#not to say you can't still write a compelling story that way

[malt-rants-and-stuff]

Something else that I saw another person say but

-> ignores the intent and immigrant-coding historically done with the superfam in favor of telling a queer story that doesn't make sense given the basis of kons actual (not TV-showified) character

like, I have Many thoughts about kon and his gender that I could go on about but as a queer trans person of color from an immigrant family I can say this would not have been a good choice to go with. even while ignoring the clear lack of understanding for kon's characterization its just so obvious she did not put in the work to see what his character even was to begin with and instead just invented her own yj show/newer comics-oc mix character with the name "Conner", who in this version would have been Constance, and called it a day.

To be clear I would love to see a prominent trans girl hero in current comics I think that would be wonderful. But. the way this would have gone down? The destruction of a character already so mischaracterized in mainstream circles, who I love so much, and the ignorace towards what the impact of this could have been? That's not good representation, that's just a narrative mess.

Magdalene Visaggio’s rejected proposal for Kon

[sskk-manifesto]

Ep 5!!!

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[thewriteadviceforwriters]

Master Dialogue Writing Techniques for Engaging Fiction (For Writers)

(Beware, long post!)

As fiction writers, we all know that effective dialogue is essential for bringing our stories and characters to life. After all, the way our protagonists, antagonists, and supporting players speak to one another is one of the primary ways readers get to know them on a deep, intimate level. Dialogue reveals personality, uncovers motivation, and propels the narrative forward in a way that felt narration simply can't match.

But nailing natural, compelling dialogue is easier said than done. It's a craft that takes serious skill to master, requiring writers to have a keen ear for authentic speech patterns, a nimble handle on subtext and implication, and the ability to strike that delicate balance between being true to real-world conversation while also keeping things snappy, dynamic, and laser-focused on the story at hand.

If you're someone who struggles with crafting dialogue that truly sings, never fear. In this in-depth guide, I'm going to dive deep into the techniques and best practices that will help you elevate your dialogue writing to new heights. By the end, you'll have a toolbox full of strategies to ensure that every exchange between your characters is as gripping, revealing, and unforgettable as possible.

The Fundamentals of Effective Dialogue

Before we get into the more advanced nuances of dialogue writing, let's start by covering some of the foundational principles that all great fictional conversations are built upon:

Reveal Character One of the primary functions of dialogue is to give readers a window into who your characters are as people. The way they speak — their word choices, their tone, their body language, their turns of phrase — should provide vivid insight into their personalities, backgrounds, values, quirks, and emotional states.

Think about how much you can glean about someone just from how they communicate in real life. Do they use a lot of slang and shorthand? Are they verbose and flowery with their language? Do they struggle to make eye contact or fail to respond directly to questions? All of these subtle linguistic cues are powerful tools for crafting multi-dimensional characters.

Drive the Plot Forward While revelations about character are crucial, you also want to ensure that your dialogue is constantly pushing the story itself forward. Each exchange should feel purposeful, moving the narrative along by introducing new information, triggering plot points, creating conflict, or prompting characters to make pivotal decisions.

Dialogue that feels aimless or extraneous will ultimately bore readers and detract from the forward momentum of your story. Every line should have a clear intent or function, whether it's uncovering a hidden truth, setting up a future complication, or escalating the tension in a high-stakes moment.

Establish Distinct Voices In a story featuring multiple characters, it's crucial that each person has a clearly defined and differentiated way of speaking. Readers should be able to tell who's talking just from the rhythm, diction, and personality of the dialogue, without any additional context clues.

This doesn't mean every character has to have an over-the-top, hyper-stylized way of communicating. In fact, the most effective character voices often feel grounded and natural. But there should still be distinct markers — whether it's word choice, sentence structure, tone, or speech patterns — that make each person's voice instantly recognizable.

Convey Subtext While the literal words being spoken are important, great dialogue also traffics heavily in subtext — the unspoken emotional undercurrents, power dynamics, and hidden agendas that simmer beneath the surface of a conversation.

The most compelling exchanges happen when characters are communicating on multiple levels simultaneously. Perhaps they're saying one thing out loud while their body language and tone convey a completely different sentiment. Or maybe they're engaged in a subtle war of wits, trading verbal jabs that reveal deeper wells of resentment, attraction, or vulnerability.

Mastering the art of subtext is key to creating dialogue that feels layered, lifelike, and imbued with dramatic tension.

Strategies for Writing Snappy, Realistic Dialogue

Now that we've covered the foundational principles, let's dive into some specific techniques and best practices that will take your dialogue writing to the next level:

Omit Unnecessary Details One of the biggest mistakes many writers make with dialogue is bogging it down with too much extraneous information. In real life, people rarely speak in perfectly composed, grammatically correct full sentences. We stumble over our words, interrupt each other, trail off mid-thought, and pack our speech with filler words like "um," "uh," and "you know."

While you don't want to go overboard with mimicking that messiness, you should aim to strip your dialogue of any overly formal or expository language. Stick to the essentials — the core thoughts, feelings, and information being exchanged — and let the subtext and character voices do the heavy lifting. Your readers will fill in the gaps and appreciate the authenticity.

Master the Art of Subtext As mentioned earlier, crafting dialogue that's rich in subtext is one of the keys to making it feel gripping and lifelike. Think about how much is often left unsaid in real-world conversations, with people dancing around sensitive topics, conveying hidden agendas, or engaging in subtle power struggles.

To layer that sense of unspoken tension into your own dialogue, consider techniques like:

• Having characters contradict themselves or say one thing while their body language says another

• Utilizing loaded pauses, interruptions, and moments of uncomfortable silence

• Injecting subtle sarcasm, skepticism, or implication into a character's word choices

• Allowing characters to talk past each other, missing the unspoken point of what the other person is really saying

The more you can imbue your dialogue with that layered, emotionally-charged subtext, the more it will resonate with readers on a deeper level.

Establish Distinct Voices As mentioned earlier, ensuring that each of your characters has a clearly defined and differentiated speaking voice is crucial for great dialogue. But how exactly do you go about accomplishing that?

One effective strategy is to give each person a unique set of verbal tics, idioms, or speech patterns. Maybe one character is prone to long-winded, flowery metaphors, while another speaks in clipped, efficiency-minded sentences. Perhaps your protagonist has a habit of ending statements with questioning upticks, while the sarcastic best friend always punctuates their barbs with an eye roll.

You can also play with differences in diction, syntax, and even accent/dialect to further distinguish how your characters communicate. The key is to really get to know the unique personality, background, and psychology of each person — then let those elements shine through in how they express themselves.

Lean Into Conflict and Confrontation When it comes to crafting gripping dialogue, conflict is your friend. The most compelling exchanges often arise from characters butting heads, engaging in verbal sparring matches, or working through deep-seated tensions and disagreements.

Conflict allows you to showcase the high stakes, unresolved needs, and deeper emotional currents that are driving your characters. It forces them to make bold choices, reveals aspects of their personalities that might not otherwise surface, and generates the kind of dramatic tension that will really hook your readers.

Of course, you'll want to avoid making every single dialogue scene a full-blown argument. But learning to sprinkle in well-placed moments of friction, confrontation, and clashing agendas is a surefire way to elevate the energy and impact of your character interactions.

Read Your Dialogue Out Loud One of the most valuable tricks for ensuring your dialogue sounds natural and lifelike is to read it aloud as you're writing. Hearing the words out loud will quickly expose any clunky phrasing, overly formal grammar, or inauthentic rhythms that would otherwise go unnoticed on the page.

Pay close attention to how the dialogue rolls off your tongue. Does it have a smooth, conversational flow? Or does it feel stilted and unnatural? Are your characters' unique voices shining through clearly? Are there any spots where the back-and-forth starts to drag or feel repetitive?

Actively listening to your dialogue — and making adjustments based on how it sounds in the real world — is an essential part of the writing process. It's one of the best ways to refine and polish those character interactions until they feel truly alive.

Hopefully, this can help you all!

The key is to always keep your focus on authenticity. Ask yourself: how would real people actually speak?

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[chuluoyi]

heartbreak hotel

- gojo satoru x reader

so you're going on a three-day-two-night getaway trip with the one and only Gojo Satoru. the catch? you two have just broken up.

genre/warnings: crack, jealousy, a dose of pettiness, hurt/comfort, fluff, zero angst i promise, suguru being a good buddy to his boyfriend best friend

notes: inspired by a very real life story :))) anyways, it takes place in an au where suguru never left and all is well with our little meow meow catoru the wonderful colored manga panel by the talented @redbluenight! this was so much fun to write (that it turned into a whopping 3k+ word, so sorry) and i even made a playlist while on it ;)

general masterlist

"He's intolerable!"

There were many things that led to the end of your relationship with Gojo Satoru, but if asked one word to sum it, then that was it.

When you started this thing with him, obviously you had never planned on how it would end―who started a relationship with that sort of mindset anyway? But if you could choose, you definitely wouldn't want it to end with dramatic shouting match that left you in tears.

Anyways, some things were just not meant to be. You refused to spend your whole life crying over that smug bastard, and so you moved on.

However, if there's one thing you've learned about plans, it is that whenever you already make a foolproof one, the world always has some funny way to mess it up.

Like this time.

"I... I remembered saving for months," you stammered dumbly, staring blankly at Shoko in front of you. The realization felt like a spiritual ascent. "I paid for that damn plane ticket and hotel with my whole saving. I can't just throw them away."

How could you possibly forget about this? This graduation trip that had been planned between your group of Satoru, Suguru, Shoko and yourself for months now. It was meant to be a getaway, a celebration of your most significant achievement after four years of barely getting by on exorcising curses and not dying in the process. This was supposed to be the ultimate milestone celebration in your life.

"Then don't," Shoko replied simply, twisting the cigarette in her mouth. "I'm still going though. No way I'm wasting that money."

"But!" you vehemently hissed. "He will be there. It means I have to see him for three days straight!"

Your cringeworthy breakup happened just barely a week ago. You had sworn in front of Gojo Satoru that you didn't want to see his face again, and yet in less than a week from now, you and him would literally share the same space―again?

"Can't I get a refund?"

"This late? Nah, it's like yay or nay at this point."

You slumped in frustration. Were the gods making you swallow your own words now? You were left with no other choice. Your frugality and tendency to get broke often compelled you to make the decision.

You were going on this trip whether he was there or not.

Meanwhile, on his end, the said smug bastard was brooding, groaning and pacing over the same predicament. Satoru had two options and had weighed them all, and somehow he still arrived at the more seemingly no-good decision.

"I'm going, duh!"

"You are?" Suguru asked with a hint of surprise in his voice. "Well, might be the first time I've seen someone agree to go on an overnight trip with his ex..."

"Hmph. I just don't like squandering money."

Suguru snorted, unimpressed. “Satoru, you have an entire fortune. The airfare is just an amount you'd donate to charity. Besides, you have wasted more than that.”

“Well, I want to enjoy my youth too! I’m going—who cares if she’ll be there!”

He was still miffed, recalling the day your argument spiraling out of control. How could you say those hurtful things to him?

“You never take things seriously—heck, I’m not even sure if you’re ever taking me seriously at all! Satoru, you’re always acting all high and mighty, but you’re just a selfish little twat!”

No way. The last time, he was left in the dust, not being able to say anything in his defense. So now, he would use this chance to be the one who had the last laugh. He was going, because he was 70% sure that you wouldn’t let your hard-earned money go to waste.

And he was right when two days later, he found you at the airport with a bitter scoff upon seeing him.

“Hey, sweetheart,” he moistened his lower lip in that obnoxious way. “Missed me?”

You walked past him, tone lacing with disdain. “Get lost, Gojo.”

He couldn’t help the prickling sensation in his chest when you dismissed him just like that. And the use of his last name—whereas you used to call him with all sort of available pet names? Now that was just low.

“Nah, you can’t get away from me that easily, Y/N,” Satoru sniggered. “You’re going to see me for the next three days, so suck it up and enjoy the sight,” and then the idiot proceeded to pump his fist in the air. “Wooo! Kyushu, here I go!”

Suguru and Shoko merely observed your icy interactions in silence, occasionally exchanging glances from time to time.

ITINERARY ::: DAY 1 — BEACH DAY @ SEASIDE HOTEL

After the three-hour flight, the four of you arrived at Karatsu, one of the main highlights in your trip—or back then, one you and Satoru handpicked yourselves.

You swore you still had your heart frozen for him, so you didn’t know what stirred it when you saw him giggling and doubling over in carefree delight, surrounded by those beach girls in skimpy bikinis.

“Hey, handsome~ is this even okay?” one of the girls in pink thong scooted closer to him, asking him with this cheap seductive grin. “Won’t your girlfriend be mad?”

At that moment, you could’ve sworn Satoru threw you a glance from the corner of his eye before replying with a triumphant bark. “What girlfriend? I’m wholly and happily single!”

The hell?

A rush of squeals grated your nerves as they swarmed your ex-boyfriend, prompting you to stalk away in irritation.

Absolutely not. You wouldn’t let this fine establishment be your heartbreak hotel any longer.

Gojo Satoru knew fully that he was petty. He let you see that on purpose just to rile you up, because frankly, he still felt like he didn’t deserve your messy breakup at all.

But when you were no longer in his eyesight, suddenly the urge to entertain these strangers dissipated, and what remained was this hollow sensation in his chest. You not paying him attention somehow made him crave it all the more.

He recalled how you pointed out that playing in the clear waters would be your ideal graduation gift. He specifically recommended this place himself and you had agreed. He remembered planning all of this, dragging Suguru and Shoko too just to make it merrier. To keep that cute smile on your face.

You were supposed to fool around with him in the clear waters of Matsubara Beach, splashing and pulling him underwater.

And yet in reality, he was toying with these questionable women and in your eyes, he was nothing but an irritable twat.

He didn’t see you again until evening, during dinner time. And the sight before him made him want to pull Suguru to the side and trap him inside his unlimited void.

"Really?" Your clear voice rang in his ears, every bit the same as when you would energetically question him with those doe eyes of yours, as you peered at Suguru. "We should go together tomorrow then!"

His eyes twitched.

What has his life come to? Reduced into seeing his ex-girlfriend possibly going on a date with his best friend?

He almost hoped that you'd stage up your pettiness level. It was worse because unlike him, you didn't make this up just to gauge his reaction.

That night, in their shared hotel room, he ignored Suguru completely, as well as silently waiting for him to divulge where he and you were going tomorrow.

"Hey Satoru—"

"Shut up, I'm trying to sleep."

It was obviously a wrong move, because Suguru apparently caught the hint and stayed quiet as a mouse throughout the night.

ITINERARY ::: DAY 2 — HOT SPRING @ KUMAMOTO

Or at least, last he remembered, that was the agenda.

Until he saw that only Shoko who was there, idling around at the hot spring area.

"Where are the others? Why is it only you here?"

She shrugged. "Geto said he's going to try the local specialties. Dunno where. As for me, I'm going to enjoy this onsen to the fullest."

Shoko noticed his irritated scowl, and a sly grin crept across her face.

"Heh, jealous much now, Gojo?"

Meanwhile, you and Suguru went to various dessert shops in town as per his invitation. Perhaps he took pity on you because you really seemed not to be having any fun at all after you stormed off from the beach area yesterday.

"Mmm! This is tasty!" you remarked, munching away the three-colored dango happily. You were so engrossed in eating today that you no longer had any room to think about anything else, which was a good thing.

Suguru smiled. "I'm glad you're enjoying yourself now." However, he appeared to have something on his mind, prompting you to hum and tilt your head in curiosity.

"No, it's just... so it's really over between you and Satoru?"

You let out a snort. "Yeah. Totally. He's an ass."

"He really is miserable, you know..."

"Nah, he doesn't look like it."

Your friend sighed. "Honestly, what was the argument even about? Both of you usually didn't take it this far."

You didn't want to go back to that topic, really. But Suguru was always the one with cooler head, and after his kindness today, maybe you could spare him a detail or two.

"It's a lot of little things that have piled up, you know," you mumbled. "It's probably just how he is, and I know. But I finally reached my boiling point. Why can't he try to see things from my perspective? Everything that's important to me doesn't seem to matter to him, and relationships need two people, not just one who resigns and the other who does anything he pleases."

And until now, you doubted if Satoru even realized what he did wrong. That was what hurt you the most. Like you were so small in his eyes, like he could toy with you and get away with it.

As you expected, Suguru would understand your point. "So that's how you feel... Yeah, I think I get it."

You thought he would end it at that, but then he went on. "I'm not defending him, Y/N. I think some time away from you would do him good, but later, maybe you can talk this to him? See if he will understand?"

"I already did, so many times." You narrowed your eyes at him. "Not to offend you, but it awfully seems like you're defending him, Suguru, despite you saying otherwise."

"I'm saying this because sometimes we can forget that Satoru is different," he explained sympathetically, and to be honest, you were surprised by his statement. "He is born exalted. He has a hard time comprehending things that come to us naturally. I just think it's a pity if... you can actually fix this, but just because bad communication, you lose the chance to."

Have you properly communicated this to him? Now that you thought about it, most of the times you would just get mad and point at the little things he missed, but never actually told him how it made you feel.

Your mind was still muddled with the fact Suguru had shed light on even after you got back to ryokan where you were staying for the night. The two of you were in for a surprise though as apparently there was a festival happening there.

Everything seemed to spark with glitters. The bamboo lanterns, lights, the gentle breeze. It created an undeniably romantic ambiance, to be honest.

You didn't know when Suguru slipped away, but suddenly, you found yourself alone amidst the visitors and dim lights.

And you found yourself to be immensely lonely.

Satoru spotted you in all your solitary glory amidst the sea of people in this godforsaken place.

No, actually it was a pretty great inn and attraction, but this trip had been horrible so far, and so he just felt everything was bad.

But at that moment, bitterness no longer clouded his mind, because you were so beautiful, bathed in the glow of the lights that Shoko had forcibly dragged him to see. If it were up to him, he'd spend the last night sleeping his heartbreak away, but now that he was here, he was thankful to see the dazzling sight of you that reminded him once again just what made him hopelessly in love with you.

And why he didn't get his sorry ass back into your good graces faster.

He retraced everything had brought both of you to this point. Your last fight was about what again? Him not telling you any news when he would be back from a mission?

No matter how he thought about it, it was a trivial matter. So what made you mad? He kept thinking, and then he imagined switching places with you. What if you didn't text him at all for three days straight? How would he feel? Oh, he would be despondent, of course.

Now he was starting to understand. He had done that so many times he could no longer keep count. Granted, you would be angry.

Satoru suddenly know how to rectify this. He can make things right. He would be damned if he didn't. He just had to pull you aside, and he was going to when he lost sight you in the crowd.

Okay, now he was frantic, as the longer he didn't see you, the more his opportunity to make amends slipped away. He moved through the crowd, pushing people in the process, earning ire and questionable glares and yet he cared none for it.

He nearly cursed at how his phone kept vibrating incessantly inside his pocket. Begrudgingly, he took it out and almost gasped.

You are calling him.

Bang! Bang! Bang!

It was so incredibly stupid. You just went to pee for a bit and then somehow got yourself locked in the toilet. It might have been fine, but then the lights unexpectedly went out, scaring the shit out of you.

How could such a upscale inn experience a sudden power outage and have doors that wouldn't budge? It was worse when no matter how many times you punched the switch or banged the door, it refused to turn on or open.

You were trapped. Honestly, it took everything you had not to cry.

And so you did the next best thing aside from forcing your way out. You called your friends. First, Shoko, and then Suguru, but both of them somehow didn't pick up the call even after you had called them three times each.

That left you with one possible person left. In your frenzied mind, it didn't even register in your mind what you were doing as the line connected and the last person you'd call on the other side answered.

"Satoru," you shakily breathed out, almost crying—or were you already? You didn't know as you focused on his sharp intake of breath, most likely surprised at how rattled you sound.

"Y/N? What? What is it?"

"I—" you wheezed, hating how helpless you sounded, yet still forced the words out. "I'm locked, it's dark—and it's just so—help! Help me please! I tried getting Shoko but she didn't—"

"Okay, sweetheart, calm down. Calm down, okay?" Satoru's voice brought you some comfort and it helped to reduce your tears, missing how he slipped up by calling you with his usual pet name for you. "Tell me. Where are you?"

"The women's restroom… I think it’s in the east wing."

"I'm coming, okay? Don't panic. I'll be there. Just stay on the line."

You heard his ragged breaths as he muttered several "coming through!" and "excuse me!" from where he was. It made your heart lurch. Despite the spiteful breakup, he rushed to your aid as soon as he realized you were in some kind of trouble.

Was this okay, to let your relationship end just like that?

"I'm outside." And then you heard his voice, much to your relief. "Y/N? Are you there?"

"Yes!" you shouted over the steel door.

You then heard how he rummaged to get the door open, and faintly hear him cursing it. "It won't open."

You wanted to sob, but then Satoru told you with an absolute tone, sounding so sure and demanding that compelled you to comply. "Get away from the door. As far as possible. Take cover."

Oh God, was he going to do what you thought he might do?

...he did. The next thing you knew, the door—and much more than that—was destroyed, and a rush of cursed energy was everywhere. After the blast subsided, you instinctively made a run for it, and you didn't know how, but you ended up stumbling into him.

Satoru caught you in his firm embrace.

"It's okay. You're okay," he cooed, whispering in your ear gently, urging your shivering body to calm down. "You're safe now, Y/N... I'm here. You're safe."

There was always something about your trembling form that made him want to tear down everything and anything in his path just to make you feel secure. And there was always this sense of rightness whenever you snuggled in his arms. Both desires clashed in a contrasting need and want and Satoru could do nothing but keep you close to him, torn between the two.

He kept his hand on your spine, and you clung on him, burying your face in his broad, sturdy chest.

Nevermind the fact that you technically broke up with him. Nevermind that ever since this botched trip started, it was the first occasion in which the two of you held a proper conversation without spewing bravado or sarcasm.

Afterwards, he led you away from the site, and he figured it would be best to go somewhere quieter rather than the festival, and so here you were, at the deserted lounge.

You had calmed down for the most part, and slowly you felt heat in your cheeks. In hindsight, you could've tried using cursed energy to blast the door too, why didn't you think of that earlier?

And yet, unaware of your internal musings, Satoru's thoughts were occupied with another matter entirely, and blame it on his insensitivity—he chose this moment to drop it without hesitation.

"I want you back," he declared, void of any hesitation. "I'll be better, I promise. Those things you hate—tell me, and I'll make sure not to repeat them again."

He wasn't the sharpest when it came to picking up on your feelings, but Satoru vowed that if it bothered you that much, then he would do his best to avoid doing it.

But you... you were still trying your best to grasp the situation. Amidst the plot twist you just experienced tonight, his blatant proclamation was the last thing you expected so you only managed a "What?"

He held your gaze, eerily serious. “I don’t want to break up. It’s hell. We can—I can still fix this.”

He looked sincere, unlike the usual empty promises he’d give you after you went off on him. And suddenly, you understood.

“…really?”

“Yeah. Just give me another chance. I’ll prove it to you,” Satoru said, visibly impatient now. “I won’t give you up. This literally is the fight of my life right now.”

You couldn’t help but chuckle, despite yourself. If there was anything that you had learned tonight, it was that apparently you and him were still salvageable.

“And how will you prove it?”

“Just so you wait and see, sweets. I’m gonna relight your feelings!”

It was beyond corny that he took a line from your favorite song. And both of you burst into a laughter at the sheer silliness of it.

You sighed, but this time of relief, in stark contrast to your earlier sighs that afternoon. You were giddy as a smile perched on your lips. “Fine. Let’s give this another shot.”

Satoru felt the tension in his shoulder melt with your answer. A genuine, wide smile emerged from the bottom of his heart and lit up his face.

“Now, this whole trip has been kind of terrible so far, don’t you think?” He made a brief pouty face for a moment before reverting to his mischievous grin His remarkable expressiveness—reminiscent of a child's, in your opinion—never ceased to fascinate you. “I have a pretty good idea where we should go next.”

You furrowed your brow in confusion. “What do you mean? Tomorrow’s our last day.”

“No freaking way!” he exclaimed, whipping out his phone to launch the travel agency app. “We are going to redo our graduation trip. This time just the two of us!”

There were many things that led to the end of your relationship with your dork of a boyfriend, but as you reflected on it, you realized that there were also many reasons for you to stay together, especially when he reached for your hand and held it firmly in his grasp.

You were unable to contain your excitement and bubbling with melodious giggles that he adored so much as he whisked you away from Kumamoto in favor of the last bullet train to Kyoto, where your long-awaited true vacation would begin.

Epilogue

“I told you this was a horrible idea. I fucking told you.”

"Can you blame me? Dude was about to throttle me in my sleep."

"Geto," Shoko scowled, her disbelief at his simple answer evident as she gestured wildly with both hands towards the wrecked lavatory, emphasizing her point. "Look—now that he had gone and done it, we're the ones footing the bill for the destruction of property!"

Gojo had blasted the washroom with a freaking Red. And the innkeeper promptly held both Shoko and Suguru responsible since their roommates were captured on CCTV and had vanished without a trace.

Suguru rubbed his neck sheepishly. "I genuinely thought it was a good idea. I didn't expect Satoru to go overboard though," then he threw her a stink eye. "And hey, you were complicit in this too!"

Shoko mumbled a string of curses as she pulled out her phone, snapping some pictures of the undeniable evidence of Gojo’s doing, and then made a call. Suguru frowned.

"What are you doing?"

"I'm reporting him to the headquarters!"

[neil-gaiman]

Hi Neil,

I hope this doesn't get buried in the ask box, but if it does, I'll still be glad I sent this, just to know this little lengthy slice of complement and thanks existed in your inbox is enough. I apologize for the length, I am pretty sure the grammar is in tatters...and probably just the general awkwardness in advance.

Frist of all, congratulations for Good Omens Season2, it's a roaring success even here in this...I don't know, bottomless pit? I myself and some others fondly call it the PRC. The show didn't made pass the firewall officially, neither was Prime Video. People still managed to watch it eventually by VPNs, shared accounts and when times are desperate...sorry, piracy. Chinese fans, including myself, using every tool in the shed to try to fool Amazon™ and our goverment, just to watch this on Prime and try to help to manifest S3, is one hell of an experience. This kind of experience is pathetic, ridiculous....and somehow hilarious in a dark, gallows humor way, almost like some bad spy comedy, I just have to share it. Worth all the trouble by the way, the reward at the end of the back channel is...well, some divine comedy to say the very least. All in all, it's a brilliant show and a solid job well-done.

Then some of my personal gratitude. They say good art resonates with your soul, I now know this is just as true as matter and gravity. Since I know Good Omens certainly resonated with mine. I'll redact the typical "depression and anxiety reduced me to a husk, a shadow of my former self" story and get to the result for brevity's sake. I can't write anything meaningful while I know I took joy in writing, I can't finish reading anything longer than a brochure while I know I was such a bookworm in the past. Then I was compelled to get up in the middle of the night, wrote a full 5000 character long analysis after marathoned S2, and then write even more analyses in both Chinese and English. I picked up American Gods because I know I need more Neil Gaiman in my life and then impressed by myself for actually finishes it the second time 5 years later. I didn't know how exactly that happened through one watch of a TV show, but I know I am changed for the better. I grasped life again, and can start living again, somehow. The resonation just keeps on giving.

This is a quiet, gentle and romantic story, it is soothing, accepting, filled to the brim with love and kindness, and it makes me feel safe and accepted and loved in a way I never felt before. I thank you for it, and hope thart I may have the privlige to witness more of this miracle. Thank you Neil, Sir Terry Pratchett and the team for this miraculous book and this miraculous show.

谢谢。(I just had to say thanks with my mother tongue, it feels more earnest this way)

Thank you so much! I'm impressed by everything you and your countryfolk have gone through to watch it as legitimately as you could.

[emeryleewho]

I've noticed that people take writing advice way too literally and then get really mad about it, so here's a quick guide of what the typical "bad' writing advice is actually trying to tell you.

[Note: you don't have to take literally any piece of advice. It's just there for your consideration. If you hate it, leave it and do things the way you want. But the reason all of this advice is regurgitated so often is because it has helped a lot of people, so it's okay if it's not for you, but it may still be life changing for someone else.]

Write Every Day

"Write every day" is NOT supposed to be a prescriptivist, unbreakable rule that dictates anyone who doesn't write literally every day isn't a real writer. It's supposed to be a shorthand way of saying "establish a writing routine. Get used to writing at certain times or in certain places or in certain patterns, both so that you can trick yourself into writing even when you don't feel like it by recreating certain conditions, but also because if you only write "when you're in the mood", you may never get around to finishing a project and you likely won't be able to meet publishing deadlines if you decide to pursue publication."

The point of this advice is basically just to get used to seeing writing as part of your daily routine, something that you do regularly. But if you decide you can't write on Tuesdays or weekdays or any day when you have certain other activities, that's literally fine. Just try to make it a habit if you can.

2. Show Don't Tell

"Show don't tell" DOES NOT AND HAS NEVER meant "never state anything plainly and explicitly in the text". Again, "show don't tell" is a shorthand, and its intended message is "things tend to feel a lot more satisfying when your reader is able to come to that conclusion on their own rather than having the information given to them and being told they just have to accept it." It's about giving your reader the pieces to put the puzzle of your book together on their own rather than handing them a finished puzzle and saying "there. take it."

So if you have a character who's very short-tempered, it's typically more satisfying that you "show" them losing their cool a few times so that the reader can draw the conclusion on their own that this character is short-tempered rather than just saying "He was short-tempered". Oftentimes, readers don't want to take what you tell them at face value, so if you just state these sorts of details, readers will push back against that information. People are significantly more likely to believe literally any information they are able to draw conclusions on without being told what to believe, so that's where this advice comes in.

3. In Medias Res

This one is so often misunderstood. "In medias res" or "start in the middle", DOES NOT MEAN to literally start halfway through your plot. It also DOES NOT MEAN that you should start in the middle of an action packed scene. It just means that when you start your story, it should feel like the world and the characters already existed before we started following them. It shouldn't feel like everything was on pause and the world and characters only started acting the moment the story begins.

This is why starting with a character waking up or something similar can feel jarring and slow. We want to feel instantly compelled by your character, and the most efficient way to do that is [typically] to have them already doing something, but that something can be anything from taking a shower to commuting to school to chopping off a dragon head. We just want to feel like the story is already moving by the time we enter.

4. Shitty First Drafts

The idea that you should let your first draft suck and not revise it as you go is a tip presented to combat the struggle a lot of people have with not being able to finish a draft. If you find you've been working on the same first draft for five years and barely gotten anywhere, you might want to try this advice. The point is to just focus on getting to the ending because finishing a draft can give you renewed energy to work on the book and also makes it easier to get feedback from readers and friends.

That said, if your story is flowing fine even as you go back and make edits, then don't worry about this. This is advice specifically designed to target a problem. Likewise, this doesn't mean that you can't clean up typoes when you see them or even make minor edits if you want to. It just means not to let yourself get completely bogged down by making changes that you never move forward.

A "shitty first draft" also doesn't mean that your story has to be completely illegible. It just means that you shouldn't let perfectionism stop you yet. I see a lot of people say "well, I can't keep going until this first part makes sense", and that's totally reasonable! Again, the point of this advice is just to get you out of that rut that keeps you from making progress, but if you spend a couple weeks editing and then move on or you find the book is still making forward strides while you edit, then you're fine. You don't need this.

5. Adverbs

The idea that you "shouldn't use adverbs" DOES NOT MEAN that any time you use an adverb, you're ruining your story. It just means that you shouldn't *rely* on adverbs to carry your story, namely in places where stronger verbs or nouns would do a lot more heavy lifting.

For instance, you can write "she spoke quietly", but generally speaking, that "quietly" there is a lot weaker than just subbing out this clause for "she whispered". You probably have the word "spoke" all over your draft, so subbing out one instance of it here for a stronger verb in place of the same verb + an adverb makes for stronger prose. This doesn't mean that you'll never want to use the phrase "spoke quietly" over the word "whispered". For instance, if I write, "When she finally spoke, she spoke quietly, like that was all the volume her weakened lungs could muster." In this case, I'm using "spoke quietly" specifically *because* it echoes the previous spoke earlier in the sentence, and it evokes a certain level of emotion to have that repetition there. I also used it because she's not actually "whispering", but trying to speak at full volume only to come off sounding quiet.

So when people tell you to cut adverbs, they're saying this because people often use adverbs as a crutch to avoid having to seek out stronger verbs. If you're using your adverbs intentionally, having considered stronger verbs but ultimately deciding that this adverb is what does the job properly, then there's nothing wrong with using them. This is just a trick to help you spot one common weakness in prose that a lot of authors don't even realize they have.

6. Write What You Know

This is potentially the single worst-underestood piece of writing advice. "Write what you know" DOES NOT MEAN to write only what you know or that you have to put all of your life's knowledge on the page. It just means that drawing from your own experiences and already there knowledge will help you craft a better story.

So, for instance, being an eye doctor doesn't mean you have to write a story about an eye doctor. It doesn't even mean you need to write a story that directly deals with any eye knowledge. It just means that there are likely things you've experience as an eye doctor that can help inspire or inform your story. Maybe you remember a patient who always wore the same yellow shoes, and so you include a character who does exactly that. Maybe you spent a lot of hours dealing with insurance so you decide to write about insurance agents. Maybe your practice was located next to a grocery store so you decide to write a zombie apocalypse story that takes place in a location inspired by that shopping center.

The point is that, as people, our lived experiences allow us to relate to other people and craft more believable worlds. So don't limit yourself to your lived or experience or feel obligated to only write the things you've done, but when you find yourself wondering what to write about next or how to give a character more depth or how to describe this random location, pull things from your life and let what you already know bring a certain level of unique you-ness to your writing.

And the MOST important advice I can give you is to stop looking at writing advice as some holy, unbreakable rules passed down by the gods that you cannot ever deviate from. And if a piece of advice sounds totally bonkers, do some research on it. There's a good chance that whoever's passing it to you has no idea what they're talking about. But even if every other writer swears by a certain piece of advice, you absolutely do not need to take it. Try it on if you want, and throw it away if you don't, but stop making yourselves miserable by letting random internet people dictate your life. Most people giving advice on the internet aren't where you want to be anyway, so don't expect them to be able to guide you somewhere they've never been.

Everything's made up, and nothing matters. Write what you want.

[verynormalazulashengrottoenjoyer]

Pining Thoughts

Oh that poor, unfortunate soul. Azul just can't seem to get you out of his head, now can he? And trust, it's driving him absolutely insane.

Fluff! Gender neutral y/n. About 8kish words?

Canon story event context!!: this story builds off of and directly branches off from the visit to the Atlantica Memorial Museum at the end of Book 3, and the conversation the prefect and Azul have when Azul goes to return the photo. The lines that I use at the beginning are pulled directly from the entwst translated dialogue! Basically, he takes what you said to heart, a lil too much

~~~

“You’re amazing as it is, even without stealing anyone else’s powers.”

“What…?”

“Your incredible diligence is so rare, it left the headmage at a loss.”

“You…you think?”

“Heh…you needn’t try so hard to butter me up.”

~~~

It had been about a month since that trip down to the Atlantica Memorial Museum to return Azul’s childhood photo. About a month since that conversation had taken place between you and Azul, away from the rest of the group. You two had walked side by side, as Azul had poured his heart out to you. 

“The Sea Witch never hid her past misdeeds. She worked hard to restore her reputation, and earned the people's respect that way. I kept saying I wanted to be like her… but in the end, I couldn’t accept my own past. I kept rejecting it.” 

Azul hunches over his unfinished paperwork, remembering those vulnerable words that spilled from his mouth. He runs his hand through his already messy, light gray, wavy hair, letting out a deep, heavy sigh. 

“…How stupid.” he mutters.

How could he have said all that to you? Seriously, what in his right mind compelled him to say something so…so…weak. To you. 

But, in actuality, that part of the whole interaction consumed the least of his mind, what really had Azul in turmoil was your response. 

Amazing..? Incredible…? My diligence…? 

Those sweet compliments rang in his mind, day and night those two sentences replayed over and over in his mind, the way you looked at him with full sincerity in your eyes as you said it. Your voice contained no malice, no ulterior motives…only compassion.

That’s something he wasn’t used to.

And it was driving him insane.

You’d been so kind to him through it all. The overblot. God, he could’ve killed you. And yet here you were, still smiling at him, complimenting him, treating him like he was…normal. Like a friend.

Azul’s purple bow tie of his dorm uniform was undone, hanging over his neck loosely. The top button of his white dress shirt was unbuttoned. His black vest and coat were thrown messily over the back of his chair as he sits at his desk in the VIP Room of the Mostro Lounge, and his black fedora was thrown on the floor next to him. Azul closes his eyes as he leans back in his chair, tilting his head back and stretching his legs out under his desk. 

So what if you had given him a few compliments? It was just some words. People get compliments all the time. It didn’t mean anything. 

And still, he could not get them out of his head. He could not get you out of his head.

Why??? Why couldn’t he stop thinking about you?? Azul let’s out another deep sigh as he opens his eyes and stares at the ceiling, trying to push the thoughts away. But one thought manages to slip through:

… are they thinking about me too?

“Hah…” Azul let’s out a breathy laugh and softly shakes his head, “What a stupid thought. Of course they're not. This is me overthinking… that’s all.” 

And with that final push away from his thoughts, Azul straightens up and looks back down at his work, picking up his pen as he continues his tasks. But as he writes, his hand gliding across the paper, he just can’t shake that underlying feeling…a tingling sensation in his chest…that always seems to linger when he thinks of you. 

…

“AWWWWW YEAH. I AM STARVING!!!!”

Azul jumps upright in his seat, pulled from his thoughts. He knew that voice, it was the voice of Grim, that cat-like monster, or whatever the hell he is. He seemed to have just entered the Mostro Lounge.

That damn cat’s always so obnoxiously loud, Azul thought. 

Suddenly, Azul’s heart drops, his face turning ghastly pale. 

Wait… Grim. That must mean… the prefect is here as well.

Azul drops his pen to the floor, rushing over to the little window of the VIP lounge, moving the curtain just enough to see a sliver of the general dining area of the Mostro Lounge. Sure enough, there you were with Grim, along with the other first-years you were usually around, Ace and Deuce. 

Azul pulls back from the curtain quickly, looking around for his vest and jacket. In a frenzy, he throws them on, as well as ties and straightens out his bow tie. He slips on his gloves. His heart pounds.

After somewhat composing himself, he opens the door of the VIP Lounge, making his way over to you and your group. On his way, he catches a glimpse of himself in the reflection of the large fish tank wall of the lounge, noticing a small piece of hair sticking up. He quickly goes to brush it down with his hand. In the reflection, he can see his hand shaking. He sharply turns his head away from the reflection. Come on Azul. Pull yourself together.

Azul finally reaches the group of first-years, clearing his throat.

“Why, if it isn’t the most famous first-years of Night Raven College! Gracing us with your presence here at my humble Mostro Lounge today, are we?” 

“Hi!” You say cheerfully to Azul, smiling and waving at him, stepping a foot closer.

Azul stops in his tracks, freezing as though someone held a remote to him and pressed the pause button. 

“H-hello!” Azul’s voice cracks as he pushes out a greeting. “Y/N, I’m glad to see you’re- um- doing well!” 

You nod slightly, “Mhm, yes. You too.” 

Azul smiles, letting out an awkward, nervous chuckle, looking at you for a…slightly uncomfortable amount of time? 

“...Um…think we could get seated? Please?”

“OH! Oh!! Yes!! Of course! Right this way, right this way” Azul jumps a bit, your request snapping him out of his trance. Finally, he moves from his place, waving frantically for you and your group to sit at a booth. “Ahem, might I get you some menus?” 

“Please, thank you.” You respond politely. Azul quickly grabs four menus, placing them on the table. “I’ll have one of my employees come over to act as your waiter immediately” Azul says, still only looking at you. Now that you think about it, he hasn’t even glanced at the others. “E-enjoy!” He exclaims. 

Oh, but he’s not done making a fool of himself yet.

Awkwardly, he continues to linger at the edge of your table. After a couple seconds, he tentatively asks “Um…I trust I’ll be seeing you in club this week, Y/N?” 

“Uhh…yeah. Probably.” You nod.  

Azul smiles and bows his head quickly, backing up a bit “E-excellent, see you then”. Suddenly, he stumbles as he walks back, nearly tripping over the ornamental rug on the floor. The stumble causes his already slipping glasses to fall to the floor. 

I have GOT to move that rug. 

“O-oh! Are you okay?” You lift up a hand as his glasses clatter on the ground.

“I’m fine! I’m perfectly fine! Worry not of me! Enjoy your meal!” Azul spits out, letting out a small, constrained laugh, reaching his hand down to pick up the glasses. He hastily places them on his nose, resulting in them resting in a crooked position on his face. Smiling awkwardly and taking one final, small bow to you, he scurries away back into the VIP Lounge.

…

Silence suffocates the table.

“…What the fuck was that?” Ace says, breaking the silence.

“He was…really nice?” Deuce, looking utterly confused. 

“More like…really weird. Why was he being so awkward?? Isn’t his whole gimmick… like… being smooth?” 

You look at Ace and Deuce, nodding in agreement, “Yeah…that was kinda odd I’m not gonna lie…” you shrug “I dunno”. It was kinda cute though, you think to yourself. Of course, you’d never say that out loud. Especially not to these three.

You definitely liked Azul. But he definitely does not like you back. All that man has feelings for are the scrolls in his desk. That’s the conclusion you had come to, anyways. 

“I DON’T care. I just want food. Come on, come on! Figure out what you want so we can order already!!!” Grim says, pushing the menu into your face.

“OKAY, okay. Damn.” You snatch the menu from Grim.

~~~

Meanwhile, Azul’s sweating bullets in the VIP Lounge.

What the HELL was I doing out there???!!??!

Azul sits in the corner of the room, his head in his hands.

I was so…weird!! What if they dislike me now?? Oh god… how humiliating… they'll avoid me now! They're going to avoid me! No no no… maybe I could trick them into signing a contract that’ll make them not avoid me? Reverse restraining order? NO. Azul! What are you THINKING?

Azul buries his face in his clammy hands, which are now ungloved. His glasses are strewn on the floor next to him as he sits in a tight ball. If only he hadn’t left his octopot in his dorm room. He’d be curled up in there right now.

“Well, what do we have here?”

Azul’s head shoots up to see none other than Jade Leech standing at the doorway.

“How many times have I told you to KNOCK, Jade.” Azul says angrily. “Didn’t I take away your key???”

“Haha…of course…my apologies. And the key is irrelevant”. Jade puts on his sharp-toothed grin, indiciating he’s really anything but sorry. “I just couldn’t help but address that spectacle you put on out there. Quite the show, really.” 

“QUIET! I-I..!” Azul tries to push out an explanation, but comes up empty handed, throwing his head back into the palms of his hands. He entangles his hands in his hair, staring down into his lap.

“Mmm…who would've thought. What used to be that chubby little octopus has a crush now! Why, they grow up too fast.”

Now this catches Azul’s attention. Not only does his head shoot up, his whole body lifts as he pulls himself to a standing pushing. “CRUSH? Nonsense! I don’t have a crush! What a…a…a  childish idea Jade!” 

“Well, it appeared that way to me.” Jade says, voice unwavering. Jade was so calm…almost condescending (average Jade demeanor).

Azul waves his hands frantically, damn near throwing a tantrum, “And WHAT in your right mind would make you think that? Huh? Because I was a bit clumsy?” Azul’s eyes are wide as his pale face turns red. From anger? Or embarrassment? Maybe both?

“Okay! I’ll admit it! I wasn’t as put together as I usually am out there. I just…was taken by surprise! But it has nothing to do with…any…romantic feelings…” Azul’s voice fades away as he turns his head away from Jade, his hands falling down to his sides. His face bright red, he looks incredibly conflicted, almost ashamed. 

“Azul. I’ve known you for quite a long time. It truly is useless attempting to hide how you feel from me. You do understand this, yes?”

Azul maintains his gaze away from Jade for a few seconds. Then, he lets out a sigh, as he tentatively turns his head back to Jade.

And oh, and does that boy look defeated. 

The best way to describe the look in Azul’s eyes is…longing. His eyebrows are furrowed slightly. The bags under his eyes are enough to tell Jade the toll this whole ordeal has taken on him. 

Azul walks over to his desk, falling into the chair behind it. He puts his elbows on the table, once more placing his face in the palm of his hands as he leans forward. 

“Ok. Alright. You’re right Jade. Yes? Does that satisfy you and your nosiness? I like them, Jade. You win.” Azul winces slightly at those last couple words. Hearing them come from his own mouth was painful.

Jade finally steps away from the doorway and takes a seat in front of Azul’s desk, opposite him. 

“Huh. I’m surprised. I thought it would’ve taken more than that to get you to confess” Jade smirks as he sits upright in the chair. Looking smug, even. 

With no energy left to combat Jade’s remarks, Azul waves his hand in defeat, the other hand remaining on his face to prop his head up as he looks down at the desk.

“And why? Why go so out of your way to put me through this…” Azul’s eyebrows furrow once more “this”. Azul’s chest feels heavy, and it’s difficult to breathe. Not giving Jade a chance to respond, Azul lifts his head, and in a frustrated tone, he begins a tangent.

“Huh? Well? Now what Jade? What do you propose I do with these… feelings?” That last word has a sharpness to it, a fond disliking. “This confession serves no purpose! They obviously doesn’t like me back, Jade. You understand what that would do to my reputation? To be rejected? By the prefect of all people? Shit, they've got more influence than me at this school. They could destroy me” Though I’d never admit that to their face “I… I can’t lose her.”

I know enough about risk. I’ve made my fair share of deals, I’ve signed my fair share of contracts. To put something so…precious…on the line for these stupid emotions. It’s simply not an option.

“I wouldn’t be so sure.”

“What do you mean, Jade?” Azul breaks away from his thoughts, looking up to meet Jade’s eyes, voice dripping in frustration. .

“I wouldn’t be so sure about they're feelings, Azul. Have you asked?”

“N-no! No! I couldn’t! …Jade, are you suggesting that they may…” Azul’s eyes are wide, waiting expectantly for an answer to leave Jade’s mouth.

“A moment, Azul” Jade lifts his hands, indicating the need to slow down,  “All I’m saying is, I wouldn’t be so sure. I never said that they do. That’s something you’d need to figure out.”

At this, Azul drops his head once more, shaking his head, “Jade. I can’t.”

“...Fine, just let them get snatched up by some other man then” Jade states dismissively.

“…What?”

“What? You think they'll wait around forever for you?”

….

“It’s merely a suggestion Azul. Furthermore, I recommend you take action fast. They've got quite a few friends you know. On the good side of many. They're quite… compassionate” Azul flinches at this remark. Jade notices, and lets out a small chuckle “Though, I’m sure you know that quite well already. So, I do hope you are not taken by surprise when someone…how do they say… ‘beats you to the punch’.”

Azul’s face turns ghastly white. 

“Anyways Azul” Jade lifts himself from the chair, straightening out his coat, “I’ll leave you to it. I’m sure you’ve got a lot of…work… to do. I’d hate to get in the way. Good day”. He shows that sharp-toothed grin once more, looking quite pleased with himself as he turns to walk out the door.

Azul sits in silence, those previous words still ringing in his mind.

Beats me…to the punch? Another man? 

Jade’s shoes click on the floor as he approaches the door. He opens it, but stops to leave Azul with some final words of suggestion…

“Might I suggest, a gift?”

“…a gift?” Azul squeaks out. He lifts his eyes, if only slightly, to look at Jade. His entire body feels heavy, as though he hadn’t slept in weeks. Because he really hadn’t. 

Jade nods, “Precisely. A gift. A physical manifestation of your…’appreciation’”.

Azul blankly stares at Jade.

“Again, it’s merely a suggestion. Do what you will with it.” 

With that, Jade closes the door, and with a click, it shuts.

And so, Azul is alone once more, left with his thoughts. 

A gift huh… Azul pulls out his phone to glance at the time. A gift…  I might just have enough time…yes…perhaps this…this could work…?

~~~ 

The setting sun shines through the windows onto the deck of cards in front of you. You and Idia, the fiery-haired third year, sit across from each other as you idly chat after school in the typical classroom of the weekly Board Game Club meeting. The room buzzes with chatter as other students converse among themselves in their respective groups. You always feel at ease in the comfortable and laid back environment of the club. But… it’s missing something today.

“Honestly dude…One Piece is just too long. I do NOT have time to watch all that.”

“It’s not even that long, what do you mean??”

“Girl isn’t it like over a thousand episodes??”

“Woah” Idia puts up his hand “First of all, I am NOT a girl. I’d consider myself more of a, heh, sigma male.”

“...No fucking way you just said that shit seriously bro”. 

“You’re just mad you’re not a sigma male”.

“I don't want to be though???”

“Dude, just shut up and listen, One Piece is freakin’ awesome. Literally, it’s gotta be in my Top 3! I guess the pacing could use some work, but when you look at it from an overall picture…”

Idia’s voice seems to fade away as you glance at your phone. It’s ten minutes past the start of today’s club meeting. 

I wonder where Azul is…he’s usually here by now. You shake your head slightly, brushing the fleeting thought from your mind. It shouldn’t matter to me anyways. He probably wouldn’t even notice if I wasn’t here. You remember the short interaction you had earlier that day at the Mostro Lounge. It almost seemed like…he wanted to get away from us…from me?

And still, you can’t shake that heavy feeling in your heart knowing you’d have to wait another week. What a childish feeling, to be upset over not not getting to spend a couple hours at your college club with a boy. But you couldn’t help it. You’d have to wait another week to sit and converse with the gray-haired housewarden. The way his blue eyes lock with your own as he rests his chin on the palm of his hand, studying your face as his pink lips curl into a subtle smile as you tell him about your day. The way his glasses slowly slip down the bridge of his nose as he lets out a small, soft laugh, and nods, acknowledging the words and emotions that spill from your mouth, the way-

“Dude, are you good?” 

“...Huh?”

Idia still sits across from the table, staring at you, genuinely confused “Why’re you shaking your head? Are you really that against watching One Piece? 

You stare at Idia for a moment, before you let out a chuckle and shake your head once more, looking down at the stack of cards, “No, no. Sorry Idia. Um, I just got distracted for a sec, I was thinking about something off topic”. Clearing your throat, you straighten your back as you reach for the cards. 

“I’ll probably watch it one day man. Just not anytime soon”.

Just before your hands hit the cards, the door to the classroom swings open. At the door is none other than the boy that you had just managed to push out of your mind, Azul Ashengrotto.

Damn. Were his ears ringing or something?

Azul is clearly disheveled. The usually put together man has hair sticking up in some places, and hair sticking to his forehead due to sweat in other places. The coat to his school uniform is nowhere to be seen, only wearing the signature white shirt, black pants, and black and white striped tie of the Night Raven College Uniform. He holds his light purple vest in his hands, indicating his status as an Octavinelle dorm member. His glasses are crooked on his nose. 

As soon as he bursts through the door, his eyes land on you. The eye contact you share is brief, as he immediately pulls his gaze away, attempting to brush his hair down and straighten out his clothes. 

“Hey man. Took ya long enough” Idia remarks. 

You clear your throat as you shoot Azul a smile. “Mhm. We saved you a seat”. You pat the seat next to you. 

“O-oh!” Azul looks at your hand as it pats the area next to you. “That’s…quite considerate. Thank you prefect”. Azul places his vest behind the chair as he takes his seat next to you, continuing to avoid eye contact.

How the HELL am I going to do this…? God, I can’t even look at them.

You look at Azul one final time before you turn your attention back to Idia. “Alright, I’ll deal”. 

..

After about half an hour of playing a variety of card games, you turn to Azul once more. He has yet to speak a word. “Azul? You wanna play?”

“No!” he exclaims immediately, “Ahem…” he clears his throat, regaining his composure, “N-no thank you. I’ve chosen to observe today. Yes. To observe. I’d like to study your techniques in order to improve mine. Success doesn’t happen on its own, you know.”

Nice save Azul, he thinks to himself. Truth is, he’s too scared to play in fear of you seeing how much his hands are shaking due to his nerves. 

I don’t think I’d even be able to hold a card right now.

“...Chat is this real?” Idia asks.

“Yo chat is this real?” You add in.

“...what?” Azul asks blankly. 

What the FUCK does “chat is this real?” mean? 

“He fr doesn’t wanna play? Azul? The most competitive person in the club? The most competitive person in ALL OF NRC, basically?” Idia questions, sounding genuinely surprised. 

Azul stutters in his response, “I’m-I’m studying your techniques. So that I may assure victory the next time we play! Do not judge my methods of success Shroud!”

“...Whatever floats your boat dude” Idia responds in a bored tone, letting the topic go. 

You take this chance to jump into the conversation, as you turn your body to face Azul, “It’s okay, you and I can play next time. You could put your studied techniques to use then” you smile sweetly at him as you add in that last bit. 

Azul nods, his face going red as he feels it burning up, “Yes…I’d very much like that”.

You and Azul look at each other, if not only for 1 or 2 seconds, but somehow, it feels as though you two are the only ones in the room. Saying nothing, your smiles remain on your faces, as you look into each other’s eyes. 

Huh, his eyes really are pretty. They kinda look like…the ocean? Hah…quite fitting, I guess. 

…

“Normie shit” 

“Huh?” You break eye contact as you turn to look at Idia, pulled from your trance. 

Idia rolls his eyes, and in an annoyed tone, states, “Ugh. Nothing. Can you just deal the cards already? You’ve been holdin’ em’, like, basically forever now”.

“Oh… yeah. Sure. Sorry.” 

And with that, you set up another game. You two continue on with your card games, while you talk about fnaf or some shit idk this part isn’t really important to the story so just imagine you’re like arguing about fnaf lore, that’s something ya'll would prob do. Anyways, while you’re talking about nonsensical stuff…

Azul’s heart pounds through it all, his throat feeling dry. He watches the minutes go by on the clock, each click of the minute hand making his heart lurch. Just gotta ask them… You’ve got this.

I’ve got this?

~~~

The clock hits 8:00pm, and people begin to shuffle out of the classroom, heading back to their dorms for the night. 

You say your goodbyes to Idia. He says he’s gotta make it in time for the Final Fantasy dungeon before it closes or something, to be honest, you don’t know half of the stuff he talks to you about (smile and nod smile and nod), so Idia grabs his stuff and quickly heads back to his dorm.

Azul lingers as the rest of the students filter out, leaving just you and him alone in the room. Yeah, you two are alone. Perfect…right? 

“You heading back to your dorm, Azul?” you ask, breaking the silence.

He nods. “…yes.”

You nod, grabbing your bag and your phone, “Well then…I’ll see you soon? Next week probably, right? For club? 

“Um..yes. Of course” Azul shuffles in place. His responses make it sound as though he is also prepared to leave, but his actions seem to say otherwise. 

Okayyyy…?

“Um. Well then…!” You leave him with one final smile before you head towards the door, your light footsteps echoing throughout the silent room. 

Azul watches your back as you move towards the door. No. You were about to leave. He can’t waste this chance. It’s now or never. He can’t let you slip through his grasp. With conviction, Azul quickly takes a few steps forward, reaching out his hand.

“W-wait!” His fingers wrap around your upper arm. His hands are so…cold. Are they always like this? 

You jump a bit at the feeling, immediately stopping in your tracks as you turn slightly to look at him, a look of surprise on your face. 

“Why’d you…?” Your heart stops not only at his freezing touch, but at the look in his eyes. His eyes are wide and expectant, as though he’s pleading with you not to go. 

“Y/N…could you…meet me at the VIP Room of the Mostro Lounge? Around…10? I… I um…I have something to give you….if that's alright…”

“Something to give me?” You now turn to face him completely, your heart pounding. You can practically hear the beat of it in your ears. Can he hear it too?  “What are you gonna give me?” He has yet to let go of your arm. 

“You’ll see when I give it to you. It’s…it’s nothing much! It’s only due payment. For…for helping with my…overblot.” Azul looks away, shame falling over his face as he remembers that incident.  “I can’t have me being in debt to you, you know” His eyes fall back onto you, and he notices that he’s still gripping your arm. 

“O-oh!” He pulls his arm back quickly as it shrinks into his chest. “Sorry!” He clears his throat “… Um… so… will I be seeing you tonight?” That last phrase drips in desperation.

You feel your heart fall to the pit of your stomach. 

“Will I be seeing you tonight…?” That sounded oddly…no. No. Of course not. You already knew he didn’t think about you that way. Don’t get ahead of yourself Y/N. 

You nod. “Sure…okay. Yeah...I’m gonna head back to my dorm to change, then I'll go over to the Lounge…is that okay?” 

“Yes!!!” Azul says, a little too enthusiastically. Once more, he clears his throat. Man, how many times does a man need to clear his throat? “I mean- certainly. I’ll see you then”. Azul nods, before he turns on his heel and basically runs out the door.

…

Did that just happen? You stand in the exact same place Azul left you in. You lift your hand slowly to touch the place on your arm that Azul had wrapped his fingers around. You could still feel the chill that ran up your arm from his cold touch. Did he just…invite me to the dorm tonight? You touch your face, you feel light headed, your skin feels hot, your heart pounds.

Oh shit. 

~~~

Now in casual clothes, you knock on the door of the VIP Lounge. Your hand shakes as you knock one, two, three times. Almost immediately after the third knock, the door swings open.

“Y/N!” 

You almost fall back in surprise. “Oh my God!”, you stumble back a bit, as Azul suddenly stands inches away from your face. 

“S-sorry!” Azul puts his hand up, about to grab you to stop you from falling, but stops just centimeters away from your skin. “Uh…” he puts his hand down quickly. “Sorry, I was just…close to the door. Ahem.” Azul steps aside, gesturing for you to enter the room. “Come in…please.”

That “please”... why did it sound a little like…he was begging? No. No no no. It was just your imagination. What is up with you and your imagination today?

As you walk into the room, Azul closes the door behind you. Studying his back, you take note of his attire. He remains in his black slacks and white button up dress shirt only, the top two buttons undone, revealing just a bit of his collarbone. He looks quite casual now. Definitely a change from his normal presentation. He really does have a nice figure. You think to yourself. Of course he does, he’s worked for it. Like everything else he has.

Azul quickly makes his way over to the other side of his desk after closing the door, walking straight past you, and he begins to rummage around in his drawer hastily. He has yet to say a word to you. Just as you’re about to say something, he presents you with something. Suddenly, he has pulled out…a bubble?

No. Not just a bubble. You take a step forward to get a closer look, “Azul, what is…” your eyes widen as you take a better look at the round item Azul has presented to you in the palms of his hands. 

It was a clear, crystalized water bubble, and at the center of it lay the most beautiful conch shell you’d ever seen. This shell, glimmering in the crystallized water of the bubble, reflected the soft light of the VIP Lounge, making it seem as though it were glowing. Held in place by the crystallization of the water, the shell was on display perfectly in the center, as though it were on a pedestal. But, even more notable, was the color of this shell: It was an azure-blue, the same color as…something that seemed very, very familiar. 

“This…is for you.”

“What?”

“It’s for you.”

“For…me?”

Azul’s hands shake as they begin to fall down towards the desk, taking the crystalized shell along with them. Rapidly, coming out in a string of words, Azul begins to speak, “If-if you don’t like it, you are under no obligation to accept it prefect! I will find some other way to repay you! What would you prefer? If you could provide me a list, I’d be more than happy to-”

“Azul. It’s…it’s, really, really pretty.”

His voice halts, and his face twitches. His eyes flicker up to meet yours,“…it is?”

Carefully, you pick up the bubble from his hands. As your hands slip under the bubble, you’re once again faced with the freezing sensation of Azul’s hands, as the back of your hands slide against the palms of his. Gently, you lift the bubble to your face, the light from the room causing the color of the conch in the water to reflect onto your face and eyes, creating a soft, blue tone. 

Azul admires you as you study the conch. Oh, is he absolutely mesmerized by you being…well…mesmerized. 

“H-how…? How did you get this?”

“...I made it.”

“You WHAT?” You say in disbelief, your eyes widening.

The surprise in your voice boosts Azul’s ego a bit, and he straightens up at this. “Hehe… quite. I made it. It’s actually a shell from the Atlantica Memorial Museum. I thought that it would be…appropriate…for the occasion…so I took a short trip down in the ocean for it. I thought that…it might have a little more worth if it was actually connected to a…shared experience of ours…” his voice trails off as the last little bit falls from his lips.

You look at him, genuinely confused. With your eyebrows furrowed, a string of questions leaves your mouth, “Huh? What do you mean? Occasion? Shared experience?” 

“Well…” Azul takes a deep breath in, and a shaky breath out. “Those words… that you said to me…you told me I was amazing… that I had incredible diligence…during our walk outside the museum. Such kind words, for someone like me?” Azul's gaze falls to the ground, as his face begins to heat up once more in embarrassment. He awaits a response from you. 

…

“Did I?”

Azul's jaw nearly drops in disbelief and his head shoots up to meet your eyes. “Y-you mean to say…you don’t remember?????”

“Honestly…no?”

At this, Azul nearly crumbles from the pressure and humiliation, “O-oh… I’m… um…apologies prefect…I just assumed you would remember. Oh dear, forget what I said, please-”

“No! …I mean. Whatever I said, I know I meant it. I might not remember saying it, but I’d never lie to you Azul. Your diligence is incredible. I see the way you work. You really are amazing. I admire you. Really.”

You set the conch down on his desk with a clink, and you run a finger over it, avoiding eye contact with Azul, gazing down at the bubble. 

“I’m really, really happy you gave this to me Azul.” You look up at him, directly in the eyes. He’s frozen in place, taking in each and every one of your words.You stay silent for a couple seconds, before the next words fill the room’s stifling silence, “Did you notice… that the conch is the same color as your eyes?” You look back down at the bubble on the table, tenderly pulling it into the palms of your hands. You hold it up to Azul’s eye level. “Yes. Exactly the same” A small smile spreads across your lips. “Thank you, Azul”.

They…they like it?

Azul’s heart pounds. He feels as though he might just pass out. The knot in his chest feels so tight, he can’t breathe. God, he’s practically bursting at the seams. He can’t do it anymore. He can’t hold back. He needs to tell you. He needs to do this. Now. Right now.

Reaching his hands out, slowly, almost hesitantly, he softly grabs your wrists, one wrist in each hand. He lets go of one, grabbing the conch and gently setting it down on the table once more.

“Y/N.”

Your heart lurches as he says your name. Oh how you love the way he says your name.

You don’t say anything in response. You just stare at him. Your throat feels dry and itchy.

“I….”

Azul’s voice trails off…he contemplates. 

Taking a deep breath in, Azul asks you a simple, but crucial question, “I need to be honest with you. Can…can I be honest with you? Please…?” Azul lets a hint of pleading, a hint of yearning, roll off of his tongue. 

You can only nod in response. It’s a small, slow nod. You don’t break eye contact. Not once.

His voice chokes, “I…” and he softly shakes his head, pulling his hands away from your wrists as he places one hand to his chest, and the other falls limply to his side. He quietly gulps, parting his lips slightly to take a small breath before he speaks,

“I…I can’t stop ... .I can't stop thinking…about…” his fingers tightly grip his button-up shirt.

You look at him, his conflicted state plastered on his face, reflected in his eyes, as though he’s fighting some sort of inner battle.

“About you.”

You feel as though all the blood drains from your face. Lightheadedness hits you like a truck.

His hands visibly shake as they return to softly grip your wrists. Slowly, he runs his hands up and over the palms of your hands, tentatively intertwining his fingers with yours. His hands feel clammy and cold, and that familiar chill crashes over you, climbing into the depths of your nerves, as his hands tremble in your own. He holds on lightly, as though he’s scared you’re going to dissipate into the air, like you’re going to crumble with any pressure applied.  

“I…feel…so…” his voice trails off…

…

“Confused.” His voice cracks with the last syllable.

And with that, his next words come out like crashing waves.

“I can’t concentrate, Y/N. My paperwork, my meetings, my studies, none of it. I simply can't.  Every single day…I feel like… like…” He squeezes your hands ever so slightly, “…like I’m going insane…All I can think about is you. I’m losing sleep Y/N. I can’t sleep.”  That last word contains a hint of pining, a whine, like a dog pleading with its owner.

“Y/N…” Azul releases your intertwined hands, now wrapping both of your hands in his own, cupping them into his and pulling them close to his chest.

“Tell me…what do I do?” His voice cracks, the last part of the sentence essentially a whimper. He’s searching hopelessly for an answer. And he wants you to give it to him.

You stand there, absolutely dumbfounded. You part your mouth, but no words come out. 

Worry not, Azul’s not finished. He continues on.

I’ve made a fool of myself already. My reputation. Our relationship. I’ve risked it all. I’m not one to gamble…but I have nothing left to lose now. 

“I’ve never….felt this way before. Y/N…would you… would you be willing…to take a chance with me?” 

His hands tremble over yours as your eyes widen at this request.

“You know…I hate to ask for things. But…I’m willing to swallow my pride today. For this. For you. I’d like to propose a…a deal…”

He pauses, studying your eyes, hoping maybe, just maybe, he’d find an answer in them.

“Would you… give me your heart?…You…you wouldn’t leave this deal empty handed..! A mutual exchange…even and fair…you give me your heart…and I’ll give you mine.”

Still, you are unable to say anything. You feel dizzy, you can’t think straight. Your words are caught in your throat. Are you about to fall over? Is this real? You’re not dreaming right? 

Azul takes a deep breath in, and boldly takes one more step: he pulls a single hand of yours to his face, both of his hands holding your single one in place on his left cheek. He holds on, softly, but unyielding, as though he’s scared you’ll disappear into thin air. The same as his hands, his face is freezing cold.

 It must be his whole body that feels this way, you think to yourself.

“Y/N…how do you feel about me? Please…tell me…I can’t continue feeling this way. I feel as though I’m going to explode Y/N. My chest…it feels so heavy all the time. I can’t take it anymore. I’m at my wits’ end.”

…

“So tell me… what do you think of this deal…?”

You stare at him, and he stares at you. The look in his eyes, so desperate. You’ve never seen him look so vulnerable before. The overblot looks like nothing in comparison to the look he has on his face right now. He looks as though he’s risking it all. That’s because, for him, he really is. 

It’s your turn now. Softly, you run your hand slightly down over his face, slipping away from the grasp of his hands. You run your thumb softly over his beauty mark under his lower left lip, and your pointer finger follows its lead. It’s a gentle touch. The fingers run over it, bordering his lower lip, tracing even, ever so briefly, before you put your hand down to your side. 

“….Okay.”

Azul stares blankly at you.

“…Okay?”

“I accept Azul. I accept your deal. Okay.” You nod subtly, your face feeling hot as you release these words from your throat. Your acceptance of his words. Acceptance of his feelings.

Azul lets out a sharp, shaky breath, as though he’d been holding it for years now. Then, he lets out a chuckle, breaking out into a cheesy smile, laughing, almost like a child.

He places his palm to his forehead in relief, sounding absolutely shocked, “R-really? You do???” 

You let out a small laugh, seeing the way his tense demeanor fades away, and you see Azul for what he really, truly is in this moment: A guy that’s absolutely and utterly devoted…to you. “Yes. I accept your deal Azul. I feel the same way.”

Azul lets out an excited “Ha!!” As he grabs your arm and pulls you close to him. He doesn’t break eye contact, despite only being a few inches away from your face now, as he asks,

“You…you’re not joking right? You’re not toying with me??? You really mean it??”

You nod, a bit more vigorously this time, hoping it’ll really communicate your commitment. Laughing, even more, you respond, “Yes, yes, oh my god yes. Dude…I’ve never seen you this excited before! This is actually kind of insane bro…” 

At this point, Azul couldn’t give two shits about your remark. All he cares about is your reciprocated feelings. It’s mutual. Your feelings are mutual. 

I could die right now.

Holding you close, having pulled you in by one arm after your acceptance, he cups your face in his hands, only for a brief moment, and runs his fingers down your cheeks. “Th-this is wonderful! Splendid even!” He says excitedly. Breaking away from your face, he exclaims “Okay!”. Grabbing your hand, he pulls you roughly over to the other side of his desk, and begins rummaging around in the drawer. 

You peek over his shoulder, trying to see what he’s looking so maniacally for. 

Then he reveals it.

He pulls out a golden scroll, hastily splaying it out onto the table. He forcefully pushes a pen into your hand. 

“J-just sign here!!” He grasps your hand with the pen, and guides it over to the characteristic “x” and line, indicating the need for a signature.

Awww hell nah bruh.

You immediately pull your hand away, nuzzling it into the safety of your chest. “Azul! What the fuck!”

“W-what???!” Azul asks, genuinely surprised and concerned. Oh… does he look like a puppy that was just scolded for the first time.

“Dude!! N-No! I thought the deal and contract thing was…like…a metaphor!!!”

“W-why would it be a metaphor??” Azul cries out. “This, this is a…” Azul thinks back to his conversation with Jade, his words flashing in his mind, “A physical manifestation of my appreciation!” 

Thanks for that Jade..

You look at him, mouth wide open in shock. “Because it’s fucking insane to have the person you confess to sign a contract ensuring they like you back???”

“W-well..! I need to be sure!”

“…” You let out a scoff of disbelief, crossing your arms over your chest as you shake your head.

But then, your face softens, and you let out a chuckle

“...Ha…alright. You know what? Fine.”

You put your hand down to the “x” on the paper, the pen hovering over the line, “but on one condition”, you add in.

Azul freezes. “W-what?”

They want to make a bargain? With me? Who do they think they are? No one proposes contracts to Azul Ashengrotto. I do the proposing.

Huh. Guess some things really do never change. 

“I eat at the Mostro Lounge. For free.”

Azul’s face, previously draped in shock, melts into a soft, almost mocking smile.

“Well…as my partner…wouldn’t that be a given? What an ignorant question.”

“...Ignorant question?” You raise an eyebrow. “Hm. Somehow, the scroll looks…unappealing suddenly. Wouldn’t you agree?” You look up at him, smirking as you pull your hand away from the paper. 

“SMART! SMART QUESTION. SMART QUESTION. INCREDIBLY INTELLIGENT, YOU ARE MY DEAR!”

Azul puts his hands up, waving them frantically towards the paper, indicating for you to sign. “I’m sorry! I’m sorry! S-sign the scroll! Please!”

You laugh at Azul, and finally, your pen glides across the paper, and you effortlessly lift your hand from the sheet as the scroll dissipates into the air, leaving gold specks of light in its wake. 

I cannot believe I just signed that fucking scroll. Did I just sell my soul? 

Azul watches the light as it fades, gold specks reflected in his glasses. He turns to look at you, smiling as though he’d just scored the business deal of a lifetime. Because to him, he had. 

“This…this is wonderful! Haha!” He breaks out into giddy laughter, but… is cut off?

He feels…something warm…? On his face…?

Oh. 

Ohhh.

You had leaned over and kissed him on the cheek. 

Azul stands there. In utter shock. His body tense, he feels as though the wind could knock him over if it felt so inclined. 

You back up. One step. two steps. You smile at him as you grab his hand and wrap it around the pen. 

“Where’d your voice go? Sea witch got your voice?” You say in a teasing tone.

“Y….you…” 

You giggle, “You know. Your hands are incredibly cold. So is your face. They say your lips are most sensitive to temperature. I guess I just wanted to see if that was true. I can now confirm that to, in fact, be the truth!”

You let out a quick laugh, smiling at him as you watch him basically self-destruct before your eyes. You release his hand which now holds the pen, and you turn to that glass bubble on the table that kickstarted this night between you too.

“Thank you again, Azul!” You say, in almost a playful manner, knowing the drastic change in the mood is going to give him emotional whiplash. Not to worry, that was the point. “For the wonderful gift, both uh…physical and verbal?” You say, furrowing your eyebrows and lifting the conch in your hand “I dunno….Anyways!”

Azul remains standing in place, watching you. The rest of his body still frozen, he breaks into an awkward smile, nodding slightly, not once taking his eyes off of you.

You head for the door, shell in hand, pulling the knob and opening it. Before you exit, you add in. “I’ll see you tomorrow then? I’ll head back over here after class. That sound okay to you?”

One last time, Azul nods, this time vigorously, his frozen body now coming back to life as he takes a step towards your figure, his hand slightly extended out to you, as though he doesn’t want you to go, “Y-yes! Yes! That sounds wonderful. I’ll see you tomorrow…Y/N.” 

And with that, you leave him with a final smile before you walk out of the room, and you shut the door behind you.

Click

And once again, Azul is left to his own devices. 

The tension and stress hitting him like a slap in the face, Azul’s legs give out from underneath him. He collapses to the ground in a heap. How he managed to not do that way earlier, he doesn’t know. He opens his hand and looks down to reveal the pen. The very pen you’d used to sign off your love. To him. 

“I suppose I could give Jade…a bonus…or something. For the help.” Azul mutters to himself, not caring about his monetary loss one bit. 

The pen feels warm in his cold hands, remnants of you lying in his palm.

Your heart for mine. Not a bad trade. 

…

Perhaps I should begin drafting up a marriage contract? 

~~~

THE END 😝😝

I love you Azul Ashengrotto I’ve been hyperfixated on you for three yearsl they could never make me hate you bbg gets on all fours and starts meowing rubs my face against your leg like an overly affectionate cat searching for your attention id do anything for you azul.

fyi this fic is basically a self-insert of myself and azul i literally just pulled a find and replace all at the end to generalize it i love azul sm i love him.

[pikahlua]

Okay, here's my MHA criticism.

Everyone has their own personal hangups about the MHA ending, but mine is not about the ending itself. The epilogue doesn't feel rushed to me--the entire final act does, ever since the PLW ending.

But I can't say that the issue is actually rushed writing. There was a change in the writing, and it came with pros and cons. Ever since this change, a lot of people felt a lack of Izuku's introspection, but I still see his introspection all over the place. It's just not compelling introspection, and it's the natural consequence of this writing change.

The thing that changes is the way Horikoshi depicts character interaction and reflection.

To cap off the story's themes, Horikoshi chooses to focus on select emotional beats involving specific characters as short, finite set pieces. Some of them work great, like Katsuki's apology. But what is lost in this process are the other emotional beats Horikoshi doesn't spend time on, such as Izuku's quick, comical, emotionally dissonant reunion with All Might back at UA after going vigilante. The set pieces Horikoshi chooses to focus on at Tomura's end are two moments, one between All For One and Yoichi, and the other between Izuku and Tomura. But what is lost in this case is the strangely off-screened encounter between Nana's and Tomura's vestiges, and we're just given the fact that Nana preserved Tomura's sense of self as an offhand remark. This is a recurring theme where Horikoshi lands the set pieces he has likely visualized for years but that somehow don't have the same impact as the emotional scenes from earlier in the story. The details that build up to these moments are lacking, and it's because the characters don't interact as they should.

Horikoshi has overall messages he wants to focus on, such as the unity in everyone coming together inspired by Izuku at the end. But he places so much focus on his entire cast of characters at large to achieve this theme that the story becomes unbalanced. We as readers have read about his characters over the years, and we've grown especially attached to some of them. Even if there are minor characters we may enjoy, if Horikoshi is doing his job as a writer, the majority of us should be here for the main characters. If Horikoshi wants to feature every single one of his characters in the final arc, then he has to do so with balance. The main characters should be given more emotional weight than the side characters.

Hanta Sero can have his cool moment no problem, but why does it come so late into Izuku's final battle??? It makes no sense emotionally for it to be there. At this stage in the story, we would expect any other major character to fill this role. Hell, Iida is sitting right there with not much going on for his character this arc.

And the same emotional underwhelm goes for so many other moments. Why is the primary character screaming in agony over Katsuki's death Neito Monoma??? Aizawa is right there, and all we get from him is a horrified face but no reaction otherwise. He fades to the background immediately. Izuku's reaction to Katsuki's death is built up so much and yet not nearly enough time or weight is devoted to the actual moment when it happens. Compared to such iconic reactions to death in the shounen genre that came before it such as Goku's super saiyan transformation in response to the death of his best friend Krillin, Izuku's reaction to Katsuki's death is utterly forgettable.

The issue is not that Horikoshi gave Sero and Monoma these moments. It's that he either weighted or timed them and many others like them poorly. No one reading MHA wonders what wisdom Sero would have to offer at the end or what sort of reaction Monoma would have to Katsuki's death--or rather, they don't wonder these things more than they wonder about the main characters themselves. Main characters are the characters we're SUPPOSED to care about. If you give Sero and Monoma big moments like what they got, then the main characters have to have even bigger moments following in order to still be impactful. But we don't get that. We get the set pieces, but we don't get any of the logical character interaction and reflection these set pieces beg for. If I have to choose between Izuku's reaction to Katsuki's death and Monoma's, I want Horikoshi to spend all his time and effort on Izuku's every time. It's nice to see how main characters interact with side characters and to hear those side characters' perspectives but NOT at the cost of the main characters interacting and sharing their perspectives. Horikoshi makes too much space for his side characters, and so we lose the detail that could have gone into important moments between the main characters. The overall story remains coherent and complete, but it also leaves something to be desired for the characters themselves. As a result, I find myself both given closure and longing for a more robust, impactful resolution for the main characters.

tl;dr Horikoshi gave too much to his side characters and not enough to his main characters, which particularly affected the interactions between the characters we all care most about

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻

[incandescentflower]

You can always tell when the writing for two characters and their conflict is compelling because you start to see continuous fights break out about which character is "right."

But in the case of Let Free the Curse of Taekwondo in particular, it really feels like the entire point of this drama is being missed by a mile to engage in that kind of thinking.

It does remind me of that quote from Blueming that my mind comes back to from time to time.

About pain, it's an absolute thing for a person. It's not something you can compare. If I feel pain, then it is pain. No body can judge you.

Some very wise words about how pain is not something that can truly be compared. And I do think those ideas continue through this narrative as well, but with the nuance of what if it's the person who you love that hurts you because you are both trying to manage that pain.

I know for many people it comes down to how one person treats the other - either directly (Dohoe pushing on Juyoung, challenging him, trying to make it seem like he can cut off Juyoung because it doesn't matter) and indirectly (Juyoung keeping a relationship with Dohoe's father who was both their abuser, pushing him to confront things he isn't ready to confront, thinking he needs to protect Dohoe from himself by keeping the gym even when that is the opposite of what Dohoe says very directly).

It's interesting because I identify with Juyoung's way of dealing with this trauma more, but it doesn't make it the correct way. And I do feel like the story is trying to say that. The 12 year separation really emphasizes that you can't make someone else deal with their trauma on your timeline no matter how much you love them. Love isn't this magic balm. You can't save someone else. But love can be a brightness in the dark, love can be hope. It's a really beautifully nuanced message.

And when you love someone you can hurt them and be hurt by them. You have to be able to see outside yourself and listen to the other person's needs to be in a relationship. And sometimes you have to decide that loving that person is too harmful to you.

It's Dohoe we see struggling with this, thinking loving Juyoung might be too harmful to him, thinking him loving Juyoung is harmful to Juyoung.

Juyoung is not thinking of that harm so people want to protect him, but that is about his own issues he also needs to deal with. He is just as responsible for figuring out his boundaries and deciding what he can manage and what he can't. He has to communicate his truths to Dohoe. There is still so much that he has held back.

And we see him start to do it. We see Juyoung calling Dohoe out on not saying how he feels and retreating so quickly. We see Juyoung saying what he needs. We see them starting to communicate, starting to smooth some of those edges and we can only hope they keep doing that.

Juyoung apologizes to Dohoe, but it seems like it's for trying to push Dohoe too hard too fast. Dohoe is being very clear about what he needs and Juyoung is now finally listening.

It's like a quote from To My Star (another Hwang Da Seul drama) I think of often:

I really like people like you. People who have their walls up. They seem really strong.

Dohoe's shutting things out is what has helped him survive. You can't just open the flood gates up all at once. Dohoe's avoidance is his protection and you can't just bulldoze it down.

This is a dance of loving someone where their needs are in direct conflict with yours and trying to manage that and figure out how much you can accept a little less of them or give a little more of yourself and hopefully bit by bit you come to some place in the middle together.

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[sodasa-was-taken]

Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa

So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.

Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.

I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.

G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.

I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.

[fairydares]

loook i get why the idea of riding the "anti/pro" fandom disk horse makes people gag a little in their mouth and try to opt out entirely, but here's why i went from feeling exactly the same way to taking a firm profiction stance. I've been meaning to make this post for a while.

~10 years ago, I posted a fic for the first time and it got its own harassment campaign. The fic wasn't even sexual, and wasn't going to be (it remains incomplete). It was accurately rated T on fanfiction.net. Anyone in the Fairy Tail fandom will understand this: I literally got harassed for writing a "Lucy leaves the guild" fic💀.

After many nice comments, someone left a pretty nasty one. Hurt, I messaged them back. They acted super attacked that I'd responded (lmao) and after we argued, threatened to "rip my shitty story apart in the comments section" if I responded again. I told them "go ahead lol."

They went ahead.

Now know that it was a relatively small harassment campaign, but at the time, it was devastating. Right around then, I wound up in the hospital. After I got out, I went to excitedly check my fic, and found several reviews saying things I wouldn't repeat to my worst enemy. I was suicide-baited more than once, told "thank fuck you finally abandoned this shitty story, dumb cunt," stuff like that.

There were several accounts involved, and I can't say for sure, but I suspect at least a couple different people were involved, though probably at least half of it was one person.

All the other comments were screeching about how I hadn't updated, mostly. "NO UPDAAATEE WHY DOES THIS ALWAYS HAPPENS TO MEEEE??!!!" was one that stood out after I'd been miserable in a hospital for an extended period of time.

Idk what people think is going on when FT fic authors write this trope, and frankly I don't give a fuck. Because while I was partly writing the story out of some young, cringe feminist rage, I also did genuinely have a real story I was compelled to tell. I was inspired by another, popular fic I loved which used the trope to talk about how trying to shoulder our burdens alone really just hurts both ourselves and everyone who cares about us.

My own story was ultimately going to have similar themes, with more focus on strength, what it means, and in what contexts earning and having it actually matters. In retrospect, no wonder I wound up in hot water, because at the time "Lucy vs. Strength vs. Misogyny" was the FT fandom's Designated Nonsensically Activist Debate™. But that's partly why i wanted to write about it; engaging with the fandom had gotten me thinking about it 🤷‍♂️

Not too long after that, FFNet oh-so-benevolently granted us the ability to delete comments from our own stories (they never took my reports seriously at all, afaik). I deleted all or most of the harassers' comments (may still be a one or two up, and i'm fairly sure there's a couple comments defending my fic from the harassment) without saving screenshots, which I really regret now. I was just so mortified and full of self-loathing about the whole thing that i wanted to forget it completely. Something that had brought me joy at a very lonely, vulnerable period of my life had turned so negative, and i couldn't even tell the people closest to me about it without being made fun of for writing anime fan fiction.

I didn't understand why this happened at the time, but--after a period of trying to forget/bid out of it all with a slight anti lean (a common approach I see people use, and one which I'm not proud of adopting)--I just had to figure out What the Fuck Even Happened There. And I'm telling you, after years of reflecting, wrestling with both sides, and educating myself, that this "status quo of harassment" culture which pervades fandom goes way deeper than you think and comes out of a way darker well than you probably realize. An astonishing amount of this is, quite literally, TERF shit and evangelical shit.

Trying to be in fandom and take a stance of, "Anti/Pro shit? Ew, I'm Not Touching that," is like swimming in a heavily polluted river and being like, "Poison? Cringe. Not me lol."

You might be lucky enough to be in a less-polluted part of the river (AKA a relatively non-toxic fandom, in which case good for you!)...but tbh this rhetoric and peer-signalling will still seep in.

I can't stress enough that pro-fiction, AKA "proship", is the normal, leftist-about-art-and-sex opinion. Pro-ship is against all the horrible things you're against; in fact, pro-ship isn't trivializing real trauma by equating it with fictional trauma, or trying to apply literal evangelical/radfem solutions--which are proven not to prevent or help. Profiction/proship is literally just saying, "Fiction is fiction, reality is reality, and the two don't have a 1:1 relationship. And historically, trying to censor just things we've decided are bad has done nothing but get LGBTQ+ and POCs censored. Therefore, depictions of illegal things shouldn't be censored." That's it. "Proshippers all ship problematic ships," is a brazen lie. Many of them share other fans' disgust for those ships, they just don't believe in censoring fic authors over it.

It is also taking a stand against harassment because--and I hope my own story has helped drive this home--as with all groups who adopt ingroup/outgroup thinking, antis are defined by their tactics, not actual stances on real, serious issues. What happened to me was absolutely a result of anti, "it's okay to 'bully out' anything I just don't like" mindset pervading fandom. In a way, this was the mindset's final form. They didn't even feel the need to cite a reason the trope was "bad" or "wrong"; it annoyed them, and they viewed their own feelings as a valid enough pathway for policing to go right ahead and do so.

In the interest of offering solutions instead of just bitching about problems, I might make a "how to know if you've bought into these types of views"-type post sometime. Also might come back to this and provide some sources/citation.

[chronologically-challenged]

Everything around the Isabeau confession is so well written.

Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.

And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"

Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.

The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.

And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.

(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).

Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!

Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...

Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.

Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.

In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.

(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).

[deerspherestudios]

Hi! I played your game and really, really like it, I am a huge fan of slow burn - combined with Yandere too? That's kinda rare nowadays, haha. Thanks for making it and creating Mychael, I love his design. Two questions: How many days are planned to be playable in the full release?

And

Since in just one day Mychael feels very friendly towards us (according to a post you made with where his feelings are based on a meter) does that mean he's very clingy??? Like, in just one day he feels like our friend. What little effort and words will it take for him to go from crush, to love, to whatever yandere thing he might be??? Like, is he okay??? Should I be worried???

This guy? Clingy? Nahhh. Nothing to worry about, anon :-) 🍄❤️

As for the game, long (!!!) answer below cut: might be spoiler-y might be not.

For context, here's the post mentioned above.

I'm still not sure how many days it will be, but it's definitely ranging between 4-5 days. Granted it'll be a while before the game is finished finished but I think progress will pick up as I complete assets that will be reused. I'm writing Days 2, 3 and 4 simultaneously (anyone who writes can probably relate to wanting a specific thing to happen in the story but dread writing up to it, so I skip around in order to keep my motivation and interest up)

As for relationship progression, slow burn usually means a long time passes before anything develops. But this is a VN and I'm a solo part-time dev so the scope still has to be small 😔 That said!

Mychael, as a person, is quite solitary in nature; he likes being alone and you'll find out why. He does however desire company and he's only realized just how pleasant having someone around can be (hence his reaction for the Bad Endings in Day 1 if you wish to leave/run away)

Although I'm not a fan of the 'you do one (1) nice thing any decent person would do and yandere is already head-over-heels for you' trope, I do have to make use of it but, drip-feed style? You grow closer to Mychael as you hang out with him and do little things that he appreciates. (Honestly I just realized I'm describing the typical visual novel experience just without the yandere beginning-- go! figure!!! /lh)

Example: the first thing that boosts you to immediate friend status is your willingness to accept his physical looks, something that's never happened to him before. (I know my artstyle makes him a yassified pretty boy but imagine genuinely meeting a sentient creature in real life with patchy green skin, a dextrous tail and four blinking pitch black eyes, I think I'd freak too haha) Little things like that mean a lot to him and motivates him to prolong your stay.

In a way, the MC is written to be more kinder and open-minded (at least outside of Bad Ends) than the sweet/sour personalities that come in a VN, so (for narrative AND coding purposes) I can't really diversify it much. I hope that's okay ¯\_(; v ; )_/¯ If Mychael met a more grouchy/mean MC on Day 1 he'd probably not be as attached. He'd just save you, feed you and send you home when you ask hahaha. Of course this will change as he gets to know you better, at that stage he'll be willing to overlook your flaws like any upstanding yandere

Phew this was a lot to dump in an ask but I did wanna explain my vision for the game! I enjoy yandere VNs as an escape fantasy, but it's common they start out with the yan already being invested in you or fall for you too fast!!! if that makes sense. I'm interested in yanderes in the aspect of how love (romantic or otherwise) starts from innocent affection and spirals into dark obsession!!! It's also compelling as to why a character is so devoted to someone, in this situation the MC, and I wanna write the kind of person Mychael would fall for. And personally 'love-at-first-sight' as a reason just doesn't do it for me 💔

(Disclaimer!!! I'm not saying my game is any more original or better than the other wonderful yan VNs in the works, but hopefully with Mychael as a character I can deliver that 'slow-burn-and-yearn' storyline I'd like it to be. As my itchio profile says: I make games I thirst for in secret but are sadly lacking around the internet 💔 )

Thank you for the ask!! :-D