#not that you'll ever read this

[wishfulsketching]

I got lost while I was on my way to rewatch Granada Holmes

Now I know about Jooster

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[thebibliosphere]

Hey, SPN folks getting heated in my inbox; I know this might be an extreme request for some of you, but you realize you can be normal about things, right?

[oozeandgoo-art]

Stubbornness.

[xxplastic-cubexx]

waiting for marvel to take you up as their comic artist so that we can have amazing art with cherik official storyline

marvel hire me to draw professor x and magneto making out sloppy style for forty issues straight you will get a BAJILLION dollars i promise

[artificial-absinthe]

Last to follow chapter 3

My Tfp Ravage design made for @vsphelix third chapter of their superb work, "Last to follow". It's loosely based on the Fall Of Cybertron unused design, modified in a Tfp style and to stand out as a deployer of Soundwave. (No nose of course for noses are a crime in Transformers: Prime. —The "Prime" being optional 🪦—)

The fic is such a masterpiece that I was compelled to draw at least a picture for each chapter. I'd have liked to draw much more, as there are so many impressive, haunting scenes, but, alas! not enough time.

This one's Another captivating chapter full of revelations and heart-wrenching events, and of course Helix's impeccable sense of characterization, beautiful style and fluid, thorough storytelling.

(I'm listed as coauthor only because of the embed prompt drawings)

(I just discovered that I can embed links in the images. You can click/tap on it ⬆️)

Last to Follow (9596 words) by ARTificial_Absinthe, vsphelix Chapters: 3/5 Fandom: Transformers - All Media Types, Transformers: Prime Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Megatron/Soundwave (Transformers) Characters: Soundwave (Transformers), Tarn (Transformers), Megatron (Transformers), Decepticon Justice Division, Ravage (Transformers), Laserbeak (Transformers), Minicons (Transformers) Additional Tags: Post-Canon, Post-Cybertronian Civil War, Post-Predacons Rising (Prime Movie), RID2015 never happened, Fugitives, Major Illness, Flashbacks, Ideology, Illustrations Summary: The war is over. The Decepticons are no more. Megatron has fallen mortally ill, and the jaws of Autobot retribution are closing in. Soundwave will never abandon his leader. Tarn rejects the dissolution of his Cause. When their paths intersect, Soundwave clashes with the DJD in the ultimate test of loyalty.

[lovestruckelf]

MY HEART CANT TAKE THE ANTICIPATION!!!!

Thranduil.... Go save your woman!!

[beatx-mavie-archangelx]

there should've been at least a full view of Fíli's body in the funeral scene

"Fíli you didn't deserve any of this" we all say in unison

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid

[draw-the-squad-like-this]

Draw your characters like this! (src)

[carnivalcarriondiscarded]

hey remember that caramel-carmel Fake Script i was writing? yeah it's technically not done but i'm tired of tinkering with it so here it is! we'll just say it's a uhhhh uncovered partial script or somethin

this is not in any way official! it's a 100% unaffiliated fanwork & i am Just Fucking Around for Funsies

~

BARNABY: oh, I love carmul!

FRANK: [long, disgusted pause] …what? 

BARNABY: Carmul! You know, those tasty little treats you’re holdin’!

FRANK: You mean caramel?

BARNABY: That’s what I said.

FRANK: [scoffs] No, you didn’t. You said carmul.

BARNABY: We’re sayin’ the same thing here.

FRANK: We absolutely are not!

JULIE: [giggles] You really aren’t.

BARNABY: Carmul, caramel, tomato, tomahto! What does it matter!

FRANK: [flustered, stammering] It - it matters! Julie, you agree with me, don’t you?

JULIE: Well… I don’t know, Frank! I think both are fun!

FRANK: You’re both wrong, then! Wally, you agree with me, don’t you?

WALLY: [hesitant] …I say carmul.

FRANK: No! Not you too! How could you poison him like this, Barnaby?

BARNABY: Don’t look at me! I’m innocent, honest!

FRANK: Ha! So you admit that carmul is the wrong pronunciation!

BARNABY: [groans] ah, geez… throw a dog a bone!

FRANK: I’d be delighted to if you’d just-

[distant yelp as Eddie trips off-screen] 

FRANK: Eddie! Thank goodness, finally someone who can put an end to this debate!

EDDIE: [nervous laugh] Oh no, what did I stumble into this time? 

BARNABY: Hold on a tic, Frank. Hey Ed, take this. What do you call that tasty treat?

EDDIE: [with a tinge of fear] A… caramel?

FRANK: [triumphant] a-HA!

SALLY: [approaching] Did someone mention carmul?

FRANK: AGH!

BARNABY: [delighted] Perfect timing, Sally!

SALLY: What, for a delicious morsel? Hand it over, thank you!

FRANK: You’re all wrong, and I’ll prove it! We’re going to go around the neighborhood and - wait. [under his breath] One two three four - [returns to normal volume] we’re taking this to Poppy’s!

BARNABY: Then Home, then Howdy, yeah yeah - might as well ask the daisies, too.

JULIE: Oooh, and the butterflies! 

SALLY: While we’re at it, we should phone everyone in the book, just to get the widest audience input.

FRANK: [unamused] You all think you’re so funny. 

EDDIE: Well, you gotta admit it’s… it’s… 

[brief, tense pause. Eddie clears his throat]

EDDIE: It’s perfectly sensible!

[Frank makes an affronted noise]

FRANK: Poppy will see sense.

-

POPPY: I’d be delighted to have a cah-mehl, but I’m afraid it-

FRANK: [aghast, truly astonished] You’re joking. You have to be joking. CAH-MEHL? Does no one in this town have sense?! Besides Eddie, of course. And Julie - on a technicality.

EDDIE: [oddly pleased] Why thank you. 

POPPY: My goodness, did- did I say it wrong?

BARNABY: [gleeful] Not in the least, Pops!

SALLY: As far as I’m concerned, you added an extra layer of… pizazz to the word. In fact, I may adjust my own pronunciation accordingly!  

POPPY: [flustered] Oh, well, I didn’t - don’t change on my account -

SALLY: Take the compliment, Poppy. 

POPPY: [meekly] Thank you.

[Sally wanders from the group, practicing the slightly adjusted pronunciation]

WALLY: I’m not sure I understand. What’s wrong with carmul or… care… mul… carmel…

POPPY: Don’t strain yourself dear, you’ll get a migraine.

FRANK: What’s wrong is that it’s ENTIRELY incorrect! It! Is! Pronounced! Caramel!

JULIE: Aww, Frank, I’m sure Home and Howdy will agree with us! Team Caramel, WOOO!

BARNABY: [barely restrained disbelief] Boy, won’t they! 

POPPY: I’m not sure what the fuss is about… there isn’t much of a difference, is there?

[Frank makes a high pitched, frustrated noise and stomps off. He can be heard calling Home’s name in the background]

JULIE: Oop, there he goes!

POPPY:  Oh - oh dear. I didn’t mean to rile him up.

BARNABY: Don’t twist your beak about it - Frank’s just bein’ Frank. Now if you’ll excuse us, I wanna see how it goes with Home.

WALLY: [quietly, thoughtful] But Home doesn’t talk like us…

POPPY: If you’re sure… Do let me know how it goes. 

SALLY: [swaying back to the group] I’ll phone you post-haste! Or even better, I can come by for one of your delicious muffins and regale you with the whole escapade, in detail.

POPPY: [audibly pleased] That sounds - well that sounds like a wonderful idea! I have some fresh from this morning-

BARNABY: Sounds great! See you around, Poppy.

-

FRANK: Home, I have an important question to ask you. Is the correct pronunciation for this candy ‘carmul’, or ‘caramel’? One creak for caramel, two for the incorrect carmul.

BARNABY: Talk about a bias…

[Home stays silent. Sally yawns.]

FRANK: One creak for caramel, two-

[Home slowly shuts their curtains]

FRANK: Hmph! The nerve… well, I suppose a house that can’t speak shouldn’t have a say, anyway.

WALLY: Home can speak. He just does it differently.

BARNABY: And I’m pretty sure they just agreed with me, Walls, an’ Sally.

JULIE: They did not!

BARNABY: Looked like it to me!

SALLY: I have to agree with Julie. Home just declared itself a neutral party, and so the vote can’t be counted either way. On to Howardson!

JULIE: Yes! Howdy! Our last hope!

FRANK: He may have terrible taste in company, but he’s a sensible businessman. Poppy and Home have let me-

JULIE: Us!

FRANK: -us down, but surely Howdy will back us up. 

BARNABY: [faux-serious tone, knows something they don’t] Absolutely. Without a doubt.

-

[store bell chimes]

HOWDY: Howdy-do - [brief pause, a tinge of surprise] everyone! My my, what brings the entire neighborhood to my bountiful bodega? Finally decided to clean me out for good?

BARNABY: [snorts] With how fast you restock? I think I’d break my funnybone!

FRANK: We have important business.

HOWDY: [mildly curious] Do we? That’s news to me! But I’m letting you know now that I don’t deal in bugs, Frankly. It’d be hypocritical. 

FRANK: Believe me, I wish I were here to talk insects. Unfortunately, I need to settle a score. Mr. Dear, if you would?

EDDIE: If I would what?

SALLY: [stage-whisper] Barnabello gave you the, ah, parcel earlier?

EDDIE: The…? Oh! Oh, right - I have it right here, just… give me a second… which pocket…? There we go.

[sound of a small, hard candy placed on the countertop] 

HOWDY: A carmul all for me? You shouldn’t have! No, really, you shouldn’t have. I’m on the clock.

BARNABY: [loud bark of laughter] I knew I could count on you, pal! So what’s the tally, Frankie?

[Frank mutters something inaudible]

BARNABY: What was that? I couldn’t hear you over the sound of me bein’ right!

FRANK: [explosive] You’re all wrong! The correct pronunciation is caramel, CARAMEL! You’re all - you’re all just - heathens! Heathens, I say! I’m taking my company elsewhere! 

EDDIE: Mr. Frankly…

JULIE: [overlapping, following] Aw, c’mon Frank! 

[the door jingles. Julie and Frank’s hushed arguing in the doorway underlies the dialogue]

HOWDY: It sounds like I missed quite the context! Mind filling me in?

BARNABY: That was pretty much it; a real potato potahto argument.

HOWDY: If you say so, Barn. Speaking of potahtos-

[the background argument abruptly cuts off, the door jingles again as it's closed]

FRANK: [rapidly rejoining the group] Hold it! You don’t really say potahto, do you?

BARNABY: [under breath] Here we go again…

SALLY: [deeply amused] Where on Earth did you pick up such a butchered pronunciation? I must have missed the sign on my tour down from the heavens.

EDDIE: [baffled, underlying the dialogue] I’ve never heard anyone say it that way.

JULIE: Oh! Is it a joke? Like, Barnaby says potato-potahto, and then you jokingly say potahto to make us laugh? 

HOWDY: It’s not a joke. That’s how it’s said.

FRANK: [genuinely disturbed] No - no one says that. It’s potato.

HOWDY: Well I say potahto, thank you very much! And if you ever want one from my store again, you’d do well to accept that.

[Various grumbles of reluctant acceptance]

HOWDY: Good. Now, can I get any of you a refreshing drink after such a squall? You must be parched! 

WALLY: I wouldn’t mind a glass of mulk.

[Horrified silence. A pin drop would be deafening]

[Sudden uproarious and overlapping argument]

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[tathrin]

Oh my gods, suddenly going feral over—

Legolas Greenleaf long under tree In joy thou hast lived. Beware of the Sea! If thou hearest the cry of the gull on the shore, Thy heart shall then rest in the forest no more.

Which, yes, obviously refers to the Sea-longing that came upon him at Pelargir, and of which he later said:

To the Sea, to the Sea! The white gulls are crying, The wind is blowing and the white foam is flying. West, west away, the round sun is falling. Grey ship, grey ship, do you hear them calling, The voice of my people that have gone before me? I will leave, I will leave the woods that bore me; For our days are ending and our years are failing. I will pass the wide waters lonely sailing. Long are the waves on the Last Shore falling, Sweet are the voices of the Lost Isle calling, In Eressea, in Elvenhome that no man can discover, Where the leaves fall not: land of my people forever!

But of course, we know that he did not pass the wide waters "lonely sailing," for he brought Gimli with him...

Because his heart was in Gimli's keeping by then. After the War of the Ring his heart dwelt in glittering caves under the stones of Rohan; his heart rested in the strong and gentle hands of a dwarf. The very same dwarf who then sailed that Sea with him, and after dwelt beside him in Elvenhome ever-more. It was no longer the forest that held his heart: it was the solid dwarven stone of Gimli's soul.

Fuck.

[anexistingexistence]

This line from Heartsong but it's Avior and Starlight

[nothatsmi]

Considering you too are a fan of two very good book series (aftg and trc) do you happen to have any recs?

Hi Thank you for your trust.

I wouldn't say I have a rec that's in the same vibe as these two but i DO have a book rec, I read this a few weeks ago and it's really really really good, now please welcome on stage

The charioteer, by Mary Renault

It's a queer 1953 novel with everything one needs (hospitalized soldiers, male nurses, pretentious and/or mentally unstable queer friends, poetry books, windy countryside, sailors).

I would make fanart of it if I had free time. Hopefully someday I will.

Anyway, go read the the book, its's 100% worth it.

[triglycercule]

if dust takes off his hood and scarf then nobody can recognize him. he has literally no permanent traits that make him recognizable (which actually kinds upsets me because,,,,, there is no physical representation of his character development from sans to dust BUT EAAHHHH whatever,,, we cope with it.) but in like a silly goofy comedic way. it's like perry the playapus ans dr doofenshirmst (incorrect spelling but only by societies standards)

dust with hood down and no scarf

killer: a sans?

he puts on the scarf

horror: a GENOCIDE sans???

the hood goes up

killer: DUST SANS AKA MURDER SANS AKA DUSTTALE SANS FROM HIT AU DUSTTALE?????

horror's skull breaks a second time on the other side from sheer shock