now, but...this is how you braid hair-” Wilbur had said in a soft voice, brushing the pad of his thumb over the boys neck slowly to ease the tension out of his shoulders. The effect was immediate, the boy slouching forward as if he had just noticed he was holding himself so sternly. Smiling softly, Wilbur instructed him on how to weave the strands together, answering questions and pulling lightly at Tommy’s hair so he could feel exactly where everything went. After he was done, Tommy had reached back to feel the bumps in his hair, all his earlier anger seemingly gone as he gave a small smile. And then he tried it himself.
Of course he got a bit of help at first, Wilbur’s larger hands guiding his own with gentle corrections, but after that Tommy worked on it alone, his older brother watching in silence from a patch of grass beside the porch step.
That night, Tommy and Wilbur slept in Techno’s bed, a soft, blue blanket wrapped tightly around them. And if another body woke them up at some point that night, shoving its way into the mess of limbs, their chest pressed right up against the youngest boy’s back, then that was only for them to know.
At eleven years old, Tommy takes a pair of scissors to his hair. With flushed cheeks and salty lips, his hands shaking and his eyes foggy, he cuts, cuts, cuts, until he can no longer braid his hair—until he can no longer look like fucking Phil.
Even though Wilbur had once said he hated Tommy’s long hair—hated how similar he and their dad looked—he felt like crying as he ran his fingers through the uneven strands. He didn’t tell his brother this though, instead grabbing his face and planting a wet kiss on his freckled forehead. In a fierce whisper, Wilbur had said, “I’m so fucking proud of you, Tommy. So fucking proud.”
Tommy never forgets the way he felt that day. He doesn’t forget Wilbur’s words either.
When Wilbur loses his last life, Technoblade tells Tommy to braid his hair.
It wasn’t a question either, but a demand forced out between gritted teeth, his face red, his nose stuffy and his lashes wet with unshed tears. Still, his words were clear as day.
“Braid my fucking hair, Theseus. Braid it.”
It had sounded like a plea falling from Techno’s chapped lips, blood caked under his nails as he sat in front of Tommy on a tree stump, slowly itching at his wrists.
“Wilbur told me to stop you if you ever started doing that-”
“Wilbur isn’t fucking here. Just...braid, Toms. Braid.”
Tommy sniffled, but did as he was told.
Maybe it was because he was too tired to argue with the only person he even had left. Maybe it was because he could tell Technoblade was mad at their father for the first time in his life, and he knew how bad his first time had felt. Or, maybe, it was just because he knew Techno fucking cared. Nobody else seemed to, but he knew Techno did and...that was enough for him.
As long as someone else cared—as long as it was fucking Technoblade—that was enough for him.
Just as Tommy had finished the braid, curling his finger around the light pink tail that tied the whole thing off, Techno yanked it forward. Before he could even register that the hair had left his hand, the older boy had taken an axe to the top of it, letting the rest of his hair fall around his face in uneven curls. Though it was a good ten minutes of work wasted, Tommy couldn’t say a damn thing as he watched Techno pocket the braid, muttering a thank you and heading in the direction of Wilbur’s unofficial grave.
In that moment, he felt relief for the first time in a long while.
Wilbur Soot was born covered in vernix and blood, weighing just barely above the seven-pound mark, and he came into the world much like he left it. Everyone had heard his cries—even if they weren’t there, even if they didn’t know him well—they had saw the way he spiraled, desperate and afraid and paranoid, searching for help, but never receiving enough.
And though he was the second child born, he left the world first, returning in a yellow sweater with a small braid tucked behind his ear. He didn’t really know why he had one, but he remembered braiding Techno’s hair and he remembered teaching Tommy how to do his own and he remembered, he remembered, he remembered the braids.
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enderspawn · 4 years ago
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It's alright if u don't wanna answer this cuz this argument gets people really riled up but do you think c!Techno is a tyrant or nah?
Cuz many c!techno apologists argue that he isn't just cuz he's an anarchist but I've also read a lot of essays that go against it and it'd be really interesting to see ur opinion on this
i think he, in some contexts, can most definitely be called tyrannical, yes. a tyrant? no.
to avoid spamming ppl w discourse we've all def heard before (and bc this ended up MASSIVE (like 2.3k ish), but fairly in depth bc i didnt wanna speak out of bad faith and wanted to be EXPLICTLY clear-- oops), the rest will be under readmore
so heres the thing i want to preface: i used to really LOVE c!techno. i joined beginning of s2, right when exile started, and he was arguably my favorite character. since then though i've fallen out with him a LOT, to the point i almost... actively despite him at times (though mainly in a toxic kind of way which i can acknowledge is flawed).
in short, his actions started to speak louder than his words and i lost investment in his personal character struggles because of the actions he took (doomsday was my breaking point. i get feeling angry and betrayed, as well as seeking revenge against lmanberg, but his actions went too far for me to CARE and it hurt so many more characters as well.)
so when i speak, i come from a place of disliking him but also somewhat understanding the position c!techno apologists come from: i used to be one of them myself.
NOW, do i think he's a tyrant? no. for reference in my analysis, i try to look up the definition of terms to make sure they are utilized properly. while "tyranny" and "tyrannical" can have multiple uses, tyrant itself is a more specific term. to combine the top two definitions, a tyrant is referring to "an extremely oppressive, unjust, or cruel absolute ruler (who governs without restrictions, especially one who seized power illegally.)"
techno's position as an anarchist, imo, DOES indeed make him unable to be a tyrant. tyrants are rulers with very clear power over others from a structural way. anarchists are about the lack of structure or power over others and instead viewing the people around you as equals in power.
in forming the syndicate, they very explicitly worked to not designate a leader and instead make it so that no one would have any power over the others systemically. techno may have taken a integral role, yes, but it doesn't make him suddenly "the leader", its a role that wouldve had to be filled by someone (even if it was democratic to decide who to invite, they'd need someone to hand over the invite itself yknow? like no matter WHAT there needed to be A ROLE)
one could argue that he IS a leader in the shadow hierarchy of the syndicate (which, yes, is a real and professional term used in management courses despite sounding like it comes from a 4kids yugioh dub) in that everyone CONSIDERS and looks to him a leader without him having any actual structural basis behind it, but to argue that allows him to be a tyrant is in bad faith i believe. especially because to the people he would be "ruling", he ISNT oppressive, unjust, or cruel. they are his friends and support network and critical for a lot of his personal development (since feelings of betrayal and trust issues are critical to his character and why he acts the way he does). I wish we were able to SEE this develop more, but oh well.
but like i said: tyrant is fairly specific in definition. TYRANNY, and thus TYRANNICAL are not as limited. I've discussed their definitions here. originally, i made that post because i was angry at a take i had seen that claimed that, like you said, because techno was an anarchist and not part of any government or leadership position, he couldn't be tyrannical. to which i heartily disagree.
for something to be tyrannical, they simply must have an overarching/oppressive power over someone or something. it would not be inaccurate if i were to say that something is "under the tyranny" of a concept, because what it means is that something is under the power of another thing/concept. you can frankly call anything tyranny if it is widespread/overarching and you don't like it. mask mandates? tyranny, its forcing me to act in "rigorous condition". hell, theres even such things as tyranny of the majority in which people agree too much on one thing and it gives them unfair power or tyranny of the minority where people with minority opinions have too much power (thats a very grossly oversimplified definition of both, but it covers the base idea well enough for my point)
the point im making above isnt meant to be taken as "anything can be worked to be defined as tyranny thus it is a meaningless claim", it is that tyranny (and again, thus tyrannical) are very open and nonrestrictive terms.
to make it easier to define, alongside the definitions provided i want to add an explicit clause that is (imo) implied in the original definition: tyranny is... well, bad. that is to say if someone has power over a group but literally everyone is fine with it and agrees to it, its not tyranny. thats just a group of people getting along and one happens to have power over another. a leader does NOT equal a tyrant (as discussed above), so leadership should not be equated with tyranny.
thus as an example: wilbur acting as president (before the election) may have been "unelected" with power over his citizens, but no one was upset with that power. thus, he is not a tyrant and not acting tyrannically (as well as the fact his power was, arguably, NOT rigourous or absolute but thats another topic for another time). SCHLATT however IS a tyrant, as his power was absolute (he did not consult his cabinet) and forced people to comply instead of them complying willingly, thus he was acting tyrannically.
now to finally get to the damn point of this essay: where does c!techno lie? honest answer? it depends slightly on your perspective, but it depends a LOT on the future of the syndicate.
techno is incredibly clear in his goals: no governments, no corruption. in fighting with pogtopia, he is actively working to topple a tyranny-- he isn't tyrannical for doing that.
when he strikes out on nov 16th, it is because he opposes them forming a new government. when they oppose him and disagree, he launches an attack against them. is this tyranny? maybe, but probably not. he IS trying to impose his own physical strength and power (as well as his resources) over the others to stop them from doing what HE doesn't want them to do.
however its more nuanced than that:
1. hes lashing out emotionally as well as politically. he feels betrayed by those he trusted and he believed that they would destroy the government then go (i'm ignoring any debates on if he did or did not know that they planned another government, though it is a source of debate). but typically idk about you but i dont call tyranny for someone fighting with another person.
2. he also may be acting with good intent again, in HIS EYES. if tubbo was part of manburg, whos to say he wont be just as bad? he, in his pov, is likely trying to stop another tyrant before they rise.
3. and finally, and tbh the most damning from any perspective: he gives up. he quickly leaves then RETIRES without intent to try and attack again until he is later provoked. tyranny is defined by it not just being power, but power being USED. if he doesn't use his power to try and impose any will, then he's not tyrannical.
Doomsday I am also not going to touch very in depth on for much of the same reasons. My answer is again a "maybe", depending on the weight you personally place on each issue:
1. he's lashing out as revenge for the butcher army and as revenge against tommy for "betraying" him (though this one we explicitly know he was ignoring the fact tommy did not want to go through with it, however he still did trust and respect tommy regardless so his feelings are understandable anyway)
2. he sees new lmanberg as corrupt and tyrannical (which is undeniable: house arrest for noncompliance, exile without counsel, execution without trial, etc), and thus obligated to destroy it
but also, theres the implicit understanding he's doing this to send a message: do not form a government, or else. its a display of force that also works to warn others unless they want a similar fate. phil even explicitly states that he is doing so to send that message, so one could assume techno is doing the same alongside his personal reasoning listed above.
what i just described is the use of a oppressive and harsh (physical) power in order to gain compliance from people (that compliance being 'not making a government'). does that sound familiar? exactly. it follows the definition(s) of tyranny given previously. technoblade is acting in a way that is, by very definition, tyrannical.
so the debate shifts: is he valid in doing so because he is trying to PREVENT corruption and tyranny. like i said, new lmanberg was undeniably corrupt at points. i held nothing against techno for trying to topple manburg, so does that apply to new lmanberg as well? short answer: i dont know. it depends on your specific opinion of what is acceptable. its like the paradox of tolerance: to have a truly tolerant society, you have to be intolerant of intolerance. to have a truly non-tyrannical society, do you need to have a tyranny enforcing it?
personally (and bc im a lmanberg loyalist /hj) i say it is. regardless of the corruption of new lmanberg, they are also giving a threat to EVERYONE. even those who are innocent, they are presented with the exact same threat and rule set: if you make a government, you will be destroyed.
(which, small divergence here, is part of why debating c!techno is so frustrating. so many times you end up hitting a "well it depends on your political views" situation and there ISNT a correct answer there. im here to analyze characters for fun, not debate political theory)
so: the syndicate then. this is where this debate really "took off" and i think its due to one very specific miscommunication about its goals and plans. the syndicate, upon formation, declares itself to stand against corruption and tyranny. when they are found, the syndicate would work to destroy it. so heres the golden question: what do THEY define as corruption and tyranny? if you were to go off c!techno's previous statements, seemingly "any government" is a valid answer. however, he also states he's fine with people just being in groups together hanging together.
what then DEFINES A GOVERNMENT for them? what lines do they have to sort out what does "deserve to be destroyed" and what does "deserve to exist freely"
this is a hypothetical i like to post when it comes to syndicate discourse:
i have a group of people. lets say 5 or so for example. they all live together and build together. any decisions made that would impact the entire group they make together and they must have a unanimous agreement in order to proceed, but otherwise they are free to be their own people and do their own thing. when you ask them, they tell you they are their own nation and they have a very clearly defined government: they are a direct democracy. does the syndicate have an obligation to attack?
there is absolutely no hierarchy present. there is no corruption present. but, they ARE indeed a government. is that then inherently negative? my answer is fuck no (see the whole "difference between a tyrant and a leader" thing above).
but THATS where the issue of this discourse LIES. in some people's eyes, the answer to that is YES. techno's made it clear "no government" is his personal view, but does that spread to the syndicate as a whole? do they act preemptively in case it DOES become corrupt? is it inherently corrupt because its a government, regardless of how it is ruled? the fact of the matter is because of how little we've seen the syndicate work as a SYNDICATE, we don't know that answer. so we're left to debate and speculate HOW they would act.
if the syndicate were to let that government exist, then they are not tyrannical. they are showing that they are working to stop tyranny and corruption, just like in pogtopia again.
if the syndicate were to destroy/attack that government, then they are tyrannical. simple as that. they are enforcing a rule of their own creation without any nuance or flexibility under the threat of absolute destruction.
miscommunication in debates comes, in my opinion, in the above. of course theres more points of nuance. for example:
would the syndicate allow a government like i had described with early lmanberg, where there is an established hierarchy but everyone in the country consents to said leadership? on one hand, there is no tyranny or corruption present which is what they are trying to work against. on the other hand, theres more a possibility of it occuring. perhaps they'd find a middle road between the two binary options of "leave or destroy" i am presenting, such as checking in occasionally to ensure no corruption occurs.
but if they were to destroy it without, for lack of a better word, "giving it a chance" they would be, in my opinion, tyrannical. they would be going aginst their words of opposing corruption and instead abusing their power to gain compliance.
your/others opinions may differ, again it depends on if you see it as worth it to possibly stop future tyranny or if a hierarchy is INHERENTLY a negative thing.
part of the reason so many blog gave up this debate, beyond not getting very clear answers for the syndicate, is because of the nuance present. there. is. no. right. answer. every single person will view it differently, because there is no universally agreed upon truth of right or wrong here. BUT, i hope this helps shed some light on the discussion and my thoughts on it
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mt-words · 4 years ago
Text
All names are in reference to the rp characters. I’m not trying to address morality here, just reasoning. Feel free to add on if you think I misinterpret or just straight up miss anything!
I am once again thinking about Techno’s execution and its relation to Doomsday, and slightly reevaluating a post I made before.
The TLDR of that post is that Techno’s actions on Doomsday were centered on his ideal of absolute reciprocity (over anarchism and anger from perceived betrayal). Quackity promised Technoblade that he was going to kill him at all costs regardless of his actions in order to consolidate power (Showing the server that New L’manburg had the power to kill anyone who messed with them). Technoblade proceeded to “kill” New L’manburg to remind the server why trying to use him as an example and threatening his friends was a bad idea (for additional context he gave the reciprocity speech on his way home after escaping execution). There are some parallels there, right?
So here’s my recent thought. The members of the Butcher Army were coming after Techno, not his ideals. “This is not a simple anarchy thing.” So by Techno’s standards of reciprocity the retaliation would be to go after the individuals. I think his motivation was reciprocity, but Technoblade’s anarchistic principals were a huge influence on how he acted.
There was a post from either @/considermygenderminecrafted or @/blockgamepirate that explains this part better and I’ll add here if I ever find it, but Techno’s concept of friend vs enemy is very based in anarchism. Technoblade rarely targets individuals. He’ll argue with individuals but he doesn’t really take action against one person unless it’s in self defense or under coercion. Instead, he views his “enemy” as the principles and institutions behind people’s actions. In the case of the Butcher Army this principle is executing opposition to gain respect and power for New L’manburg so they can’t be pushed around as easily (as with Tommy's exile).
His admission to Tommy supports this, he thinks Tubbo is probably a good person but because of his governmental office he makes decisions like exiling Tommy that he wouldn’t otherwise. So Techno goes after L’manburg. Not after Tubbo, who lead the country. Not after Quackity, who lead the Butcher Army. Not after Fundy and Ranboo, who helped follow through with his execution. L’manburg, their primary motivation to kill him.
Technoblade is certainly willing to cause harm to get rid of his chosen target, but doesn’t canonically kill anyone during Doomsday. When the only thing that can not be replaced is life this is a less destructive path of reciprocity.
Again, I'm not making moral judgements here. This isn't meant to say the people of New L'manburg didn’t lose anything important, that the events of Doomsday weren’t traumatizing, or that Techno's actions were correct, only to explore based on his principles why he acted as he did.
I do think this emphasis on attacking institutions and not individuals is one step closer to open communication and breaking the cycle of violence, and it gives Techno some interesting room for progression as he moves into the syndicate plot line.
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starofroselight · 4 years ago
Text
Title: He Calls You Theseus (Now Call Him Odysseus and Welcome Him Home)
Chapter 1: In Which Technoblade's Narrative Crumbles    
Summary: Technoblade's language is the art of combat and weaponry. Tommy doesn't understand, so Technoblade speaks in a way they'll both understand. Or, Technoblade’s been having strange visions while taking care of Tommy.
Tags: Technoblade, TommyInnit, SBI fic, Introspection, Flashbacks, Found Family, Brothers, Trauma, Alternate Universe, References to Greek Myth, Sleepy Bois Inc. as Family, Sleepy Bois Inc. Angst, Chat as Ghosts, Rose AU
Link: https://archiveofourown.org/works/28786947
Author’s Note: This is my baby. I’ve worked for this on a while, and it’s about 5.1k words. I hope you enjoy the first chapter, I plan for around five in all.
A flurry of snow buffeted the snow banks around Technoblade's retirement home. 
Technoblade had decided teaching Tommy the art of arrow fletching was important. He had come to immediately regret that decision. Tommy’s loud mouth and shaky hands were something manageable in the best of times, but when the time came for work to be done they became hindrances. Liabilities.
Technoblade didn’t take in liabilities. 
“How’s this, big man?” The tooth-gaped teen asked smugly, holding up a shoddily constructed arrow as if it were made of gold.
Technoblade briefly considered how much easier this would have had he cleaved Tommy’s head clean off in the hole under his house.
> You can’t!
> The most efficient way to grind out arrows is village trading. Make one of your downstairs hostages a fletcher, trade sticks, build rapport, then trade in for arrows.
> Tommy pog
> would’ve been funnier if you did
“Chat, do you see what I’m dealing with?” He mumbled to himself. 
“Oi Chat! Hey Chat, do you think Technoblade is a big bitch?”
“Tommy, you’re giving me a headache.” That wasn’t all that was giving him a headache: voices, the thousands of voices which were riled up by his every interaction with another living soul. Each voice was vying for a spot to influence his words, to have any effect on the outside world like they once were able to.
And the voices really liked Tommy.
“All I want’s an answer.”
He wouldn’t get one.
"How am I better at this with hooves?! Here, let me show you one more time.” Techno squatted beside where Tommy was sitting on the stone brick floor. “Two ties on each side over the flint. Three sharp cuts into the wood. Feather goes in between. Look, perfectly functional arrows! What part of this aren’t you getting? It’s not that difficult!”
Tommy picked up the tools from the fletching table. He took one look at the sticks, then picked up a fistful of feathers.
“Right—”
“Okay, that’s enough, I’m not going to let you keep massacring my feathers like this. What even is this?" He picked up a feather from the floor. It hung limp between the heel of his hoof, frayed and torn. "These chickens died for nothing!"
“What am I supposed to do while you do all the work if I can’t help?” Tommy was pouting, his face so full of vibracity and energy it looked as if he was choking.
That was it. Techno's face twitched. 
“Maybe if you sit down and stay quiet for a minute, I can come up with an idea!”
Surprisingly, Tommy did. His face flushed red with embarrassment. 
And Technoblade realized he had screamed at a scared, struggling sixteen year old child covered in scars. 
> do you feel powerful now
> OOOOOOO
> You should kill him
> Betray Tommy!
> betray tommy
He dragged a hoof over his face. The gesture was easier with hands.
"Look. . . Tommy. You're clearly not good at fletching arrows. Why don't you go lay down in your racoon hole?"
Technoblade’s plan had been, surprisingly, one of altruism. He wanted to teach Tommy how to make arrows so he could value the ammunition. He had a tendency to complain about. . . well, everything, but specifically running out of supplies. Techno hoped this would teach him how valuable they were. Not in resources, but as assets. In the heat of battle, every shot mattered.
After Tommy had made a quiverful of arrows, Technoblade planned on taking him out to his practice range. Inexperienced hands nocking an arrow were shaking and quick to flinch. Archery hurt. It was a difficult skill to master; the art of shooting an arrow required the fletching to run through the archer’s fingers. If their hands were smooth and uncalloused, the projectile would cut through their fingers like a blade in water. His hands (and hooves) were roughed up to the consistency of leather from arduous repetition. Tommy hadn’t had that experience.
Technoblade had made leather gloves for that exact reason.
And now that plan was ruined.
While his retirement home was the definition of picturesque, Tommy had come to ruin that as well. The foundation had made Techno's house uneven. The ground was unstable and it had started to sag north. 
Tommy had literally dug up and unsettled his life. 
Somewhere in there was a metaphor and a moment for some much-needed introspection. Technoblade ignored it. 
Snow had sloped onto the roof heavy, the sound of monsters outside crunching feet of the stuff. The cold had choked out the will of any invaders at the cost of isolating them together. The house’s floor was insulated with stone, then covered with wood. The chimney doubled as a source of light, warmth, and a way to heat the floor. Technoblade had learned how to make heated floors from Chat. The quality of life improvement was immense.
Tommy hadn’t understood how, but he did enjoy it. Too often he had slept in his boots, curled up into a jacket or blanket or whatever he could find. But this? This was a luxury that could lull him into a rest like no other.
And Tommy needed a good sleep after Logsteadshire.
Still, his spirit reignited despite his body's protests. He stretched his arms upward in attempts to hide his yawn. 
He stomped his foot. 
"I'm not tired! We need supplies, we need—We need to get back the discs."
That was going to be a hard habit to kick. The kid needed a break; his eyes were ringed in black. He sat hunched over with awful posture, looking pitiful. Technoblade held back the urge to call him a racoon again.
Despite the warmth, Tommy was shivering.
Exhaustion. Techno knew it all too well.
The Piglin man took off his cape, folding it over his arm. It helped increase his bulk, his size when intimidation was necessary. When he was home its purpose became a blatant unnecessity. Still, he often found himself falling asleep in it, curled up in a tiny pile against the wall where no one could hurt him. 
It was important.
And he tossed it to Tommy. 
"We'll get back the discs after you go to sleep. If you fall asleep in the snow you'll freeze to death and die."
Then he stoked the fire with an iron pole, minding Edward's head. He couldn't be bothered to kill the creature just yet. The flames roared up, consuming the cold air in the room and up the chimney. 
Tommy held the crimson cloak in his arms. He stared for a second, then twisted to wrap it around himself. It was enormous, swamping his thin figure in fabric and comfort unknown for weeks in exile. He pushed himself further into the corner with the fletching table, close to his hiding box.
"The 'and die' is kind of redundant, 'innit?" Tommy muttered, head poking up from the fluff of the cloak’s collar.
Technoblade sighed. 
They were going to keep talking in circles. He would make a general statement, Tommy would overload him with non sequiturs and nonsense sentences until Technoblade tuned him out with Chat. However, he couldn’t ignore Tommy here. If he did, the boy would never go to sleep, and the cold of the night didn’t need a cold shoulder on top of it. A cranky Tommy and an annoyed Technoblade was a recipe for disaster, overthrowing governments or otherwise.
There was only one way he knew how to talk in times like this:
“Let me tell you a story.”
It was an offer more intimate than Tommy knew. 
Naturally, he rejected it.
“What if I don’t want to hear a story?” Said teenager shifted in his cozy corner. 
“Too bad.” He pushed the crown up from where it was slipping off his head. If he was going to coax the world's most energetic child to sleep, he needed to let down his guard. 
“Why do you even wear that thing?”
“What, the crown? It’s not like I use it in combat or anything, it's just for fun. Fun is banned? You're banning fun now?" He laughed. "Good luck getting anyone on your side."
“I don’t have a side. Or rather, my side is your side? Now you’ve gone and got my head all confused.” Tommy’s voice had grown softer. 
Techno couldn’t have that.
“There’s no ‘our side’. We are not a team.”
Tommy huffed. “Until we get the discs back.”
“Will you let go of the discs for a minute? They’re not going anywhere.”
“Could go into a fire.”
Techno huffed heavier. Puffs of true flame curled out from his snout. Not the metaphorical risk clouding Tommy’s mind. He was already headed towards the pitfall he wanted to avoid. It was time to change the subject.
“Considering your limited knowledge of Greek classics, you wouldn’t happen to know Homer?”
“Who what now?” 
A solid ‘no’ would have sufficed, Techno thought.
“You probably haven’t heard of Odysseus, then.”
“With a name like that, I reckon I should of. Wait, this is one of your myths again, isn’t it?” Tommy kicked himself up, back against the wall to look at Technoblade as they spoke.
“I like a certain section of stories. Is that so wrong?”
“Is this story about you?”
The Blade tutted. “No, no, no. I don’t have any family. Orphans killed my parents. Family is useless, it slows you down unless you’re exacting revenge. In that case, family is excellent. Nothing better than dead family.”
"That doesn't make any sen—"
"Keep interrupting and I'll make you sleep in Carl's stable."
Tommy pouted. His hair stuck up in every which way, active as he was.
“Odysseus was a king of his own island. He lived in peace with his family on Ithaca, and he was known as a wise man.” It had been a while since Technoblade had told a story like this. His rhythm was lacking. “He was the favorite of Athena, the goddess of battle and wisdom.”
“Gods aren’t real.”
“You’re looking at one.”
Silence. “Yeah, right.” 
"Moving on.” He wasn’t willing to indulge Tommy in that story when he was preoccupied with telling another. “While Odysseus was a king, he wasn’t the chief king. At that point Greece was broken up into various city states, other little countries that refused to be conquered. While it was all Greece, there was a difference between a Spartan and an Athenian. Too many fights for power and the geopolitical landscape had torn them apart. Odysseus had his friends, though it would be more accurate to call them his allies, his country with whom he had sworn an oath to fight alongside. Each of those kings would be headed out their own separate way.” That felt right to Technoblade. “They were brothers in arms, finally called to war for the sake of their nation. But Odysseus ended up alone.”
“Why?”
“The people around him broke the rules. They went up against the sun god, and so they were punished.”
“What’d they do?”
“Oh, uh. Ate his cows.”
Tommy gasped.
“No!”
“Okay, so you get it. The Pet Skirmishes but on a much, much bigger scale.”
“Where’s Sapnap?”
“Tommy, it’s a myth, it��s not about your friends. They’re gods.” 
“Dunno why you’d tell a story about a bunch of boring, stuffy gods. Hey, why’re you such a bad storyteller?”
That was it. "I'm trying to monologue here! Chat, Chat see how impossible this is?"
“Tell chat that you’re a pussy! And I’m the coolest! TommyInnit is the coolest, got it?” Tommy’s eyes, which had held the murmurs of sleep, were now alive and vicious.
Undoing all of Technoblade’s work. And proving he didn’t understand Chat.
“Bruh.”
“I am!”
“For the third time now, if you will let me talk, I’m trying to tell the story.” 
“Right, right, sorry.”
“Odysseus was the only one who knew the warning signs. He had encountered the gods before, and he would rather starve to death than offend them. Because sometimes, Tommy, not offending people is a good thing, and making needless enemies makes the situation ten times worse.”
Tommy bit his lip. 
Techno continued.
“But no one ever listens to Odysseus. That’s one of the ironies of the story, Tommy. Often being right lets the hero escape with his life. Doesn’t mean he can save anyone else. Most of the time he doesn’t even save himself.”
“What?”
“I mean, I tried telling you. Heroes are doomed the moment they call themselves heroes. Odysseus never did, he was smart. It was the people that came later and told the story that did that. A hero is born through the crossing of the stars, something divine. Special. For all of his worth, the burden of expectation is put on his shoulders and then he battles with his pride. The Greeks had a word: hubris. It’s the hubris that strikes the killing blow. It’s never the beast or the gods themselves, it’s someone the hero has wronged. Odysseus wronged a monster, a cyclops, but even that was too far.”
Tommy was quiet. All of his focus was pooled into Technoblade.
“Odysseus played the part of warrior. Now it was time for him to be a survivor. See, it didn’t matter what the gods put him through, the trials or the tribulations or the meaningless delays. He had a mental image of what his home was. Ithaca. It had stopped being a real place. Instead it was an idea. A concept.”
“Oh.”
“And even when he was gone, trapped by witches and beasts, he kept that vision of home in his head. Because he was going to get there no matter what. It was all he had left of the world he knew. Even when he was offered another life, another world in what might have been a better place, he turned it down. Because it wasn’t what he wanted. He learned what being a hero meant, and now what he wanted was the opposite: to go home. To be normal. But the thing is, life doesn’t wait around for us to come back.”
Tommy glanced down to his neck. The lodestone compass shimmered in the dim light. His Tubbo.
“The world doesn’t care what your aspirations are, your nation, or your ideas. It doesn’t even care about your friends. The world doesn’t care if what you want does not want you. It doesn’t care, period. It’s cold. Survival is survival.”
-
"I want to be a hero when I grow up!"
"Oh, you do?" The man chuckled, furloughing his spade to sit down on the steps beside him. 
"What's the point of having a name like Technoblade if you're not a hero?" He shut the book in his lap, face beaming.
The young man's mouth opened before a scream rang out from inside the house, followed by shouting and yelling. 
The blond haired man sighed. He smiled back, then rolled his eyes. The man reached out and tousled his hair.
Techno laughed as the man’s voice echoed:
"How are ÿ̸̻͓́̑͐́͗̽͝͠ö̶̝͖̱̫̈́̑́͌͒̋ǜ̴͍͖̝̑̋ ̴̢̛̛̮̼̲͖̠̻̼̝̥̗̻̩̲̼̂̽͌̾̇͂̈́̾͐̅͘̚t̷̤͔̥̤̫̫̟̀̐̈́̿͐ḧ̴̡̘̦͔̠͎̰̬̼̜̺̮͎͚͛̈́ͅȩ̵̦̦̠̬̼͔̰̩̯̻̍̈́͐̌̓͆̀̉̑͗ ̸̪̤̣̏͒̚͜ͅm̸̗͇̘̮̥̮̪̤̯̤̞͉͗̾́͜ą̸̡̖̭̣̭͉͎̥̫̝̑̿̅̄̓͐̽̊̂͂̆͠͝ͅţ̶̮͚̰̂̀̈́̐͆͑̍͆͗͝͠ü̶̢̻͔̼͓̹͖̺̅̂̔̊̐̅ͅ��͙r̴͔̐̾͛ẽ̴̱̰̣̀̓̉̀̆̓̈̄ ̸̛̱͇̺̂̿͑̏̍̋͊͊͗̋̇̆͝o̴̬̙͚͇̳͎͆̇̌̐̿͂̓̄͛͝ͅn̵̨̈́̈́̂̋̐ͅe̷̛̟̱͖͙͙̩͆̊̆̓̂͒̈̍?̸͖̟̺͇̬̗̰̭̺͇͆͐̀͊́̄̍̀̅́͜
-
> home. 
> Tommy's still looking at you, you haven't spoken in a minute
> do you feel sick?? whats going on i just got here
“Blade?” And there was Tommy, with a drop of concern in his voice.
Technoblade shook his head. Late joiners. The memory crumbled to dust. 
He continued. “The Isle of Ogygia. That was where Odysseus’s survival took him. He stayed there, in the lull of the witch Circe, who wanted him for herself—”
“That’s sexist.”
“W-What?”
“The witch!”
“You think the witch is sexist?”
“No no no, the hero! He gets called upon—lured—by this woman just because he’s what, the hero?”
He could not believe this. “Tommy. I didn’t write it.” 
“I’m just saying!”
“The Isle of Ogygia. Or Atlantis, some people think it could be Atlantis, it honestly depends on what version you’re reading but that’s not important. Odysseus spent countless years there, safe but soulless. His heart was gone from his body, kept at bay with thoughts of home. Of family, of kinship. He was out of his body and mind for seven years. He was at the gods’ mercy, but fortune smiled upon him and he escaped.”
Techno took a moment to return his attention to his listener.
Tommy was transfixed, eyes wide.
For some reason, that made him smile.
“He made his way to one of his allied kingdoms. The gods, though, had shifted his appearance. This was to know how he still stood in their eyes. When so much time passes, relationships and bonds fade. Only his dog recognized him. The home he’d wanted for so long was plundered, practically destroyed. His wife—”
“He had a wife? That’s unrealistic.”
Technoblade repeated, annoyed: “His wife and his son didn’t recognize him. Only the dog.”
Tommy continued to ignore his point.
“Well dogs are good like that. I reckon dogs are better than most people."
Moving for the first time since the beginning of the story, he took a step towards the corner.
“Tommy, I’m trying to tell you that even though he won—He got everything he wanted, he got to go home—He didn’t win. His home was different. And he wasn’t the same man.”
“That’s—That’s sad.” 
Tommy stood up and Technoblade crossed his arms.
“It’s not a happy story.” 
"Then why are you telling it?"
“Forget about it.” If Tommy didn't understand, he wasn't going to waste any more time explaining. 
Tommy moved, shifting the cloak on his shoulders crooked. He opened the spruce doors, a strange expression on his face. Like a mixture of horror, fear, and anger. Technoblade recognized the anger first. Tommy looked back, stepped into the snow, then shut the door.
Techno thought, what? He’s going to throw a tantrum because a story doesn’t go how he wanted—
-
A white substance flitted down through the air like snow. Small, unburnt hands grasped upwards to try and catch it. They had only seen snow, never this new, fluffy, off-white plume.
The boy coughed up ash. 
“Hello? D̸̫̦̳̰͐̉ã̸̲̦̞̺͆d̶̗̒̐̕̕?”
-
Technoblade grabbed the edge of the box, stumbling. 
The memory—No, vision—was incompatible with reality. How would he have gotten to the Nether as a child? And Techno never had a father, never depended on anyone, never needed—
Before he could even begin to understand the implications, he was thrown back in.
-
He was lost. 
He was alone. 
And he couldn’t have known that enough inhaled ash will scar your lungs, burn your skin, and bury you beneath a mountain of suffocating fire the moment you stop moving. He couldn’t have known that the Nether contains biomes of this stuff.
Ash has suffocated him. It burns, searing his skin and cooking him alive. It’s like the fall of Pompeii. He read a book on Pompeii once. Perhaps in some distant time an archaeologist will discover the hollow shell of his remains and theorize what happened here, or a traveler, a survivalist happening along the same paths years later when he’s just a mound.
He read another book, once. About a volcano. It’s similar to that pyroclastic flow, a mix of awful molten core and heat. There’s no way to swim in lava, not truly. It doesn’t stop a thirteen year old boy from scraping for the surface in a pit.
He was going to die here.
It’s his coat that saves him. Handcrafted and made with love. The bottom half tears, and he loses a precious gift but gets to keep his life. 
Everything is burning. Is he screaming? His clothes are torn and he’s burning, he’s burning—
-
As quickly as it had come, it was gone.
Technoblade was instantly brought to the sensation of cracklings coals. He jumped at the sound, then looked down at his hands.
Hooves, right. Hooves.
This was too much to process.
Techno looked up.
He watched Tommy waddle to the front of the house in front of Carl’s stable, trudging through the snow the most inefficient way Technoblade could imagine. He was wiping his face.
For some reason, he thought it was something his good friend Philza would have a laugh at.
> PHILZA!!!
> Philza Minecraft?
> Philza would love it here
> The child is annoying, I hope he freezes to death
> I miss Philza
> Countdown to Philza visiting!
“Chat, you’re screaming into my ear right now.” He needed clarity, not a thousand voices in unison chanting for a friend.
Even from here, he could see that tears were pooling in Tommy’s eyes.
Technoblade didn’t bother with a coat. He ignored the sounds of the fire and how the heat made him feel uneasy, instead opting to climb down the ladder and go out the front door. Tommy was muttering to himself, a hand petting Carl.
“‘s not a happy story—What’s the point of telling a story if it’s not happy? I reckon he’s just one big downer. Downing all the time.”
It was then Techno decided to speak. 
“I’d say talking to yourself is a bad habit but since I can’t really do that without coming off like a hypocrite, I’ll tell you that being quieter usually means people can’t overhear sensitive, secret information.”
Tommy didn’t jump, but his shoulders hitched.
“I don’t care about secrets.” Tommy crossed his arms.
“Everything’s a secret when you can’t understand basic information people are telling you.”
“You don’t tell me anything!”
“I’m trying to tell you why people tell sad stories.”
“If I were his family, I would have recognized him.”
“No you wouldn’t have! That is literally the point of the story. You’re like five now, you think you’d recognize someone you saw as a baby?”
It happens a third time and Technoblade’s world spins.
> Recognize recognize recognize
> Is he finally remembering????
> idk, not yet?
> Ugh, someone get me when something interesting happens
> your dead, whats stopping you from watching all the time?
> It’s actually ‘you’re’
> where
> where?
> WHERE DID I ASK—
-
There is a house on a hill in the forest. It looks familiar, with a basement, a middle floor, and a top floor with stairs leading up from the outside.
There is a house beneath a hill in a fierce tundra. 
There was a house on a hill in a forest. It was a home too, once.
Both can theoretically exist at the same time. The house on a hill in the forest is perfectly ingrained in his memory, enough for him to replicate it bit by bit.
There is a boy with a beanie, taller than him. He wears a scowl.
There is a boy smaller than him with a bandage on his cheek.
Sunlight flows through the curtains like honey, oozing in warm delight. There is something resting on the bridge of his nose, and his fingers fly to adjust it.
He laughs.
The tiny freckled boy smiles and it shows his tooth gap.
A deep, tenor voice calls from downstairs and they rush to where storage is, the chests the dining room.
Their father is tired. There are bags under his blue eyes, but his smile lights up the room like the honey-light and like his brothers’ faces. He takes off his hat to sit at the table, a cape swishing behind him.
They’re singing at the table. Four humans with perfect harmony. They sing together all the time, how could he forget?
 The candles on the cake are flickering, and it’s a world away from the fires of the Nether.
“Happy birthday T̶̡͆̋́͝—”
-
Nothing else but static noise and Chat going wild.
“I’m sixteen! I am an adult man!” Tommy’s fists are balled as he stands, beating against his chest to each word and anger burns in his eyes until he sees his hero’s face. “Technoblade?”
His heart pounded.
-
The boy that Technoblade has been seeing through the eyes of is not an adult. Now he is a teenager. He is taller, the clothes more unfitting than before. There are stitches to fix the jacket, now forced to be a half-coat that tucks into his shirt.
He looks like the mockery of a man.
Actually, he doesn’t look like a man at all.
-
Technoblade remembered this part.
The rest had to be a daydream, the machinations of a tired mind. Separating his identity from his mask is impossible.
Literally.
-
He has forgotten what snow feels like. He has forgotten snow. There are many things Technoblade has forgotten, but the name of snow sticks. Snow. It sounds like a dream, like the deranged ramblings of a piglin who lost his mind, and like a fairy tale all at once.
He liked fairy tales, once. 
Now they’re just unrealistic.
The piglin group he is trailing turn to look at him. He’s been following behind them, scavenging whatever food they decide to discard and bartering whatever he can get his hands on. Their eyes are vacant, white. His eyes are present, despite his appearance. Alert. He has to be, it’s one mistake and death. 
The Nether is not forgiving.
He notices when their behavior shifts.
The piglins decide to attack. 
Technoblade sighs.
He doesn’t want to attack this one. There have been too many packs, too many attempts at communication, too many tries at a family.
Technoblade has no tools. He’s forced to work with his fists and some metal the pigs scrapped, which with enough tempering he’s made into knuckles. Netherite knuckles, but that knowledge will evade him until years in the future.
He busts one of the pigs’ heads open, then shoves another’s head into the netherrack wall. Blood spills on his boots. A tusk is embedded in his hand; he puts pressure on the wound then yanks it out, stabbing it into the head of the third. The fourth pushes into his back, and Techno slams his head back into its skull until it fractures.
The fifth runs off. 
And all at once, an uproar, a chant from a place and group he cannot see or hear.
It sings that Technoblade never dies.
-
All at once Chat was unanimous:
> Technoblade never dies.
> TECHNOBLADE NEVER DIES
> technoblade never dies
> blood for the blood god!!!
> Techno never dies
> Technoblade never dies!
He nodded in agreement.
“Technoblade.”
Tommy laughed.
Techno realized he had convinced the child he was fine.
“Is that how you get the girls, Blade?”
“I’m not interested.” The art of combat and potato farming interested him more than girls. Or anyone, for that matter. 
“Are you crying?”
“No.” Tommy sniffed. 
“Here, let go of Carl.” Technoblade pulled Tommy away.
“But I wasn’t—”
“I killed everyone that ever touched that horse.”
“Okay, fine.” Tommy doesn’t move.
Techoblade can’t sigh because he’s already sighed too much and anything that exacerbates the situation will give him a headache. Instead, he picks Tommy up and lifts him over his shoulder. He chooses to say nothing in response as Techno headed inside and down, down, until they were both in Tommy’s little nest of shiny things and stolen goods. 
Tommy struggled to stay on the bridge of consciousness. Technoblade takes his hand and walks him all the way there, staying down in the pitiful hole until Tommy has tired himself out from the sound of his own voice.
It was hours before he risked stepping away from the bed.
Snow fluttered down. It was cold and wet, but it was snow; a miracle all the same. 
Technoblade stretched out a hoof. It was not the hand of a small child that was trapped in the Nether. It was a Piglin beast who had believed he'd never feel the cold again. 
Technoblade glanced out the shutters. Tommy was inside, falling asleep. The silence of the home told him as much. 
He pulled his hand back inside. 
The fire of the top floor crackled. Techno dipped his head forward. His hands clasped around an invisible buckle, hidden underneath his hair. 
As easy and simple as changing clothes, Technoblade the human stood in his retirement home. His height was the same, scars still present, but now a long unkempt braid of hair trailed down his back. It was ill-maintained, tangled and disgusting. A liability.
Without thinking twice, Technoblade took his sword and slashed the braid off.
-
“You don’t know when to quit, do you?!” Dream yells. It feels like the ground is shaking beneath them.
Techno stands firm. He’s towering above him, sword at his side.
“Nope. I’ve been told it’s one of my best qualities.” His voice is monotonous as always.
The green fiend stood hunched over his stomach, shoulders rising and falling to the tune of his ragged breaths. He knew that they didn’t need to breathe. It was all theatrics, even in the middle of a fight. Still, Dream’s voice was frantic, jittery, shaking, and loud; something Chat assured him they altogether had never seen in their combined existences.
Technoblade felt smug.
Technoblade made the grave mistake of hubris.
In a flash, the god is behind him. The god that can see the straps of his mask, the god that slices it off with a well-placed swordstrike and grabs him by his braid.
“Y’know, I really didn’t want to kill you. I’ve heard about you, a little bit. I just didn’t care.” He whispers into Techno’s ear as the pain tears into his scalp.
It only took a half-second for him to find a solution.
Dream was guarding from the left, expecting another hit to his mask. 
Technoblade swiped at the right.
In a flash, he’s cut off his braid of pink hair and freed himself from the clutches of his enemy.
He smirks, and pulls out his axe. He doesn’t need the mask to fight, it’s already a part of him.
“C’mere, Dream.”
-
That one. That memory is real and he has all the proof he needs of that. He turned over his hand and pushed up the brass knuckles to see the gashes along his finger from where he held the grip. He sets the hand-to-hand weapon on the crafting table as he massages his hands.
Soaking his fingers in instant healing should alleviate the pain. Even for a moment. 
Dream hit hard. The wounds never left. 
But Technoblade hit harder.
A burned hand reached out to the snowfall. 
The snow didn't burn back. 
"He's not me, Chat. We're keeping it that way."
If there was one thing Technoblade was good at achieving, it was his goals.
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mine-curse · 4 years ago
Text
Hierarcy dehumanizes
(All rp, I'm takiling about the character inside of the narrative of the dream smp, unless i specify otherwise)
Technoblade's main source of personal "angst", that people dont veiw him as a "human", is a perfect example of why hierarchies are detrimental even to those who are "on top" and thus ties in really good with themes of anarchy. That everyone would be better off without hierarcies that exist beyond directly relevant measurable differences, aka coercive power structures, aka Goverment.
One could make the argument that he's the Strongest when it comes to combat on an <irl minecraft pvp> baises, but more importantly for ~cannon~ it's implied by the way other characters react to him that he provoks the most general -fear- of any single player (outside dream kinda ???), so its also enforced inside the narrative that he is strong enough that the avarage person veiws him as dangerous just to be around. The idea that a person is inherently "dangerous", is the idea that fules the dehumanization that he's tried/trying to fight against. Several times Techno has made a point to refer to his (and ranboo's) humanity, and while this is usually in a casual/joke setting, i do think it is important, given the general casual/jokey tone of cc!techno's streams. Most proment is the "I'm a person" speech.
The idea that most dont see him as "human", could have several sources though i think the most "canon" one is his combat ability. Most of the important dialogue surrounding this is from people reffering to him as a weapon, or as a tool to be used to gain social power (quackity's whole thing). I know its popular fanon that he's a piglin and people dont see him as "human" because of that. But i think this element of him being seen as an individual of almost mythical strength is more important to the themes of his character. Because of this (and because of other various social "weaknesses") he is isolated even though he is on top of the "hierarcy" of combat power. People who are meant to be on his side assume he'll be fine when he might actually need help (red festival, community house incident) and people who are against him are keen to exploit that stengeth and reputation to further their own power, while taking advantage of the weaknesses he does have.
With this its shown that it's not nessecarily Techno's strength itself that inherently causes this separation, but rather how others around him react to it. To further their own ends a lot of people have ended up dehumanizing techno, either in a negative (quackity) or a "positive" (wilbur and tommy) way. Its not an inherent bad to be strong, strength should be and can absolutly be a positive trait. Its just that within a world of heiracies his strength ends up isolating him and making him a target, and leads to others dehumanizing him.
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