#not the most well-known characters nor the most prominent rival team. but how else can you look at umemiya and nao!
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For a show with so much well letâs say fan base, Daiya surprisingly avoids the clumsy accidentally shounen relationship focus, instead using subtler, slower, deliberate development of Sawamuraâs relationships with Chris and Miyuki. The show about having a good time playing ball is in fact just about having a good time playing ball. Thatâs what makes it even odder that itâs Ugumori that fits into ye goode olde unintentional subtext
#not the most well-known characters nor the most prominent rival team. but how else can you look at umemiya and nao!#kelsey liveblogs anime#yes itâs because of terajimaâs ill-executed well-intentioned commitment to tokenism and his inability to write those characters he brings in#still. something refreshing about hearing some good old hot blooded roaring about giving your life up to someone else to be a proxy#I do enjoy that kind of friendship#back on my earlier train of thought yeah daiyaâs one signature is the tokenism#admirable in a weird way. itâs never more subtle than a hammer to the head but itâs there and it keeps chugging along#there will be exactly one (1) character every two arcs who represents some kind of oft-ignored marginalization#and who will be given a mildly micro aggressive characterization.#Wakana the coed athleteâŚwho is on the losing team and is banished to the provincial school where we donât know if she even plays#Kamiya the Brazilian star runnerâŚwho wanders around without a shirt on#the Todorokis the lower-class striversâŚwho are loud dumb and crass#nao the mobility-impaired former playerâŚwho is so generically inspiring he gets the team to new heights
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why flintwood?
 There are three main aspects as to why Flintwood draws me in so much as a ship - as a writer, they have to do with what canon gives us, and what canon allows us to build off of. I personally love expanding on minor characters that arenât as constrained by canon; therefore this ship is writerâs gold for me.Â
war & peace - named for one another;
Starting from last names, the connection between Wood and Flint is pretty obvious - one incites the other. Tie in their given names, where Oliver equates to peace, and Marcus referring to the Roman god of war. Now, JKR is always deliberate in names, and her choice most likely refers to peace winning out over war in the end (Oliver beating Marcus finally in POA). But this naming explicitly ties these two characters together in a way I love to explore.Â
What is interesting to me, in rereading their characters, is that Oliver is the one who is emotionally charged, quick to anger and retaliation in the face of Marcusâ needling. Marcus, on the other hand, sticks to more snide remarks, and seems relatively calm, albeit amused by Woodâs reactions. Oliver is noted as capable of putting aside all other concerns in favor of winning, even otherâs well being. Marcus, on the other hand, seems to place more value on having the strongest team. He practices sneaky tricks and physical fouls on the pitch, yes, but doesnât seem to want to risk the overall well-being of his team. âPeaceâ and âWarâ arenât apparent in their actions, nor their motives. Both are bent on winning - the ways they go about it arenât the usual representation. One could argue diplomatic Cedric Diggory seems to match a picture of peace better than Oliver does.Â
In shipping terms, their names may speak to initial conflict, but digging a little deeper in the meaning of their names brings surprising similarities. Oliver also has meanings of affection; Marcus, defense and tenderness. Itâs this semi-meta thatâs drawn me in - that under the surface there is so much more to their characters, and so much could grow in a potential relationship. It makes for a fascinating play on characterization. As canon doesnât give us much past the standard traits (enthusiastic mentor of a captain, the surly rival, respectively), I always go back to their names when writing.Â
meet me on the pitch - quidditch parallels;
As minor characters, Oliver and Marcus only ever really appear in the sphere of the quidditch pitch. Given Harryâs narrative, that leaves a lot open to interpretation of what happens off-page, as it is with most minor characters.
Like their names - I consider Oliver and Marcusâ roles on the pitch. Oliver is a keeper, defensive. Marcus plays as chaser - an offensive position. Theyâre the only positions in the game who will face off directly against each other in order to achieve something. Their focus will be on one another at many points in the game. Itâs likely that theyâd study each other on the pitch. Their aim, when playing, are centered around the hoops and combatting one another.Â
How they organize practice and their teams is also contrasting. Oliver is ordered - early morning practices, devising schedules all summer. He sticks to plans, and an upheaval like a Hufflepuff-instead-of-Slytherin game throws him off wildly. However, Marcus seems to work on chaos. He disrupts Woodâs practice, and manages to get his team to do so as well. He changes the line-up each year, while Oliver keeps the same team from Harryâs first year.
Their goals, at the end of the day, are the same: win the cup. Marcus succeeds one year, Oliver in another. Theyâre both captains fairly young (JKR is notoriously bad at math but -) Oliver being made captain at latest his 4th year, and Marcus similarly. This could speak to a future outside of Hogwarts. We donât know about Marcus, but Oliver did sign onto Puddlemere. Itâs ripe with more potential for interaction, and they could carry the same dynamic onto a larger arena.
So while Flintwood fits the trope of âopposites attractâ, thereâs also an undercurrent of striking parallels in their minimal storyline. Quidditch also serves as a great backdrop for immediate confrontation, or avoidance - a chaser can either fly directly towards the goals, or could try to outmaneuver the keeper.Â
a house divided - the slytherdor dynamic;
The most potent ships in HP seem to be Gryffindor x Slytherin related. That split in allegiance, values - it leads to heavy stuff, to say the least. Oftentimes, these ships acknowledge that for there to be romantic involvement, there needs to be a growth in character, due to the antagonism, and aspect of being enemies. And in any relationship, I believe people should grow for the better.
But are Oliver and Marcus really enemies? It never seemed to me they hated each other to the degree, say, Draco and Harry did. They dislike each otherâs ways of leading their teams, want to one-up the other, but the animosity doesnât seem to quite come cross as enemies, and instead levels off at sports rivalry. Thereâs a begrudging respect, almost - they take the other seriously when it comes to playing, which speaks to knowing the other one is good enough, however hard it is to admit.
So the conflict grows from their values, and how their morals align.
Oliver could throw everything away to get what he wants. And thatâs fascinating, this single-minded focus, because it could also speak to him throwing away everything in war-time to protect the ones he love. Canonically, he goes back to fight at the BoH, and his values do seem to align pretty evenly with standard Gryffindor ones.Â
Oliver is devoted to the cause, focused and blinded to everything else. Very Gryffindor through and through - a little reckless, brave in his intent, ready to fight.Â
And then thereâs Marcus.Â
Flint is a fascinating character for me mainly because of how little we solidly know about him, yet how much history he could have. The Flints are part of the Sacred Twenty Eight - so assumed pureblooded. Josephina Flint, being a former MoM, would also probably set up the family as fairly powerful, but weâre unsure whether that has lasted to the present day in the storyline. However, as Marcus seemed to maintain respect as quidditch captain, and because Slytherin can be inferred as relying more on social power and name standing than other houses, a conclusion can be drawn that the Flint name could hold some weight.Â
But then (even though this was an error on JKRâs part but I consider this anyways), Marcus repeats a year. Not something thatâs seen in good light, assumedly. Heâs described as cunning, and âflying like an eagleâ, and failing NEWTS doesnât necessarily discourage from a future wizarding career. Yet he remains as captain, makes changes to the Slytherin line-up without there being much upset from other housemates - he still seems to holds respect. The reason for repeating a year could be expanded on in so many ways in writing.
And JKR puts two tropes of young Slytherins in canon - ones, like Draco or Pansy, who make their beliefs and alignments well known. And others, like Zabini, who might associate, but are not as transparent about their War decisions. Where does Marcus fall? Itâs up to interpretation as well. With his background (and ancestorâs ties to the Black family), he could easily believe in the Dark Lordâs cause. But being associated by bloodline with prominent Dark Lord supporters doesnât necessarily predict a characterâs beliefs. Thereâs a possibility of keeping his opinions low in order to retain his position of power in the house.Â
Furthermore, I have a hard time seeing Marcus as committing to a âhigherâ cause. Heâs a leader, and is angry when things donât turn out his way (see: Draco missing the snitch in CoS). It doesnât necessarily fit in Marcusâ character to become a follower, nor to be too involved politically. The split in Gryffindor and Slytherin ideals, for me, is that Gryffindors are about larger pictures of morality. They believe in something, theyâll fight for whatever it is. Slytherins do that on a smaller scale, and their loyalty is to themselves and their loved ones first.Â
So considering a relationship - Gryffindor would likely fight the good fight. Slytherin would either be torn between âloved one being in dangerâ and âthis is an abstract ideal, why would you fight for that?â. A split, ripe for misunderstanding. For me, Flintwood during wartime is so multilayered. If there would be Dark vs Light differences, the reasons each one chose their sides would be complex. If their values did align in what they consider right, it still doesnât mean both would go into the fight.Â
And what they consider as self-preservation vs. cowardice is another relationship pitfall that holds so much emotion. Flintwood is not so much about the very clear split between Light and Dark, but rather how the same motives could come across in different ways, just like on the pitch.
If we put full shipping notions on this, the need to protect one another could still cause highly charged arguments and future need for reconciliation, but I digress.Â
So. Flintwood. For such small characters, theyâre set up as foils with quite a few layers. What I personally take away from all this is that their immediate contrasts in character can be pulled away for quite poignant similarities underneath. Itâs quasi-meta, but it makes characterizing Marcus and Oliver quite a lot of fun, and opens up many narratives.Â
If you read this whole thing, Iâd like to give you a huge thank you, a hug, and all my love. These are just my thoughts, and Iâd love to hear how/why other people ship Flintwood!
#flintwood#flintwoodnet#marcus flint#oliver wood#hp#erinwrites#long post#LIKE RLLY LONG POST#if you read this u immediately get my full love bc holy shit#LONG#slytherdornet#what are queue doing here flint
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