#not to say she should be woobified but like. man. stop the 'fuck that evil bitch give us back helly' talk

[smallhatlogan]

i feel like people are refusing to engage with a core idea of Severance when it comes to their refusal to even try to sympathize with Helena. Like honestly would you really see your innie as a separate individual from yourself? Would you really feel like you are hurting another person?

[slytherinsnekxvii]

let's talk about lily evans and the marauders, aka moony, wormtail, padfoot and prongs. given that i didn't use their actual names, i think you can figure out where this is going. it's also long as hell, so. canon vs fanon, marauder edition, except snek is sleep deprived.

now, before we begin, i don't dislike the marauders. or lily, tbh. if I'm being perfectly, genuinely honest, i still go back and forth sometimes but they've been growing on me for a while now. the canon versions, at least. fanon does them real dirty, and that's part of why i'm writing this, because i'm genuinely tired of it. it's an injustice.

you can at least make excuses for james and lily, who were so undeveloped that jkr practically dropped a fill-in-the-blank sheet of character information in our laps, but sirius, remus and peter were around long enough for y'all to get real acquainted with them.

in canon, sirius black is an unhinged mf. genuinely. this isn't to say he's a bad guy, in fact, we see that he's still capable of doing good things, still capable of love, still capable of all the things that prove he's actually not bad at heart, just,,, severely traumatised and very steeped in negativity from his time with the dementors. what i'm saying is that this man is absolutely, no questions asked, no holds barred demented, and how could he not be? the guy sat wrongfully imprisoned in azkaban for twelve years, a good portion of which he spent as a dog in order to protect himself from the dementors. he certainly wasn't completely insane, but you cannot tell me that he was all there. he got out of azkaban fuelled almost solely by the intent to get revenge on pettigrew, tried to commit murder in front of three witnesses who were also children—one of whom was his godson—ate rats and was also malnourished, which i'm certain did not help the situation any. this man is off his goddamn rocker, and you know what? you love to see it. good for him.

oh, but, snek, that's what he's like as an adult. what about when they were at school? before azkaban? my guy, the reaction he has to grimmauld place is not the reaction of someone without trauma. i don't believe that walburga and orion were the type to physically abuse their children, but whatever happened in that house helped to fuck him up enough that he skipped the joke of part of practical joke, and pranked snape by telling him how to meet a werewolf that he knew would be fully transformed and dangerous to humans. more than that, the werewolf was remus, whom he's friends with, and who—best case scenario—would be facing a trial if james hadn't stepped in. you can say that maybe he didn't think about or understand the gravitas of his actions, but at the end of it, that's not how properly sane people react to people they dislike, and that's not how they treat their friends. if anything, it reads like he was in the middle of a breakdown and absolutely losing his shit and he wasn't thinking at all.

my guy went through some serious shit, and was in no way completely mentally stable. we can see pretty clearly that he's got a serious dark side to him that probably would have gone unbridled had he not disagreed with his family, and yet, fanon took one look at him and went, "teehee, uwu bad boi go vroom."

fanon said padfoot is a pretty boy with nice hair who is tastefully traumatised from his horribly abusive household. sirius rides his motorcycle and plays jokes and flirts with anything that moves, but he can do no real wrong and always comes back to his soft, bookish, chocolate-loving boyfriend remus, who will laugh about his lycanthropy and quietly disapprove but secretly laugh at his friends' antics while hiding his smile in his cardigan.

respectfully, what in the absolute fuck.

i'd put that meme in here if i could, the one that's like, "well done, you've broken _______ down to its bare essentials," but no. i can't bc it doesn't even apply. this isn't a meme, it's theseus' fucking ship.

fanon broke it down, and replaced the pieces one by one until we got to this point, where we need to sit down and ask ourselves, "is this even the same character?"

the answer is no, by the way. it isn't. when people talk about woobifying characters—you know, taking away every flaw they have, romanticising everything they do and making them only capable of doing good, wonderful, lovely things?—this is what we mean.

and it'd be one thing if it was just the one character, but, no. fanon went all in and made them all squeaky clean and boring, especially peter, who draws the shortest of the straws.

remus got fucked, too. not just because fanon insists on sticking him into a relationship with sirius. which, we'll tackle wolfstar in a bit, but that's not even the worst of it. here, we have yet another example of blatant, rampant woobifying. again, is he a bad person? no. we know he's a good guy, we know he's generally kind and well-mannered, we know that he wants to fo the right thing but hey, fun fact. did you know that you can be nice and a coward? did you know that you can be benevolent and good and kindly and have the greatest of intentions and still be shady as fuck? no? ask dumbledore. the man played people like chess pieces when he needed to, and he was a twinkly grandpa. these are things that can coexist.

teenage remus is a coward who, understandably, does not stand up to his friends, likely for fear of being ostracised, and doesn't uphold his prefect duties as he should and takes part in their bullying of snape as a result. he lets them romp with him in werewolf form while they are in their animagus forms and then, he lets them continue to do so even after they have multiple close calls, which, again, had anything happened, would have resulted in a trial in the best case scenario.

grownup remus is still a coward, he tells no one that sirius can move about the school in his animagus form despite wholeheartedly believing that he's a mass murderer, he tries to run out on his wife and unborn kid. he isn't deliberately making attempts to harm anyone, but he's content to sit back and let things happen to him and around him so he doesn't rock the boat, although he is capable of action, which we see when he is more than willing to help sirius merk pettigrew in the shack. he can be careless, he runs out to the shack knowing he hasn't taken his wolfsbane and ends up transforming in front of the students he, as a teacher, is meant to be protecting. of course, this doesn't negate his good qualities, it just bears repeating that his flaws do exist, and they're pretty serious.

fanon moony is always pleasant and kind and soft-spoken and bookish, and he always has to have his chocolate. he knows when to tell off his friends, and he'll do it, even if he's secretly amused by everything they do and laughs about it with his best friend, lily evans, who coincidentally spends all her time with them so he and sirius can go on double dates with james and lily and no one has to remember peter exists.

why. theseus' ship 2.0. does the actual character still exist or is this something entirely different thing bearing the same name?

as for peter, who needs peter pettigrew, the actual, legitimate, fourth marauder when you have lily evans? canon pettigrew is opportunistic as fuck. he's latching himself to the biggest bad on the block and he's going all in. for teenage peter, that was james and sirius, and for adult peter, that's voldemort. canon peter is good enough at transfiguration to master the animagus transformation, just like his friends, and he's good enough at potions to brew the potion that gives voldemort a body. and honestly, you can't say he wasn't brave. he could've run off somewhere and died, or changed his identity or something after he faked his death and framed sirius, but, no. he goes and resurrects voldemort. that's fucked up, yeah, but it happened and honestly, i respect that it. he stuck to his guns.

fanon wormtail is lucky if he exists beyond being a spineless sycophant for james and sirius, or an evil conniving little rat who's looking to toss his entire friend group to the wolves at eleven.

of course, this isn't meant to negate his bad qualities, he still murdered people and framed sirius and sold out the potters to die, but his good characteristics do exist, and james, sirius and remus genuinely were his friends.

and now, we get to lily and james.

we have hardly any information on either of them. they're a pair of cardboard cutouts that we can paint and stick flyers to and colour outside the lines however we want. we can do whatever the fuck, as long lily is brave and smart and somewhat kind and james is brave and willing to die for his family. we were essentially handed a pair of ocs.

and yet.

what little bits of canon we have are thrown out of the window regardless.

james is privileged and rich, and he throws hexes for fun. he's willing to hex lily when she disagrees with him, and then, he goes behind her back to continue hexing snape after she believes that he's stopped doing so. and that's all we know about him until he dies for his family at twenty-one years old. once again, say it with me: this does not negate his good qualities. he definitely had them, he took sirius in when sirius ran away from home, he became an animagus to keep remus company as a wolf, and he saved snape in the shack, thereby saving remus and sirius by extension. him having flaws does not make him a bad person.

fanon prongs is a feminist. he fights for equal rights for women everywhere, and he constantly treats his girlfriend, lily, like an absolute queen. he's the hottest boy in school and everyone claps when he walks through the halls. mcgonagall and dumbledore are always patting him on the back and making jokes with him. he has a built-in dark detector that helps him sense when someone is a evil and needs to he punished.

give me a break. the dude's cool and all, but was the gary stu treatment necessary?

...oh, he needed to match fanon lily? right, right.

canon lily is a contradiction unto herself. she's supposedly a great friend, but since we see her at a point where they were already drifting apart, we see her putting little effort into keeping their friendship afloat. she victim blames based on rumours, she doesn't seem to care over much about what snape has to say about the people who have been tormenting him since day one. and she's justified, of course, she doesn't have to stick around. canon lily is a bit of hypocrite, she says that snape calls everyone of her birth mudblood, but then that begs the question why she still hangs around with him if that's the case. he calls her mudblood, she retaliates by calling him snivellus, and finishes up with a dig about his underwear, which, sure, it's kicking a man with a rusty spoon and pouring salt in the wound, but she's, again, justified. i get where she was coming from. and then, of course, she dies for her kid after marrying the guy who relentlessly bullied her quote-unquote best friend for their entire school careers. but, like i said, canon lily is, in many ways, a contradiction.

lily is basically a plot device. she pushes everyone's narrative but her own, and does little else.

of course, this trend would continue in fanon. fanon lily exists to be the perfect girl who gets really angry over the slightest injustice, and of course, she gets to be one half of one of the oldest enemies-to-lovers "it was just sexual tension" cliche pairings in the book. she's just,,, a mary sue. in so many fics, so many headcanons, she's just pettigrew's stand-in, a girl to form a gang with marlene, mary and dorcas—who happen to be more undeveloped ocs who also get the woobify mary sue treatment—to parallel the marauders. there is nothing compelling about her character when she's presented as a saint, and even less when she's supposedly the other moral compass for the marauders that doesn't actually work because she thinks that james is cute.

and this brings me to the next topic. jily. what, why, how. this was supposed to be a healthy, happy relationship that would have lasted in the long run? absolutely not. even for its time, i can't say that i see it lasting.

first of all, jkr presents james' crush on lily as just that: a crush. a mildly obsessive one, but a crush nonetheless, which she tries to liken to the pulling of pigtails. and then, we see that james' way of getting her to go out with him consists of blackmail, and when that doesn't work, he resorts to threatening her. this could have been set aside if he had actually, genuinely changed when they started spending more time together, but as we're told by sirius and remus, he didn't. he just got better at hiding what he was up to. and it has to be that he hid it, because if she knew, this further damages the character that she's set up to have and paints her out to be either unable to stand up to him or an enabler.

regardless, they get married. and while i have trouble believing that it was out of genuine love, there are scenarios that could make some semblance of sense. it's wartime, after all, and maybe lily is worried about her stability in the wizarding world, so why not marry into an established family whose son is already showing interest? or perhaps, she falls into the trap of every bad boy cliche ever, and she thinks to herself, well, i got him to be better then, maybe i can get him to do even better in the future. or maybe, she doesn't get into a relationship with him immediately and sees him on and off, until eventually, she accidentally gets pregnant and they scramble to have a shotgun wedding so as not to leave lily alone at nineteen with a baby. or maybe they marry each other because they're there and sure, neither of then is ready and they don't know what love even is but what else is there to do when there's a dark lord about? anyways, the point is, they get married.

and then what? if we count pottermore into canon, he goes on to further damage her relationship with petunia and vernon, to the point where she ends up crying. if we don't, she fades into the background enough that nobody has anything to say about her. she's harry's mum, she's james' wife, lily potter, she was kind and smart and brave and that's it. her agency is gone, anything else we have of her personality is gone.

jily just,,, wasn't built to last. and, yeah, this,,, this is a hill i'll die on.

same with wolfstar, honestly. there are so many reasons why it wouldn't work, but fanon has made it so fucking prevalent that it's literally everywhere no matter where you look.

first of all, i've said it before and i'll say it again. sirius is more likely to get with james that he is to ever end up in a relationship with remus. their chemistry is just,,, underdeveloped. net zero for a relationship.

secondly, sirius instigated the werewolf prank, and lupin would have paid the price for it. this could have been overlooked, but he doesn't seem the slightest bit guilty about any of it when it's brought up in poa. he could have been responsible for lupin losing the security of his place at hogwarts in the best case scenario, and in the worst case, his life. and he seems to look forward to full moons, even though they clearly aren't pleasant for remus, which,,, yeah, you're going to have fun, but like, maybe be concerned about the fact that your friend undergoes excruciating pain and it isn't a pleasant time for him? read the room, my g.

thirdly, they don't trust each other as much as fanon seems to think they do. they were both willing to believe each other the traitor before ever suspecting pettigrew. sirius thought remus gave away the potters, hell, he thought remus was a spy for voldemort, and remus was convinced that sirius was a mass murderer. neither of them needed to be convinced.

fourthly, maybe i'm reading too much into it, but like. sirius had money. remus had no money, since, yk, he was a werewolf and struggling for cash and still, sirius,,, did not leave him any money. i feel like if you had money to spare, you would give to your friend who is literally poor. but, again, maybe i'm reading too much into it and this isn't as valid a point as i think it is.

and ehh, the fifth reason is that it's,,, actually very much not the representation for the ltgbt community that fanon says it is but y'all aren't ready for that conversation.

anyways, just,,, even when you set the couple shit aside, the power dynamics between everyone here is fucked. like, james and sirius are clearly at the top of food chain calling the shots and egging each other on. then there's lily, who isn't even a marauder, but is always ever-so-slightly above remus but still not on their level, because, well. neither of them actually listen to her. remus is the novelty friend, the friend who's,,, alright, i guess, but you keep them around specifically because they're funny or they can dance or they have something that you can either show off to other people or keep as your little inside joke, your little secret, yk? and peter is just sort of there. like, yeah, he can do what we can but does that make him as good as we are? no. does he have a funny little something about him that we can exploit? nah. therefore he sits at the bottom. and like, yeah, james and sirius are on the same level, but james is yanking sirius' chain, not the other way around. anyways, like i said. power dynamic's fucked and it bothers me that we were given all of this, and fanon decided to take it all and throw it away so they could give us flamboyant!badboi!sirius black x softboi!motherhen!remus lupin going on double dates with feminist!trustfundbaby!james potter and saint!lily evans while ignoring peter pettiwho?

theseus' fucking ship, indeed.

anyways, this needed to be said. it might not make as much sense as i want it to, considering it's 4:12 in the morning as i'm posting this, after taking a break from writing to do some research and coming across way too much content about fanon marauders, but it's here and it still makes enough sense that you can read it and understand what i mean. and like, at the end of the day, you can go ahead and headcanon whatever you please, you can write fic and make art and do whatever you like, just,,, remember that they're exactly that. headcanons. stop presenting fanon as canon. please. i'm literally begging. we actually have evidence against it. just,,, acknowledge that they're headcanons and stop putting them forward as though they're able to fit into canon. please.

[balillee]

my unpopular dsmp opinions, some of which genuinely should be popular

c!dream has crossed the moral event horizon and is irredeemable. once you cross that threshold, you're no longer a 'morally grey' character.

pre-recorded, heavily produced lore killed the lore. it was cool, sure, but you completely misunderstand the magic that the smp had when people watched it initially. the story is improv and that's how we like it. we can tell the cc's have lost interest in it, you can admit that to us, we'll understand, just stop lying to me.

c!dream's pov isn't necessary to understand his character or his motivations. if you've watched literally any c!primeboys stream he's basically spelled it out for you.

i don't understand how fans can dislike l'manberg or have claimed to be against it since the beginning. i honestly don't get it. what's so bad about wanting your own spot where you make your own rules and skirt accountability that has been used to technically oppress you before - and, before someone who never saw the earlier streams tries to disagree with this, the og l'manberg crew were imprisoned for shit that everyone else on the server was practically encouraged to do. also, what do you have against fun and happiness?

i think some of you forget that 'hybrids' aren't a thing, discounting c!ranboo. there's no piglin hybrids, c!techno is just a pig. there's no avian hybrids, c!phil is just a man with wings. there's no creeper hybrids, c!sam is just a creeper who's indecently exposed from the hips down. canonically there's no hybrids, and therefore no hybrid discrimination. people ran with that concept too much.

the loss and the fanon rewriting of the early lore up until pogtopia has ruined fandom perception of c!dream and the og l'manberg boys. c!tommy is more morally white than you think he is, and c!dream has always been a villain - he massacres and he kills and he destroys and he schemes and he always has broken his own rules. no wonder the boys wanted their own space after how they were treated.

i think ranboo oftentimes forgets his own lore. he brings stuff up that c!ranboo may have done, such as exploding the community house to frame c!tommy, holding onto Cat, and it goes absolutely nowhere. we've gotten all of these developments in his story but they have never been expanded on, and we're nowhere closer to figuring out his relationship to c!dream and what his other side is and honestly i see no hope that we'll be any closer to knowing even by the end of the year.

your characters don't all have to be morally grey for the story itself to be morally grey. this is fiction - some people can be nothing but evil and others can be nothing but good. being purely good or evil doesn't mean that you're one dimensional, either.

c!dream apologists have ruined c!dream for me. he's not a good person. how about you let me enjoy a villain for who he actually is, rather for than your percieved woobified ragdoll you pass off as c!dream.

the story was better when there was a central writer. it was brilliant back when wilbur wrote it to be that the environment drives the characters and the story, and it was really good in early s2 up until techno's execution day when it was more character driven. since then, the amount of autonomy people have over their characters without any central 'director', as it were, has been a detriment to the story overall. there needs to still be one overarching figure or director or writer.

not everyone is a main character. just because they have a pov, doesn't mean they're a main character. some characters have such little impact on the overall plot and describing everyone as a main character oversaturates the story and makes some characters seem more important than they are.

the egg lore had so much potential up until it didn't. all that built up threat that we were expecting and we still don't even know what the egg wants really other than just controlling people. does it hatch?

genuinely, if there's no major plot developments by the end of the year (and let's be honest, it's a very big possibility at this point), a few of the more prominent members of the server should do a podcast style stream talking about where the story would have gone, because at least then we would have gotten somewhat closer to a conclusion.

c!techno is a villain and an asshole and a bad person. he stops caring for people once their interests don't align with his or if they look at him funny. he makes meta-jokes about his own tyrannical and oppressive nature. stop taking that away from him. he's a bad person. cc!techno does a fabulous job portraying that in a comedic manner and the balancing of him being a deeply flawed person with deeply flawed morals and ideas with his comedically-portrayed stubbornness and lack of willingness to hear out opposing viewpoints is incredible. i want to like characters who are arseholes for the sake of being arseholes, and who refuse to take into account the hurt they've caused either out of self-righteousness or because they don't care, so let me. he's the anti-peacemaker, LET ME HIM ENJOY HIM FOR THAT!!!!

i think tommy and wilbur's way of doing lore is my favourite. relies heavily on improv, voice acting, sprite acting and facial expressions. really shows off the acting props and they pull off the emotional moments well for the insanity of the creative medium.

i'm not a fan of fan-music. i find songs about media i'm into difficult to listen to. coincidentally i'm also not a fan of shit like slam poetry or live music/musicals/pantomimes.

the death of l'manberg killed people's motivation to go on the server casually. i've talked about it more in depth before, but destroying what was a central, driving environment for the story killed momentum and motivation. imagine in an episode of she-ra, the princess alliance just nuke the freight zone and all of the members of the horde just have to deal with it. that would be shit.

until season 3 has some momentum, i'm counting the end of the smp as january 20th. that had a conclusion. season 3 has... whores, technoblade and tommyinnit. that's about it.

i wasn't a fan of the development of c!tubbo joining las nevadas. i preferred snowchester and the walled city conflict. give c!tubbo some backbone and some badassery. also tubbo where's the fucking nuke bro if you're shelving that plotline just tell us on like an alt stream what the plan was i beg

add like 2 or 3 new people to the server so that michael mcchill has someone to talk to and so that there's something always happening on the server. it gives the og's more motivation to return if things are happening in and out of canon and it'll help with momentum, and who knows? maybe they can write their own story/stories.

i really think that c!sam is an underrated character. he's multilayered, extremely interesting, and the dichotomy of his loyalty to his job and how far down the rabbithole that's taken him versus the genuine love he has for his friends that drives him to do what he does out of wanting to do right by them is brilliant. i don't talk about c!sam enough.

STOP HAVING FUCKING VILLAIN ARCS!!! I'M FUCKIN SICK OF IT!!!! i want to see more characters who see everyone else being absolute selfish, abhorrent cunts and go 'if nobody else is going to be a good person, i fucking will'. GIVE ME SOME MORAL WHITENESS!!! IT'S INTERESTING AND MORALLY GOOD CHARACTERS ARE FUN!!!

let tommyinnit build cobblestone towers. everyone bullied him too much for how ugly they were and the one he built outside of the prison looked genuinely really nice. it gives the boy something to do.

i'm a fan of the revive book and the canon lives system. don't ask me why, but i think it might just be the morbidity of it. it adds to c!dream's god complex persona, and i think the fragility of death itself is a really fun concept. not enough fan cc's have made connections with that and c!mumza, and it could make for cool fanfic.

ranboo your house is fucking ugly. it's an eyesore

c!niki, and to some extent now c!jack and c!fundy, are boring me and ruining my mood. i think c!jack is the closest to being an actually interesting sympathetic villain, mainly because nobody else seems to realise that c!niki is a villain. not a good one imo, but she's a villain. c!jack just has the problem of starting a new project over and over and over and over again and because of the slow in momentum for the primary cast, there hasn't been a lot of recent development for him.

not really a dream smp opinion, but if philza went full geordie accent, i would love it. i want him to, in canon, say shit like 'me n ye' instead of 'me and you' and use geordie dialect. i want him to be physically unintelligible because it's funny.

i don't really know what's up with c!foolish but i think he's a dumbass. he had a while to think about c!q's proposal and then changed his mind about joining the guy to admitted to letting him die just because. moron

i wish there was more c!eret lore. i wish he was an actual king with an actual kingdom and actual subjects and royal advisors. c!eret is far too fucking cool to be the king of nothing and nobody. fatten up the kingdom and the castle with people who work with c!eret, and don't just make it tyrannical and dictator-y to prove the point of the server's 'anarchists'. make it a healthy working environment, please - if you want moral greyness, have 'anarchists' who claim to care about the welfare of the server oppose a kingdom of happy people under a fair and just ruler because their ideologies clash.

the server needs more characters who oppose anarchy in more peaceful ways, or passively wish for systems to be a part of. i think a chaos vs order conflict ending only in mutual understanding where everyone understands that they should just leave each other alone would slot nicely into the story that's been created so far.

you need to have watched all of the previous arcs to understand the story. i've seen people argue that they don't need to know about earlier lore to understand the prison, but that's the equivalent of only watching the final season of pretty little liars and expecting to understand the context of what's going on.

some characters aren't that morally grey. some characters, take c!tommy for example, are definitely on the whiter side for the morality scale, he's just an asshole. he's abrasive and rude and a dickhead but he also doesn't agree with terrorism, he's patriotic, he strives for a better world, he's apologetic, but he's also a fucking BITCH.

you can add onto this if you want, but not if you're a c!dream apologist. nobody likes your opinions

[fontofmercy-archived2]

TROS spat in the face of every single abused child who was looking to this fairytale for hope. The sequel trilogy wasn’t about a farm boy looking for adventure or even an abused child falling to villainy, it was about three abused children from the different class systems all rising out of trauma and dysfunction. This was our fairytale, our story, and JJ Abrams perverted it into abuse apologist propaganda in a pathetically desperate attempt to appease the most hateful groups of fans who never understood or appreciated the story to begin with (which is why the story had to be butchered in order to appease them).

1.) Rey

Rey’s parents selling her for profit into slavery was portrayed as a good, loving thing. Child trafficking was literally portrayed as excusable, and even loving, in this children’s film. Just let that sink in for a second.

What is the message there? If your parents did something horrible that caused you years of trauma and torment, you should just not lose faith in them because they may have had a good reason (even if you have no evidence of that). Maybe a space wizard who has been dead for decades forced them to traffic you. This scene makes me want to vomit. This is how a children’s fairytale portrayed parents who sell their children into trafficking:

There is no excuse for this. Rey’s parentage was solved. Her identity crisis was over. This wasn’t needed except to force this abuse apologist message. Oh, and of course to feed the sexist fanboys a bit of eugenics to make them stop whining about how a woman could possibly be important and powerful.

TLJ was about Rey discovering her identity and letting go of her unhealthy, irrational dependency on parents who she never knew, who sold her to an abuser and left her to half-starve alone in a desert. TROS decided to give her a new identity crisis out of literally nowhere just so they could erase all that “You are not your parents, even if your parents don’t love you and/or aren’t special, you are still special and still deserving of love. You can find belonging ahead of you.” stuff with dynastic “Actually, your blood family does entirely define your identity and you should always assume they’re right even when all evidence points otherwise, just ignore your own trauma and blame it on a dead space wizard.”

The whole Rey Palpatine thing left a very bad taste in my mouth. Not just because it’s fucking stupid and something Reddit would write, but because Rey was horrible in TROS. She acted like she was possessed by Palpatine, she stabbed Ben (who she cares for and always had compassion for) to kill while he was distracted. She suddenly acted like she didn’t care about anyone around her. She just overall acted unrecognizable from the warm, loving, empathetic woman we saw in TFA and TLJ. The message here is clearly that because she has this “bad blood”, Rey can’t have an identity for herself. The only thing that saves her is taking on the identity of the good guys, she never finds her own. All the traits she’s had up until now don’t matter, who she actually is doesn’t matter. All that matters is what man’s blood runs through her veins. All Rey is is someone’s granddaughter, because if she wasn’t, then she’d really be nobody.

And thus, JJ Abrams decided that “Anyone can be special, even nobodies. Your worth is not defined by your class or your background.” was a stupid message and instead it should be pure eugenic “You’re only special if you have important people blood/name. Your identity is entirely your (male) family, not your own. No silly woman could have power of her own!”

Rey taking on the name of Skywalker is an utterly shallow attempt to fix the fact that they took every bit of Rey’s real identity from her, took half her soul (Ben is her dyad, two that are one), and then left her alone on a desert planet as if to say that her “true self” is the abused child she once was and that she can’t actually escape that. The moral of this fairytale was “You don’t need friends or love, as long as you have a glow stick (material possessions) and a super duper special name that makes you important (which you weren’t before, you were nobody).”

Not to mention that Rey basically named herself after Luke, no one else she knew actually used that name. And Luke didn’t do anything to deserve that, he rejected her at every single opportunity and only did the bare minimum to help her after being berated into it. Han was her surrogate father and the first person to offer her a life outside of Jakku. Leia was her loving mentor and pseudo-mother. Ben was the love of her life who has always been there for her when she needed someone to confide it, someone to see her true self and tell her she wasn’t alone. Luke was nothing but some cranky old guy who made her feel awful about herself and never accepted her (not to mention telling her she was inherently dangerous and also trying to murder her soulmate when he was a child which the real Rey was furious about).

2.) Finn

Finn’s character has not been given much in terms of development. For the most part, he’s been reduced to “Rey’s friend” and then “Finn’s friend”, with a little moment in there where he got to be with Rose and have his own identity but TROS of course decided to reward racist bullies and cut out Rose instead of giving the rest of the fans a satisfying story.

In TROS though, the one thing that Finn actually did that was heroic by himself, his character defining moment of turning from The First Order, was credited to the force and described like it wasn’t a choice at all. Which brings up a lot of questions and, as Han would say, “That’s not how the force works!”. It was so entirely unneeded to take that from Finn, but they gave up all of Rose’s potential screentime to do it.

There’s also the moment when Poe, our alleged hero, so hilariously (i.e callously) compares himself being a criminal to Rey being a scavenger and Finn being a stormtrooper. Completely ignoring the fact that they had no choice in that, as if their trauma doesn’t matter at all. It’s a small moment, but it was very insensitive and highlights how much the writers Did Not Care or even understand their main characters’ experiences.

3.) Ben

I don’t even know where to start with Ben Solo. His ending was the one that broke me as a person, I had so many hysterical sobbing fits over it that my loved ones were actually getting tired of it and it genuinely put me in a really bad place with my depression that I’m only just not getting out of.

Ben Solo’s story in TFA and TLJ was abuse victim’s epic, it was the story of a boy who was tortured and groomed from the time he was in his mother’s womb. A man who never knew a life without abuse. Ben Solo was described as a pure beam of light in his mother’s womb who was ensnared and tainted by a predatory force bigger and stronger than himself that he could not escape.

The feeling of being tainted and corrupted is common in abuse victims, and the fact that TROS told every single abused child out there “Yes, you really are tainted and corrupted. You do deserve to die before experiencing more than a moment of happiness and safety.” is something that I’ve yet to get over. It still infuriates me, it still breaks my heart. Ben’s entire arc up until this point has been about how he is still worthy of love.

And no, this isn’t me woobifying; it’s in the text of the films and the canon novels that Ben worked for his redemption, that he earned it. Ben fought Snoke from the time he was a child, but Ben was only a child and Snoke was too powerful, too relentless in his cruelty for him to withstand. The one and only person in the entire galaxy who had the training and the knowledge to protect Ben was his uncle, who chose to try to murder him in his sleep instead of protecting him. Ben was left with nowhere to turn except to his abuser. And even then, we see him struggle every single day to try and force himself to be this evil person that he never was. Ben was light itself who was convinced he was darkness through abuse and manipulation.

Then, when Ben found the first person who he could feel and connect with through the force, even though Snoke and Luke had abused and betrayed him - Ben still took the chance to reach out to Rey and be vulnerable with her. While interrogating an enemy, he took off his mask and revealed himself (something we only see him to for his father and when Snoke forces him to maliciously). In the middle of a war, under the thumb of the monster who has tortured him since forever, Ben was able hold Rey’s hand and tell her she wasn’t alone. He was still able to be kind. And because of that kindness, that connection, Ben found the courage to finally destroy his abuser and free himself.

Ben freed himself, and he did it out of compassion for and a need to protect Rey, not out of wrath or vengeance. If Ben were truly a creature of wrath, he would have killed Snoke before, but it was only when he had to see and hear and feel his soulmate be tortured by his own abuser that he found that courage. And yes, he did take Snoke’s place at first because that was the only way he knew how to protect himself. In his experience, people without power get hurt and that’s it. But even then, Ben was able to muster yet more strength to shed the armor that was Kylo Ren and stand with Rey unarmored against the very thing that has abused and tortured him since before he was born.

That took so much bravery and love and selflessness for Ben to stand there as himself, ready to fight his abuse and trauma head-on as Ben Solo. For him to admit he was hurt for the first time in the series. For him to crawl up a cliff with a badly broken leg out of love. For him to willingly give his very life force out of pure love. All of these things are incredible for Ben to have been able to do after all he had been through, these are more than deserving of reward. But TROS punished Ben for doing everything right, they proved that abusers always win in the end. Ben was going to survive until the last few edits. Everything we see was literally leading up to him surviving. This was Ben’s redemption, this was supposed to be him fighting for his new beginning and taking his first steps into the happiness and safety he earned, and should have had as a child, not a pointless struggle before succumbing to death:

But TROS told us, told traumatized and neurodivergent children who saw themselves in Ben, that it wasn’t good enough. That love isn’t good enough. That doing the right thing deserves to be punished. That children tainted by violence and abuse and darkness don’t deserve love and healing even when they earn redemption, even when they do everything in their power to do the right thing and be brave. The hopelessness of that is what broke me as a person. That is not what Star Wars is about. Star Wars is about redemption and love and hope; TROS was about cruelty covered up with a thin sheet of materialism and confused, poor storytelling.

[starmic]

I really don't wanna reblog this and go through weeks of drama or whatever but this is the funniest and poorest attempt at a vague. I know this is about me because I and maybe a couple of my friends ever post about mimic. Like cmon there's vaguing and there's this.

1) I never said Eggman was problematic or deserved to be cancelled. If I genuinely believed that I would've cancelled every villain in Sonic, but I didn't cause I dint believe that. You can like a villain, liking them doesn't mean you agree with their actions. However it's telling when someone tries to say "hey maybe this ship isn't great, it literally parallels off of jokerquinn and we all know about that" and it results in people acting like issues 14/25 never happened and as if its the most healthy and best lgbt rep they've received

2) Mimic is fucking hated in the Sonic fandom, what kind of fucking rock have u been hiding under? He gets so much shit for his design (which is unneeded his design is great stop saying he's edgy when edgier bitches have existed) and for his writing (which is fair). Also he's literally so un fucking popular, I have yet to see someone from here be as into Mimic as my friends and I.

Also the replies, I can forgive some of them but Soni's reply was when I knew this was a dig at me

This is so untrue and out of touch like??? I have never tried to woobify, justify or ignore Mimic's actions. You have a lot of fucking gall to call my writing shit, have you seen your work???

Now this could be a dig at the starley quinne au, my mimic theory or just general fanart I'm gonna go with the first two. Starley Quinne is a fucking au based off of Harley Quinn, of course they're gonna be slightly different personally wise. Like in my writing I don't try to ignore or act like starline or mimic are innocent. So idk where this is coming from

How I characterize Mimic is yes different than what IDW gave us because I don't like characters who are evil just because it calls for them to. In the theory i didn't once excuse or justify his betrayal. I just simply said there may have been another reason as to why. I write Mimic as a person who has mental illness and who has gone through trauma. Who has worsened the stability of his life and himself by indulging into self destructive behavior. Who uses his mercenary gig as a persona to hide from what he's really feeling. The only reason I write him to be so overprotective and in love with Starline (I should talk about the au more but hey surprises) is that Starline (Starley whatever) didn't see Mimic as a tool for his own benefit (for work or for not so safe for work reasons) He wasn't scared of Mimic he wasn't disgusted by him. All he wanted was to slowly gain his trust. For fucks sake he's poison ivy in the au, you know plenty lady who hated humans but thanks to Harley she slowly grew to tolerate them and in some DC verse is an anti hero.

I don't even care that soni or eggy don't like me, but man if you're not gonna go through the effort of sending anons telling me I'm a piece of shit hypocrite at least try a little harder when vaguing.

[counterspelling]

time for another angry tros post

why in the everloving fuck was kerri russell’s character codenamed MARA if she wasn’t skymom!!!!!!!!!!!!!!!! the disrespect!!!! it’s not enough to name a random jedi kid jacen, or to name a new character in tros jannah, or a girl in the mandalorian winta........... they really went and codenamed another nobody mara????? why??? what’s the point????

luke and leia really went all that fucking time NOT telling rey about her parentage??? when they knew how important it was to her?? how desperate she was for information about her parents?? after everything THEY went through about birth family drama?? they really thought that was a good idea?? rey is more than her family name, but that doesn’t mean she doesn’t deserve to know. and HOW did they know she was palpatine’s granddaughter. like kyle, he’s a snoke acolyte, okay, so maybe at some point he’s taken into their confidence. but how the fuck do luke and leia find out

everything with leia was just. so bad. all of her scenes were so stilted, they would have been better off just cgi’ing her. and this movie isn’t technically their fault, but the fact that they’d already spent two movies completely wasting her. having her send her non-force sensitive husband to confront their murderous son, standing back and sending rey to her twin, literally never once doing anything but standing around and reacting to people around her. if leia trained as a jedi, we should have SEEN THAT. i did not wait my entire life to see jedi leia on screen and then never get it. and her death, completely unexplained except that for some reason reaching her son kills her.......... it’s fucking padme all over again. god, they just completely fucked everyone in the ot, so badly, but holy fuck does star wars hate women

still just generally really pissed off that they brought palpatine back at all. not just in the sense that they tried to fucking woobify kyle ron and stopped him from being the ultimate villain that they should have, but that disney continually shits on star wars’ legacy. anakin DESTROYED THE SITH. there was a whole prophecy. it took him 20 years, but he fucking did it. he killed palpatine. and now, like everything else disney has set up over the last few years, it means nothing, because he DIDN’T actually kill palpatine, just like everything luke and han and leia fought for is meaningless, because 30 years later everyone was still in the exact same place. a low-rent resistance without a lot of support, the jedi order slaughtered through treachery, fighting an overly powerful empire bent on slavery and destruction (also why i could never get into rebels. luke is a new hope, the presence of a jedi for the first time in 20 years is supposed to be a big fucking deal. hard to have that same shock and awe when kannan and ezra are formally joining the rebellion, meeting mon and leia and lando, prominently waving around lightsabers. if disney wanted to make stories about jedi choose literally ANY OTHER TIME PERIOD IN STAR WARS HISTORY. I AM SO DESPERATE FOR STORIES ABOUT JEDI. just in the right time, and not in this singular 50 year period where there shouldn’t be jedi, jfc)

the OTHER major problem in bringing palpatine back is yet again, they’re trying to top the “no, i am your father” moment, which is just never going to happen. that was a once in a lifetime moment. everything disney does is trying to bigger and better. it’s not just death stars that can destroy planets, it’s a million star destroyers! kyle ron and rey have a force bond unseen in generations that lets them trade items across the galaxy! force healing has always been a thing but now they can instantly heal death! star wars doesn’t have to be X-TREME to be good. its best moments have always been about its character beats. luke saying he won’t destroy his father, leia and han’s i love yous, anakin’s despair over leaving his mother behind to become a jedi. it doesn’t always have to be BIGGER and BETTER. E V E R Y T H I N G about tfa said that rey was a skywalker, that luke was her dad. the music, her dreams of an island, calling his lightsaber to her, their lonely upbringings on desert planets, their instant embroilment into a conflict much bigger than they are but that they quickly become central to. but because rian johnson is so up his own ass and so insistent on proving how clever he is, he couldn’t follow through on that. even though star wars has always been a fairy tale, and it’s never been about tricking audiences or proving them wrong or throwing out foreshadowing as a red herring. lucas is maybe the most straightforward filmmaker of all time. that’s why bad guys have names like sidious and maul and plagueis. subtle, he is not. and it’s one of my favorite things about star wars. and disney just doesn’t care

the fact that they gave us so many luke/rey parallels and STILL STUCK WITH SHITTY REY PALPATINE. rey flying in his x-wing wearing his helmet, rey leaping away to safety on the millennium falcon from an evil skywalker offering his hand asking them to join the dark side, rey’s fear of the darkness within herself.................. all of it meaningless, apparently

i am so eternally angry at the way they treated rey. removing her teeth, linking her story so inextricably with the man who tortured her, irrevocably tying her narrative to that of a man’s because apparently star wars just can’t handle a trilogy without a white man in a central role. the rey in tfa is a completely different character than the rey from tlj and tros. she couldn’t stand on her own merits? they respected her so little they had to force her to share her trilogy with a murderer who abused her, and try to call that love? to make her journey about a forced bond with him, when he only ever tried to murder her and bring about her downfall? that they would VALIDATE his gross treatment of her by having her kiss him........................... how they made a trilogy more sexist than 70s george lucas, i will never understand

the main movies are the skywalker family saga. that’s what they told us. ending the last movie with two palpatines facing off............. if they already said fuck anakin and everything about his legacy finally ending the rule of the sith, they should have at least let his GRANDDAUGHTER be the one to ultimately fulfill the prophecy. i really cannot believe they fucked anakin and all the skywalkers in this way. the final living skywalker descendant killed all of his remaining family members and THAT’S what we’re going to have to live with from now on. everything anakin and luke and leia struggled and fought for, everything they overcame, all meaningless because one fucking sociopath is such an edgy piece of shit that he’d rather build a shrine to his grandpa’s burned helmet and get stuck in teen “I HATE MY FAMILY” bullshit because...... his life was unfair, somehow??? he just really loves murder??? tyranny is cool??? who knows! not us! jaina didn’t get erased from canon for this. the skywalkers deserved better and so did we.

[grcndel]

“ 🔥 “ your unpop opinion on mlm fetishization in both the fic writing world and rpc because i, truly as a gay man , fucking Hate it

oh boy i have.  bullet points for THIS fucking ask !!

so first off, straight girls writing gay men is a recipe for fucking disaster.  always.  every time.  non-straight girls and non-gay men writing gay men, on the other hand, is a 50/50 shot.  i don’t recommend people try it if they aren’t willing to do the necessary research and don’t understand that it isn’t their place to speak up over gay men’s voices when gay men tell them they’re doing something offensive, inaccurate, or fetishistic. 

wanting to ship your female muse in an MMF relationship just because you think the M/M part of it is hot and wanna project on ‘getting in on the action’ with your character isn’t good polyamory representation, it’s just fucking gross.  fetishizing bi / pan mens’ attraction to other men is fucking gross.  writing situations where gay men invite a girl into sexual or romantic acts is fucking gross.

jokes and comments like  “awh i wish he wasn’t gay,”  “my muse can woo even GAY men into loving her,”  “well what if she had a penis hahaha,”  “my female muse’s type is gay men - she always goes after them!”,  and  “but he’s SOOOO hot …”  aren’t fucking cute.  all they ACTUALLY end up doing is making me uncomfortable, putting me on the spot, and leading me to believe you have no respect for gay mens’ sexuality.  these borderline corrective-rape ‘jokes,’ ‘kinks,’ etc. aren’t sexy, they aren’t funny, they aren’t endearing  –  they’re disgusting.  you’re disgusting if you partake in them.  ( still looking at you, xuxu, you fucking godawful piece of shit. )

the RPC does not  “love”  or  “adore”  or  “fawn over”  gay men  –  those are positive terms.  what the RPC does is use gay men as mindless wank material and sexual objects.  we are not loved here.  we aren’t even viewed as human.  any canon representation we have is either denied, woobified/infantilized, or overly sexualized to the point of being damn near unrecognizable.  stop claiming we don’t have it as hard as other LGBT people in this community  –  we do;  the nuances of our situations are just different from theirs, and the violence against us translates very differently in the RPC than it does for bi/pan people, trans people, or lesbians.  the popularity of gay ships in fandom spaces is in of itself an act of fetishism and shouldn’t be considered anything CLOSE to respect, appreciation, or love.

straight womens’ obsession with gay ships isn’t  “women exploring their sexualities,”  it’s fucking predatory and creepy and absurd.  calling women out on fetishizing gay men isn’t fucking misogyny, and i can’t even believe i have to say that, but i HAVE seen people argue that point before.  you don’t get to throw another oppressed group of people under the bus for your own fucking pleasure and then decide that said oppressed group is evil and sexist if they stand up for themselves.  that isn’t how this shit works.

and finally  –  this one isn’t necessarily a fetishism thing, but since it’s happened to me before?  trying to convince someone that they should write their muse as bi / pan instead of gay, or making sure you tell them that you interpret the muse differently in that regard, is a very very VERY transparent homophobic micro-aggression.  if their muse’s sexuality is headcanon-based and you headcanon them differently, that’s fine, just  …  keep it to yourself unless it’s legitimately problematic for people to be hailing that character as a ‘gay icon’  ( RE: pennywise ).  if their muse’s sexuality is canonical, don’t fucking argue with them about it beyond that  –  better yet, stop fucking shipping that character w/ people who aren’t the same or similar gender.  if someone informs you a character is gay and you fucking insist on keeping him in a straight ship, you’re a homophobic little freak and i hate you with everything i have.